Almighty #2 takes a deep dive into the nuance and subtext behind its themes. Edward Laroche is crafting a tale about human nature thats expertly disguised behind a bad-ass apocalypse story.

Avengers Beyond #1 is an overindulgent continuity mess that will likely confuse readers. The art hurts more than it helps, with Lands controversial style hindering the character designs.

Blood Tree #1 is a fast paced oversized introductory issue that stumbles in its characterization and dialogue. This is all overshadowed by the excellent theming and bigger narrative.

Danger Street #1 is an ambitious opening chapter, serving as an excellent start to a 12-issue DC Black Label maxiseries by the creators of last year's Rorschach. King and Forns seek to put the limelight on the obscure, while also discussing topics that are poignant to todays conversation. Forns art highlights the mundane nature of the otherwise sprawling epic about to unfold. Social commentary and realism ground this otherwise fantastical book and serve to promise a story of nuance rather than spectacle.

The world of Danger Street continues to grow as new threads are explored in this second issue. Those who understand that this story is still growing and arent looking for immediate payoffs will appreciate the fantastic worldbuilding and nuanced social commentary.

Danger Street #3 takes this story to its logical next step in the most entertaining way possible. The writing is a great blend of comedy and exposition, while the art and coloring stuns beyond belief.

Danger Street #4 grows on the themes of power corrupting, using its multiple narratives to display a multifaceted view of the subject. The art teams explosive talent brings this book to life, making it a must grab title.

Deadpool #3 is a fun trip to the zoo that reminds us that LBGTQ+ characters dont need to be defined by stereotypes. Coccolo continues to rock this books art, delivering an excellent mix of body horror and comedy.

Deadpool #4 continues to be a delight, marrying comedy, action, and gorgeous art from beginning to end. The plot reveals here are super intriguing, setting up more mysterious to explore.

Deadpool #5 concludes the first arc in a hilarious, heartwarming, and visually amazing fashion. The book continues to be a champion for representation in comics and excels in doing so.

Overall, Flash #789 is a fun conclusion to a filler arc that helps reinforce the new status quo of Wally and his family. The art is fantastic and helps bring a lot of dynamic fun to the action.

The beginning of the One Minute War is here and outside of questionable art choices and a lot of setup, this looks to be another enjoyable Flash arc that serves as a great jumping on point for new readers.

The second part to The One-Minute war is another fun issue of set up; however, it is still plagued by the same art issues as the first part. Jeremy Adams is setting up a to here and we can only hope that theres a substantial payoff for all of his effort.

The Flash #792 brings The One Minute War to its full action packed potential while pushing the narrative in a revealing direction. The art here is a huge step up from the first two issues and solidifies Roger Cruzs position on this book.

The Flash #793 continues to be fast paced, even though this issue takes a slight breather for some important character moments. Fans of this run will appreciate that this arc brings the focus back to characters like Wally and Irey.

The Flash #794 makes time travel seem like the most logical solution to a problem better than any comic has before. The art is electric and the spotlight on Irey continues to be a higher point for the overall narrative.

Flash #795 kicks this arc into overdrive in its penultimate chapter of "The One Minute War." The narrative isn't as strong as prior issues, yet the art takes this series to a whole new level.

The Flash: One Minute War Special #1 finally brings some clarity to this event while also delivering fun heroics along the way. All four artists in this issue bring their A-game in delivering different and unique stories.

At the end of the day, nostalgia is the name of the game. This book is purely made to cater to fans of this era and it does its job. The story is fun and fans of Peter Davids other books like this will definitely enjoy this one.

Joe Fixit #2 continues the conflict between the titular character and the Kingpin, while providing us a ride along experience through the eyes of our favorite wall crawler. This issue holds a ton of nostalgic fun that is bound to make readers wish that Peter David was writing a new ongoing Hulk or Spider-Man book.

Joe Fixit #3 depicts Spider-Man a bit out of character but shines in its breakdown of the Hulk. The art team does a great job bringing the classic aesthetic to life with Hulk popping off of each page.

This over-sized issue was jam packed with content but may be hard to follow for fans who are not up to date with what's currently happening in Green Lantern. With an overabundance of plot and a heavy reliance on high-concept plot points, the story becomes muddled and tiresome to digest.

I look forward to seeing where this story goes. The story is intriguing and I hope this team continues the discussion of life as an Asian-American. I can look past the clunky dialogue and exposition, especially when I get to see the beautiful images that Gary Frank draws on these pages.

Junkyard Joe #4 continues to further the plot but at a detriment to the characters. The art is fantastic and is once again, the best part of this series.

Junkyard Joe #5 picks up the pace, answering lingering questions, while raising some more. The art, as always, is absolutely stunning.

Monkey Prince #10 continues the stellar world building of Gene Luen Yang and Bernard Chang while also serving as a very satisfying tie-in to the Lazarus Planet event.

Monkey Prince #11 wastes no time in bringing Marcus back to his own story. All of the revelations and action here lead to a fantastic set up to the eventual conclusion.

Monkey Prince #12 concludes the 12-part limited series of this character in spectacular fashion. Bernard Changs art continues to be fantastic and I cannot wait to see where Gene Luen Yang takes the character from here.

Nightwing #100 is a celebration of the character that pushes him into an exciting new direction. Tom Taylors writing is spectacular but its the plethora of artists that make this celebratory issue so fantastic.

Order and Outrage #1 proves that Jim Starlin is still at the top of his game. The art team that backs him up does a beautiful job in their own right, stunning from each double page spread to the next.

Yangs Shang-Chi is firing on all cylinders with every issue. The plot twists here were both surprising and poetic, and Tos art continues to stun.

This is the end of an era for Gene Luen Yang, and Shang-Chi will never be the same. This issue was a blast and a near perfect conclusion to the run that began only a few years ago.

Space Job #1 is an excellent introduction to this new limited series. The issue kicks off in a way that will reel in any curious reader into this fun character driven story.

Spider-Man: Unforgiven #1 fits better as a Spider-Man story than it does as the first part of a miniseries about The Forgiven. Fans of Spider-Man will love how Tim Seely writes the character, with Sid Kotians art feeling reminiscent of John Romita Jrs.

Matt Kindt's newest Dark Horse title is a hilarious take on a James Bond style spy story. The premise is immediately intriguing and everything that follows is excellently executed.

Spy Superb #2 is a hilarious continuation from the first issue that proves that Matt Kindt is the master of his craft. The writers is witty from start to finish and kept me hooked from start to finish.

Spy Superb #3 concludes this mini series in a way that keeps up with the comedic pace that made the first two issues fantastic. The art is serviceable to the story, with the colors serving a purpose in the overall aesthetic of the book.

Stargirl: The Lost Children #4 is very heavy on the exposition, which will definitely confuse readers who are not caught up on all of Geoff Johns books. For fans who have kept up with everything, this issue reads well as a reminder for whats important, setting the stage for a fun finally.

Stargirl: The Lost Children #5 halts the momentum with an unnecessary side plot. Thankfully the focus on characters like Boom and Red Arrow make this penultimate issue stick its landing in a satisfying way.

Superman #1 is a delight from start to finish. Williamson and Campbell completely stuff this issue with content, making it worth every cent. The art is mostly gorgeous and the new, but familiar, status quo sets up an engaging story to come.

Superman #2 proves that Lex may have a point to everything hes been yelling in Supermans ear. Jamal Campbells art steals the show yet again, with Ariana Mahers lettering bringing the pages to life.

Trojan is a dark and twisted glimpse into a world of fantasy that depicts some of the darkest desires humanity has to offer. This issue will definitely not be suitable for all audiences but anyone willing to take the dive in will become hooked by the end.

Unstoppable Doom Patrol #1 kicks off a new series with a more grounded, socially conscious approach. This introduction sets up a lot for a bright future that is destined to come for this title.

WildCATs #3 will appease '90s comics fans but after three issues, the creative team still hasnt done anything to justify this titles existence. The action is fun and the witty banter is enjoyable but dont read this looking for any strong substance.