Another super interesting issue here that finally brings Swamp Thing and Woodrue together by the end. Woodrue was going absolutely nuts in this issue, man. The stuff with Swamp Thing exploring the Green was intriguing as well, and I'm hoping to learn more during this run. Looking forward to the confrontation between Swamp Thing and Woodrue, as well as the Justice League showing up in the next issue. more

I wasn't as enthralled with this issue as I was with the last one, unfortunately. Though, this was still really good. Swamp Thing struggles with his humanity after the revelation he was faced with in the previous issue, and I thought it was well-done. I appreciated the different art style in his dream sequences, for lack of a better term. Everything else here was good, as well, particularly with Woodrue. However, the stuff with Swamp Thing was what stood out, to me. more

...Wow. This was absolutely stellar. Moore crafted this story perfectly, in my opinion. While the last issue was, technically, Moore's first on the title, I'm under the belief that it was purely just wrapping up everything that happened in #1-19. With that said, this was just an awesome "first issue" for Moore's run. Great suspenseful horror throughout and it just continued to get better and better. I can't finish without mentioning the interiors from Bissette. They just complimented Moore's story greatly, in my eyes. Really looking forward to what's to come if this is how we're starting out. more

My least favorite issue of the series thus far, which I think it saying something when I'm still giving it as high of a score as I am. Nice to see Sherman back on the interiors, and Thompson still puts together an intriguing plot for this new arc. As always, looking forward to reading and learning more about this world.

Really good second half of this arc. Iulis continues to deliver, even if his style is still VERY different from Hayden Sherman, the regular series artist. As for Thompson, she just keeps on hitting home runs. She's absolutely (no pun intended) killing it with this series so far.

An intriguing start. Nice interiors from Izaakse, who made me a fan with his work on Joshua Williamson's Green Arrow run. I also liked the amount of Mr. Terrific that we got here, and I'm looking forward to more. Overall, by the way, not just Mr. Terrific.

A nice finale for this miniseries. A nice balance of comedy and drama once again, in my opinion. Lins, especially, does some great stuff throughout this issue. I'm also intrigued to see what the ending means for Plastic Man going forward. I'm still a little unsure as to how canonicity works with Black Label books.

Everything continues to hit well. The whole creative team puts out good work, just as they have with the past two issues. I liked the inclusion of Robin here, as well, as his presence makes a lot of sense for the story being told, specifically concerning Patrick and Luke.

Another good issue. Funny stuff here from Cantwell that was nicely balanced with the more serious stuff once again. Lins & Edgar are both putting out good stuff here, also. Spoiler alert, but Woozy killing the Metal Men was a crazy ending, for sure. Just...wow.

Definitely an interesting start here. I don't think I needed two different artists on this, but, at least, there's a reason for the change in the middle of the issue. Aside from Lins & Edgar, I thought Cantwell balanced the humor and the serious fairly well throughout.

Wow, this was absolutely fantastic. This really blew me away by the end. Incredibly and scarily relevant to our current world, specifically in regards to immigration in the United States. I'm almost speechless. Camp & Zawadski really put out something special here with my favorite issue of the series so far. This was just so profound and expertly-crafted.

I felt like I was having a panic attack (that’s a compliment)

Good lord. Definitely an intense issue here. I don't know if "enjoyed" is the right word, but I thought this was a fantastic examination of so many relevant concepts in today's world. Camp is continuing to establish himself as one of the next big names in comics with The Ultimates over at Marvel, Absolute Martian Manhunter at DC, and, now, this book.

A super intriguing start, even if I didn't enjoy it as much as many other seem to have. First and foremost, Camp does a really nice job of building this time-scattered world throughout the issue, and I think it's something that could definitely be explored further. Zawadzki's art compliments everything nicely, as well. My main gripe here is that things just felt like they were jumping around a lot. This may be, at least, one of the points, but it just doesn't entirely work for me, personally. I still really liked this overall, though. more

And the landing has been stuck with a nice finale, in my opinion. This was a really consistently good arc with a good chunk of social & political commentary within a simply intriguing story. Really looking forward to reading what Condon & Montos are cooking up next.

A pretty good penultimate issue for this arc. Something I have yet to mention in my reviews of this arc is the political & social commentary Condon has been doing. I think it's been one of my favorite aspects throughout the storyline, and I hope it's something that continues across Condon's run. I'm looking forward to seeing how everything wraps up in the next issue.

Glad to see that the opening scenes are finally starting to have larger implications for the "main story," in that it seems like Kenny is the one who started this group of Freshwater Killers in the first place. Aside from that, intriguing stuff once again. Montos continues to put out great work that compliments the story nicely.

Not quite as good as the last two issues, but still good and interesting. I'm really hoping the opening scenes of this arc have a stronger connection to the larger story with Ollie soon. I think they've all been good and that they've fit the storyline well, but, as of now, there isn't an incredibly clear tie outside of the Freshwater situation itself.

This continues to be a really intriguing first arc for Condon & Montos on the title. This issue was definitely more dialogue-heavy, but I still enjoyed it. Issues with a lot more dialogue/exposition/etc. are harder to sell, but Condon makes it all worth it, in my opinion.

Okay, now we're REALLY getting going. This is more-so what I was looking for in the previous issue, in that this hooked me into the story a bit more. The interiors from Montos continue to fit right in here, as well. Really looking forward to what's coming next from this team.

A pretty solid start to Condon's run on the series proper. Montos puts out some really nice art here that fits the tone of everything. I found the story itself to be a good and intriguing one that left me wanting to learn more, but I also wanted a little more in this issue, specifically, to really get me hooked.

A nice, fairly interesting one-shot story for Williamson's last of this Green Arrow run. I will say that I don't think I needed this, considering that I don't really think it added anything beyond what Williamson wrote in Green Arrow #17. However, I liked it a nice amount until the end. The ending wasn't bad or anything, but I just thought it would have been nice to, at least, have some sort of "final confrontation" with the people behind Firestarter. In any case, this was solid for what it was and I enjoyed Williamson's run on Green Arrow overall. more

A nice transition issue here, in my opinion. I thought the first story from Williamson & Nahuelpan was solid, but I also found it just a bit lacking. I felt as though the Justice League letting Ollie back into the group was a little too quick. I liked that he still needs to earn everyone's trust and whatnot...but, I don't know. It just didn't completely land for me as well as it should have. As for the second story from Condon & Montos, I definitely enjoyed it. I thought it was a pretty good preview of what's to come with them taking over the title, and I'm definitely intrigued to see what happens next. more

Woah. Super interesting stuff here. Condon's someone that got on my radar with his Daredevil one-shot for Venom War over at Marvel, and made me even more of a fan with his current Ultimate Wolverine series. This is the first indie book I've read from him, which is, arguably, the biggest test for a writer (I definitely plan on reading That Texas Blood at some point). With all of that said, I definitely enjoyed this. It's a relatively quick read, but Condon puts together a simple, yet intriguing, story that's complimented nicely by Love's art. It's definitely stylized, but I think it fits and sets the tone well throughout. Looking forward to what happens next. more

Listen, I liked this and really appreciated what Camp was trying to do here. However, I think poetry just...isn't my absolute favorite thing, unfortunately. That said, this was probably my least favorite issue of the series. Something Camp has been doing recently in his work, across the board, is challenge the norms and such when it comes to comics. For that, I have a lot of respect for Camp, and it's worked out well a good amount of the time. However, for me, it just didn't land as well this time around. more

Not my favorite issue, but there was some solid stuff throughout. A bit of a spoiler coming next, but Rogue showing up on the last page was really interesting, especially considering that Gambit just showed up over in Ultimate Wolverine. Looking forward to this getting followed up on in future issues.