Black # 2 dives into the harsh reality of racism by showing how race is affecting actions of the world today magnified by the elements of super powers add to one of the races. Osajyefo makes no apologies here with statements made on racism. He also uses Kareem to be the guide for readers to go through the world here. Osajyefo gives readers more of the other characters of this world as Detective Waters has not disappeared yet, Juncture is still being the leader of the Project while handling Kareem's development and our big bad are make small, but impactful moves. The art is truly a splendor to behold. The lack of traditional color honestly helps the book more than hinders it, allowing the reader to have more control over what they are visualizing while also making a philosophical statement on color in the world. Igle, Riggs and Stern are impressive this issue as the art just continues to dazzle, invoke emotional reactions and grips readers into wanting more. Read Full Review

In the same way that X-men comics in the 60's were an allegory of the Jews during World War II, Black is a modern day representation of artistic activism. Honestly, I am not sure if I am prepared to keep reading. I don't know if I am ready to see the world the Black is trying to show me. Before I can read the next issue I will be sure to take a long hard look at the cover and decide whether I really want to know what Black is trying to tell me. Read Full Review

A bitter pill, presented wonderfully. Read Full Review

I thought it was a slight dip in form from issue 1 but still an intriguing plot line which I am looking forward to seeing where it will go.

I was hoping this had more commentary relevant to today's political climate. I'm not saying that there aren't black people abused by rednecks, but if someone were burned alive, I think that would make it into the news. So this feels more like a caricature than something authentic, and it can't really shake the discount X-Men feel either.