Harley Quinn here, still narrating my solicit text! My war of wellness with Hugo Strange kicks into high gear this issue, and things are gonna get ugly. Hugo is about to send his right-hand man-child Lockwood, Arkham Asylum’s most sadistic guard, after Kevin and me at our first support group meeting. Folks, some things in this world are sacred, and I am not gonna stand for this. Hugo Strange never picked a fight with someone like me before, and he’s not going to like the results. Buy this issue-it’s a real gem!
Harley Quinn #3 is another energetic delight. There are layers within this comic that leave the reader wanting to go back and find more. This is a fun and humorous book, but there are sad scenes that show just how in-depth Harley is as a character within her own series. Phillips explores every aspect of her personality; the clown, the tortured soul; the friend; the fighter; the psychiatrist. The art style gives the comic a unique world to live in that compliments the title character beautifully. Read Full Review
Harley Quinn #3 feels like a violent Saturday morning cartoon in the best way possible. I had the best time reading this issue, and I eagerly look forward to the rest of the series. Read Full Review
Cleverly written and gorgeously illustrated, Harley Quinn #3 is an entertaining lesson on the psychology of smiles. Read Full Review
The world of Harley Quinn is expanding, and its incorporating new and familiar faces as it grows. I look forward to seeing all of the upcoming twists and turns, and I'll be watching with glee as Harley makes her journey towards her second chance, doing what she feels is right with humor and flair. Read Full Review
While I don't dislike the character, I never expected a Harley Quinn title to be one of my favourite books. I am quite enjoying Phillips' take on Harley and I look forward to seeing where this story is headed. Read Full Review
Rossmo uses a creative and fun drawing style highlighted by the bold and brilliant color work of Plascencia. The tone changes based on the characters. And there is a marked difference between the dizzying world of Harley, and the muted affairs involving Strange. I really enjoyed the art in this issue. Read Full Review
The psychological underpinnings of this run continue to be the best parts, with Stephanie Phillips balancing Harley's chaotic vigilante activities with some understanding that makes a lot of sense for her backstory. Read Full Review
Emphasizing the psychological analysis of criminality in Gotham and how someone like Harley fits into the bigger picture, Harley Quinn #3 does feature some great moments despite the series still not quite hitting its stride. Read Full Review
This is a surprisingly fun book that I am enjoying very much. Read Full Review
There's a solid balance here between words and action, Harley being both brilliant and, well, Harley, and it all just works well. Read Full Review
This book is dynamic, thoughtful, and funny: It is pure Harley. Read Full Review
Harley Quinn #3 isn't the strongest issue in this series yet, but it's still a solid entry. Rossmo's artwork continues to knock it out of the park, and if Phillips can rein in the inner Snyder and let the narrative breathe, this series could have staying power. DC needs more innocence in its line, and Harley Quinn is a good step in that direction. Read Full Review
Harley Quinn #3 only works if you're comfortable accepting Harley Quinn is superpowered and dumb as a box of rocks. If that's the Harley you want, this is the book for you. Read Full Review
A much better issue from the last two issues.
I have minor nitpickery with the smile thing but I'm gonna let it slide.
I still like this run so far.
Some of the dialogue here wasn't my favorite, especially during the more action-heavy scenes, but I still liked this overall. I continue to like Phillips's voice for Harley and I think Hugo has been a fairly good villain thus far. I did like the overarching commentary about smiles from Harley's narration, though I also felt as though the art wasn't up to the level of the last two two issues.
Stephanie Philips is a good writter, she knows how to use pannels better than most and has a few interesting ideas. But it's just not working. And on top of the lame plot we have Rossmo's art, it's different and I respect it, but it's not beautiful to look at.