Very well-done second issue. This is the one that got me hooked on this series. Despite not having much focus on Reese, there was enough here that showed her still adjusting and developing to her condition. As for Marc, he was absolutely fantastic in this issue. This issue works well with the previous, in that in continues to introduce new readers, and remind returning ones, just who Moon Knight really is. The look into Marc's mind was just great, and the tease at the end was good as well. Plus, Cappuccio once again does the lord's work with his art. more

A certainly interesting new direction for Harley under Tini Howard. Boo’s art is pretty good and, for whatever reason, I’m surprised she’s doing interiors instead of just covers. Howard’s scripts are solid and the story is fun, but what holds this book back for me is the pacing. I feel like the pages used for the backup story (which was straight-up absurd, but also fun) could have been used to expand on the main story a bit. To keep the backup story, I feel like this story could have been stretched across one or two more issues. Overall, this was a fun start to Howard & Boo’s run on Harley and I just hope the pacing and writing improve as time goes on. more

A great first issue. This gives new readers a nice introduction to Moon Knight as a character, while also giving enough story development for those who are already familiar. Wade's character is re-established here, along with multiple other characters for the future (Reese, Dr. Badr, the unnamed villain, and Dr. Sterman). Along with the story, Cappuccio's art is absolutely fantastic.

I really enjoyed this Good Guy Norman story. I feel like this status quo will eventually be replaced with a much less interesting one, so we gotta get what we can while we can. I wonder if the ending here will be picked up in ASM or if it will be forgotten, but I have some faith that Marvel wouldn't let the book end on such a sudden snap of an ending, without plans to explore its aftermath.

Good LORD what a final two pages. Those two pages bump those up from an 8.0 to an 8.5 for me. I do wish that the aftermath of what Norman did was explored more, but I'm hoping we'll see that in either ASM or some sort of follow-up to this miniseries. Overall, this was a surprisingly good miniseries that I kind of wish went a little longer.

Probably the weakest issue of the series so far, but it's still a pretty good read. I'm very glad they somewhat explained Owen's reasoning for what he did by how the issue ended, as I would have been utterly confused without it. Just when Norman was starting to feel better about himself, everything comes crashing back down. Very interested to see how this miniseries ends, and I hope it's conclusion is just as good as the rest of the run. more

This was a series I almost didn't get, but I'm very glad I picked it up last-minute. The previous two issues have been great and this was no different. I'm happy to see that Cantwell has taken the Dark Web crossover and purely used it to his advantage. As with the issue before this, the crossover doesn't drag this book down whatsoever. Across the board, his writing is great and he's able to stretch things out just enough before hitting Norman with a flashback or reminder of his past. As for Medina, his art continues to fit right in here. Just a well-done book and I really hope the next two issues stick the landing. more

While the Dark Web crossover is present here, it doesn't really take anything away from the story. Medina's art continues to fit in with the darker tone of this book, while Cantwell continues to deliver with his scripts. The childhood dog was a great element for Norman to face as well, and I was entertained by the ending confrontation as well. The only thing that drags this down for me just a tad is Jack-o-Lantern, as I don't really have a strong interest in his character as of yet. However, I hope that changes, as I'm certain he'll be returning before this run is over. more

Finally being the sole defender of this comic when it was announced has paid off. This comic is a quintessential example of why you should never let meta-reading and cynicism overtake you as a comic book fan. It leads to you missing out.

I wasn't quite sure what to expect here, but this delivered with a great opening issue. Medina's art is better in some places than others here, but he does great where it counts. He does well in depicting Norman being haunted by his past. Speaking of which, Cantwell writes this very well, in which Norman is constantly haunted by his past sins, despite trying to move forward and be better man. While I am worried about how the Dark Web crossover will affect the next two issues, I really hope this miniseries maintains the quality of its first issue. more

Nice to see Leon back on art, but this storyline definitely has me more interested in Eiko, Onyx & Dario than Selina, whose motivations in the current arc seem to change in response to little more than the demands of the plot. So far I'm really feeling like the Selina-in-prison direction was a misstep and I'm pretty ready for it to end

A solid ending for this series. A lot of the ideas established here are certainly interesting when it comes to seeing how they'll play out in Eve L. Ewing's upcoming run, but there was just more to be desired here and from this run as a whole. A lot of this run had intriguing ideas without the best execution. Nonetheless, this issue gives Ridley's 15-issue run a solid finale.

This story has not been the most interesting to me, unfortunately. However, this issue wasn't bad. T'Challa was the main reason this book had my interest, as the other characters didn't really do much for me (aside from Namor, but his most enjoyable moment for me was him laughing his ass off when T'Challa was being told he's no longer a citizen). Overall, I hope Ridley puts out something just a bit better for the next issue, as it will be the last one until the new run. more

I felt like there wasn't much that happened in this issue aside from the flashback. After how much I enjoyed the previous issue, this was a little bit of a let-down as we go into the final issue of the series. Hopefully Ottley can bring everything together and give us the finale this run deserves, and hopefully Cates can have a little more involvement with it.

A definite step-up from the previous issue. My main concern with the last issue was the dialogue/scripts, and that improved a bunch here. Plus, the story itself was great. Bruce compartmentalizing himself and his trauma is something that this series has done well. Ottley is able to draw Bruce's father in almost a frightening way that does a great job of conveying how Bruce sees him. I hope the series can maintain this quality until its conclusion, as this was pretty good. more

As a fan of this run so far, I wasn't sure what to expect when I found out that Ottley (one of my personal favorite artists) was going to be taking up the writing duties here. After reading, I wouldn't say the scripts are bad whatsoever. However, they're just a little "generic," if that makes sense. The art is great, as usual, and the story itself is good, but I just wish the actual dialogue was written a little better. Hopefully it can improve as this run approaches its conclusion. more

Some outstanding art from Kuder is the best part of this issue. Aaron's scripts aren't bad whatsoever, but this story just doesn't have enough behind it to make me as invested as I know I could be with such a large-scale story. With one issue left in this storyline (Omega), I just really hope the conclusion is worth it.

This isn't terrible, I just wish I had a real reason to care about all that is happening. I'll wait till the final issue to give my opinion on Aaron's run as a whole, but I will say that Avengers Forever, while a bit lost as an Avengers title, did supply us with some compelling one-shot stories at times. It wasn't all bad.

Solid stuff from Aaron and Garrón here. As a reader of this series from the beginning, I can only hope for a grand conclusion. While I haven't been the biggest fan of this storyline, I do appreciate the setup in the final pages. As a fan of the majority of this series, I hope the final bits of this current arc can deliver.

This series has been very hit-or-miss for me so far. This latest crossover storyline with the main Avengers title has been kind of "whatever." I enjoyed the letter from one of the Steve's this issue, but there hasn't been enough build for that character to really make me care. Yes, I feel for him and his situation, but, to my knowledge, this is the first issue we've really met him. The same goes for the other Steve and his moment with the Mjolnir. On the other hand, the action in this book was solid and I enjoyed seeing the characters trying to take down the literal Planet Doom. Aaron's Avengers run is something I've really enjoyed since the start, so I hope he can bring everything together into a good conclusion. more

A pretty good opener that does a good job of establishing emotional stakes for this series from the start. As a fan of Taylor's run with Son of Kal-El, I'm glad to see this continuation maintain quality. I'm not quite sure how I feel about the Injustice universe coming into play soon, but I'm a fan of both of the games, so hopefully everything works out. Excited to see where this mini goes from here! more

The first half of this issue was well done. The brief Fight Club interaction was a fun opening. Jen and Jack trying to work through the new complications of their relationship was enjoyable. I did like Jen using Reed's call as an opportunity to create some distance, but the second half of this issue drags it down for me just a bit. Nothing was bad whatsoever, but it felt like an odd turn to randomly introduce this new character. However, I trust Rowell to make everything tie back together in some shape of form, and the last few pages made me intrigued to see what happens next. Plus, the art was a huge step up from the last couple issues. more

Pretty good issue following the previous one's ending. The now-strained relationship between Jen and Jack was done well, as was Jen's heartbreak about Jack's situation. The more romantic direction of this book was done good in this issue, and I'm looking forward to seeing how Jen and Jack's relationship progresses and what comes of April and Mark in the upcoming issues.

Scarlet Witch #3 was a very interesting issue, to say the least. The story was a nice change in pace but the narration change to the second person lost my attention and made the issue somewhat harder to follow. The new environment in the “nano” world was interesting and the art in this issue did not disappoint. Sara Pinchellli continues to kill it with each panel we see. I just wish we were given more dialogue between the characters and didn’t slow down so quickly.
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Scarlet Witch #2 by Steve Orlando is a worthy follow-up to the first issue, continuing Wanda's journey in helping others when they have been met with their lowest emotions. I do enjoy the Darcy and Wanda pairing, and the mystery as to why Darcy ended up walking through the red door in the first place. This issue focuses heavily on grief, as the Scarlet Witch helps Viv Vision get rid of her nightmares involving her dead mother. The story does a fantastic job of portraying the emotions felt by Wana in her battle with DreamQueen. The works of Sara Pichelli and Chris Allen once again did not disappoint and I look forward to seeing what more they do with Wanda's story and design. more