NAMOR AND THE RED SKULL!
Captain America and the Human Torch lead a team to recruit their old comrade - Namor! But they'll have to get through the Red Skull Gang first!
RATED T+
Deniz Camp continues to impress with his storytelling, and just how far he's willing to go for the story. He takes some big risks with the story, but in the end they pay off spectacularly. This is an issue that you do NOT want to miss this week, and it's one you're going to want to read ASAP. Read Full Review
Overall, Ultimates #10 is a solid installment that delivers on the promise of action and intrigue. It's a must-read for fans of the Ultimates and those who enjoy high-stakes superhero stories. The cliffhanger ending leaves readers eager to see how Namor will factor into the Ultimates' fight against the Maker. Read Full Review
Frigeri delivers stunning art throughout the issue. I love the character designs and how wonderfully detailed the action is. Read Full Review
The Ultimates #10 is a gripping issue that blends superhero spectacle with relevant social themes. It's an engaging read that delivers explosive action and symbolism, which makes it all the more relevant. While some of its messages feel incomplete, the issue remains a standout for its bold storytelling and high-stakes narrative. Read Full Review
The Ultimates #10 is easily the best issue of this series thus far. That is accomplished by simply showing the Ultimates operating as a team. It is a simple adjustment from previous issues that goes a long way with everything that is done with the world building of this issue. There are so many great team moments that help elevate the importance Captain America and Human Torch backstory to the story. The revelations made are game changing and leaves you excited to see where the series goes next. Read Full Review
The Ultimates #10 is a sickening turn for the title when the writer transforms a developing team of heroes into a death squad for sentimental and ideological reasons. Deniz Camp's poorly constructed script serves as little more than a platform for his fetish to kill “those people,” only marginally saved by Juan Frigeri's cool art. At this point, Camp may need some kind of intervention. Read Full Review