7.0
This was a bit messy and clunky, but the premise shows promise, and that ending elevates it.
So much time was given to Tony’s backstory that the issue began with an info dump rather than a compelling narrative, and we did not get much team interaction, which is a bit of a shame in a team book.
The first five pages should have been jettisoned. The comic would then have begun with Tony in medias res, which I do believe was the intention. The first page would then have been the splash shot of Tony in the Retro Suit, with the endearingly drawn retro action pages following. The kitschy humour could have been muted too, then the book would have felt more cohesive. Ultron could have been seen later, saving the day in real time in front of his colleagues, leading us to get real time reactions to his presence.
Never mind. We got what we got, and in general the good points outweighed the bad.
It has an interesting cast, the potential for the set-up to work or fail big creates drama, and it promises greatness.
The art is a bit shaky at times, and suffers from a similar lack of cohesion as the writing, but when it works picks out some nice character beats, and the colourist is on point.
Mostly, it’s a pity that anyone on the team not called Tony Stark gets such little attention. I mean, poor Rhodey, c’mon! Spider-Woman, relegated somewhat to the Basil Exposition role, fares marginally better, but also has to provide a coincidental presence at one point to further the plot, before leaving for San Fran. On a positive note it is nice to see Duggan giving her a realistic voice, rather than the over-egged dialogue forced onto her by Hopeless and Foxe, so long may that continue. Personally, I would have liked to see her gliding alongside Tony rather than hanging off his arms. I think it would have made her look stronger and more of an equal to him, and the conversation would have been way more natural. Jess shouldn’t have needed any help to Super-Spy her way out of a Hospital, and Tony’s dialogue should have been clear in order to make her lame subterfuge work. Flying back to base didn’t need dramatic visuals, it needed a quiet reflective moment between team-mates, and if this book could create more of those, it would have a real beating heart. This book contains any number of characters that are both victims, and survivors, and, at times, the slightly glib edge is at odds with the darker heart. Lightness can mean space, as much as humour or jokes. It feels like it needs to decide what it wants to be. Does it want to be “The Empire Strikes Back” or “Return of The Ewoks”?
So imo this wasn’t perfect, but if it irons out the wrinkles, could turn out to be heading in that direction.
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