Dispatchdcu's Comic Reviews

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If you're a huge fan of War Machine, U.S. Agent, Mockingbird, or Quake, FORCE WORKS #3 as well as the overall series is totally up your alley. If you've really been digging the IRON MAN 2020 event, this issue and series will be a fun addition to the overall story.

If you came to this issue looking for action, you really don't find any. If you came to this issue jazzed to see Ironheart, you certainly won't find that here. If you came here looking for something fun and exciting to read, that's simply not inside this week. Heck, if you're looking to get caught up on IRON MAN 2020, that really doesn't happen this week either. The best this reviewer can say that transpires in this installment of IRONHEART 2020 #1 is that Ayala and Lore catch readers up on the status quo of Riri Williams and connect a few of the dots circulating since OUTLAWED #1.

Look, we can hammer home character motivations within the story until the robot cows come home. But, it won't change the fact that this mini had nothing to do with IRON MAN 2020 and barely showed Riri has Ironheart within two issues. Ayala and Lore oversaturated this issue with conversations and dialogue, gave readers little to no action, and basically created a comic about" nothing. Honestly, the entire series was like the SEINFELD of Comics this week, except without the humor or aspects that make a comic an entertaining escape.

Fans, especially with times being as tough as they are, a $9.99 price tag is close to three comics instead of this one. Nonetheless, without a doubt, WONDER WOMAN fans need to grab this issue. Furthermore, fans who've been interested in dipping their toe into the character will find this issue extremely informative as well as inviting causing this reviewer to recommend the issue entirely even with the hefty cover price.

The StoryJack Beans, the calculated man, is an extremely interesting and unique character.  Tobin has done a great job at drawing readers in by giving the character solid strengths, such as his mathematical abilities, and personality ticks, such as never being able to tell a lie.  Throughout the issue, readers are introduced to Jacks backstory and motivations, which while hard to believe, are compelling.  Its hard to write this review without giving too much away, but Tobin has done a tremendous job as he sets up a character-driven story and lays the ground with pitfalls for Jack to step into as he follows the most logical course of action to achieve freedom from The Keys.

:A Righteous Thirst for Vengeance #1 is a great first issue.  It guides the reader from beginning to end, leaving a feeling of worry with a final bloody footprint.  With several of Rick Remenders books either just finished or in the process of wrapping up, it is great to see him launching a new series with Andr Lima Arajo.  I can't wait to see where the duo takes us in the next issues.

Gillen has not only made me feel prepared for A.X.E. JUDGMENT DAY, but he has also made me curious enough to want to go back and read ETERNALS rather than feeling that I have to go back and read ETERNALS.

A.X.E.: Judgment Day Omega #1 was slow, boring, and doesn't wrap up the bigger loose ends. Sure, it hints at Eros and the public feelings of Eternals but everything else seemed more Eternals driven pushing readers towards an ongoing. I wanted to see more of an aftermath focusing on the big picture which we don't receive. How is the world dealing with this traumatic event that devastated literally EVERYONE and killed millions?

A.X.E. JUDGMENT DAY #1 is intense, action-packed, well defined, easy to follow, and filled with energy thanks to Schiti and this art team. Other than not completely understanding how Sinister, Ajak and the AVENGERS fit into the picture quite yet, I'd say this issue is a must-buy to any and all current MARVEL COMIC readers and fans.

A.X.E. JUDGMENT DAY #2 continues exactly where issue one left off, provides little growth until the final page reveals, and clutters the comic with heavy dialogue and gaudy page design.

A.X.E.: Judgment Day #4 focused my attention on who decides the moral laws. Who decides what is just and unjust? Who is the judge? Even the world of Marvel Comics fights with that dilemma on the reg and theyre a fictional world with superheroes and superpowers. If they struggle, what are we to do? And this question I pose not just rhetorically but also in the context of the issue. Im excited to see how Gillen will manage this new impending judgment. How will the world get through this one? I guess well have to continue to read and find out. But readers, the excitement and speculation are real! Grab A.X.E.: Judgment Day #4 as soon as you can. Other than the massive narration, this issue has it all!

I hope that this piece doesnt get brushed under the rug. I want to know how the world recovers. I want to see the ramifications of the big reveal on the last page. And whats going to happen to Tony, Sinister, and the rogue Eternals? They need to be held accountable. The point is: that Gillen has made an event thats hitting on all cylinders. From deep thoughts about life, religion, and origin to where the Marvel Universe will be heading after this event, Gillen continues to tie so much into one amazing story. You have to pick up A.X.E.: Judgment Day #5 and grab the back issues ASAP! Let me know what you think, have a great week, and God Bless!

A.X.E.: Judgment Day #6 felt way too long and ultimately ended with a discussion, a test, and nothing overly clever or boisterous at all. There was no "wow moment. No "big sacrifice readers will totally care about.

Above Snakes #1 by Shawn Lewis is a dark and humorous take on the wild west. It delivers on everything a first issue should: interesting characters, a good story, and just enough of the overarching story to make readers want to pick up the next issue.

Overall, Absolute Carnage: Captain Marvel #1 is an average tie-in comic. The story is okay. The art is average at best. For every fun Bad kitty bit of dialogue, theres an off-putting FOMO. If youre collecting everything Absolute Carnage, go ahead and pick it up. For the rest looking for absolute must tie-ins, save your five bucks.

Fans that have been really digging ACTION COMICS and SUPERMAN since FUTURE STATE will be excited to see everything finally begin to blossom with the fruits of what's been growing for months now. Yet, I reiterate, fans who've been distant from SUPERMAN in these past months should at least comb back through SUPERMAN AND THE AUTHORITY before diving into ACTION COMICS #1036. Furthermore, to the diehard Man of Steel fans, you'll be a bit displeased to see him be more of a quiet side character in his own book. Granted, sometimes powerful stories about supporting characters need to be addressed even at the expense of the main character". as long as it's not a reoccurring or continual thing.

Overall, Action Comics Annual 2021 #1 was a pleasant surprise. It had a compelling main story that may end up taking a back seat to the bookends of this annual with Thao-La and Mr. Byla's interactions. If you were thinking of passing on this annual, I implore you to reconsider. This creative team delivers a great story and incredible art with so many possible implications for the current story arc making Action Comics Annual 2021 #1 a can't miss issue.

Some of the pieces aren't adding up. That said, this tie in wasn't supposed to fill in those gaps but it did a good job giving the background as to why the Vulture is somehow running the inmates, developed more suspicion centered around both Kraven and Arcade, and explained why we ended the last issue with multiple Vermin up in here! However, when it's all said and done, I just need more Spidey in a Spider-man comic. Still no fireworks for me but maybe a Bang Snap or two.

The plot is not capturing my attention and this reviewer sees too many plot holes with unanswered questions. Spencer is giving answers to questions that no one appears to be interested in and doesnt take the time to explain what is actually happening within the story itself. This Spider-fan leaves the issue more confused than when he started and totally uninterested in the ending of the arc. When this arc began, it felt like it had purpose and direction. Now, this reviewer couldnt tell you either.

If you're fresh to comics, new to Spider-Man, or are interested in coming back to the character, this is a fantastic issue to give Peter Parker another try. If youve been down on AMAZING SPIDER-MAN lately, this is a fun and refreshing adventure that will rejuvenate and rekindle your love for the series and character again. This was a hilariously fun adventure for our wonderful wall-crawler that showcased some of the best talents Marvel has to offer today. Comic fans would be foolish to leave this on the rack. Pick it up, give it a try, and let me know what you think. It truly was a fantastic read.

The Amazing Spider-Man #1 by Zeb Wells is an amazing issue. New readers will find this to be a great issue to jump onboard as Wells' story doesn't require any prior knowledge to get up to speed. With a lot of questions being asked, some readers may want something more substantial to hold onto. The return of John Romita Jr. has excited fans since the announcement and the art does not disappoint. Overall, The Amazing Spider-Man #1 is a near-perfect issue to start off a fresh storyline.

The Amazing Spider-Man #2 is a solid follow-up for Zeb Wells, deepening the mysteries laid out in the first issue and getting Peter into some sticky situations. Wells also humanizes Tombstone by highlighting the relationship with his daughter and how that is being affected by the feud with The Rose. John Romita Jr., Scott Hanna, and Marcio Menyz are a great team of artists that bring their A-game to this series. Definitely a promising issue for any Web-Heads out there.

The Amazing Spider-Man #3 continues Wells & Romita Jr.'s streak of delivering strong issues. With an in-depth look at what makes Tombstone tick, Wells shows his knack for developing complex characters. The creative team of Romita Jr., Hanna, and Menyz continues to deliver solid and consistent results, though no one will accuse them of being the best team in comics today. Overall, this is a great chapter that helps to build the tension before Legacy Issue #900.

The StoryThe Amazing Spider-Man #5 wraps up the first arc of his run of the series.  While Tombstones story has been entertaining, it hasnt supplied any answers to the big questions posed in the first issue.  Readers still dont have any idea of why Peter is on everyones bad side, what he did to get there, or whats going on with Mary Jane. Wells does start to reverse some of these dynamics, with the appearance of Black Cat and how Peter has grown over the last five issues, but its too much of a slow burn.  Too many questions, and not enough answers.

The Amazing Spider-Man #6 (Legacy #900) is an amazing anniversary issue. The stories within are well written and paired with art teams perfectly. The $9.99 price tag is a little steep but at roughly 90 pages, its a good deal and definitely worth picking up.

Overall, Giffen appears to be severely influenced by the war in todays society and shows comparisons throughout his writing with pivotal and monumental characters. Moreover, readers will leave this issue feeling like the stakes are even higher after the crazy cliffhanger. Dont let the heavy monologuing steer you clear of this issue or event. Pick this up and add it to your pull. If youre reading this review much later than its release, go grab the trade. This critic thinks its going to be an enjoyable ride. Hop in now for this entertainingly clever tale by the talented Keith Giffen.

If youre looking for a well explained, fast-paced, action-packed event with fantastic art, youve come to the right place. This beautifully illustrated issue will leap off the shelf and capture your attention immediately while Giffens storytelling will submerge readers deeper into this universal war story leaving them excited and eager for the next installment. So far, readers will find themselves attracted to a high-quality comic event that feels important to the Marvel landscape. What more could comic readers ask for? Pick this issue up at your LCS or buy the trade if you're reading this review after the fact. Either way, dont miss out on this stunningly amazing event!

The issue was straightforward, obvious, and cluttered with dialogue, small spaces, and dull color tones causing this reviewer to leave the narrative with disappointment. Giffen and his team simply laid out the expected and predictable, other than one minor plot angle which was barely touched on, and the issue simply fell flatter than an open soda can.

Giffens tale is still imaginative and still feels like a big deal to the Marvel Landscape. Sure, the war element (large idea) to the narrative may have vanished to focus on specific characters (small idea), but there were still many interesting plot threads that are helping this reviewer hold on for one more issue, if not the last two.

Rosenbergs story definitely left this reviewer excited for Decembers launch of titles related to the ANNIHILATION SCOURGE event. There were many moments

AQUAMAN and the FLASH are certainly as connected as night and day. And thus, Lanzing and Kelly do a fantastic job hammering that point across. However, it's done at the expense of some character traits and key plot points about the overarching dilemma our heroes find themselves in.

AQUAMEN #1 provides readers with nonstop action, unique twists, and story beats that will quickly captivate AQUAMAN fans.

Arcade Kings #5 delivers a visually stunning and emotionally charged conclusion to the saga of Ken and Joe's battle against the formidable Victor McMax. The intense and cathartic finale, masterfully illustrated by Dylan Burnett, showcases the artist's undeniable prowess in capturing the essence of action on each page.

THE HOOK:Arkham City: The Order of the World #1 is what happens after the Jokers attack on Arkham Asylum (Infinite Frontier #0).  Writer Dan Watters picks up the pieces from the attack and spins a tale focusing on the single remaining psychologist from Arkham Asylum, Dr. Jacosta Joy.  Dr. Joy has made it her goal to track down the patients who escaped from Arkham and get them the help they need.

If I'm left to overthink, I get lost and confused. But, the art was pretty good, and the story is creative and exciting. I genuinely think something big is about to happen. I just need some guidance more than anything.

Questions are answered. Art is fantastic. And, Aaron is on fire guiding new and old readers back into Marvel again. This issue wasn't filled with a ton of action, but it gave readers a ton of explanation that was drastically needed. Pick this issue up and get the answers you need moving forward.

Deep down, I can stand behind this issue, as well as Aaron's first arc, and say the Avengers are going in the right direction. Put this on your pull list and pick this issue up!

Aaron truly captures the voice of the Phoenix throughout the issue. This is a skill set that very few writers are able to master. The Phoenix is an entity of light and darkness. She is a balance, creating life and burning away what does not work. Aaron understands this and paints a truly illustrative series of events with a fresh take of the Phoenix Force.

If youre not a fan of Jason Aarons Avengers run or the Phoenix Tournament, then expect more of the same but with great art. Things are progressing slowly as the tournament continues with more matchups with the stakes being reserved for a select few fighters. I dont recommend buying this issue unless youre already on board with the tournament, because this is not a good jumping-on point for new readers.

If you've been reading comics for a long time, Sterns tale will be a refreshing take that you very well might have been missing in today's narratives. If you're new to comics due to the draw of the movies Marvel has pumped out lately, pick this issue up to get a glimpse of some of the historical components throughout the chronology of this comic landscape. There really is a little bit of something for everyone in this issue, especially the Big reveal with one of Doctor Stranges classic foes. Pick this issue up and let me know what you think.

qHonestly, this comic sets itself up as a fun, high-octane adventure for the Avengers to face a new threat that requires everyone, even the Hulk, to get their own mech suits. But we rarely see them here at all. I recommend readers wait till the next issue before getting Avengers Mech Strike #1 if they want to see more of the Avengers Mechs in action.

Batgirls #1 establishes a new location and mostly sets aside any plot to give Cassandra and Stephanie time to shine. It's not an explosive premiere, but it puts all the pieces in place, and I hope we get to see more of this area of Gotham, along with improved handling of Barbara Gordon, in future issues.

Batman & The Joker: The Deadly Duo is graphic, action-packed, bold, and incorporates an overarching concept that all fans should flock toward a partnership between Batman and the Joker. However, readers will quickly discover that everything isnt quite as it appears which should change that hand-holding into some investigative reporting before Batman & The Joker: The Deadly Duo #1 wraps. Sure, in a market where we arent starved for Batman comics, one might question whether or not to buy THIS ONE. Well, the simplest, easiest answer is yes! Fantastic art, powerful designs, a unique story, and solid character voices promote a stellar beginning all fans can hop on board with and enjoy. Let me know what you think, have a great week, and God Bless!

Nevertheless, just like Batman #130 this week, Batman & The Joker: The Deadly Duo #2 has some rather stellar plot threads for readers to pull that make this tale intriguing while garnering a strong sense of mystery and detective storytelling. Whos behind all of this and why are they basically cloning Jokers? And what connection does this all have to do with the Waynes? There is so much meat on the bone making this reviewer excited for the future of this series. Yet, Im reviewing THIS issue which was again overcompensating with action instead of pulling these enigmatic plot threads that could hold the story together on their own. Let me know what you think, have a great week, and God Bless!

Batman & The Joker: The Deadly Duo #3 is a detective story giving fans time to calculate their own theories but eventually logically lays out the correct path without any fake sleight of hand. Its dark, contains consequences, and will leave readers on the edge of their seats. I highly recommend Batman & The Joker: The Deadly Duo #3 as well as the series and predict this tale to be one of those classics we look back at years from now.

Batman & The Joker: The Deadly Duo #4 was the best issue in the run to date. Silvestri put all the pieces together and readers can tell we've finally made it to what we've signed up for.

Batman & The Joker: The Deadly Duo #5 takes creepy to an all-new level providing fans with some next-level Batman villainy. This story by Silvestri has escalated from a regular, run-of-the-mill, Batman/ Joker Team-Up comic to a sinister, almost demonic display overnight.

Readers, the action, suspense, and reasoning you've wanted since the beginning finally get answered this week making this week's story worth every penny. I couldn't recommend Batman & The Joker: The Deadly Duo more to anyone clamoring for a strong and creative Batman story.

Even though the ending may not have been what I wanted or expected, Batman & The Joker: The Deadly Duo was still a rock-solid story cluttered with creativity and fresh new plot threads. Ultimately, I still feel that its a rock-solid Batman Movie waiting to happen that would certainly be different than what we usually get, however, I just cant shake the disappointment I felt from the final issue. Altogether, Batman & The Joker: The Deadly Duo was pretty darn good. However, as final issues go, I was expecting something more from a story that was on point since issue one. Nevertheless, I highly recommend Batman fans give this series a look especially if theyre looking for something that borderlines horror and provides a different element of eerie mystery to the character thats perfect for Halloween.

A lot is packed into Batman '89 #5 and the action sequences are fast-paced while still presenting a thrilling adventure for fans of the Keaton Batman films.

Batman '89 #6 is a good wrap-up to this series, though it seems like it could have been expanded upon more. For instance, it would've been nice to hear more about Catwoman's psychiatrist, potentially setting the stage for a sequel series. It also seems like the prospect of Barbara becoming Batgirl is slim to none in this universe, but you never know. A spinoff of Catwoman and Barbara working together would be very interesting for sure. It would be cool if DC gave us more of this Batman in the future. Perhaps a future series could show Robin Williams as the Riddler since he was once rumored to play the Riddler opposite Keaton's Batman.

BATMAN #118 is refreshing, entertaining, refocused, and feels like it's already easier to digest than most Batman-related stories in the past five years.

BATMAN #119 is a well-written, balanced, fortified story with just enough action and suspense to keep the reader on their toes. Plus, Williamson provides a few answers to keep fans invested but supplies new questions and intrigue to keep you locked in on this run.

As far as Williamson's run goes, this is by far the least exciting issue hindering the scope of the story in order to move the plot forward.

I was finally digging BATMAN again only to find BATMAN #121 rapidly concluding with open-ended story beats and abrupt narrative flips to explain away plot threads that seemed substantial. Luckily, Jorge Molina and Mikel Jann continue their dynamic expertise making BATMAN #121 something to revere.

I'm still interested in this SHADOW WAR. I really am but I was expecting a bit more to iron out the story. Maybe a bigger clue as to which direction the story is heading and why? Sure, I don't expect all the answers immediately but all Williamson did on this issue was explain how the DEATHSTROKE impersonator got in and who definitely didn't do it.

BATMAN #123 doesn't do much this week other than an attempt to pull on the heartstrings with the final page. Nothing pertinent to the story was uncovered, conversations were overdramatized and out of character, and the art was hard to decipher and edgy. Overall, I feel like SHADOW WAR has turned into a mini crossover event for Williamson-related titles and has almost zero impact on anything else happening at DC COMICS. It's almost as if the story is on its own island. So, if you skip it, you're not missing much which ultimately takes away its importance and weight.

What a fantastic start for Zdarsky's run! The dialogue between characters, as well as the monologuing, was spot on BATMAN. The characters chosen to be a part of BATMAN #125 were a perfect fit, the tie-ins to the current BATMAN landscape were well balanced, and the suspense drove the tone of the issue masterfully.

BATMAN #126 has energy, action, and story beats that mean something to the hardcore fan. This issue of BATMAN is a super easy read that will go by fast but leave fans with the perfect balance of exuberance coupled with the story. Mirror the exceptional writing with Jimenezs explosive designs and dynamic renderings and readers get a BATMAN story that will certainly help fans forget all about the past six years of what the heck is going on?! in your BATMAN series. If youve left BATMAN in recent years, I strongly recommend jumping back on board with BATMAN #126. Just start with issue 125 to get the full story which should still be easy to find. Let me know what you think, have a great week, and God Bless!

Batman #127 continues Zdarskys creative juxtaposition of a few classic Batman stories and uses them as the backdrop for a new tale that will help fans forget all about the past half-decade of the series. Its fun, exciting, clever, and filled with action. With only a few minor questions that dont completely ruin the narrative, Batman #127 continues to push this series back towards the top at DC Comics. Sure, the story is pretty wild but its the art team thats truly made Batman exciting and fun along with the Zur-En-Arrh persona. If youve been off Batman, you need to get back on right now. If these past couple of issues are any indication, Batman fans are in for a treat! Let me know what you think, have a great week, and God Bless!

If you're interested in a Batman story that's jumpin' right from page one, Batman #128 is it! From its special guests to its emotional moments, this high-octane rollercoaster doesn't stop until the end. Additionally, the action is top-notch and the play-by-play narration from Batman, while Superman is taking on Failsafe, was some incredibly impressive writing. Combine all of the above with some wildly powerful illustrations from this creative crew and fans will find one of the most entertaining issues in the past 128.

Batman #129 continues to take the Dark Knight to all new places with intensity and fast-paced action that is sure to keep new and old readers thoroughly engaged. Zdarskys take does offer some interesting monologuing at times from Batman but the almost lack of confidence, questioning every step or action, coupled with his inconsistent demeanor makes Zdarskys Batman appear more human. Readers, I havent been this excited about the Batman series since Tom King began back in 2016. Its time to hop back on board. And, feel free to use this issue as the motivation. Moreover, Zdarsky does a fantastic job summarizing events to this point. Let me know what you think, have a great week, and God Bless!

Sure, the overly comic book science-esque narration and play-by-play weighed down the issue making it almost silly at times. However, the suspense and high-level thrills will keep readers locked in just long enough to overcome the beginning ridiculousness that kicks off Batman #130. Let me know what you think, have a great week, and God Bless!

Now, this wasnt Zdarksys Failsafe run thats been humming on all cylinders since he took over the book. Yet, I still found myself entertained by the unique cast of characters and the multiversal mayhem that awaits on the horizon. So for now, Im in hopes that we dont get huge gaps of time between this new story and whats happening back in the Prime Earths Gotham with Failsafe. I would love the full attention here on this new story and not split between the two places. In order to really hook the readers on this new development, I think Zdarsky will need every page to do just that. Let me know what you think, have a great week, and God Bless!

Batman #132 takes fans on a multiversal tour showcasing the villains we once knew but in a different light. Its a pretty quick read filled with tons of story beats that will leave Batman fans loads to talk about. Heck, the speculation is endless. Is this how we get Alfred back? Will he come back to Earth Prime along with Panic Attack? Moreover, will Bruce be stuck here for an extended period of time where he gets to fix this Gotham for good or will it be a quick stint where he helps them get back on track? And is the Red Mask actually Halliday? Again, fantastic questions that will keep any reader wildly interested in this surprising new direction after the Failsafe arc. I highly recommend this series and think this issue speaks volumes about where the comic was with its prior creative teams. Hop on board this while you still can!

Batman #133 continues Zdarskys wildly creative story with a Batman more familiar to the diehard fans of yore. Vengeance is back baby! The Bat of Gotham is ready to strike fear in the hearts of everyone as he single-handedly drains this evil, corrupted Gotham Swamp. Moreover, the action is relentless from start to finish. From excavating dead bodies to fighting venomized villains, Batman takes fans down memory lane as to why we all love this character so much. Readers, I havent had this much fun in this title in years. Sure, Failsafe was a good arc and it changed the trajectory of the series well. But Batman #133 finally provides this title with the excitement its been missing for quite some time. I know its in the middle of the arc, but Batman fans should be back on this title. Get the back issues and trades of Zdarskys run and hop on board while you still can.

Zdarksy simply gets storytelling. He has the delivery down, he executes his plot threads well, provides strong cliffhangers, thorough details, and all while connecting the classics that make Batman so dynamic. The Multiversal angle and parallel characters continue to add a vibrant spice that should continue to spark any Batman fans' interest. This wasnt the story I saw coming after Failsafe but its still a $&@ good story that I highly recommend. Batman needed new stories and flavor and Batman #134 is the perfect example of just that. Zdarsky has certainly delivered and continues to keep fans on their toes.

Overall, Zdarsky did an outstanding job for a 900th issue. Batman fans get a glimpse of multiple artistic renderings of the vigilante from multiple universe while tying together multiple Jokers in the process. So, from an artistic standpoint as well as a way to pay homage to the character, Zdarksy does a phenomenal job. That said, the actual story itself, its plot threads, and machinations, as to exactly how and why this is happening, were certainly a bit flat. The science and reasoning were a bit off as well as the explanation associated with how Halliday and Bruce were jumping across multiverses. More was definitely required to provide readers with a better understanding and purpose. Hopefully, Zdarsky can iron those details out in Batman #136.

Overall, Zdarsky hits a home run in this week's Batman #136 by setting the stage for Zur as a possible villain. However, what makes Zur a unique villain is that its Bruce fighting himself literally. Not an alternate version of himself or some clone. Its Batman literally fighting himself. Its almost as if we get the dueling personalities that the Hulk deals with without the internal connections. Moreover, the bigger question remains as to how Batman can fight himself. Wouldnt he know every move his alter ego would try to anticipate in order to counter? Readers, this is going to get intense fast and I cant wait to see where this leads. So far, Zdarsky has proven his worth since hes taken over Batman. I cant recommend this title enough and find myself looking forward to Batman each month just like I use too many years ago. Let me know what you think, have a great week, and God Bless!

Nevertheless, Ill give this storyline a fair shake due to Chips track record that normally lands heads up. Plus, Zdarsky is generally great at starting a storyline with the premise being one angle and completely ripping the ground out from the narrative switching towards another direction quicker than it started. Meaning, this Civil War premise might just fade away anyway. No doubt, Id give Batman #137 a good strong look. Additionally, Jimenezs art was pretty solid like usual. However, there were a few small parts that seemed uncharacteristic. Nevertheless, Id follow this story through to Catwoman #47 and see i where it goes. Let me know what you think, have a great week, and God Bless!

There is just a ton to explore and Zdarsky continues to keep the fireworks moving well. To those who "peaced out with King and Tynion's runs, you need to jump back in now. Chip has brought this book back up to where it's supposed to be.

BATMAN ANNUAL: 2022 #1 showed a re-formation of a BATMAN INC. that lacks strength, intelligence, and direction. It promotes two, if not three, brand new characters that were just created that are somehow better than BATMAN INC. in almost every way, which undermines the history of these characters and makes BATMAN INC. almost like throwaway extras to merely sucker readers into a Ghost-Maker comic.

Comic fans, this is merely a bad story masked with some of the best art around and fluffed up with bells and whistles. But, there is no story here. Just a ton of fanfare for BATMAN: THE ANIMATED SERIES and the BAT-CAT relationship groomed so well in King's own BATMAN run.

While Batman/Catwoman #10 may not be the strongest in terms of story for this issue, Clay Mann really makes up for it with his eye-popping artwork that really stands out. I just hope for the final issue, we see more of Batman as well as Phantasm.

Fans of the DC animated universe will enjoy Batman/Catwoman #11, as it contains multiple homages. There is also a great emotional scene between the elderly Selina Kyle and her daughter, Helena. The finale of this issue may be a bit jarring for some readers, but it may not be everything that it appears to be.

Batman/Catwoman #12 was great at highlighting Bruce and Selinas relationship, but wasnt the best in terms of story. The previous issues plot twist with Andrea Beaumont is addressed briefly here and given closure, but seems to be done in a very haphazard way. Andrea seemed to serve as more of a foil for Selina, than actually having real significance in the story, which fans of the Batman Mask of the Phantasm animated movie may find disappointing. Overall, the art was much better in this series than the writing.

Batman/ Catwoman: The Gotham War Scorched Earth #1 brings this storyline/ event to a close quite uneventfully. The character voices were off, the illustrations didnt match, the story lacked emotion, and the impact of the shocking conclusion lost its punch with the exceedingly fast-paced panel progressions and conversations from the characters. Sure, there were certainly a few strong curveballs in this issue. However, they werent enough to save the event making Batman/ Catwoman: The Gotham War potentially a forgettable storyline a few months from now.

Overall, Batman/ Spawn #1 is a MUST-BUY to any Capullo fan, Snyder Batman fan, Spawn fan, and anyone looking for a dark, violent tale. Don't wait to pick this up.

If youre a fan of either mainstay character, youll adore this double feature at the Drive-In. I had to wait until after work to grab this one. However, you shouldnt! Get it as soon as you can! I have a feeling it may sell out before you can get your hands on it. Pick it up ASAP, add this series to your pull list, and let me know what you think. Have a great week and God Bless!

As I stated in my last review of BATMAN/ SUPERMAN, Reis provides so much detail into the minutiae of film strips. From burnt pages to the thousands of small film panels surrounding the Auteur.10, the detail is immense. Furthermore, the colors, along with the inks, are so rich and vibrant providing depth and definition to the characters and their surroundings. Occasionally, I found a few of the pages a bit too cluttered with word balloons. Yet, if they were ignored, Id be missing key elements of the story. Sometimes, its hard to fit in everything and hit the page count.

Reis and his team provide fans with distinct, stimulating illustrations that are so bold and refreshing. This style is so incredibly polished, smooth, and realistic. Honestly, whats not to love about this issue? Its brilliant, well-paced, and I simply wanted to read it again! I strongly recommend giving this issue of BATMAN/ SUPERMAN a shot. However, its not the best place to jump in. So, maybe you look at grabbing the trade instead? Nevertheless, Yang and Reis are doing some amazing things here. So, if you can get your hands on some back issues, Id totally chase them down! Let me know what you think, have a great week, and God Bless!

As someone who loved the SUPERMAN AND THE AUTHORITY series by Morrison, I was expecting something rather similar. However, other than the team and characters involved, that's about all that remained from Morrison's take. In all reality, this was a DARK NIGHTS Multiversal tale with a dangling carrot for the future. If you loved those events and find the Dark Multiverse exciting, this issue of BATMAN/ SUPERMAN AUTHORITY SPECIAL #1 is for you. However, if you came for SUPERMAN AND THE AUTHORITY, you won't really find much of that here.

BATMAN/SUPERMAN: WORLD'S FINEST #1 is cluttered with action, special guests, and dialogue that fits the Silver Age motif which well represents these classic heroes. Moreover, Mora's updated renderings of these paradigmatic heroes, alongside Bonvillain's eye-popping colors and Bidihar's explosive lettering, take these cult favorites to another level. BATMAN/SUPERMAN: WORLD'S FINEST #1 has all the makings of a comic that marries the Modern and Silver Age together masterfully giving Parents (and now even Grandparents) something special to connect to with their kids.

Batman/ Superman: Worlds Finest #16 is a fast read that catches fans up on Newmazo and this A.I. Revolution. The story showcases Batmans cunning leadership abilities as well as Waids in-depth knowledge of the DC Comic Universe. Furthermore, it provides fans with a rather intense story thats packed full of excitement from start to finish. If youre looking for that extra book to fill out your pull list this week, Batman/ Superman: Worlds Finest #16 might be just what the doctor (Ivo) ordered!

Its that history and foundation that relieves the pressure off the reader, puts it squarely on his shoulders to tell, and properly explodes it off the page to the reader. The best way to describe Waid, as well as Batman/ Superman: Worlds Finest #17 and this series, is that its the perfect getaway adventure for any comic fan. DC Comics, if youre reading this, I highly recommend making this story an animated movie! But, let Waid guide the entire thing and I promise it will be a hit.

Batman/ Superman: Worlds Finest #18 is a quick read thats super-easy to follow with crisp, bright coloring thats sure to catch your eye. The story is well-written, places the Golden Age feel perfectly, and mixes the two characters together with two of their classic villains in a way that makes sense masterfully. So far, Waids time on Batman/ Superman: Worlds Finest has been a true blessing and this issue helps fortify why fans of all ages need to get in on this series before its too late. Let me know what you think, have a great week, and God Bless!

Batman/ Superman: Worlds Finest #19 is a vintage trip into the past of two icons within the DC Comic Universe. It retroactively concludes their first meeting in a fun, almost lighthearted way that resembles a nice, classic comic book feel. Sure, everything gets wrapped up rather quickly, easily, and matter-of-fact, but it still conveyed an entertaining nostalgic vibe thanks to the entire creative team.

My feeling is that Batman/ Superman: Worlds Finest #20 was merely foundational to set up the momentum for the remaining issues in the arc. The intrigue is there. And because of that, I think the energy will be revealed next month and beyond.

To anyone who hasn't been reading Batman/ Superman: World's Finest, you're 21 issues too late. Get the trades this holiday season, and find the back issues ASAP. It's truly one of the best ongoings at DC right now.

THE SCOOPIn Batman Beyond: Neo-Year #1, Bruce Wayne has died (following events that occurred in Batman Urban Legends #7) and its up to Terry McGinnis to carry on his legacy as the Batman of the future and figure out who is behind the chaos in Neo-Gotham.

Batman Beyond Neo-Year #3 really delivers in terms of action, mystery, and suspense. It shows Terry truly becoming his own man as the new Dark Knight and carrying on the legacy of Batman well. Hopefully, more will be explained in future issues though, such as the identities of the new villains, the disappearance of notable characters such as Dana, Max, and Terry's family, and how Lumos (and potentially others) know of Barbara's past as Batgirl.

As someone who likes Batman, fairy tales, literature, and 60s Batman TV villains, the Batman vs. Bigby! series intrigued me. Personally, though, I was kind of disappointed in the final issue, partially because I expected more of the Bookworm. It would be nice to see more bat-villains that originated in the 60s TV show re-invented in the mainstream comics in a darker manner. This proves it can be done well. The Fables characters seem to mesh nicely with the world of Batman, and Bookworm served as a good antagonist throughout most of the series, though I honestly think they missed a golden opportunity by not having the Justice League villain, the Queen of Fables, make an appearance.

Plus, this new villain is straight-up scary. Its like a low-key Trigon meets the Superman villain Doomsday. Readers, the story is creative, filled with action, and leaves so many dangling plot threads and intriguing questions that will keep fans excited for whats to come. Furthermore, it appears to be a different type of Batman story that now looks a bit different than what was anticipated. I highly recommend giving Batman vs. Robin #1 a shot. Its got action, suspense, and mystery with Batman at the epicenter. What more could you ask for? Let me know what you think, have a great week, and God Bless!

Batman Vs. Robin #2 does its best to provide some needed background to this series rather quickly but not so effectively. The magical confusion put a damper on the story and added some complexities that weighed down the issue with funky flashbacks and surreal reveals that ultimately still left out one key component. What is Damian's personal motivation for unleashing the Devil Nehza? Is sheer curiosity the only connection? And if so, that seems a bit silly.

Strong writing and narrative clues sprinkled throughout show the experience of this creative team and just how much of a class act Mark Waid, Mahmud Asrar, and company truly are. Batman Vs. Robin #3 explains plot threads, motivates the antagonists, drops in some psychological beats for readers to think about with Batman, and all with just enough of a healthy dose of action to keep readers entertained. Balance the story with Mahmud Asrars incredibly detailed illustrations and fans get a thorough, well-developed story thats turning into an extremely fun mini-event. I highly recommend Batman Vs. Robin, especially with Lazarus Planet waiting in the wings, and think it needs to be on everyones pull list. Let me know what you think, have a great week, and God Bless!

Overall, there is a ton to be excited about in this issue and it helps readers see how a strong story can connect with the proper setup in prior issues to guide the narrative to success. Excellent job to Waid and his entire team on another stellar story.

As for Batman vs. Robin #5, it wasn't necessarily the ending I thought we were going to get. But, I certainly appreciated a writer finally developing Damian Wayne and moving him from a troubled, price of a kid to a young adult.

I was really impressed with Batman: Beyond the White Knight #1 overall, and definitely want to read more. Some things were discussed such as a falling out between Dick Grayson and Barbara Gordon, which I hope is explored further in future issues. Plus, I'm also intrigued about what will happen with Harley's daughter, more of the confrontation at the end of the issue, and what will happen when Terry and Bruce finally meet. Overall, I highly recommend picking up Batman: Beyond the White Knight #1.

Batman: Beyond the White Knight #2 continues to impress and fans are sure to love it. The characters we think we know are explored in a new way and it leaves the reader guessing as to what will happen next. That is the mark of a good story, and this is definitely good storytelling.

With the twists that Murphy is pointing into the story which deviates from what is normally seen in both the DC animated universe and the mainstream DC universe, Batman: Beyond the White Knight #3 keeps readers invested and wanting more, while not quite knowing what to expect.

While Batman: Beyond the White Knight #4 is very exciting, it is left unclear as to how the story will proceed. This is supposed to segue into a spinoff about the Red Hood, but are they leaving the story open-ended, pausing it, or will these events continue in a new title? It seems like the story is just getting started and it would be a shame if it just ended. It's doubtful they are going that route, but hopefully, we'll see more of the Tomorrow Knight soon!

I said it with my opener and I'll say it again, Batman: City of Madness #1 is the perfect story to kick off this Halloween Season. Ward single-handedly molded the writing and art together in a way that provided this hauntingly authentic thriller with Batman and the Court of Owls at its epicenter.

BATMAN: FORTRESS #1 by Gary Whitta takes a simplistic concept, molds it into something much larger, dangles multiple loose ends, and hovers speculation over the narrative. The story beats are interesting, the action was enough to keep readers engaged, and the pacing was spot on.

After BATMAN: FORTRESS #1, I was really hoping for something good. And as I stated earlier, the potential was definitely cluttering each page. However, Whitta's dialogue and lack of convincing story beats coupled with Robertson's renderings and design made BATMAN: FORTRESS #2 quite unappealing. Readers get no answers, few reveals, and orchestrated conversations meant to add humor that ultimately pushed each character out of their norm and into an irrelevant and inconsistent story.

That seems like the bigger story than breaking into the Fortress. Ultimately, the emphasis is in the wrong spot and the characters dont jive with their normal machinations. Hopefully, Whitta can re-authenticate BATMAN: FORTRESS somehow. Nevertheless, I think the biggest help in that area would be a new art team to start at least by having the characters appear more like what we are used to. Let me know what you think, have a great week, and God Bless!

BATMAN: FORTRESS #4 is fun and will certainly keep fans on their toes. Nevertheless, we are four issues in with very few answers and even more questions. Sure, the conversations and cameos help fortify the story well. However, if we don't get any answers soon, I feel readers may take their money elsewhere. Issue five needs to have a huge story beat answered to keep the mojo trucking along or else I could see the series start to implode. All that said, BATMAN: FORTRESS #4 was extremely entertaining and reminiscent of the BATMAN Ive long missed for quite some time. I highly recommend giving this series a shot.

Readers, I dont think Batman: Fortress is ever getting to the fireworks factory. Where is the action? Where is the covert mission to break into the Fortress? Where is this amazing team youre getting together Batman? Instead, we get unnecessary romance, Batman placing his moral code to the side, Green Lantern rodent jokes, and another uncharacteristic conversation between Lex and Batman that dribbles over from prior issues. Whitta is really dragging this puppy out. Readers get no intensity, no action, and a plot thats stalled out. At what point do you throw in the towel? Well, for this reviewer, its right now. Ive more than lost interest in this series. Let me know what you think, have a great week, and God Bless!

The characters have no teeth, the dynamic is flat, the comedic tones don't work, the characters act very little like how they should, the plot threads read like an escape room, and the art lacks depth and texture.

I went into Batman: Gargoyle of Gotham #1 excited for a new Batman story but left extremely underwhelmed with the story while simultaneously being a bit overwhelmed with the illustrations. The design was a mixture of cartoony meets gory in an effort to shock and amaze. However, I found the style took me out of the story on multiple occasions as well as the subtle story beats that were uncharacteristic of Batman and just didn't jive well with the character.

Batman: Gotham Adventures #1 is a great introduction first issue for anyone that just wants a Batman and/or Bat-family story without all the tie-ins or decompression. Some might find the art as "kiddie". But it's a clean style that shouldn't distract from the story.

Together, BATMAN: KILLING TIME #1 appears to be loads of fun. However, the hiccups mentioned earlier about where and how this fits within what King already wrote, as well as some character details had me pumping the breaks a bit. Plus, past practice from King also shows that his story beats oftentimes get lost in the shuffle as his vision unfolds. So, I leave BATMAN: KILLING TIME #1 hesitatingly optimistic and excited for issue two with hopes that more clarity will transpire for the questions I had above and a score that simply can't get enough of this art team.

BATMAN: KILLING TIME #2 by King and Marquez continues to be a visual gem and draws readers in with its writer's credentials and crisp design. However, after looking under the hood, I can't help but wonder what this comic is truly about? Is it really a heist? And why would CATWOMAN participate? How was the heist done? Who's involved? And what does Ancient Greece really have to do with all of this? All readers will find is confusion and zero answers to any questions.

BATMAN: KILLING TIME #3 by Tom King finally reveals a few clues as to what this item is that CATWOMAN and Riddler managed to steal. Moreover, the action and intensity level up as the series integrates a new villain that fits BATMAN'S Rogue Gallery in the truest sense. However, it's David Marquez and Alejandro Snchez who continue to illustrate such a vivid and dynamic series which will undoubtedly enthrall the reader causing BATMAN fans to overlook some of the narrative missteps.

BATMAN KINGS OF FEAR is an interesting and unique read while Jones' art is an acquired taste. If you can get move past Jones' style, I would give the series a try.

Additionally, Duggans take on the relationship between Dick and Bruce was outstanding. This Dick is fun-loving, smart, a wicked fighter who could stand toe-to-toe with a Bat Villain single-handedly, and provides Bruce with a grounding spark that adds so much more depth to who Batman is as a character. I mentioned it above and Ill say it again, Duggan needs to get on a Batman title that has Dick Grayson as a young Robin witnessing their adventures right in the thick of their ongoings. Let me know what you think, have a great week, and God Bless!

BATMAN: ONE BAD DAY THE RIDDLER #1 by King revamps the RIDDLER and puts a frightening spin on the character that fans will hope gets explored further by Tom and Mitch. Fans of the RIDDLER should definitely check this out, as well as King BATMAN haters. Sure, the narration and dialogue were disconnected at points BUT the overall theme and understanding were understandable, clever, and edgy. Continuity aside, as someone whos been extremely hesitant of Kings BATMAN work, I can openly admit that this issue of BATMAN: ONE BAD DAY was a winner and deserves a good read. Let me know what you think, have a great week, and God Bless!

Tamaki created a much more down-to-earth story with a few hints of action that may just be worth the buy to those diehard Two-Face fans.

I didnt sign on to read Batman: The Brave and the Bold for Stormwatch or Superman. I signed up for Batman stories. And the only true Batman story was the first one by King that simply wasnt the greatest. I thought wed be getting Batman team-ups but sadly thats not the comic. If you liked Batman: Urban Legends, then you love this style and storytelling. Otherwise, I think this series is probably a hard pass. Im sure King fans will love the opener, however, is that small single story worth the cover price just to get the rest of the stories involved? Probably not. Let me know what you think, have a great week, and God Bless!

Moreover, the Tom King story is simply ok. Its Kings take on a first encounter (or THEE first encounter) of Batman and the Joker thats unrealistic even for the Joker. He paints the Joker as almost horror movie strong as hes shot repeatedly and leaps through a broken window three stories tall to safety. Yet, Batman can jump down that far without getting injured. Plus, the 9-panel grid layout gets a bit tiring after a while. However, King fans will probably adore this story and reach for it like a baby to a pacifier. I, for one, dont think its worth the cover price and think the two unrelated Batman stories are what bro Batman: The Brave and the Bold #2 down the most. Let me know what you think, have a great week, and God Bless!

BATMAN is intelligent, hardworking, and expresses an unwavering moral compass. Hes fearless, courageous, and relies on his wit and aging physicality to overcome some of the darkest obstacles Gotham has to offer. However, with the death of Alfred, he's lost and searching for a purpose. Taylor makes this story new user-friendly while reintroducing some semi-obscure Bat characters in the process. Anyone can hop onboard without prior knowledge and learn something new in the process. Plus, older and more avid fans will love how real and natural BATMAN is portrayed. Taylor creatively drops readers deep into the story almost immediately and makes new fans feel welcome with some of the many clever twists within the narrative.

Additionally, his technique is outstanding. From flashbacks that blur into the present to graphic gunshot wounds, Kubert strategically places his illustrations in such a way that ushers the reader through the story with ease. Before you know it, the issue is done due to his style that feels almost like a movie causing your eyes to blaze through the narrative. I recommend a thorough reread to catch all the extra details hidden in the background of the panel or scene.

And keep in mind, Im not talking about BATMAN here. I'm talking about Bruce Wayne. Kuberts Wayne is almost hulking in size and stature. Plus, I absolutely love this DARK KNIGHT RETURNS look for BATMAN. Even his boots are huge $&@$ kickers made for a purpose. Kuberts BATMAN is formidable, intimidating, and massive. This depicts Taylors version of BATMAN as not only intelligent from his Flashback introductions with Ducard but also powerful and alarmingly dangerous to deal with. This version of BATMAN would instill fear without a doubt.

Readers that like a BATMAN with more finesse and charm wont find that here. For the reader whos looking for a BATMAN who has 17 backup plans that are practically ludicrous and silly for anyone to plan for, this series isn't for you. Taylor and his team provide fans with one of the most realistic versions I've seen in quite some time. I highly recommend giving BATMAN: THE DETECTIVE a shot to see what you've been missing.

BATMAN: THE DETECTIVE #5 pushes this series to its limits preparing for it to burst at the seams throughout its concluding installment. The rationale and motivation behind the revealed villain ultimately makes sense and emotionally fit the narrative well. However, one could argue it was a bit of a stretch. That said, Taylor wraps up loose ends and lays the story on the reader's lap, plain as day, ready for its concluding chapter without too many dangling questions.

However, this is the first real-time in recent months that Ive felt like that aspect of the character has been decoupled from the gritty, crime-fighting vigilante weve been missing for quite some time. BATMAN: THE KNIGHT #1 was real, raw, and opens up the table for some new adventures at a key moment in Bruces life thats ultimately been skimmed over. Carmine Di Giandomenico and Ivan Plascencia do a respectable job keeping this reviewer locked into the issue. However, there were certain character designs and shadowing that seemed a bit too sharp and wild at times that made it feel less like a BATMAN book and more like a horror comic, which its certainly not. Nevertheless, Im genuinely excited to see where this goes and I think BATMAN fans will definitely want to check this series out! Let me know what you think, have a great week, and God Bless!

THE DISPATCHIf youre looking for a different side of Bruce Wayne thats not been thoroughly explored by many writers, BATMAN: THE KNIGHT #2 is most certainly for you. This issue by Zdarsky finds a young Bruce Wayne in Paris honing different aspects of his craft. And in this issue of BATMAN: THE KNIGHT, readers will see the first encounter with Henri Ducard as well as his beginning machinations with cat burglars (cough… could… CATWOMAN).

BATMAN: THE KNIGHT #3 by Zdarsky not only depicts the early machinations of BATMAN, but it gives fans the tools to genuinely see what it takes to be BATMAN. How did Bruce learn how to sneak into buildings without being seen? How did he become the world's greatest detective? And, who taught him all of this? Zdarsky lays out the details and ramps up the emotion this week. Bruce may be immature and angry but fans get to see that inner drive that just never quits.

BATMAN: THE KNIGHT #4 continues to summarize the early years between Bruce's parents' death and his first year as BATMAN in a masterful way. This depiction of the character is logical and does a fantastic job of weaving together so many of these early stories and narrative nuggets heard throughout the years into one creative gem.

BATMAN: THE KNIGHT #5 was somewhat slower with a bit less suspense and thrills than the prior issues in the story to date. The action was more tame, the villainy was toned down, and the story beats seemed insignificant, especially as BATMAN: THE KNIGHT #5 came to a close for what appeared to be for nothing.

BATMAN: THE KNIGHT #7 was a clever way to tie in Bruce's journey with magic while also taking the time to take a look under the hood of Bruce's mission for Justice. Readers will see his core motifs as well as the engine that runs this classic 1939 BMW 335. However, Zdarsky uses BATMAN: THE KNIGHT #7 to focus on the fuel of that engine as well as how close he is to using that very same dark drive to unravel and completely fall off the rails.

The series continues to be action-packed and full of suspense as well as thrills and clever twists that keep readers excited and on their toes. BATMAN: THE KNIGHT continues to be a must-read for any and all BATMAN fans and I highly recommend picking this issue up as well as the series. Nevertheless, this isnt the issue to hop on board. There is tons of background information that Zdarsky assumes youve been privy to, which isnt a bad thing. Readers should just pick up back issues and trades before diving into this issue of BATMAN: THE KNIGHT. Let me know what you think, have a great week, and God Bless!

The essence and creativity of rewriting continuity in a genuine way to make the pieces fit together logically are very impressive by Zdarsky. Readers will be enthralled from start to finish. I highly recommend picking up Batman: The Knight #9, as well as grabbing up as many back issues as you can to get caught up. Its definitely one of the best Batman titles on the market today and is certainly the best Batman book this week! Let me know what you think, have a great week, and God Bless!

Overall, Batman: The Knight started well, focused on some clever background history involving Bruces maturation, and slyly began to weave Ghost-Maker into the makeup of Batman. Nonetheless, along the way, Zdarsky switched up the pacing and ultimately didnt have enough time or space to fit in what we all really wanted to see. Batman: The Knight overall gets a solid 8 to 8.5, however, Batman: The Knight #10 itself comes in much lower. Let me know what you think, have a great week, and God Bless!

BATMAN: THREE JOKERS #2 is real. Its gritty. Its nasty. And, its scary.

This was an excellent series that could be picked up and read from start to finish by any fan with little foreknowledge of recent DC events and leaving them craving more! It's the comic book to hook new readers and Batman fans alike.

Well, Ace the Bat-Hound takes center stage as BATMAN: URBAN LEGEND #11 comes to a close in dynamic fashion. If you happen to be a dog lover whos also a comic book fan, this story is right up your alley. Russell gives a new (possibly never developed) backstory for Ace and divulges someone unique bonding between BATMAN and the Bat-Hound. Sure, BATMANS voice is a bit off. However, I didnt mind it too much. I actually enjoyed this version of BATMAN the most throughout the entire issue of BATMAN: URBAN LEGEND #11.

I was definitely much higher on BATMAN: URBAN LEGENDS #11. However, I still thought the last two stories were strong and worth the read. Here comes the problem. In BATMAN: URBAN LEGENDS #11, I was a bit higher on Ram V's portion than in this installment. Nevertheless, knowing what Ram can do, I know the Wight Witch story will come back around.

The only negative that I want to remark on might have been because of the review copy that IDW provided.  I noticed that some of the letterings were a little faded out and more difficult to read than in other places.  I'm going to pick up my copy later this week from my nearby LCS, so I'll know for sure then.

As a story, this has so far been a fairly straightforward item hunt which is fine. Bill needs a new weapon, and this is how hell get one. It doesnt add a whole lot of news to Bills character. Yet, not every story has to. Sometimes were just happy to have an entertaining ongoing that's fun to read, especially when were talking about Beta Ray Bill who hasnt had a dedicated ongoing or limited series comic since 2005 Stormbreaker: The Saga of Beta Ray Bill six-issue limited series.

Betsy Braddock: Captain America #1 crams appealing characters, history and mythology, and lush, gorgeous art into a highly-enjoyable issue that feels more like a graphic novel. While you'll probably need a break after reading this beautiful and involving story, you'll have met lots of interesting characters and be itching to watch all the X-Men movies over again.

However, I would like to see more reactions from the people who are trapped inside the Breach.  While I do understand that humanity is a resilient species, I do wonder if everyone would be able to adjust to the new status quo as quickly as it seems.  I know I would be dealing with panic attacks personally, and I would like to see something similar reflected in the story.

Don't get me wrong, there was humor throughout this issue. However, this inaugural tale packed one hell of a punch in the gut and hopefully may wake some people up. It really isn't what I expected from a Russell issue that normally is lighthearted with his choice of humor sprinkled in. But, this was a good and eye-opening issue that may seem extreme at first until you really let it sink in.

Thanks to Sandoval, BLACK ADAM #1 ignites with power and explodes out of the gate. However, it's Priest's story that confuses us as readers are quickly introduced to a variety of characters and plot threads without much introduction or explanation.

This was a good breather issue of Black Cat. It was nice to see the softer side of Felicia; I just wish Jed MacKay would have truly let her have a night off. Dowlings character art leaped off the page, perhaps more so because of the dull backgrounds. That said, the cliffhanger didnt wow me, but I am already invested enough for the eventual Thieves Guild heist to keep reading.

FINAL THOUGHTSBlack Cat Annual #1 is a treat for fans of Black Cat and Spider-Man alike. It handles the pitfalls many annuals face of multiple artists well, with Joey Vazquezs spectacular art leading the way. Jed MacKay weaves an interesting three-pronged heist tale, even though some of the dialogue and action were a little extended. Theres a neat tie-in to the main Black Cat series at the end also, so if youre enjoying that, definitely give this a shot.

Furthermore, it's interesting to see Felicias inner dialogue while she's traveling through Manhattan and her thoughts on Spider-Man. Some issues that are not plot-heavy can feel like they drag on, but Black Cat #6 was a very enjoyable read. I can see the foundation the creators are setting for the next issues to come for an epic showdown.

If you have any interest at all in the BLACK KNIGHT, this is a highly illuminating and action-packed issue that will leave you with a touch of enthusiasm for what's to come. There's something for long-time fans as well as new recruits while opening the door for some crazy developments down the road. Spurrier and his team managed to hook me into the series and I truly believe, if given the chance, you may be hooked too. Give it a look, let me know what you think, and God Bless!

I was nervous at first about having Black Panther meets Star Wars. However, Coates, Acuna, and Sabino are working so well together. They're giving us "A New Hope" for T'Challa and connecting this character for all ranges of fans.

When will the plot develop? What direction is Coates moving going forward? That said, if your cup of tea is battle scenes with tons of action, then this is the issue for you. But, if your cup of tea is story, plot, and character development with answers, you may have to wait until next issue for that.

ARTArtist Juann Cabals art excels in many areas.  His characters expressions convey emotion and I love the way he draws TChalla, Shuri, and Omolola in costume, they look streamlined and intimidating. My favorite aspect of his art is how he draws the Wakandan technology.  The holograms and spheres that Shuri wields pop off the page, they truly look futuristic. I also love Cabals assassins outfits, including the masks they wear with the red squiggly lines and the huge weapons they wield.  They look like they walked right out of Squid Game, and I love the design.

The one and only criticism I have is actually the use of some of the other characters. Dr. Nemesis seems almost too perfect a shot and his jokes feel forced. Maybe thats just me not knowing the character but he felt out of place However, Ill see how it progresses down further issues.

Black Widow #8 gives us a few thrills and new pieces for the puzzle that is Apogee's final plan. Yet, it doesn't really clear the picture much. One could almost skip this issue except for the last few pages which are the ones that really matter for the story going forward. This week's Black Widow is okay, readers get some progress, and the art fits the tone of the book. However, it was difficult to regain my attention and focus after the word salad at the beginning of the issue.

If youre looking for an escape the way old 80s and 90s action movies used to do, Blade #1 is just for you. Its short, sweet, and powerful. The premise is easy to follow and ANYONE can dive right in with almost no background. Hill provides an entry-level comic for any comic fan to enjoy while delivering a safe place to get lost from the real world without any underlying themes or melodramatic undertones hidden within the pages. There are no politics or worldviews. Just hard-nosed action and extremely graphic illustrations. If youre looking for something new to sink your teeth into, Blade #1 is exactly what youre looking for. You need to check it out! Let me know what you think, have a great week, and God Bless!

Blade as a detective mixed with vampire history, Dracula lore, and an entire nation of vampires has a unique spin thats rather enticing. Nevertheless, Blade: Vampire Nation #1 was a bit dry, lacked intensity, and coupled with some rather dull art. Overall, I think Blade: Vampire Nation #1 will keep your interest enough thanks to its inventive and clever tone. However, be prepared for little action and more information to wet your whistle this week. Let me know what you think, have a great week, and God Bless!

DC's dynamic duo is finally back together in this week's BLUE AND GOLD #1. Fans will get a return to the classic characters with a little spice that updates this pairing for modern readers filled with excitement, humor, and intrigue. BOOSTER GOLD fans will see a return to his typical behavior while BLUE BEETLE fans will leave this issue with a revitalization of Ted Kord. BLUE AND GOLD looks like readers are in store for some wild adventures on the horizon.

The biggest problem with BLUE AND GOLD #2 is that it looks like Jurgens is still trying to decide what type of comic this is supposed to be.

So, should I get it? Well, Blue Beetle: Graduation Day #1 seems like a perfect jumping-on point for new fans interested in diving into the character. Long-time Blue Beetle fans will still find a little something to wet their whistle, however, its more of the overarching concepts and possibilities that will drive these long-time fans to continue. Moreover, Blue Beetle: Graduation Day #1 is also offered entirely in Spanish which is absolutely fantastic! So, I highly recommend giving it a try, especially if youre a Blue Beetle fan or more on the younger side. Otherwise, this is probably a rock-hard pass.

Seeing Eternal Warrior's earlier battles with Exarch Faneinstead of hearing about them second-handwould have strengthened his role. Readers could have empathized better with Persephone had Valiant given her more time to grow and mature. This series certainly could have benefitted from more standalone stories and a longer run. Yet this epic story with outstanding art has brought together more heroesand given each a chance to shinethan any other series Valiant has produced post-pandemic. If Book Of Shadows #4 proves the last chapter of Cullen Bunns Shadowman saga, Id say he ended on a high, wouldnt you?

However, the only downside is that in some cases, its hard to tell which Willow version is speaking because the teen Willow and adult Willow look so similar and even dress similarly.  I had to read the issue twice to make sure I knew which character was which.

CABLE #1 was entertaining and filled with Duggan's subtlety dry humor. Once again, Gerry Duggan creates a story that's easy to interpret, manageable for a new reader to jump in and follow, and straightforward even though some of the character voices appeared off at times and old characters are reimagined.

X-fans looking for an action-packed story with many answers won't find that here this week. Nevertheless, they will find this cleverly witty and authentically charming story that's incredibly captivating from start to finish. It's a pretty busy issue with many moving parts to explore as the series unfolds and I for one am all in!

As much as the title may be all over the place with little overall direction and purpose towards the main blueprint of the narrative, Duggan uses this issue to help redirect Kid Cable and rebuild a seemingly lost character that was once such a valued component to the X-MEN franchise. He uses an unusual cast of characters, humor, absurd adventures, and versatility that this reviewer never expected in a CABLE comic.

CABLE #4, as well as the entire series, continues to be clear, easy to follow, and unique from anything else on the market. However, this issue was a bit flat compared to others within the series. Nonetheless, as average as CABLE #4 was this week, its still an outstanding series overall, a solid read, and an excellent x-title.

This issue of CABLE is fast and loose while showcasing exactly what the Summers family has to offer. Readers intrigued by supernatural space operas will leave excited for the future storylines that may be confronted by Cable and S.W.O.R.D. Sure, this issue didnt focus on X OF SWORDS too much. Heck, Cable already had the sword he needed. However, being the expert storyteller he is, Duggan used that plot point as an opportunity to saturate readers in his ongoing title while providing an opening to give readers another taste of Kid Cable. If youre not reading CABLE, you need to get on it already!!!

Duggan's ending may hit many pretty hard this week, especially long time X-fans. By far, this is the best issue of the week and a must-read to anyone reading X OF SWORDS.

If I was to guess, I feel like Duggan's plan is to restore CABLE to his older form down the line. However, he's going to have some fun with him along the way, which flashes throughout as each issue progresses. I sincerely recommend picking this issue up and adding it to your pull list.

CABLE has been blessed with a great writer as well as a lead artist. And from my experience, it's really hard to not like a comic when you have such a dynamic pair like Noto and Duggan. My only hope is that we find out more about the story taking place in "another time" real soon.

Duggan also uses situational humor pretty well throughout this installment as CABLE rolls through his Rolodex of old friends for assistance. Can I just say; there is just something about Magik that great writers can utilize which makes a story pop even without action or violence. Yet, that leads me to the biggest drawback of the issue. There wasnt much development. Ultimately, the issue could be summarized in one sentence if need be which makes it a hard sell for a fan to buy if money is tight.

If I was to guess, I think Duggan has found a clever way to keep both versions, which is spectacular. Why? Because throughout this series Duggan has done the impossible – taken what many X-MEN fans deemed as a disappointment and turned it into solid gold. I sincerely hope Im right and readers get both versions. It would be awesome to have both versions on two different ongoing teams. Now, will that happen? I can only theorize. However, seeing Old Man CABLE with the Light of Galador brings me that hope.

How do you take 4-5 more issues and condense it down to two, sprinkled around X OF SWORDS and the HELLFIRE GALA (which Im sure took issues away from HIS story)? If my assumption is true, Im sure he did the best with the page count available. Ultimately, fans of CABLE will be pleased with this issue as they finally get the old man back, the band back together, and what appears to be an action-packed send-off! If you're a CABLE fan, you should pick this comic up and see the series through! Let me know what you think, have a great week, and God Bless!

Duggan took a character that looked unfixable and repaired it. He took a practically untouchable character and repurposed it. However, the cherry on top is that Duggan arguably made the uninteresting CABLE one of the best X-MEN series to come out of HOXPOX.

If you've been reading this current arc, you need this issue. The art style, as well as the color scheme, makes you feel like you're reading a comic from the 60's and 70's, which is totally by design by this creative team to make it feel like classic Cap.

Every new writer/ creative team needs at least an entire arc to see where they are going and what they plan on doing. That said; I'm in for the first arc. I feel like we should be farther along in Coates' story by now.

Coates really needs something exciting to happen soon or else the readers will start to bail. His message that everyone is important, regardless of where they come from, is commendable. However, it just didn't hit the mark with this fan. Maybe it did with you? To me, this issue didnt move the story forward and focused on elements of the story that didnt appear significant at all. Coates has had 10 issues now with Cap and all we know is that Ross is dead, there is a new Hydra, and Caps in prison for a crime he didnt commit. The only thing of value that occurred in this issue was a prison fight and a monologue about bad people. As a Captain America fan, I hope we get something dynamic real soon.

Captain America #30 is a good bookend for Coates-run and leaves things open enough for the next creator duo; Writer Christopher Cantwell and Artist Dale Eaglesham, in the United States of Captain America, to do their own thing. I know some people have criticized Coates' work in Black Panther and Captain America as 'slow' and 'retracted' but I personally don't see it that way. In my opinion, Ta-Nehisi Coates' background as a novelist has served him well to give us stories that are thought-provoking, layered, and clever with attention to the 'souls' of T'Challa and Steve Rogers.

Moreover, the sly elements of the supernatural mixed with the advanced technology angle make for a rather intriguing villain tampering with what appears to be past events. I cant help but leave Captain America #1 excited for whats to come while also trusting Straczynski to keep the character grounded in his roots as well as what makes Steve the one and only Captain America. Let me know what you think, have a great week, and God Bless!

Captain America #2 was very informative and guides the reader in the direction of the series extremely well moving forward. Clarity was the key to this one as well as showing the true character of Steve Rogers even more so than Captain America. Straczynski's focus was to show readers one of Steve's true superpowers that didn't come with the serum and will possibly get him killed. However, all of this came at the expense of a rather uneventful and lackluster issue.

Captain America #3 holds back the action this week in order to promote the villain and set up a solid transition in the story. Every good story has these issues periodically that give a little on the thrills front only to help push the comic forward with setup. So, even though this issue wasnt very balanced this week, Waid and his team still provided a strong story with an extraordinary storyboard that this reviewer hasnt seen too often in comics today. We learn more about the Emissary, some of his abilities, his creation, and understand that Cap and him are connected in some way. Hopefully, next month, we not only get some intense action but more answers that will solidify this story and its overarching purpose and agenda. Let me know what you think, have a great week, and God Bless!

Captain America: Cold War: Alpha #1 was fast-paced, explosive, and gets readers all caught up with those who have been out of the Captain America game for quite some time. Upon entry, the story beats appear to be promising to incorporate a rich history of Captain America Lore as well as American History showcasing the Outer Circle as the figure thats always been behind the curtain. It feels like Hail Hydra, meets evil Cap, meets First Avenger except with Bucky replacing Steve and some Dimension Z on the side. Readers should be prepared for an exciting ride that I cant help but recommend. Let me know what you think, have a great week, and God Bless!

Sure, I wish Lanzing and Kelly provide a bit more direction and clues before CAPTAIN AMERICA: SENTINEL OF LIBERTY wrapped. However, they still manage to hit some other key bells and whistles while providing the classic CAP feel which should hook fans moving forward. Readers, the potential for an outstanding story is there with all the pieces lined up well. Im excited to see where this goes and I think youll be too. Let me know what you think, have a great week, and God Bless!

StoryWith Captain America: Symbol of Truth #1, Tochi Onyebuchi tells a self-contained story that does a great job of appealing to new readers and old alike. Amid the excitement, Onyebuchi takes a step back to give wider context to the overarching story and direction of the series.  The flashback is well placed and helps build the tension of the issue.  

Onyebuchi is a phenomenal storyteller and works his magic as he lays out the mystery for Captain America and Falcon. Captain America: Symbol of Truth #3 sets up the issues to come as the heroes are thrown into the deep end.

My only wish is that they pumped this out weekly starting in the last week of September. Who wants to be reading about Capwolf & The Howling Commandos come January? A story like this would be a perfect bombardment to help fortify the season well. Id definitely give Capwolf & The Howling Commandos #1 a look if youre looking for something different, action-packed, and love the 1950s monster mash motif. Let me know what you think, have a great week, and God Bless!

Capwolf and the Howling Commandos #2 is an action meets horror meets unconventional biopic set during WW2. Granted, I know it's not technically a biopic BUT in essence, it is depending on how you view Captain America. Readers get a fun escape that's exciting, easy on the eyes, and chalked full of action with a story that's straightforward and uncomplicated. Mix that together with some art that amplifies the werewolf masterfully and you have one heck of a comic.

THE SCOOPAt the end of the last issue, we saw the debut of Red Claw, a Batman the Animated series villain, to the mainstream DC universe. The character first appeared in Catwomans first episode of the show, so it was only fitting they introduce her in a Catwoman story. This version of the character is an assassin for hire, rather than a leader of a global terrorist organization. Catwoman #44 has a Thelma & Louise vibe to it, with an interesting twist. It is fun, but also makes an important point about human nature.

I'd like to give Children of the Atom #5 a better score because I really like the thought behind this team. However, it just wasn't a very energetic issue. Nevertheless, COTA (Children Of The Atom) are a group of teens who adore their mutant heroes and strive to emulate them. Yet, this issue didn't feel much teen energy. It was rather a tired old mule. Not even Gimmick being invited to the Hellfire Gala seemed to raise many emotions on her peers. And, the fight scenes with the adult mutants against the U-Men felt forced.

Children of the Plague suffers from being a One-Shot. Robert Love's tale is entertaining in places, but much of the information needs to be fleshed out more. I would love to see where this goes in additional stories. Plus, Dark Horse seems to be the company that is most interested in allowing universes to develop (Mignola & Lemire). Without that, I feel like there is so much that got left on the cutting room floor.

X-MEN fans will become intimate with Dani Moonstar before this one-shot ends due to the cerebral journey CLAREMONT takes the readers on. Its thorough and, to a degree, unduly packed with commentary, dialogue, and exposition. Nevertheless, this is his style and again lends itself well to comprehension. But, that's CHRIS CLAREMONT. He's more direct and less subtle than current writers, which is refreshing to this reviewer who finds himself currently wondering what's going on frequently in comics needing a summary page to catch up.

If you like suspenseful, spine-chilling tales, Bunn's COLD SPOT #1 is for you. By the end of the issue, readers are led to believe something unexplainable and supernatural is happening, AND it appears to be connected to Alyssa and Grace.

Even though Aaron can be heavy on the dialogue at times, it's still very informative and helps the Cimmerian mature and evolve into something more than this brute that I assumed he always was before now. Asrar's art is detailed, stimulating, lively, and draws readers into the story while Wilson and Lanham guide fans throughout the issue with ease.

I strongly recommend picking this issue up and adding the series to your pull list. Readers will not be disappointed. And hopefully, editors are reading this review and will STOP DRUGGING CONAN!

Aaron lays out a masterful issue once again and shows a side of Conan that this reviewer has never seen before. The intricate detail and family dynamic sets this issue apart from the rest of his run. Conan fans, or fans interested in dipping their toe into the Cimmerians icy cold water, could read this issue as a stand-alone and get a taste of what both the Barbarian and Aaron have to offer.

If you came to this issue looking for answers, you will not find them this week and may leave a bit disappointed. If youre searching for a fun narrative about Conan fighting some of his most vicious villains, this issue is definitely for you. Readers need to dive into this issue accepting the fact that their questions WILL BE answered about THIS story alone. However, the larger battle with the Crimson Witch feels few and far between. If this reviewer doesnt receive answers to the overarching plot soon, he very well might have to take a break from the series.

If youve been hanging on for hope that more of the overarching story would get flushed out, then this is definitely the issue for you! Readers will leave this weeks tale with better insight for the overall story, more connective tissue to the plot of the narrative, a better direction moving forward, and a deep anticipation for next month's issue.

Jason Aaron not only magnifies Conan the Barbarians characteristics wonderfully but he also builds an overly entertaining story that this reader has never seen before in a Conan narrative. The issue is fast-paced, enjoyable, and actually helps make the overarching story feel more complete.

This isnt Aarons fault (per se). This is comic book writing in general as of late. Its become a never-ending Soap thats honestly becoming infuriating. This was the supposed end of Conans life. More stories could be told about his journey along the way. I personally took Aarons story as snippets along the way with Conans life that culminated in this event. Plus, to be the writer that writes Conans epic finale, would be legend (wait for it) dary. So, where was that? Oh, that was issue eleven for those paying attention at home. Fans, just look at the last page of CONAN THE BARBARIAN #11! Conan looks like a man possessed, infused with the power of Crom himself, and ready to battle what the cover of this issue so eloquently displays… yet we dont get that at all.

Overall, this first issue was an entertainingly quick read that will get new readers to the heart of the story fast. Its filled with action but not the type of action experienced fans would be looking for in a Conan comic. There isnt a ton of violent, jaw-dropping melee that weve come to experience from the prior creative team but new readers will be engaged enough to come back for round two, especially with the cliffhanger.

Either way, readers cant deny the sheer high powered warfare and savagery this issue dishes out with a complimentary side of mystery and suspense that locks you in for next month's adventure.

Lastly, this reviewer was genuinely surprised by the direction this issue takes, which was rather welcoming. Normally, I feel like I know whats going to happen in a CONAN THE BARBARIAN issue. However, sneaky, tactful relationships were made, and the ending was very shocking.

Overall, the issue is rock solid" other than the art in Kevin Eastman's story. Eastman's art is certainly an acquired taste, to say the least. Nevertheless, this oversized issue is chalked full of Conan greatness making it a perfect gift this Holiday to any CONAN fan.

For Ahmeds first go around with the Hyborian Born Destroyer, this was a great start. Sure, there may have been a few characteristics of Conan, as well as the supporting cast, that needed to be ironed out. However, overall this is a great starting point for readers interested in Conan as well as his interaction with a variety of Marvel Heroes. Pick this issue up, definitely add this series to your pull list, and let me know what you think. My hope is more clarity will come as the series progresses.

I genuinely really want to like this series. Conan in Vegas! Conan stealing armored trucks! Conan fighting Black Cat! Conan in car chases! Readers, on paper (I know it's an ironic statement since it's on paper) the issue seems perfect. But, it's missing elements of a strong plot and its focus seems to be all over the place.

Conan fans will find this weeks surprise release really quick, well-paced, and reasonably entertaining. However, diehard fans may want some more substance, answers, and action to fill their appetite.

If you're searching for a Conan the Barbarian title, this isn't it " yet anyway. If you're excited to see Moon Knight or even a Moon Knight/ Conan the Barbarian team-up, so far this isn't the series for you. The issue focuses more on a new character named James Allison and confusingly hops from character to character abruptly without taking the time to plant a firm foundation within the narrative of the story.

If youre looking for another Conan the Barbarian story, you may want to look elsewhere. Sure, hes in it but there isnt anything that Jim Zub does that makes him seem like Conan.

As this series approaches its end, the only clarity that remains is that not only are our main characters getting bamboozled but so are the readers. This issue seems overly convoluted and the purpose seems lost with only one issue to go. The strength of the storyline seems to be lacking cohesion and depth simply making this a lackluster tale. At this point with one issue left, there is no reason to hop on board CONAN SERPENT WAR. If youre searching for Conan or even Moon Knight stories, merely dive into some back issues to get that craving you desire. As of right now, this reviewer would not recommend the issue or series moving forward.

Again, what was the point of this series? Absolutely nothing was accomplished and the status quo is basically back to normal as the series ends. All that was gained from this series was a means to get heroes together who normally would never meet.

Brisson formulates a perfect weekly anecdote that will keep fans eager for the next 4 weeks while packing in just enough action, suspense, and interest to maintain readers' curiosity and keep them wanting more.

If youre looking for a straightforward, action-packed narrative thats fun and direct, this series and issue are for you. If you read comics for a bit more curiosity, thought, and substance under the surface of the narrative, then this issue and series may not be to your liking. As someone driven on a story that breeds discussion and character development, this issue didnt work for me this week and this critic left wanting more. Hopefully, more backstory, discussion, emotion, and development will come as this weekly tale continues to unfold.

This issue, as well as the narrative to date, appears to be underdeveloped, lacking direction, poorly paced, and incomplete.

To be honest, this issue had its moments, Cates did an excellent job of using his style of humor, creativity, and ingenuity to develop a good foundation for the series moving forward. He gave us a how, a when, a why, and a direction. However, I feel like I've been to this rodeo before.

If you like crazy, out of this world, Marvel Comics nonsense, this issue is for you. Cates is literally allowed to use every toy in the toy box" and I mean EVERY TOY!

Cable handles Galactus, Frank takes on the MCU, and Uatu becomes a babysitter all in this week's COSMIC GHOST RIDER #3 by the insanely creative Donny Cates.

Readers need to know the point and purpose of the series (or at least the vague idea) in the first issue. We get nothing but dream after dream. Whos after Frank and why? Is it Kral and if so who is he? Did the Cosmic Ghost Rider actually do something to the Sakaarans or not? Is someone really using a magical gem to attack his dreams or not? The issue is too vague to affirm anything. I love the Cosmic Ghost Rider. I wanted to like this. And part of me still kind of does. However, I dont know if my desire for the Comic to do well mixed with my appeal for the character is outweighing what is actually on the pages this week.

Daisy #1 sets up several mysteries that hopefully will be resolved over the next 4 issues.  A dark fantasy world is presented where we only get the barest information for each character, and the ending of the issue pays off whats introduced in the first few pages.  This is slow-burn horror and if you love that particular brand of horror, check this book out.

The premise of the order is fine, but it's the placement that felt off to me. Would I read a book about the Order of Dragons? Yes, but not in the middle of THIS story. Maybe it's because Soule was hitting too many grand salamis that now his base hits feel like outs? My hope is that bringing Biggie back (Kingpin) will help wrap up this story well.

Soule has a great "stable" of talent working on this book, and there is no better time to pop in. I know Fresh Start is kicking off, but it's not time to put this book "in the pasture" yet.

DAREDEVIL #606 is a perfect starting point for new and old fans to jump on. Soule gets readers caught up immediately with what's essential and doesn't waste any time digging into his story. Soule, Soto, and Cowles are the three amigos that make this comic exciting, engaging, easy to follow, and great to look at!

Even if you haven't been following along with this comic, it's still total genius watching Soule connect a made-up identity and morphing it into a real character in the Marvel Universe who could be around forever. However, I recommend buying DAREDEVIL #606 with it to get the full effect. Excellent job to everyone involved in this issue.

Overall, Soule's run has been stellar. So, save the money this week but add DAREDEVIL to your pull list going forward. If you need proof, take a look at my last couple reviews of DAREDEVIL. Soule and Phil Noto are doing amazing things with the character right now.

Hats off to the entire creative team! Fans of Daredevil, Marvel Comics, or superheroes in general, need to pick this issue up. It will definitely make you think and feel things you may never have before.

This issue isnt the best jumping on point, yet I would still recommend it to any DAREDEVIL or Chip Zdarsky fan. Head to your shops and pick this one up, especially if youve been on board since issue one. If youve heard great things (and Im sure you have), pick this one up as well as the last two issues and you should be all set! I cant wait to see where Kingpin, Cole, and Murdock are all heading in this series moving forward. Awesome job Zdarsky!

Zdarsky and Checchetto organically blend their techniques beautifully together again and mesmerize the audience with their hard-hitting and realistic style that inspires engaging questions for the future of the narrative. If youve been appreciating this run to date, youll be captivated by this week's installment and excited for more. Pick this one up and add this series to your pull list. You won't be disappointed.

Daredevil #35 is the issue before the big finale which also appears to be laying the groundwork for the upcoming "Devils' Reign" event. Issue 35 is likely the best showcase of showing how competent Elektra can be as the Devil of Hell's kitchen. I just wish Matt and the other Marvel heroes didn't show up and almost forget Elektra was even there.

Ahmed gives fans many questions to consider as Daredevil #1 opens but it wasn't really enough.

Daredevil #2 lacks explosion, comes across very flat, and ultimately misses the mark this week. The potential that remained after issue one practically flatlined as readers get more inner monologuing than action this week. The story currently lacks depth, suspense, and any real diagnostic plot threads that appear to make this story pop.

Overall, this might have been the best issue of the run to date. It's definitely taken some time for Ahmed to get his footing with this character and story. Is he there? Not quite but Daredevil #3 proves that he's getting there.

The DARK CRISIS begins exactly where JUSTICE LEAGUE: ROAD TO DARK CRISIS #1 left off with absolutely no direction, clue, or guidance as to the purpose of this event. Truthfully, all we know STILL is that the JUSTICE LEAGUE is dead which is the same thing we learned in JUSTICE LEAGUE #75. Williamson spends most of DARK CRISIS #1 forming a team and poking fun at the team he makes in a very meta-perspective. I literally left DARK CRISIS #1 wondering if this was some kind of joke.

DARK CRISIS #2 felt more like cliff notes to an actual story. Williamson gave fans the highlights of the overall plot, which DID seem to make sense. However, he missed the mark on substance and depth.

DARK CRISIS ON INFINITE EARTHS #3 pulls out some big reveals and lands some heavy plot threads clearing up some story beats well. Nevertheless, a few of the explanations, as well as characters in the limelight fall a bit flat.

I havent felt this way about DC Comics in quite a long time. I had high hopes as Future State began but that fizzled out rather quickly. Before that, I just got sick and tired of the Metal storylines. And frankly, the only event book that showed promise in recent years was the Batman: Three Jokers. However, after this week's installment, Im jazzed for whats to come and thoroughly enjoyed the way all the crises fit together with what appears to be an overarching theme that kind of makes sense. Could I be wrong with my theories and speculations? Of course Im wrong more times than Im right. But as I stated in my Flashpoint Beyond #5 Review, you know a story is good when you cant stop thinking about it or theorizing about where its going and how it all connects together. Not only is Flashpoint Beyond doing that, but so is Dark Crisis on Infinite Earths! I highly recommend picking this issue up, grabbing the back issues, and hopping on board while you still can. Let me know what you think,

Its like when movie companies say that fans wont watch a three-hour movie because its too long. So, they trim it down, cut critical parts, and make a far worse movie. Williamsons story just screams that right now. There appears to be way too much that fans arent seeing which is causing a ton of nonsense thats completely unnecessary if given the appropriate amount of space to share the story. Let me know what you think, have a great week, and God Bless!

Jon Kent didnt need to prove himself to the readers or his dad. And frankly, hes not Superman nor will he ever be. But, he CAN be an outstanding hero of his own. The same goes for Jace Fox as Batman and Yara as Wonder Woman/ Wonder Girl. Dark Crisis on Infinite Earths #6 felt like someone passive-aggressively telling me what I should like and why. And because I simply cant shake that feeling, on top of the other items mentioned earlier, Im going to go with a strong pass on Dark Crisis on Infinite Earths #6 this week. Let me know what you think, have a great week, and God Bless!

Readers, if you're searching for a solid explanation as to how this event wraps, you won't find it this week. And truthfully, the big positive is that Dark Crisis on Infinite Earths finally ends a half-year event that seemed to drag longer than a 162-game MLB season.

Fans get too much off-panel action, need-to-know story elements that readers arent even prevued to, and choppy tones and renderings that frequently threw this reviewer out of the story. Ultimately, it does its main goal. If you want to find out how the heroes will probably free the villains from the darkness, this is how. Otherwise, you could probably just pop back into Dark Crisis on Infinite Earths #7 and get the gist just fine without Dark Crisis: The Dark Army #1 or the next one-shot as well.

Nevertheless, if you can decouple that hot takeaway from the ongoing Crisis and treat this issue as a standalone title with nothing to do with the Dark Crisis, it's a fun, quick story that organizes DC Comics' "work desk, puts "labels on some of the "files, places those "papers into nice neat piles, and gets things ready for what's to come. It's almost like an abbreviated, partial summary of the multiverse all in one place with an actual checklist at the very end.

Dark Crisis: War Zone #1 is entirely skippable. And what's worse is that I don't know what new or pertinent information is gained by this comic towards the event. Furthermore, it's also not what was entirely advertised.

Tom Taylor delivers another Elseworld tale that could very well have the same potential and staying power as DCEASED or even INJUSTICE had prior. DARK KNIGHTS OF STEEL has a unique blend of comic lore interwoven with some creative charm, fast-paced action, and a steady narrative flow that gives fans just enough information to hold their attention while sprinkling in just enough questions to ponder for the next issue.

DARK KNIGHTS OF STEEL #2 continues a fascinating story involving a brand new world that Taylor kicks open with tons of elbow room to grow. Thematic subplots and narrative beats paralleling violence historically, as well as today, shine through adopting human concepts that seem to be within our very foundation of society regardless of technological advancements or lack thereof.

Again, without Putri and this artistic creative team this week leveling up with some fierce action, DARK KNIGHTS OF STEEL #3 would have fallen flat on its face. Taylor merely filled in the gaps and caught up the characters in the story. It was Putri that brought the intensity and savagery that made this issue memorable.

Now, I say qualm as well because I think Taylors creativity may have gotten the best of him in DARK KNIGHTS OF STEEL #4. Without spoiling too much, I just feel obligated to explain why I disagree with a decision made by Taylor on this issue. Taylor ultimately introduced Luthor as a corrupt, psychotic, GREEN LANTERN and the true villain of the past and this very issue.

DARK KNIGHTS OF STEEL #5 is probably one of, if not the most, powerful issue to date. Putri and Prianto provide the emotion and action while Taylor counters their renderings with unique story beats and plot twists that keep readers hungry and geared up for what's to come.

Nevertheless, the series didnt begin that way and wasnt pitched that way out of the gate. If you read a Wonder Woman title, you know what youre going to get. And might I add that the current Wonder Woman ongoing is outstanding! You should check it out. However, Dark Knights of Steel was shipped as an Elseworld Series, set in Medieval times, with an eclectic cast of some of our favorites regardless of gender. It just currently feels odd to have most of the strong characters now all women that remain. Again, women can and should be strong characters. However, reading Dark Knights of Steel #10 felt like the culmination of Taylor forcing it into the narrative instead of it happening organically.

DARK NIGHTS: DEATH METAL #5 was downright silly, totally forced, reasonably entertaining, balls to the wall, ridiculousness that just needs to stop.

Again, I just needed more substance and better explanations to buy all of this. That said, Im so ridiculously happy for DC FUTURE STATE and beyond! I need continuity. I need order. I need writers to work well with one another and research their characters before writing. I need more thought, more planning, and more organization in my comics. I hope that DC FUTURE STATE will lead us all down that path again. I feel like DC REBIRTH started that way… and simply took a turn along with Geoff Johns and veggie trays. I feel like they had plans and as soon as the Mr. Oz stuff happened with multiple Supermen, things just started going downhill fast. But now, we can all move on thanks to Scott Snyder. Is it the best story ever? No. Is it the best event ever? Not even close. But was it entertaining while fixing so many deficiencies? Absolutely!! This issue is worth a read even if its merely to see how things end before this new FUTURE STATE begins. I recommend taking a look even if youve ba

Lunacy. Madness. Rubbish. Utter Nonsense. All of these words describe this issue… But I loved it! Normally, this type of insanity just doesn't work for me. Nevertheless, it did in this DARK NIGHTS: DEATH METAL installment. Readers, it was pure fun as long as you can suspend some disbelief for about 20 minutes. Moreover, this issue is stellar even down to the last page. I mean, they don't call him the Main Man for nothing, do they?! Pick this issue up and let me know what you think.

This free-fo-all coupled with the almost eerie characters involved in the team, make Dark X-Men #1 quite unique in its form and design for this Fall of X Event. Additionally, fans should be prepared for the story to take a bit of time before it picks up. The excitement and action will come along with a few answers left hanging out there since the Hellfire Gala. Readers will just need to be patient as Dark X-Men #1 begins to take shape.

If youre looking for an entertaining, horror-esque, historical-fiction tale cluttered with Hitler and Nazis, DC Horror Presents: Sgt. Rock vs. The Army of the Dead #1 is right up your Allies (I mean alley)! Plus, who knows the undead better than Bruce Campbell? Additionally, this art team shines providing a clean, almost dated coloring that fits well with the tone of the issue. Id highly recommend giving DC Horror Presents: Sgt. Rock vs. The Army of the Dead #1 a try especially considering you need no background knowledge to dive in. Just pick it up and enjoy! Let me know what you think, have a great week, and God Bless!

DC Horror Presents Sgt. Rock Vs. The Army of the Dead #2 was certainly fun but it does feel like it's missing substance. For those fans that want a quick, easy-to-read story with little thought and a quick escape, this comic and series are for you, especially around the holiday season.

Readers, this is a war comic with Easy Company taking on Nazis, zombies, and Super Soldiers. Theres nothing under the surface here. If thats your cup of tea, then go for it! Its like going to see an action movie. You know what youre going to get before you go. Dont expect a deep, page-turner but prepare to get your popcorn ready with excitement! Let me know what you think, have a great week, and God Bless!

DC Horror Presents: Sgt. Rock vs. The Army of the Dead #5, like the entire series to date, is just a straightforward, quick, easy read thats loads of fun. Theres nothing too deep and theres nothing difficult to understand. Its actually so easy to follow anyone could hop right in and not skip a beat even in the penultimate issue. Youll need little thought and will find DC Horror Presents: Sgt. Rock vs. The Army of the Dead is a leisurely getaway like a good 80s action flick. However, its comfortable, almost cavalier design does make for a rather predictable comic. That said, this art team builds this story up well with some intense graphics and the perfect wartime atmosphere to boot. It may be too late to hop on board now, however, this would definitely be the perfect trade to balance out this fast-paced design.

It was always meant to be an old-school army comic with a zombie twist showcasing one of the world's most hated men. Entertainment was always the key and you can thank this art team for providing some of the most graphic renderings this side of the Allies. If you have the extra change, I recommend picking up DC Horror Presents: Sgt. Rock vs. The Army of the Dead #6 even if you havent been following along to date. Why? Well, readers get an opener that basically summarized events to this point and wraps a pretty bow around the series with a punishing onslaught of brutality toward Hitler to seal the deal. If thats your cup of tea, Id pick this issue up even if you havent been following along to date.

Overall, DC VS. VAMPIRES #5 continues to show just how simple yet dynamically clever this story is. Due to its Elseworld nature, it's a book cluttered with everyone's favorite DC COMICS heroes and villains either being killed or turned into bloodsucking Vampires. What's not to like?

Couple this weeks tale with some average renderings that just didnt deliver like last month and I feel readers will see an average issue with a few peak moments. If youre already in on DC Vs. Vampires, hang in there and go pick it up. However, if you're looking to hop on board, this issue wouldnt be the one to entice you unless you are a Green Arrow fan! Let me know what you think, have a great week, and God Bless!

DC Vs. Vampire #10's fatal flaw has to be the artistic renderings and illustrations this week mixed with forced humor that doesn't hit the mark. The incredibly dark reds, messy images, and sharp line work makes for a difficult read. Additionally, the (what was supposed to be) epic reveal from Babs wasn't very epic, came out of nowhere and felt like something that could have been done many issues ago.

When DC Vs. Vampires #10 came to a close, it looked like Batgirls' plan to take down King Dick was established. Nevertheless, we saw almost no connection between the last issue and where they are now. Plus, with only one issue of DC Vs. Vampires to go, how is this creative team going to connect all these moving parts? Readers, its hard to tell three stories at once, give them enough air time, and connect those pieces together at just the right time. However, with one issue left, I think that should have happened by now. So, should you buy it? Well, if youve invested this much time and money to this point, then why the heck not? That said, DC Vs. Vampires #11 wouldnt be the issue to make you want to go back and grab the trade.

That said, the only disappointing aspect of DC Vs. Vampires #12 that seemed to hinder my enjoyment a bit was the disjointed subplots that just didnt seem to connect as well as I thought they would and should have. Is this a must-buy? Well, by this point, if youre buying DC Vs. Vampires #12, its because youve been following along with the series to this point. So, why wouldnt you just buy the last issue anyway to see how it ends? Let me know what you think, have a great week, and God Bless!

DC VS. VAMPIRES: HUNTERS #1 storms shelves with high expectations considering the lull in DC VS. VAMPIRES issues as of late. Yet, it doesn't quite have all the same pieces and excitement as the main title nor does it provide readers with too much extra background for the featured comic. Couple the above with the necessity of the book and comic fans will find DC VS. VAMPIRES: HUNTERS #1 is suited solely for the diehard fans of the main series or simply those fans excited for some more Damian Wayne.

DC's Terrors Through Time #1 salvaged about three reasonably entertaining tales that I wouldn't have minded seeing as a full issue instead of a truncated, brief, story. Otherwise, readers will discover that there just wasn't much terror or horror incorporated throughout the issue. Over half of the stories didn't keep my interest and their length was simply too short to lock in my attention.

Tom Taylor is a fantastic writer, if not currently one of the best in the market today. He simply didn't take me through the normal rollercoaster of emotions that I expect from a DCEASED title.

DCEASED: WAR OF THE UNDEAD GODS #1 is a pretty solid opener based solely on the story beats and plot threads laid out in the initial narrative. It's straightforward, easy to follow, and will take fans on a nice rollercoaster of emotions while checking many of the DCEASED boxes you've grown to love.

I think we have enough background on Cates to know how amazing his stories can be. Now's your chance to hop on the train as it leaves the station. It really was a great action-packed start to the series.

This series continues to be great, creative, and shocking storytelling by Cates with beautiful page turning art by Olivetti.

Overall, the high octane action and amazing art by Porter mask the story beat and background that seems to be lacking in this opening installment. Nevertheless, there is certainly enough here to hang on for a couple more issues to see how the series unfolds.

I feel like Ive only caught a glimpse of the characters and story. What I have seen is promising so I intend to stick with it. I would recommend Decorum to anyone looking for bold, creative sci-fi a little outside the status quo of American comics.

Considering that Im reviewing these books almost a year after publication at least some of these questions probably have answers. But I wont spoil it for myself. Id rather let the story unfold the way its creators intended. All indications are pointing to a rewarding read. I look forward to Decorum #3.

Its super fun to have these characters take verbal jabs at each other now that the characters are more established. The zingers they throw at each other are excellent. The wry humor of Decorum is of course secondary to the world building, but its entertaining none the less. Moving forward I expect to see Neha struggle to cope with structure and authority in her new academic environment and I suppose were due for an update on Celestial Mothers and the egg.

I dont know what the events of issue #4 of Decorum mean going forward. Im still not sure what the Celestial Mothers or the Church of the Singularity have to do with Imogen and Neha. I do feel like a threshold has been crossed and the events of this issue will have serious repercussions even if those repercussions arent revealed for a long time. Decorum is nothing if not consistently mysterious.

Decorum continues to take me by surprise. Im never able to guess whats going to happen next. Its refreshing. Neha is either fully or almost fully trained now. She and Imogen likely have Lucas henchman, Jev pursuing them. The Mothers egg is ostensibly completely developed. I cant wait to see how these arcs resolve. I thoroughly enjoyed issue #5 of Decorum and look forward to issue #6.

Issue #6 of Decorum makes big moves. The Church of the Singularity enlisting the Sisterhood of Man in the hunt for the Celestial Mothers and their egg seems like a critical point in the story from which many more narrative developments will flow. The same can be said of the parting of Imogen and Neha. Im thoroughly invested in these characters and wonder what will happen to them now that they have parted ways. How will Neha handle Jev alone? Decorum is the most satisfying read Ive had in a long time. Issue #6 was great. I cant wait to get my hands on issue #7.

While I am torn by the deus ex machina employed to make Neha, the least experienced of the Sisterhood of Mans members, the finder of the egg, the plot developments of issue #7 are consequential. The Church of the Singularity threatening the lives of the entire Sisterhood of Man, the entire Sisterhood targeting Neha, these things cant be undone. I look forward to finding out where this will go. Im especially eager to find out what Imogens response to these developments will be.

Other than the New Years Eve party, this first issue does a good job establishing the storys emotional stakes and characters while steadily building up its world. The next issue is shaping up to be more action-driven, so readers can expect to see more of this poisoned Earth and its mutant terrors.

THE DISPATCHThe question I asked myself was while reading was, isnt DOCTOR STRANGE going to die soon? Marvel has been pushing the DEATH OF DOCTOR STRANGE for months now leaving this reviewer to wonder about the relationship to this book right here and now. Are the two connected? Truth be told, youll get absolutely no inkling this week. However, readers will get a rather confusing, over-the-top, deep diatribe from the Sorcerer Supreme as he conjures this new DEFENDERS team together.

This team is doing the best they can with the cards they're dealt. Good luck. You should all jump in now. After the Wedding, Batman's direction is changing, and Hill is leading us off pretty well.

Hill has created the best Bat Book out now, and possibly since REBIRTH. Heck, he even gives readers Commissioner Gordon.

As long as Hill is writing this book, I'm reading it. He continues to give us a hard-nosed detective who thinks, strategizes, and plans for missions. Hill gives readers a Batman that thinks before he leaps and doesn't win at the end with magic metals or wishes.

In the course of one arc, Hill has progressed Batman farther than his predecessors have throughout Rebirth in any Batman comic. The character appears strong again both physically and mentally.

This eerie, almost hauntingly exciting story will draw fans in providing new life into DETECTIVE COMICS and possibly the Fear State Event if you were on the fence prior. Nonetheless, the star of the show is once again Mora and his outstanding visual display in which fans can look forward to each and every issue of DETECTIVE COMICS. Give this issue a look! Surprisingly enough, there isnt a ton of background knowledge needed to fight through this weeks tale. Let me know what you think, have a great week, and God Bless!

Hes making DETECTIVE COMICS his own. Please bear with him and give the man some grace as he spends the first six to eight issues laying the foundation. Nevertheless, Ram V's past practice dictates that the story will come together and the payoff will be worth your time. The man can write people. Yet, I can completely understand the difficulty many will have in reviewing THIS issue with the ambiguity, mystery, and darker story beats more reminiscent of a horror comic than a BATMAN title. As someone whos read a ton of Vs work, I can see the world building BUT I can understand why others unfamiliar may look at this single issue confused and want more. Let me know what you think, have a great week, and God Bless!

Nevertheless, DEVILS REIGN #2 is so much more. This is a legit event that encompasses AVENGERS, DEFENDERS, SPIDER-MAN, and even the FF in which Zdarsky gives almost all of them their fair shake. Moreover, the how and why has already been addressed after only two issues into six which is so unlike current event books. Therefore with four issues still to go, who the heck knows what else is on the horizon. And lastly, Checchetto is incredible. His illustrations are sharp, clear, and striking while providing a fantastic blend of action, panel progression, tension, and discussion that will certainly captivate the reader until the very end. After being only two issues through DEVILS REIGN, Im all in right now and cant wait to dig into some of the tie-ins as well. Let me know what you think, God Bless, and Happy New Year!

THE DISPATCHTell me if you heard this one before? Guy goes across the multiverse sniffing out variants of himself. Well, if you've recently seen LOKI on Disney Plus, Jonathan Hickmans AVENGERS and FANTASTIC FOUR runs, as well as the movie by Jet Li called THE ONE, then the premise should sound familiar. So, is that basically whats happening in DEVILS REIGN: SUPERIOR FOUR? Not quite. There is more to it under the surface with even more wrinkles to wet your whistle in order to make this series super interesting. However, it does provide the backdrop for the title with a few creative twists.

Furthermore, I get the impression this team, although listed as villains, are being treated more as anti-heroes in this book, which is very intriguing. Based on the ending and a little of the beginning, I sense some potential political undertones. Now, these undertones may cause some readers to be uncomfortable, but as far as this issue is concerned, I thought it was done with good taste. And lastly, fans of villains, particularly Spider-Man villains, will certainly enjoy this comic.

Devils Reign: Villains for Hire #2 does a good job at helping the reader understand the motives and mentality of US Agent, but it doesnt really expand upon the team established in the first issue. I wish we couldve seen more of their interaction amongst themselves. I think I suspect who might be controlling the minds of the masses though. Could it be none other than the pretentious Purple Man? And if so, what beef might he have with the Kingpin?

There didnt really seem to be much to this issue. Even though it elicited a few chuckles on my end, the banter between Doom and Kang and the vagrants they come across (and subsequently dispose of) are cookie-cutter. The last few pages seem to be all that matter and have any real ramifications.

We should all be excited for the mystical awakening of what's to come on this intergalactic planetary adventure Waid and Saiz have in store for us. There is no doubt this should be on your pull list. So, get your popcorn ready and hop on board now before this series takes off.

It was fun. It had humor. It had action. It had an Infinity Stone. It had a Super Skrull. And the art was freakin' amazing. Of course, you should get this issue!

Readers won't be disappointed with this issue. Plus, we get two incredible cliffhangers.

Every issue of Waid's run has been a must read that can't be skipped and this issue is no exception. Pick this up and add this series to your pull list. You'll definitely have a fun time with Waid, his creative team, and the Sorcerer Supreme!

If you've been reading the series to this point, hang in there and continue to read it through to the end. The issue had its heavy moments but in general, it held this reviewers attention even through the confusing moments.

Fans should be all in on Waids DOCTOR STRANGE. From traversing the cosmos on a magical space journey to becoming the Herald of Galactus, Waids taken the Sorcerer Supreme on a ride more wild than Mr. Toads. Its a series that this reviewer wishes wasnt coming to an end. However, all good things seem to expire at some point. My hope is that fans truly get to see how amazing this run has been before its too late. By the Sons of Satannish, buy this issue and get the trades. Youll be glad you did!

With only a couple more issues to go, let Waid and Kitson cast a spell on you that this reviewer is sure youll never forget.

FINAL THOUGHTSBy the bolts of Balthakk, readers need to pick this one up and add it to your collection. Its a fantastic narrative to pull out years from now that youll love and need no context before or after the issue to read it. This reviewer highly recommends DOCTOR STRANGE #18 and everyone should be adding the remaining issues in the series to their pull list. Awesome job Waid and Saiz!

If youre falling in love with this series as it comes to an end, enjoy the ride while you still can. Hopefully, Marvel finds a way to extend this series and keeps this creative team together. It's a fantastically fun and exciting read that this reviewer absolutely recommends. Head out to your shop, give this one a try, and let me know what you think.

Thank you, Mr. Waid, for a great run!

If you came to this issue for a continuation of Mark Waids run, you came to the wrong place. If you were interested in unique stories that were reasonably entertaining, these will do the trick and wet your whistle. However, this annual is certainly not necessary and could easily be skipped.

Waid finds a way to magically entertain his audience in a cleverly refreshing way that portrays a completely different tone than his last series. The issue has elements of wit and charm however sprinkles in a few creepy moments to keep readers on their toes around the mystic arts. This series really is a great place for any fan interested in jumping into the character to take that leap while still moving forward for older fans to continue where they left off.

Personally, something big feels like its building In the relationship between Stinger-Omega and Dragonfly. Something definitely feels on the horizon. However, how does that story fit with Earth-Alpha, especially after this issue which was so Earth-Alpha heavy? My hope is that Peyer has a plan in the works and these mini-stories are all building to something substantial. Past practice with the writer, as well as the character, leads me to believe this isnt random stories thrown together and that there is an end game to this narrative. That said, this reviewer needs that carrot or cliffhanger to show up really soon and was actually hoping to see it in this issue. Hopefully, DRAGONFLY AND DRAGONFLYMAN #4 will have that wow moment that this fan is searching for.

Altogether, Peyer continues to impress by giving readers two takes on a vigilante crime fighter that is near and dear to every comic fan's heart. As much as the character portrayals of the Earth-Alpha counterparts continue to be satirically nostalgic, ironic, quirky, and oftentimes hilarious, the Earth-Omega dynamic duo appears to be growing and maturing into something dark, almost eerie, and unsettling.

Dune: House Harkonnen #7 grapples with the challenge of managing multiple storylines, resulting in a lack of cohesive flow and an overwhelming reading experience. While the comic remains faithful to the characters from the novel by Brian Herbert and Kevin J. Anderson, it struggles to maintain a smooth narrative progression.

Overall, the Flash portion of this series seemed like a big downgrade compared to the previous issues. This was probably due to the fact that they tried too hard to avoid continuity errors by not having it set in present-day, but ended up making it worse. Earth-Prime #5 did have some intriguing moments to set up for the big crossover, but this issue could have some readers questioning their expectations for the crossover.

This crossover was exciting, but more explanation needed to be given, and several heroes seemed to be underutilized. Hopefully, this will spawn more Arrowverse comics in the future, especially since most of these shows have since gotten canceled anyway.

Overall, this issue tries to wrap up the EMPYRE event and introduces new components to the FANTASTIC FOUR story moving forward. There were a few hallmark moments involving Ben and Alicia, as well as the resurgence of a missing key player to the Marvel Landscape. However, was it really needed in its own issue? No. Frankly, the biggest positives of this issue are the redirection of the series ahead and the end to an event that was mediocre and flat at best.

If youve been dying for action, Magiks aggression, and the Golden Girls of botany, this issue is right up your alley. Readers will love this issue and I highly recommend picking this series up. Its a must-read for any X-fan and frankly, is the best issue of EMPYRE Ive read so far AND its a tie-in!

This series is now all over the place and has way too many moving parts to keep track of. Readers, this issue was certainly interesting and had me locked in from start to finish. I genuinely was entertained. However, EMPYRE: X-MEN #3 goes to eleven" but not in a good way. The levels of crazy almost made the issue comical when I don't think that was its initial intent.

Readers should simply pick this up for fun, outstanding storytelling by one of the best in the business, and to get a taste as to what Hickman can do with a DOCTOR STRANGE series. That said, it's not required reading for DAWN OF X or EMPYRE. So, if money is tight, you can go without it. However, I strongly recommend grabbing the trade for an entertaining ride.

After going in cold with very little knowledge of the ETERNALS, Gillen strategically guides readers with only the information required to survive this immediate issue. Diehard fans will already know all they need but newer fans, like myself, may have to dig a bit deeper to gain more knowledge on the characters involved. However, thats not a bad thing. Plus, Im assuming this is part of Gillens intent to attract more mystery and intrigue into the narrative. And readers, it works masterfully.

There is a ton to work with in this weeks ETERNALS #2. Gillen is simultaneously reintroducing the ETERNALS, providing fanfare with the return of THANOS, and dropping mysterious plot nuggets that furnish new and old readers with some pretty extensive questions. Moreover, Ribi packs that extra punch that helps to raise the level of excitement alongside Gillens intrigue. Together, this creative team continues to elevate my level of interest into an area that never really resonated with me before. I highly recommend giving ETERNALS a fair shake. Let me know what you think, have a great week, and God bless.

Overall, ETERNALS continues to be interesting, situational, and uses basic elements of storytelling to induct newer readers into the fold of these brand new characters. Gillen is the perfect writer for this job and I can't help but love the murder mystery style he's using to usher readers into this series. Now, even though I wish I received a bit more answers or clues as to who's behind this quandary, I'm still all in and can't wait for the next issue. There is so much to work with throughout this untapped series.

If youre looking for an X-Book to dive into, this reviewer would not choose this one unless you are advanced in the area of Captain Britain, Otherworld, and Excalibur... and even then I have my doubts. There is a possibility that even those submerged with the Excalibur lore may still be disappointed with this inaugural issue.

After the deflection which was the entire last arc, EXCALIBUR #10 by Tini Howard quickly lunges the series forward in a quite clever and interesting direction that finally begins to mold the magic realm into the mutant landscape in a way that makes more sense, fits well within the context of the narrative, and is genuinely intriguing for new and old EXCALIBUR fans alike.

These crossover issues are only for fans of X OF SWORDS. Sure, Betsy, Shogo, and Jubilee make an appearance from the main EXCALIBUR run, but ultimately this isn't the focus of the issue. Thus, if you're not into this event, you may want to skip this month's installment. However, I highly recommend giving this a look.

Was EXCALIBUR #15 exciting? Yes! Was the story entertaining? Yes! But, it comes at the cost of the entire event prior deeming those issues almost trivial.

That said, even though the path seemed obvious, the issue just didn't have enough excitement, intrigue, or pizzazz to keep me hooked. It was unfortunately rather flat and cluttered with dialogue. EXCALIBUR #16 may be a perfect spot for new readers to hop on board but they're going to have to give this series a ton of time. Overall, if you're invested in EXCALIBUR, you'll tune in this week to see where your favorites are after X OF SWORDS. Otherwise, this may not be the week to give it a try.

EXCALIBUR is getting better. However, it has some extra baggage that, in my opinion, needs to be left behind. When Howard took the time this issue to focus on the dear Captain, the issue popped! Betsy is the queen… literally! She makes this engine purr. Nonetheless, when Howard continues to showcase the other EXCALIBUR team members, it just seems to come off as disjointed, almost comedic, and uncharacteristic of many of the members. Howard needs to stick with what works and thats Captain Britain and an entire Corps of HER!!! Part ways with the current roster, refocus, and I think this series could be something special. Readers, there is promise here and Im excited to see whats going to happen next for the first time in a long time. Pick this issue up and let me know what you think. Have a great week and God bless!

Overall, the story is interesting, contains elements of mystery, and refreshingly easy to follow. I'm genuinely excited for the next issue of EXCALIBUR and it's been a real long time since I've said that. I highly recommend giving this series another try if you put it down.

Fans, I want to like this series but its just getting harder and harder to follow as well as the lack of explosive and exciting narrative plot threads. Maybe the book needs a solid change-up? Maybe it needs a shake-up or a new creative team like the main X-MEN book? However, for an issue meant to propel and excite readers moving forward, it seemed to have the opposite effect on this reviewer.

There is still so much magical confusion mixed with partial plots and underdeveloped character voices. And frankly, I think the stories have way too many characters for Howard to handle at one time. In order to save this series, we need a new creative team or a new focus centered around Captain Britain. Now, even though EXCALIBUR #22 offers an intriguing setup with Merlyn, Saturnyne, and Captain Britain for the future, I cant help but feel like this series is on thin ice. Let me know what you think, have a great week, and God bless!

If you want to see the original Fab Five, phenomenal art, as well as tons of X-characters, this series is totally up your alley. If you're searching for direction and answers moving forward with the X-characters, all X-series, and continuity, you won't get them this week.

EVENT HANGOVERSAfter any large event, I always have the same questions. Whats the status quo? How was the world affected? Not just our heroes but the entire population. Who died? What impact did this so-called devastating threat have on the world at large? Its actually quite exhausting. I think youve heard the story: big bad wrecks havoc on the world. Our heroes cant stop the big bad. However, they find a way to overcome and defeat the world's cataclysmic threat. Yet afterward, everyone pretends like it never happened.

Hill's opening tale was exhilarating, engaging, and filled with amazingly detailed art by Kudranski and D'Armata.

As disappointed as this reader was in the over-development of Kwannon at the expense of Cable and Laura, the story was still very entertaining, action-packed, and charged with character aggression as well as the writer's passion. Moreover, the art was fantastic and completely takes this series to an entirely new level. Fans, once this series hits its stride and focuses on the future, Apoth, and its connection to Xaviers masterplan, this series will really begin to take off. Just wait for the next issue!

This reviewer hates to say it, but if you had to cut an X-book to save money, this may be the one...and this is coming from someone who finds EXCALIBUR a struggle right now. I pride myself on honest reviews and it truly pains me to say that, especially with the respect and admiration I have for Hill and this creative team. With the writer heading to television, it just seems like this book is lost in the shuffle right now. Hopefully, Hill can find a way to pull this story together as it closes and better depict the main characters before its too late.

Readers, this issue is unequivocally better than the last. However, with the utterly confusing plot that appears to be jumping from issue to issue, as well as the poor portrayal and indiscernible character voices between the two female leads, this story continues to leave this reviewer at a loss each and every issue. If youre searching for an X-Book, this isnt the one to dive into or get your feet wet.

As this reviewer's first introduction to Hickman, this issue sold me immediately into this story and opened up a galaxy of possibilities in the comic realm. FANTASTIC FOUR #570 does a perfect job of introducing the current standing of Marvels First Family with a classic feel, hits the characteristics of each main character perfectly, dangles some extremely clever plot threads that are so imaginative, and saturates the issue with outstanding artistic designs that are truly some next-level stuff! Youll leave this issue wanting more immediately and wont be able to put Hickmans run down.

Slott takes an event tie-in and finds a way to progress his story, his characters, and possibly set up a Future Foundation book in the process.

FINAL THOUGHTSIf youre looking for a fun, quick reader involving old school behemoths, this issue is for you. If youre looking for straight-up action with dynamic art, this issue is for you. If youre looking for a writer who doesnt view his book as more important than the rest, is a team player, and truly loves Marvel Comics, Slott is your guy. Pick this issue up for some high-quality entertainment as well as some ROCKY vibes. Yo Alicia, I did it!

Overall, I would skip this issue. There weren't too many "wow" moments or even action for that matter.

As inaugural issues go, Waid's opener was a bit too quirky and lacked the weight, merit, force, and punch associated with a number one issue. As a Mark Waid fan, I know it will get better.

Now, I get it...this was meant as a teaser. However, if its sole purpose was to fascinate and lure me into the X OF SWORDS event, it didn't do its job. It merely frustrated.

Kevin Shinicks first relay with THE FLASH wasn't exactly what I expected. After desiring something different for so long, I wonder if this creative team might not have been the best move for something long term. Now, I understand this was only one issue AND I understand we dont know if this team is going to be on for an extended period of time. However, this issue felt like the perfect tale for a kid's story or even an animated series on Saturday morning. It lacked the depth and maturity that I feel THE FLASH ongoing should possess, which was only advanced by the artistic choice and heavy, almost marker outlines, from Clayton Henry and Marcelo Maiolo giving it a more cartoonish feel. Look, this is one issue. I get it. But as an opener to a potential ongoing series, this is not what I was looking for.

BLINK OF AN EYEIve been waiting for something different from the FLASH for a long time. Somethings been missing since REBIRTH. Sure, there were some solid story arcs from Joshua Williamson, however, his run just seemed to be running in place. And then came HEROES IN CRISIS, which in my opinion helped destroy Wally West and make him into a pariah to quote Barry from this issue. Whether it be Barry or Wally, the FLASH has been the same for a long time and has required a fresh, new take. Well readers, this issue, led by Jeremy Adams and Branson Peterson, appears to be trying to realign whats been missing in this series for years.

Adams is helping Wally West fans forget about HEROES IN CRISIS while ushering in a new status quo for the FLASH family that's been missing for quite some time. FLASH #769 is fast, fun, friendly, and full of energy. Lafuente, Peterson, Atiyeh, and Guerrero make this issue bright, vibrant, and powerful. New readers will find these first two installments easy to hop in on while old fans will feel rejuvenated, refreshed, and ready for something finally uplifting for the FLASH family.

Adams creates another clever story that continues to not only impress but gets fans to forget about the Wally West from the past 5-7 years. FLASH #770 permeates Golden Age vibes with subtle humor that's sure to keep you invested until the 70s' throwback ending. It's a fun, quick read with dynamic illustrations that don't disappoint. I strongly recommend fans jumping into this heart-pounding adventure.

The art was fabulous and timeless with its rendering. Plus, the writing was humorous and witty. Furthermore, the story is engaging and wildly entertaining. Its the FLASH series Ive wanted for years AND it looks like its going to fix some mistakes in the process. What more could you ask for in a comic? This issue is a perfect example of a creative team hitting on all cylinders. Pick this up, add the FLASH to your pull list, and let me know what you think. Adams and his team are on fire!

Readers will discover exactly how a tie-in book should be as THE FLASH #780 balances well between the current story with just enough references to the WAR FOR EARTH-3 while keeping his own story afloat. FLASH fans continue their story while people interested in the WAR FOR EARTH-3 get just a taste to see how the two weave together. Furthermore, as a Johnny Quick fan from way back in FOREVER EVIL, I was happy to see him get some more air time once again, especially after the recreation of Earth-3 following the events of DEATH METAL.

THE FLASH by Adams has this lighthearted vibe that's fun for all ages with an almost Saturday Morning Cartoon feeling from the 80s and 90s.

THE FLASH #782 offers quick fun and goofy sidebars that make the issue lighthearted and entertaining for all ages.

THE FLASH #783 showcases all the key elements that have made Adams' FLASH one of the best monthly books at DC COMICS over the past year. No, THE FLASH #783 isn't really a DARK CRISIS tie-in. So, don't read it for that at all. However, I couldn't recommend this issue or series enough.

THE FLASH #784 was fun, vibrant, and added some intriguing developments that will cause fans to ponder as to what the heck is going on in these alternate worlds. Readers won't get any new big answers, however, they will see the gist of these next few issues as the Hunt for Barry Allen continues.

Now, dont let this issue of THE FLASH change your opinion of this creative team. Adams and his crew are still rockstars and deserve your attention in this series. Theyve made THE FLASH series so much better in so many ways. Plus, its hard to put the breaks on YOUR story in order to fit in tie-ins to an event like DARK CRISIS ON INFINITE EARTHS. Adams worked with the cards he was dealt while trying to stay true to the characterization hes developed. And he most certainly did that. Let me know what you think, have a great week, and God Bless!

My only true, and biggest real concern is that I feel like weve been floating in this empty story void for months now where Adams hasnt really had the chance to continue his story or add weight to his ideas. Fun and cute can only get you so far. Now, I want to see what Adams can do by building on that same charm hes captured and ushering in a new, powerful era with the entire West family. I have a feeling hes the right guy for the job! Let me know what you think, have a great week, and God Bless!

Moreover, I would be remiss if I didnt also reference the subtle panels involving Dick and Babs, as well as Lobo and Goldstar (speaking of Goldstar where has she been?!?). On top of the insane story and crazy action on display, these throwaway panels were also priceless adding that extra layer to the fun and excitement of The Flash #787. Readers, very little prior knowledge is required to understand this issue. Its the perfect time to get on board with The Flash and add this series to your pull list. Check out The Flash #787 now and give Adams style a test drive to see what you think. I do not doubt that youll love it along with this issue. Let me know what you think, have a great week, and God Bless!

The next steps for Adams if he follows the blueprint that I think he is, we will see some other familiar faces (like the cliffhanger) that we havent seen in quite some time while he possibly creates some new villains of his own along the way. And what would a Flash run be with Hunter Zolomon or Eobard Thawne? I think if you're reading the tea leaves correctly, youll see that Adams is in for the long haul. And he deserves it. Mark Waid got about 100 issues to tell his story. Geoff Johns also got to manage around 100 issues sprinkled throughout Infinite Crisis, Final Crisis, Blackest Night, and into Flashpoint. With how well Adams has done getting Wally back to his old self, I highly recommend DC Comics just let Adams do his thing as Waid and Johns did long before him. Again, I highly recommend Flash fans hop on board now if they havent already. You can thank me later. Let me know what you think, have a great week, and God Bless!

Overall, this issue doesnt change my recommendation for the series, its still one of the best titles at DC Comics right now. Nevertheless, everyone has a down issue here and there, especially with Adams wrapping things up right before the One-Minute War. I just wish this story with the Rogues was a bit more and less of a tease since we finally got the band back together. Readers, Adams is still taking the Flash in the right direction so there is no need to worry. However, the Flash #789 steps outside its normal comfort zone towards the end and possibly trips on its own fit a bit as the issue comes to an end.

The jury is still out on Flash #790 and this One Minute War. There just isnt much to go on a quick rundown of the cast and crew. Mix the lack of background, motive, and character explanations with this new more cartoonish style of art and readers will get a story that just doesnt feel like Adams or look like what weve seen to date. Moreover, it just didnt seem to have the same entertaining, easy-going tone that Im used to experiencing from the Adams Flash run. And hence, the jury is still out on this One Minute War. That said, even though Im not sold on Flash #790, Im still tuning into this One Minute War to see how this thing shakes out. Past practice dictates Adams deserves that.

The One-Minute War feels flat, with little excitement, and surface-level character connections with everyone other than Wally and his family. This event needs more substance fast before it loses too much steam. Hopefully, the Flash: One-Minute War Special #1 can add some spice, interest, and pizzazz to this event that just feels like its missing the same fun and excitement that Adams has been used to delivering since hes taken over the title.

Nevertheless, a serious, emotional, heartfelt, action-packed, suspenseful moment or story just doesnt jive with his style. And thats why it's been so hit or miss with this story so far. Again, I loved the heck out of The Flash: One-Minute War Special #1 due to the background which is given and the illustrations that complemented the design of the narrative. Now, Im sure Cruz is already all in on the rest of the One-Minute War. So, at this point, it would be too difficult to change. So, my only hope is that Adams and Cruz have found a way to better blend their more serious aspects of The Flash together to drive this story home. Overall, The Flash #792 felt more like Adams and was by far the best issue of this arc to date drawn by Cruz.

The Flash #793 certainly has some promise with an ending that was overly reminiscent of a TV Drama putting our heroes' backs against the wall. However, with a shady brushing over of exactly who the corrections officer was, as well as more out-of-character remarks and reactions from Barry, I find myself struggling to get invested in the comic. A heavy explanation of that lack of desire is coming from this Cruz-led art team. I just continue to spiral back to the importance of finding an artist that complements your story well. And thats not the case here. Sure, The Flash #793 had its moments along with the subtle humor thats made Adams stories so successful. However, I dont know if its enough to overcome the artistic deficiencies this story has run into so far.

There are just too many holes, unexplained circumstances, convenient reveals, and out-of-character developments that leave this reviewer scratching his head. Plus, Id talk about the art, however, it would be more of the same as what I already said in my prior reviews and Im truthfully tired of repeating myself with something that wont change anyway through this entire war. So, whats the point? If you want to know my thoughts on the art, just look at every review of this event to this point. Readers, the best part of Adams writing has been Wally and hes basically out of the story now. So, mixed with the chaotic, fast-paced action and story in this week's Flash #794, Im just finding it hard to stay invested in this story.

The Flash #795 is by and large much better than the prior two installments of the One-Minute War. There's tension, some drama, suspense, action, and a possible revival of a specific "timepoint that's definitely meaningful to some hardcore DC Comic fans.

Overall, the One-Minute War wasnt awful. However, it still wasnt my favorite issue or arc of Adams Flash run today. Sadly, Adams time is coming closer and closer to an end. I would love to see him hang in there for a bit longer. Nevertheless, we still get to read Adams on other titles. And as we all know, all good things must come to an end.

The Flash #797 is a weird story to follow Adams One-Minute War. Its not a follow-up nor does it take place around the event. So, it just seems weird for Adams to focus on Ace and the twins as his last little story arc of the series. Moreover, as I stated above, the time placement mixed with the characters made the plot a bit more confusing than it needed to be. However, the Flash #797 takes Adams back to his roots with this book making it fun and exciting again. The lighthearted nature of the comic mixed with the subtle humor from Adams provides a strong showing for one of (if not the) last arcs of his run. If youre a Flash fan, I recommend giving it a shot! Just remember, the focus of this issue isnt on Barry or Wally but on Ace and the kids instead.

That could be why everyone dove into Flash #798 head-first. The expedited nature of this issue just made the story seem like it was being told directly to you instead of gradually uncovered through character interactions and discovery. Dont get me wrong, I think there is certainly potential to be had in this story. However, the Flash #798 could have easily been separated into two, if not three issues and paced more effectively.

To semi-quote one Ferris Bueller, The Flash #799 moves pretty fast. If you dont stop and look around once in a while, you could miss it. Its that quick people! Almost from page one, action, gigantic titans, Eternity Palaces, time and space manipulation, and so much more! The subtle humorous exchanges are classic, and the underlining family motifs and relentless action make for an incredibly fun issue. However, there is so much meat left on the bone. The in-depth story Adams could have told and the vibrant storytelling that was cut to squeeze this in was a bit upsetting. Sure, Adams still made it enjoyable. But, well never know what could have been if he was given the proper page count and time to tell the full story. Additionally, I just want to go on record saying that the side adventures we missed from Wally should not be undertaken by anyone other than Adams. He deserves to tell that story. And I hope we get it soon! Great issue! Adams fans should pick this up as well as Wally fans

Overall, the Flash #800 is worth the buy for any Flash fan. Why? Well, its the 800th issue! Its a collector item from Petes Peppers. However, if I was to grade it solely on stories, three of the five were not that bad. One was confusing and left a bad taste in my mouth for the future of the series while another focused on Barry and that writers run personally missing the mark of a tribute to Wally in the first place. To grade this specific issue fairly, its definitely not all its cracked up to be. Nevertheless, Adams and Waids teams did an outstanding job. Let me know what you think, have a great week, and God Bless!

THE FLASH 2022 ANNUAL #1 is a hard comic to review. Yet I think the best summary is this: do you want to read about THE FLASH or do you want a good story? Because if you want a great story, it's certainly there this week. But it's not really about the FLASH. If you're ok with that, THE FLASH 2022 ANNUAL #1 is totally for you. And, I highly recommend giving it a shot.

The Flash: One-Minute War Special #1 helps introduce the Fraction and gives fans more of a background as to who they are, what they want, and where they come from. Truthfully, the very first story was by far the best followed by the dinner party freeze frame and the return of a Willaimson villain. Overall, fans will discover that The Flash: One-Minute War Special #1 provides some much-needed pizzazz to an event that seemed to be missing a purpose and point. If you were on the fringe of this event, hopefully, The Flash: One-Minute War Special #1 will rejuvenate you a bit more. Lets just hope Adams rolls the success of this issue into the remaining Flash issues left in this event and possibly piggybacks off some of the flair and excitement these artists gave him and carries them into the series going forward.

The Flash: The Fastest Man Alive #1 is a hard pass this week. From a jumbled plot and bad characterization to a messy display and rendering of the characters that looked nothing like the Movie or comic, there was very little to salvage from this issue. The story beats didnt jive with the Justice League Movie and the almost anime artistic choice in style made the issue come across as less serious and fragmented in nature. Plus, without knowing if the Flash Movie is actually coming out in June, it leaves the question as to whether or not The Flash: The Fastest Man Alive #1 truly ties into the Movie. Heck, who knows if well ever see that Movie after the incidents with Ezra Miller? For right now, if you need a Flash fix this week, Id just reread an old Flash comic. Let me know what you think, have a great week, and God Bless!

FLASHPOINT BEYOND #0 has that special spark along with the action, suspense, and clever twists that are sure to excite the longtime fan. There is literally something for everyone. From Pre FLASHPOINT, NEW 52, DC REBIRTH, DOOMSDAY CLOCK, and BEYOND, Johns is doing his best to weave this tapestry back together. And who could think of a better writer for the job?

FLASHPOINT BEYOND #1 is fast-paced, crammed with follow-up events to the original FLASHPOINT, and cluttered with intensity and anger from an assortment of characters.

So, why is this DC COMIC "event well "beyond DARK CRISIS? Simply put: it sparks conversation and speculation. FLASHPOINT BEYOND #2 provides fans with just enough meat on the bone to keep us coming back for more. Plus, the narrative finds ways to put the reader in the driver's seat alongside Thomas Wayne BATMAN as we both solve this detective story together. Each character involved has interesting motivations which pique curiosity within the reader.

FLASHPOINT BEYOND #3 uncovers the true potential for the "beyond FLASHPOINT universe. This isn't going to stop here folks. It can't. After reading FLASHPOINT BEYOND #3, you can't help but see a door open to a universe of possibilities with Thomas Wayne at the center of it all.

This creative team certainly outdid itself this week and will leave fans excited for the next FLASHPOINT BEYOND issue as well as the future stories to come. If you get the chance prior to this issue, reread FLASHPOINT as well as the closely related event comics. Youll be happy you did. Pick this up, let me know what you think, have a great week, and God Bless!

I've been a strong believer that a great story makes the reader truly think. If a story can drum up some solid water cooler talk, forum discussions, imaginative theories, speculative discussions, inquisitive responses, and unending questions then it deserves some outstanding praise. Flashpoint Beyond #5 does that and then some! Readers will leave with all of the above and excited for what's to come.

My point is, I have tons of great questions and could discuss the impact of this story and the future possible stories to come for hours, which is ultimately why Flashpoint Beyond #6 (even though it didnt end how I may have wanted) still demands the attention and respect as an outstanding issue and foundational series moving forward. I dont think readers truly understood how important Flashpoint Beyond was going to be nor did they grasp its importance to the DC Universe moving forward when it first began. Actually, its what I love the most about the series. It was a sneaky event book. It was almost like DC Comics secretly created an event before our eyes and didnt tell anyone it was going to be an event, which is quite hilarious. And for that reason, everyone needs to buy this trade. People will look back five to ten years from now and say how Flashpoint Beyond was the story that launched the new DC Universe. Im calling it right now. So, why not trust me and grab those back issues and

Tom Taylor brilliantly hits fans right where it counts while still managing to make this issue fun, exciting, and full of life. Taylor lets loose and throws every possible rogue in Spideys path while finding a way to warm readers hearts by the end. In addition, the art team captures the mood of the story so well by drawing readers in with their crisp, vivid colors that light up the page and complement Taylors writing so well. If youre a Spider-Man fan, comic book fan, or even just a parent, this issue is for you. Just be warned that you may shed a tear before its over. Excellent job to all involved!

This issue perfectly depicts Tom Taylors run to date and only magnifies the need to give Taylor an ongoing Spider-Man series. This issue hits all the bells and whistles and reminds readers what were all going to be missing as this series ends. This weeks issue of FRIENDLY NEIGHBORHOOD SPIDER-MAN was easy to follow, emotionally charged, well-paced, and will grab readers' attention from the opening page.

I can't wait to see where the next issue takes us. Kindlon and Ferrari's Frontiersman #1 is a great example of what a first issue should be. I really like that we're coming in after the prime of the main character. This seems like it will give a great deal of room (storywise) to see why and how the Frontiersman reached this point in his life. Count me in for Frontiersman #2.

If you can comb through the confusing elements and backstories, you'll see some potential involving Fury and the possibilities of some pretty cool espionage narratives on the horizon. However, since I'm solely grading THIS issue, it's extremely hard to overlook the crazy narrative beats, heavy dialogue, and confusing story beats for new fans interested in test-driving this narrative on Nick Fury.

If you love the Fantastic Four or Hickmans Future Foundation, youll jump in perfectly fine. If you recently hopped back into the Fantastic Four and are looking for another family-friendly book, this series is also for you! Pick this winsomely fun first issue up and let me know what you think.

Readers will leave this issue of FUTURE STATE: BATMAN/ SUPERMAN with the best of both worlds. Theyll get their classic heroes while also feeling apart of the FUTURE STATE landscape. The story moves quickly, has perfectly placed pockets of action, nails the character dynamic between the leads masterfully, and provides a clear and decisive anecdote for hardcore DC COMIC fans who may be perturbed that this pause even needs to occur since the ending of DARK NIGHTS: DEATH METAL.

When it is all said and done, if you are not necessarily craving a new Wonder Woman, I would skip this issue. Diana has had way better stories and Nubia may not be your cup of tea. But if you are willing to read about a different version of Wonder Woman, go to you LCS asap and pick up this comic!

There is a ton in this issue for everyone. I highly recommend giving this overly packed issue a try. It has its moments to shine AND wasn't exactly what I thought it would be. That said, it was still well worth the buy and a solid read for any fan excited for Johnsons SUPERMAN run as well as Warworld, the Fourth World, and so much more.

I highly recommend giving this issue a look, especially if you are interested in FUTURE STATE. Readers get a ton of characters and dynamic plot threads that should quickly evolve into some big things down the road.

All in all, I would pick up this issue SOLELY for the first two stories. You can totally skip Gotham Sirens. Maybe the Sirens will be better in issue three.

Overall, the story itself is what you'd expect. However, Jones does throw in a curveball at the end to keep fans on their toes, which I loved. More or less, this FUTURE STATE series was simply a canvas to showcase what's been missing from our current WONDER WOMAN. Sure, theyre both strong, courageous warriors. Yet, they both exude their heroism in a different light. Jolle was the perfect writer and artist to tell this tale and I highly recommend every DC COMICS fan take a look. Yaras bold, foolhardy, and absurdly reckless style will hit readers in the face, take their lunch money, make them smile, and all while providing a fresh new take on a classic concept. Pick this issue up, grab the trade, and keep your fingers crossed that we get more Yara Flor from Jolle Jones in the future. Let me know what you think, have a great week, and God bless!

Now, as for our SUPERMAN story, Im going to begin by informing the readers that Phillip Kennedy Johnson is the perfect man for the job as the next SUPERMAN writer. The passion he has for the character leaps of the page and punches you in the gut. This issue was percolating with emotion and sentiment for the MAN OF STEEL. Johnson answers who SUPERMAN is and what he means to the people that read him. Johnson gets the hope he brings forth in comics as well as our daily lives. Frankly, I havent seen this side of SUPERMAN in years. And, if this is any hint as to Johnsons direction for ACTION COMICS and SUPERMAN moving forward, all I can say is take my money now!

I loved both of these stories and would highly recommend you pick up FUTURE STATE: DARK DETECTIVE. The writing and art were top notch and really portrayed a fresh take on members of the Bat-Family. I also loved the Gotham shown in these two stories. Gotham City has finally progressed to a gritty and dirty tech city where being a vigilante (good or bad) can literally kill you. The Bat-Family has had it easy in Gotham. No one has really questioned them and the other heroes. The Magistrate and the Peacekeepers, however, are sticking to their guns (literally). No citizens are to wear a mask. To tie it all together imagine this, the vigilantes are Dumbledores Army, and the Peacekeepers, are Delores Umbridge and her cronies. The tension and build-up are there, and I am ready for the explosion.

Other than the initial confusion mixed with the weird retconning as if our heroes already know about Wyn and these two factions, the story itself was quite interesting and filled with some pretty wild action. The mystic, more supernatural reader will really enjoy the heck out of G.O.D.S. #1. Plus, like most Hickman stories, the potential is endless. You can tell he's been dreaming this up for quite some time.

GAMBIT #1 is a mostly strong entry point to a story that takes place in a time we havent seen explored in detail before. Even though it takes place in the past, theres a sense right from the start that it deserves the attention that comes with a dedicated mini-series as opposed to being lightweight fluff. In addition to it obviously being attractive to GAMBIT fans, readers who enjoy this era of Claremonts UNCANNY X-MEN run are also likely to find it appealing.

THE DISPATCHIts been a long time since weve seen Johnny Blaze as the GHOST RIDER and Benjamin Percy dives right in with a cold open that makes fans quickly wonder what the $&@&s going on?! The focus of GHOST RIDER #1 lends itself to a character study about Johnny Blaze and the struggles of being the Spirit of Vengeance. However, under the surface, Percy found himself scratching the veneer towards mental health issues and the emptiness thats so hard to explain deep within those inner quarrels of the soul. How is it that on the outside you have everything but still feel so hollow like you have nothing?

This book is great, it really is. This issue gets going straight out of the blocks and it flips from fin friendly shenanigans with friends as life moves on, to a shocking return on the final panel. I honestly dont want to wait a month for the next issue… I want it now. I need to know how Latveria is going to play into it. Additionally, how are the Storm siblings going to be used? How will Gwen juggle school, her dad, band practice, and dimension-hopping shenanigans? Ms. McGuire… Seanan… GIMME! NOW PLZ

While the concept of Hellboy in a giant robot may seem redundant, the book showcases exceptional art that enhances the overall experience. The plot's lack of depth leaves much to be desired, but with more issues to come, there's hope for improved storytelling. However, the series falls short of establishing new characters within its limited length, which could hinder reader engagement. Despite its shortcomings, the atmospheric elements and exceptional artwork are redeeming qualities that keep the readers engaged.

This issue was really fun, oddly entertaining, and remarkably fascinating. Hickman and Reis work well together to add strange elements of intrigue and mystery that managed to draw this reader deeper into a story that I was uniquely curious about before it began. Hickmans imagination really took off in this Giant-Sized issue thanks to Reis artistic style and choice breathing life into a character that felt almost nonexistent since the Head of X took over.

Overall, the purpose of the issue was displayed well, Dauterman's dramatic illustrations captured the cerebral conflict with true imagination, Wilson's color choices easily helped express the mood of the issue, and all while the art team had an opportunity to show off their chops. Together with the premise firmly laid out by Hickman, the first of the five giant-sized issues appears to be a success. This reader can't help but wonder where our mutants go from here because the protocols that have been put in place just don't seem to be working at all. Give it a read and tell me what you think!

The overall story could easily be summarized in one or two sentences to catch fans up later who truly need to know what happened in this issue for future events, especially if its deemed important.

This Giant-Sized issue is solely for Alan Davis fans who adore the yesteryear X-MEN.

This was an extraordinary tribute with an astonishing artistic display that demands recognition and needs to be on everyone's list this week. GIANT-SIZE X-MEN: TRIBUTE TO WEIN AND COCKRUM #1 is the same bridge it was 45 years ago but now between comic fans instead of X-teams.

Godzilla: War for Humanity #1 delves into the complex perceptions surrounding Godzilla, depicting him both as a symbol of hope and a potential menace. The issue struggles with the common Godzilla media pitfall of limited screen time for the titular creature, leading to a somewhat forced inclusion later on. The art by Jake Smith is detailed and visually pleasing, yet some readers may find its style at odds with the seriousness of the subject matter. In summary, the comic brings a fresh perspective to the Kaiju genre but could benefit from more even-handed storytelling and an art style that aligns with its tone.

Gotham City: Year One #1 is the exact type of story Tom King should be writing. To anyone looking for that perfect detective, noir mystery that feels like it involves characters you should know, this is right up your alley. Fans will instantly be drawn towards Slam Bradley, find the Wayne's super weird and suspicious, and all while uncovering a new suspenseful thriller in the heart of Gotham's history long for the Batman.