Ian Cullen Comic Reviews

Overall this is a fun read and I quite like where it could be going in future issues.

Why has M sent 006 to bring Bond on and not 009? Will we see Bond reconnect with M in a forthcoming issue? Those are just some of the questions that I am pondering about this book.

I'm continuing to enjoy where this story is going and can't wait for the next issue to come out.

The StoryHaving gone to Washington in order to get some help from his CIA contact Felix. Bond has a chance encounter with 005 who claims that again Gann 002 was second in command of Myrmidon and cannot be trusted. Having no other evidence to prove this. Bond has to do a little digging himself and is starting to wonder about who he can and can't trust. Things escalate somewhat when Agent Clark is nearly captured by Myrmidon.

This penultimate issue leaves a few plot threads concerning Bond's future in the wind. But am sure some of it will get resolved in the final issue, which will hit comic stores next month.

Philip Kennedy Johnson wraps this story up beautifully and leaves a few threads open so that Gann can potentially make a return at some future date. I loved the themes and tropes that Johnson used to tell this story. Nanotech and other technologies that have the potential to allow one person to play god is of huge concern as is A.I. in general. So this book story is one that I feel many fans will likely be discussing for some time to come. The topics and themes within the story are very much mirroring many of the discussions that have been happening in the world's media for quite some time. Bond's decision in the end was as much for the rest of the world as it was for England.

This is a solid first issue that does a good job of setting the story up. I enjoyed the book but am curious as to how this more working-class version of Bruce Wayne has managed to fund all of his studies as well as all of the hardware that he uses. Obviously there are a few clues as to how this has worked as we get references to Oswald Cobblepot and we also meet Killer Crock who runs the gym where Bruce Works out at. Quite how Cobblepot and other well-known Batman villains will get used in this alternative story as yet remains to be seen, but it will be interesting to find out if they best guesses about them will turn out to be true.

This second issue builds brilliantly on the characters and themes introduced in the opening book. I love how we're seeing Bruce Wayne grappling with survivor's guilt, which adds an extra layer of complexity to his decision to become Batman. He blames himself for his father's death, believing that if he hadn't won the science fair, they never would have visited the zoo where Joe Chill killed his father.

OverallThis issue continues to deliver excitement, deepening the mystery and conspiracy that have been building throughout the story. I'm eager to see what unfolds next, especially after that cliffhanger.

Overall, this is a solid issue, one that focuses more on character development than on action.

OverallThis penultimate issue sees Batman face off against Black Mask for the first time and does a fantastic job of setting the stage for next month's finale. I really enjoyed the drama of Roman's speech, especially the way his story about killing pigs at a slaughterhouse was juxtaposed with his critique of the system. It's a powerful moment that builds up to his massive offer of wealth to Gotham's people. The real question iswill the city take the bait?

OverallA fairly satisfying conclusion to the first story arc that sets up a lot for the next, which will likely include Bane. Personally, I'd love to see how Bruce's friends react when they find out he's the Batman.

A clever new origin story for the iconic Mr. Freeze, with some truly chilling backstory. I liked that we got to see Bruce held accountable by his friends for lying about his secret identity, and I'm looking forward to seeing how that all plays out alongside where the rest of the story goes. The link between Ark M, V Corp, and Fries' potential connection to the Joker looks like it could make for an interesting twist when more is revealed in part two.

Joking aside, this is a fun issue that sets up a lot while adding new layers to Bruce Wayne's friendships with characters from Crime Alleywho, intriguingly, are villains in the main Batman continuity. It's a compelling mix of character, tension, and dark humor.

Overall, this was a fun issue that adds several new layers to the mythology surrounding Ark M, while introducing one of the most iconic Batman villains to emerge in recent years: Bane. Prepare to be well and truly BANEd.

Overall, this was a solid issue that builds nicely on everything we've already learned about this alternate take on the Dark Knight. The storytelling continues to layer emotional depth onto Bruce's journey, while the visual storytelling and world-building inside Ark M keep the tension high.

In truth, Bane's strategy is subtler and crueler: targeting Bruce's alliesHarvey, Oswald, and Eddiemirroring the way he once broke Waylon. The book positions Bane as Batman's most dangerous foe, not just for his strength, but for his capacity to wage psychological war and corrupt what Bruce values most.

This is a truly strong issue, one that redefines the origins of Bruce Wayne and his rogues gallery. It positions Bruce as partly responsible for why his friends have been transformed into some of his most infamous foes. I'm eager to see how these events will unfold in future issues.

Overall, this was a fun issue that offers some insight into the relationship between Bruce Wayne and Selina Kyle in this universe. It also adds some playful tension to her interactions with Alfred, which are understandably adversarialthis version of Alfred is a CIA operative and well aware of Catwoman's international escapades. The high point of the issue comes when Batman publicly calls out Bane, setting the stage beautifully for the finale of this story arc in the next issue.

So the Abomination arc concludes and it goes big while doing so leaving us with a great tease for next month. I've really enjoyed this storyline, and it's one I think would translate brilliantly if DC ever decided to animate any of the Absolute stories. I'm looking forward to seeing what comes next when Joker enters the mix and takes his turn facing Batman in the new arc set to begin soon.

This first arc featuring this new incarnation of the Joker gets off to a brilliant start. I particularly enjoyed Alfred's remark about Batman's interest in Wonder Woman, as it neatly sows the seeds for how she will factor into the wider story arc. It feels like deliberate, confident groundwork rather than a throwaway line, and it adds an extra layer of anticipation to what's coming next. The issue left me genuinely looking forward to the next chapter, especially with the story continuing in Absolute Wonder Woman.

I really enjoyed this book and how the relationship develops between Batman and Wonder Woman, with Diana acting as his guide in the World Between Worlds. I hope we get to see more of this kind of crossover in future months.

This issue serves as a strong opening chapter for a new story arc and successfully introduces the Absolute Universe’s take on Poison Ivy. The groundwork is carefully laid, balancing character exploration with escalating tension.

This is a strong issue that continues to push this version of Batman in a far more extreme direction than the traditional incarnation of the character. The story seems determined to explore just how far Bruce can be pushed, both physically and psychologically. The real question now is how much darker and edgier the series is willing to go as it builds toward whatever is coming next.

This is a solid issue that successfully kicks off a new story arc while still grounding readers in recent events. There’s a strong sense of momentum here, but it never loses sight of what’s come before.

This was an enjoyable story that offers a deeper look at the various villains of the new Absolute universe and hints at how things might unfold if they ever manage to work together. One can't help but feel that the book is filled with foreshadowing for future events across the Absolute titles.

Another standout moment is the scene where Wally interrupts Barry's experiment. The pink and purple hues surrounding Barry in the chamber just before the explosion add a real sense of drama, making the moment feel even more intense.

This issue also does a great job of exploring themes like identity, control, and the burden of power.

This was a fun and engaging issue, where the story relies heavily on showing rather than telling. Jeff Lemire's dialogue is kept to a minimum, but that works perfectly herethere really wasn't much need for words to convey the charm and cuteness of this unique version of Grod.

This issue does a great job of grounding the story, creating space to explore the characters in more depth. I especially enjoyed the interactions between Wally and Grodd, which add heart and humanity to the narrative. Colonel West's reaction to learning about his son's potential significance from Elenor was also a standout moment, adding emotional weight and intrigue. I'm looking forward to seeing how it all unfoldsand how Wally, with Grodd at his side, handles the challenges that lie ahead.

Overall, a solid issue that delivers compelling storytelling and ends on an intriguing cliffhanger sure to keep readers guessing.

Not a huge amount happens in this issue beyond a fairly long flashback sequence showing Colonel West recruiting the Rogues for Project Olympus, which explains how they gained their powers. While the flashback does its job in filling in backstory, the real highlight is the smaller, more human story of a father trying to connect with his son. West's attempts to reach Wally, paired with the subtle emotional beats and micro-expressions captured in the artwork, give the issue a heart that contrasts with the larger, high-stakes elements of the plot. It's a reminder that even in stories about superpowered operatives and shadowy projects, the quiet, personal moments can be just as compelling.

Overall, this was a solid issue that concludes with Wally being persuaded into an uneasy alliance with the Rogues, whose plans no longer align with Project Olympus. The story also offers further character development, particularly highlighting the evolving relationship between Wally and Grodd, exploring both trust and tension between them. These interactions add depth to their dynamic, revealing vulnerabilities and strengths, while setting the stage for future conflicts. The issue balances action, emotional stakes, and character growth, leaving readers eager to see how Wally navigates these shifting alliances and what consequences lie ahead.

This was a solid issue that gives us insight into what Barry was working on at Fort Fox and the circumstances that led to the explosion we first saw back in issue one. The ending, which shows a figure in a Flash costume emerging from the portal, provides a fantastic cliffhanger that will keep readers' minds racing until the next issuewhere, hopefully, we'll learn more about who or what has appeared.

This issue very much feels like it is working toward a resolution for the opening story arc, and I'm looking forward to seeing how it all plays out. I'm particularly enjoying the Rogues and how they operate as a largely neutral party, siding with whatever benefits them most at any given moment. That sense of shifting allegiance makes them feel unpredictable without turning them into outright villains.

This is a really enjoyable issue which redesigns the Speed Force as Still Point. It’s a clever conceptual shift. When you’re moving at extreme speed, everything around you can feel as though it’s standing still, so reframing that sensation as a literal dimension of stillness makes a great deal of sense.

This was a solid issue that sets up a new story arc in which Wally will likely try to find his father, but there are also further implications being put in place. We see Grodd reunited with his father, who is just as intelligent and views all humans as the enemy. This could easily put Grodd, who has previously befriended Wally, on the opposite side of the conflict moving forward.

This is a strong opening chapter to a new two-part arc, setting the stage for Wally to confront not only Mirror Master, but the personal demons he can no longer outrun.

This issue does a solid job of continuing the story set up last month. However, it’s very much one that needs to be experienced and interacted with to fully appreciate what it’s doing. It’s difficult to convey just how effective some of these choices are without actually having the comic in your hands.

Overall, Jason Aaron's alternative take on Superman shows real promise and might feel more relatable to fans like myself who've often found Superman a bit overpowered compared to other heroes. Personally, I've always enjoyed the more grounded heroes, like Batman, who rely on technology, training, and cleverness to overcome villains and challenges.

Overall, this is a solid second issue that continues to develop both character and plot effectively, with enough intrigue to keep readers engaged.

In my view, this is the weakest entry in the Absolute Series so far.

OverallThis is an intriguing fourth issue that introduces a classic Superman character in a completely new context. The addition of the Omega Men to the plot provides a fascinating counterpoint to the main villains, and I'm excited to learn more in the upcoming issues.

So far, this comic has used a lot of flashbacks, contrasting the fall of Krypton with the way corporations exploit Earth's natural resources and oppress its labor force. The narrative serves as a solid allegory for many of the world's current problems, and for some readers, it might feel a bit on the nose. Personally, I think Jason Aaron gets the balance just right. He captures the cold, inhumane calculations of Lazarus Corp, run by Brainiac, while also portraying the plight of the workers who are firmly under Lazarus Corp's thumb, with little to no health benefits. What the story doesn't provide, however, is any suggestions or ideas on how to fix the system it critiques. Now, that's something I'd love to see in a comic a template for how to solve the world's problems.

A solid issue that builds brilliantly on everything set up in previous chapters. The new take on Kal's first meeting with the Kents was nicely handled and added some real depth to the story around Lazarus Corp. I'm looking forward to seeing how Kal-El deals with Ra's al Ghul and Brainiac when the time comes.

Now, if that isn't a cool introduction to one of this book's main villains, I don't know what is.

Overall, this is a great issue that brings Superman, Lois Lane, and Jimmy Olsen together. The question is, how long will it take for them to earn each other's trust something that's long been established in the prime continuity?

OverallA solid issue that builds effectively on the plot threads laid out in previous chapters, while raising the emotional stakes by testing Lois Lane's resolve against the ruthless Ra's al Ghul. The added tension enriches the story, keeping the momentum going as we head toward the arc's conclusion. I'm genuinely looking forward to seeing how it all plays out.

This issue concludes with a dramatic first meeting between the Absolute Universe's Superman and Ra's al Ghul. The plot leading up to this moment is well thought out and includes a rather dangerous scene where Ra's al Ghul is condescending toward Brainiac without whom he wouldn't have been able to run Lazarus Corp so efficiently. I'm pretty sure al Ghul's tone toward Brainiac is going to come back to bite him at some point, and I'm left wondering what the consequences will be.

This is a pretty enjoyable issue. I loved how we see Brainiac's hierarchy disrupted by Superman's ability to almost whisper super quietly and spark a rebellion. I also really enjoyed Talia's proper introduction into the story. The panels where she taunts Lois and Jimmy are a lot of fun.

This issue builds beautifully on the larger story. I especially loved the sequence where Lois and Jimmy enter the diner and meet Lana Lang and the people of Smallville, who look ready to face one hell of a fight with or without Superman's help. Equally enjoyable is seeing more of the relationship between Kal-El and his AI companion, Sol. The moment where Kal tells Sol he sees him as family is genuinely touching and feels truly earned in the context of everything that has come before.

Things are really starting to heat up in this series, and this issue delivers some brilliant character moments. We see Lois Lane struggling to understand Superman and trying to get him to open up to the people he's sworn to protect. There's a fun flashback to a week before the battle, where Jimmy Olsen asks Lois when she knew that siding with Superman was the right choicea small but meaningful moment that adds depth to the story. Overall, this is a strong issue that builds tension and sets the stage for what is likely to be the final, climactic showdown between Superman and Ra's al Ghul.

This is a fantastic ending to what has been a fourteen-issue story arc for the first Absolute Superman. It closes the book on Ra's al Ghul's control while leaving the door wide open for what comes next. I'm genuinely looking forward to seeing what this world looks like in a postAl Ghul Absolute Smallville, now that liberation has come at such a high cost. Just as importantly, I hope we don't have to wait too long to see Metropolis re-enter the picture. After everything Superman has endured here, the prospect of watching him step into that city, carrying both trauma and hope, feels like the natural and exciting next chapter.

This is a genuinely enjoyable story that demonstrates that even when he isn't battling an outright supervillain, Superman still has more than enough on his plate and very little opportunity to enjoy any real downtime. In fact, the issue quietly raises the question of how he manages to maintain anything resembling healthy personal relationships when the needs of the world never seem to stop demanding his attention.

This was a really enjoyable issue that brings Hawkman into the fold and shows Superman that there are other heroes out there, including ones he won't always agree with. I liked that we still get a glimpse of Lazarus Corp continuing to operate under Talia al Ghul, which nicely hints at future conflicts. The segment featuring Brainiac attempting to recruit a Lex Luthor who is the complete opposite of the version we all know and love was another highlight. All of these threads help build a much larger universe, and it's fun to see it taking shape.

Overall, this was a really fun issue that frees Ra’s al Ghul and reveals Hawkman as an agent of Lazarus. With several intriguing plot threads now in motion, it will be interesting to see what further revelations await in the issues to come.

A really strong issue with a fantastic origin story for King Shazam, which feels reminiscent of what we saw in the Black Adam movie in many ways, while still being different enough to stand on its own.

Over time we see the Witch raise Diana as her own child and when she comes of age the Witch tells Diana about Apollo bringing her to hell and not wanting her to know about her heritage. Now Diana has come down to Earth on her Zombie horse named Pegasus and embraces her job of protecting the world from the worst that Hell has to offer as she looks to reclaim the word Amazon and her true heritage.

Visually, I loved the action beats at the start of the book, which were dynamic and engaging. The slow build-up to the reveal at the end also kept the tension high and made for a satisfying conclusion to the issue.

Overall, this book remains my favorite from the Absolute range, and I'm excited to see where the story goes next.

This was a strong issue, with Wonder Woman making a few new friends. But could the ominous ending be hinting at potential enemies within the US government?

Overall, a solid issue that wraps up the opening arc in a satisfying way.

Equally enjoyable is the short story Li'l Diana, where we see a young Diana learning the magic of transformation from her adoptive mother, Circe. Also written by Kelly Thompson, this story offers a refreshing bit of light relief after the edgier main plot.

A very enjoyable story. I loved the use of the parable about the princess and the prince who wasn't a prince, and how it was juxtaposed against the real-time dilemma Wonder Woman was facing. This is a style of storytelling I've always enjoyed immensely, and I hope we'll see more of it in future stories.

Overall, As My Mothers Made Me gets off to a solid start, as the darker side of human nature begins to show itself through Veronica Cale and her attempt to weaponize the final death screech of an absolute monster. We're also introduced to Dr. Poison, who I'm sure will be a source of some intriguing story developments as the arc progresses.

This is a fun and engaging issue that sets up a lot of intriguing threads for what's to come. I especially enjoyed seeing Diana befriend Ferdinand, and I'm looking forward to learning more about his tragic backstory as the series unfolds.

This is a really strong issue that enriches the backstory and mythology of this newer, more grounded take on Wonder Woman. It successfully deepens the character while maintaining a compelling narrative. I look forward to reading more of this series in the coming months.

OverallThis is a solid issue that ends with Wonder Woman believing she may have found a way to defeat Cleabut we'll have to wait until next time to see how it unfolds.

This issue does a solid job of closing out the current arc while leaving just enough threads dangling to set up what's next. I especially enjoyed the final page and the chilling new direction with Dr. Poison both moments that promise exciting developments ahead.

I really enjoyed this new arc and how it's bringing more of Barbara, Etta, and Gia into the story. It feels like it's setting them up to become Diana's team of witches and experts on ancient societies and magic. I particularly loved the opening pages, where Diana confers with Barbara over various books and scrolls as they dig deeper into her origins.

I really enjoyed this story and its mythological elements. I thought Gaia was used and represented exceptionally well, and I hope we see more fallout from the trust she has placed in Diana in future issues. Kelly Thompson continues to deliver strong, imaginative work on Wonder Woman, and I'm genuinely excited to see where she takes things next especially with the tease of an upcoming encounter with a certain Dark Knight.

I really enjoyed this issue and the way Kelly Thompson handled the initial dialogue between Wonder Woman and Batman. It felt very intentional, with a straight, businesslike economy to the exchanges, and when reading Wonder Woman's dialogue in particular it came across as clipped and to the point in my head. I'm looking forward to seeing where this story goes in future issues and how further crossovers in the Absolute Universe will play out.

This second part of the new story arc adds a little more to the plot. I loved the moment where we see a ticked-off Victoria Cale having to look into sending another witch to go after Wonder Woman, given that Zatanna has escaped into the wind, meaning that Cale no longer has a hold on her. Hopefully, we’ll get to learn a little more about Cale in future issues.

This is a solid opening to the new arc, showing us some of the fallout from Wonder Woman's previous missions while also sowing new seeds for future storylines.

This was a really solid third chapter in The Season of the Witch story arc, and I’m looking forward to seeing what the penultimate issue delivers next month.

Kelly Thompson continues to weave a compelling narrative, blending elements of Greek myth with a modern sensibility. I particularly enjoyed the opening exchange between Aphrodite and Circe, where we learn that Diana has inherited a portion of Aphrodite’s power to compel love.

I'm looking forward to seeing what issue two has to offer next month because this is a really strong start.

As far as plot twists go. There's a few being set up. This issue alone gives us a few more classic characters from the period. One of which is a certain gentleman calling himself Jack who suspiciously looks like a rather young David Warner.

I hope it's not too much of a long wait for issue 4 because I'm really enjoying this book and would love to see it as a movie someday.

Overall. This book continues to be the main event on my monthly calendar.

I'm giving this full marks across the board and hope to get hold of a trade copy of the whole story in graphic novel form.

A promising start to what looks like it may be a good pulp-style story. My only criticism is that Claire's meal with her family dragged on a little, but perhaps that was the point. Matt Fraction has something pretty cool brewing here. I'm ready for my second serving.

The team of Rachel and Terry Dodson continue to do great work in the art department.

The part of the story where Claire has lost time and is being examined by the Doctor proved to be quite interesting in that she suddenly has her hearing back in one ear and has grown a bit taller. It will be fun to see what this is going to go in the next issue.

OverallMatt Fraction is giving us a wildly fun pulp adventure story with a likable character. I loved the sequence at the end where Claire's son tells the rest of the family how they will be able to find his mother. I loved how he explained Adventureman's Thought Surge.

"TO THE GREATEST UNKNOWN" does a fantastic job of trying up one story arc and sawing the seeds to start a newer story. Thankfully, we'll not have to be waiting quite as long for the next issue. But that said this particular issue was well worth the wait as I had very nearly forgotten that I had subscribed to this book. Especially given that Covid and various other considerations had delayed its release by a whole year.

A really funny and festive opening for what I am sure will be a fun short story, which will wrap up in next month's issue.

Matt Fraction giving us a ghost Adventureman story this close to Christmas is genius. The artwork continues to work really well with Fractions narrative and the colours and visuals continue to look very much like an old 30s pulp series, but set in the modern-day. Additionally, this issue is a wonderful introduction for the cowboy hero Champion Strong, who I am hoping we'll see more of in the months ahead.

Overall. A great end to the Alpha Gods story, which Ian Sharman started way back in 2005. If you like mythology and stories that involve angels and demons and damnation then you should really check out Alpha Gods. It has it all.

Doom enlists Spider-Man as his champion, tasking him with battling an ancient god and its seven scions to protect Earth from supernatural threats. At first, Spider-Man flat-out refuses. But he quickly learns he has little choice, as Doom has already put his plan in motion. Armed with magical armor and an assortment of enchanted tools, Spider-Man has no choice but to face this otherworldly challenge.

Overall, I enjoyed this issue and look forward to the release of the third book in the series.

Overall, this is a solid issue that delivers a powerful punch, leaving you wondering if Spidey can recover. With three lives already spent, he's down to just five. How will Spidey overcome this formidable third Scion? I guess we'll have to wait and see in the next installment.

The 8 Deaths of Spider-Man continues to be a fun read, offering spectacular battles. I'm really enjoying Peter Parker's ongoing struggle to balance his crime-fighting duties as Spider-Man with his regular life, being there for his girlfriend and Aunt May. These Scions are proving to be much tougher than the webhead's usual foes, making for an exciting monthly read.

The final page hits hard, showing Peter Parker at rock bottom, teetering on the edge of conceding and giving up the fight.

The issue leaves us on a bit of a cliffhanger, with the X-Men preparing to face Cradios. The question is, will Spider-Man come to his senses in time to relieve them before Cradios takes them all out?

A solid issue where Peter Parker continues to wallow in self-pity and neglect his duties as Champion. Introducing Crya is an interesting move, especially since it was her battle with Spider-Man that helped drag Peter into this vicious cycle of self-doubt. Crya has been a compelling character throughout the story, and I'm eager to see how she'll impact future issues.

This penultimate issue does a fantastic job of setting the stage for what I hope will be a thrilling finale. I've really enjoyed following Cyra's character arc over the last few issues, and this one delivers a solid payoff. Hopefully, her sacrifice doesn't mean the end of her in the comics worldI've really liked her journey and would love to see her return as an ally to Spider-Man in the next iteration of the character launching in April.

A great ending to a fun story where Spider-Man gets a firsthand lesson in just how much the world values the service he provides.

A solid start to this new era of Amazing Spider-Man. Romita Jr.'s artwork is awesome, just as you'd expect. I really liked the panels showing Roderick Kingsley making his plans and instructing his PA to monitor the situation. The question of what Kingsley is really up to is still hanging in the airbut whatever it is, it's clearly having an impact on the personalities of people living in Harlem. I'm looking forward to finding out what's behind it all.

A solid second issue that builds nicely on the events of the opening chapter. Watching Spider-Man lose control is both interesting and funespecially since he's usually known for his bravado and confidence. I'm looking forward to seeing where all of this goes in the next issue.

OverallA solid third issue in the storyline that gives Spider-Man a clue about what may have poisoned him. I loved the back-and-forth between Spidey and Itsy Bitsy, as well as the flashbacks to Spider-Man's corrupted memory of the incident with Uncle Ben's old army jacket.

Overall, this has been a pretty solid story arcthough not particularly groundbreaking in terms of original ideas. Seasoned comic readers will likely have seen similar beats before. That said, the execution has been strong. The artistic portrayal of Spidey's hallucinations was a highlight, offering both visual flair and a glimpse into a lesser-known part of Peter Parker's past.

Overall, this is a satisfying resolution to the opening story arc. It leaves just enough open at the end for Hobgoblin to return in the future, while also adding some extra weight to Norman Osborn's redemption arc. Now a reformed character, Osborn is actively working alongside Spider-Man. I'm looking forward to seeing how Spider-Man, Peter Parker, and his relationships continue to evolve as the series progresses.

OverallThis opening chapter does a solid job of laying the groundwork for the arc to come. I appreciated how the story transitions from the relative calm of Peter Parker's life beginning to stabilize, only to have the waters stirred by Tombstone's ominous tip-off. The introduction of Hellgate is set up beautifully, landing with just the right amount of impact and intrigue. I'm genuinely looking forward to seeing what kind of chaos he brings in the issues ahead.

Joe Kelly continues to strike a solid balance between action and humour in this series, delivering some absolute zingers that feel true to Spider-Man's character. His dialogue crackles with energy, especially in the scenes featuring Spider-Man and Black Cat. It's genuinely fun to see the two of them working together againtheir chemistry is undeniable. There's clearly something brewing between them in this run, which feels like history repeating itself, considering their romantic past. Whether it's rekindled love or just flirtatious teamwork, Kelly keeps their dynamic engaging and fresh.

The issue continues what is, overall, a fun and engaging storybut it doesn't offer many answers just yet. We still don't know why Hellgate has challenged Spider-Man, beyond the vague influence of a mysterious voice that only he seems to hear. The identity and motives of the stranger who arrived in New York back in issue #1 remain a mystery as well. And then there's the wildcard: is Captain Kintsugi a genuine young hero in the making, or just a kid in over his head, as Spidey suspects?

This is a strong pair of issues that push the story forward while delivering plenty of well-executed action beats. The cliffhanger ending is especially effective and sure to keep fans guessing until ASM #11, and I'm eager to see where the story goes next.

This is a solid bumper issue that digs deep into who Peter Parker is and what his values mean in practice. The panels of Peter back in New York, battling the imposter Spider-Man, are nicely executed and capture the tension of two different moral codes clashing. Out of the two stories, though, it's the second, more cosmic tale that stood out for me. It feels like we're meant to assume Peter was travelling with this alien group during the two-week gap he was missing something that was hinted at in the previous issue. That extra layer of context made the cosmic arc feel more compelling and gave it a sense of purpose beyond spectacle.

Overall, this was a solid chapter in the story arc, though I would have liked to see a bit more of what the real Peter Parker is getting up to in space. I particularly enjoyed the satirical comedy at the start, with the conspiracy theorists discussing Hellgate and parallel universes on J. Jonah Jameson's podcast. It would be great to see more of this humor woven into the story as the arc progresses.

This was a solid issue that gives us a glimpse of what Peter Parker has been up to while Norman Osborn masquerades as Spider-Man, keeping New York safe in his absence.

This is a solid issue that continues to build the overarching story while delivering some great character work. Norman Osborn's inner dialogue is particularly well written, offering real insight into his mindset and the weight of his struggle to atone for his past as the Green Goblin. It's refreshing to see this more introspective side of Norman handled with such care. Also enjoyable is how Kintsugi naturally weaves his way into the narrative, acting almost like a sidekick to Norman's Spider-Manbringing a youthful energy and a touch of unpredictability to the dynamic.

This was a fun chapter that focuses heavily on Spider-Man's relationships with his new crew, particularly the friendship he's developed with Rocket Raccoon. Spidey is doing his best to help Rocket in this book, but of course, Rocket being Rocket, he's not exactly thrilled about it and resists at every opportunity. Their banter is sharp and entertaining, adding plenty of humour to the cosmic setting. Meanwhile, Spider-Man's continued collaboration with Dr Xanto as they work on ways for him to build his strength before returning home becomes a real sticking point for Rocket.

This story arc continues to be entertaining and offers some genuinely interesting plot developments and character growth.

This was a really strong issue with a lot going on, balancing character work, cosmic spectacle, and forward momentum. It also ends on a note that neatly sets the stage for Spider-Man's eventual return to Earth, giving the story a clear sense of direction as it heads into the next phase.

This is a really solid issue that would stand well on its own even without the context of the wider story arc. It's genuinely enjoyable to see Jonah Jameson and Norman Osborn bond over how infuriating yet deeply likeable their friend Peter Parker is, while also acknowledging how knowing him has pushed them toward becoming better versions of themselves.

This issue is built around a collision of wills, as Spider-Man tests his newfound strength and resolve against an enemy who has pushed him beyond his limits. He wrestles not only with Hellgate's raw physical threat, but also with his own lingering doubts about whether he has truly grown strong enough to protect the people he loves. Given the way this issue brings things to a close, it will be interesting to see what happens when Peter inevitably crosses paths with Hellgate again, assuming their next encounter takes place back on Earth.

The issue unfolds like a relentless manhunt, driven by a guilty conscience strapped to the front. Norman scrambles, fights, and constantly struggles not to b

This issue delivers an enjoyable and fitting conclusion to Norman Osborn’s time in the Spider-Man suit, while neatly setting the stage for Peter Parker’s homecoming. The closing image of the two men embracing provides a quiet, emotionally satisfying end to the story.

This is a strong issue that successfully closes out one arc while beginning to set the table for the next. The reunion between Peter Parker and Aunt May feels earned, particularly given that Peter has been missing for months. There is genuine emotional weight to the moment, and it avoids feeling rushed or manipulative.

This was a fun issue and serves as a crossover with Venom #255, which I won’t be picking up. So I’m hoping whatever plot threads carry over into The Amazing Spider-Man #24 will still make sense without having to read that issue.

This is another enjoyable issue, with an interesting new villain in the form of Torment, who truly lives up to the name. I also really liked the Torment costume, which has a striking design that immediately stands out. In fact, it wouldn’t surprise me at all if this is one of those looks that ends up being cosplayed at conventions somewhere down the line.

This story arc continues to be a lot of fun, though with it crossing over into the regular Venom title, I feel like I’m getting a slightly lighter version of events, as I don’t read Venom and don’t intend to.

This was a really strong issue that raises the stakes nicely. The combination of Carnage and Torment’s personalities is particularly fun, especially in the way they play off each other through their dialogue.

This makes for a satisfying conclusion to Death Spiral. The ambiguity surrounding Carnage’s fate is a nice touch, leaving just enough uncertainty to keep that thread alive. I also enjoyed the transition from the main story into the developing mystery around Mr. Crane, which neatly sets the stage for what’s ahead.

This was a solid issue that did a great job of exploring the emotional and psychological strain that comes with Peter Parker leading a double life. Between the pressure of keeping his identity secret, the complications surrounding Ben Reilly, and the lingering fallout from his time away from Earth, the book gives Peter a heavier emotional load than the average superhero punch-up.

I enjoyed the comics story and the art work was of good enough standard that it showed you what you needed to see without pulling you out of the story.

Much like last issue. It is surprising me just how different the comic book adaptation is to the TV series and how events seem to happen in a different order.

I now look forward to issue five, which will likely feature Shadow and Mr. Wednesday's bank robbery and will be followed up with their meeting with the new gods.

American Jesus #2 will be out in all good comics stores on Wednesday 22 January.

If I have any criticism of this book. It is that we haven't really seen too much in this story from the opposite side of the fence as to the kind of upbringing the Messiah's opposite number had and how he or she has been living their life. I guess the writer is saving all of that for later issues. Either way, it would be cool to see that.

Overall. 'American Mythology Monsters' is a fun reinterpretation of the classic Universal Monster movies from the 1930s. The artwork is pretty good for a black and white book and allows you to fill in the colors with your own imagination. Out of the three stories. I found 'Bite' to offer the most interesting reinterpretation whereas 'Safiya' was the most visually interesting.

It is my hope that this series proves successful for Titan Comics because it allows new readers to experience what readers of the novels did.

Overall though. This is a fun first issue, which does a superlative job of capturing the spirit of both Xena Warrior Princess and Ash and Army Of Darkness. I look foreword to seeing how things pan out in the second issue.

If you're looking for some pulpy fun to read. It is part tribute to the soldiers that fought during the second world war as well as a loving homage to Pulp stories.

Overall. A really strong start to a story, which I hope will gain momentum and strength as the series progresses.

Overall a solid story and thought-provoking story, which is an example of the types of stories that classic science fiction can tell. I.E. it's not simply a good guys and bad guys kind of story. But a lot more nuanced.

OverallThis story continues to move along at a satisfying pace. The events of a virus taking out the indigenous life on Pandora is somewhat similar to what happened to many Native American tribes when the European settlers made America their home. Bringing with them strains of many viruses and diseases that the Native tribes had no immunity to. The interplay between Moat and Eytukan provides the backbone of this story as Eytukan's anti-human views give him some compelling arguments. We also have some nice moments between Grace and Selfridge as the latter says that the disease could well make his job easier. Of course, Grace isn't too impressed with Selfridge's attitude.

Having spent pretty much the whole weekend reading all 11 issues of this comic. I am now wanting to have more 'Back To The Future' and the odd conundrum or two for Marty and Doc to solve. Which is something that seems to be happening as IDW continues on to the future.

As a regular reader of this series. I'm hoping that this is truly a one shot because I'd like to get back to the time travelling.

I only hope that they do not kill of Irving. He makes for a more interesting enemy that Biff or anything that we have seen thus far in this series.

This has been a wonderful arc. Amust have for those that buy the trade paperbacks.

Overall this is a fun story with lots of fun references, but it only really works as a bit of filler as in a one shot to buy us some time until the comics next big story arc.

A really enjoyable read and not even the tiniest hint of time travel thus far.

Over all this is a great second issue in the Hard Time story arc and I look forward to next months issue.

Given that we know so little about uncle Joey from the films. This comic book series has done a fabulous job of filling in some of those blanks.

IDW, Bob Gale and John Barber are doing some really cool stuff here.

I'm really looking forward to the next issue to find out how this arc will conclude.

Overall. This was a great ending for the mystery surrounding Joe Baines and a great launch point for a new adventure, which we'll see at some stage next year.

The art work byAlan Robinson is fantastic. I love the alternate dress code of 1986B and its a load of fun seeing Marty's girlfriend Jennifer in full punk rock regalia. But its the scenes set in the 30's that really show off Robinson's work here. His attention to detail and the specalative look of Doc's invention of the flying car is brilliant fun.

OverallA promising start to what feels like a wild and crazy spy adventure. The main character is introduced to us on a burned page of a novel before we see him in the comic and the story is pure science fiction pulp from start to cliffhanger. I am curious and probably inclined to hit subscribe on this one.

Matt Kindt delivers a really solid second issue, which links things up with events in the first issue as the last few pages see John meet up with Agent Chord. I loved the cheeky references to 'Die Hard' with some of the dialogue and am really loving the over the top nature of the spy story. The inhalers that Shaw gets put me in mind of the Superdrug that was depicted in 'Limitless'. I really want to see this made into a TV show or a movie. It is that much fun.

Overall. A great introduction for Dr. Queen. I look forward to the issue where Chord, Queen, and Shaw start to work together, which hopefully will be coming up in the October issue.

A fun issue, which really appealed to the Agatha Christie fan within me.

Move along James Bond. I would like me some more Bang!

Overall. I'm probably in for another issue to see how it goes. Overall it is pretty true to the Barbarella character and visual goes a little further than the movie could ever go.

This is a fun read, but when compared to Dynamites very first issue of Barbarella, which I covered months ago. This is a much cleaner story in that it has been toned down, which is not a bad thing given that its a holiday special, which means it needs to be a bit more inclusive.

One of the highlights is when we see Joking using Xabaras's lab to make zombie jokers.

Roberto Recchioni continues to spin an intriguing story making great use of Batman and Dylan Dog. The dialogue between the two protagonists is sharp and very much in line with what we know of their characters. The addition of the Demon Etrigan made way for some fun rhymes whereas John Constantine allowed the writer to create an interesting bit of conversation between Dog and Constantine about how things are versus the way they are now.

This has been a great crossover and I would not be apposed to seeing more crossover stories between these two characters.

Jeff Parker delivers a festive sequel to last year's Silent Knight storyline. I loved how he managed to include so many members of the Justice League while giving Santa Claus a fantastic entrance. It was great to see characters like Mera, Nubia, Constantine, and Zatanna make an appearance. I'm excited to see how much of a role they'll play in the story and can't wait to find out.

The combination of Parker's writing and the artwork makes this book a captivating read, and I'm hookedeagerly anticipating the next issue!

A fun issue that gradually builds towards the conclusion of Batman and the JLA's time in the Hollow Kingdom as Santa comes to their rescue. That said, I'm actually enjoying Zatanna and Robin's part in this story a bit more than Batman and the JLA's storyline.

This penultimate issue does a great job of setting the stage for the finale, which drops later this week. As the story wraps up, we see the Dark Knight and his companions step into the castle that has long been the Silent Knight's domain. It's hard not to feel that the upcoming finale will be bursting with action and plenty of Christmas magic.

Overall, I absolutely loved this book for its outlandish craziness. It truly captured the spirit of a proper holiday special, perfectly spread across five issues. I really hope we see more of this kind of fun from comics next year.

Mark Waid delivers a fantastic first issue. I'm always up for seeing Superman get savagely beaten up. But for me, it is the addition of The Doom Patrol that really makes this book. Waid makes brilliant use of Negative Man's powers in order to help Batman contain an out-of-control Superman. I can't wait to see what happens in the next issue.

Overall. A fun read and thus far a fairly strong team-up story for DCs two most popular heroes.

For me personally. The best part of this issue is the sequence where The House of Ji explains how they defeated Nezha the first time. The words for this sequence worked brilliantly with Mora's artwork.

So things are looking pretty grim for our heroes as Supergirl delivers some disturbing news. I can't wait to find out what will happen in the next issue and learn who our heroes will have to sacrifice in order to defeat Nezha. I mean could there be a workaround such as making a superhero clone. You know pitting science against magic? I guess we'll learn more in next month's installment.

This was a lot of fun. And the next story arc in which the team will go after Robin already has me pretty excited at the possibilities.

Mark Waid gives us a pretty solid but simple mystery for Robin to solve, which kicks off this new story arc. I really loved how he had Robin describing his love of the circus at the beginning of the book. I also loved how well-written the various characters were and the panel where Superman gets hit on by the circus cook was pretty fun. Overall, this is a good start to the new story arc and could almost work as a one-shot style story if we did not know that there was more to come.

Things get kind of interesting when David exhibits powers that are a side effect of his Earth having a less powerful sun. In order to help assimilate David into this new Earth Superman agrees to train him while Robin introduces him to the Titans.

OverallThis is a really fun and interesting story and the focus on David AKA Boy Thunder and his superhero journey give us an insight into topics such as mental health and anxiety. I loved the sequence in which Supergirl tells her story to Boy Thunder in an effort to ease his mind about his own anxiety as he is blaming himself for the loss of his own Earth. The question is. Was he the cause of the destruction of his own world? Or was it something else?

I can't wait to see where this story goes when the next issue is released next month.

Mark Waid does a great job of the panels where Joker and The Key are working together to try and get information out of Boy Thunder via torture and other means. I loved the conversation that Boy Thunder has with The Key in which the villain pretty much gives us his origin story in a few short paragraphs when he talks about the fact that human beings only use about 10 percent of their brains.

All that said. I really enjoyed this opening issue and I'm fully on board to find out what happens as Terry goes deeper into Under Gotham to investigate the missing kids.

OverallA really fun issue that does a great job of moving the story forward and ends with a big reveal about who the tomb belongs too.

A fantastic issue, which sees Batman doe some real detective work. I love the fact that this is all wrapped up around something that his ancestors did years ago. It adds proper emotional weight and high stakes if Batman or Bruce do not handle things the right way. I'm also quite enjoying the character of Azrael and his penchant for religious quotes. Not to mention his flaming sword.

I look forward to the next issue to find out more. The whole history of Edmund Wayne and everything that involves is really interesting and fun to read.

A really good book, which sets things up beautifully for the coming fight with Azrael.

OverallThis final issue wraps up the story quite nicely and sees Bruce Wayne taking responsibility for the actions of his family many years in the past is pretty much a given. It was the panels that led up to that. Such as the few panels in which Harley Quinn tries to talk Bruce out of giving himself over to the Gotham PD. The final panels of this leave things open for more adventures to come, but the conclusion of this story changes everything for the life of Bruce Wayne and Batman.

OverallSean Murphy delivers a solid story here, which will both entertain and educate. I really loved the segment at the very close of the book where we meet the White Knight version of Batman during a visit to an older Victor Fries. But it is the story within the story about Victor's father the Baron and his surrogate father Jacob, which will melt even the iciest of hearts.

Overall. A really promising start to what looks like being one hell of a great story. BSG vs BSG will hit comics stores on Wednesday of next week.

A crossover between the original Battlestar Galactica crew and the Re-imagined crew was always going to present fun and interesting ideas. But you have to wonder if some of those ideas are perhaps left as just ideas and not allowed to germinate beyond that.

Overall. Despite my issues with the artwork. This is a case of a damn good story taking shape. I love the fact that Iblis has come into play here and wonder how long it will be before the ship of lights shows up. This issue has a few shocking moments and sees one of the Adama's acting very much out of character.

Once again. If your looking for the artwork to be representative of the characters from both television shows. Don't hold your breath. Johnny Desjardins characterizations are more his interpretation than they are accurate and it can be a bit jarring. So best to keep your expectations fairly low because the only characters he has anywhere close to how they are supposed to look are those characters from the re-imagined universe and even then it is hit and miss.

To sum up. This will likely be worth having in trade paperback when it gets released, but it is more of a fun item to have in your Battlestar Galactica collection.

As a child of the 70's and 80's I'm loving this and I'm definitelysigned up for the whole story. This to me is the Battlestar Galacticaof my youth and not the gritty and nihilistic take on the series, which was so popular in the early 2000's. You can get your copy of this first issue for Free from Comixology and elsewhere. It's definitelyworth a look if you feel nostalgic for the more family-friendlyversion of Battlestar Galactica.

Overall. This new comic book run feels very much like it could well have been an original episode from the Classic Battlestar Galactica series. I want more of the same, please. Bring on issue 3.

This issue will hit comic book stores on Wednesday, December 12. If you're a Classic Galactica fan. This is a must-read.

I am continuing to enjoy this series and hope Dynamite plan to make this an ongoing series because this Classic Battlestar Galactica fan would be very happy if they do.

I really enjoyed the relationship that Adama builds with the Comitat, which builds up to a really dramatic closing page. I look forward to issue 5 whenever it drops. Hopefully, the wait will not be too long.

Once again Tini Howard gives us a rather complex and nuanced storyline, which has multiple twists being set up. I love the fact that we are likely to see a bit more of S.T.R.I.K.E. as Betsy has called upon them in order to help here get to the bottom of what is going on with the Furies.

OverallOverall. A solid continuation of the story that kicked off last month. I loved the decision to bring Captain Carter and Lizzie Braddock into the story. As I loved the solo Captain Carter comic series that introduced their characters to us last year. I look forward to seeing how well Captain Carter and Betsy Braddock work together in future issues.

Tired and fast running out of options. Bettsy begins to realize that she is going to need some outside help in order to help her and her people defend the country from the nefarious plans of Morgan Le Fay.

This penultimate issue does a fantastic job of foreshadowing what is to come but does so in such a way that it gives very little away. I loved the family meeting at the close of the issue and some of the questions that the Braddock family was pondering. Especially where it concerns how they can fight Morgan Le Fay and do it in such a way that they do not endanger the country or pull Europe into another war.

This is a satisfying conclusion to the story arc, but it looks like it could well likely lead into a future arc as I don't think Betsy's solution is as elegant as she thinks it might be. I loved how S.T.R.I.K.E. was used in this issue. But for me, the best inclusion was seeing Faiza Hussain get a good role as she is a character that Paul Cornell introduced to the Marvel Universe via his run on Captain Britain and is a character that I don't think we've seen enough of.

Having Bettie Page be a secret agents is a master stroke and it works really well as a concept. I really enjoyed this first issue, which tells a somewhat self contained story to introduce the characters.

The reveal at the end of the book feels very 1930's movie serial in that you will find yourself anxiously wanting to know what will happen in the next issue.

With the cliffhanger ending being far more exciting this issue. I can't wait to find out how Betty and Druke escape.

The colors were fantastic and the humor of Betty having to strip down to her swimwear in order to escape the flying saucer was pretty much expected, but not half as much fun without the dramatic build up. With just one issue left to go. I shudder to think of what Avallone might come up with next.

I look forward to seeing what is in store for issue six where we may just find out who was behind the giant scorpions.

This issue will drop at all comic stores a week on Wednesday.

Overall. Another fantastic issue. Hopefully, there are loads more to come in the future.

This has been a fantastic monthlycomic, which I am going to miss now that it is at an end. Hopefully, David Avallone will come up with another caper for Bettie and her friendsto figure out at a later date.

OverallAn enjoyable read and a reminder that I cannot have enough Bettie Page comic book stories in my life. I was really impressed with what Leah Williams did with so little space to fill and Dave Avallone continues to impress with his knack for being able to write a pulp story and create dialogue that fits specific time periods.

OverallA solid opening issue, which sets the ball rolling on another bunch of adventures for Bettie Page. I'm looking forward to seeing where David Avallone will take this in future issues. I really enjoyed how we got a brief callback to the Halloween issue, which was released last month and I really appreciated how fast we got into the adventure. I look forward to seeing what Bettie thinks of the English dessert known as Spotted Dick. If indeed she has time for such trivial pursuits.

Most of all though. It is the way the mystery of this book is set up. It very much feels like a 1930s and 40s movie serial with the cliffhanger ending, which keeps you on the edge of your seat. I can't wait for issue 3.

My only complaint is the lettering. In the panels where Bettie is wearing the helmet. It is barely visible due to the fact that her voice sounds lower. The letterer chose to have the lettering fade to a point where even the most sighted person would have to squint in order to read this dialogue. I have friends that are partially sighted who read comics that would have struggled with this. So I have to address this issue by asking if there might have been another way to sell this fact in the story. Instead of fading the text so much.

A wonderful resolution to what has been a very fun adventure. Bring on the next issue.

Given how this issue closes. I'm psyched to get my mits on the second issue of this arc, which is a whole month away. Hopefully, it goes by fairly quickly.

A great Halloween issue, which will get you in the mood for some trick or treating.

Overall. A pretty good second issue that makes the reader feel pretty much exactly what all the characters are feeling insofar as not being completely in the know about what is going on. I look forward to the third issue in hopes that some clues will be revealed.

Hopefully, the fourth issue will have a little more action happening and perhaps a little more from Bettie Page herself. Because she has been pretty quiet thus far.

Overall. The best issue to date, which feels like it is building up towards some big reveal in next month's installment.

Overall. The Agatha Christie feel of this story reminded me of countless movies and TV shows have seen over the years. Though I don't think any of them had a heroic Elephant called Tuskems. In a sense, it was the use of the Agatha Christie-style mystery that gave this comic a warm and familiar feeling. Although I had pretty much figured out who the villains were a couple of issues back. But, despite that. I still had fun following along with the story. It's a fun read, but not the best Bettie Page story to come from Dynamite.

This isn't a bad story, but I can't help but feel that the character of Beauregard is getting a lot more attention than the titular character who seems to be a lot less streetwise than previous incarnations of her character that have been published by Dynamite. Hopefully, we see Bettie evolve in future issues because right now she doesn't seem to be the same character that I have read in previous books as Beauregard seems to be doing all the investigation.

I'm really looking forward to where this story will go in the next chapter.

Stephen Mooney gets this new adventure off to a wonderful start and introduces us to some wonderful new characters. Indeed, the introduction of Maire Dineen whose skepticism makes her quite interesting. Also, I really enjoyed the easy banter between Bettie and Lyssa.

Writer Stephen Mooney picks things up from he left off and manages to remain consistent throughout. I love how he has captured how much of a culture shock it is for Bettie and Lyssa as they learn about the foibles of a small village in Ireland.

Overall. A solid issue. I look forward to seeing what we have coming up in the next one.

This was a great issue that spins-off wonderfully from the mythology that David Avallone has worked so tirelessly to set up in previous issues. I loved how the issue starts with Bettie recapping absolutely everything that has happened that has led up to her being in this strange new world.

Overall. A really strong issue, which allows us to see Bettie as a Vampire for the first and hopefully not the last time.

Overall. A great issue, which leaves us with a cliffhanger that will have fans counting the days for the next issue to come out.

OverallDavid Avallone delivers again with this final issue of the current arc of Bettie Page, but he leaves enough at the end of the issue to begin a new story arc, which may involve pirates and crocodiles or any number of things. Either way, you are left with the impression that Bettie still has unfinished business. I look forward to reading what that might be.

OverallThis was a great issue. I loved how Bettie and the organization she works for are having to deal with the group of people she brought back with her from the other universe. But it's seeing Bettie meet the great Albert Einstein, which makes up the best part of this issue. I can't wait to see who she will meet in future issues.

Overall. Bring on issue two. It's got to be more exciting than Christmas.

I particularly liked all the backstory that we get in this issue as well. Backstory in which we learn that she was abused as a child and wound up in an abusive relationship before she moved to New York and became a glamour model.

OverallDavid Avallone has managed another solid issue and over the last two and a bit years has sold me on the idea of Bettie Page being a super spy. I'm just waiting for some of these stories to be made into movies of video games.

A strong issue, which is definitely building to a grand finale.

Overall. This gets a huge thumbs up from me. Now if only someone can convince Dynamite to pick up the licensing agreement to do a comic book adaptation of the old 1960s series 'The Invaders'. Now that would really be something.

So I'd say this is accessible to you if it has been a while since you have read anything from the Millarverse.

I'm really looking forward to seeing where this goes in the next issue.

This book, which includes all the heroes and villains that Mark Millar has created continues to weave a fun story. However, seeing so many heroes seen off is starting to make me wonder when we are going to see one of the surviving heroes get a victory. I think they're about due.

OverallMark Millar sets things up for a really big finale issue as we see Morax's forces come through a time portal on the last page. I look forward to seeing how Wesley Gibson and Nemesis fare when up against Morax and his forces. And given that Morax has a Wizard in his employ. It will mean that Cordelia and the Magic Order will no longer be breaking any rules by entering the fray. Bring on issue 5.

Overall. This has been an enjoyable series and I look forward to whatever other crossover events that Millar comes up with.

Overall. A really solid first issue, which has left me wanting to learn more.

Overall. Nowhere near as strong as the opening issue, but not quite bad enough to put me off coming back for the next issue.

Overall this is a promising beginning to what could turn out to be an interesting story arc given that Tim is looking for the magical urn that created the project superheroes team in hopes that it will reunite him with his version of Black Terror. The dialogue is quick and snappy and some of the morally questionable things that Tim gets up to in order get information are rather funny if not also a little dated. I mean giving a weed addict oregano is about as old school as it gets, but it works given that Tim is old school and always will be.

I enjoyed how we got the flashback to Vietnam and how the events that went down there sort of impacted on Black Terror having to do something for Bad Groove by the end of the issue.

The only redeeming part of the story for me was the Flashback. Now has the book been focused on that story as opposed to the soap opera that we got here. I'd have been a little happier. But it just seemed like the story was kind of disjointed in that the writer was trying to do far too much in just one issue.

For a first issue, Bloodborne does a great job of drawing the reader into the world and the combination of writing and art style work really well and conveys the various narrative beats in a quick and concise manner.

Lots of fun and highly recommended for those that enjoy stories that blend history, time travel and pirates, and the Bermuda Triangle together.

OverallBrawler is definitely worth the money if you are a bit bored of the traditional diet of superheroes and are wanting something a bit different with a good mix of stories and art styles. I'll definitely be getting the second issue when it drops so I can follow the stories that I liked.

The StoryWhen Simon Bruttenholm and Honora Grant visit the small country town of Noxton. They are hoping to find answers to their questions. Simon is looking for his mate Lowel who was supposed to be visiting to check out some Standing Stones. While Honora had an interest in the town's May Day Festival, which is supposed to be very different to other village festivals. However, as the two friends begin their investigations they find that the townsfolk are far from helpful. What could the townspeople be hiding?

A fantastic second issue that ends with a fun twist that will keep readers thinking until next month.

While speaking to a police officer to explain that she thinks a cult may have tried to get hold of Lowell. Honora is dismissed by the policeman, which leads her and Simon into suspecting that he may also be a part of the cult. Having seen their friend's fate. The two of them decide to further investigate and stumble into a ritual that sees the cult about to sacrifice another newcomer to their village to their Gray Man.

While getting the bus home. Hydra launches an attack, which pretty much forces Peggy into a position where she is likely to once again represent her country.

I can't wait to see what other horrors that Jamie McKelvie can present us within the next issue.

Jamie McKelvie continues to deliver the goods in this modern spy thriller. As far as the story goes. This feels like the third season of Agent Carter that we never got. I loved the fact that Peggy's neighbor just happens to be a conspiracy theorist and hacker all in one. Sure it is kind of convenient, but in this instance, it serves the story really well.

This is a really fun story and am looking forward to reading the final issue next month when it gets released.

OverallThe End OF THE LINE! does a brilliant job of bringing this story arc to an end, but leaves things open enough for Agent Carter to return at some future date. As to whether it will be for S.T.R.I.K.E. or some other team of heroes remains to be seen. But I'd personally love to see Harley and Lizzie Braddock get another adventure as well as they made for fun characters.

This first issue lays the groundwork for what I am sure will be a fun story. I can't wait for issue two.

Overall. A great second issue with a cliffhanger that will leave you drooling for more.

Overall. A very satisfying issue, which sets me up perfectly for issue four when its released next month.

One aspect that I haven't mentioned in prior reviews is the fact that there is a feature at the close of each issue in which Hammer Films Historian Marcus Hearn the film and how its reputation has grown since its 1974 release. Hopefully, these features will be replicated in the Graphic Novel when it is released in April.

Good fun, but to bad that we can't have artwork that resembles the actual characters a little more as opposed to a fast and loose artists interpretation. The artwork is solid. It's just a matter of personal taste. I grew up with these characters.

Overall. The writer does a great job of moving the story forward and ends this issue on a more thoughtful note, which is likely going to build up to some more action in the next issue.

I'm really looking forward to seeing how all of this plays out in the next issue.

Overall. This has been a great homage to both TV shows and I'd personally love to see Cameron Deodio and Soo Lee do a stand-alone Bionic Woman story that makes further use of the TV shows mythology. Maybe something to do with the deadly fembots.

Overall. This is a great first issue with a cliffhanger that will definitelykeep fans guessing to next month.

Eisma's art once more does a great job of capturing the mood and the 1970's dress sense, which was quite frankly terrible. I mean you could literally hide half of NATO's armory up your trouser legs back in the 70's. Especially when wearing flared pants.

One small complaint though is the lettering on page 17 where the Satanbratan is whispering. I literally had to strain my eyes to read what they were saying. I suggest maybe changing to a different font as opposed to making the text so minutely small that it is barely readable.

OverallThis is a very satisfying conclusion to the story, which bridges the gap between the original 'Charlies Angels' and some of the other Angels from the original television series, but concludes thing in such a way that leaves it open for a more modern take on Charlies Angels with the original trio working behind the scenes. Which might actually be something that could work.

Overall. Tons of fun with some laugh out loud moments as well as some genuinely emotional moments.

'Commando: The Experts' packs a hell of a lot of story into just 65 pages and left me on the edge of my seat.

Compass! is the sort of pulp story that I can get behind. I love the fact that we have an Arab Muslim as the lead character and look forward to learning more about her and the part of history that she hails from.

I'm also, enjoying the fact that we haven't seen Margul Khan beyond a partial glimpse of his face through the tent that he occupies. This artistic decision on the part of Greenwood and the comics writers adds to the tension. It also has me wondering if he is a leper like the man that he sent after Shadidah.

Finally, I also, enjoy the final few pages where we get a little bit of a history lesson about the period of time in which this book is set. This month talks about the Mongols.

Overall. For me, Compass is easily one of the comic book highlights of 2022 when it comes to giving us a really good story with some strong female leads. I've really enjoyed the writers notes about the various parts of history that the book is referencing. This addition really adds value to the book and I hope that both writers get the opportunity to release a collected edition of this book in trade paperback format.

A fun book that uses ancient historical artifacts and cultures to tell a compelling and fun story. Please guys write a sequel.

Jim Zub delivers a story that has an element of mystery to it. As we are left wondering who or what is behind this unstoppable army of soldiers who are single-mindedly taking out entire communities. I look forward to finding out who or what is behind this army in over the course of the next couple of issues.

OverallJim Zub continues the story by fleshing out some character development for Brissa as she slowly gets to know and learn to trust our Barbarian anti-hero as they follow the undead army made up of former members of her tribe.

I can't wait to see where all of this goes in the next issue.

Jim Zub's first story arc of Conan with Titan comics comes to a crushing conclusion with Conan and his men doing what must be done. However, we do get a bit of a tease on the last page that suggests that the threat from the vanquished black statue isn't quite over. So it will be interesting to see how this all pans out as the series moves forward.

I also loved the dramatic reveal at the close of the issue where we see just what Tarims Touch actually is. Its a brilliantly drawn moment.

Jim Zub continues to stay true to the universe and characters that were set up in the 1930s by the late Robert E. Howard. The writer works brilliantly well with the art team and goes all out to portray the real brutality and savagery of the Conan character. Zub's writing also does a decent job of portraying Conan's street smarts when it comes to handling Terims Touch.

Having picked up from where the last issue immediately left off. This issue takes the story forward and provides plenty of gore and emotionally charged moments along the way. As you'd expect. This all ends with a twist in the tail and is building toward seeing our favorite Barbarian facing perhaps his most famous adversary. This is going to get real in the next issue and I for one can't wait.

To sum up. This comic is a great example of sequential storytelling where the art team and writer are in perfect sync.

Overall. A solid chapter in which we get to meet another iconic Robert E. Howard character.

A great story that is building to what will likely be a fantastic ending.

Overall a great issue with a shock twist that will keep fans on the edge of their seats ready for the next one.

An excellent conclusion to what has been a brilliant story arc.

It's a story very much about the will to survive and how frightening life and death-situations can push a person beyond their limits. Overall, this is a great start and I can't wait to see where the story goes.

Watching from the shadows is a Norse Goddess who is starting to take an interest in the fate of Conan as he charges forth with the Vanir into battle.

Another fantastic issue with a great mix of strong artwork and fantastic dialogue. I loved how much of a tease Atali becomes in her quest to try and conquer the Barbarian.

A nicely done story that looks at what kind of things can make the strongest of us question our faith as well as our own minds. I enjoyed the flashback sequences and hope we get more of that kind of thing in future issues I feel that Conan's childhood years are something that would be interesting to explore in future issues. Especially if it is juxtaposed with a present-day dilemma. Added to all of that. I'd also love to see more of Atali and other strong female sorcerers in future issues.

Jim Zub kicks off this new story arc, promising exciting adventures with Conan and his Pirate Queen, a character we've only seen in flashbacks until now. It will be intriguing to see how this story unfolds as it develops. This is a strong and engaging start.

I'm looking forward to seeing how all of this plays out in the next issue.

Overall, it's a strong start, with a fantastic final page that sets the stage for what's to come in future issues.

Jim Zub continues to captivate me with his stories of Conan the Barbarian and his many adventures. The comic stays true to the novels I remember reading in the 1980s, when I was diving into reprints of the classic Robert E. Howard tales. I really enjoyed the shape-shifting warrior and the battle with Conan, but what stood out to me most was how the ritual played out. We're left with a fantastic cliffhanger, where Sura attempts to sell the ancient Stygian Dagger to a tradersomething that's bound to end in trouble.

The next day, a powerful Stygian sorceress arrivesrevealed as the one controlling the town and its people. Soon, Conan and his allies are forced into brutal gladiatorial combat, fighting for the entertainment of Stygian nobles. What began as a search for refuge becomes a battle for survival.

I'm genuinely looking forward to seeing where this arc leadsand can't help but wonder if we'll eventually witness the re-emergence of Thulsa Doom.

OverallThis was a solid issue that builds on last month's story while once again introducing the deadly Thoth-Amon. The encounter between Conan, Zula, and this formidable sorcerer is brilliantly played out, with genuine moments of tensionmost notably when Conan comes close to killing Amon, only to have his intent cut short as Amon regains control and ends the meeting. The issue closes on a gripping cliffhanger: Athyr-Bast has managed to free herself and sound the alarm, putting Conan and Zula in immediate danger and ending their ability to move undetected.

This is a strong conclusion that neatly wraps up the story while leaving the door open for the return of Thoth-Amon and Athyr-Bast. Their escape feels natural rather than forced, and the lingering sense of unfinished business adds weight to the ending. I'm very much looking forward to seeing where this story goes next.

This opening chapter does a brilliant job of setting up the new story arc. The looming war between the two kings is established cleanly, giving the conflict real weight right from the start. Conan's rise into a position of leadership within the Westermarck Wolves is also handled really well it feels organic, earned, and completely in character.

This is a really enjoyable read. I particularly liked the way Jim Zub and his art team introduced the various nobles vying for Conan's attention in the court. Each interaction feels purposeful, quickly establishing the political tension and the sense that Conan is being pulled in multiple directions by competing interests.

A satisfying end to what has been one of the most epic Conan stories in this series to date.

This is a solid opening chapter to what already feels like another epic story in the making. I really liked the decision by Jim Zub to kick things off by giving us the origin of this new villain, which adds a strong sense of dread to what is clearly building towards an inevitable confrontation. It will be very interesting to see what happens when the Son of the Tooth finally crosses paths with Conan, and if this first issue is anything to go by, that meeting is not going to end quietly. I suspect a few extractions may be in order.

Jim Zub continues to deliver the goods with this book. Building on the story started in the previous issue, he adds further layers to the assassin known as the Son of the Tooth, making him feel far more than just another killer sent after Conan. I particularly enjoyed the assassin’s internal dialogue as he studied Conan, attempting to understand what makes the barbarian such a dangerous and unpredictable opponent. The issue does a great job of building anticipation, and I’m very much looking forward to the next chapter, where the two will finally cross swords in battle.

Jim Zub has put out a solid opening issue here. My only gripe being is that with it being such a large cast of characters. We didn't really get to see too much of Conan until the end, but I think Zub will probably address that in future issues.

The issue closes out with a great twist of the tale, which will most likely keep readers guessing until January 2020 when issue three hits comic racks.

Jim Zub's story sets the stage for what will no doubt be an epic ending as we see Moon Knight put on of the two bracelets on and find himself transported into the battle, which Conan and Agnes are already fighting. Quite how Kane will fall into all of this will no doubt become clear in next month's final issue and I can't wait to find out.

This has been a pretty good mini-series that has entertained.

Not bad, but there isn't really anything here as yet to keep me interested beyond the second issue.

A great read and who is to say that a movie series about Amara Creed could not be a thing in the future? I certainly would not bet against it.

Overall Cross To Beargets off to a pretty solid start as we get a solid idea of the type of character that Simon is. Hopefully, we'll get more on his older brother Edgar in future issues as I found him to be a rather compelling character. I also liked how it is hinted that The Ripper might well have been a member of the Order.

Overall. A real strong second issue, which ends with The Order riding off to chase down The Ripper.

OverallThis latest issue of Cross To Bear does a great job of exploring the backstory of Simon and Edgar and also allows them to resolve some of their personal issues. I really enjoyed how Edgar talks about how tough and honest life in the west, is so much easier for him. Then his old life when I was forever having to watch his back as the leader of the order. I also enjoyed the idea of the hunters being hunted by the person that they are hunting.

Writer Marko Stojanovi delivers a fantastic twist in this issue, which you don't see coming. And part of the reason for that is the build-up. The issue starts with Edgar mending some fences with Baltimore who he and his late wife adopted. We then go on the hunt for the Ripper, which slowly leads up to the twist about the Ripper not being the same person that killed Edgar's wife. But it's the extra layer to that twist that will blow you away.

Overall this is a pretty solid first issue and I'm invested enough to want to check out issue 2. Hopefully, we'll see a bit more action in the second issue too.

Overall. This is a solid second issue that moves the story along quite nicely. Obviously having had very little exposure to Dan Dare other than via the Big Finish Audio series. I'm no expert, but that's the beauty of what Titan is doing. It's a continuation but done in a way in which it is accessible to newer readers.

Overall. This was a great way to end the first story arc of Titan's new Dan Dare comics. I very much look forward to seeing how the next arc develops given that things are very much open for a shedload of new adventures.

A great first issue that felt good as a jumping-on point for me.

All that said. I'm enjoying this series and looking forward to seeing what happens in the next issue with the foes that Matt is about to face are both human and supernatural.

The best though is saved for last as the artist pulls off some brilliant panels that create a tense and dramatic build-up to the reveal of the big villain of the story.

OverallI continue to look forward to this comic each month. I enjoy how Matt Murdoch is narrating what is happening and also like how he is looking to justify his actions when he is in the Daredevil Costume. Of course, he would not be able to treat crooks in the same way as Daredevil does if he were a copper as there are rules.

Saladin Ahmed continues to spin an interesting story in which we see Father Matt adjusting to his new life while trying to stay true to his spirituality and the rules that he must live by. One of the most interesting aspects of Daredevil's character has always been the conflict of interest between his secret identity and his religious and spiritual beliefs. So it is great to see this aspect get explored more.

Over the entire run of this series. I've really enjoyed the clever use of the seven deadly sins and how their demons have been portrayed when they have possessed Murdock's friends. I can't wait to see what happens next.

A fantastic issue in which Daredevil gets a hot tip from a former gang member and reconnects with an old flame.

All the writers and artists on this book do a great job. I found the first two stories to be the most in line with the books current storylines and truly enjoyed those. But even the stories that stepped out of that mold were a lot of fun. I really enjoyed the final story, which was about Electra rescuing an old mans dog from some thugs. The old man thanks Electra and makes a really important point about the value of connection and family.

Saladin Ahmed continues to spin a pretty good story and the dialogue between Matt and Foggy when they have the meeting toward the end of the book is fantastic. It's helped by some great artwork specifically regarding Foggy's micro-expressions once he has heard Matt's story and is trying to process everything. The book ends on a fantastic cliffhanger in which Father Math will likely have a bit of explaining to do to one of the kids he looks after.

The Wages of Sin Equal Death is a strong issue that pays off on many of the plot threads we have seen over the past 9 issues. I loved the confrontation at the start where Jason calls Matt out for lying about his secret identity. It will be interesting to learn what happened to Jason's father when Matt eventually catches up with him. If indeed he is in any shape to do so. The confrontation between Daredevil and Fisk is nicely done and as you'd expect. We get some great dialogue between the two as they duke it out.

Saladin Ahmed continues to weave a fun story as he brings back Daredevils two most deadly of enemies and ramps up their strength to beyond superhuman capacity thanks to the evil demon that followed Matt out of hell when he was placed back on earth. I also love the plot twist concerning Jason and how that gets used by Fisk during their fight. I look forward to seeing how everything plays out in the next issue.

Overall. This was an enjoyable issue and I can't wait to see what happens next.

OverallAnother strong issue that continues to illustrate Matt Murdock's struggle to keep both of his lives as a kindly priest and avenging Daredevil in check. I enjoyed seeing the conflict that Matt struggles with when he refuses to help Fisk find the absolution that he is looking for. The final panel is pretty much telegraphed from the start of the book, but the journey toward it is well-written and truly earned.

OverallOverall this is a solid chapter where various revelations have unveiled Matt Murdock's inner conflict between being a man of god and an avenging angel. Its a perfect set up for what I think could well be a battle royale when Daredevil eventually confronts the Devil that has taken Jason and left a few corpses in its wake. I look forward to seeing how it all plays out.

Overall, this is a solid issue and one of the few comics I genuinely look forward to reading each month.

This was a solid issue that throws Daredevil into a series of challenges sure to keep him occupied for the next few installments. The conflict between Matt Murdock and Foggy Nelson promises to deliver some compelling drama. It's already clear that a demon has taken hold of Foggy, exploiting both their friendship and Foggy's intimate knowledge of Matt to its fullest advantage. I'm especially looking forward to the inevitable courtroom showdown between Murdock and his oldest friendthere's nothing quite like a well-executed legal drama, whether in comics or on screen.

OverallOverall, this issue is another solid entry in the series. The fight between Daredevil and Wrath at the start is a fantastic spectacle, but the real heart of the story lies in the middle. When Matt has a conversation with She-Hulk and learns he is still licensed to practice law, it sets up the story brilliantly. This revelation builds perfectly into the tense phone call at the end of the issue, leaving readers eagerly anticipating what comes next.

Charles Soule brings us an intriguing Daredevil story that's apparently been in development since before COVID-19. The idea of an older Daredevil fighting crime is fascinating, and I'm looking forward to seeing how things unfold in the next two issues of the series.

Overall, this is a really solid issue that sets things up nicely for the final chapter, which should be out in about a month.

OverallThis is a fantastic conclusion to the story, and as expected, there are a few casualties along the way. I especially loved that Daredevil had to face Bullseye while his powers were fading with each passing second visually represented through brief flashes of vision interrupted by darkness. The inner monologue toward the end is brilliant, with Daredevil questioning why he's been on this journey at all, trying to justify his actions both to himself and to some greater presence. His final plea to Tyra, convincing her to use her light, is executed perfectly and feels earned. Overall, I thoroughly enjoyed this arc. Whether it becomes a future classic isn't for me to decide, but as far as Daredevil stories go, it's one of the best I've read in recent years.

Dark Knights of Steel opens up a world of possible storylines and gives alternative takes on many of DC's most popular characters. I can't wait to read more.

Also, seeing Amanda Waller as one of the El Knights who is vying for war was great. Bring on issue 3.

Overall. A solid third issue, which adds a few more interesting layers to the story.

Added to that is some really strong artwork from the art team, who I'd say do a fair bit of the heavy lifting in terms of showing and not telling. The panels of a Dying Martha Wayne asking the Els to take over the Kingdom were brilliantly drawn. As was Luthors transformation and introduction as a key villain. The final page where we see The Dark Knight and Alfred ride out is really cool. I can't wait for more Dark Knights of Steel.

However, Taylor saves the best for last. As he introduces the Kents into the storyline. But with a rather fun twist.

I'm really looking forward to seeing how all of this pans out in the next issue.

This is very much a fun book with some fantastic and fun Holiday Stories that fans will enjoy. So we'd like to thank for the following writers and artists for their parts in creating this fun package.

OverallA really strong first issue that does a fantastic job of setting up the world in which Ghosts have become as common a problem to society as rats. I look forward to seeing where this goes in future issues.

A solid second issue that does a nice job of building on what was set up in the opening issue. I loved the character of Miss Barrimore being somewhat of a fly in the ointment toward the people that run the prison ship. It's especially fun given that she is the daughter of the gazillionaire who owns the fleet of prison ships that are mining ectoplasm.

I'm loving the all-out action of this book and can't wait for the next issue.

The StoryContinuing from the last issue. Miss Barrimore has just learned that the leader of the Ghosts that have taken over The Perdition is her late mother. As the ghost continues to terrorize the ship. The mother of ghosts tells Miss Barrimore about how her father trapped her and all the other ghosts on Earth in order to harvest their ectoplasm. Now the ghosts want to get off the ship and Barrimore' s late mother wants her revenge and plans to send the head of Barrico Industries to hell. Thankfully, Gus has a plan that will save the few survivors on the ship, but it requires a huge sacrifice.

This first issue of Deep Cuts is a brilliant love letter to the early Jazz era of New Orleans as it shows us the path walked by a great many musicians of that time and some of the pitfalls that they faced.

Ray proceeds to take Gail to a Jazz club and offers her a crash course about Jazz, but by the close of the night, she is only beginning to get it. The following night she meets up with Jazz composer and pianist Leo Jones who teaches her the fundamentals of Jazz Chord progressions and how they work. At this point Gail begins to gain a better understanding and sets about writing her song.

Like the two prior issues of Deep Cuts. This issue tells a unique and fun story of a musician and their love of music. Only this time out. The principal character has a tough life decision to make, which is ultimately made for him.

I'm loving this Deep Cuts series and very much look forward to reading the next issue to learn about another musician's journey.

This is a great story, which is a departure from previous issues of Deep Cuts where the book has focused mainly on musicians. This story breaks that wall down and instead looks at a cynical music journalist who has lost touch with music and has generally been lazily writing about the established music of the day as opposed to exploring what is going on at the roots of the music scene.

Overall as somewhat of an armchair musician. I've really enjoyed reading these Deep Cuts stories and am kind of sad that the series has to end. Hopefully, something similar to this will come along in the years to come. As its been a fun blend of fiction with a bit of musical history thrown in.

In fact I have been having fun reading the individual comics for Luke Cage and Iron Fist and will likely have my review of issue 4 of Iron Fist go live in the next couple of days.

I look forward to seeing how all this will play out in the third issue when it is released next month.

Overall this was a fantastic third issue with some brilliant character beats and some wonderfully drawn art work byDavid Marquez

The art work by David Marquez is a veritable feast for the eyes. I loved the sense of motion he brought to the fight between our two heres and Diamond Back.

With Frank Castle injured and in the wind and Diamondback planning his next move. I look forward to seeing where all this will lead in issue 7 when it released next month.

David Marquez does some great art on this issue. I'm continuing to love how he lays out the action beats in this comic. There's a very street level viciousnessto how he draws the fights.

The art is pretty solid throughout the book and the artist and colorist make clever use of shadow and light and create an authentic atmosphere.

Overall, this is a fantastic issue, and I'm looking forward to seeing what unfolds in the third issue, expected around Christmas.

I'm eager to see how this unfolds and what will happen when Batman finally faces Asema.

A solid issue that kicks off with Batman and the team doing some welfare work, keeping an eye on the seven remaining kids they need to protect. The buildup to the first encounter with Asema is well-earned, and the payoff will likely leave you with plenty of intriguing questions and fun speculation about what's coming in the next issue.

I really enjoyed this issue and appreciated that we still don't know Asema's true identity. The storyline of Damian going undercover in a prison was especially engaging, and the implications of it are hugeparticularly when you factor in Damian's general disdain for authority.

A solid issue that has Batman putting his detective skills to work to uncover the connection between Asema and Joe Chill, tracing it back to his father's encounter with Chill years before he was killed. I'm really looking forward to seeing how all of this unfolds, especially with Batman about to confront Scarlett Scott.

While Batman faces off against Asema, Robin, Oracle (who also operates as Batgirl), and a few other Bat-Family members race to Faultless Prison. Their mission: to rescue the imprisoned teens from the clutches of the corrupt warden and the long-reaching influence of the shadowy force behind Sangraal and Theromise Health.

Overall, a fun issue that effectively sets several intriguing plot elements in motion.

This is a fun second part that builds nicely on the story's initial setup. I really enjoyed the banter between Batman and Penguinso much so that I could almost hear their voices in my head. The torture scenes, where we see Bullock having his fingernails pulled out, effectively convey the brutality without going overboardsomething that would have been easy to do. Overall, this issue is pretty solid, and I'm eager to see how things unfold in the next installment, especially after that strong cliffhanger.

OverallThis final issue of the story arc does a solid job of wrapping things up, while still leaving the door open for a possible return. The main villain's self-imposed prison sentence is set to end in five yearsand Batman promises he'll be waiting. So, I suppose we'll have to check back then. Overall, it's a fun, engaging story, and I especially appreciated the epilogue, where Bullock visits his corrupt ex-partner and leaves him with a vial of Elixir's drug, Sangraal. A fittingly ambiguous gesture to close the tale.

On the artistic side, this collection also serves as a true celebration of the incredible talent working at DC Comics, with each artist bringing something distinctive to Gotham's Dark Knight.

This is a very strong opening issue for a mystery with truly high stakes. The flashback at the beginning, while not directly relevant to the main plot of this issue, hints at threads that will likely pay off further down the linewhich is why I've chosen to mention it here rather than in the breakdown. Suffice it to say, this story has all the ingredients of a gripping, high-stakes mystery that promises to escalate in fascinating ways.

This was an enjoyable issue that builds effectively on the events of last month's opening chapter. The reveal of Louis King as The Lion is handled with real finesse. I especially loved the tension during the Blackjack sequence, where two billionaires try to outsmart one another it's a clever and engaging plot device that perfectly sets the stage for King's true identity to be exposed.

This story continues to be a solid example of what Detective Comics is all about, with Batman in full-on detective mode while racing against a brutal countdown that could mean his deathand the death of his beloved Gotham City

This is another solid issue that adds depth to the ongoing storyline. I loved the backstory for The Lion and how we learn that he is a kid who benefited from Bruce Wayne’s foundation, which found him a home after his father was jailed.

This issue provides a satisfying conclusion to The Courage That Kills, neatly resolving the central conflict while reinforcing the arc’s core themes. It’s a storyline that thoughtfully explores both the benefits and the dangers of fear.

This is a promising start to a mystery layered with ambiguity. I’m looking forward to seeing how it begins to unravel in the next issue.

This is a solid issue that continues to build on the story. That said, we still don’t know all that much about Klep Corp, the identity of the young girl, or her connection to the older woman, so there’s clearly plenty still to be revealed.

This first issue of Doc Savage: Ring of Fire goes on Sale in comics stores on the 29 March. If your a fan of the character. It is a must have.

One of the things that has been consistent throughout this book have been the various vehicles and weapons used. They are very true to the period and really help the story feel like a convincing pulp adventure. As ever. We are left with a really cool cliffhanger, which will keep us guessing until next months final issue.

I hope Dynamite do a bit of arm twisting and get Avallone and Acosta to work on another Doc Savage title. If they do. I'm definitely in.