Well, Daniel Sampere continues to deliver great art on Wonder Woman. This issue feels a little stronger than most of this run, Diana feels like she’s featured more than most issues. However, that’s not saying much. It’s a classic case of “too little, too late” to improve the overall assessment of Tom King’s run on the character. Too much of the issue relies on buying into Tom King���s weak approach to the entire story and lackluster use of Diana. He also finds it necessary to throw in a “poop joke.” It almost feels like this would’ve been a good place to start the story so that the blanks could’ve been filled in as things progressed. The script has a “by the numbers” feel to it. Even though King’s tenure on the title is supposed to go beyond issue #19’s finale of the Sovereign storyline, one can always hope it won’t go much further and Wonder Woman fans can put all this behind them and move into a legitimately good era for the Amazing Amazon. more

Daniel Sampere must be developing scoliosis because he is carrying this run hard on his back, even more so than Jorge Jiminez on Zdarsky and Tynion IV runs on Batman. I think the reason why this series hasn't grabbed my attention on the same level as Absolute Wonder Woman is that the way the dialogue is written feels very formal and old-fashioned. The blue thought boxes are clearly someone telling a story to Trinity, but it doesn't feel natural and feels very clunky. This series is also a big decompression. The art saves this series, but as a long time Tom King fan, this feels very padded out. Tom King's interpretation and vision on how Wonder woman should act in a very stoic or stiff is very different from mine, and thats why there is a big disconnect. more

When your whole book is just a way to troll a group of fans maybe you are a hack writer