WONDER WOMAN REJOINS THE FIGHT! After the birth of her daughter, Diana finally returns to the battlefield ready to take down those who dared to harm her Wonder Girls. To take down Sovereign's formidable general, Grail, she must call upon her friend turned foe...The Cheetah!
It seems entirely possible hat King has allowed himself the space to work out the power of a two-year run with Diana that features some remarkably good art. Its a solid entry into the long saga of Diana that fully embraces so much of what makes he such a magnetic character on so many levels. Its easily one of the best runs with Diana in the better part of a century that its been since she was first introduced. Read Full Review
This issue and this arc in particular is perfectly paced, and the final issue has left plenty of room to discover new twists. I have no idea what King's next act is, but it'll have a lot to live up to after this year-plus of stories. Read Full Review
Wonder Woman Issue 18 is a remarkable reward. Its a stunning book both in terms of storytelling and visuals. Read Full Review
Wonder Woman #18 showcases the poise and power of Diana as she marches from the Washington Monument to the White House. Read Full Review
There's no denying how cool Wonder Woman #18 is in all its badassery. If you're here for a deep, game-changing story, this issue might feel like a bit of a detour, but if you love seeing Wonder Woman in full unstoppable force, Wonder Woman #18 delivers in spades. While it doesn't push the plot forward much, it's a visually stunning, adrenaline-fueled march that reaffirms why Diana is one of the greatest warriors in comics. Read Full Review
Wonder Woman #18signals the beginning of the end for the Sovereign. Tom King's arc is thankfully drawing to a close with dreary pacing, ponderous narration, and a gaggle of inciting incidents that go nowhere. If not for Daniel Sampere's glorious art, this series would be D.O.A. Read Full Review
Daniel Sampere must be developing scoliosis because he is carrying this run hard on his back, even more so than Jorge Jiminez on Zdarsky and Tynion IV runs on Batman. I think the reason why this series hasn't grabbed my attention on the same level as Absolute Wonder Woman is that the way the dialogue is written feels very formal and old-fashioned. The blue thought boxes are clearly someone telling a story to Trinity, but it doesn't feel natural and feels very clunky. This series is also a big decompression. The art saves this series, but as a long time Tom King fan, this feels very padded out. Tom King's interpretation and vision on how Wonder woman should act in a very stoic or stiff is very different from mine, and thats why there is a bi more
Well, Daniel Sampere continues to deliver great art on Wonder Woman. This issue feels a little stronger than most of this run, Diana feels like she’s featured more than most issues. However, that’s not saying much. It’s a classic case of “too little, too late” to improve the overall assessment of Tom King’s run on the character. Too much of the issue relies on buying into Tom King’s weak approach to the entire story and lackluster use of Diana. He also finds it necessary to throw in a “poop joke.” It almost feels like this would’ve been a good place to start the story so that the blanks could’ve been filled in as things progressed. The script has a “by the numbers” feel to it. Even though King’s tenure o more
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