David Brooke Comic Reviews

An enjoyable collection that kicks off with a very good #150 issue.

If 100 Bullets was an epic dark morality tale, The US of Anger is a nihilistic look at the state of America today. 100 Bullets: The US of Anger #1 proves that Azzarello and Risso haven't lost a step. Returning to one of their most iconic creations, they deliver a story steeped in fear, rage, manipulation, and violence that feels unsettlingly relevant. Lono remains a force of nature, while Risso's stark artwork gives every page a sense of danger and inevitability. The issue's political themes can occasionally overwhelm its narrative momentum, but there's no denying the power of its atmosphere or the confidence of its creative vision. If the original 100 Bullets examined the machinery of power and revenge, US of Anger opens by staring directly into the chaos of the present day.

This is a fun action and adventure comic with plenty of fast-moving action visuals to satiate even the biggest Schwarzenegger fan. Once again I'm pleasantly surprised to find tie-ins to a mini-event being this damn good.

I had a blast reading this thanks to the escapism and jam-packed plot and action. If you like fast-paced action comics don't skip this fun miniseries.

This is a decent start to a two part story that has Riri forced out of her suit and into street clothes to do some good for the world. The handling of Riri is strong, as you have to admire her heroism and gumption, but the plot is slow and doesn't offer enough action. Issue #2 might rectify this though.

I wasn't sure what to expect from this tie-in, but based on its quality I'm excited to read more tie-in series in this event. Machine Man has always been an entertaining and highly emotional character and the mission at hand is going to take further evolution of his control over these emotions or else he may not win at all.

This is a good look at Pepper Potts and a solid argument we need to see more of her. Unfortunately, this issue suffers from the sins of the past and serves as a reminder of them as Potts -- and by extension, these creators -- try to close the door on clunky Tony Stark history. Ironically, in trying to show Potts still believes in Tony Stark, I'd argue it makes me less of a believer in him and much more a believer in Potts. Give her the armor -- after the strong points made about her personality, I'd prefer her in it!

This is good summer blockbuster comics. The action is fierce, the science fiction fun, and the art spectacular. This is Blade Runner meets Transformers meets Elysium. Check this out!

The best cyberpunk comic in ages. It looks gritty, real, and downright futuristic, made complete with one of the most epic science fiction scenarios imaginable.

A gorgeous comic that has such good captions you might just stop everything to read them. 4001 A.D. is turning out to be a poetic masterpiece.

4001 A.D. #4 is the perfect epilogue issue. We get at the core of Rai's motivation, see some truly awe inspiring science fiction scenes, and get a good sense of where the story can go from here.

This is a well-curated collection of stories reminding us Joker is not only scary, but also incredibly smart and versatile. A key element in all these stories is how Joker is very dangerous and never to be taken lightly. It's a serious take on the character and a nice way to remind us of where this character is after a long history in DC Comics.

Wonder Woman 80th Anniversary 100-Page Super Spectacular is a well-curated anthology featuring all sorts of Wonder Woman stories set in different eras for the character. Props to Britany Holzherr for putting together a Super Spectacular that lives up to the name.

Mischief of Magpies #1 is a bold, inventive comic that fully embraces the strengths of the medium. Si Spurrier and Matías Bergara craft a reading experience that feels alive on the page, blending prose, visual storytelling, and design in a way that constantly surprises. It asks more from the reader than most comics, but the payoff is a deeply immersive and emotionally resonant start to what feels like a special series. A fearless swing that proves comics can still surprise you.

As a first issue, Storm Warning succeeds by resisting spectacle in favor of tension and theme. It understands that A Quiet Place isn't just about monsters, but about people ignoring alarms until it's too late. This opening chapter sets the stage thoughtfully, builds anxiety with purpose, and ends on a note that makes the silence feel anything but safe. A Quiet Place: Storm Warning proves that in a world where silence is survival, denial may be the loudest mistake of all.

A Quiet Place: Storm Warning #2 keeps the tension high and the stakes immediate, leaning into survival horror with a steady stream of close calls and mounting danger. Phil Hester continues to build a believable small-town dynamic, while Ryan Kelly delivers strong environmental detail and effective creature work. A few visual choices hold it back from fully landing, but the issue still delivers a gripping follow-up, keeping the story moving at a brisk pace.

People use the word awesome too much these days, but make no mistake A Vicious Circle is an awesome first issue. From the visuals to its ability to entertain and keep up your interest while keeping you in the dark, A Vicious Circle is a comic you can't put down. A Vicious Circle plays off how we think about time travel while using an arch rivalry that connects in exciting ways.

A Vicious Circle #2 doesn't disappoint with a great action frenzy of a second issue. This issue also doesn't hold back with answers and a fulfilling sense of the heroism of our main character and the hard choices he must make. This series sets a high bar for time travel stories with its pulse-pounding action and incredible art.

A Vicious Circle ends today on a visual high note that will please fight-comic fans. Given the cinematic quality of the story and tight plotting in just three issues, it's no surprise this is in development as a film.

Science fiction fans will love A.D.: After Death. Its mix of prose and comic book panels draw you in and make you ponder the power of both. It has a Twilight Zone vibe as if it will pull a sheet out from underneath you and reveal further truths you never saw coming.

A. D.: After Death #2 continues to be a rewarding experience as you attempt to find meaning in Jonah's prose. There's no doubt this is a work of art on many levels, though it does force the reader to do a bit of work in order to understand it. Whether or not you find this comic entertaining resides entirely on how much work you want to put in.

A strong conclusion with many answers, interesting ideas, and a conclusion that feels warranted and deserved.

A.X.E.: Avengers #1 is an excellent start in the first three A.X.E. tie-in one-shots. If the purpose of these Gillen-written one-shots is to explore specific key characters in the event, we're in luck as we'll get a thorough exploration of Jean Grey and Ajak.

As far as this story ties into the event, it does its job. Both characters get judged and must undergo a trial as they are tested. At this stage, it's a bit early to tell if either will matter in the event's finale, but if you are even slightly interested in Loki or Iron First, give A.X.E.: Iron Fist #1 a shot.

If A.X.E.: Starfox #1 effectively familiarizes you with Starfox and makes you emphasize with his situation. A slightly obscure character, Gillen does the character justice by making you feel for him and understanding his beautiful complexity.

A.X.E.: X-Men #1 will make you curious and want more from this event in a good way. While it's unclear what this issue accomplishes for the bigger picture, it's a fascinating deeper look at the complexities of Jean Grey and the burden she is always carrying. Whether or not you agree with the Celestial's judgment, it's safe to say Jean Grey is made stronger for the events of this issue.

The events taking place in A.X.E.: Death to the Mutants are important to the larger story, but there isn't quite enough here to warrant a purchase unless you're a die-hard Eternals fan. As it stands, it's a so-so tie-in that could have used more mutants, more action, and more things for these characters to do. At best, this issue feels like a decent backup story rather than a full issue adventure.

For the fan who hasn't been keeping up with Eternals, A.X.E.: Eve of Judgment is necessary reading. It fully captures the complicated nature of their waring sides, establishes why the main villain wants to kill mutants and sets up the summer event with necessary details. If you're at all interested in Marvel's summer event, A.X.E.: Eve of Judgment is required reading.

If you're interested in the Shakespearean angle on Marvel heroes, meaning the complex interconnected relationships, you'll love A.X.E.: Judgment Day #1. It packs so many characters into one issue, reminding readers that event comics are about moments in time where every character may be changed forever.

If you were on the fence,A.X.E.: Judgment Day#2 inspires with its layers of action and intrigue, delivering a comic all events should aspire to. You'll be swept up in the forward-moving narrative and thrilled by the impressive art and action.

Big event comics give characters new problems to overcome while raising the stakes. A.X.E.: Judgment Day#3 raises the stakes tenfold while establishing that maybe there is no way out of being judged.

When it comes to A.X.E.: Judgment Day #4, the name of the game is heavy emotional resonance. You will feel for these characters as they never give up hope, but seem to have no way of stopping what is coming. The series continues to take big swings while offering introspective moments as our favorite characters get judged. What more could you want?

If you want action, A.X.E.: Judgment Day #5 has it in droves. The heroes take the fight to the Celestial in an issue that raises the stakes more than you can know. If a Marvel event is supposed to change how we think and see characters, A.X.E.: Judgment Day #5 does it ten fold.

A.X.E.: Judgment Day #6 delivers big time for fans of earned resolution, and the incredible trick of characters talking is as impactful as punching in a superhero comic. This event has always been about the ideas of things or the impression of an entire culture and has shifted global understanding. For an event-caliber story, that's hugely impactful, and it'll be interesting to see the ramifications of this event going forward.

Absolute Batman #12 is one of the boldest twists on Batman's mythos in years, reshaping his bond with Penguin, Riddler, and Two-Face into something more tragic and personal than ever before. With Snyder and Dragotta firing on all cylinders, this chapter leaves Bruce and readers haunted by guilt, regret, and a rogues gallery that feels as much like old friends as foes.

Absolute Batman #13 delivers powerhouse visuals and emotional weight in a jam-packed penultimate chapter, though its occasionally choppy scene transitions keep it from complete perfection.

Absolute Batman #14 closes its second arc with a fierce, relentless showdown that cements the series as a bold reimagining of Gotham's mythology. It's visually daring, emotionally resonant, and unafraid to push its villains into terrifying new territory. Even with a few over-the-top choices, you'll want to suspend your disbelief. This issue hits like a heavyweight main event and proves the Absolute Universe has constant memorable surprises.

Absolute Batman #15 is a chilling masterclass in villain-building, merging historical myth, monstrous evolution, and psychological terror into one of the strongest chapters of the Absolute Universe. Snyder and Jock deliver a Joker story that feels ambitious, unsettling, and unforgettable.

Absolute Batman#16 is a masterclass in pacing, character work, and visual storytelling. By stripping Bruce Wayne back to his most human core and pairing him with Wonder Woman's effortless command of the magical, the issue finds a rare balance between introspection and adventure. Scott Snyder delivers a story that feels both like a reset and a meaningful step forward, while Nick Dragotta's panel-dense, emotionally rich artwork elevates every page into something memorable. This is the kind of issue that rewards slow reading and reminds you why this universe feels special. As someone who only gives out perfect 10s three or four times a year, this one earns it and then some.

Absolute Batman #17 delivers a memorable origin story that leans hard into horror without losing sight of tragedy. Poison Ivy’s transformation feels painful and inevitable, grounded in a childhood defined by desperation and brilliance. The body horror elements amplify the emotional stakes rather than distract from them, making her final form both terrifying and sorrowful. Canete’s art elevates the issue considerably, especially in the creature designs and Batman’s high-impact action sequences. The visual contrast between the grotesque present-day horrors and the softer flashbacks sharpens the emotional punch.  This is Absolute Universe storytelling at its most daring, tragic, and grotesque.

Absolute Batman #18 closes the Poison Ivy arc with speed, spectacle, and a crucial character shift. Snyder pushes the Absolute universe further from the familiar DC playbook, revealing a Batman who may be willing to cross lines the classic version never would. The Court of Owls twist adds weight to the mythology, while Canete’s grotesque Ivy designs make the action unforgettable. The pacing can feel chaotic due to the heavy crosscutting, but the energy rarely dips. By the final page, the message is clear. This Gotham is getting darker, and this Batman is prepared to meet it on harsher terms.

Absolute Batman #19 keeps the pedal down with relentless pacing and big swings that continue to redefine this universe. Scott Snyder packs the issue with major developments, from Scarecrow’s disturbing debut to shifting alliances and escalating stakes across Gotham. Nick Dragotta matches that energy with inventive layouts and striking imagery that carry both tension and spectacle. It is a bold, crowded issue, but one that rarely loses its grip thanks to confident execution and a clear sense of direction.

Absolute Batman #20 leans heavily into setup, but it does so with purpose and confidence. Scott Snyder continues to layer in character arcs and long-term threads, especially around Bruce’s mental state and his fractured circle of allies. The issue may not deliver on the Robin-heavy promise of its cover just yet, but it deepens the world in meaningful ways and sharpens the stakes heading into what comes next. Nick Dragotta’s art remains the standout, elevating every moment with style, horror, and clarity. It is a strong chapter that prioritizes momentum and mood over immediate payoff.

Absolute Batman #21 fires on all cylinders, delivering a fantastic opening fight, meaningful fallout from Jim Gordon's death, and strong character work across Gotham's growing cast. Nick Dragotta's art remains among the best in comics, while Scott Snyder continues to expand this universe in compelling ways. The structure may feel a bit segmented, but every scene serves a purpose and builds toward a jaw-dropping final act. A knockout issue with a killer ending.

Absolute Batman #22 delivers a thoughtful and rewarding reimagining of Harley Quinn, using her backstory to deepen both her character and the larger mythology of the Absolute Universe. Scott Snyder and Werther Dell'Edera craft a version of Harley who feels confident, wounded, and searching for connection, while the issue's revelations reshape readers' understanding of her place in the story. The pacing occasionally slows the momentum, but the emotional payoff and larger implications more than justify the journey. By the final page, Harley Quinn emerges as one of the most compelling figures in Absolute Batman's ever-expanding world.

Absolute Batman #23 is another remarkable chapter that somehow raises the bar yet again. Scott Snyder and Nick Dragotta pack enough plot, character development, revelations, and action into a single issue to fill multiple comics, yet every scene feels purposeful. Whether you're invested in Batman's fractured relationships, the evolving Robins, or the mysteries surrounding Gotham's past, this issue delivers at every turn while ending with even greater anticipation for what's next.

Absolute Batman 2025 Annual #1 is an intense, beautifully illustrated exploration of extremism, morality, and what happens when Batman's war on crime blurs into something darker. Daniel Warren Johnson and his collaborators deliver a main story that's both brutal and thought-provoking, paired with two inventive backups that balance spectacle with reflection. This isn't just another oversized issue. It's a mirror held up to Batman's mission and our own world's rage.

Absolute Batman Ark M #1 is a chilling, lore-rich one-shot that trades action for atmosphere, successfully transforming Arkham's origins into a tragic horror story while laying dangerous groundwork for what's coming next. It's not flashy, but it's purposeful, and the final act makes it essential reading for Absolute Batman fans.

This is a good third issue since it sets the stage for a superhero battle you won't want to miss while mixing up character dynamics and our anticipations. Absolute Carnage is dripping with tension, serving a dish of horror delights.

For an event that seems to have progressed rather quickly, this has been a great ride. The horror and frightening visual splendor is on full display to soak in for anyone enticed by Donny Cates and Ryan Stegman's epic take on Venom.

Visually stunning, this finale is entertaining mostly because it sets up so many stories going forward. As a standalone finale, however, I was left wanting, especially since it seems Venom simply had to use willpower to finish this fight. It's a convenient end that wraps things up too easily.

If you like your monsters mixed with psychological horror and terrifying fantasy, this book will expertly creep you out.

Carnage's fluidity meets flame in this fun one-shot that'll have Ghost Rider fans itching for the upcoming reboot in October. Check this out for the great action and design, but stay for the hints at what is to come from the Spirit of Vengeance. 

This is a good done in one tale that tells a heartfelt and very real story. It's about an average Joe's life and how a little bad luck can send everything crashing down.

A strong sense of style this is a comic book series that is clearly being made by those who love making comics. This book refuses to be just a tie-in, but so much more thanks to the comedy and horror.

Great characterization, action, and visuals make this a great read. The cliffhanger makes this a must-read for anyone even partially interested in Absolute Carnage. 

A good second issue that plays around with the identity crisis of being taken over by a Symbiote. This book has heart and speedy action keeping you on your toes. I'm not certain this is a must read to follow the event, but it's definitely entertaining. 

Absolute Evil #1 succeeds as connective tissue, pulling together the many strands of the Absolute Universe and framing its villains in a chilling new light. While it leans heavily on exposition and suffers from visually static sequences, the issue's strong dialogue, Joker's standout moment, and its role in establishing what makes it a worthwhile, if not earth-shattering, chapter.

Absolute Green Arrow #1 is a near-flawless debut that redefines what a Green Arrow story can be. Pornsak Pichetshote and Rafael Albuquerque deliver a bold, fully realized vision that blends horror, action, and social commentary into something immediate and unforgettable. Every creative choice feels deliberate, from the grounded character work to the striking visual language. This is the kind of first issue that demands attention and sets a new standard for the Absolute line.

Absolute Green Arrow #2 avoids the sophomore slump with ease, building on the mystery while giving Dinah Lance plenty of room to shine as a detective. Pornsak Pichetshote keeps the investigation engaging, while Rafael Albuquerque and Marcelo Maiolo elevate every page with inventive layouts and moody atmosphere. The answers remain elusive, but the questions are getting even better. A killer follow-up.

Absolute Green Arrow #3 continues to prove this is one of the strongest books in DC's Absolute line. Pornsak Pichetshote carefully layers intrigue, character development, and social commentary without slowing the momentum, while Rafael Albuquerque delivers dynamic, expressive artwork that makes every page pop. Between Roy Harper's debut, another fascinating twist on DC mythology, and a haunting final reveal, this issue leaves readers eager for whatever comes next.

Absolute Green Arrow #4 unleashes the grotesque potential of Solomon Grundy and gives Dinah an intense fight for survival. Rafael Albuquerque’s disturbing creature work makes the issue appropriately horrific, while the latest revelations deepen Hammond’s experiments and the ugliness lurking within this corner of the Absolute Universe. Some heavy exposition slows an otherwise tense chapter, but the shocking imagery and brutal final act leave a strong impression. It's a horror-heavy explanatory chapter, opening things up for more.

Absolute Green Lantern #7 catapults the series into full-blown cosmic warfare, balancing high-stakes battles with major reveals that push the Absolute Universe forward. Though its jargon-heavy dialogue occasionally gets in the way, the striking visuals, brutal Blackstar menace, and shocking twists make this a standout chapter.

Absolute Martian Manhunter #9 pushes the series into its bleakest territory yet, pairing Rodriguez’s hallucinatory art with Deniz Camp’s unflinching psychological writing. The autopsy sequences are as emotionally bruising as they are visually inventive, while Despair-the-Zero becomes a chilling embodiment of intrusive thought and self-sabotage. Some narrative elements remain deliberately opaque, especially around John’s family, but the emotional throughline lands with force. By the final page, both John and the Martian feel stripped to their cores, and that lingering sense of loss is exactly what makes this issue so powerful.

There's so much to love about Absolute Power. From the stellar art, complexities of Waller's use of fake news, the loss of superhero powers, and almost no way the heroes can win, you'll be dying to read the next issue. Absolute Power will resonate with readers for now and maybe always. Absolute Power is the very definition of a superhero epic.

So far, Absolute Power has hit all the right notes for a good Big Two event. The heroes are powerless, scattered to the wind, while the villain has just the motivation to see things through. More importantly, after reading Absolute Power #2, it's evident that the characters will be changed, with new directions sprouting from the event like any good story should.

Absolute Power #3 is a good issue, although it suffers from having so much going on with little setup for each scene. The impact of that final page also feels a little less impactful than it should, but there's no denying that this issue is an example of creators doing their best to cram in a lot of characters and content.

Absolute Power #4 is a good finale that wraps up key elements and establishes new directions for heroes and villains. It all comes together and makes sense, not feeling ham-fisted or made up on the spot. It does, however, struggle to deliver these revelations clearly or, in some cases, in interesting visual ways. A lot of exposition makes one wonder if this series could have been five issues to let scenes breath and get more visually interesting moments, but as the final issue before DC's "All In" initiative, it does a lot.

If you're a diehard Shazam fan, Absolute Power: Task Force VII #1 is going to be a no-brainer purchase. For casual fans just looking for the full Absolute Power experience, however, skip this issue as it has little that can't be summed up quickly.

I had a lot of fun reading Absolute Power: Task Force VII #3. Its secret weapon is an Amazo that accidentally gains a power nobody saw coming: the power of choice.

Absolute Power: Task Force VII #4 works because of its strong cast and the utter horror of Failsafe as a threat. As tie-ins go, this issue matters, but it also delivers a good team book and reminds us that Failsafe is a frightening villain.

Absolute Power Task Force VII #5 is another good issue in a tie-in series of one-shots that lifts up the event's hook well. Not only does this issue tie into Barry's persona well, but it maximizes the idea of a robot with Flash powers.

Absolute Power: Task Force VII #7 will make you want many more international superhero comics. Not only are there a ton you probably don't know about, but they're super cool-looking and have plenty of their own dramas to deal with.

Absolute Superman #1 is another home run for DC Comics' Absolute line. This first issue opens up Krypton in a brand new way and sets up Superman as the ultimate immigrant underdog. Jason Aaron and Rafa Sandoval's Absolute Superman #1 offers a bold and gritty reimagining of the iconic hero, blending a raw sense of isolation with a modern exploration of Superman's immigrant heritage, all while honoring his legacy.

Absolute Superman #2 deepens the lore and intrigue with its unique take on Superman's Kryptonian past and its inventive approach to Lois Lane, blending action-packed sequences with slow-burn plotting. While the villain remains shrouded in mystery, the issue sets the stage for a compelling arc with vivid visuals and a fresh spin on the iconic character.

Absolute Superman #3 succeeds in offering a fresh perspective on Superman's origin, with Jason Aaron crafting a deeply relevant narrative steeped in rebellion and class awareness. Supported by Rafa Sandoval's breathtaking art, the issue delivers both heart and spectacle.

With Absolute Superman #4, Jason Aaron and Rafa Sandoval continue to elevate the series by deepening the character of Lois Lane and reinforcing Superman's legacy as a hero for the powerless. Though the B-plot struggles to fully land, the issue excels in its thought-provoking themes and striking visual storytelling. This is a must-read for fans seeking a more layered and morally complex Superman story.

Absolute Superman #6 takes a bold approach to the Man of Steel's origins, emphasizing trauma, isolation, and the harsh realities of the Absolute Universe. While the Kents' role feels underdeveloped, the issue makes up for it with strong emotional storytelling, exciting art, and a compelling final twist. It's a must-read for fans of darker superhero narratives and those eager to see Superman pushed to his emotional limits.

Absolute Superman #7 transforms Brainiac into a true sci-fi horror villain with unsettling visuals and a chilling backstory, offering one of the most daring reinterpretations of the character in years. Jason Aaron and Carmine Di Giandomenico elevate a classic foe into something monstrous yet tragically complex, making this bottle episode a standout chapter in the Absolute Universe saga.

Issue #8 gives Absolute Superman another standout villain showcase and pushes the larger political and moral stakes forward, but the narrative still feels caught in a holding pattern when it comes to Superman himself. Gorgeous art and layered world-building keep it engaging, but it's time for the Man of Tomorrow to stop hesitating and start acting.

Absolute Superman #9 delivers gripping action and character-driven moments, especially for supporting players like Lois and Jimmy, while continuing to build a darker, more grounded mythos for the Man of Steel. Yet despite the emotional beats and high stakes, Superman himself remains oddly undefined. He's more symbol than person. Still, the issue offers plenty of reasons to stay invested as the final act nears.

Absolute Superman #10 delivers a compelling, action-packed turning point in the series with sharp moral questions, dynamic visuals, and long-awaited introspection from the Man of Steel himself. Despite a few artistic missteps, it's one of the most thematically resonant chapters yet.

Absolute Superman #11 is a dark but inspiring installment, pitting Superman's unshakable moral compass against Brainiac's cruelest torments. While not flawless, the issue delivers a potent mix of horror, spy-thriller action, and classic Superman resilience that keeps the Absolute line feeling epic.

Absolute Superman #12 resets the stage with emotional resonance and flashbacks, peeling back Kal-El's layers while setting up bigger confrontations to come. It's a thoughtful issue that mixes myth, humanity, and atmosphere, though a few choices keep it from being a knockout.

Absolute Superman #13 brings the series to a fever pitch, balancing bombastic action with long-awaited character clarity. Aaron and Sandoval craft a battle that feels both epic and intimate, finally giving Superman and his supporting cast something deeper to fight for, beyond survival and toward meaning.

Absolute Superman #18 is a confident start to a new arc that leans hard into mythology, reinvention, and long-game storytelling. The issue thrives on its bold reimagining of familiar DC elements and a dense narrative that rewards attention, even if it occasionally pushes Superman into the background. With strong visuals and intriguing new pieces on the board, this chapter sets the stage for something much bigger to come.

Absolute Wonder Woman 2026 Annual #1 succeeds because it understands the character at her core. Thompson presents a Diana driven by compassion and conviction, while De Iulis elevates the story through powerful visual storytelling and grand mythological imagery. Even when the setting occasionally feels sparse, the emotional weight and artistic ambition keep the issue engaging from start to finish. It stands as a strong character-focused entry that expands the Absolute Universe while reminding readers why Wonder Woman remains one of DC’s most enduring heroes.

Absolute Wonder Woman #5 continues the series' trend of delivering an inventive and visually breathtaking take on the Amazonian warrior. With Kelly Thompson's strong character work and Sherman's dynamic art, this issue balances action, mythological intrigue, and emotional depth in a way that feels fresh yet true to Diana's essence. The new lasso twist and the climactic battle add layers to the story while reinforcing Wonder Woman's identity in the Absolute Universe. This is a must-read for fans who love ambitious reimaginings of their favorite heroes.

Absolute Wonder Woman #11 balances emotional depth with mythic action, showing Diana as both a problem-solver and protector of her people while pushing the larger Amazon story forward with nuance and heart.

Absolute Wonder Woman #13 is a stunning blend of myth, muscle, and emotional truth. A story that redefines Diana's place in the Absolute Universe while delivering some of the most visually spectacular pages of the line so far. Kelly Thompson and Matas Bergara make a powerhouse team, proving once again that Wonder Woman's stories aren't just about fighting gods, they're about understanding what makes one divine.

Absolute Wonder Woman #17 delivers a powerhouse fight issue that never loses clarity or momentum. The creative team leans fully into spectacle, but the craft behind it elevates the experience. Sherman’s layouts crackle with energy, Carey’s lettering adds personality and scale, and Bellaire’s colors inject warmth into the carnage. While Zatanna’s larger agenda still lingers in the background, the issue succeeds as a tense, visually inventive showdown that proves Wonder Woman can still dominate even when stripped of her greatest advantage.

While it feels way too much like a Hulk story, it still manages to work due to some interesting internal monologuing by Superman and a very real threat looming for Earth.

An attempt is made to deliver an interesting story but it falls flat due to a lack of solid action and a poor wrap up. Wrath's backstory is interesting though and the art carries the emotional resonance well.

I was left wanting more. Greg Pak certainly closes off his run with a long tendril of connective tissue, but the actual climax is disappointing. Save for an interesting connection between Superman and Savage's kid this is a decompressed sort of read with plenty of filler as the heroes rush around doing things to fill the page count.

"The Final Days of Superman" continues to progress the growing threats to Superman well as he plans for his eventual death. The art is detailed and pretty and this third chapter, aside from a few hiccups, makes me excited to read it all over again once all eight chapters are released.

The cliffhanger may not have me at the edge of my seat, but dang it, this is good storytelling. Superman continues to pull at our heart strings as he slowly dies and the story has gotten a hell of a lot more interesting with multiple Supermen converging.

This is just solid superhero comics from the melodrama of the multiple Supermen to the bombastic actions. This brings me back to the 90s and I love it!

Dan Jurgens effectively makes you want to know what the hell is going on with Clark as soon as possible due to well written dialogue and a date night that goes all wrong. I can't say this issue worked well all the way through, but dammit I'm curious who this imposter* is as the character is subtly revealed!

This is about as good as an anniversary issue can get while still progressing the storyline. There are fun homages, meta-nods, and cool reveals that should satiate even the more rabid of Superman fans. The art throughout this volume is top notch well worth the price of admission.

A good issue when it stands alone, but if you read Superman #19 you're going to be getting much of the same story.

A fine issue that spends way too much time recapping Superman's origin.

Another good issue, but the recapping can be a tad boring given we know it already. It's done well though!

It's hard to deny how cool it is to see the villains banding together and plotting in this issue.

A good issue as it develops the inner fears of the main players. Plus it all ties into Suicide Squad #18 well.

A good fight comic that complicates Cyborg Superman's plan, changes Superman (maybe forever?) and ties well into the emotional side of Superman's friends.

Action Comics #982 is a perfect issue that's filled with great character work, tons of action, and a fast pace that keeps up to the very end.

A good fight issue with sharp art!

Great fight comics with a surprise twist by the end that changes everything for Zod.

A fun two parter story starts here teaming Lex and Superman up in a high emotions drama.

Action packed and great looking art makes this a fun fight comic with a surprise guest appearance at the end.

Superman's values are put to the test!

A solid start though it has its hiccups.

This latest story arc is very intriguing though it does oddly force Superman to come off as arrogant and selfish.

A good issue, though the time travelling zaniness is wearing thin.

Come for the action and cliffhanger, but the rest is moving so slowly you could easily skip this.

Save for some fun action this is a lackluster issue.

An excellent climactic issue to an arc that probably didn't need to be so long.

A good issue before we reach the historic #1,000, which is harder to do than you think: it has to mean something, yet not do too much.

A great way to celebrate the man of steel with this 90+ page giant.

A strong issue that is not only romantic but genuine. Bendis and Sook deliver one of the most romantic, and genuinely mature relationship issues ofAction Comics, and superhero comics in general ever.

Overall, this issue feels heavy-handed. It has a mission and gets it done, but in a way that seems to reduce the Legion of Doom in order to prop up Leviathan in an unearned way. Instead of building up the character by showing, we're meant to believe he's more powerful than most of these villains. This further reduces Perpetua's plan since she chose Lex when this issue seems to suggest Leviathan was the superior villain.

Action Comics #1030 introduces readers to a new story arc that balances everything that makes Superman great under the ever-present danger of outside enemies. With its plotting always moving forward and Superman's optimism stoked to the max, Action Comics brings the ideal Superman story to life.

Action Comics continues to be high-quality comics, and it shows from the art to the intriguing story and character work. This is a triple-A title right now, which hasn't always been the case, so it's a great time to be a Superman fan.

Action Comics #1034 is all about building tension with some close calls thrown in to boot. It's limited on those climactic beats, but it's doing the work to make the next issue a must-read.

Action Comics #1035 is a fitting end to "Warworld Rising", wrapping up Superman's final hours on Earth. Superman interacts with a number of characters as if he's saying goodbye for good, each of which feels true to the characters and genuine. Add in a fun backup with a wacky villain and you have yourself a great comic filled with action and adventure.

All in all, Action Comics #1036 begins a story that feels huge in its scope as it introduces readers to a new world and a bevy of evil characters. It also has its heart in the right place as Superman can't stand the awfulness of Warworld while setting up an adventure we've never seen Superman face since he was created 83 years ago. It's a masterclass in worldbuilding.

Once again, Action Comics #1037 lives up to its name with tons of action, sci-fi supervillains, and Superman intrigue. There are also political elements at work here, showing how this isn't a simple fistfight, but a war that spans planets. Add in a good start to a Martian Manhunter backup and you have an issue that'll keep you entertained and thirsty for more.

Action Comics hasn't felt this different in some time. Issue #1038 delivers an adventure story with high stakes that are testing Superman beyond anything we've seen before. This may be a slower and sadder chapter, but it's incredibly important as it's always darkest before the dawn.

Action Comics #1040 continues to show Superman's greatest power may be the ability to inspire hope. His "goodness" is on full display here, while he also holds his own depowered and fighting giant alien monsters. It's a wild concept that is super fun to see executed so well visually with a lot of potential for where it goes from here.

Action Comics #1063 is as epic of a conclusion as it comes. Superman is pushed to the brink in a new way while saving everyone on the planet. What more could you want?

As far as classic superhero comics go, Action Comics delivers. There's big action, huge stakes, and a setup for an event that has not onebut a few compelling conflicts to resolve.

Action Comics #1065 further proves that "House of Brainiac" is a great superhero adventure worth checking out. Combining the space opera with action works wonders to keep readers entertained with a story they've never seen before.

Mostly a fight comic, Action Comics #1066 sets up a last battle between Lex Luthor and Brainiac you won't want to miss. The opening of this issue cements the utter devastation of Queen Brainiac if left to roam free, which thoroughly heightens the stakes for the finale.

The main story calls back to an earlier time for Superman and Lois, while the backup pushes the relationship of an editor and its writer to new lengths in the roles of Clark and Lois. Combined, Action Comics #1067 has the stakes and the heart that make Superman comics great.

Action Comics #1068 is the epitome of good Superman comics. The main story features Superman against impossible odds yet still finds ways to win, while the backup shows his humanity. Superman's awesomeness is on full display, as is his humanity. It's a delight.

Action Comics #1069 wraps up two good stories, making you wish the creative teams would stay on. The main story offers big bombastic action while the backup takes an intimate look at Lois and Clark. Does it get any better than this?

This is a solid finish to a trippy story for Midnighter. With extra pages to spare for the annual, Conrad, Cloonan, and Oeming have delivered a non-stop action sequence with heartfelt moments and satisfying conclusions. Midnighter 2021 Annual will make you want more from this creative team.

A good extra-sized issue of shorter tales.

An all around great one-shot that's funny, action packed, and even comes with a strong message of protecting children. Schwartz, Brown, and Aaron Kuder's excellent cover solidify this as an excellent comic story from cover to cover.

Acts of Evil continues to wow me each and every week. The creative team have put together a comic that will satisfy any action-frenzy itch while mixing in great character development and a strong message. Don't miss it.

A great start to "Acts of Evil," and an even better Ms. Marvel story. The creative team does a fantastic job with the character and imparts a strong message too. If you like Ms. Marvel even a little bit, don't skip this.

Judging by the first two "Acts of Evil" annual issues Marvel has clearly got a great idea on their hands. This issue is a great example of how mixing seemingly impossible characters and throwing them into the deep end of possibilities can be highly entertaining.

This is a nice annual that contains everything you'd expect from the series. There aren't a ton of laughs however and the read feels more like it's for kids than usual.

Adventure Time #1 is a strong return that balances nostalgia with fresh, silly fun. Nick Winn clearly gets these characters and this world, delivering a comic that feels like it stepped right off the screen. Whether you're a longtime fan or a newcomer looking for a goofy, heart-filled adventure, this issue delivers the goodswith extra jelly monsters and a perfect Tree Trunks coda to boot.

Very good indeed with plenty of humor for you folk that love to guffaw.

Having not watched the show I found this book to be a fun read. Plenty of action, good introductions to Supergirl and the villain and a well rounded story from beginning to end.

Hacker-centric storytelling is hard to pull off, but Gates does a good job keeping things interesting in this issue. Supergirl herself is lacking though, as she must fight for page time between two supporting characters, which makes this read like a good non-Supergirl story more than anything else. It's safe to say this series is in good hands every month with tight character driven storytelling.

A good superhero comic that's got some surprises in store for you. It may not progress the character or subplots, but it's a good time!

This is the only Supergirl comic I'm reading and it's the only damn one I need. It's that good.

The first half of this issue comes up aces, setting the stage for a looming threat while delivering tense storytelling via flashback. The second half drags on, but has one heck of a cliffhanger that'll make me come back for more.

A satisfying conclusion for fans of this series. The pace is a bit wonky, and the art doesn't hold up quite enough though, which makes this a tough sell for anyone not invested in the story.

Adventures of Superman: Book of El #1 is a powerful, cinematic opener that blends mythic scale with heartfelt humanity, showing Phillip Kennedy Johnson and Scott Godlewski have big plans for the Man of Steel. While the cliffhanger comes a touch too soon, the epic tone and family-first heart make it clear this story has the makings of a major Superman saga.

Adventures of Superman: The Book of El #2 continues to build its mythic tone with impressive worldbuilding, strong art, and a clear vision of Superman's goodness against a corrupted future. While the narrative doesn't move forward much, its reveals, atmosphere, and character moments make it a compelling middle chapter.

Adventures of Superman: The Book of El #3 is a gorgeously rendered, thematically rich continuation of Johnson's exploration of hope across time. While some pacing hiccups and familiar villain beats keep it from greatness, its visuals, captions bringing a mythic tone, and emotional core ensure it remains one of the more ambitious Superman stories in recent memory. Like its hero, it occasionally stumbles beneath its own gravitas, but always stands back up, eyes forward, heart blazing.

You'll enjoy Adventures of Superman: Jon Kent #3 thanks to the interesting character work and the impossible odds Jon Kent is facing. Often in superhero comics, it's fairly easy to guess how things will play out, but with the stakes so high and Jon seemingly all alone, this Injustice crossover couldn't be more exciting.

A fun comic to be sure with a major spark from the villain side in the last few pages.

Another good issue that adds some interesting layers to the villains.

A good issue -- possibly the strongest yet -- in a series that's tons of all-ages fun.

A good start to the introduction of Aero in her own series. I suspect many will enjoy this book for its manga feel, but also how accessible it is to any audience.

Francavilla kills it on the art as always. He uses a lot of oranges and purples, which is great considering the Halloween theme, and manages to make the smallest of panels pop. What can you say about Francavilla without repeating the many positive posits that have already been said? The guy is a genius when it comes to pacing and mood as if you're on a fluffy cloud or floating in a dream. The story flows nicely, due to pacing and layouts, and it's due to his uncanny ability to draw the readers eye as naturally as possible.

A good character drama that reminds us of the cunning and cruelty of high schoolers.

What this issue boils down to is a very predictable turn of events mixed with some cool elseworlds stuff. Unfortunately most of this issue consists of heroes fighting heroes before they predictably will join forces. Maybe it's just me, but I've seen this story play out way too many times.

What we have here is a new timeline with the same old problems only in this one Wolverine can take the blame for thoroughly creating new mental problems for the heroes. There's really no telling where this event is going at this point, because so much has changed since issue #1 I don't even know how Ultron is involved in the slightest. That said, it's a fun elseworlds type of tale and it's interesting to see the subtle changes and not so subtle changes throughout.

I'm not sure I've ever felt this surprised issue by issue from an event series. That's a good thing in some sense as I have literally no idea how this will end. That said, I still don't know when or why this story is taking place which makes it incredibly hard to care. I know it's setting up another event, but it's doing a poor job keeping the reader in the loop. It doesn't particularly help when an issue like #9 comes when you're getting a bunch of exposition and not a lot else. It's also no the most surprising turn of events and once Wolverine decides to go back in time you'll be able to predict what happens by issues end. That said, I have no idea how this series plans on ending.

Andre Araujo art is good and there are some flashes of greatness too. There are moments where his pencils look a bit cartoony, but others where I could swear Gary Frank drew them. Judging by how strong this issue is we should all keep an eye on this artist as he's going to be one of the greats in years to come.

Overall this series was a failure because it went on way too long and didn't say nearly enough. As far as conclusions go though, there's hope at the end of this laborious tunnel, which is saying a lot when the journey felt so hopeless.

This is a great first issue as it introduces the two sides and its protagonist well. One might imagine where the story is going based on who the protagonist is, but there are so many balls in the air it's going to be refreshing to see how this book surprises you in the issues to come.

This book has something to say, and it'll make you think due to the mood, the characters, and the surreal quality of how the story is told. 

A good tie-in that establishes the "opposition" side of the Age of X-Man. There's more to it than we might think and it'll be fun to see how the answers to the mysteries outlined here will be revealed.

Speaking as a guy who doesn't usually read X-Men books, I can't get enough of Age of X-Man. This issue continues that unnerving mystery while delivering new details about the world that should draw even casual readers in. This comic is a reminder big shakeups in comics can be a very good thing.

A good issue that splits off a few of the characters down different roads. The unnerving nature of Age of X-Man is on full display and it's well told here.

If all the "Age of X-Man" comics can be like this I'll buy them all and scream from the rooftops this is some great event style comic book storytelling. This issue does everything right from establishing interesting clues to effectively putting you in the shoes of Bishop. Highly entertaining narrative stepping inside Bishop's head and trying to solve the mystery.

Get a snapshot of the life of stardom that many would kill for, but Seanan McGuire seems to be asking the question, "Would you really?" When love is outlawed, what really matters anyway? This issue tackles that and how a utopia may not be so great when you're not truly free.

I liked this issue better than the last thanks to Nightcrawler's predicament forcing him into a tight spot emotionally. How will Nightcrawler do the right thing in a world that has outlawed the natural feeling of love? That's exciting and it's fun to see how the creative team squeezes Nightcrawler.

This is a good issue that opens and closes excellently. Most of the issue is focused on a somewhat minor threat, but underneath it, all is an unease that gives the story mystery that'll drive your interest and make you wonder what comes next.

The world is becoming richer with each passing page, new revelations occur, and the characters all understandably act as you might expect. Age of X-Man is a mind trip I can't put down.

This first issue shows how this series is a perfect melding of superheroes and adventure storytelling. The first story is all about the supes while the backup delivers on the classic Agents of Atlas adventure-style story. Pick this one up to get a different flavor for your pull list.

If you like character drama you're going to love this. By the time you reach the conclusion, you'll be all-in on the plot too, which features a corporate scheme that abuses some to fill others' pockets. Sound familiar? Pick this one up to get a different flavor in your pull list.

What an exceptional comic this is, particularly because it's so well balanced. The art tells so much in the simplest expression, the concept behind this book is compelling and the characters are extremely strong. If you're interested in psychological drama there won't be a better book on the shelf for you than this.

So far this is an incredibly strong series that's well thought out and interesting. If you love characters, particularly stories that get inside their heads, this comic book is for you.

Collected this issue will seem perfect, but as single issues go it doesn't blow you away. Of course, that's a high expectation and it's still incredibly enjoyable to read.

Alias: Red Band #1 brings Jessica Jones back with a story that understands what makes her compelling. The friction between Jessica and Luke Cage gives the issue emotional weight, especially as his position as mayor clashes with her instincts as a detective who refuses to look the other way. The dark and disturbing comes through in the visuals and the always-entertaining Typhoid Mary, while Borges and Hesli elevate the material with striking compositions. The Red Band branding may feel overstated given what is on the page, but the issue itself succeeds by focusing on character drama, uneasy alliances, and a dangerous new alliance with Typhoid Mary.

Alias: Red Band #2 builds on a strong start and sharpens its focus on character and tension. Sam Humphries leans into the uneasy partnership between Jessica Jones and Typhoid Mary, and it pays off in every scene they share. Their back-and-forth drives the issue, balancing humor, danger, and unpredictability in a way that feels true to both characters. The detective angle adds another layer, keeping the mystery compelling without losing sight of the emotional stakes. The Red Band label still feels like window dressing, but the story itself is confident, tense, and worth your time. A volatile pairing, sharp writing, and rising tension make Alias: Red Band a gripping detective story that hits harder with every page.

Alias: Red Band #3 continues to impress with sharp character work, strong pacing, and a mystery that keeps tightening its grip. Sam Humphries uses every scene with purpose, blending action, emotion, and detective work into a cohesive whole. With Geraldo Borges elevating the tension through smart paneling and expressive storytelling, this issue proves the series has real staying power.

Alias: Red Band #4 remains an enjoyable chapter thanks to its strong character work and excellent artwork, but it lacks the urgency and mystery that elevated the previous issue. Humphries spends more time exploring Jessica's emotional state and relationships, which yields some effective moments, particularly with Luke Cage. The tradeoff is a story that feels less focused on unraveling its central mystery. Borges keeps every page engaging, whether he's depicting demonic violence, subtle character acting, or superhero action. While this chapter feels more like a bridge than a breakthrough, it still leaves enough intrigue to keep readers invested in the road ahead.

Alias: Red Band #5 sticks the landing with confidence, wrapping up its mystery while giving Jessica Jones and Typhoid Mary one last chance to shine together. Sam Humphries balances humor, horror, and detective storytelling with remarkable ease, while Geraldo Borges elevates every conversation through expressive layouts and cinematic pacing. The Red Band label finally feels justified thanks to the gruesome finale, though the strength of this series has always been its characters rather than its gore. Hopefully this won't be the last time Jessica and Typhoid Mary share the page.

An exciting one-shot, Alien Annual 2022 #1 serves as a reminder of all the things that make this franchise so good while delivering it in a package that feels new. Gory and horrific on different levels, this comic revels in Alien's cold and isolating horror.

Fans should be prepared for a slower narrative with talking heads in Alien #1. It is doing the work to establish its main character and the stakes in play for them though and for that, it'll pay dividends in the long run. Hardcore Alien fans will need this, not just because it extends the mythos and builds on what we know, but because it firmly understands what made Alien so good.

Where Alien #2 faulters, it makes up for with unceremonious dread, fear, and plot progression. It's incredibly clear Alien is in the right hands with Johnson at the helm, as the identity of this series lives and breathes in a place of unfaltering nightmares.

Alien #1 has such a strong premise and well-rendered sci-fi elements it's going to be enjoyed by many, but don't expect Alien action just yet. Unfortunately, this issue is a bit slow, and is in no rush to get the mission going. It essentially establishes everything it needs to get the story going, but for a first issue, it could be so much stronger if the mission got underway earlier. If you have the patience for it, check out Alien with the expectation that things will get nuts once the next issue is released.

Alien #1 sets up a tricky situation for the heroes as they're cornered and knocked off their guard with Xenomorphs looming around the corner. It's obvious the story is in good hands with strong character writing and great art, but expect a slow boil buildup in this first chapter.

Alien vs. Captain America #1 delivers a sharp, well-executed crossover that feels both inevitable and surprisingly original. By rooting the Xenomorph menace in the chaos of World War II, Frank Tieri and Stefano Raffaele craft a story that fuses pulp adventure, military realism, and sci-fi horror with satisfying precision. It's a cinematic start that honors both franchises' strengths and sets up what promises to be a brutal, beautifully rendered clash of worlds.

Alien vs. Captain America #2 leans hard into what makes the Alien franchise terrifying: inevitability, helplessness, and overwhelming violence. Frank Tieri smartly frames the xenomorphs not just as monsters, but as an existential threat Cap is wildly unprepared for, while Raffaele and Menon create a grim, suffocating battlefield drenched in blood and shadow. The issue's nonstop brutality is balanced by a clever cosmic wrinkle that widens the story's possibilities and injects a rare spark of hope. It's savage, smartly structured, and far more effective than this matchup has any right to be.

Alien: Black, White & Blood #1 is off to a good start. This isn't just a collection of Aliens ripping humans apart. However, it does have that, but compelling sci-fi stories about humanity, the humanity inside machines, and the audacity of the rich. Like any good sci-fi, it sports a message while also drenching its pages in blood.

The approach is meditative and haunting because we know what is going to happen, and yet visually sharp and unique in its approach to the point where it should be held up and shown as something to be emulated with other films. Visually stunning and a worthy read for Alien fanatics and casual sci-fi fans alike.

I couldn't put Alien: The Original Screenplay #2 down, and I've seen Alien a hundred times. It's fascinating to see an alternate take on the source material (albeit the material isn't quite what the final film used), but it's also exciting to see how well-drawn it looks and how expertly it's paced. Screw adaptation, this book is impeccably strong on its own merits.

This is a great second issue that shockingly jumps ahead a bit and forces the reader to catch up. That makes it exciting as it never overly explains or feels slow. It's one of the best psychological explorations I've read in comics for quite a while.

The plot thickens in this issue in more ways than one. The characters are going down a dangerous road while tempting fate with the abilities of a god. There are many moving parts worth exploring and every single one is edge-of-your-seat storytelling.

This is an issue I wasn't quite prepared to take on, but I'm glad for it. The message is strong by its end, but it's a heavy subject that may affect others differently if they're not in the right mindset. Once again though, Alienated proves it has its thumb on the pulse of being a teenager who is lost, forgotten, and going through deep emotional journeys they think they're alone in. As the alien Chip proves, these three characters may be lucky they're not alone.

Spurrier and Wildgoose have crafted with despair, anger, and fully realized people a fantasy that works superbly on so many levels. Alienated floats in an air of supernatural disquiet and tension, at a point of reflection, mirrored in everything and everyone.

Aliens: What If? is a compelling first stab at applying the What If...? model to characters outside the superhero world. Ultimately, I think it works, even though the comedy doesn't always land, and it's tough to see Bruke as a good guy considering his actions in Aliens.There are plenty of twists, andgetting more Alien stories is neat.

Aliens vs. Avengers #1 is awesome. It captures everything frightening from the Alien franchise while establishing a unique story using older Avengers and a cliffhanger that's most dire. Aliens vs. Avengers is a tense, unforgettably framed epic.

Aliens vs. Avengers #2 escalates the stakes with an intricate, multiversal plot that transforms the series from a simple alien battle to a grand, existential conflict. Jonathan Hickman's deep exploration of Alien lore and the sinister threat posed by the David 8 synthetics create a tense and engaging narrative. Esad Ribic's artwork shines, capturing the chaos with stunning visuals, from Hulk's brutal battles to sweeping space scenes.

Aliens vs. Avengers #3 sets the stage for an explosive finale, leaning into Hickman's signature high-concept storytelling while delivering stunning visuals. While the issue prioritizes spectacle over character depth, Mr. Sinister's presence adds a unique X-Men flavor, and the moody art enhances the tension. It may feel like a stepping stone to the final battle, but it's an entertaining and visually striking one.

Aliens vs. Avengers #4 delivers jaw-dropping visuals and high-concept sci-fi horror with a suitably epic final confrontation, but its storytelling stumbles. The too-easy resolution keeps it from being a classic. It's a messy, ambitious ride that sticks the landing mostly.

Aliens: Aftermath has all the fixings one could desire in an Alien story: the unfeeling corporate overlords, the dread and unease of what could be in the shadows, and plenty of Alien mayhem too. This is all elevated with some interesting character work and an angle on the story we haven't seen in an Alien story before. It's creepy, it's thrilling, and it's definitely not game over for the franchise at Marvel Comics.

Overall, I liked Aliens: What If? #1, as it shows the potential to tell more stories with side characters you'd never conceive of getting the focus. This issue also establishes some interesting avenues for the story, which could easily fill out its five-issue run. With Paul Reiser at the helm, Aliens: What If...? will please fans of the franchise and sci-fi fanatics alike.

Aliens: What If? continues to be a surprising twist Aliens fans will love. Burke is a complex character who is clearly misunderstood, with years of guilt and anger built up to stick it to his corporate overlords. For that reason, he's a hero we can get behind.

Save for lacking context as far as Vampirella's place among humans — this is a good read. Come for the compelling science fiction vampires on Mars backstory and the Aliens violence!

Caspar and Paknadel draw you into this curious sci-fi world and shake you with a flesh-frazzled visceral grip. Introducing an alien race that feels incredibly original and fresh, there's a lot here to enjoy besides the enjoyable action. There's a carnal violence in All Against All not to be missed.

All Eight Eyes #1 is a good start to a short miniseries that takes spiders and elevates them to the main villain of a horror adventure story. It feels unique and new while offering an adventure right underneath our noses.

'All-America Comix' is the kind of experiment you want to see more of, especially if you're tired of superhero comics. It's filled with wit, creativity, and a sense of excitement. Casey and Nguyen make a strong statement that superheroes can feel different, but still bring you the joy and impact of the best #1 issues in comic book history. Add 'All-America Comix' to that pile.

It's not a laugh out loud experience all the way through, but it's a highly enjoyable smirk worthy read none the less. It's plain fun all the way through and you can't say that for most comics these days!

This is a pretty good issue that's a teensy bit setup and a hell of a lot of recap. The concept of Doop roaming through moments we've read before is interesting in idea, but when executed it's a bit of a snore.

It is, albeit it could use more pages and more time on the bad guys. That said, this number one issue delivers a solid origin story, solid art and a solid start for a brand new, four-wheeled riding superhero.

By and large a strong issue. There's some heavy handed exposition portions, but the opening and closing are high octane action that shouldn't be missed.

The action sequence and surprising way to open this issue saves it from being a bridge issue and nothing more. That said, the exposition is heavy and slogs things down considerably.

A fun, done in one issue that movie and comic readers will enjoy.

A strong first issue mostly because it captures the fun and adventure the film series does so well. The art is top notch, the new direction interesting, and you'll be along for the ride.

A thrill ride--funny and fun. Read this one!

Captures a certain side of the cosmic universe in a very visually stimulating way.

A ton of fun, though a slow plot does make it feel lighter in some way.

The spirit of Star-Lord is very chill and infectious.

A fun, one-off sort of issue that Star-Lord fans shouldn't miss.

An okay excursion with a few reveals, but it mostly reads like filler.

This issue doesn't bring anything new to the Invaders we haven't seen before. I'd still give it an issue or two to flesh out the concept because we don't know enough, but this issue feels done before.

All-New Venom #1 hooks readers with its clever mystery and strong supporting cast while reestablishing the Venom legacy in a fresh and grounded way. However, the minimal focus on Venom himself and lingering questions from past events hold the issue back. Still, All-New Venom keeps you guessing with its electrifying mystery, jaw-dropping action, and a surprising new twist on the Venom mythos that will leave fans dying to know what happens next.

All-New Venom#2 is as action-heavy as it comes, making it a wild and fun ride. From the vibrant art to the intriguing mystery and strong character interactions, this issue builds on the promise of the series while keeping the tone fresh and entertaining. This is a worthy read for fans of Venom who want to try something different and newcomers alike.

All-New Venom #3 combines character-driven moments and wild new symbiote abilities to great effect, though a limited setting and slower pace hold it back from fully hitting its stride. At the end of the day this issue offers jaw-dropping symbiote action and character twists that will have fans buzzing about the identity of Venom all month long.

All-New Venom #4 continues to be a fun and visually striking ride, with strong symbiote lore and dynamic action, but its chaotic final battle and lingering mystery could leave some readers feeling more puzzled than satisfied.

All-New Venom #5 delivers an exhilarating mix of mystery and action, with tight scripting, dynamic art, and a thrilling showdown that keeps the stakes high. A surprising but potentially polarizing identity reveal ensures fans will be talking about this issue for weeks to come.

All-New Venom #6 succeeds as a reflective and unsettling turning point, anchoring Mary Jane's transformation into Venom with gruesome imagery and emotionally loaded conversations. While light on action, it rewards readers invested in the series' twists, delivering a body horror-laced evolution that puts MJ at the center of Venom's future.

All-New Venom #7 is a high-energy issue that juggles multiple characters and storylines with style, offering intriguing developments for Mary Jane and Sleeper while keeping the symbiote action creative and intense. It's not without a few pacing stumbles, but the series continues to be one of Marvel's most entertaining and emotionally layered titles.

All-New Venom #8 delivers a strong payoff issue with dynamic action, clever symbiote twists, and a scene-stealing Doc Ock. Al Ewing and Carlos Gomez continue to evolve the book into something far weirder, funnier, and more unpredictable than traditional Venom stories, and that's a very good thing.

All-New Venom #9 continues the series' winning streak with high-octane symbiote action and meaningful character work, firmly rooting MJ's Venom as a formidable hero while offering some of the most nuanced writing Paul has ever received.

All-New Venom #10 is a thoughtful and character-driven issue that digs into MJ's fraught bond with the symbiote while also setting the stage for bigger developments across Venom's extended family. Though the cliffhanger may not hit with the explosive force of the last issue's breakup reveal, the emotional weight, nuanced relationship work, and gorgeous visuals make this a standout chapter.

A hilarious done-in-one adventure.

The fact that I knew who would defect doesn't make this issue any less interesting and enjoyable. I almost want to say it's all on Immonen for why this issue is so good, but obviously Bendis had a hand in it as well. I really envy those who hold off or discover this when it's all said and done. It's going to be one amazing read from cover to cover. Of course, at the rate this story is going it may be around for 900 issues!

I've been giving this series eights across the board, but this one takes a knock down to a seven because the plot is forced. The Avengers show up to ask for explanations, get a simple one you could get from a phone call, then just leave with no resolution. It's glaringly obvious Bendis wanted an interaction/altercation and it's incredibly forced. That said, some good interactions, and impeccable art once again.

Once again this comic gets a good but not smashingly good review. Why is that? Because at the end of the day you're paying for character tinges and funny moments on the side. The decompression on this series is so insane it always feels as if you're getting slighted in some way. And yet, the comic is a lot of fun to read and always has something to say about the characters.

Personally I'm not that interested in the Jean/Cyclops love affair, especially considering all these characters might get their memories wiped anyways. It is a neat concept to play with though and I commend Bendis for going there. It'll also make it tragic if Jean does fall in love with Beast by series end, only to have her memory wiped.

All-Star Batman knocks your socks off. There's plenty of action, but also quite a lot of thematic storytelling to chew through with the promise of big character work along the way. Throw your expectations out the window-you haven't seen Batman quite like this.

Tracy and Koplowitz stuff much of this issue with funny moments either via the spirit or background characters and that's fun for any fan of fantasy. The first issue of Allen: Son of Hellcock is a lot of fun and you should take the chance to go along for the ride.

As far as setups go though it's a strong issue and it's in large part due to Michael Dialynas's art and color. Some might call it the acting of the characters, but I'd call it exceptional facial expressions from Dialynas. In some cases a writers dialogue is strong enough to apply it to stick figures, but here, while not bad, is made a hell of a lot stronger by Dialynas' art. In truth every comic should be like this, because, much like film you need a good balance between visuals and writing.

And I haven't even talked about the art yet! Dialynas' style is unique and interesting, detailed but also cartoony and I love it. Here is a good example where an artist's ability to also do color shows. An artist's work can sometimes be overshadowed or improved due to the right inker or colorist being attached. Dialynas does it all though and it shows. Everything fits and looks exceptional.

I don't know what Dark Horse is planning, but I really hope they pick this series up and make it ongoing. The adventure is exciting and as far as comics go there isn't anything else like it on the shelves. In a lot of ways I get a role playing game vibe from this series. As if Horton played it with his friends for years and then met up with Dialynas one day and realized together they could make one bangin' comic. Here's hoping they get to continue to bang on.

This series has so many good things going on I would be hard pressed to find someone who didn't like it. Fantasy elements, role playing elements, the concept of war being pointless when we all turn into ghosts, great art, steampunk, I mean — I could go on and on. The series sadly needs more issues though! The concepts are so grand and the world so robust it deserves to be an ongoing series.

Amazing Fantasy is the start of a fun series that is self-contained enough for brand new readers who love these characters to jump on board for. From an artistic standpoint, Andrews is doing interesting things visually while characterizing each hero well. Amazing Fantasy perfectly exudes old-fashioned charm.

At $8, Amazing Fantasy #1000 is a steal. Its unconventional nature of doing all sorts of Spider-Man stories is refreshing, with tales focusing on personal anecdotes, Spider-Man at 60 years old, and various facets of what makes Spider-Man great. Plus, the creative lineup on this extra-sized issue is downright historic. What else could you ask for?

Three great stories and one that's gorgeous but lacks in story is a win for me. Chances are the odds are good you'll find something here you'll love.

This is a fantastic issue that proves there aren't enough anthology comics. Take a chance on this one you won't be disappointed. If you're on a tight budget skip Spider-Man (or whatever you read) for just one week because this offers a lot more bang for your buck.

Two great stories for different reasons but every one more inventive than the last. This is a series I don't want to ever end despite the fact that it's not perfect.

One solid story mixed with three more that throw some fantastic art at you add up to a good read, but if you give this a chance you might just enjoy it more than me. That's the beauty of short stories: they can work for anyone.

Yet another great collection of shorts that prove Farias and Freitas are at the top of their game. Most if not all of these stories read as if they need a short film to go with them; they're that clever and good.

I wasn't sure what to expect from this book but came away from it grateful that Leah Williams and Carlos Gomez infused it with so much life and purpose. The Amazing Mary Jane has a strong identity and a crackerjack wit. It's a strong first issue on its own merits.

I liked this sixth issue thanks to the unique nature of the story and how good it is at making Mary Jane feel heroic and powerful. A strong first issue as it lays bare the egomania of Hollywood before nowheresville sets in for the rest of the story arc.

This is a very good issue indeed. The main 22 page feature is exceptional, the 6 shorts are fun and look amazing with the added bonus of giving you a taste of the new series that are being produced from them. The entire issue is a great introduction to a lot of elements and characters. Recommended.

In most cases retread comics aren't worth your time, but this one is a bit different. It adds the new element of a Spidey fan that Peter doesn't even know exists. The dynamic is there for a great story and this is a great first issue.

Overall this is a decent issue that won't blow you away. There are some tantalizing character dynamics at play that are building and should be fun to read, but the Electro bits are been-there-done-that.

This is a strong issue from Slott and Ramos as it keeps the tension up, progresses the plot nicely and even gives us some great humorous moments. A top notch Spidey book to say the least.

I liked this comic, even if it was almost all about setting up what is to come. The dynamic between Spider-Man and Silk is fresh and new and something to keep your eyes on.

While a bit repetitive with the Silk and Spider-Man attraction, this issue progresses the story nicely. I can't say a new reader will have any idea what is going on, and the layouts are a bit cramped, but overall it's a strong delivery of character and plot.

For the first story arc since his return, the story ends in a very blah sort of way. The bad guys are stopped as always and while it's a great heroic moment for Spidey it's still rather tepid. There's still no rhyme or reason as to why Black Cat is so bad, but the new Silk character works great and it'll be fun to see how she's used in the future.

All in all this is a good comic, albeit a bit schizophrenic since it's split nearly down the middle with two unconnected stories. That said, it's good fun and the art is top notch.

A decent issue overall with a fun team up with Ms. Marvel and new details on Spider-Verse, but overall it's a ho-hum affair as things are spread too thin.

This is a fantastic issue that clearly explains all the players and stakes at play but also delivers good character moments and plenty of spider-ific art to go with it. Some might say it's a bit overloaded, but it's never boring.

This series only amps up the anticipation and excels more each issue. A fantastic part 2 that is filled with action, plot details and story progression!

This issue starts off slow but delivers impeccably for a variety of audiences. It ends with an amazing action sequence and major ramifications on the event. Great stuff.

This issue is good, but not great and probably terrible if you haven't read the previous issues. That said, if you're digging this series you should find enough in this issue to enjoy it.

A good issue that moves the plot along with a few compelling conversations thrown in to keep things interesting. Can't wait for the last issue!

A satisfying conclusion to what has been one of the best events from Marvel in ages. It has a few surprises too which should get us all jazzed up for next issue's epilogue.

A good issue as far as wrapping up loose ends and setting up a few character stories, but ultimately feels wasted due to characters serving the plot for plot's sake.

Overall this is a good recap book for anyone who needs it featuring a great opening fight sequence with a throwaway villain. All in all a decent affair but not required reading.

The main featured story is great if you've read Superior Spider-Man but will be a bit confusing for new readers. That said, the new direction is compelling and the Spider-Mobile works too! The price tag is high, but nearly all the short stories are exciting and interesting. I just wish there was some context, but with Secret Wars not yet over I guess they have to keep that vague.

This issue is a lot of fun with yet another Spider-Man gadget that brings on the fun side of the character. I haven't laughed so hard at a Spider-Man comic in years.

This issue lacks the humor that made the first two issues so much fun to read. The plot progresses sure, and the Fantastic Four bits are heartfelt, but it otherwise falls flat.

This series is very exciting—its approach is so new, there's no way of anticipating what could happen next. Spider-Man purists take note: the new direction is fun and filled with surprises!

Things wrap up as Spider-Man must save the day in a rare way: having a plan actually work!

This issue pulls off an appearance by Mary Jane as a hero quite well with good setup, solid heroics, and a concerned Spider-Man that puts his trust in her. All that combined makes for a rousing conclusion to the Regent story.

Amazing Spider-Man #17 sets a lot of things up and cleverly brings a big chunk of Spider-Man's rogues gallery together. If you're a fan of Spidey villains this issue will get you properly excited for future issues. Bottom line, this is good storytelling.

Superior Spider-Man fans must read this issue. It captures the voice of Doc Ock incredibly well and sets into motion events that feel like the continuation of where we left off with that series. Overall it feels like a false start though as it doesn't push a new story forward so much as introduce it.

There are so many elements that make Spider-Man great in Amazing Spider-Man #19 that it's hard not to gush. This was the most Spider-Man filled issue we've seen in some time!

It's hard to not agree the "amazing" in the title is covered here.

A good second chapter that succeeds at giving Spidey and Flash some good bro-time.

Good action and great art make this a fun read.

A strong first issue due to it juggling so much and kicking off a big reveal.

A good issue in a subtle way.

Another good issue in the lead up to Red Goblin, but get this Goblin/Carnage show on the road!

Slott is at the top of his game and Immonen draws you in so good!

Sets the stage for one epic ride.

A strong penultimate issue.

A great issue that's huge and does so much to wrap things up and start new beginnings.

What a great finish for Dan Slott's run on this character. Over 180 issues!

A strong start, though it's heavy on the dialogue and can be quite slow.

A strong second issue starts to reveal the tone of this solid Spidey book.

A lot of fun as it builds up a new conflict that should put Peter in a very tough spot.

Another strong issue if you love character focused narratives.

A good conclusion because it hits home two very important philosophical elements that make this character so great. Spencer knows this character so well, it's no question we're in good hands and Ottley draws it so damn well it's a wonder he hasn't been drawing it for decades already.

The first real Boomerang issue comes out swinging. Peter Parker's life may just rival his superhero life in this excellent take on the character.

A strong statement as the most fun era of Spider-Man ever.

This is a good issue that sets up some new conflicts and villains for Spider-Man to face off against. Unfortunately, it continues to not highlight Spidey in the suit and instead spends a lot of time setting up villains or focusing on non-Spider-Man characters. As a setup issue, it's intriguing, but its slower pace can be frustrating.

This is yet another excellent issue in Nick Spencer's inspired take on Spider-Man. Fans new and old will love this series because it's so ingenious with its ideas. This is a series as clever as your favorite Spider-Man quip and then some.

Yet another good issue in a run that shows Amazing Spider-Man has been a huge success since its renumbering. Spider-Man is fresh and new all over again for fans new and old.

A good issue that begins to revisit and possibly even change Jameson and Peter Parker's only recent friendship.

Another good issue that J. Jonah Jameson fans can't miss.

An enjoyable issue that revels in the relationship between Spider-Man and Black Cat. Spencer does a good job establishing how important that relationship was to them. There's also a great bit of detective work done for Black Cat's character. By the end, you'll respect the character even more.

This is a great setup issue preparing readers for a major move by Kraven and Arcade. What this story means for Spider-Man's rogues gallery is huge, and should not be missed by any Spider-Man fan.

Effectively sets up the event while laying the groundwork for a different kind of Kraven.

I'm having a hard time getting into "Hunted" due to the slow start and even slower second chapter in the story arc. The issue has a clever backbone with creepy captions about predators, but the biggest failing is how it lacks Spider-Man. Instead, it focuses on everybody else progressing plot elements but leaving you with an incredibly middling issue.

A decent issue if you've been reading Spencer's run, but you might get frustrated with all the recap of what we already know. That said, the villains steal the show.

I dug this tie-in for its clean art and creepy boogeyman feel. This book serves as a reminder why Norman Osborn is Spider-Man's most fearsome enemy.

A very well crafted and plotted second part of a story that weaves in three different timelines very well. By the end you get a little of everything when it comes to Spidey.

I've been trade waiting for most of this series, but I'm on the edge of diving back into this series thanks to this and the great issue before it. The idea of Spider-Man utilizing a new way of seeing dangers is an interesting one given the spider-sense abilities he already has.

This is a good looking book, but ultimately a long-winded way of adding a silly element into Spider-Man and Boomerang's life. This issue, and the series as a whole, reads like it's meandering and untethered from a greater purpose or direction. Here's to hoping the series gets back on track after its first great arc and gives us some answers about Kindred before it's far too late.

Overall, I think this is a great start to the Sin-Eater storyline. I've been slowly wondering when this series would get back into a groove after its stellar first story arc and it's fairly obvious this arc may be a return to something well worth investing your time in. "Sins Rising" is shaping up to be a haunting and worthy story.

I'm liking the "Sins Rising" story so far and this issue integrates a clever story mechanic that works well with the goals of the book. That makes Amazing Spider-Man #46 a recommended read on its own merit and as part of a larger story.That said, the last chunk of the book is dry, overly wordy, and decidedly lacking in Spider-Man.

is a good third part, but it has its problems. I found the roundabout way of finding the resolution that some people can't be saved frustrating, even if it is a good point to make. The overarching idea of this arc -- that some people want to be bad and do terrible things for what they think is a good cause -- is a sound one, especially in a time where cultish behavior seems rampant. Unfortunately, it's not quite gelling perfectly, but I respect the effort and the art.

The Amazing Spider-Man #48 is a breakdown of what makes Spider-Man tick, and perhaps one of the finest and most introspective looks at the Green Goblin and Spider-Man dynamic ever made.

Amazing Spider-Man #49 is a good book overall, but it doesn't cross the threshold into greatness. The backups are like icing on the cake, but the cake is a bit dry. The main story is one long escape scene, with an unbalanced Green Goblin, and some interesting choices that read like teases rather than big beat moments worth holding onto. The art is stupendous though, and there certainly is a lot here to chew on. At the end of the day, most will put this book down and think it was fine, enjoyable enough, but likely unmemorable as time goes on.

If you can keep the events in the timeline straight and be okay with some unearned elements in the narrative, it's a good time. It plays up the action well with slick visuals that are suited to the monsters as the subdued moody scenes with Norman to perfection. At the end of the day, there's a dark and disturbing Spider-Man story here -- you just need the patience to find it.

Optimistic readers will want to read this for its strange and dark underbelly, especially for such a hopeful and positive character, but many may not find enough here to care about trudging forward in a series that has become cold, slow, and underwhelming.

Amazing Spider-Man #51.LR is a good issue for new readers who haven't been reading this series. Dedicated readers will find portions of this book unnecessary and redundant. It also sorely lacks Spider-Man and feels more like a pit-stop than a major chapter in the "Last Remains" story. Super Spidey fans may want to read this for the Sin-Eater scenes, but most everybody else can feel comfortable skipping it.

While it can be frustrating to try to piece together what is going on, it's hard to deny the general mood and atmosphere of this story suit the spooky season and feels entirely different. For that, The Amazing Spider-Man #51 is an interesting foray into a dark place that is unusual and intriguing.

Amazing Spider-Man #58 is a good start to the "Negative Space" story arc, tying closely to the family aspect of the characters. The relationships Peter has with these characters are the lifeblood of the issue, just as they were what made the original Stan Lee and Steve Ditko's runs so appealing. That aspect is captured well here.

Amazing Spider-Man #61 kicks off the "Let's Try Something New" story arc and stands by that name in entertaining ways. Spider-Man's inability to pull in cash is not a new concept, but the job he gets in this issue and how it ties into the new costume is a clever idea. For that alone, this is a great place to start for Spider-Man fans looking for some innovation and new ideas.

This is a solid issue thanks to its focus on the humanity and personal stakes each character has in the narrative. Gog is a ridiculous character who's hard to take seriously, but aside from that, this book is structured well and is entertaining through the end. It also offers satisfying action and character melodrama.

Spider-Man's life is never simple, and that shows in Amazing Spider-Man #66. The series seems to be disassembling its pieces to set in motion a new direction, and for that, this issue is an exciting chapter. Amazing Spider-Man has become a puzzle to solve, which helps make the complicated web of its narrative more interesting to read.

Spencer continues to juggle so much in this series while playing to longtime fans' interests with callbacks and resets of characters. In superhero comics, nobody ever dies and nothing is certain, and this series has been a testament to that. Amazing Spider-Man is good ensemble storytelling -- it's just unfortunate Spider-Man never seems to be our main focus.

As a setup issue, the story presented here isn't bad; it just reads as unfinished. It picks up plot points and carries them forward to varying degrees, but ends up never having an impactful moment to hang its hat on. That makes Amazing Spider-Man #68 unremarkable, even if it's necessary.

Amazing Spider-Man has been given a new intriguing element thanks to the news of Nick Spencer's departure, as we're witnessing an active effort to resolve plots and reset characters in Spider-Man's life. That's an interesting thing to see actively transpiring on the page which adds a meta-level element to a series that may have too much plot.

We're two issues away from Nick Spencer's final Amazing Spider-Man and yet this issue doesn't change the tempo of teasing without many answers. There's a hint at something that could change how we feel about "One More Day," but if you're as exhausted as most are with this mystery you're likely limping into this finish. Thankfully the book looks good, making each limp a little less painful.

Amazing Spider-Man#73 isn't a bad issue...as long asyou can stomach the retconning and the ongoing teases of Kindred. It continues to play the usual story beats we've seen since Kindred's story first kicked into gear, making portions of this feel rote, but the flashback reveals are meaty and connect with very important moments in the Osborn backstory. Sadly though, this continues to read like it's not Spider-Man's story at all, but a means to fix the kinks in Green Goblin's past.

Amazing Spider-Man#74 is a microcosm of one of this series' biggest problems: how long and drawn out it has all felt. Spencer's final issue does use that length to make the story feel big, and while it may not satisfy many, you can't say it ever shied away from what it wants to be. If you view this as an overly dramatic stage play it can be fun on some level, but for many, the best part about this issue is that the groan-inducing Kindred story is finally put to rest.

Amazing Spider-Man #75 is a hopeful, fun, and exciting new direction for the Spider-Man franchise. Considering the last two years Peter Parker has had, this issue does everything it needs to in order to move Ben into the role. Given the attention to details new and old along with the strong character work and dialogue, this is a genuine Spider-Man comic and a great way to turn the page on a new era.

It's very hard to convince readers that a mainline superhero might die, and yet the creative team has done it here. You're going to be on the edge of your seat not knowing if Peter Parker may die while also wrapping your head around the idea of Ben Reilly earning the right to be Spider-Man at such a difficult transition. Amazing Spider-Man #76 is a tense issue that is shocking because of how much the comic makes you feel.

Amazing Spider-Man's new erahas a lot going for it. Thompson and Pichelli get a lot done in this issue, touching on multiple relationships while also delivering some tense action to close the book out. The exciting, messy, exhausting, and complicated life of Spider-Man is on full display.

The Amazing Spider-Man #78.BEY is a super fun, high-energy thrill ride of a comic. It's filled with ideas from horror movie icons popping up and smart tech innovations. It reads like a satisfying one-shot and yet comes with a "to be continued" at the end to make you want more. It perfectly captures the Spider-Man vibe, even though he's not present for much of the adventure. Now that's good comics.

Amazing Spider-Man #78 is a great follow-up to the last issue as Spider-Man takes on Morbius. Kelly Thompson continues to show how efficient she is with character writing and the foreboding nature of Beyond reveals a bit more of itself to the reader. All told, there's a lot of moving parts that come together in a compelling Spidey story.

Amazing Spider-Man #79 goes hard with the amount of story it's delivering, varying ideas, and well-written character threads. This is as good as it gets in superhero comics with heart, action, and pure entertainment.

The Amazing Spider-Man #80.BEY works well as possibly the best Doc Ock and Aunt May adventure ever. Certainly, these two haven't had a lot of opportunities to affect Spider-Man's story, but Ziglar and the art team do well to capture the unique personalities of these two characters and how they jive with each other.

All in all, Cody Ziglar and Michael Dowling crush their two-part story by further developing the interesting character dynamics at work. Amazing Spider-Man #80 also offers up some trippy art and a battle that shows Ben is worthy particularly when he's not drugged. The Beyond era of Spider-Man is grand thanks to a good mix of character drama, dynamic action, and a hero who suffers from imposter syndrome.

This is a good issue, although it feels a bit like a rehash of the same pressures from Beyond Corp towards Ben Reilly we've seen before. That said, the interactions between Ben and Miles are entertaining and suit both characters while the action is well-drawn and entertaining.

The Amazing Spider-Man #82 is an example of how much control pace, color, and layout design have over the story. Forns and Brown have crafted something that's visually stunning in its dread and unease, well worth a read for seasoned comics fans. Ahmed has also given us a story that shows how Peter Parker, and those he loves, are true heroes to their very core.

For the second issue in a row, Amazing Spider-Man #83 focuses on Peter Parker's health and current state in the hospital. This issue does a bit more with Parker's psychology, building towards a heroic moment that's particularly relatable if you've ever been stuck in the hospital. Amazing Spider-Man #83 offers a transfixing exploration of the mind and deep discovery for Peter Parker.

The Beyond Corp era of Spider-Man continues to be a delightful juggling of Ben Reilly's personal life, supervillain intrigue, and the continued reveal of what Beyond Corp is really up to. If you've been itching for more Doc Ock, The Amazing Spider-Man #84 delivers him as the main course and he's written and drawn expertly well.

Judging by this and Superior Four, Marvel Comics is leaning towards Doc Ock leaning a touch more toward hero than villain, and this issue proves that. The Amazing Spider-Man #85 has good humor, good action, and the continued intrigue of Ben Reilly's very shady Beyond Corp overlords. After this issue though, the real threat of self-doubt and imposter syndrome might unravel it all first.

Amazing Spider-Man #86 adds new layers to what it means to be a clone. This further connects our experience to what Ben Reilly must be going through further, making his experience more lived in and valid. For that, this issue makes Ben Reilly more human and relatable than ever.

As Peter flourishes, Ben Reilly worsens in a setup issue that moves both characters forward ever so slightly. After months of the Beyond Corp era, the creative team can lean on our caring of the characters, but The Amazing Spider-Man #87 lacks impactful moments.

Amazing Spider-Man #88.BEY does well to draw you into Hornet's perspective while making the Slingers a target for the Beyond Corporation. As we near the end of this era it's plain to see tie-in stories like this are building towards a big finish. More importantly, Thorne will make you want more Hornet comics and ties the narrative into real-world issues worthy of hero intervention.

If you're looking for character drama, Amazing Spider-Man #88 has it in droves as we see manipulation at work. Through its characters, you will feel dread and uncertainty that's hard to turn away from.

Amazing Spider-Man #89 is a good hero's return issue that heavily focuses on the new Queen Goblin and Black Cat. It's lighter on the psychological element, but is action-packed and never boring.

Amazing Spider-Man #90 has the look, feel, and story ideas that make it feel like an all-timer issue. Not only does it feature splashy superhero action with Spidey, but it has a great use of the willpower moment we've all come to expect from Spider-Man in his darkest hour.

It's the team-up we've been waiting for as Ben and Peter face off against a treasure trove of colorful villains. Amazing Spider-Man #91 continues to build towards Beyond Corp getting what they deserve and Ben hopefully getting some peace.

It's easy to see the creators of Amazing Spider-Man #92.BEY are having a ton of fun. It's also a satisfying comic because it wraps things up, offers new insight into what is really going on, and even sets up some villains for the future.

Amazing Spider-Man #92 is a good, not great transitional issue. As we approach the end of the larger story it's obvious the narrative is biding its time by playing out some side stories here, but heck, it's filled with fun comic book moments. From sound effects to attacking sandwiches, it's a good time.

Amazing Spider-Man #93 ends the five-month-long Beyond era with fewer conclusions and more new threads to develop. That's not a bad thing, but it does make this more of a transition issue than a satisfying conclusion. There are a lot of good pieces that came out of this story and Ben Reilly ends up being a far more tragic character than even Peter Parker. For that reason, this issue and its ending are about as close to what Spider-Man comics are about as you can get, right down to an accidental transformation.

Do you have to read it? Not at all. Do you want to see if they can pull off such a wacky extra-sized story? If you read as many comics as me the answer is definitely yes. 

The most important thing you'll discover with Giant-Size Amazing Spider-Man: King's Ransom is that it's not a cash grab extra-sized issue simply to charge more. There's plenty of story here, big reveals, and important moments. In fact, this issue closes the door on multiple ongoing plots, which makes it satisfying as hell and sets the stage for a clean slate going forward.

This is a case where you can see there are good pieces put forth and a solid idea behind it all, but it doesn't come together in a believable or satisfying way. I want the Sin-Eater to be dark, complex, and unique, but from what is presented it's grasping at straws.

As a build toward Amazing Spider-Man #850, this book works. It sets things up, allows new readers to pick the story up here, and establishes plenty of surprises to follow. However, if you've read Amazing Spider-Man #48, it also feels a bit unnecessary save for a couple reveals. That said, it also sets up the milestone issue to feel even bigger, requiring a lead-in comic to get the full experience. In that way then it works and is definitely worth reading.

Amazing Spider-Man #1 is an interesting start, but it's too early to say if we're getting an all-time classic or a new pit-stop story arc that will soon be forgotten. That's because it's way too early to understand the big mystery and hook, which frustratingly leaves readers in the dark. That said, if you love classic Spider-Man, there's more than enough here to enjoy. From the visuals to Peter's attitude, we haven't seen this Spider-Man in a long time.

Amazing Spider-Man is seemingly still trying to figure out what it wants to be, so your mileage may vary. A lack of answers surrounding the big mystery paired with a slow-moving plot makes this issue feel like catch-up to something that's still very unclear. That said, it nails the Spider-Man scenes which should entertain most.

The Amazing Spider-Man #3 is another frustrating read for the series. Hindsight is 20/20, and when this is collected it may read well, but it's trying the reader's patience with so little detail on what the mystery could even be.

Amazing Spider-Man #4 is a satisfying issue thanks to the story paying off the slow build of the last two issues. We still may be in the dark when it comes to the big mystery, but it's satisfying to see Spider-Man overcome impossible odds and yet continue to be down on his luck. We wouldn't have it any other way.

Amazing Spider-Man #5 wraps up the first story arc with a story about Peter Parker's smarts. It's also a reminder that Spider-Man gets in his own way, but when he's having a little fun things go better for him and the reader.

It's a big year for Spider-Man, and Marvel has done him a solid with this fun and lengthy milestone issue. It's hard to believe the character has reached 900 issues, but once you put this book down, you'll be daydreaming about what Marvel could be planning with only 100 issues until the groundbreaking 1,000th issue.

Amazing Spider-Man #7 is starting to pull back the curtain on what Peter did, but we're still mostly in the dark. Visually the best scenes continue to be when Spider-Man's in costume, but if you can stay patient, there's a compelling story here to continue to explore.

If you dig Spidey fights, pick up Amazing Spider-Man #8. Seeing Spidey and Vulture go at it in the sky the old-school way is a delight. Aside from that, there are no new answers and not much else to cling to for enjoyment.

The timing of Amazing Spider-Man #9 is, unfortunately, its downfall. There's a small clue as to what Spider-Man did, but it's not big enough to sustain the fact that this issue should have come closer to the release of the Hellfire Gala special. The action is excellently drawn, however, and it's suitable for some fun interactions between Wolverine and Spider-Man, so if you've got a few extra bucks, throw it on the pile for the visuals alone.

The Amazing Spider-Man #10 utilizes the function of the big Marvel event to test Peter, even though we all know he's as pure as heart as they come. It makes for a nice series of reunions for Spider-Man, but ultimately this issue treads water as we await something of importance happening anytime soon.

If you like goblins in Spider-Man comics, you'll enjoy the complex melodrama between them in The Amazing Spider-Man #11. Spider-Man is just beginning to trust Norman Osborn, but it's clear he's still warry he could turn at any moment. Throw in some romance with Black Cat, and you have an issue with Spider-Man that juggles superhero stuff and day-to-day nerves well.

Hobgoblin fans rejoice, Amazing Spider-Man #12 has the entire package of action, intrigue, and compelling twists. The identity of Hobgoblin has always been a part of the character, and Wells has somehow found a new way of exploring it while exciting and surprising fans.

Amazing Spider-Man #13 has some of the best action you'll find in comic shops this week. Spidey goes up against two villains and gets battered so bad it'll likely show up on lists, which is saying something since Spider-Man has his fair share of beatdowns!

Amazing Spider-Man #14 has just enough detail to give readers a sense of what we're in store for with Dark Web, but it's mostly half-baked. The players are present, and how they get together is clear, but the motivations behind their actions and goals remain vague or secret. The creators have stated that it takes inspiration from the Inferno event and Mutant Massacre, which might be why this issue doesn't feel like a Spider-Man book. I'm optimistic about the upcoming event, but if you're looking for a deep look at the characters underneath the rage and revenge, you can skip it entirely.