It is ridiculous this Batman who just for putting on his hood without training only with resources that I imagine he stole from somewhere snaps his fingers and is a fighter and detective at the height of Bruce Wayne.
The only thing that raises this story is the part of Cass and Step, the art is very good but the things they take for granted spoil, there is a desperate need to make this Batman like, whoever likes them well, sorry I am not convinced by a Batman who is only good for his economic resources. more

The first story is pretty uninteresting, we've seen this type of story a thousand times over, if this is the best that PKJ can come up with I don't have a lot of faith in his Superman for the future. Janin's art is good, though. The surprise was the Mister Miracle bit, I loved it. The last two stories were okay.

7 for the first (mostly for the art, the story could use some work), 3 for the second.

Ugh...glad that this is finally over, the most overrated series ever, I just don't get why people like so much Taylor's juvenile writing.

My main issue is that this is not a book about Batman at all, DC just inserted him in the title for sales, it's a Catwoman book. And Catwoman just owns the Bat, King continues the trope of the submissive man and the dominating woman, I guess he really is into that. The art is splendid, Mann is just great. It would also be really great if King would stop inserting songs into every single comic he writes, I know he thinks it's clever but it's really not. more

So having lost all the arguments and all the elections over the last five years, what does the hardcore 'remainer' do? He persists with his inability to accept democracy and clumsily writes a comic. Pathetic.

The artwork isn't bad though.

This is fine, I wish it were better. It would be way better if the writer was okay with a conservative lie like Brexit, that upheaved the economy, took Britain down several pegs on the world stage and cut them off from the rest of the much-better European nations. I wonder why anyone would dislike the direction of their country after such a big-brained maneuver.

Once again DC goes to the well of depowering the Green Lanterns - one of the least compelling tropes for the franchise. The issue starts out without any clue as to what's going on, making the story a jarring start. The writing on the John Stewart story is very weak as well, so it doesn't make a good impression about the guy who's going to be writing Green Lantern post-Morrison. After seeing some of the stuff he's said online I can't say that DC has done a good job of picking new talent - he's more divisive than talented and I doubt I'll stick around for his run because I can't get behind that level of toxic fanboyism.
The idea of G'Nort as Salaak as cosmic tough guys without their rings is laughable and I don't know if Thorne is trying to be clever or if he just doesn't know the characters. Plus, without the power ring there's no language translation, so are we supposed to make a leap and think that everyone speaks English in space? I didn't like the art at all.
The Jessica Cruz story is okay if you can get past the idea that three Yellow Lanterns actually being held off by someone without a power ring. I think the writer did a better job at incorporating Jessica's mental illness that Sam Humphries did in his Green Lanterns run. Sadly the story is ended too abruptly.
The Guy Gardner story was a lot of fun, and in checking who the author was I learned that he wrote a number of episodes of the Green Lantern cartoon series, so I'm not surprised that this was the most enjoyable story in the issue. Like the Jessica Cruz story this one could have been better served with more pages.
The book as a whole is a miss, with more pages dedicated to the weakest story. If Thorne and Raney are the new creative team, I think we're in for some dark days for the Green Lantern franchise. more

Oh man!! I just can't stand how they are just so lazily creating new characters. "He did what the original Batman could not and truly saved Gotham". I ranted about this in another post but are we actually going to see how Tim Fox had the proper training to actually be Batman? He was a full grown adult when he was introduced. Where did he learn everything from? Hes like Rey in the sequels lol.
>But I was planning on skipping Justice League once I heard Bendis was the new writer anyway so I guess I don't care about the far future of Justice League or the near future of it either. more

This is a nice book but I always feel it could be more, it just needs to reach out juuuust a little farther.

Man, this is a mess. Claremont doesn't know when to quit, the guy was probably the best X-Men writer ever but nowadays he's just incoherent. Brett Booth's art was really great though, can't wait to see him on X-Men with Hickman.

You can tell that the writer is just a sad remainer who can't get over Brexit and has come to hate his own country with passion, the title for the book is uninspired to say the least.

Great characterization of Brand, I just don't buy Magneto being played by Cortez again.

Pure bore and bad fan-service

The writing is juvenile (classic Duggan) and the art is messy, I swear Kitty (not Kate) had a moustache in a panel. Come on, you're professionals!

Sandoval is great as usual, Sheridan has to work more on his storytelling.

I expected better from Watters, he's a good writer, this isn't the best he's capable of.

The story needed just a little more substance, Barrows did the best he could.

This was abysmal, both the story and the art, poor Supergirl just can't catch a break.

9 for the first story, 7 for the second, I look forward to Bruce's story, so far it's interesting and Mora is really great.