William Tucker Comic Reviews

1776 Issue 1 is a fun fusion of history and heroics. Straczynski creates a playful and exciting story that is both entertaining and somewhat educational.

Force Works 2020 #3 is a team-up book that struggles to work like a well-oiled machine... It ultimately feels like an unimportant tie-in as opposed to part of an epic storyline. The art team is effective at keeping the reader's attention and getting their hearts pumping at times, but its hard not to ignore the lack of any connection between the members of Force Works.

iWolverine #1 is a great action-filled tie-in featuring a little known but fantastic character.

iWolverine #2 is a disappointing end to the tie-in. While it is bursting with great action and set-pieces, the art doesnt capture me like it did in the first issue. Elsie-Dees dialogue was a woeful design choice. The other downside is that not enough is done to make readers care about the most obscure characters in the event. I do not feel like the choice of plot for the duo allowed them to draw in new readers, and it makes this tie-in very missable. Despite that, I am interested to see where Albert and Elsie-Dee appear next.

Rescue 2020 #2 is a beautiful tie-in. The creative team has successfully allowed Rescue to have her own identity within this crossover. Schwartz has made sure that her personality is distinct, while Burrows, Hanna, and Pantazis created a beautiful suit of armor. This tie-in also appears to have a direct impact on the event as a whole, and Im looking forward to seeing what Pepper does going forward.

Absolute Batman #1 heralds a new hardcore world. This comic builds a brand new Batman, brand new Gotham, and brand new everything. Snyder’s writing is brave and bold, telling stories that can only be told in this universe without connections or shackles.

Absolute Batman #2 (2024) is enthralling in its unpredictability. Every character or concept translated has a fresh story to tell or a brand-new design.

Absolute Batman #3 sees the series finding its feet amid the ferocity. Throughout the high-tempo action, a brilliant gang war story unfolds.

Absolute Batman Issue 4 is this universe's Year One. It is a fantastic origin story that answers many of the questions that had arisen from three issues of mystery and intrigue.

Despite the extreme violence in Absolute Batman Issue 5, you cant look away. Each page turn brings a new depiction of viscera, leaving jaws on the floor. Its less technology and more purely physical as a fight for survival erupts.

Absolute Batman Issue 6 is a story that only this world can tell. Now that the readers are well-versed in the characters and the city, Scott Snyder and Nick Dragotta can flex their muscles and explore.

Absolute Batman Issue 7 continues to twist familiar tales. Its impossible to know what will come next because these characters are breaking a mold many have been stuck in.

Absolute Batman Issue 8 recreates a classic confrontation. The battles between Batman and Mr Freeze have been unfolding for decades, immortalized in live-action movies or award-winning animated episodes.

Absolute Batman Issue 9 brings out the big guns. This latest test for Batman may be his most physically taxing yet.

Absolute Batman Issue 10 revels in revolting. It's a dark issue in every sense of the word, swapping with some of the most twisted stories in the series so far.

Absolute Batman Issue 11 is a terrific buildup to brutality. It's ruthless, heartless, and dedicated to make Bane as terrifying as possible.

Absolute Batman Issue 12 is multiple origin stories in one. It's mesmerizing, morbid and meticulous.

Absolute Batman Issue 13 gives the Bat his Cat back, briefly.

Absolute Batman Issue 14 shows that there's more than one way to battle Bane. The spectacle is immense, and the pace is electrifying, with an art style that showcases the disgusting consequences of violence.

Absolute Batman Issue 15 reinvents Batman's ultimate nemesis. Joker had been transformed into something truly terrifying and more than just a clown obsessed with chaos.

Absolute Batman Issue 16 wonderfully combines two worlds. The blending of Batman and Wonder Womans very unique lives is almost perfect.

Absolute Batman Issue 17 reinvents an icon. The roots of the classic Poison Ivy remain, but have been energized and expanded into something completely new. She can look like anything, be anything, turning the comic into a kaleidoscope of chaos.

Absolute Batman Issue 18 blends fauna into body horror. It’s violent and yet thought-provoking. The striking, savage art belies an incredibly touching tale.

Absolute Batman 2025 Annual Issue 1 makes a distinct stand. The outburst of intense violence, whilst extremely satisfying and occasionally overbearing, comes with a determination to stamp down on who Absolute Batman can relate to.

Absolute Evil Issue 1 reveals the fingers of the iron fist clenched around this Earth. It laces the books together fantastically and ingeniously.

Absolute Flash Issue 1 shows the starting sparks of a Flash. What makes this opening issue is the fact that the foundations are now in place.

Absolute Flash Issue 2 is a complete extension of the first issue. The origin story and conflict with the first chapter are rounded out here. It feels much more like the second part of the origin tale than a progression of the story or timeline.

Absolute Flash Issue 3 hurtles forward while still stepping backward. It runs out this opening story of Wally and the Rogues, finally connecting the dots between one period in time and another.

Absolute Flash Issue 4 refreshingly ventures forward as Wally and Grodd find new ground. The action takes a back seat to make way for some excellent, calm world-building, and there is a mesmerizing approach to how the Flash mythos is adapted.

Absolute Flash Issue 6 adds context that changes everything. With a few scenes, the perception of who to love and who to hate evolves entirely.

Absolute Flash Issue 7 sees Wally learn so much about himself and the world. He's a relatable protagonist who is easy to like, creating flickers of light in a universe that can be incredibly dark.

Absolute Flash Issue 8 shines a light on other would-be speedsters. The world of the Flash had always been more than Wally West, Barry Allen, and Jay Garrick. It's all of them, in any universe.

Absolute Flash Issue 9 is an example of why rebelling in this world is impossible. The odds are stacked in the favor of those in power.

Absolute Green Lantern Issue 1 uses existing knowledge to fool us. Ewing uses the red herrings of Hal Jordan and other famous figures to create ideas about who the Green Lantern of the Absolute Universe will be.

Absolute Green Lantern Issue 2 removes the safety of the Green Lantern. The light has always been a source of hope and strength, bringing with it protection. But here, Abin Sur brings fear and death.

Absolute Green Lantern Issue 3 is still learning and enquiring as the characters continue discovering the rules of this universe, its power, the limits of the weapons they possess, and what Abin Sur wants with them. The script and the art are sensational, unleashing an unsettling sci-fi story.

Absolute Green Lantern Issue 4 bridges the past and the present. The book has two terrific plots being told at the same time, and they're now being threaded together, with answers emerging.

Absolute Green Lantern Issue 5 is caught between being stuck and moving on. It is reaching that point where new elements are landing around the town. Hopefully, the end of the issue signals a shift forward.

Absolute Green Lantern Issue 6 creates a mesmerizing new mythos. There's a new approach to how the colors work, and the initial explanation is fascinating.

Absolute Green Lantern Issue 7 moves light-years away from Earth. It's fresh and exciting, with spectacular visuals. But the finer details and the inner workings of how this spectrum works are still as alien as the creatures on the page.

Absolute Green Lantern Issue 8 is an unbelievable character issue. It's jaw-dropping in its intricacy, stepping away from the levels of Lanterns and Alien brutality to explore the main character for the first time.

Absolute Martian Manhunter Issue 1 is more of an experience than a story. It's brilliant in every aspect, mainly because it's completely changing the genre.

Absolute Martian Manhunter Issue 2 is more than just genre-defining, its genre-melting. Its the most mind-boggling superhero comic in years, breaking rules like theyre not there.

Absolute Martian Manhunter Issue 3 expands the cerebral comic. The newer issue is easier to settle into and follow, but Camp and Rodriguez are still throwing curveballs that bend reality.

Absolute Martian Manhunter Issue 4 is an extraordinary experiment in storytelling. Every page is a delight to read, featuring a unique technique or an innovative artistic idea.

Absolute Martian Manhunter Issue 5 continues to reinvent itself. Every edition of this series is a spellbinding experience, truly mesmerizing to behold.

Absolute Martian Manhunter Issue 6 is a terrific reward in this world of weirdness. The abstract makes the mind soar, but the guns and physicality keep the story grounded as much as possible.

Enlisting a creative team that has spent years collaborating brings expertise and energy to Absolute Power #1, which is instantly noticeable. It’s an issue filled with shocks from start to finish, swinging with savagery.

Absolute Power #2 presses tighter on the throat of the heroes.

Absolute Power #3 provides a foothold towards victory. The superstar creative team has made this series a hardcore, visceral war for the heart of every hero in the DC Universe.

Absolute Power #4 delivers on all fronts. Nothing is left unanswered, and the various plot threads are brought in for this final push.

Absolute Power: Super Son #1 provides time to say goodbye. The dialogue is phenomenal, and the visuals are stunning. The extended length of the issue allows for a long mourning period, embracing the sadness and the complicated feelings that spin out of such a loss.

Absolute Power: Task Force VII #1 attempts to be ruthless. The issue is an exciting and dramatic brawl through an iconic location.

Absolute Power: Task Force VII #2 continues a ruthless rollout of robots. Viewing this event through the eyes of the monster hunting the heroes down exposes readers to sensational fight scenes and deeply uncomfortable scenarios.

Absolute Power: Task Force VII #3 takes the concept further. This has been a heavy metal series so far filled with all-out war between the Amazo robots and the heroes of the DC Universe.

Absolute Power: Task Force VII #4 returns to ruthlessness. Issue #3 started toying with the idea that the Amazo robots could be reasoned with and that the influence of absorbing the heroes’ powers meant their personalities were breaching through, causing complications. But Failsafe is something different.

Absolute Power: Task Force VII #5 is just as intense as the rest of the series, hunting down the heroes ruthlessly.

Absolute Power: Task Force VII #6 adds more surprises to the series. With narrow escapes and the heroes’ ability to start fighting back, perhaps the severity has waned while watching the war through the eyes of evil.

Absolute Power: Task Force VIII #7 is disappointing as a finale. The final selection of characters is interesting in theory, but there are too many of them to create connections or feel attached.

Absolute Superman #1 is a hardcore rebirth. Aaron is a superb choice of writer for the new version of Superman, as he brings the heavy metal action and storytelling that the Absolute Universe has contained so far.

Absolute Superman #2 unleashes more than just chaos. It is a frenetic comic, delivering Aaron’s hardcore vision with unbelievable energy.

Absolute Superman Issue 3 is spectacularly thematic. The most significant societal flaws Aaron has been writing about on both Krypton and Earth come to fruition in this issue.

Absolute Superman Issue 4 shows a system breaking the people it controls. As Lois deepens her investigation, she discovers this frayed world.

Absolute Superman Issue 5 ends a stunning first arc. The first five issues of the series have been nothing short of breathtaking. The anti-fascist and anti-capitalist statements have been loud, angry, and cathartic.

Absolute Superman Issue 6 heads home. Its serenity personified. Jason Aaron explains so much of the backstory and personality of the protagonist in this issue whilst also delivering a powerful reveal that will completely change the future.

Absolute Superman Issue 7 is as morbid as it gets. This issue will not be for everyone, but it is horrifyingly fascinating. The extreme, often repulsive violence comes out of nowhere in the context of this series - and it really is extreme.

Absolute Superman Issue 8 restarts the main story with remarkable velocity. After stepping aside for Brainiac's issue, the series builds up speed again.

Absolute Superman Issue 10 is a heavy metal meeting. The first time the heroes and villains of this series finally meet was only ever going to be this explosive, because this entire universe is so hardcore.

Absolute Superman Issue 11 tries to rewrite Superman's entire being. It's a dark issue again, as the three pieces of rebellion fall into the hands of those who rule the world.

Absolute Superman Issue 12 brings the series down from the boil, but only briefly. After so much bloodshed and violence, the issue takes stock of what has happened and allows the heroes to process.

Absolute Superman Issue 13 is a desperate struggle for survival. It's not a story solely about Superman. It's about a whole town, a microcosm of people rallying to rebel against authoritarianism.

Absolute Superman Issue 14 is an epic ending to so much. By the time you stop reading, you're left exhausted, from the emotions and rapid intensity of the action.

Absolute Superman Issue 15 is a new dawn for the Kryptonian. There is a feeling of a fresh start, a freedom for the first time since Kal-El stepped foot on the planet.

Absolute Superman Issue 16demonstrates the change in the universe. Before Superman emerged, Hawkman was the only way a metahuman could exist.

Absolute Superman Issue 17 shows a real change in attitudes within the Absolute Universe. Hawkman had been the enforcer and the authority for the last eight decades, brutally delivering justice. But now there’s something new.

Absolute Wonder Woman 2026 Annual Issue 1 rights a wrong that has been retold hundreds of times. The Absolute Universe constantly ensures that the Greek Gods and other mythological creatures are unlike anything seen before, giving a new, fresh approach to an old story.

Absolute Wonder Woman #1 forges a heart out of heavy metal. While the fundamentals of what makes Wonder Woman so iconic are there, the circumstances have been replaced.

Absolute Wonder Woman #2 shows that some destinies are universal.

Absolute Wonder Woman Issue 3 continues the savagery and the sweetness. The monsters get bigger and more dangerous, and Dianas devotion to stopping them remains resolute.

So much is brilliant within Absolute Wonder Woman Issue 4 that there isnt time to expand upon how incredibly hardcore the final battle is. Thompson may draw blood, but there is always a functioning heart within the series.

Absolute Wonder Woman Issue 5 digs its claws into more mythology. The framework of the Wonder Woman lore now reaches new territories, making the story fresh and expansive.

Absolute Wonder Woman Issue 6 is the stuff of legend. Hayden Shermans art in the first arc was terrific and perfect for introducing the character. But De Iulus turned the story into a mesmerizing fantasy brought to life.

Absolute Wonder Woman Issue 7 forces Diana to put on a show. Its a true retelling with stunning art, but at the heart of the comic is the unbreakable bond between a daughter and her mother.

Absolute Wonder Woman Issue 8 refreshes just the right amount. The interlude in Hades likely provided a break and helped build the wider mythology. But Wonder Woman is just such an incredible character, with so much variety, that it is impossible to get bored of her.

Absolute Wonder Woman Issue 9 features both delicacy and majesty. Every venture into monster hunting or fighting supervillains comes with a twist or change to make classic stories feel brand new again.

Absolute Wonder Woman Issue 10 adds layers to the labyrinth. Even though these issues spend a lot of time in the maze, Thompson makes a conscious effort always to add something new and unexpected to keep readers hooked.

Absolute Wonder Woman Issue 11 opens doors to many new worlds. Even after many issues in the same maze, the creative team finds ways to keep the plot interesting and always moving forward.

Wonder Woman Issue 12 shatters the Labyrinth. The last several issues have been heavy on fantasy, but the unique sci-fi elements are being reintroduced to create a fascinating combination. Metal and magic are beautifully fused.

Absolute Wonder Woman Issue 13 has equal amounts of action and exposition, both making the world look full and rich with details.

Absolute Wonder Woman Issue 15 is a historic issue that changes the very fabric of the universe. On the surface, this chapter is a regular team-up. But it's the very first team-up in this universe, and that makes it special.

Absolute Wonder Woman Issue 16 unleashes a long-awaited plan. The designs of the villains take inspiration, whilst also feeling new. Both Wonder Woman and Zatanna find power in words, and that may be the deciding factor in this battle.

Absolute Wonder Woman Issue 17 explores so many aspects of Diana’s personality. What sets her apart from the other titleholders in the Absolute Universe is her sense of control.

Action Comics Presents: Doomsday Special #1 sets up a superb ticking time bomb. Doomsday's fear factor means that even his name seems to petrify anyone who utters it. Just because he is in Hell, does not make anyone safe, even those that reside and rule it.

Alan Scott: The Green Lantern #1 is a deep mystery that stretches across time, barely even offering insight into what the Green Lantern came up against and will face as the series progresses.

Alias Red Band Issue 1 is a reminder of Jessica Jones’ uniqueness. This thriller genre feels so tailored for Jessica Jones that it’s like she’s carved out her own genre within the superhero world.

Alien Annual 2023 #1 is a horrific nature documentary. It's an example of what the beasts get up to when no humans are around.

Alien #1 captures everything that the franchise uses to be iconic.

Alien #2 thaws its monsters out of the ice and, with so many Xenomorphs, everything seems so much bigger.

Alien #3 is a book that embraces the franchise's relationship with fear. It recognizes the many ways of scaring people through Xenomorphs and Alien stories.

Alien #4 eviscerates the last suggestions of hope and safety. It expands on impending events, with bigger shocks, more enemies, and bloodier deaths.

Alien #5 brings the true horror story to a close. The book has been frantic and unrelenting in its violence from the moment the Xenomorphs entered, so it is true to form that it does not stop until the final moments.

Alien vs Captain America Issue 1 reinvigorates the Marvel Heroes vs monsters idea. It's an inventive concept that means Cap doesn't have a slew of reinforcements, and the war story fused with sci-fi horror is a fantastic combo.

Alien Vs Captain America Issue 2 completely carves up any preconceptions. The ferocity that is unleashed in this second chapter is staggering, breathtaking in its extremity.

Aliens vs. Avengers #1 is a solemn start to the series.

All-New Spider-Gwen: Ghost Spider Issue 1 submerges Gwen into a murky world.

All-New Spider-Gwen Ghost Spider Issue 2 brings a fierce level of severity to the series. The level of darkness these first chapters have reached is alarming. It brings the worst out of Gwen, but the best out of the story.

The hero’s anonymity and the fact that he could be one of many suspects are intriguing and exciting. Ewing brings history and old storylines for All-New Venom #1 to bounce off.

All-Out Avengers #1 is an energetic comic that is unashamed of putting the action first. While there is a plot that will link the issues, it appears that it is merely a setup for the characters to go into battle. It is a fun issue that doesnt let up from its intensity from the opening page to the last. The art isnt perfect but what it does do is capture the kinetic motion that is required. How this concept plays out over multiple issues will be fascinating to discover.

All-Out Avengers #2 is such a fun book to read. What is brilliant about this book is that there is a desire to be cool because anything is possible. The story almost comes second; it is the setup of the fights and the action itself that drives the comic forward. Those glimmers of mystery are very intriguing, and there is clearly a massive villain hiding behind the curtain. It is the random nature of not knowing what the next issue will bring that gives the comic its excitement.

Alpha Flight #1 gives the Canadian superhero team a real chance to shine. The comic is individual to them, the friends they have lost, the battles they’ve faced together.

Amazing Spider-Man #17 is a blast. The plot has a long thread and energy in the short term. This is an extremely funny comic, silly at some points but in the most complimentary way possible. That is what works so well with Dark Web, not taking itself seriously and just having fun with demons and superheroes. The art is so exuberant and enjoyable that it is impossible not to smile while reading this issue.

Amazing Spider-Man #16 is a deeply personal book within a larger context. As Limbo bleeds into Earth, this is essentially a grudge match. The issue is incredibly fast-paced and fun to read, with the fantastic fight scene featuring masterful artwork. But there is substance and power within the energy, with the story being transformed entirely by the end of the comic.

Amazing Spider-Man #17 is a blast. The plot has a long thread and energy in the short term. This is an extremely funny comic, silly at some points but in the most complimentary way possible. That is what works so well with Dark Web, not taking itself seriously and just having fun with demons and superheroes. The art is so exuberant and enjoyable that it is impossible not to smile while reading this issue.

Amazing Spider-Man #18 is a comic that truly understands fun. This whole crossover has been terrific at keeping the tone light and constantly hilarious. Its not this dark, melancholic atmosphere that weighs heavily on the reader whilst reading.

Amazing Spider-Man #39 is controlling the chaos. This event has unleashed its full power, with heroes and villains everywhere in a power struggle that stretches over an entire city. And yet, with everything erupting, the story is captivating and keeps the exposition from overloading.

Amazing Spider-Man #40 keeps moving fast. The scramble for power within New York is dragging criminals out of the woodwork, and seeing the tussle between the groups is amazing fun.

Amazing Spider-Man #41 is the best issue of Gang War so far. It puts distance between the generations whilst determining their similarities. The fights were brutal and brilliant within an unrelenting issue where the art has well and truly stepped up.

The Amazing Spider-Man #42 is another great story for the villains. Despite the title, Spider-Man is in the backseat for the majority of this comic.

Amazing Spider-Man #43 is brilliantly balanced. It’s a comic focused on action and characters, not placing more importance on either.

Amazing Spider-Man: Gang War First Strike #1 clicks off the safety. Whether as a newcomer or a longtime reader, it is clear from the start that the situation is on a knife edge, with criminals gaining confidence as the heroes lack it.

The Amazing Spider-Man Issue 1 is excellently energetic. The liveliness of the issue makes it infectious and instantly enjoyable, with a lovable sense of humor.

The Amazing Spider-Man Issue 2 (2025) submerges the book in sinister storytelling. It disrupts Spider-Man's ordinary world at all points.

The Amazing Spider-Man Issue 3 pushes the heros mind to the brink of breaking. The presence of the unlikely villain gives the series a fresh feel, putting Spider-Man against someone new.

The Amazing Spider-Man Issue 4 pushes everything to extremes. The story perfectly culminates every element of Joe Kelly's run so far.

Amazing X-Men Issue 1 ventures further into a disturbing world. Every book in Age of Revelations has a dark, grieving tone. It's not necessarily just from what we see, either. It's what we haven't seen.

Amazing X-Men Issue 2 is a superb Scott Summers story. Dystopian X-Men comics often ignore Cyclops, but this main book places him at the center.

Amazons Attack #1 is an energetic expansion. It takes what King ignited in Wonder Woman and shows how it affects everyone else.

Aquaman #66 hints at a changing tide in Endless Winter. The comic looks stunning, Mendonca and Plascencia capturing the battle of the undersea world superbly. During the individual issues of this event, Lanning and Marz are able to balance the larger story at play whilst also showcasing the personalities of the title heroes. Aquamans bravery and dedication is clear here, as is Meras power. But at the same time, Endless Winter rages on.

Aquaman Issue 1 isnt quite a hard reset. Adams starts all of his series from a great entry point, returning to some form of everyday life for the heroes.

Aquaman Issue 2 opens up whole new worlds. The fish king is taken out of the water and placed among vicious and visceral enemies. Aquaman may be far from the rest of the DC Universe, but what he finds could keep him connected to the very fabric of the cosmos.

Aquaman Issue 11 throws the readers in the deep end. It's a shock to the system for newcomers to the series, with numerous storylines running through the comic without pause to build up to the event.

Aquaman Issue 12 keeps the energy afloat. The fight is phenomenal, embracing the changes in the comics over recent times.

Aquaman/Green Arrow - Deep Target #1 is a fun start to the team-up. As a first issue, the story is set up with a nice amount of mystery woven into the comic. Some premier issues can get bogged down with exposition, losing momentum quickly. However, Thomas does so differently, often resorting to letting the reader figure out what is happening on their own. The concept of the plot is ridiculous and chaotic, which is not a criticism at all. The madness of what is happening, with a unique duo working together, means that the book is energetic and unpredictable.

Aquaman/Green Arrow - Deep Target #2 is an action-filled crossover. The series has a concept that provides a spark for these characters and the reader to experience something new. It leads to an encounter so intense that it would make Tom Cruise jealous. But perhaps some of that fight would have been replaced with a small piece of exposition or character development. The change happened before the start of the first issue, so the confusion is still high. In addition, the over-abundance of green and the beard/hair combo may lead to intentional complexity in discerning which hero is which. This may grow tiring as the series gets further.

Arkham City: The Order of the World #1 is a creepy and brilliant start.

Arkham City: The Order of the World #2 is an atmospheric, uncomfortable read. And that is the biggest compliment that can be given to it. The nerves that everyone in Gotham seems to have is palpable, radiating off the page into the reader. An immersive plot that permanently lives in suspense is being told with clever techniques, presented on the page by a remarkable artist. This is a comic that exists out of the consequences of other series and events, but it absolutely stands on its own.

Arkham City: The Order of the World #3 is a fascinating journey. The art style makes it unlike most comics, existing in a world of its own. Its an experience, a trip through a city full of beautifully twisted and tragic figures.

Arsenal: The Game We Love remembers the glory days but struggles to recapture the passion. The concept is an interesting one, using an original story whilst also retelling twenty years of old ones. Whilst the plot has moments of warmth, it lacks power and real depth. The lack of true balance regarding the history of the club makes the graphic novel too much like a piece of propaganda instead of meaningful literature. However, Glogowskis commitment to the graphic novel should be appreciated. Two years of work can be seen within the exceptional art, and perhaps that is its most appealing factor.

Astonishing Iceman #1 is a fantastic solo title. Spinning out of his supposed death, the book brilliantly provides insight as to why he would be such a high-value target in the first place.

Avengers #1 starts the new era with vigor, and Mackay brings a refreshing and more streamlined focus. The cast is classic and full of powerhouses in every form of the word.

Avengers #2starts expanding the wider story for this run. The book is settling into a groove through these examples of heroism but also showcases that something new is on the horizon.

Avengers #3 generates an aura and excitement without even throwing a punch, with drama in the dialogue and magnificent art.

The structure of the story highlights a story much larger than I had initially believed, with an enormous scale and potential for directions to travel in. The art is spectacular, unphased by the constant changes. And it is almost impossible to guess how the rest of this tribulation event will be handled going forward.

Avengers #5 maintains the magnitude of this first arc. This is one hell of a first Tribulation Event for the team, relentlessly restraining and overwhelming the Avengers from start to finish.

Avengers #6 is a triumphant set of knockout punches. This first arc has been epic, demonstrating the force and the severity of the enemies this Avengers team will face.

Avengers #7 starts a new arc with the most drastic of issues. Opening with the end of everything is a bold choice, but it is as captivating as possible.

Avengers #8 is a terrific standoff against adversity. What it takes to be an Avengers is presented loud and clear early within this issue, and those credentials never take a breather.

Avengers #9 is a superb action issue. It’s a book designed to weave characters and combat from beginning to end.

Avengers #10 steps up the storytelling. Drawn in through the action, this issue takes the time to draw the Avengers deeper into a war that appears to cross points in time and dimensions. The villains have spooked both Kang and Nightmare, which means their danger is even greater than initially realized.

Avengers #11 is warm and welcoming. This chapter relies on reminiscing in a series filled with new characters and endless action.

Even though it ties into Fall of The House of X, Avengers #12 feels entirely like an Avengers comic.

Avengers Issue #13 is a frantic finale to the tie-in. The Avengers involvement in Fall of X has been non-stop action, fighting Orchis with formidable firepower. The comic is an intense read that revels in classic superhero spectacle.

Avengers #14 is a new lineup of old friends. MacKay brings some classic characters into the comic to fill the void whilst the rest of the team is needed elsewhere. MacKay is ubiquitous across this event, and his ability to write several books simultaneously deserves immense commendation.

Avengers #18 races against time with restraint. It doesn’t rush to tell this story; it isn’t a frantic fight.

Avengers Assemble: Alpha #1 is the beginning of the end. The comic carries a huge weight with it, containing years of exposition... loyal fans may appreciate the combination of the series, joining three groups and multiple series into one epic. This propels Aaron's storytelling towards a conclusion of his own power, illustrated by one of the best in the business.

Avengers Assemble #1 (2024) is busy. It’s a start that flings everyone headfirst into the action, with the pace and scale immediately ramped up.

Avengers Inc #1 is something completely different. Ewing brilliantly crafts a book that truly contains two halves. A seemingly endless amount of mysteries are introduced based on Marvel’s long history, but it is possible for a reader with no knowledge of that to enjoy it also.

Avengers: Twilight #1 is a somber story.

Batgirl #1 is a fantastic family drama. It may not seem so initially, with the complicated history stepping in the way of Batgirl and Shiva ever establishing a connection.

Batman #137 is where Gotham War starts to take sides. What is tearing the group apart is not quite as sturdy a plot as it was when it was first established, but what it is generating is some fantastic character moments.

Batman #138 is a sign of something significant. Now, actions are being taken that cross lines, which might mean there is no going back. And whilst the heroes are busy scrapping in the light, far too many villains lurk in the shadows.

Batman #139 is both simple and complicated.

Batman #151 is an excellent tie-in. The issue excels because it is not set in Gotham, highlighting how Batman is an exceptional fighter and hero in any location.

Batman #152 concludes one of the most exciting tie-ins within the event. The comic has taken Batman into extremely uncomfortable surroundings, yet the adaptability has proven why he is such a fantastic hero.

Batman Issue 158 is more than just a reunion tour. The old band is back together, and the comic combines those talents again. But the story itself feels new and improved. The story isnt just Batman: Hush retold, its Batman: Hush evolved.

Batman Issue 159 opens old wounds and tries to heal new ones. Loeb explores Batmans morality to its most extreme limit, placing him in charge of keeping the Joker alive.

Batman Issue 160 feels like an evolution of a world that sometimes seems stale and formulaic, making it a fascinating read on every page.

Batman: Fear State: Alpha #1 is a fantastic Gotham story. Every one of the creators seems to revel in the creation of fear as the foundations of the plot are set. Multiple different books will spill out of this one, and yet it feels complete and compact. Scarecrow is being cemented and a masterful villain when treated well, and Tynions understanding of characters is fantastic. Fear State is here, and it seems like it will stay.

Batman Issue 1 revitalizes DCs true flagship title. Fraction returns to superhero comics with energy, pace, and clarity.

Batman Issue 2 focuses on a Robin. The creators' care for the Robins is key to any Batman comic, and that shows here.

Batman Issue 3 is spreading the story around the city. Fraction drew us in with two action-packed and thoughtful issues, and is now extending further.

Batman Issue 5 leaves you gasping for air. It's a relentless chase, never stopping for long, as a sprawling chase ensues across Gotham City.

Batman Issue 6 is a beautiful exploration of emotions. Fraction and Jimnez both provide amazing, in-depth conversations and moments that highlight how people respond to outbursts and stress through quiet reflection and sudden drops in energy.

Batman Issue 7 is a masterclass in conversation. The entire issue is based on reinstating such a famous hatred and rivalry.

Batman/Catwoman: The Gotham War: Battle Lines #1 immediately sets the tone of the crossover. Many of the characters aren’t in their right minds as they come into the story, and that is before anything escalates the situation.

Batman/Catwoman: The Gotham War: Red Hood #1 narrows the cast to expand the crossover. With so many voices within the main book, this issue still captures the same moral struggle on a smaller scale.

Batman/Catwoman: The Gotham War: Scorched Earth #1 is a powerful ending. There is something to be said about the inevitability of Gotham, but this final issue ushers in massive amounts of change.

DC/Marvel: Batman/Deadpool Issue 1 is an adventure through the mind of a true comics god. It felt so rewarding to see Morrison stretch their legs again for both Marvel and DC at the same time.

TL; DRBatman/Santa Claus: Silent Knight #1 is surprisingly evergreen. Whilst the main character is literally the symbol of Christmas and thick snow covers the Gotham ground, turning it into a monster-hunting horror comic gives the adventure the ability to be read any time of the year.

Batman/Santa Claus: Silent Knight #2 is one of the best Christmas comics ever. This series has the depth to be able to be read at any time of the year, no matter the season. The ancient spirit of Christmas forms a spine and soul to the book, but it doesn’t seek to undermine the hardcore elements of the action or the plot.

Batman/Santa: Silent Knight #3 is turning into a sensational crossover. From the monster hunting to the banter between the heroes, the comic features endless amounts of fun.

Batman/Santa Claus: Silent Knight #4 concludes a really cool crossover. It’s not just a tale trapped in its own timeline; this fits into DC’s canon and could have consequences. And even if this book tried to step away from tradition and cliches, it is what it has to fall on to finish, but it’s hard to resist a smile.

Batman/Santa Claus: Silent Knight Returns #1 is more than a holiday special. Implementing some folklore into Santa's makeup transforms him from the front of a Christmas Card to a figure with depth and intrigue.

Batman/Superman #17 is a comic let down by bizarre design choices. Alternate universes are always fun, and Yangs concept for these other worlds are really clever. So is having "our" Batman and Superman responsible for saving these other figures. But the issue is then hampered by the Thermosphere scenes, which are poorly designed and have a terrible character inhabiting them. The issue perhaps could have worked if it wasnt claustrophobic and uncomfortable to read in instances.

Batman/Superman: Worlds Finest #2 is phenomenal. This is very much like two comics in one, as the first issues story bleeds into this one before the real plot takes over. This overlapping of the stories between issues creates a longing to keep reading.

Batman/Superman: Worlds Finest #3 is a huge issue with a wealth of content inside. I was not expecting this comic to be so epic in its scale and in regards to the characters that are called upon. The team-ups seem fresh and energised, helped by the jump back in time. The creators are all magnificent at what they do and that is on display within this adventurous series. And each issue can change the course of the whole comic multiple times, so who knows where the next chapter takes us.

Batman/Superman Worlds Finest Issue 38 is a fun opening to the crossover. The classic feel of the comic instantly ignites the energy and makes it effortless to start reading.

Batman/Superman World's Finest Issue 39 shuffles the story. The exhilarating and entertaining pace of the Worlds Finest books bleeds into the main timeline, altogether transplanting the heroes into the modern world.

Batman/Superman: World's Finest 2025 Annual Issue 1 reunites the epitome of good and evil. There is a purity to this issue, simply throwing a selection of characters against each other as part of Grodd's much larger and nefarious scheme.

Batman and Robin #1 uses separation to bring a family closer together. Batman’s actions prove that he’s trying to do things differently with Damian this time, and the approach is certainly worth reading.

Batman and Robin #2 takes a different approach to the father-and-son relationship. Batman’s relationship with the Robins can be complicated, and that is very apparent here. But above all, it paints them both as good men.

Batman and Robin #3 is an energetic edition of the series. The issue features exhilarating action from the beginning and never wants to let the book get far without the fights following it.

Batman and Robin 2024 Annual #1 embraces the larger format. It is a perfect example of the stories that can be told in an annual, benefitting from the extra space.

Batman vs Bigby: A Wolf in Gotham #1 features some impressive moments. The plot within the crossover is an ingenious method of fusing the two characters, placing them against each other in an authentic way. Whilst their first meeting may not be what is expected, it does suggest some fun and exciting exchanges of a violent and verbal manner between the two. The obstacle that stands in this comics way is the poor art, which may turn off readers before they wish to delve any deeper.

Batman: City of Madness #1 is a visual masterpiece. It’s a fascinating story that is venturing into nightmarish territory.

Batman: City of Madness #2 can make any reviewer feel inadequate. It’s an artistic experience that is utterly unforgettable and leaves you tongue-tied. It’s a book that exists in its own universe, speaking in both story terms and from a creative standpoint.

Batman: City of Madness #3 concludes a journey of disturbing discovery. Ward has delivered a masterclass by bringing the iconic and unnerving style to the world of Batman.

Batman: Gargoyle of Gotham #1 is both classic and contemporary. Grampá uses the stalwarts of the Batman mythos to set the scene and surroundings, but the new elements elevate the story.

The sense of scale is dazzling in the writing and stunning visuals. Batman: Gotham By Gaslight — The Kryptonian Age #1 can drag and take its time to sink its teeth into the situation, but the second half is filled with adventure and character interactions.

Batman: Killing Time #1 is a new story set in an old world. Whilst the younger Batman isn't quite so easy to pick up on as a character yet, due to not speaking much, it is through the villains in which the passage of time has rewound. But it is also a fantastic heist comic as King utilises clever writing to present the threat that Batman is up against. The art team is one of the best around and makes it a visually stunning issue.

Batman: Killing Time #2 is a superb comic to spend time in. The characters all have natural voices, and King writes all of them with depth and personality. The plot itself is engaging as the mysteries deepen, even if the jumping between timelines threatens to be too much. There is a classic Batman feel to this story, but it's laced with modern writing.

Batman: Killing Time #4 is a spectacular issue if readers can get their heads around the jumps. If you arent prepared for it or following along, the constant switching from national park to diner to Ancient Greece to a hospital all in four pages will throw you off, like trying to hold on to a merry-go-round. But within this pace is a plot filled with fantastic fighting, dynamic characters and absolutely glorious art. Visually it is as good as it gets.

Batman: Killing Time #5 is a beautifully brutal comic. It is this intensely explosive release from all of the tension that had been brewing since the start of the comic. The diatribes about Ancient Greece and the tiger brawling were all leading to this confrontation. Kings scripting is excellent but the art may just be some of the best in any book DC has to offer right now. The first several pages are highly detailed about extremely graphic things, which was definitely unexpected and may take many by surprise.

Batman: Killing Time #6 does not leave with the same majesty as it started with, but it tried really hard to. What is certain is the glorious art by both Marquez and Sanchez has made this comic a visual masterpiece. And for the majority of the comic the plot is well-crafted and poetic in its narration. The characters are interesting, but their conclusion does not always fit the power they had in earlier chapters of the series. All of these roads were meant to land in the same destination, but many of them hit a dead end.

Batman: Legends of Gotham #1 is a magnificent comic. It is action-packed and energetic and filled with a dark soul. It uses the stories that have been told before to try and wrap some of them up, an epilogue for Jason Todds recent adventures. Diggles script is fantastic and intelligent, brought to life by a tremendous art team that really generates fun.

Batman Off-World #1 is a chaotic cosmic adventure. Whilst Batman has been taken to territories where he doesn’t belong, the tone and the characters are representative of a world he is all too familiar with.

Batman: One Bad Day - Bane #1 is another excellent addition to the one-shot series. It's a comic that truly matches the personality of its subject, filled with violence, pride, and venom.

Batman: One Bad Day - Catwoman #1 is a comic crafted by masterful creators. Both the writing and the art is flawless, capturing the intricacies within the life of Selina Kyle.

Batman: One Bad Day - Clayface #1 is one of the most intense additions to the series. Other books in the series have attempted to give redeeming qualities to the characters, showing them as more than villains. But with the Clayface chapter, it is the opposite.

Batman: One Bad Day - Mr Freeze #1 is a brilliant extension of one of the greatest comic book stories ever. Tapping into an idyllic love story that becomes a tragedy threatens to tarnish this issue. But, instead, it creates a one-shot filled with emotion and conflict, coming at the story from a completely different. Batman and Robin are fantastic as well, brought together in an art style that perfectly fits the mood.

Batman: One Bad Day Ras Al Ghul #1 is a fantastic exploration of a man who has lived for centuries. Its a brilliant script depicting a man with his own sense of honor, displaying that he has a reason for everything he does.

Batman: One Bad Day - Penguin #1 is an incredible look at one of Batmans most distinctive foes. The story itself is stunning, but the character development of Oswald Cobblepot balances, making him frightening and sympathetic. Its not just the character but his relationships with the city of Gotham and the man who seeks to protect it. Its a comic with layers and emotion, brilliantly encapsulated by a fantastic art team. For those that may not understand what Penguin brings to the crime community of Gotham, this one-shot beautifully demonstrates why he may be the one you keep onside.

Batman - One Bad Day: The Riddler #1 is a frightening yet irresistible tale. It removes the restraint from a character that can often be considered comical or ridiculous, turning him into something terrifying. The usual format that Batman and Riddler stories usually unfold with is fractured and it means that it is very difficult to predict what is happening. It is an achingly pretty one-shot as Gerads brings his evocative style to the book. This is a creative partnership that only leads to gold.

Batman: One Bad Day - Two-Face #1 tries to delay the inevitable. It is a brilliant depiction of a tragic character, one that always seems close to reconciliation. Whilst the story sets up a mystery that isnt a complicated one, it is as Tamaki created it as a beacon of false hope. This book strives to find positives within a world that is so far past dark it is pitch black. This is not a nice comic, it is frightening and horrifying. But it is also very difficult to look away.

Batman Secret Files: Clownhunter #1 is an excellent character focus. Something that these Secret Files comics have excelled at is using a very limited cast. Everything centres around the primary characters and it does not leave them for a second. This means that everything is about the protagonist. Brisson and Kmpe bring so much character development to this book, which an in-depth and powerful story allows the chance to do so. It also gives Phao the opportunity to go down several different pathways, all of which will provide some glorious stories.

Batman Secret Files: Huntress #1 is a fantastic horror story featuring one of DCs best characters. This is an intense book that doesnt shy away from making the reader flinch or avert their gaze. But this is also a beautifully written investigation into the mind of Helena Bertinelli. Tamaki tells a wonderfully woven story thats intimate, never leaving the main character for a second. And the magnificent art team creates insidious imagery that is glorious despite the revulsion it instills in the mind.

Batman Secret Files: Peacekeeper #1 may be the best of the series. This is an excellent introduction for someone whose knowledge of Peacemaker-01 is limited. As a relatively new character, a standalone issue where they are the main character is a fantastic method of boosting their popularity. It has an awesome plot and Brissons script in both current and past timelines is sublime.

Batman Secret Files: The Gardener #1 is a gorgeous comic. The story is investing and the reader will come away with so much more knowledge on the strongest characters this universe has to offer. There is more in than just backstory, with politics rife towards the end. But the issue is just simply bewildering to look at. Wards art style is achingly lovely and so fitting for a character reveling in nature. It allows for this incredible display of affection and beauty. There will not be a prettier comic out this week.

Battleworld Issue 1 is a fresh take on a classic concept. This genre of comics is underrated and is always exciting to explore.

Batwoman Issue 1 is a rich but harsh return. Rucka brings back characters and concepts left behind, inflicting trauma on Kate Kane once again.

Ben Reilly: Spider-Man #2 is a terrific second part. The best thing about this issue, in particular, is it demonstrates just how different Ben is going to be than Peter is as Spider-Man. From his personality to his mental state to even the relationship between protagonist and plot, this is a unique hero. DeMatteis didnt just replace Peter Parker in a like-for-like swap, this is a story about one of the most unique and beloved characters in comics.

Birds of Prey #1 is a wonderful first issue. The chemistry between the characters is delightfully funny and heartfelt, with the potential to go dark and menacing at a moment’s notice. There’s a whirlwind of action from start to finish.

Birds of Prey #2 is a brilliant mix of dialogue and action. Thompson is the perfect fit for this book; he is superb at creating connections between the characters. It’s an expansive and inclusive comic, making it a fun read.

Black Adam #1 is an incredible start. The character is already one of the most imposing that DC has created, as well as being unpredictable. And yet Priest, Sandoval, and Herms shatter expectations.

Black Canary: Best of the Best #1 is what King does best. His particular brand of storytelling, so intently captivated by characters, comes to the fore when there is such a streamlined idea.

Black Cat Issue 1 makes Felicia Hardy delightful company. It could be considered a companion piece to Amazing Spider-Man, but Felicia is absolutely and unequivocally the star.

Almost every page in Black Lightning #1 (2024) is a conversation about how Black Lightning is constantly trying to be a good father and protect his daughters, who have grown up and are on opposite ends of their lives. The blending of the superhero and family life is fantastically written, making it a book of excitement and emotions.

Black Manta #1 is a powerful first issue. Brown embraces the main character for who he is, letting the readers get comfortable with the villain that they know. This is a comic filled with water and piracy, where the assassin feels at home. Yet the story seeks to send him and the audience into uncharted territory. The lack of real information encourages us to read more. Without Aquaman, it will be interesting to see if Black Mata can carry a series on his own. The art team is fantastic for the character and for the dark world this book takes place in.

Black Panther Intergalactic Issue 1 is a seamless transition from Imperial. However, the issuedoesn't feel quite adventurous enough.

Black Panther: Blood Hunt #1 is visually and viscerally spectacular.

Black Panther: Blood Hunt #2 must be respected for its ambition. The direction in which it has travelled is completely unexpected but not unwarranted.

Black Widow & Hawkeye #1 pushes an old friendship to its limits. This partnership is built out of tension and difficulty. Natasha and Clint will always search for each other in their worst moments, even if they don’t recognise the person they find. The start of the plot is unorthodox and complicated, but when the comic straightens out, it excels.

Black Widow & Hawkeye #2 keeps the relationship central to the story. Natasha and Clint are clearly their own individual people. Together, however, their connection drives the plot.

Blade #1 is a new start that defies any expectations. The first half of the comic almost leans in on tropes and cliches, using a similar starting scene to what the Blade movie contains.

Blade #2 gives the vampire hunter much more to hunt. Beautifully balanced when it comes to its structure, the comic takes its time delivering the story.

Blade: Red Band #1 draws fresh blood. After Blood Hunt provided a full stop to the previous Blade series, this new chapter shed much of the burden and complications.

Blood Hunt #4 is too disjointed to land its most powerful punches. MacKay’s idea of spreading the event across the books affects individual issues. The art is excellent, and the dialogue has some bite to it, but the pacing and structure of the penultimate chapter zaps all of its energy.

Blood Hunt #5 makes the whole event worthwhile. Blood Hunt has not been the most accessible event to keep track of, but this final issue captures the excitement and the magnitude that the crossover deserved.

Blood Hunters #1 shows how heroes adapt to the most dramatic situations. There is also a fantastic showcase of how creators can use the same concept and change it thoroughly depending on the main character.

Blood Hunters #2 collectively sinks deeper into the darkness. Throughout the issue, the scenarios are getting bleaker.

Blue Beetle #1 is a shining example of a first issue. It has a perfect balance of everything that could be wanted to start a new series. It’s a perfect jumping-on point for those who have found Blue Beetle from the blockbuster.

Blue Beetle #2 is spectacularly supercharged. The energy within the book, once activated, is intoxicating.

Blue Beetle #3 continues to build upon an extremely exciting series.

Blue Beetle #4 is achingly beautiful. There is much less action, but that is only so more time can be spent with the characters and giving them all the development they need.

Blue Beetle #5 is so much fun. The book is filled with personality and passion, with the action and colors of a Power Rangers episode. The dialogue and the art are simultaneously stunning, and the slow inclusion of Starfire was a stroke of genius.

Blue Beetle #6 is an extraordinary ending to the first arc. The series never fails to be breathtaking and the emotional range existing within the storytelling is sublime.

Blue Beetle #7 is a chaotic celebration of a career. The issue is more of a touching tribute than a coherent story, which is acceptable for a creator like Keith Giffen. This book has both fourth-wall-breaking madness and some genuine and gentle family moments, which have just as much power.

Blue Beetle #8 is sensational. While much of the issue is exposition, the storytelling never feels tedious or cumbersome. When it is heavy, it is due to the beautiful art and the emotion that lingers in every word. The departure is heartbreaking, hitting like a freight train.

Blue Beetle #9 is built around important conversations. A supporting cast has been built that is so tight-knit and connected that stories can be designed around all of them.

Blue Beetle #10 is a boss battle for the ages. The spectacle is astounding, and the fight scene is terrific. All the unease and mistrust bleeding into every issue of the run reaches a peak.

Blue Beetle #11 ends the most energetic book in DC’s arsenal. Having followed the series from start to finish, the personality and passion within the comic have been enthralling.

Buffy the Vampire Slayer: Faith #1 is an intriguing yet confusing read. The concept of the issue, using the theme of cinema and movies to tell the story is a fascinating one. But the constant time skips and bad pacing make it hard to focus. I appreciate the writing and art as so much experimentation is on display, but the structure can make your head spin. What is admirable about the comic is how much it revolves around Faith. This feels like her own world and her own story with none of the Scooby Gang to divert that attention. And if the story starts to streamline then the creators have a gem on their hands.

Bullet is an affectionate Silver Age homage with present-day adjustments. At no point cynical, Stone and Alqasa celebrate the genre and the era the comic lives in. But this is a story that lives on its own, with an excellent heart that is visible on every single page. The main characters shine, the action excels, and the art is lovely.

Cable: Love and Chrome #1 sets up kindred spirits. Cables experience has primarily been a lonely life, even when he has been part of a team or with various partners.

Pepose keeps Cable Love and Chrome Issue 2 violent and visceral, with death always just around the corner. But that makes it the perfect time to discuss death because it is so close.

Canto and the Clockwork Fairies is a brilliant one-shot comic... The theme of captivity in this one-shot is very powerful and poignant, and the dialogue had a large impact on me at times. Canto is a fantastic hero to follow who has been given a brilliant personality by Booher and amazing design by Zucker. His look has always conjured up images of him as a playable character in a video game, and the dungeon crawling he partakes in during this issue makes it feel all the more possible.

Canto II: The Hollow Men #1 is a lovely fantasy comic that takes inspiration from the Wizard of Ozs heartless Tin-Man and creates its own world filled with unique characters. The art is so amazing to look at, with designs that look new and original. The story has a powerful identity and depth. The cuteness of the design can easily lead to misconceptions about the emotional power the story has. But there are themes starting to emerge that really resonated with me as I read. Cantos anxiety makes him a really effective main character and his tale should really be one of legend.

Captain America #750 celebrates two Captains for perhaps the first time in one of these milestone issues. And the collection achieves that superbly.

Captain America #1 brings layers to an old man who has to be everywhere. For a man so stoic and permanently poised, perhaps even labelled as boring by some, Straczynski leans on that and sees if that can be tested.

Zdarsky's script is exceptional, and it's so fascinating to get these early interactions with younger versions of the characters. And Schiti's is impeccable at odds, beginning with a terrible image that is so iconic and memorable, etched into the memories of so many. It demonstrates a boldness and bravery on the part of the creators in telling a plot that addresses a hostile world.

Captain America Anniversary Tribute #1 is a lovely homage, combining the past and the present. This is a celebration of not just Captain America, but also of art and the creators that have impacted the characters history. This is the comic book version of a jam session... There are over 50 creators involved, and each is of a superb caliber. This is a very touching and clever idea that beautifully captures the soul of a comic book character, one that became one of the most important of them all.

Captain Carter #1 is a brilliant start. For McKelvies first foray into writing, the script is excellent and full of both drama and emotion. The writer is establishing a voice already and it is fantastic to see. Learning more about a character we have only spent a brief period of time with is exciting as it shows that the potential of Captain Carter is thriving. With gorgeous art accompanying the writing this comic is a pleasure to read.

Captain Carter #3 is a beautiful book. McKelvie is really proving himself as a writer with this series as this issue contains an excellent script and terrific drama. Other stories are adapted to make Peggys her own. It is her personality that is the drive of the comic and is unique to this universe. That is partnered with stunning artwork that brings several amazing fight scenes to life, giving it a cinematic quality. Every issue is introducing someone or something new, and the slow exploration of this timeline makes me desperate to discover more.

Captain Marvel #1 brings old stories back for new characters. Evolving the concept for this particular Captain Marvel generates a fascinating twist to the tale, and the book itself is fresh.

Carnage #13 raises the level of the crossover even further. Passing the ball to the villain, Paknadel embraces a new form of horror within the world of Carnage.

Carnage #14 is another great view from the villain's side of the story. Even with more heroes and other costumed characters wading in, the focus of this issue is the man pulling all the strings.

Carnage Reigns: Alpha #1 sets a high bar for the rest of the crossover.

Carnage Reigns: Omega #1 is an epic conclusion.

Catwoman #57 is the best issue of the crossover so far. It’s a character-driven issue that revolves around a fascinating setting.

Challengers of the Unknown #1 provides readers with more insight into the Challengers, who are more than support staff.

Champions #1 is a tremendous first issue for the series. Ewings script is fantastic at tapping into the brilliant characters at her disposal, and she clearly takes young characters seriously. Both Di Meo and Blee both bring very unique styles that result in the book looking completely different than anything else around, and all parts of the creative team work together to cram as much suspense and nerves into the comic as possible. OUTLAWED is similar to Civil War in tone and premise, but the use of only young characters adds a new dimension to the discussion and had a much more personal effect on me. The next issue cant come soon enough.

Champions #2 follows a brilliant first issue with another fantastic chapter. Ewing takes four of Marvels best, young heroes and uses them to explore dark themes. Their personalities are very likable and will surely be explored as the event picks up momentum. The art is stunning and influential in creating the tense atmosphere the pages radiate.

Champions #3 is a brilliant addition to one of the best-written events in years. Ewing fills each character with both strength and vulnerability as they are pushed to breaking point. Each voice that is heard is unique and individual. During the quiet moments, the pages are brimming with suspense, but when things get lively the pace turns frantic. Each issue cant come fast enough.

Champions #4 brings fun to the event in a beautiful issue. The darkness of the issues needs positivity as a palette cleanser as it accentuates both emotions. If that claustrophobia and darkness continued, the reader might have found themselves drowning in it. A team up in the middle of the event connects the crossover to the rest of the Marvel Universe while also serving a purpose within the story. But the event isnt over, and there are still those who need their Champions to save them.

Champions #5 is a stunning end to a terrific event. By the end of this issue, the story feels complete. Every part of the creative process is used to make the readers feel. For the first three issues, there is a dread that hangs over every page. In #4, there is relief when the main characters are rescued. And within this final comic, there is hope that works as a brilliant final emotion. The colours and art style make this a terrific event for young adults to enjoy, whilst the heavy themes and subject matter resonate due to always being relevant. There are glimpses into the future in the final pages, showing there is much more to come from the Champions.

Champions #6 is an excellent continuation instead of a fresh start. This issue tackles the fallout of the earlier five issues. The writers do have their own identities, but the plot threads that Ewing left behind are picked up and continued by Lore as their own plot takes shape. The characters shine, five profoundly different personalities complementing and clashing with each other. The art style and bright colours are exactly what the book needs to draw the attention of younger readers and is superb at helping tell the story.

Champions #7 is an outstanding superhero comic. There is more character development and theme exploration within this one issue than there are in whole volumes within other comics. Lore has captured the voices of the heroes very quickly and is telling a powerful and impactful story. The themes of social media and its effect on society are more important now than ever, and it is laid out through intelligent methods and ingenious storytelling. The art is sublime and covers the comic with brightness and energy.

Champions #8 is a stunning issue for character development. One of the best aspects of Lores writing is that they treat the target audience with the respect they are owed. Some comics directed at teens can feel patronising or out of touch. Yet Champions recognises their intelligence with large amounts of dialogue filled with drama. The art makes this comic a delight to look at whilst the themes add a powerful emotional depth.

Champions #10 is a wonderful comic. Not just the end of one arc, the relief from this issue stems to before the start of Outlawed. Lore has told a story absolutely brimming with heart, emotion, and thematic relevance. Some of the statements and moments within this comic are so powerful they are like a gut punch. These characters have felt alive and full of souls, and the reader finishes every issue caring deeply for each of them. Whatever comes next for the Champions is eagerly awaited.

Checkmate #1 is an entertaining start to the series but struggles to find its feet. The characters involved possess huge potential, the partnership of Maleev and Bendis reuniting is definitely exciting. However, the plot lacks forward momentum and true clarity. The art is stunning but most of the characters are yet to get involved. This comic needs to get moving to prevent readers from losing interest.

Checkmate #2 would be brilliant if we understood what was happening. The story is awful for new readers, with no explanations for any part of the plot. The time jumps have had no starting point, and there are so many characters involved that is impossible to get a bearing over whether you are interested in them.

Checkmate #3 is beginning to show its quality. Bendis character work is superb and that becomes clear with how some of the heroes and villains are written. But the massive ensemble cast is unruly and hard to manage. The story may still be causing confusion but the reader is not left with their head-spinning quote so fast as it did in the last issue. The art has been terrific since the start. With some sense starting to be made of what is happening, the remaining issues should possess some real excitement.

Cheetah and Cheshire Rob the Justice League Issue 1 gives a gory limelight to underappreciated villains. Rucka recognizes how fantastic both Cheetah and Cheshire are, and yet they get so little attention on a larger scale.

Children of the Atom #1 is an energetic and exuberant first issue. These brand new characters are easy to like. Whilst they may bear a resemblance to existing mutants, just from a first glance, they are very much individual heroes. The action is fun, displayed by fantastic art that also provides us with unique designs.

Children of the Atom #2 is a superb follow-up and potentially even better than the first issue. We are getting to know more about the five heroes, and they are so much fun to read. This book is so deeply entrenched within the X-Men world. Not just from the guest stars and plot, but the references in the dialogue too. This creates the impression that any character can appear at any time, which fills each issue with the potential for surprises.

Children of the Atom #3 is an intense yet anxious book. Ayalas understanding of young characters is exceptional, depicting their struggles in exciting and sensitive ways, implementing them in dynamic storylines. The plot is confusing and the time jumps may throw certain readers, especially when the change of structure comes out of nowhere. At times the pressure within this comic is uncomfortable and yet you can't stop reading. Despite this, the story itself never ceases to be engaging, always leaving the reader demanding to know more.

Children of the Atom #4 is a wonderful book brimming with energy. Ayalas understanding of these characters makes them brilliant to follow. Throughout the miniseries, the readers have felt like they have known a lot about these five, yet they are also constantly learning more. But their secrets have been laid bare and may get them further into trouble. The art and coloring styles of Medina and Curiel are perfectly suited to capture the extravagant excitement of superheroics and the stark reality of high school to equal effect.

Children of the Atom #5 is a superb issue. Ayala has told a terrific story using these characters. They have felt natural and real from the start, and all with feelings and troubles that are relatable to almost everyone. Themes of identity and exploring said identity to discover the truth is an important message, using a powerful allegory in order to tell it. The art has been tremendous, propelling the book forward with infectious energy. It may be difficult to know where these characters may be used going forward, but the issue creates as many questions as it answers.

Children of the Atom #6 finishes the series with the best issue. This is the chapter that truly gives this miniseries a soul. As relationships are tested and identities are discovered, the book explores important themes in a way that will blow readers away. Ayalas script is powerful and touching and the art is incredible. This is a fantastic comic for young adults.

Cosmic Ghost Rider #1 brilliantlybrings us back to an obscure corner of the universe. This wholly unique character, existing out on his own, brings with him a hardcore take on the cosmos and dealing vengeance.

Cosmic Ghost Rider #2 brings a lot more chaos and brilliant storytelling to the table.

Cosmic Ghost Rider #3 has kicked into gear. Bringing in figures like Valkyrie has pumped energy into the comic, with some terrific battles unfolding in multiple locations at the same time.

Crime Syndicate #2 is an extraordinarily fun read. Schmidt and the art team are creating a parody of the Justice League whilst also telling an effective origin story that can stand on its own. Brimming with energy and violence, this series is perfect for new readers to learn about the Crime Syndicate. We have seen this group at the peak of their powers and at the end of their reign. But this is a new and updated piece of history. Much of the darkness is in the dialogue instead of the action, and the world-building is done through subtle comments instead of huge montages. Even within the second issue, the readers have discovered a lot about this Earth just from references and hints.

Crime Syndicate #3 is an epic battle filled with incredible characters. The readers arent routine for many figures within this comic, as everyone appears to be a monster. So the excessive violence is more enjoyable because there is a lack of concern for whoever it is being inflicted on. Despite this, Schmidt does include lines of dialogue that briefly pull at the heartstrings. But there is something important about this group that is maintained throughout this series. They are not and will never be good people. The fight itself never gets boring, the extensive cast resulting in awesome displays of powers and personalities.

Crime Syndicate #4 is a fantastic addition to the miniseries. Schmidt has made this world his own, the characters within it too. There is a massive amount of depth inside the comic, with a sense of mythology and a wider universe to the story. At the same time, there is intricate detail into the backstories of the major characters involved. The art team continues to be exceptional and capture the spectacle magnificently.

Crime Syndicate #5 is another incredible addition to the series. The plot is full and action, whilst keep the violence dark and unforgiving at the same time. All of the different characters involved give this world a huge depth, bringing with it personalities and opportunities for battle. Schmidt is exploring their own world now, and the great art by McKeown and Vines is providing special changes to each and every one of them.

Crime Syndicate #6 is a powerful conclusion to the series. Understated is not a word this comic knows, and Schmidt ensures that the series ends with the same amount of action it began with. What started as something that could have been considered a tongue in cheek reimagining of a Justice League origin story, but with bad people blessed with incredible superpowers. Instead, Schmidt completely reinvented a world that was filled with conflict, depth, and politics. The little backstories at the end of each chapter, visually enriched by Hitch and Sinclair, provided history to a new world. The ending is left open and this seems to be just the start of a new beginning.

Cult of Carnage: Misery #1 finally gives Liz Allen a comic of her own. Since her father-in-law and even her son have been given titles, it is only fair that she gets the spotlight shone on her too. She is powerful in her own right and Pirzada captures the chaos and the spectrum of disasters happening to her, before ramping it up even further.

Cyborg #1 is powered by an incredible story. The plot is driven by one massive inciting incident, something that shatters the story of Cyborg and will change this series massively. Hamptons put Victor Stone in a position where hes never been, and that unchartered territory is exciting. But it should be said that there are multiple mistakes on both the writing and art side that stop this book from being impeccable.

Cyborg #2 is very hard to stick with. At its core is a great story and a fantastic lead. The plot is fascinating, altering the concept of Victors critical father into something more intense and fitting for a science-fiction comic. And the mysteries within Solace are intriguing. But the repeated gags arent working and the unappealing art style makes the comic unpleasant at points. They are weighing the book down and getting in the way of the extremely likable elements.

Cyclops Issue 1 (2026) is a glorious lesson in discomfort. Everything is stripped away from Scott, anything which could make the upcoming journey easier.

Cyclops Issue 2 highlights a hardened hero. It’s easy to view Scott Summers as a lanky leader who only attacks from afar. Paknadel instead cements him as a capable, tough, and dangerous soldier with decades of action and fighting in his veins.

Daisy #1 is a first issue that makes an impact unlike any other. The plot is fascinating, with Lorimers clues to where the story could be taken still perplexing the reader hours after reading. The twist is one of the most powerful this reviewer has seen, breathtaking in its strength. The art is a great style that is able to share both brutality and beauty.

Damage Control #1 is a bit too weird. It is easy to understand what Goldberg was trying to accomplish with this first issue, but it sticks the landing horribly. You cant get a foothold when the story moves too fast, but when it slows down, the explanations are repetitive yet ultimately empty.

Daredevil #6 is a brilliant character issue. It allows those that have just arrived a chance to demonstrate their personality in what is quickly growing into a large cast of eccentric figures. Those at the heart of the story, Matt and Elektra, have spent a while building an army with the ability to take on the Hand, and it is great to see the strains that becoming a leader has on those with the world on their shoulder. Their time at their base has often seemed like one of training and tranquility. But with one final page, Zdarsky introduces a figure that is the opposite of tranquil.

Daredevil #20 is an incredible issue that cements the title character as one of the most badass heroes in comics. The creative team stunningly produce brilliant illustrated and well-choreographed fight scenes, while keeping the momentum always moving forwards. After everything the protagonist has been through, this feels like an expulsion of frustration that the reader cant help but get sucked into.

Daredevil #21 is a fantastic issue that beautifully bookends one arc before unleashing the readers on another. The writing by Zdarsky is among his best of his run, and his understanding of the character Matt Murdock is evident in every page. Both Checchetto and Iacono fill this issue with emotion and atmosphere. So many of the panels are achingly sad, but they are so well crafted that you cant help but be in awe of it. Daredevils ordeal is far from over.

Daredevil #23 is an edition that fans of the character will adore. The Man Without Fear has moments within this comic that will make the audience smile, frown, and sob. The art and colours continue to be hauntingly beautiful and fit the book perfectly. Zdarsky is a master of dialogue, which is extremely prevalent here. As we get closer to the trial, it is clear an emotional rollercoaster may be on its way, and Im not sure Im prepared.

Daredevil #24 is a powerful issue. So much of the threads that Zdarsky has been unraveling are tied up, while more appear to keep the reader even more invested than they were in the last issue. The constant change in Daredevils thought processes and personality as his dilemma gets worse shows the writer's ability to explore characters in depth.

Multiple heroes have taken over as protector of Hells Kitchen while their Guardian Devil is unable to defend it. Spider-Man and Black Panther have spent time within its streets, and Iron Fist wore the Daredevil suit for a small amount of time. But Elektra is possibly the most perfect fit as Matts successor.

Daredevil #27 is an enthralling, action-packed second part to the tie-in. Zdarsky has successfully managed to combine the plot of his run with the event to the benefit of both. It has allowed for some important character development with some plot threads that are sure to be continued. There is a strong emotional core to the issue and the artists express themselves with new and fun designs.

Daredevil #28 is another amazing issue. Combining important social commentary with an investing storyline, Zdarsky and the art team return to their regular plot with ease. At the same time, the consequences of King in Black are heavy and preserving. This is a beautiful character-based comic, focusing heavily on the figures that are driving the story forward. Twinned with the revelations and action, this comic is an emotional rollercoaster.

Daredevil #29 shows that this series keeps getting better. Within this comic is a lot of characters, fighting and surprises, but each scene is purposeful and atmospheric. Zdarskys script is full of poetic dialogue whilst Checchetto and Menyz creates stunning and energetic fight scenes that make the heart pump. And the war for Hells Kitchen continues to be waged in secret.

Daredevil #30 is yet another perfect edition in this run. The story is gripping and bursting at the seams with twists. The three leads, Daredevil, Elektra, and Kingpin, are moving independently of each other. Their individual stories have different themes, pacing, and emotions, and yet they still feel combined. The art is sublime, whether it be presenting an all-out brawl or a simple punch.

Daredevil #31 is a phenomenal start to a new arc. With a high tempo and thrilling story, the series shows no sign of slowing down. Characters stride into the comic with a tremendous presence. There are no weak voices, no forgettable faces. The art is sensational and keeps the intense energy going from start to finish. Elektra and Daredevils greatest enemy is loose, and the possibilities of what that can mean are hair-raising.

Daredevil #32 is a powerhouse of an issue. The quality of this comic is unwavering and the story never ceases to amaze. The tension is ramping up and Zdarsky will always find ways to shock the reader. The manipulation of three parallel character arcs that are just now coming back together is masterful. The city is in the clutches of one of Marvels most ruthless villains, and the writers execution is incredible. The art provides this action-thriller with both suspense and action when either is needed. And as each issue ends the threat gets more frightening every time.

Daredevil #33 is a fantastic, action-packed issue. This comic is fraught with danger and the readers are left nervous. Zdarsky continues to tell a deeply captivating story with constantly increasing threats seeking to cut one of those stories short. There are also some fascinating pieces of dialogue and plot threads around the other characters involved in the book, including one that will take the comic in a completely different direction.

Daredevil #35 is a thrilling conclusion to the arc. Zdarsky has ensured that other plot points have been put to the side so that this war with Bullseye is streamlined and entirely captivating. The use of characters that know each other so well shows an incredible understanding of this small corner of the world. The fights in this run have been drawn out and exhausting sometimes to wear down the reader. Great heroes and great villains are brought together in an expertly choreographed action thriller. Zdarsky and the brilliant artists are creating a new classic before our eyes.

Daredevil #36 is a beautiful bridge of an issue. It is more joyous than what we are used to with this character and his world, with this chapter not feeling quite so heavy.

Daredevil #1 is a stunning start. It tries to close the door on Daredevils time in Hells Kitchen by having one last adventure in it. Zdarsky knows all of these characters completely at this stage, yet still tries to bring out new aspects to their personalities. From the start, it is evident that Murdock and Elektra come into this book with tortured souls and troubled minds. The art is gorgeous and it is so exciting to see this creative team back again.

Daredevil #2 is a gorgeous celebration of 650 issues for the character. Within it is a story that shockingly tries to alter history whilst paying homage to it. It may not be filled with supporting cast members or rogues gallery, but it glorifies one of Marvels greatest heroes.

This is a book that knows when to talk and when to fight, with incredible power emanating from the page when both happen. Daredevils attempt to wrap up in New York is revealing more and shows the depth that Zdarsky has generated in his time writing one of the best series currently on sale.

Daredevil #4 combines both the old and the new. Many of the characters involved in this issue have been in the series for years, with The Hand being one of Daredevil's most prominent foes. But that history has been supplemented with recent additions to the supporting cast, and the circumstances are very different... It is a perfect blend of familiarity and tearing up expectations.

Daredevil #5 is a great issue. It enjoys the past while subtly hinting at a dangerous future. The Fist appears to be an organization set up to repel the Hand, but it is just as mysterious with as much potential for darkness. Daredevil never comes out of these dealings unscathed and is already showing signs of instability. And the creative partnerships in this comic are jaw-dropping in all aspects.

Daredevil #6 is a brilliant character issue. It allows those that have just arrived a chance to demonstrate their personality in what is quickly growing into a large cast of eccentric figures. Those at the heart of the story, Matt and Elektra, have spent a while building an army with the ability to take on the Hand, and it is great to see the strains that becoming a leader has on those with the world on their shoulder. Their time at their base has often seemed like one of training and tranquility. But with one final page, Zdarsky introduces a figure that is the opposite of tranquil.

Daredevil #7 keeps the storyline moving with a terrific issue. Whilst all part of the same plot, the artists taking different parts gives layers to the story. The Hand and the Punisher have felt far away, only mentioned as an outside force. This issue brings them very close. I admire the voice this comic is developing, actually addressing key elements of superhero comics and society as a whole.

Daredevil #8 is a masterclass of a battle. This is each creator functioning at an elite level. It's a fantastic fight issue that has an intoxicating atmosphere.

Daredevil #9 is a disturbing book that cant look away from.

Daredevil #10 is an issue powered by heartache. Friendships and alliances are erased in this comic as both Daredevils haven and his reputation disintegrate.

Daredevil #11 pulls the hero up from one of his deepest lows. That guilt and sadness that fills Matt radiate from him in this issue, wallowing in grief. Zdarsky is a master of pace and subtle storytelling. Sometimes its difficult to see the machinations and the journey hes taking characters on until the end of an issue.

SummaryDaredevil #12 is a poetic masterpiece.

This entire comic transcends what I thought Daredevil comics were capable of whilst still feeling true to not just Zdarskys run, but the character as a whole. Its mindblowing, but enough foundations had been laid to feel earned.

Daredevil #14 is a stunning end to one of the greatest-ever creative team runs. It's difficult for modern comics to fit alongside those classic runs and tales that formed the foundation of everything that came after.

Daredevil #1 is a unique first issue. Being the newest creator developing the next steps for a huge character like Daredevil is never easy, and Ahmed has simply blown up all the expectations and conventions.

Daredevil and Echo #1 plunges the heroes into something totally different. Taboo and Earls subseries of mixing the street-level heroes with a magical, horror aspect has proved effective before, and the early signs of brilliance are here as well.

Daredevil and Echo #2 needs to be an outlier. The issue takes the momentum of the first and almost instantly dampens it, putting the brakes on to litter the book with exposition and dialogue.

Daredevil and Echo #3 welcomes back the weirdness. Its just the refresh the miniseries needed, offsetting the exposition of the last issue with action and craziness.

Daredevil and Echo #4 will leave you brilliantly bewildered. All of the foibles within the first issue become clear, and ultimately the whole series is better when read as a whole book, not individual chapters.

Daredevil Cold Day in Hell Issue 1 isvery different. Every once in a while, a character-focuseddystopiancomes around. This is Daredevil's turn, and it is just as bleak and uncomfortable as the others.

Gang War: Daredevil #1 is a fantastic tie-in. It isolates Daredevil whilst also making sure it's an integral part of the whole event. If there is a character that could be left alone to protect a whole area of New York, it is the world's deadliest assassin.

Daredevil: Gang War #2 is one of the best Gang War tie-ins due to the strength of its lead character.

Daredevil: Gang War #3 is pushing its key characters closer. The agony both women have endured and unleashed on others ties them together. Whilst it is deeply connected to the main book, there is constant communication with the other heroes.

Daredevil: Unleash Hell - Red Band Issue 1 turns violence into an art form. Adding the Red Band label is utilized for more than gratuitous gore. It becomes part of the plot, where the villain sickeningly celebrates blood.

The combat in Daredevil: Woman Without Fear #1 is one of the best fight scenes in months, constantly changing and gripping to see unfold over many pages.

Dark Crisis #2 is a powerful challenge for the next generation of heroes. Without backup, the fascinating story puts the characters to the test against villains that even the Justice League could have struggled against. The Crisis has barely begun and the enemies the Titans and others have been facing threaten to destroy all of them. With glorious art that refuses to pull any punches, the comic is impossible to look away from until the final page. And the Crisis will only get more intense as it deepens

Dark Crisis #3 is beautifully atmospheric. As the heroes are delivered punch after punch, Williamson is truly embracing the all-encompassing scale of an event comic. With the usual figureheads out of the picture, this is a beautiful portrayal of those left trying to pick up the pieces. The insecurity and nervousness is heartbreaking. And it is being brought to life by an incredible art team.

Dark Crisis on Infinite Earths #4 has everything an event issue needs. It has some characters rallying to arms and some shrinking under the pressure. It has unlikely allies being made to face horrific, monstrous enemies. It has shining beacons of hope before that is submerged in darkness. The art is jaw-dropping and the battles are intense. And then an ending that could threaten everything on a universal scale. The name change of the event has just elevated the stakes to an extreme level.

Dark Crisis on Infinite Earths #5 releases what has been building the entire event. There have been confrontations, battles, and showdowns before, with huge amounts of damage done to the heroes and their community. But there was always a sense that a battle that dwarfed those skirmishes was coming. And here it is with the fate of a universe in the balance... with the nature of this comic, there is possibly something even bigger around the corner.

Dark Crisis on Infinite Earths #6 is a powerhouse of a penultimate issue. It carries with it so much expectation and delivers wholeheartedly.

Dark Crisis on Infinite Earths #7 goes out with the same incredible magnitude it entered with. This is a book that is a beautiful mix of heartfelt character moments and some of the most epic set-pieces of the year.

Dark Crisis: The Dark Army #1 is a one-shot that struggles. From the beginning, it looked like an energetic and entertaining comic, and it absolutely has periods where it is. The character choices werent wrong, but I dont think they all had the impact that they could have.

Dark Crisis: Worlds without a Justice League - Green Lantern #1 has two amazing character stories. What makes the Green Lantern and the Hawkgirl story stand out is both of them are succinctly focused on their main figures, whereas the previous one-shot was happy to explore the supporting cast too.

Dark Crisis: Worlds Without a Justice League - Superman #1 consists of conflicting quality. Both stories are interesting to read but not what I expected from this alternate universe take. Whilst there isnt a Justice League and the tonal shifts in the book are clear, both maintain a recognisable core of characters.

Dark Crisis: Young Justice #1 is an atmospheric masterpiece. The delicacy in which Fitzmartin adjusts the emotions the characters are feeling is phenomenal. The blending of dialogue and exquisite art gives the book a damaged soul, matching that of the young but traumatised figures inside. But there are some really fun aspects of the book as well, especially after the twist in the middle of the issue.

Dark Nights: Death Metal The Last 52: War of The Multiverses #1 is a fantastic idea with superb execution. The story has so many interpretations of the same battle, allow so much more to be covered than what may be seen in the main event. The different creative teams result in contrasting tones for the stories. Some have comedic elements, others more grotesque. A few focus on hope while there are some much darker. Brimming with content and detail, this is a must-read book.

Dark Web #1 is a celebration of the past whilst exploring the present. It may not be entirely welcoming to new readers but it is rife with callbacks and reunions.

Dark Web Finale #1 closes the crossover with consistency. It goes out with the same energy that it came in with. It is clear on every single page that these creators love comics. This is a celebration of the characters and the format. Its so enjoyable to read, with lovable characters and fights full of excitement. And yet the story is meaningful, carrying massive consequences. Its a very rewarding comic and one that was a delight to read.

Dark Web: X-Men #2 is a great inclusion to the crossover. It features fantastic writing and phenomenal art. The book changes the face of the whole story by going from a spiritual Inferno sequel to a unique book that is the culmination of years of pain and heartbreak. Noto and Reis are an artistic match made in Limbo, fitting together seamlessly. The tie-ins of this crossover are being allowed to zone in on smaller parts of a larger, cross-dimensional tale that constantly adds more.

Dark Web: X-Men #3 shows a mother's strength and vulnerability. It is a story steeped in specific history, which has left pain and scars. Its an exciting issue, with a fantastic fight between two of Marvels most powerful women.

Dark X-Men #1 is needed when times get as dark as they are…It’s one of the most epic lineups, with some of the mutant world’s most malicious, repulsive, and awesome representatives. But it’s demonstrative of where the Fall of X storyline is.

Dazzler #1 is a proud statement. This subject is perhaps as timely as ever, with the immense pressure being put on anyone with a microphone from either side.