Matt Morrison Comic Reviews

I'll consider it a miracle if Kyle Starks and Chris Schweizer manage to avoid a lawsuit or a firm punch from the third fist concealed under Chuck Norris' beard. With any luck that legal shutdown and lethal strike won't arrive until after we've seen the rest of The Six Sidekicks of Trigger Keaton. This is one of the funniest comics I've read in some time.

A disturbing vision of a future yet to be, A Haunting on Mars seamlessly blends horror, science fiction and social commentary. It is highly recommended for all fans of cyberpunk, dystopia and quality comics.

Absolute Batman #1 manages the impossible, reinventing the wheel into something new while still rolling forward in a familiar fashion. I am not sure where Snyder and Dragotta will go from here. However, I am quite excited to be along for the ride.

Absolute Batman #16 suffers only in that one has to have read the earlier Absolute Wonder Woman team-up to fully appreciate it. I also suspect the nuance of the growing fondness of Amazon and Knight may fly over some readers’ heads. Despite that, this is still a great issue of one of the best comics on the stands.

All in all, Absolute Batman 2025 Annual #1 is not a bad book. It is uneven, however, with an opening act that steals the show. This book is certainly likely to provoke conversation, if not controversy, in any case.

Somehow, I didn't hate this. I probably won't keep reading it, but this is probably the best Venom Vs. Carnage story ever.

Absolute Catwoman #1 is another amazing entry into the Absolute Universe. It builds beautifully on the foundation from Absolute Batman, offering intense action throughout. Yet this is still unmistakably a Selina Kyle story, even if she is far more like the Bat than the Cat.

Absolute Flash #1 is another instant hit for DC Comics and another triumph of the Absolute Universe concept. I predict this book will enjoy a nice, long run.

Absolute Green Arrow #1 is a rare first issue that does everything right. The artwork and story work together in perfect harmony. Whether you’re a longtime Arrow-head or a newcomer to Green Arrow or the Absolute Universe, this is one book you don’t want to miss.

The only real flaw in Absolute Green Lantern #1 lies in its marketing. The story builds to a shocking twist that would be far more shocking if it weren't telegraphed by most of the variant covers. Go in blind, however, and you may see the light and enjoy a new view on a classic concept.

Absolute Martian Manhunter #1 may not be everyone's cup of tea. It is, however, a brilliant piece of work that goes beyond simply being art for art's sake. This is a prime example of what happens with two creators push the boundaries of illustrated literature to tell a story that only the comics medium could portray.

I hope there's some kind of twist at the end of this that will explain this wild characterization. Waid is a good writer, but he does have a history of mishandling characters that aren't his favorites for the sake of a story. Hopefully Absolute Power will explain this and prove to be worth it.

Absolute Superman #1 continues to exemplify the high standards set for the Absolute Universe. It is easily the most mysterious book on the line to date. Despite that, this take on the Man of Steel is a true blue encapsulation of the character's morality and ethos. It will be interesting to see how Aaron, Sandoval, and Arreola develop the series in the coming months.

On every level, in every way, Absolute Superman #15 is perfect. If you've not been reading this series, this is the ideal entry point. Indeed, if you've ever hoped that a man could fly and that good still exists in this world, you owe it to yourself to read this book.

Absolute Wonder Woman #1 is another solid start for the Absolute Universe. It offers an original idea while remaining true to the core concept of the character. It remains to be seen if DC Comics can maintain this momentum, but this series, at least, is wonderful.

Absolute Wonder Woman #15 does everything a team-up issue should. It introduces new readers to both heroes and further builds upon their shared universe. If you're a Batman or Wonder Woman fan who has yet to give the Absolute Universe or their respective incarnations a try, this would be a good place to start.

Messrs. Ingman, Krause, Russell and Pugh are in fine form, as always, with Chris Chuckry and Rob Steen backing them admirably on the colors and letters. This book may not be quite as cutting as Billionaire Island, or as Mel Brooksian as My Bad. It is, however, a fun read. And that ain’t nothing.

It remains to be seen if the upcoming Man Of Steel mini-series will give Super-fans reason to be hopeful about the over-hyped Coming of Bendis. As it stands now, this book works best as a tribute to what was rather than an inspiration for what superheroes should be. Not exactly a strong start for a creator meant to be revitalizing an entire line.

Trite and overwritten, the only saving grace of this issue is Szymon Kurdanski's excellent artwork and Brad Anderson's colors.

In the words of Bizarro, "This am a bad comic. Me am not looking forward to next issue. Me am not wanting to see more from Jason Aaron and John Timms. Or, in plain English, this is an imaginative book sure to appeal to every fan of Superman.

This book was incredibly hard to read. Andy MacDonald is a decent enough artist, but his visual storytelling skills need some work.

Adler will certainly appeal to fans of the Sherlock Holmes stories but also to anyone who enjoys stories centered around smart women who don't let society get in their way. With complex artwork and a story that puts a unique spin on some of the 19th century's greatest literary heroines, this is one adventure you'll want to sign-on for.

Despite this oddity and a little redundancy in the story, The Adventures of Supergirl will satisfy Kara's many fans. This comic perfectly captures the spirit of the show and there's nothing here that would be considered inappropriate for most audiences. Parents may need to help their own super-kids with reading some of the words.

While Aerobicide may not appeal to everyone, those who fondly remember the 80s will find a lot to love about this book. With high octane action and colorful artwork, this is one one-shot I hope to see a second-helping of someday.

Ultimately, I'm not sure who the intended audience for Age of Conan: Belit is. The reputation of the character will scare off feminist fantasy enthusiasts. The cover will likely drive away the YA audience. And Conan purists will turn their nose up at the attempt to appeal to another audience. It isn't bad for what it is and it is well-presented, but I'm hard pressed to think who, apart from existing Conan fans, might be a good fit for this series.

If you're a fan of Robert E. Howard's heroine, Age of Conan: Valeria is a worthy origin story. If you merely like stories about strong women with a more realistic edge, it will suit that purpose as well. Highly recommended to all lovers of high adventure, even if they don't usually enjoy the fantasy genre.

This series will likely flow more smoothly as a single story in a trade paperback, but it is a ripping yarn despite some minor pacing problems in this chapter.

Alias: Red Band #1 does everything a good first issue should. It captures the spirit of the series so far perfectly. It also acts as a welcome introduction to new readers and a refresher for old fans getting back into the books. Beyond that, it is a love letter to everything that made Jessica Jones a beloved character on both the streaming screen and the comics’ page.

I can't speak for the Alien fans, but I suspect this series will satisfy them. Speaking as someone relatively green to the franchise, however, I can say that this is a damn good comic and it captures the essence of what I know of the setting, even as it offers us a new perspective on it. Alien sets a new standard for movie spin-off comics.

The only readers likely to be disappointed in Aliens vs. Avengers are those who wanted bunches of bloody battles. While there is action aplenty, this comic is anything but mindless, with a depth that far belies its simple premise. It is sure to satisfy fans of the Aliens films and the Avengers.

All New Wolverine is a worthy continuation of the legacy started by Roy Thomas, Len Wein and Chris Claremont. I didn't know much about the woman who was X-23 going into this book and I still don't, really. Yet the final pages of this issue contain a hook that should offer Laura Kinney ample chance to discover who she is and prove that she is more than just a clone in future issues.

The art equals Taylor's script in every respect. Nik Virella's character designs are deceptively simple, well-suited to both action sequences and the humorous talking-heads scenes. Yet Virella sneaks surprising amounts of detail into the backgrounds. Veteran inker Scott Hanna delivers his usual stellar job and the colors by Michael Garland are well-chosen throughout.

A must-read for anyone who likes fun and funny comics.

With that caveat, I can happily say that this is a book that every Bat-fan should be reading. On every professional level and possible aesthetic metric, this is a great comic.

The artwork of Rona is as detailed as the setting and story. There is much about Alpi's adventures that will seem familiar to Magical Girl fans, from the general look to the character types. There is more unique than not, however, and genre enthusiasts would do well to check this out, as would anyone looking for a good All Ages Manga for their young readers.

The action is enjoyable and the artwork is suitably gritty, but there's nothing in this first issue that really qualifies as amazing or fantasy. Genre enthusiasts might enjoy the series once it is collected in a single volume, but there is little here to stir the souls of newcomers and inspire one to deliver a barbaric yawp.

In the end, your enjoyment of Amazing Mary Jane will come down to your ability to cope with terrible artwork to enjoy a well-written story. I wasn't up to the task, great though Williams' dialogue is. Hopefully she'll find a more capable partner on future projects.

This book is as gloriously over-the-top and ridiculous as I feared. It is also shockingly good, and I'm not ashamed to say the final pages brought tears to my eyes.

The 2023 Amazing Spider-Man Annual can be easily skipped by most Spider-Man fans. Those seeking a continuation of the stories of Hallows' Eve and Fall of X will enjoy it, but there is very little Spider-Man to be seen. A larger problem is the overall uneven level of quality between the two stories.

If you haven't been reading Amazing Spider-Man, this is the perfect time to start. If you have been reading it, be prepared for it to feel like coming home for the first time in a while. With great artwork and a solid story, this is one to watch.

While technically proficient, there is little in the new volume of Amazing Spider-Man to grip the new readers this renumbering is meant to attract. It is a fine jumping on issue for those seeking to catch up on the adventures of Peter Parker. Unfortunately, there's little about this Spider-Man title so far to merit the adjective "amazing.

Amazing Spider-Man: Torn is a welcome piece of nostalgia. Both as a retro Marvel Comics story and a work by one of the best writers to ever handle Peter Parker. Highly recommended to all Spider-Fans everywhere.

While this book won't win any points with the comics-gate community, true crime fans will find American Carnage quite engaging.

American Gods: Shadows #1 will be available for purchase on March 15, 2017 from your local comic book store (Don't know where that is? Here you go.) or digitally via Comixology.com.

Another Castle #1 is not just a good send-up of a tired trope nor is it a brilliant bit of parody. It is a good comic, plain and simple. And you should be reading it and every issue to follow until the inevitable ever-loving ever after.

In short, Ant-Man #1 is well-worth reading. The script is accessible, the hero is relatable and the artwork is cheerful. This is a title that is both fun and funny at a time when far too many comic books take themselves too seriously and that is a welcome thing.

The only real weakness Last Days Of Ant Man possesses is that it is slightly inaccessible to those who haven't been reading the Ant-Man monthly series. Thankfully, new readers will get a chance to see what they've been missing out on in a few months when the series starts over with a new #1 and " if the final page is at all accurate " a new Scott Lang who is somewhat less firmly on the straight-and-narrow path.

In his notes at the end of the book, Straczynski says the reason he wrote this series was that he really wanted to write a noir comedy. While he captures the feel of the noir detective novel fairly well, the comedic elements of the story fall flat. The kindest thing that can be said about Apocalypse Al is that it isn't a bad supernatural detective story - it's just a wholly unoriginal one that isn't that funny.

Aquaman is in good hands and this new series is an excellent continuation of the character's legacy. He may never know the love and respect of mainstream audiences that his counterparts in the Justice League enjoy, but that is not the fault of this creative team. This series shows why Aquaman has endured as a concept for over 70 years and why the character has earned his place among the elite of DC Comics' heroes.

If you haven't been reading the current Aquaman series, this is the perfect place to start. The artwork is solid and the story will introduce you to Aquaman, Aqualad and the city of Amnesty Bay and its people in an economical and amusing fashion. Highly recommended.

Those who would mock Aquamanwould do well to read this series. No longer focused on the "friend of the fishes" from the old Superfriends cartoon, this book is fast-becoming a political thriller on-par with the better episodes of The West Wing, albeit one in which President Bartlet occasionally slugs it out with a terrorist leader whose father he killed. That is not a perfect metaphor but Aquaman is a perfect comic.

Despite some minor flaws, Aquaman #15 is still a solid issue. The story, while simplistic, has many memorable moments. The artwork, while a little stiff at times, looks largely fantastic. This remains one ofDC Comics' best books.

If you have yet to give this book a try, Aquaman #23 is a perfect entry point to the world of Atlantis. The writing is as complex and action-packed as any political thriller. The artwork flat-out looks amazing. This is one of the best books on the stands and that's no fish story!

Despite being the conclusion of the Crown of Atlantis arc Aquaman #24 would be an excellent first issue for new readers ready to dive into the world of Arthur Curry. The story is gripping, though light on physical action and the art team delivers quality, uniform work.

Dan Abnett has built upon the original mythology of Atlantis and its related characters in the DC Universe beautifully and strengthened the bonds between these characters which were sundered in the wake of The New 52. Of particular note is the interplay between Garth (a.k.a. Tempest) and Mera. This series is a must-read comic for any fan of the medium.

Thankfully, Abnett has begun to give the original Aqualad some much needed definition and this book has never looked better with Stjepan Sejic handling the art duties.

This annual is a harmless yet ultimately forgettable "Elseworld", whose surprise ending will likely be figured out by most readers within a few pages.

If you haven't given Aquaman a chance, this is the perfect issue to start with. Despite some references to the on-going saga, most everything until the final pages is explained for the benefit of new readers with only a minimal amount of exposition required. The artwork and action sequences are fantastic. This book is a definite must-read for anyone who likes good comics.

It would spoil too much to explain why Jones proved a perfect choice for this issue. Suffice it to say that Jones' talents are well-exploited by the issue's end. More, anyone who enjoys weird horror and a bit of Lovecraftian influence in their stories would do well to check out this issueif only for Jones' artwork. Suffice it to say that I will continue to watch this series closely and recommendAquaman #34to those who have yet to give this series a shot.

All the pages look fantastic, if different, and this remains one of DC Comics' most underrated titles.

Those who are already reading this series will find this issue to be typical of the high quality they've come to expect. All others would do well to start where the current storyline began and catch up as quickly as possible.

Those who are already enjoying this series, however, will find more of the same quality action and adventure to which they've become accustomed.

It serves well enough, however, but this is hardly the best this title has to offer.

Easily skipped by all but the most devout Aqua-fans.

All in all, this is a wonderful first issue that will likely be unfairly ignored because it is so unlike the Aquaman we'll see on the big screen this weekend. Those who are willing to be patient, however, will likely find that patience rewarded as this series continues. With great artwork and a solid premise, this is one to keep an eye on.

Despite being a bit slow, this issue is still skillfully done on every front.

While I hope that we return to the adventures of Arthur Curry and Mera soon enough, I wouldn't mind sticking with this diversion a while longer.

I haven't been entirely sure what to make of this series at times, but Kelly Sue DeConnick's story has been a fascinating one, if hardly typical of the Aquaman series of late.

All in all this is one fine book that may make some more people into Aqua-fans.

This may be Part Two of this storyline, but this is still a fantastic first issue for those readers who are curious about Aquaman after the movie.

If you haven't been reading Aquaman, this is a fine place to start and see what you've been missing. The artwork is excellent and the story explains it all without feeling like a history lecture, even as it sets up the next age of Arthur Curry's adventures. Highly recommended!

All in all, this is one of DC Comics most underrated series.

One of DC Comics' best books, and a secret treasure that deserves more exposure.

If you're looking for a good place to start with Aquaman, this is it.

Scott Snyder spins a magnificent tale, but three artists with drastically different styles leaves this book muddled and muddy.

Aquaman #1 shows why Arthur Curry is no joke and why the character has endured since the Golden Age of Comics. It also sets up a thrilling mystery with the promise of epic adventure to come. Throw in some eye-catching artwork, and you have one of the most promising new titles of the DC All-In era.

Aquamen #1 may leave some fans feeling like a fish out of water, throwing the reader into the deep end with little exposition to act as a life preserver. Thankfully, the action is engaging enough and the artwork attractive enough to make it worth treading water. Hopefully there will be smoother sailing in later issues, but I'd still say it's worth diving into Aquamen #1.

Ironically, some comic readers many avoid Arcbound for the same reason filmgoers will seek it out. There is a stigma that any comic that is developed by a celebrity will be of poor quality. Thankfully, that is not the case with Arcbound. This first chapter is one of the most gripping works of science-fiction I’ve seen in any medium in some time. I will be looking forward to the remaining 11 issues.

I suspect that Archaic will read better as a trade paperback than it does as a monthly series. The story hook is an interesting concept, but this first chapter does little enough to build toward it. Still, it will appeal to fans of modern fantasy and weird horror.

That said, Arrow Season 2.5's whole is far more than the sum of its parts. The excellent writing of the main story more than makes up for the artistic short-comings and the DCTV Universe Suicide Squad need their own spin-off comic immediately. As is, this book is a must-read for all Arrow-Heads.

If you're a fan of Arrow, you should definitely be reading this series. It manages to be suspenseful and exciting, despite existing between seasons. And even the slower issues have a lot to offer the discerning Arrow-head.

As in season 3, Laurel is a fifth wheel - an unnatural presence in Oliver's world whose inclusion in the story seems forced. The issue might have been better were Laurel to affirm her friendship with Oliver here and confirm that - in spite of everything that came between them - she believes he has changed and has become a good man. Alas, we instead get Felicity delivering another repetitive speech about how Oliver is far different than the killer he once was and how he should not doubt that.

Arrow Season 2.5 wasn't the greatest comic ever made. But it did what it set out to do. It gave us some good stories and it added some definition to the mythology of Arrow. If you're a fan of the show and haven't been reading this book, now is the perfect time to see what you've missed as we wait for Season 4 to begin.

Arrow: The Dark Archer proves to be a perfect companion piece to Season 4 of Arrow. The artwork is top-notch and the writing is true to the spirit of the show. You really feel as if you're looking at a lost Arrow storyboard!

The series' only flaw, as with Descender, is that it is so slow-paced. Granting that this is an introductory issue, there isn't much here besides exposition. This is what ultimately led to my dropping this series as a monthly purchase and waiting for the trades, as I personally found Descender to be more enjoyable as a graphic novel than a periodical. Still, for those who are patient, this promises to be a phenomenal follow-up.

The artwork is of similar high quality. Ryan Kelly's characters all look distinctive and have unique appearances, which is surprisingly rare in most of the fantasy comics I've read. The colors by Jordie Bellaire are uncharacteristically muted and dark, but this suits the setting and quick establishes it as a dark, dreadful world. There are no colorful fairies or happy endings to be found here! In any case, this is a must-read for all fantasy fans.

I still don’t feel any need to get invested in the world of Pandora. However, the creative team behind So’lek’s Journey have managed the neat trick of telling a tale that requires no previous experience with the setting. It is an enjoyable comic that stands apart from its source material.

Honestly, I'd recommend this book just for the concept of BRODOK. Apart from that, Kelly Thompson writes a great character-driven comic that is full of laughs up until the last page.

This is the best Avengers title I've read in recent memory. If this first issue is only a taste of what is to come, I think it a safe prediction that this will go down as one of the greatest runs in Avengers history. Whether you're a fan of the movies who has yet to get into the comics, or a fan of Captain Marvel, Iron Man, Black Panther, The Vision, Scarlet Witch, Captain America and Thor, you will want to check this out.

With a focus on character over action, Avengers Assemble #1 feels like the Avengers comics of old. The team looms a bit too large at times, but this premiere issue is a solid start. It is highly recommended to all fans of Marvel Comics and superhero team books.

Anyone who ever ranted to see Mad Max: Fury Road crossed with Marvel Comics would do well to check this one out.

Avengers: Armageddon #1 is a tepid start to what promised to be a hot event. Unfortunately, this first chapter does very little to distinguish itself from earlier Marvel crossovers. Thankfully, enough is done right to encourage the hope that it might build momentum as the story continues.

Despite its rough edges, Avengers: Mech Strike #1 is pretty good for a toy tie-in comic. It may even, I hesitate to admit, be good beyond being what it is; a simple story with largely decent artwork about superheroes fighting giant monsters and then getting giant robots to better fight the giant monsters.

I was prepared to dismiss Avengers: Twilight as a half-hearted attempt to ride the cape of a classic story. After one issue, I'm still not convinced it might move beyond its base concept. I will allow, however, that it is a competently executed examination of the same problems Dark Knight Returns presented. I think it also has the potential to become something special.

Undoubtedly Babs will attract the attention of fantasy genre enthusiasts and fans of Ennis' shocking humor. Both will be deeply disappointed. It's possible the sizzle is saved for later in this six-issue series. Unfortunately, there is little in this first issue beyond excellent art to keep readers invested or interested.

As far as fantasy comedy goes, there are much better series than Babs: The Black Road South #1. It is amusing at times, and the artwork is good. Yet I feel it is largely average and inoffensive. That may be the most damning thing I can say about any comic written by Garth Ennis, but so be it.

I wound up liking Barbara Gordon: Breakout #1 far more than I expected. Granting that I am a bit defensive when it comes to Babs (us librarians have to stick together) I still have issues with the core concept and how it fits into the larger narrative of the Batman books right now. Taken as its own beast, however, this is an enjoyable first issue that leaves me wanting to read more.

While it will not be everyone's cup of tea, the new Barbarella series is a good read. The story does a fine job of paying tribute to its source material while satirically striking at modern society and the artwork is sexual without being crude. Those who are curious about what came before would do well to check out Kelly Sue DeConnick's recent English translation of the original Barbarella.

Barbaric #1 is the best new comic of 2021 and a must-read for all fans of fantasy and action comics. Even if you do not fancy yourself a fan of those comics where wild warriors in impractical armor run amok, there is much in this series and its defiance of genre expectations to win you over. For the rest of us, there's a sarcastic talking axe who literally thirst for blood and gets drunk on it. Truly a comic with something for everybody!

Barbaric: Axe To Grind is similarly thoughtful and well worth the reading by those who dismiss the fantasy genre as incapable of conveying deep thoughts along with the boobs and blood-letting. There is depth here, aye, and no small amount of craft in both the story and the art. If you've not boldly entered the world of Barbaric, this is an ideal place to begin!

If you have not had the joy of reading Barbaric before, this is the perfect place to begin. This issue starts with a recap of the story thus far, enabling canny readers to jump in with this issue before, inevitably, going back to pick up the first three TPs and the spin-off, Queen of Swords. If you enjoy high adventure and low comedy, give Barbaric: Born In Blood a try!

Barbaric is back and as great as ever. If you missed out on the original series, you would do well to grab this one-shot and see what you've been missing. This is a fine bit of fantasy, with swords, sorcery and satire.

Four years after it started, Barbaric remains the best comedy fantasy series in all of comics. The only thing that keeps me from recommending Barbaric The Long Death #1 without reservation is that it reads so much better as part of the longer saga. If you're not already reading it, do yourself a favor and check out the first volume, Murderable Offenses.

The best part about this issue, however, is how easily accessible it is to newcomers. You don't need any previous experience with the Barbaric series to appreciate this story. If you have enjoyed the Barbaric comics before, however, get ready for more of the same awesome action and art!

The only real flaw with this issue is that it doesn't quite stand on its own. It can be read apart from Batgirl #28, as Simone provides more than enough exposition to describe the story so far, but readers will get so much more from this issue if they've read part one first.

It is not bad in terms of quality, but there is enough darkness in Gotham City already and I've grown accustom to Barbara Gordon's stories being ones that affirmed hope rather than spitting on it. It may be good for what it is, but I don't think it's a good thing.

If you've haven't read the post-Rebirth Batgirl, this is a fine time to start. The story doesn't require any previous experience with the series to date. The artwork appears amazing throughout. This is a great comic, plain and simple and a must-read for all fans of Batgirl and/or Poison Ivy.

If you haven't been reading Batgirl, now is the time to start. If you haven't read it in a while, it's time - like Barbara Gordon herself - to come home. Things may be different but unlike Burnside, the changes on this title are definitely for the better and the future for Batgirl is promising indeed.

Despite some spotty science this month, Batgirlremains one of the best books to come out of the DC Universe Rebirth. Hope Larson has brought Barbara Gordon back to her former glory and Chris Wildgoose has given the book a truly unique look. If you like good books with smart, strong heroines, you should be reading Batgirl.

If you haven't been reading Batgirl, this issue is the one to start with.

A must read for all lovers of quality comics!

Required reading for any Bat-Fan.

As far as holiday one-shots go, Batgirl #18 is fairly harmless. The action is satisfying enough and well captured by the art. There are several honest laughs in the dialogue and the book looks amazing. The only problem is that, in her effort to create a modern-day Scrooge, Hope Larson has made a villain who would be too over-the-top for Green Arrow " a comic whose primary villains, it should be noted, are a cabal of Satanic slave-trading bankers! Get past that point, however, and this is one fine book.

The artwork for the issue is great, however, with Wildgoose, Marzan Jr. and Lopes doing their usual stellar job on the pencils, inks and colors. The only sore point is Larson's script, which would be quite enjoyable if it weren't for the political non sequiturs grinding the story to a halt.

A definite step-up from the last issue, Larson's script improves immensely when she's focused on the action and less on trying to be topical.

While I'm willing to allow for anything being possible in comic book science, a make-up company accidentally creating life with a face-wash formula is more than I can believe. Throw in some sloppy artwork from Scott Godlewski (who seems to have some trouble with drawing eyes and depicting details beyond close-ups) and some odd color choices from John Rauch and this is one Bat-Book that can be easily skipped.

It's worth muddling through for the sake of the story but just barely.

This is a rather odd comic, all things considered.

As it is, I did enjoy this issue, but I find myself dreading Batgirl #26 more and more. This issue shows that Paul Pelletier is a competent artist and that Scott can write stories I enjoy. I'm just not certain that I want to buy what they are selling if all we have to look forward to is more stories like Value.

I fear Hope Larson and Chris Wildgoose have forever spoiled me on this series. Batgirl #26 is not a bad comic but I found no joy or sense of hope in reading it. Perhaps those who missed the tragic bleakness of the New 52 run on Batgirl will be pleased by this book, but I was not. As far as I'm concerned, this is a step back away from what Rebirth was meant to accomplish.

Batgirl and The Birds of Prey is precisely the kind of comic that Rebirth was meant to create. It's easily accessible to new readers while still offering a nod to what came before. The characters are likable, the action thrilling and the artwork fantastic. In short, it's a fun read.

The best part about this book is I have no idea what to expect next month. The issue's ending leaves plenty of room open for several directions and my mind is racing considering the possibilities. To me, that is the sign of a great story, regardless of the medium - it provides pleasure as you read it and as you consider what comes next. In that regard, Batgirl And The Birds Of Prey is a great story.

This isn't enough to sink the story but it does make one long for a more clearly defined origin arc ala what Roy Harper received recently in Green Arrow. As is, Batgirl and The Birds Of Prey #9is an enjoyable work taken on its own merits. Just don't try and make it mesh with Dinah's other appearances in the DC Universe and you'll be fine.

Thankfully, the art isn't bad enough to distract from the story but this is one issue of Batgirl and The Birds of Prey that isn't up to its usual high standard. This is unfortunate because there's the start of a decent story here underneath the layers of exposition. Hopefully things will be back to normal next month.

Despite these minor issues with the artwork,Batgirl And The Birds Of Prey #14 is a wonderful one-shot introduction to one of DC Comics' most underrated books. If you enjoy stories with strong women who aren't generic "Strong Female Protagonists", comics that deliver the perfect mix of action and humor or books that are just plain fun, this should be on your pull-list.

Unfortunately, Roge Antonio's artwork gets sloppier with every passing issue and there are several pages I'd swear were half-sketched layout sheets rather than fully detailed comic pages.

I've said it before and I'll say it again " Yanick Paquette needs to be drawing this book instead of just doing the covers.

The good news is my prayers for a new art team for this comic were answered. The bad news is that Roge Antonio was replaced with Marcio Takara, whose work here is sadly closer to his recent sloppy and over-inked run on Detective Comics than his work on All-New Wolverine.

The Benson sisters' scripts are as strong as ever. Unfortunately, the erratic artwork of Roge Antonio that drove away many readers is still here as well.

Despite being the third part of Full Circle, it stands on its own as a story surprisingly well and offers a pitch-perfect take on the Oliver Queen/Dinah Lance relationship. The artwork is as lackluster as ever, sadly, with Roge Antonio clearly recycling several faces and Marcelo Maiolo's colors being as washed out as ever.

As it stands, there's no reason to pick this issue up unless you've already been enduring the artwork for the sake of the story so far.

Batgirl And The Birds Of Prey: Rebirth #1is the best of both worlds. Fans of the original series will be glad to find something close enough to what they remember to satisfy the nostalgia itch while still leaving enough mysteries to be surprised. New readers will find a solid story with amazing artwork starring some of DC Comics best heroines.

Fans of every incarnation of Batgirl will want to pick this book up. Yet it will also appeal to new readers who might not be familiar with these heroes who are seeking an entry point into the new Gotham City. Either way, this is one book you won't want to miss!

Although the first issue of this mini-series is now available in the comic shops, a digital version is also available on-line. Printed in a motion-comic style, with the artwork changing slightly with every click, the digital edition of Batman '66 Meets The Green Hornet is worth a separate purchase. The final effect is very much like watching an episode of either of these classic superhero shows.

All in all, Batman '89 is an amusing work of nostalgia that perfectly captures the spirit of the films it is meant to follow. While a little rough at times, due to the inherent differences between film and comics, this is still an enjoyable read sure to please fans of the first wave of Batman movies.

Granting my inherent bias toward anything by Tom Taylor or Otto Schmidt as individual artists, this is one of the best Batman comics I've ever read. If you've ever liked Alfred Pennyworth as a character or, like me, miss Otto Schmidt's work on Green Arrow, this is a must-read. There is little else to be said beyond that.

Despite this, everything still comes down to that question " can you abide idiot Booster for the sake of a joke? Personally, I cannot, but that doesn't change the fact that this issue is technically accomplished purely in the terms of its craft beyond the premise.

Dark comedy is a difficult thing to pull off and Tom King totally blows the punchline in this issue.

I'm still of two minds about the wedding (cue the Two-Face jokes) but this Prelude To The Wedding issue is brilliant and stands on its own quite well.

It's a good place to start reading if you're curious about Batman after the wedding issue but beyond that it's nothing special despite some fantastic artwork.

As much as I've loved Williamson's work on The Flash, even he can't make me care about the trappings of Tom King's Batman run.

Just one more issue of this nonsense before I can go back to just reading The Flash and not caring about Batman.

Decent, but only die-hard Batman fans need pick this one up.

If Tom King's run on Batman left you cold, for whatever reason, now is the time to come home to Gotham City. Or if you're a tourist looking for a good place to start with Batman's adventures, welcome " this is your stop. The new creative team offers a fresh start and a bold new direction while delivering everything we love about Batman in a single story. Highly recommended.

This is another fine issue of what promises to be a legendary run.

I'd suggest picking up Batman #102 along with this issue for the sake of seeing the whole story, but a new reader could jump in with this issue if needed. With impressive artwork from two teams and a solid, if uninventive, story, Batman #103 is a prime example of why this has been my favorite Batman book for a while now.

In the end, there is little to recommend in this first chapter of Hush 2. The story and art are not bad, but there is little rhyme or reason to the visuals or story so far. It's possible this may pull together to be more than the sum of its parts, but it is still a far cry from the original.

Maybe there are some who still like to see Batman written as a cynical, jaded loner. They may find something to enjoy in this new series. As far as I'm concerned, they can have it.

On reflection, I think my chief problem with Batman/Deadpool is that it isn't enough. With the exception of the main event, every story in this volume is a great idea that needs more space to be done justice. Hopefully we'll get to see more DC/Marvel team-ups in the future, because honestly I want more.

Batman/Dylan Dog #1 is a perfect introduction to one of Italy's most popular comics. While this sort of crossover is an acquired taste, Batman and Dylan Dog are highly complementary characters. I believe this book will satisfy all but the most partisan of purists.

Batman/Green Arrow/The Question will undoubtedly please fans of Dark Age DC Comics. I’m not sure it will have much broader appeal than that. However, there is much here that will speak to true crime enthusiasts, despite it technically being a superhero comic.

Fans of the first series will find Batman/Santa Claus: Silent Knight Returns #1 a welcome continuation. It suffers somewhat in accessibility to newcomers, however, and I suspect it will read better as a single volume than as a weekly periodical. Truth be told, this issue is more of a Justice League story than a Batman one. However, it will meet the needs of those who seek holiday-themed superhero action.

All in all, Batman and Robin: Year One is off to a strong start. The artwork captures the essence of Gotham City and the story offers a truly new take on the Dark Knight and Boy Wonder. This is an amazing title for Batman and Robin fans of all ages.

The artwork for this issue is good, if nothing else. I loved Cully Hammer's work on The Shadeand his artwork here is of comparable quality and composition. Laura Martin delivers a stellar job on the colors and Deron Bennett is a master of the printed word. I just wish this fantastic art team had been given a story that was more easily accessible to the new readers it was meant to attract to illustrate.

The artwork is still fantastic and the link to Dark Nights Metal has finally been made clear but only the most devout Batman readers will have any hope of following this story.

Honestly, there is nothing to redeem Batman Vs. Ra's Al Ghul one and I feel all the sadder for having read it. I think the only reason this isn't being ripped apart as the worst new comic of the week is because all the critics are saving their poison pens for a Legion of Superheroes comic that is completely devoid of Legionaries. As it is, I would encourage those unfamiliar with Adams' work to pick up a TP of Green Lantern/Green Arrow instead of this issue.

Murphy's artwork remains on-point and Dave Stewart's colors as suitably vivid as in earlier outings. The only flaw to this diamond is that it cannot stand on its own and some familiarity with the original series (to say nothing of Batman Beyond) is needed to fully appreciate it. I envy those readers new to this wonderfully wicked world for the journey they are about to begin, though as an old fan this return to Gotham City is far from unpleasant.

Time will tell if this is a worthy sequel to the original series, but so far it is a welcome return to form.

While Sean Murphy is now telling a more traditional Batman story than the original White Knight, he is doing so in an nontraditional way and it is glorious. The story and the artwork continue to be on-point, with Matt Hollingsworth's colors providing the perfect finishing touch.

This is another solid issue of a great mini-series and if there's any justice in this world, we'll soon see Sean Murphy writing a monthly Batman comic in 2020.

The only real flaw to this book is that while it is accessible to newcomers who have not read the original White Knight series, you get much more out of the story if you have read the original. That being said, the initiated would do well to check out this one-shot, as would fans of Janson's artwork.

Batman: Damned is representative of its creator's core talents. Unfortunately, this means that Bermejo's beautiful artwork is pretty wrapping paper disguising the revolting cow-pie of Azzarello's bleak, lifeless writing. In the end, this book is damned awful.

We know how this Batman's story ends, in a rest home as he struggles against dementia to write his history before he forgets it. However, there is no indication of what the journey before that point holds. That in itself makes Batman: Dark Age #1 worth reading.

Batman: Dark Patterns #1 is a thriller in the most classic sense. It presents an intriguing mystery with a Gothic horror tone. If you, like me, feel many modern Batman comics have forgotten why Ra's Al Ghul simply addresses him as "Detective, you will want to read this one.

Beautifully illustrated by different artists with a script by three different writers, Batman: Lost #1 perfectly replicates the sensation of a fever dream. I'm not sure if that was the exact intention but it's a glorious trip regardless.

While even the most dedicated Bat-fans may feel burned out with all the Black Label offerings of late, Batman: One Dark Knight is a must-read. The writing and the artwork are top-notch and there's a variety of covers for the collectors to consider. You won't want to miss this!

This series may not break any new ground but it's good for what it is " a solid Batman story that continues the story of the game universe.

If you're a fan of Batman: The Animated Series, this is one book you won't want to miss. Come to that, if you're any kind of Batman fan, you won't want to miss this book.

While it would be better for new readers to go back and read the first 13 issues building up to it, Batman: The Adventures Continue #14 is a good comic. This is everything a Batman story should be and a wonderful continuation of the classic animated series. Here's hoping this series stays around a while longer.

Fans of the Birds of Prey books will want to check this issue out, despite its flaws, as will any fans of the original show hoping to see more of Jimmy "The Jazzman" Peake. The solid story outweighs the occasionally off-model artwork and there's far more good than bad to be found here.

In short, if you're looking for an excellent Batman story that is friendly to new readers, you can't do better than Batman: The Detective #1.

Tony Daniel and Danny Miki's artwork is as fine as ever making this book a must-read for anyone who enjoys a good alternate universe story as well as those reading all the Dark Nights: Metal tie-ins.

Dan Abnett's script is strong enough and The Drowned is easily the most unique and unsettling of The Dark Knights to date. Unfortunately, the formula for most of the Dark Knights solo-stories (Dark Knight shows up, Justice League counterpart shows up, they fight, Dr. Fate shows up to save the counterpart) is starting to get stale.

Batman: The Long Halloween: The Last Halloween #1 succeeds on every level. It is a worthy tribute to the legacy of Tim Sale. It is also a good start to what promises to be an excellent continuation of one of the greatest tales ever to feature the Dark Knight.

Francis Manapul delivers his usual stellar work on the issue's art. Manapul's pencils are eye-catching and the use of colors wonderfully varied, with different palettes being used for each setting.

The Dark Knights Metal crossover event continues to pick up steam, as The Murder Machine rolls along. Though little happens in this issue to shed light (no pun intended) on the plans of the Dark Multiverse League of Batmen, the story contained within this issue is an enjoyable one and the artwork looks amazing throughout. This book is a must-read for anyone keeping up with The Dark Knights Metal saga or anyone who enjoys a good Elseworld story.

Batman: The Red Death #1 proves a thrilling Elseworlds adventure. Fans who enjoy the monthly The Flash comic will want to pick this one up to see their favorite creators spinning a darker sort of story with the same characters. And it goes without saying that this is essential reading for everyone following the Dark Knights: Metal saga.

As I said earlier, the only real flaw to Three Jokers #1 is that it doesn't recount the build-up to this story that well and throws new readers into the deep end of the pool with little chance to acclimate themselves before things start to get strange. While this is a fairly big problem, fans of these creators and those who know what they need to know going in will find this to be a ripping yarn. This is The Joker story we've literally been waiting to see for years and it thankfully proved worth the wait.

I already stated that this comic should be required reading for any fan of the Batman franchise. That sentiment goes double for anyone who loves Harley Quinn. This is one hell of a good read and you'd be a damn fool to pass this book over.

The slow-boiling style has served this series well so far, however, and it is clear that Murphy is building to something big. The artwork is just as subtle and surprising as the story, making this a must read for all Bat-Fans and anyone who enjoys a good neo-noir story.

If you haven't been reading this series, don't wait for the trade!

Batman: White Knight #5 goes on sale on February 7, 2018. Reserve it now on Comixology.

The only thing more impressive than Murphy's artwork is the ease in which he takes the various conflicting elements of Batman's history and works them into a coherent story.

With an original concept that simultaneously builds upon the long history of its characters, a thrilling script and fantastic artwork, with amazing colors by Matt Hollingsworth and epic lettering by Todd Klein, this is the greatest Elseworlds story since The Dark Knight Returns.

Suffice it to say that Sean Murphy brings his epic tale to a proper conclusion.

Despite my misgivings over the opening flashback, I found myself enjoying this book immensely. I am looking forward to the next issue. Fans of the world of White Knight will be deeply satisfied by this series, as will Harley Quinn fans who delight in a Harleen Quinzel that is an evil genius only playing at being a blonde bimbo.

Riley Rossmo was the perfect artist to detail this journey into madness and James Tynion IV does a fantastic job in telling the tale.

I suspect that this new volume of Batwoman, like much of Rucka’s work, will read better once collected than as a month-to-month drama. As it stands, I would recommend Batwoman: Elegy to those wanting to know more about Kate Kane before handing them this issue Longtime fans may enjoy it, but I fear few new readers will be adding this to their pull lists.

I suspect that Beast of Boirken will read better collected in a trade than as a monthly miniseries. The pacing issues that are its chief flaw seem to be born of a desire to get the details out so as to focus on the monster for the rest of the series. Fans of cryptid horror and the earlier True Weird volumes will be able to muddle through regardless, but I think this one will evade casual audiences.

Before We Sail is now available for download at Aces Weekly.

Despite the slow boiling story and rough patches in the art, Behemoth #1 does more right than wrong. I suspect it will prove a stronger read in a single volume than as a monthly comic. However, this first issue still offers a strong start and unique idea that will appeal to fans of kaiju and survival horror.

Sword and sorcery fans may enjoy it, but everyone else will wonder why they bothered.

Call it what you will, but I enjoyed the first few issues of Beyond Real that I was allowed to read. I think science-fiction and fantasy fans looking for something new will find it in Beyond Real. It may start out as a familiar tale of love lost and reality challenged, but I think it will go on to surprise you.

In short, this is a fantastic looking comic, with colorful, animated art that seems to jump off the page and a spirited story. If you're a Bill & Ted fan, you'll want to pick this one up. It is most excellent and non-bogus.

While Billionaire Island is unlikely to be a hit with anyone who has a vested interest in pretending trickle-down economics work, Pugh and Russell have once again proven themselves capable of crafting a high-quality funny book. I guarantee this will provide you working stiffs with a few minutes distraction from the existential horror of your increasingly bleak existence. Enjoy!

Elon Musk and his acolytes will find little to laugh at in Billionaire Island: Cult of Dogs. The rest of us, however, will find it a welcome distraction from the collapse of society as we know it.

I know some fans were nervous about this new Birds of Prey, given the absence of Barbara Gordon and Huntress. Trust me, however, when I say that this is explained as part of the story and there is a good, logical reason for their absence. This is, simply put, the best Birds of Prey has been since the days of Gail Simone and Nicola Scott. If you like comics, you will love this book.

If you've never been exposed to the Birds of Prey and Harley Quinn, this giant-size collection will give you ample opportunity to sample the many great creators who have handled them. It's also worth picking up if you're already a fan and have read half these stories already. It's a rare thing for me to give an anthology a perfect score, but Birds of Prey Giant #1 has more than earned it.

Bizarro: Year None has little to do with the title character. I think this might have been better promoted as a new Jimmy Olsen miniseries rather than Superman’s backwards doppelganger. Despite this, it’s an amusing if confusing comic that will satisfy the Askewniverse crowd.

Sadly, this amazing artwork does little to hide the overly complicated and rushed story. This comic - and indeed this series - are a tale full of Sound and Fury, signifying nothing. The only reason I'm planning to pick up next month's issue is out of a half-hearted hope that the mysterious white-clad blonde ninja chasing after Dinah (the one mystery not yet explained) will turn out to be her long lost sister Sara.

In spite of my objections and questions, I enjoyed Black Canary: Best of the Best #1. Between Sook's art and the examination of a long-neglected DC legacy, there is more good than bad here. Whatever else this book does, it captures the core of what makes Dinah Lance one of my favorite heroes.

Black Canary fans rejoice! While Cabot, McGee and Quirk's take on Dinah Lance is different, the heart of the Bird of Prey we love beats fiercely within Black Canary: Ignite. A must-read for any fan of the character and anyone who enjoys good YA entertainment.

Isabella's writing is as strong as ever, though the artwork by Clayton Henry seems oddly flat with characters that are a little too smooth and streamlined. Still, there's enough right with this book to make it a must-read for anyone curious about the character in the wake of the approaching CW series and fans of the classic comics.

With evocative artwork and a unique setting, Black Star has much to recommend it to a variety of readers. Fans of horror in general and the Weird West genre are the most obvious audience. Yet it will also appeal to fantasy fans looking for something unique.

Rejoice, Black Widow fans! This new series has bite!

Fans of Titan Comics' earlier Blade Runner titles will find this to be an excellent capstone on Ash's story. Newcomers would do well to seek out Blade Runner 2019 first and start the story at the beginning. In either case, this is a fitting and thrilling continuation of the movies.

Fans of the Blade Runner franchise will find Blade Runner: Origins to be a satisfying addition to the canon. Those who weren't already won over by either of the films or the earlier comics probably won't find anything here to change their minds. That being said, this comic convert a few cinephiles into comic readers.

Fans of the Titan Comics’ Blade Runner series to date will find this an enjoyable read. It is somewhat inaccessible to newcomers, despite the summary page at the start. Personally, I would suggest interested new readers check out the first volume – Die In Peace – before giving this one a try.

Blade: Red Band #1 manages many things well. It offers a fresh start for the Daywalker and a welcome entry point for new readers. It also offers plentiful bloodshed for those more concerned with action than modern Marvel Comics history.

Fans of Mark Russell's writing and stories that examine the nuts and bolts of Marvel Universe politics will get a kick out of Blade: Vampire Nation. I suspect that fans of Blade and horror comics in general would be better served waiting for a title with more bite. Still, for what it is, this is a good read.

Blasfamous is a comic that everyone should read. It might make you uncomfortable. It might make you cry. But it is a powerful statement with a hell of a story and sinfully gorgeous artwork. Blasfamous is, pun very much intended, a damned good book.

Bleeding Hearts #1 is a fantastic way opener for the new Vertigo Comics line. This is old-school Vertigo, with all the dark humor, gorgeous art, and unique ideas from the good old days. As I write this on the eve of the book’s release, the first printing has already sold out. I strong suggest you do not sleep on this, because this book is a must read whether or not you’re a fan of zombies.

Blue and Gold are back and thank goodness for it! There isn't a BWA-HA-HA to be found within these pages, but this book is guaranteed to make you smile. Grab it now while you still can, before it becomes the Greatest Book You Can't Get A Hold Of!

If I were to summarize Blue Beetle Rebirth in a single word, it would be disappointing. I'm honestly not sure who this series is aimed at. New readers will find the material largely inaccessible. Fans of the characters won't appreciate the liberties taken. And the best parts of the issue are those taken directly from DC Universe Rebirth #1. All in all this does not bode well for this series' future.

Even if you don't enjoy weird tales, Blue Book is an engaging, thrilling read.

If you missed out on the first Blue Book series, here's your chance to have a first encounter with fantastic horror!

It's a bit slow for those who already know Tim Hunter's story but it's a solid introduction for newcomers and the artwork is amazing. Definitely worth picking up.

This Books of Magic series is proving to be far slower-paced than the original Gaiman series. It's not bad " just different " but it is now apparent that Kat Howard is taking her time with this story and setting up the rules of magic in this reality.

Officially this is the last chapter of the first story arc of the new Books of Magic. Unofficially, this is a good place to start reading this magical little series before the next "book" starts next month. Kat Howard's story is riveting and is perfectly brought to life by Tom Fowler and Jordan Boyd's artwork. Todd Klein's lettering, as always, is amazing. Perhaps the strongest title of the Sandman revival, this is a must-read!

I enjoy a good subversion of the standard fairy tale tropes and Books of Magic #9 is a great one.

If you've never read a John Constantine or Tim Hunter comic before, this is a surprisingly accessible one and a solid issue of this series for the long-time fans.

Border Town is everything a Vertigo Comics series should be " bold, brassy and unashamed to comfort the disturbed and disturb the comfortable. The right people will find it horribly shocking and offensive. For the rest of us, it will leave us laughing and having learned something.

This is easily the best new series Vertigo Comics has published in years and a must read for any fan of the comics medium and supernatural horror.

Far more than just a "Southwestern Stranger Things" expect this series to clean up at The Eisners in 2019.

Borealis is unlike any horror comic I’ve read in recent memory. Mark Verheiden and Aaron Douglas spin an intricate story, with a truly unique setting and a memorable protagonist in Sil. The artwork is also amazing, with Cliff Richard’s ominous art perfectly completed by the cool colors of Guy Major. This action flows smoothly from panel to panel, as tense as any cinematic thriller. If you are a horror fan, you won’t want to miss this one!

Breath of Darkness #1 releases in February 2023 from IDW Publishing.

On the whole, there is little to recommend C.O.W.L. #1. The story fails to utilize its concept or its time period, the characters are shallow and the artwork is an overall mess. Those who are interested in a retro superhero story detailing a society adjusting to an organized superhero group would do well to look up the Eisner, Harvey and Shuster winning series The New Frontier.

I can't speak as to how serious fans of X-Men will react to Cable: Love and Chrome #1. As someone who never cared much for Cable, however, it made me care about him. That is an impressive accomplishment, and I think this series is a great introduction to who Nathan Summers is. More importantly, it is a glimpse of whom he might become.

Cable: Love and Chrome #2 surprised me in the most pleasant way. I can't guarantee I'll read any solo series with the character in the future, but I will be less likely to turn my nose up at it. If nothing else, this is a heck of a romantic comic heading into Valentine's Day weekend.

Coates' story is unfolding at a leisurely pace, with little in the way of action or plot development in this issue. Despite this, it's a fantastic character study of Steve Rogers and has a lot of little touches that build Steve up wonderfully.

All in all, this new volume of Captain America is off to a solid start. It looks good, boasting an aesthetic that one wouldn't ordinarily equate to the Sentinel of Liberty. The story is also easily accessible to new readers, but offers a new spin on the mythology sure to intrigue established fans.

Captain Carter is here and it's about time! Put simply, this is an engaging series and it is one I plan to read on a regular basis in the future. More than a simple distaff take on a classic formula, this is an enjoyable, adventurous title centered around a strong, smart hero that everyone can enjoy.

Those who don't enjoy classic horror or vampire stories will find little to enjoy in Captain Kronos' adventures. Genre enthusiasts, however, will love it for the treasure it is. The series will also find appeal among fans of Red Sonja, who may see Carla " here allowed a more active role than in the original movie " as a spiritual sister to the She-Devil-With-A-Sword.

However, despite the novel concept, the pacing throughout the issue is disjointed. Most pages are dialogue free, as we follow Venom the Dog through subterranean San Francisco. Then the narrative and visuals changes direction five pages away from the ending. The best way to describe the abruptness of this issue is to introduce John Carpenter to the end of the horror film Audition. The issue feels like a quick read, and then -BAM!- out of nowhere, there are parasitic worms, Carnage, and a soliloquy on Carnage's new philosophical life view.

One of the best new offerings from Marvel comics this year and hopefully one that will find an audience with the upcoming fans sure to come to the comic shops after the movie is out.

No previous experience with Captain Marvel is required. It's a perfect entry point for those curious newbies who just saw the movie and a great introduction to some of Marvel Comics' other great heroines.

Hopefully those readers who came here for the War of the Realms tie-in will stick around to enjoy this wonderful little series some more next month.

All in all, Marvel Comics couldn't have published a better book in anticipation of hooking the new readers that the Captain Marvel movie seems certain to attract. There's no complicated backstory to unpack here " just one super soldier kicking butt and taking names. It isn't the most in-depth analysis of Carol Danvers' but it is great for what it is " a solid adventure story with wonderful art which profiles one of Marvel's mightiest heroes for the benefit of new readers.

Doubtlessly those who complain about modern comics being too political will find a lot to hate about Captain Planet #1. However, they are missing the forest for the trees. This is a simply solid superhero comic that makes a bold statement about doing good without being preachy.

The artwork is visually arresting, with a smooth sense of motion inherent to every panel Ilias Kyraiazis draws. The characters expressions are punctuated by the thick inks of Auguste and the vivid colors of Dennis Yatras. Hassan Otsmane-Elhaou also knocks it out of the park with the lettering. All in all, this book will stick with you long after you put it down.

Those readers not yet exposed to the Lion Forge superhero line will find this a warm welcome.

A thoughtful story more focused on the people in costumes than the costumes themselves, this is one to pick-up.

If Gail Simone's goal was to tease me with just enough of the Lion Forge superhero line to make me read the rest of their books, Mission Accomplished.

It is unfortunate that this book will probably be passed over by those who fear its tie-in to Batman #50 is a cheap marketing ploy. This book is the real deal and one that should be well worth reading for a long time to come.

Click on the image above to view the full-size page in another tab.I've heard some say that DC Black Label might as well be called DC Bat Label for all the dark Batman stories it produces. While that's a fair complaint, Catwoman: Lonely City is a noir masterpiece that exemplifies everything DC's adult imprint should be capable of. Well done, Mr. Chiang!

It is possible that Cheetah and Cheshire Rob the Justice League will read better as a single volume than it does as a monthly miniseries. As it stands, this first issue is gorgeous, but suffers from slow pacing. It is not bad, despite that, but I can't work up much enthusiasm for the idea as other recent series have done the super-heist concept with greater economy of action.

Clean Room #1will be satisfying to fans of Gail Simone and Jon Davis-Hunt's previous works. It will also be an enjoyable read for fans of Hitchcockian thrillers and horror books in general.

If you have yet to give Clean Room a shot, this issue marks a wonderful opportunity for you to correct that mistake. While reading the whole series from the first issue would be preferable, one can enjoy this issue without having read any of what came before. This is easily the best horror comic in years!

Cloaked is not a bad comic, being competently executed. Unfortunately, one can't escape the feeling that we've seen this story told before and told better elsewhere. Still, Film Noir fans and Batman fans looking for a change of pace should give it a try.

I recommended Codex Black for anyone looking for a change of pace from the usual young adult graphic novels or something devoted to a culture that doesn't get a lot of representation in the world of comics. The characters are spirited, the story is fun and the artwork is amazing and eye-catching.

Fans of the current Conan comic will find Battle of the Black Stone #1 to be a fine continuation of the monthly series. Newcomers will enjoy it as a welcome entry to the weird tales of Robert E. Howard. Most of all, it is a worthy tribute to the Bard of Cross Plains, which truly honors his remarkable legacy.

Beyond that, Conan: Scourge of the Serpent is a showcase of everything that made Howard's writing stand the test of time. The action sequences are undeniably intense and well-illustrated by Gil. This series should unquestionably be read by every fan of weird horror, sword-and-sorcery, and quality comics.

If this is your first visit to the world of Hyboria, prepare yourself for a surprising treat. And if this isn't your first time to ride with Conan or Red Sonja, be ready to recall the days of high adventure as never before. This is a great comic that will please sword-and-sorcery genre enthusiasts and newcomers alike.

I cannot speak as to how well Conan and Dragonero captures the spirit of the Dragonero comics. I can say, as a Conan fan, that I found this interesting enough to want to read more. It may not hold as much appeal to those who don’t like sword-and-sorcery stories, but I found it to be an enjoyable work of fantasy.

In the end, Conan fans would do well to wait for the upcoming Conan The Avenger series.

While this series probably won't win over readers who aren't already fans of sword-and-sorcery comics, Conan fans will find this book fit for a King of Aquilonia!

As a follow-up to the first issue, it's a disappointment, but as its own story, Conan The Barbarian #2 is a much stronger comic.

This is a Conan comic for the ages, by Crom!

Jason Aaron's script is forged of the Howard mold, with its central idea taken from the first line Conan ever spoke in any short story. Alas, the art is less inspired, and is barely legible even at the best of times.

If you've never given Conan the Barbarian a shot or understood the appeal, give this issue a try. And if you are already a fan, by Crom, you will love this issue!

The artwork by Mahmud Asrar and Matthew Wilson proves the equal of the story. The deserts of Hyboria have never looked quite so imposing and the first image of Conan, soaked in blood (most of it not his, naturally) is the most striking to come from this series so far. This book is everything a fan of sword and sorcery comics could dream of.

Those who prefer their Conan comics to be full of blood and cheesecake had best move on. While Aaron's development of the female characters could be better, this is a solid tale in the classical romantic vein of Robert E. Howard himself. This is Conandone right, by Crom!

This is a serviceable issue of Conan The Barbarian, but not a great one.

This story, for what it is worth, pleases me, with a bold story and strong artwork. I'll be eagerly awaiting the final chapter next month, though I'll be sad to see this story end.

All in all, this is a fantastic first issue for the new creative team. Zub perfectly captures the adventurous spirit of the original Robert E. Howard stories and, with Antonio's art, waves together a book that feels like you're watching an old-school Dungeons and Dragons dungeon crawl play out. That might not be everyone's cup of tea, but it made me want to pick up some dice and roll up a new barbarian character.

Those who are not already fans of Conan or dungeon-based fantasy adventures will probably not be swayed by this story. That is their loss. For those who are bold and enjoy a good ripping yarn shall find this issue to be as refreshing as Aquilonian brandy.

Click on the image above to view the full page in another tab.Conan The Barbarian #25 is a worthy anniversary issue, offering an introduction to the Cimmerian hero for those who might need one and more epically illustrated tales of high adventure for those who know him already. If sword-and-sorcery be to your liking, make haste for the nearest comic shop and claim your copy today!

If you're never read a Conan comic before, this is a fine one to start with. If you're well familiar with the Cimmerian, you'll find this issue a worthy one. My only complaint is that a book called King-Size Conan should have at least one story from Conan's days as King of Aquilonia.

Those who have never read a Conan comic could not ask for a better introduction to the first son of sword-and-sorcery than Conan the Barbarian #1, and those who are already fans of Conan will find this first chapter to be everything they could have hoped for. As the barbarian himself might say, "By Crom, this is an fine tale!

I could speak at length about the vivid details of Doug Braithwiate’s pencils or the delicate craft of his inks. I could wax at length about Diego Rodriguez’ colors and the palette changes indicating subtle shifts between flashbacks, outdoor scenes and indoor scenes. And I cannot ignore the crisp lettering of Richard Starkings.

Those who would dismiss Conan as dumb muscle would do well to give Conan the Barbarian #16 a try. This is a thoughtful tale, with fantastic art that speaks to the depths Robert E. Howard plumbed 90 years ago. It is sure to please fans of the character and may even make fans of some skeptics.

If you’ve not been reading Conan the Barbarian since Titan Comics took over the license, you’ve been missing out on a damn good comic. Fans of fantasy will be in good spirits, but the high adventure and intrigue will also appeal to other audiences. What’s more, this issue is the perfect jumping-on point for new readers.

This is a great book and a worthy continuation of the Conan legacy. I think I’ve said this a few times since Titan Comics and Heroic Signatures took over the license. Doubtless I’ll say it again in some variation, because this is one of my favorite books. Why not find out why this is so?

If you've not read any of the current wave of Conan the Barbarian, this is a fine place to start. If you have been reading the current series, expect more of the same amazing art and epic adventure that has defined the Titan Comics era.

And Zub's story has a twist that further expands upon the original lore of Howard's Conan in a way that will be familiar to regular readers of his work and this series. As for newcomers, this is a wonderful introduction to Conan as a character, the deeper themes of civilization versus barbarism that Howard loved to explore, and a rousing adventure comic to boot. Not bad for the price. Not bad at all, by Crom!

It is rare that a comic so steeped in lore can prove to satisfy established fans yet be accessible to new readers as well. Conan The Barbarian #26 is such a rare treat. Violent and visceral, this is a perfect introduction to the world of one of most famous heroes of fantasy.

The current Conan the Barbarian series continues to be one of the best comics on the stands. Not merely one of the best fantasy comics or action/adventure comics. It is a great comic and well worth reading if you are any fan of the medium.

If Conan the Barbarian #30 has a flaw, it is that one must read the previous issue in order to fully appreciate the contrast between last month’s horror and this month’s humor. Beyond that, it is another example of why Titan Comics and Heroic Signatures have been nailing it every month since taking over the Conan license. This is a true tale of high adventure!

This is a ripping yard of piracy and sorcery, which highlights an often overlooked aspect of Conan’s background and the true character of Valeria of the Red Brotherhood. The artwork holds to the same standard of detail and drive. If you think of Conan as little more than a big, dumb barbarian, prepare to be educated!

Though the Howard purists may turn their noses up at it, this is a spirited team-up book that introduces new readers to Howard's heroes wonderfully.

This isn't a bad comic, but it's hardly an outstanding example of the genre.

In the end, there is little to recommend this new series to all but the most devout of Conan fans. Van Lente's script might be tolerable despite its plot-holes were it backed by decent artwork. The one bright side is that Dark Horse has apparently elected to continue their policy of rotating the artist on this series so we may have a worthy artist in two months time.

In the end, Conan the Avenger is counterfeit Conan, unworthy of the legacy of sword-and-sorcery's greatest hero. The artwork is greatly improved from when this series started, but the story - while involving - has turned Conan into a passive figure. And that is the last thing Conan should ever be!

This issue proves a worthy conclusion to what has easily been the best saga in the monthly Conan comic in over five years. Cullen Bunn writes Conan with a wit and cunning few writers have equaled. The artwork by Sergio Davila, coupled with the colors of Michael Atiyeh, brings the visceral world of Hyboria to life wonderfully.

This issue presents an excellent opportunity for new readers to start the series. Despite being dubbed the first part of an adaptation of Howard's The Devil In Iron, the story is all Bunn's original work. If you enjoy a good ripping yarn, full of action and high-adventure, you'll love Conan The Slayer #7.

In the end, Conan The Slayer #10 is merely serviceable. Those who want to see Conan flight a giant monster while a buxom blonde screams and further imperils herself will not be disappointed. Those who have become accustomed to the deeper works Cullen Bunn and Sergio Davila created in the past will find themselves wishing for something different.

If Constantine The Hellblazer has a weakness, it is that it lacks broad appeal. It's a great horror book but those readers who aren't fans of the character or the genre will have little reason to give this one a try. That being said, this book will be a welcome treat for old-school Hellblazer fans as well as recent converts from the Constantine TV series.

As per usual, Ming Doyle and James Tynion IV spin a most enjoyable tale. It's always a hoot when John and Swamp Thing are forced together and this issue does a great job of acknowledging the characters' shared history without needing to recap Alan Moore's greatest hits. Despite the nods, this issue is easily accessible to new readers and a good jumping-on issue for those who haven't given this series a shot yet.

I've moved from mere ambivalence to outright antipathy regarding Convergence as a whole. Yet I can endorse Convergence: Nightwing/Oracle #1 without reservation. If you miss Simone's Birds of Prey or Chuck Dixon's Nightwing, this is definitely one to pick up!

Still, despite the occasionally cluttered imagery, there is much to recommend Corpse Blade Vol. 1. General audiences may have a hard time getting past the mix of genres. However, fans of survival horror, disaster stories and weird horror will find a lot to like here.

It would be easy to dismiss Cosmic Cadets as a kid-friendly take-off on a certain space franchise involving exploration. Certainly the idea of kids in space has been done before by other comics. Thankfully, Ben Crane's script is smarter than that and Mimi Alves' artwork is inventive. The colors by Priscilla Tramontano are also good. I personally found Cosmic Cadets to be the most enjoyable thing this side of Spaceman Spiff and it is 100% free of Wil Wheaton whining. Highly recommended!

Unless you're a fan of the Arrowverse following their Crisis on Infinite Earths event, there's not much reason to give this issue a shot. It's solid work by some fine professionals, but there's not much to appeal to the common clay of comic fans who don't care much about TV. That being said, what is here is done well and I personally enjoyed it as an Arrow-head.

Think the body-swapping story is played out? Think again. With strong characterization and amazing artwork, Crosswind #1 puts a cool new spin on a classic concept. Based on this first issue, Crosswind seems to be a sure-fire hit and easy Eisner contender. The characters are immediately interesting and the artwork is fantastic. This is one series you'll want to get in on at the ground floor.

Crosswind continues to be one entertaining book. The script offers up a fresh twist on the old body-swapping story. The artwork is simply amazing. This book should be on the short-list for every graphic novel award in existence.

Gail Simone and Cat Staggs continue to impress on this twisted little series about a housewife and a contract killer who find their minds having switched bodies.

Cat Stags and Gail Simone knock it out of the park in this final chapter for what has been declared the series "first season". It will be interesting to see what future volumes bring and how this series will be adapted into a live-action TV show.

Cyberpunk 2077: You Have My Word #1 offers a solid introduction to the world of Night City. Genre enthusiasts will love it, but this isn't likely to win over the uninitiated who never dreamed of hacking a computer telepathically. Fans of the game, however, will find this to be an excellent add-on.

There is little to recommend continued reading of Cyborgbased purely on this first issue. The issue does a good job of explaining Victor Stone's background and powers but there's no sense of the personality of the man behind the machinery. Likewise the artwork is technically proficient but largely lifeless. Ironically, it is the mechanical nature of the art and story that makes Cyborg Rebirth #1 a dull, if well-crafted, reading experience.

Most comic readers probably don’t need an reintroduction to Scott Summers. Nevertheless, Cyclops #1 is fills that purpose admirably for those that require it. This first issue also offers enough twists and thrills to please longtime X-Men fans.

The humorless need not consider Damage Control, but they are unworthy of its joy. The rest of us, who can enjoy the idea of Nightcrawler and Quicksilver being recruited to work the mailroom on a busy day without thinking too hard about it, will find this book hilarious.

If you haven't been reading Daredevil, this new issue is a fine place to start. Zdarksy's story is accessible and the artwork by Checchetto and Gho proved a perfect match to the aesthetic of Hell's Kitchen. In short, this is a damned good comic.

This is Daredevil done right, but those who aren't already fans of Matt Murdock probably won't be won over by this run.

It is oddly fitting to see the Man Without Fear as a Man of the Cloth. I doubt this new status quo will stick for long, but this is an engaging first issue. The art is somewhat weak at points, but there is far more good than bad in this new Daredevil.

Those coming into Daredevil #1 expecting battles with the Kingpin or witty flirtations with Elektra will be disappointed. However, as an introduction to Mat Murdock in the Marvel Universe now, it’s a solid first issue that sets the new status quo admirably. The action is intense and there’s ample reason to keep reading whether you are a comics newbie or a veteran fan of the Man Without Fear.

All in all, Daredevil/Punisher: The Devil's Trigger achieves everything it sets out to accomplish. It improves on a classic story, which elevated Frank Castle at Matt Murdock's expense. However, it also offers an accessible twist on the same story, which is sure to appeal to both comic readers and casual readers who don't know the history.

(Image Source: Marvel / Steve McNiven)Daredevil: Cold Day in Hell #1 is many things. It is a thrilling What If? style story about finding hope in a world with no future. It is a story about honoring the legends of old while building something new. More than anything, however, it is one hell of a good read.

Based on this first chapter, Dark Ages seems poised to become Marvel Comics' next Age of Apocalypse. Given the talent involved, however, I suspect it will be far better. MCU Fans who have yet to give the source material a try after watching What If"? would do well to check out this series. So would everyone else.

I don't suspect this series will trigger a sudden demand for more Dark Agnes stories. More is the pity, for what we see here should encourage more stories like this and (dare I hope) an eventual crossover with Red Sonya or Red Sonja? Perhaps the world is not ready for such a story, even if I am. Regardless, fans of Robert E. Howard's work and swashbuckling action in general would do well to give Dark Agnes #1 a try.

I would suggest reading the original Dark Ark if you haven't already, but this comic seems to be a worthy follow-up to that series.

Dark Crisis is a great comic. It is everything a crossover comic book event should be, with high stakes and bold artwork. Yet it defies the usual clichs by being more about people than cosmic doom and by not killing off C-listers by the dozens just to show that This Is A Serious Story and Things Will Never Be The Same Again. For the first time in a long while, that actually seems to be the case at DC Comics.

As a fan of Black Canary and Green Arrow, I loved this issue. I must admit, however, that there's little to hold the interest of those who aren't already fans of Black Canary and Green Arrow. There's no grand revelations about Dark Crisis that make it essential reading for the collectors and continuity buffs. It is, however, a good love story, for those who enjoy those.

For some reason, the continual shifting in art styles does not seem so severe or distracting here as it did in The Forge. This is a gorgeous book from start to finish and all the artists involved should be proud of their work here. I'm still not sure precisely what awaits us in Dark Knights: Metal but I'm more anxiously awaiting it now.

This disunity between art and story is not enough to ruin the power of this comic. Dark Days: The Forge #1proves a strong introduction to what promises to be an interesting mini-series. It may leave readers with more questions than answers but whatever else may be said about it, it isn't dull.

Dark Knights of Steel #1 will appeal to both fans of DC Comics and fantasy alike. I think it safe to say that Tom Taylor and Yasmine Putri have a hit on their hands. This will be the next great Elseworlds to dominate the imaginations of fans everywhere.

Like a rolling storm, Dark Knights of Steel continues to grow in power with every chapter. Tom Taylor's script finds new ways to surprise the reader, putting new spins on classic characters in this fantasy setting and even introducing some new characters into the mix.

Fans of the first Dark Knights of Steel will get the most out of Allwinter. However, it is surprisingly accessible to newcomers despite being steeped in the lore of the original Elseworlds. Regardless, fans of the sword-and-sorcery genre will find this book fantastic in every meaning of the word.

I hate to describe Dark Nights: Death Metal #6 as a high-action book, as that makes it sound more thoughtless than it really is, even if most of the thought behind this series came in earlier chapters and this is all climax building to the grand finale. It's an appropriate build, however, and the creative team is firing on all eight cylinders. As a part of the finished product, it may fare better, but on its own this issue is good, but not great. That's not damning with faint praise; merely the reality of reviewing the penultimate chapter of anything.

Dark Nights Death Metal Infinite Hour Exxxtreme may not be essential reading. Thankfully, it doesn't pretend to be that. Indeed, the comic is much like Lobo himself; unpretentious and straight-forward. It's a funny book for those who like high action and low comedy with solid artwork throughout.

As a tie-in to the greater story of Dark Nights: Death Metal, Rise of the New God is a failure. It does nothing to advance the story and makes the whole idea of gods doing battle incredibly mundane and dull. And yet, that is the point. In deconstructing the idea of event comics, Tynion has accomplished that which few authors have and told a tale that truly made me think. And his ideas are brought to life beautifully by the art team.

Even if you haven't been buying the Dark Nights: Death Metal saga up until now, it's well worth picking up this issue to see this all-star team of creators at work. There's not a dud comic in the bunch and these would all be fitting final stories for these heroes, even if I thought there were a chance these really would be their last stories. Once more into the breach!

While it may not be a home run as part of the Dark Nights Death Metal event, The Secret Origin is a brilliant commentary on the state of DC Comics and an exploration of why we read superhero comics. That message, delivered alongside some amazing artwork, is ample reason to pick this one up, even if you haven't been reading the miniseries so far.

In either case, I enjoyed reading Dark Nights: Death Metal Trinity Crisis #1. As a fan of these creators, I am satisfied and think other readers of the Dark Nights series to date will enjoy it. Newcomers would do well to go pick up the original Dark Nights: Metal and try to catch up.

It is a rare thing for an event book to live up to its hype. Dark Knights: Metal #1 is such a rarity. The DC Comics Universe has been changed before but for once it doesn't seem like hyperbole to say that nothing will ever be the same again!

It's good as far as art for arts's sake goes but this series has become empty calories as far as I'm concerned.

The cover for the issue says it all " if you can't take joy in an armor-clad Batman, Superman and Wonder Woman riding a Joker-faced dragon, this is not the book for you. For many of us, Dark Nights: Metal was the prog-rock epic turned comic we never knew we'd wanted and this final chapter proves the perfect rocking finale!

Dark Spaces: Wildfire #1 releases on July 20, 2022.

In the end, Dark X-Men #1 is likely to appeal to fans of the darker X-Men comics of the 1990s. The detailed, visceral artwork is a throwback to that era, and the main story is as light on characterization as it is heavy on bloodshed. Thankfully, it's not all doom and gloom though it sets the stage for some dark days ahead.

I can't say that I enjoyed Days of Hate #1 but that is not because it is not a good comic. It is brilliantly written and well-illustrated. Unfortunately, I find myself unable to separate myself from my own reality in entering its world. This is not the usual far-flung escapist dystopian literature with mutants and zombies and leather-clad amazons in classic cars with spikes on the bumpers.

Dazzler #1 will offend many people for many reasons. But as a wise woman once said, "the haters gonna hate, hate, hate, hate, hate. This book is fun, plain and simple, with a loveable cast and vibrant, action-packed art.

Those who are expecting high comedy will be disappointed but those who might enjoy a slice of nostalgia that perfectly replicates the cheesy but enjoyable feeling of a good 1970's low-budget kung-fu action movie will want to check this out.

Still, the first story makes Green Lantern/Huckleberry Hound worth picking up, if you enjoy the old Hard-Traveling Heroes style of topical commentary.

Black Canary is in this book too and the story and art are amazing. This is easily the best of the DC Comics/Looney Tunes crossovers to date and a must read for anyone who likes both. Even the back-up story, rendered in a traditional Looney Tunes house-style, is a hoot!

In the final analysis, DC All-In Special is a conflicted book. It is not a bad one, for it manages the task of establishing just how the new Absolute Universe is created. However, it does little to inspire enthusiasm the Absolute Line will be more than DC's answer to the Ultimate Universe of Marvel Comics.

Those hoping for a sneak peek of the new DCU will be disappointed by Creature Commandos. Fans of good horror comics, however, will easily be able to sink their teeth into this book.

The one saving grace to all this is the art, which manages a sense of gravitas the script never manages. Those who have been following the DC K.O. event can safely skip this without fear of missing anything. Those hoping for some amusing action or an answer to the Superman vs. Homelander question will be deeply disappointed.

Everyone involved in DC Pride #1 should be proud of their work on this book. The stories assembled here are all about the heroic ideals of Truth, Justice and Freedom and tap into the core of what superhero stories should be. Anyone who finds anything objectionable about this would do well to read more comics.

DC Vs. Vampires could have been a silly, stupid book with no purpose but cashing in on Halloween and the horror market. Thankfully, it proves to be so much more than that. This book is a must read for all fans of vampire fiction and DC Comics.

In the end, DC Love Is A Battlefield #1 is like most anthologies. If you aren't a fan of the characters or creators involved, there's not much reason to pick this one up. However, as someone who likes seeing Harley and Ivy in love, a thrilling story with Hawkwoman kicking ass and comedic stories about superhero teenagers stressing over a first date, there was a lot for me to like here and there's probably at least one story everyone can enjoy.

Fans of Taylor's previous work and zombie comics will be able to cope with the artwork for the sake of the story, but mainstream superhero fans will likely want to steer clear of this miniseries.

If you're any kind of fan of the DC Universe or horror, you need to be reading this book. Highly recommended.

More than a mere zombie comic, DCeased will pull on your heartstrings and not in the way that the undead eviscerate the living.

It is a rare comic that can make you both laugh out loud and weep openly. DCeased #5 is such a comic. There is nothing more to say beyond that, save that if you haven't already been reading this book, start now.

This is a fitting conclusion to a spirited mini-series.

Dead Acre #1 accomplishes the one thing a comic adaptation of a novel should do above all else. It made me want to read the source material. On its own terms as a weird western, it sings visually and textually and is sure to please fans of horror and wild west comics.

Perhaps Dead by Daylight: The Hillbilly will hold appeal to fans of the games. As a fan of horror comics, however, it failed to grip me. The story and characters are generic and the artwork off-putting due to the odd color choices. Maybe the whole story will scan better as a TP, but I see no reason to check out the second issue.

Horror fans will find a lot to like about Dead Seas #1. Fans of Cavan Scott and Nick Brokenshire's work on various Star Wars books would also do well to check it out. Dead Seas is a lively read!

Maybe Deadbox resonated with me because my first job was in a small town video store; a slice of Americana as dated today as the five-and-dime and the town milkman. Somehow I doubt that. In my opinion this may be the finest bit of social satire Mark Russell has ever written and one of the best anthologies of weird tales since the original Twilight Zone. It is a must read for all fans of quality comics.