She didn't escape. Sovereign dropped her on the island, they say this in the narration.
Cheetah enters the fray as the Sovereign recruits Diana's greatest foe to deal the killing blow! Meanwhile, the Wonder Girls may have promised their mentor that they'd stay out of her fight, but well-behaved heroes seldom make history. Will they reach Diana before it's too late? Plus, Trinity takes to the skies...literally!
Wonder Woman #10 is outstanding. Many aspects of King’s writing and Wonder Woman’s personality come to the fore in a single issue. It has powerful drama and adorable comedy in the central and backup stories. Read Full Review
I was a bit skeptical when this story started, because Cheetah was actually reformed in a pretty compelling story not long ago and this seemed to reset heruntil I realized that she hadn't gone evil. She was simply starving, and another victim of the Sovereign's single-minded sadism and ruthlessness. Read Full Review
Wonder Woman #10 serves as a fantastic conclusion to the second arc with excellent character moments in both the main story and the backup. Read Full Review
Wonder Woman continues to be the best superhero comic written today. There's a wholesomeness in how it conveys her heroism and strength, which end up being her greatest superpowers. Read Full Review
I remain pleased with the way Tom King is continuing Diana's journey in Wonder Woman #10. I give him credit for baiting and reeling me in as a follower. I hope that he doesn't disappoint in the end as he's been guilty of before. Diana deserves the pedestal he currently has her on as a member of the Trinity. Read Full Review
Sampere delivers some beautifully detailed art throughout the issue. There are some beautifully detailed backgrounds and environments along with brilliantly detailed characters and action. Read Full Review
All that can be said is thank the goddess that this Sovereign storyline is over. Whether forced to end due to Absolute Power or because this was the intended natural end point doesn't matter. The failure of this story arc built around a poorly developed villain is finally over. And that is the only positive that can be said about the story itself. We at least had another great example in Wonder Woman #10 that showcased why Daniel Sampere is one of the best artists in the industry. So, there is that as well. Read Full Review
Wonder Woman #10 introduces a scenario where Sovereign decides to pit Wonder Woman against Cheetah on a deserted island for no apparent reason at all. Daniel Sampere's art is gorgeous, but it's clear Tom King has no ideas, no plan, and no justification for being on this title. Wonder Woman fans deserve better. Read Full Review
There are a lot of gaps in the storytelling and a big lack of resolving any of the issues from the start of this run. Instead it's random hard shifts from Diana's struggles last issue to some hugs at the end of this one. The only redemption this issue has is that the art is beautiful. Read Full Review
After reading this issue, I can say confidentially that tom king understands the almost inexplicable unique relationship wonder woman has shared with her archenemy. The metatextual analysis of it here is quite acute, in how it doesn't match up with superman or batman in their simplicity.
That being said, I'd like for him to use other comparisons than superman or batman sometimes. Also, the stuff with the wonder girls and the plane was pretty forgettable. Would've gladly sacrificed it for more of Diana and barbera brawling.
Wonder Woman #10 by writer Tom King, artist Daniel Sampere, & colors Tomeu Morey serves as the final act in the ‘Sacrifice’ arc ahead of DC’s upcoming Absolute Power event. The issue’s main story focuses on two plots which converge by the issue’s end: 1) the Sovereign banishing Wonder Woman to an island where he had a kidnapped & deprived Cheetah waiting; & 2) the Wonder Girls attempting a rescue mission while trying to figure out how to use the invisible jet.
I've loved King's run so far (& love his work in general), but his past excellence on this run makes this issue feel like a bit of a let down even — though it was still a good issue! King introduces a compelling thought experiment centered on superhero foils vi more
SPOILED REVIEW.
We find Yara, Donna, and Cassie looking for Diana’s invisible jet at an airport, on runway 26 due west. According to Donna, the plane is “one of the greatest weapons on earth and the absolute key to saving Diana and setting everything right and dandy again.” They just have to find a way to find it because, you know, it’s invisible.
Elsewhere on an island, we find Diana sunning by the water on a beach. She decides to move from lying in the water to sitting further away on the sand.
Back at the airfield, Cassie uses her head to figure out where the jet is hidden. Yara informs the others how she prefers to have sexual intercourse.
Back on the island, Wonder Woman wanders throu more
The problem with this run is that there's no coherent flow or structure in the story. Wonder Woman was in prison, yet she somehow escapes and is on a beach. How did this happen? Well we dont know, it happened off-screen. Cheetah comes up, and the only reason this isnt lower is because this is Daniel Sampere's best work (even better than Dark Crisis), and I really do like the back up story.