The artists of X-Men have done a masterful job throughout this entire run, and the sixth installment is no exception. The impressive amount of detail that goes into each panel is astounding. But add that with the toned down colors with the occasional burst of color, and it's picture perfect. I think the artwork of X-Men #6 matches the tone incredibly well, so much so that it only elevates the already entertaining storyline. Read Full Review

Overall, X-Men #6 is a thrilling and action-packed installment in the series. It continues to build upon the strong foundation established in the previous issues, with compelling characters, a captivating storyline, and stunning artwork. Overall, X-Men #6 is a must-read for fans of the X-Men and those who enjoy thrilling superhero adventures. Read Full Review

Diaz delivers some great art throughout the issue and I continue to love the character designs, the visual style and the action. Read Full Review

X-Men #6 is an interesting premise that could have benefited from focusing on one plot rather than several. Read Full Review

X-Men #6 is a transition issue between storylines. That does not mean there weren't any sort of developments. Read Full Review

X-Men #6 gives readers crumbs of information about 3K and brings more mutants into the Factory, but that's about it. Jed MacKay's slice-of-life approach to the X-Men may sound good to Marvel editorial, but it's not a good way to waste the reader's money. Wake me up when something happens. Read Full Review

Plot
Hank McCoy explains to the entire team at the Factory in Alaska that Cassandra Nova is behind the artificial activation of mutant genes in adults and that Ben and Jennifer are the example. Cassandra is part of the 3K organization.

Scott welcomes her as a mutant and offers her shelter in the factory while they understand the origin of her powers.

On the other hand, TEMPER sees a girl in a group of protesters who signals to him, so Temper and Magik go in search of her in the town. The girl is called Piper and confesses to them that she is a mutant and was responsible for the "iron nights", which was the night that the Sentinel that is frozen and melted next to the town was due to her powers, she attacked him because he was chasing her.

This comic comes packed with a shocking revelation that further expands the X-men's investigation into the appearance of new mutants.

Art
It is very detailed, using many shadows and textures achieves a great narrative dynamism.

Summary
The X-Men discover new mutants very close to their base more

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• Jawnyblaze

daspidaboy - Oct 23, 2024

you sure give out a lot of Tens huh

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X-Men #6 presents a thought-provoking question: what factors should heroes consider when deciding whether to rescue someone? Idie and Magik face this dilemma when encountering a young mutant amidst a horde of protestors outside their Alaskan HQ. Jed MacKay has these two characters explore the complexities of this decision, showcasing the differing perspectives that can unfortunately arise when deciding on when to help others amidst a tense altercation.

Magik's levity in all situations remains a highlight, but MacKay is getting close to using her as a one-note character. Despite this balancing act, her interactions with Idie are engaging, and their situation keeps the issue’s main story interesting. MacKay's pacing is well-balanced, moving the plot forward while introducing new elements, such as the young mutant's connection to the inoperable Sentinel that stands guard over the town.

One of MacKay's strengths during this series has been his ability to keep multiple backstories relevant in each issue. References to Magik's chess game, Cassandra Nova's appearance, and Beast's research into Magneto's cure keep characters and plot points top of mind even when they aren’t front and center. (Except Xorn. Did anyone else forget Xorn was here??)

Netho Diaz's second guest artist stint impresses again, emulating Stegman's style while injecting his own unique elements. His line work, particularly in character designs and facial expressions, adds a layer of human emotion to the narrative's heavier moments. Sean Parsons' inks enhance the intensity of key scenes, while Marte Gracia and Fer Sifuentes-Sujo's colors effectively associate distinct hues with specific characters for a great visual experience.

This issue feels like a setup episode in a TV series, reminding readers of the various plot threads before the story accelerates. With the "Raid on Graymalkin" crossover event approaching, I hope these smaller plot points begin to pay off. While X-Men #6 is a solid, if unspectacular issue, MacKay's storytelling and the art team's excellent work are keeping me invested in the series. more

Too many writing assignments.

this issue is just okay so far. Which frustrates me because Jed Mackay has shown himself to be better than Okay. Just look at Moon Knight, Black Cat, Doctor Strange, Blood Hunt and Avengers. I hope this series does pick up soon.