This book is solid and well written as hell. The art is fantastic, Hollingsworth is one of the best colorists in the business. It's a great recipe for a good book. Soule can be hit or miss at the Big 2 but this for sure hits with me. It's so damn good. I've enjoyed the first two issues immensely.

This comic shouldn't work, but Soule and Saiz make it work.

I applaud Eve Ewing for not shying away from addressing Kitty‘s recent past, however, it’s just not possible to justify the murders she has committed during the Fall of X storyline. Kitty, one of my favorite X-Men ever, is a ruined character, and it isn’t Ewing’s fault. However, the issue of Kitty’s mass murder is brushed aside pretty easily, and this is a problem.

The art is great as usual,and the writing feels natural, but I feel this series is written for a younger generation with different sensibilities. Gen X guys like me just don’t give a shit about those teenager’s issues. So the question is, who is reading this title? The younger people that the series caters to or people like me, who just want a great superhero book, but are getting a lot of slice of life and social justice crap instead? more

The best Lemire book in years. This is the most I've ever cared about Wally West. I need to know what went down with him and a certain character!

The Absolute line is the best thing going in modern comics.

Unless you're Gabe Hernandez, of course.

As much as I love Jeremy and think he's incredibly talented, this does not feel like Aquaman to me. I know a lot of people are loving this version of the character, but as a long time fan, this just isn't him. He would never yell out that he was going to kill anyone. He didn't even say that after Black Manta killed his son. I'm still not a fan of him having Mera's powers and then using it to sling mud and blood is not a character highlight for me. As Aquaman is my favorite comic character As an ultimate fan, it saddens me to say that I may dropping this title in a few issues.

My Comic Review Channel - https://youtu.be/Nyak3h_Gg6c more

The art was fire, and I actually really enjoyed the story. Way better than expected.

Whoa. Wasn’t expecting much from this book but it was actually fantastic. I pre-judged it on concept alone and didn’t even realize Charles Soule and Jesus Saiz were on this until I’d finished. Checks out. I’m excited for the next issue. May take venoms spot on my pull list…

Oh Mole Man how I missed thee. Cummings' art is fine but I wish his line work was a tad sharper. Another fun, low stakes issue overall with some great character work for Ben and Alicia's kids.

Continues to be my favorite marvel book, carried by the writing and Done in one format. Art is good, but I still don’t think they’ve found the perfect artist for this book.

if this run does not explore some of the most insanely creative comics logics and concepts with a good-natured smile on its face, it builds upon preexisting relationships and redefines them, while having tons of fun with it. It's so endearingly dumb and smart at the same and I am completely in love with it. Best comics out rn.

"No other skull can make this claim."

I sometimes take weeks to read an issue of this comic because I want to read it in the perfect moment. I don't just want to flip through and enjoy the story, I want to *marinate* in it. No other modern FF run can make this claim.

I guess this was what kids felt when reading FF in the 60s.

I thought this issue was going to be pure cringe (Johnny falls in love with and alien hahahaheee derp) but it ultimately reminded me of The City on the Edge of Forever from Star Trek and that can't be a bad thing.

Remarkable storytelling and super art, all in a done-in-one issue. Highly recommended for all comics fans.

This run is hit or miss with more hits than misses. This one though, is a grand slam.

I'm giving this a 10 because I absolutely loved it, but also because I've been dying for an Aquaman book for years. Jeremy Adams is the perfect person to write this book, to me, he's like the new Geoff Johns. The art was fantastic, the colors were fantastic. What a crazy cliffhanger at the end, I cannot wait for #2.

Jeremy Adams might be the next Geoff Johns, given how he tackles Flash, Green lantern, and now this. The art and coloring works really well, and I can't wait to see how the next run unfolds. I hope Aquaman's run ends well, which means he will have a trilogy of solid definitive runs

I didn’t watch the Loki series and hate alternate timeline stories, but Pepe Larraz makes everything look great, so I gave this series a try. It’s a shame that Larraz is not drawing the book, but Pere Perez is almost as good. Unfortunately, the art is the only great thing about TVA.
Katharyn Blair somehow managed to write a script that is completely devoid of any charm or spark. If a book makes me want to quit after two pages despite great art, the writing must be exceptionally bad.
So how can I rate this? The art is a 9, but the writing is a 1. I could give an average of 5, but since the writing makes the issue an overall unpleasant experience, it has to be a 3. more

All the flaws of a comic written by someone from TV, looking down on things like continuity, universe building, and so on, thinking they can do better. In the end, it’s a comic that won’t satisfy either fans of the series or fans of comics. It’s this weird hybrid that doesn’t fit into any continuity, and on top of that, it’s poorly paced. It’s a shame—there was potential for the TVA, but this kind of synergy with the MCU is exactly what shouldn’t have been done. more

I feel like the art fit the tone of the book. It's like a B- grade level artist but he does a hell of a job. There's also room for him to grow. The story though, the story was fantastic. I'm not going to get too deep into it because I'm not trying to review the book like a normal reviewer. I'll just say there are a few kinds of books. Books that I struggle to get through because they're so boring and not that well written, and books that I burn through and reread pages because it's so damn good. This book was the latter. I had little to no trouble reading this book because I was so engaged. I wasn't even going to buy this book and now it's on my pull list.

The End. more

This was more of the odd ball kind of books we needed in the X line. Keep this and trim the fat of all the solo titles, except maybe Wolverine cause that will sell not matter what, and at least one "team" book and maybe the X books can get back to being fun to read. I'll say I'm not a huge fan of the art but it feels unique and I think it will grow on me, not to mention the coloring on this issue. This cover is A+. This issue is the groundwork for the characters motivations and I must say that it's got me interested in these soldiers and their backstories. Decent job on this book IMO. more

I was surprised by how good this was. I expected a typical empty calorie spinoff mini series but this actually had some nutrition. I enjoyed the individual unique team members, their dynamics, and how they were written. The art was quite good too. I hope this is given the chance to run for a while, there seems to be plenty of meat on the bone for this story.

I was a tad apprehensive when this title was first announced. It was probably the furthest from what I expected an early X-Men series to be about. I really didn’t know what to expect going into this issue but after reading this a few times now, I can confidently say @alexpaknadel has produced one of the smartest stories of this young era.

The beauty is in how he subverts the typical mutant story structure & introduces new POVs outside our usual X-Men crew that allow for unique narrative opportunities. Similar to X-Force #1, we quickly realize just how expendable our main characters are, but Paknadel dives further into the impact this realization has on the psyche of individuals who realize they’re just a number within a military industrial complex. The series is set up to answer several intriguing questions regarding self-autonomy & if it’s possible to truly be in control of your own existence. Due to the brilliant writing, I had a deep sense of feeling sorry for the main characters by the end of the book, as they’re just as much victims themselves even though we know they’re carrying out heinous acts against mutants.

Beyond the philosophical aspects, Paknadel gave us a well-paced & balanced debut issue that included everything from a suspenseful, action-packed opening scene to world-building that provided backstory on the Sentinel program to character backgrounds that imbued a level of humanity & emotional resonance.

Justin Mason matches the tone perfectly with a 90s-style artistic grittiness that is equal parts harsh and beautiful. The sentinel suits look great & the action panels are detailed without being gratuitous. Federico Blee’s colors& Travis Lanham’s lettering are both clean but understated & let the story thrive naturally.

Overall, the level of nuance executed in this book across all aspects is impeccable. You could easily walk away from this book thinking it’s just a war story and asking “why should I care about random soldiers?” But I’d urge anyone who came away with that to give this a re-read & look beyond the surface. I’d also recommend Paknadel’s From The Ashes Infinity comic to provide additional backstory.
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Pretty good. It was an interesting turn for the issue to stray away from the main plot for something more personal and intimate but it was definitely a nice one. It shows a bigger scope perhaps, but that remains to be seen. It ties well to some of the core issues of Wolverine and even the ideas set at the beginning of the issue when obviously this side plot was not introduced about cycles and being in a somewhat new place but still falling in those same old cycles and being slaves to nature on a verge of a twilight.

The story progresses quite well with Ahmed really helping those transitions with Logan's narration. The narration is good on another level too, as usual for Ahmed I guess at this point it's not so instinctual or off the dome, but it's constantly reminiscing and thinking so it paints the story how Logan interprets it, which is cool enough, plus it's tonally consistent and fits a more matured logan.And it's not heavy, not on words, nor themes or presentation. I feel like the atmosphere plays a fairly huge role too with the sun setting out and seeing a kid Wendigo losing himself in the lonely snowly forest. This could go in a lot of directions like how logan trying to be more human could backfire and be a reason for him to revert back to being a beast like with the Wendigo, but we'll see.

Combined with the art, the narration shows control over the pacing and pages and it's good. So yeah this is one good issue with enough progression, enough heart, enough introspection, enough surprises and a good atmosphere, for now a step up over Percy. more

Decent first issue, I just wish Coccolo wasn't pulled off Immortal Thor.

This was a solid debut with great art from Rafael Sandoval. This is best work from Rafa Sandoval, and the coloring really elevates it. Alot of stuff is very intriguing. Jason aaron writing can be a hit or miss recently but for now this is a stronger than his avengers or punisher run. I hope he can make it consistent

Outstanding on every single level. The art alone is beyond words. This is the story i dreamed about reading as a lost little boy when I got a crumpled up coverless copy of Superman. The year as I recall was 1967 and that started my love affair with space , comics , stories and art. Today I fell in love with Superman all over again and that I'm glad to say is why I suppose he exists at all. So little boys like me can grow old but never grow up. For me this was perfection.......Jonn more