The art is the best part. It's expressive and it's clean. I love the design work too except for the kids, who look too darn creepy for me. All in all, it's a book that doesn't make much in the way of choices story wise. But the art will make you stick with it. It may even make you skip reading the words, especially if bored.

This is a very different comic book, but I enjoyed it from the very first page!

All in all, I am loving this book and find it to be an enjoyable read.

The story by Starks is very strong. It is funny and full of some really great characters. The art by Chris Schweitzer is tops. I love what he is doing with this book and he is only getting better. This is another fine issue of this series.

I can't wait to see where this series ends up taking us from here.

The first three stories of this book were completely awful. But it does pick up after those. I am glad I hung in there. For the most part, this is an awesome anniversary issue, and I look forward to the next one DC puts out.

This is one of the best anniversary books DC has ever put together. I loved, loved, loved this. There are even pinups from classic artists like Jim Balent and Jae Lee and others throughout. This edition is just plain fantastic.

Finally, the classic team of writer Brian Azzarello and artist Lee Bermejo finish up the book that shows the aftermath of the Joker on shock treatment. I don't want to say much more except this is an excellent final story that is unlike anything this creative team has ever done! It caps off the book nicely, making this yet another awesome anniversary special!

This is a heartfelt story that is personal and thoughtful. It is highly recommended. A great work of art.

This is one of the better releases of the year. You can read through this very quickly, especially for a book that is close to 200 pages. Yet, the themes and the story may change the reader forever.

Yet, these stories make him feel as fresh as he did when he first debuted in 1938.

And Gleason makes it all seem fresh. He has just come off a great run on a Superman title. Yet, this seems like its brand new to him. It just is great. I can't believe how excited I am for this book. I need more as soon as possible. This is a good time for sure.

The ending also has a bit of a surprise and I love how it's all set up. I can't wait for the next issue as always. Great stuff.

This all leads into a cliffhanger of an ending that just makes you wonder what's going to happen next! Bendis and Paquette need to work together again and soon. This is an amazing issue and it's truly well done. More please.

At the end, you realize that Bendis wrote a very character based issue. And I love that. It was a nice break and it was good to catch up on Lois and Clark's relationship. He made a choice. And, working with Sook, it was a very smart one indeed.

ArtIst Ryan Sook is making some of the best art of his career here. It'd be great to see him on a long Superman run. His style is fluid and is perfect for this book. This is another great issue in a highly enjoyable run.

This was a great chapter of this continuing comic book. There is a good and solid long term goal on this comic and it shows. It's a great time to be reading Superman and this reminds us all why that is the case. Good stuff!

Bendis and Epting are a formidable team for sure! The story and art are both great and this is a nice story that they are collaborating on. I can't wait to see there they take us next!

The artwork here is something special indeed. Steve Epting drawing Superman is something I never knew I needed. It's wonderful and I hope he sticks around for more then just this story arc. This is some great stuff indeed.

Epting does a fantastic job drawing this book. Its definitely a unique take on the Superman mythos. Let's hope Bendis keeps this story moving rather than dragging things out.

At least the art is good. Steve Epting is a fine artist and he alone is worth the price of admission. Who knows where the heck this whole thing is leading? Maybe it'll surprise us all. But right now? Bendis is just spinning his wheels.

I do likeSzymon Kudranski's art though. He and Bendis aren't the best collaborators, but I find his art appealing. Maybe they will find their footing but this issue felt like a boring highlight reel that looked beautiful but had nothing going for it beyond that.

It's not a bad issue overall just rushed. It feels like we are trying to fit in years worth of storylines immediately, and that often never works. It doesn't really here; although there are some really great moments to string you along to read the next issue. And of course, I will.

Bendis is at his best when he focuses on one thing and doesn't go off track. Here, he is incredibly off track and it makes for a hard read.

And it is completely lame. The art by Szymon Kudranski is pretty damn good, but it can't save the cliches that are just everywhere in this book. It gets tiresome reading something that is, in of itself, tiresome. Moving on.

The bright spot is the artwork by Szymon Kudranski. Kudranski is turning out some of the best artwork that this title has seen in quite some time. If only the story were stronger, this would be the perfect book.

Everything is so compressed that it feels like very little happens. That is really the shame of it. It feels like it should be better than it actually is.

This is a schizophrenic issue at best. The art elevates it but it can only do so much. Once Bendis starts getting "clever" in this issue, it goes downhill fast.

Hopefully, this picks up. Right now, it is barely a story and has nothing to it to have me keep me reading.

By the end of the issue, there is a big threat to Earth coming from the sky. It is sad because it is so boring and trite. I can care less about this threat to earth.

The only part of this issue that is of any real worth is the art by John Romita, Jr. It is some of his best work. It is just sad that the story isn't there to match it.

The problem is that I had a real hard time keeping focused or even interested in the happenings of this book. John Romita Jr. on the art can't even save this book. It is an unfortunate mess of a comic series at this point.

Overall, this is a missed opportunity and it is apparent on each and every boring page.

The art is again the best part as usual, but it doesn't help the weak story.

The story is pretty standard and dull. The character development is non existent. The art is the best part but it can't pull this story up to being any good. All you can do when reading this is to sit there and hope you can get through it quickly.

The ending basically leads into the last few issues of this run from Bendis on the Superman titles. It cannot come soon enough for me. He has overstayed his welcome.

The sole bright spot of the issue is the artwork by John Romita, Jr. He draws really well. He cannot cover the deficiencies in the script however, of which there are many.

The art is decent enough. I do hope that John Romita Jr. and inker Klaus Janson find something more suited to their talents. Same for Bendis. He is a good writer that needs to not try to do everything in his comics.

Overall, this is a great book, jam packed with good comics, stories and art.

Johnson writes a very sharp script and Sampere really comes alive on the art.

Overall, this is a great book!

Midnighter has gone gone deep into the Trojan Complex and has found an unexpected guest. What is he to do! It gets truly awesome and it has a heck of an ending too! Well done!

The backup story about the Midnighter is pretty strong too. It is written by W. Michael Conrad and Becky Cloonan and drawn by Michael Avon Oeming. There is a big reveal in the story and it leads to the next forthcoming chapter.

This book also has a nice backup story written by Sean Lewis and illustrated by Sami Basri. This story features the Guardian and it shows how things might be headed for the Future State. All in all, this is a great issue.

The writing on this is very good and it has some great moments. They would be a good pair to write an ongoing Midnighter series. The art by Oeming is good as always.

I hope Kennedy works in the DC Universe for a long time to come. It's been great.

This is an awesome first issue. Consider me an Adventurefan!

This is a fine book and it is accessible to anyone looking to read something wholly original.

All in all, this is one of the best comic books on the stands right now. It is the perfect read for these unprecedented and trying times, and it is guaranteed to put a smile on your face.

This is one of the best releases of the year. It is filled with adventure, excitement and good storytelling. Well done.

The art by Barberi is tops. He is at the top of his game here in this book. The action scenes are awesome and everything just pops off the page. I loved the previous series. It's looks like this one may indeed follow suit.

The art is very good as Barberi comes into his own with this title. It's well done and well crafted. His art is great and makes the whole book flow and is exciting. Overall, it's a very nice second issue in a 12 issue limited series.

Tomasi and Barberi make for a good team. The art and story work well and it makes for a book that doesn't take itself too seriously. And that's a good thing. It's just a pure, one hundred percent good time.

Barberi gamely draws whatever Tomasi puts forth. He does an amazing job and he's what this title needs. This is an excellent issue in a nicely done series.

Tomasi is a great, solid writer. He keeps the story going and this is one of his better issues. The art by Barberi works well with the words and keeps things visually exciting. This is an enjoyable book from cover to cover.

This is just a continually fun read. Tomasi does a hell of job writing it and keeping it entertaining and just fun. The art by Scott Godlewski is wonderful and keeps the enjoyment rollicking along. This is a fine issue in an entertaining series.

And it's a beautiful last page they had me excited and wanting more. The only downside is that there are only five more issues left in this series. Hopefully DC continues it past the limited series, because this is just a great read overall. I'm enjoying myself every time I pick up this comic book and want more stories featuring these characters.

That's because Barberi is the perfect artist for this book. He gives the book it's own energy yet it's never cartoony. It just moved quickly too. When you combine that with the well thought out scripts by Tomasi, you've got a great book.

Scott Godlewski is a good choice to draw this particular issue. He's got a great take on the boys as well as Jonah Hex. This is another nice chapter of this limited series. I'm enjoying reading this as it starts heading into the last few issues.

The story is highly engaging. The art by Barberi perfectly compliments it. Only two issues are left in this series. I can't wait to savor them both.

By the end of the issue things are looking bleak. It's a crazy ending where all seems to be lost. Will the Super Sons get out of this? Is there any hope left? Or is everything just going to go to hell in a hand basket? I don't know but I can't wait to read the final issue to find out!

Let's all hope for more comics with these two teaming up in the future.

It is a shame, because it actually feels dated. And that is the hardest thing in this comic to get past.

It eventually ends in a terrifying cliffhanger. The last line of the book is "Welcome to Real America." Its pretty shocking where we end up at the end of the issue. It's even more shocking that it reads true, with not a false note anywhere.

This is one hell of a book. I think everyone over the age of 17 should take a peek at this. It's a comic book that doesn't shy away from dark and disturbingly relevant material. And that in itself, is something quite commendable.

This story is something else. On the surface it is an action and suspense comic. But it goes much, much deeper than that. These two creators have given us a comic book that is smart and relevant to today's world. Bryan Hill and Leandro Fernandez are to be commended for their work on this engrossing title.

The issue concludes with a mysterious death. It's a bit of a surprise. It got my mind racing though. What's better than that as a reader? This is a wonderfully written book where the suspense never lets up. It's topical without being preachy and that's one mighty feat indeed.

This is one hell of a book. I can't believe how good it is and how every page gives me anxiety. But it's a good anxiety as the two creators here are at the top of their game. This book is tops.

The art by Leandro Fernandez is perfectly suited for the book. These two make a great creative team. It's so natural and reads easily. This has a meaningful ending for sure. Now to see where it gets from here. I'm excited at the possibilities of it all.

The whole series thrills month in and month out. I'm at the edge of my seat constantly while reading this. The art is damn good too. I can't wait to see where this new issue goes. It's really an amazingly well put together comic book.

Hill writes another great issue that rings true in every moment and every bit of dialogue. The art perfectly compliments the writing. This is a slow burn of an issue and it's pretty great. I'm looking forward to see what they cook up next.

The creative team is is to commended. I didn't see this issue's twists coming at all. But man, I can't stop thinking about it. This is a book that is truly unmissable.

Writer Peter Milligan writes a smart script that never gets too bogged down in technical speak. It is smart but accessible. ACO does a great job with the art here, reminding me of Dave Gibbons for some reason.

The quality of this comic is amazing. I can't wait to see what the creative team has in store for us. Great stuff.

I look forward to seeing what Snyder and Albuquerque have in store for us with this series.

There is a huge twist in this issue. But it is well earned. Snyder puts a hell of lot of work into his scripts and this issue is no different. It is a great story. And Albuquerque does great on the art as well.

Snyder is killing it on the script. The story is dark and brutal, yet every character is well developed. The artwork is definitely Albuquerque's best. It is a really strong book overall and I can't wait to see where all of this is leading.

The leader of this council is a real piece of work who is telling them that he accepts their macabre gift. And that is when things really take off.The crew listens to the history of the Council. The history plays heavily into what is going on with the main plot. The team only has a few days to convince this Council of Firsts that humanity is worth saving. Can they do it?The story is dark, fun, and exciting. Snyder is doing his best work scripting this series. The art is among the best work that Rafael Albuquerque has ever done. This is a fantastic book from cover to cover and I can't wait to see where we are going with this.

It is a nice standalone issue but also plays into the regular series a bunch, giving it a nice backstory that fills in some of the blanks nicely.

This book is quite excellent and getting even more exciting as we head into these final chapters.

Overall, this is another fine issue of this series and I can't wait to see how it all ends.

This is a bittersweet ending, but I am happy with this title from start to finish.

It is a decent enough book. The writing is pretty basic. It is fine but it isn't the most original. Reeder does a great job on the art, however, and the whole book is really nicely designed. This book won't change the world, but it is pleasant enough to read once. Not bad, overall.

Still, this has been a whole lot better than it's been. If the payoff is great, then this issue will have been worth it. Let's hope it turns out that way.

Federici has been a welcome addition on the art front as well. His art is clean and services the story with flair and style. This is a good issue in a decent series. I can't wait to see how Abnett wraps this whole crazy mess up.

The art by Federici is wonderful. He gives Aquaman a strong visual identity and paces the book nicely. He is just what this series needs. This book has been on the upswing this last year and this is another issue that fits perfectly in that trend.

The ending is a little too pat for my tastes but it isn't bad. It just feels a bit flat after all of that build up. There was a lot of drama that didn't really have a big payoff.

The art compliments the story well. I think this storyline is going to be bigger than anyone thinks it's going to be. And that's damn exciting indeed.

The ending perked me up however. Orm makes an appearance and it is an awesome moment. It is also the cliffhanger moment of the issue. The next issue looks promising. I am looking forward to seeing how this continues.

I am enjoying this book for the most part. DeConnick is doing a commendable job. I really like Miguel Mendonca's art here as well. It is very accessible and well executed. This series is pretty decent overall and enjoyable.

Still, there's a lot to like. The story up to that point was fun and breezy. The art by Dan Parent(with inks by the legendary J. Bone) is good as well. It just left me unsatisfied. I don't mind wanting more after a first issue. This first chapter however just wasn't enough.

I do enjoy the story by Lemire very much. It's the artwork, however, that makes this series sing. The watercolored illustrations by Nguyen are something to behold. They make the series for me. It's some of the best imagery we have in comics presently and he really makes this series a book that is its own thing. Bravo to him and his work here.

I look forward to see where the creative team takes us from here.

All in all, this is an enjoyable second issue in a decent series!

This book steers itself towards a fine ending. It looks as not only Lottie has to prove herself, but Peruvia does as well. McCourt ends her script off on a truly exciting note.

This is an interesting comic book to say the least. It is entertaining and intelligent enough to keep the reader engaged the entire time. The art by Soo Lee is great as well, and I am looking forward to seeing where these two creators take us from here on.

All in all, this is a fine, underrated gem of a series which was nicely done.

We are now leaving Astro City. Please drive carefully and thank you Kurt and Brent for letting us visit.

While it won't be a classic, there enough to like throughout.

This is an interesting and intriguing start to this series. I have no idea where they can possibly take this. But I can't wait to find out. It is a little short, but generally, I loved this. I look forward to the next issue!

This ending gives me the feeling like something big is coming for the last two issues. Kindt writes a great story and artist Wilfredo Torres does a really great job collaborating with Kindg and drawing it. Torres can make anything work with the art and he does so effortlessly.

The twists and turns of this book are great! It is a good story we get with this comic issue in and issue out. The art by Wilfredo Torres is great as well. He is one of the most underrated artists in comics.

It has one more issue left and I can't wait to see the whole picture!

This is a great series. I can't wait to read it all again to see how the whole thing reads in one sitting.

Overall, this is a mixed bag with more dull stories than interesting ones. It feels like a missed opportunity sadly. Oh well.

It's left as a cliffhanger but I hardly care to read the next issue. The art is dull and lifeless. Maybe it's time already to get a new creative team? It's really that tedious of an experience to read this.

Pelletier does his best with the script but there's not much he can do. Hopefully this picks up. Otherwise, I can foresee this getting canceled.

This could be a better book. The characters are all there in place to make it great. It's just not at the moment. This issue is another disappointment overall.

It's not a bad story overall. It's a little more wordy than I would hope but it's not bad. The art is rather dull. I just don't think I'm a Pelletier fan. His art doesn't do it for me. With an artist I liked more, it may have been better.

And Pelletier just does some of the most uninspired art I've seen in this issue. It felt like a chore to read. He makes everything feel plastic and flat. I feel like he's just the complete wrong choice of this title. We deserve better.

Pelletier does what he can with the art. There is a little bit of excitement in the fight scene but not enough to really make an impact. The story though is just a dull one. Mercifully, it's the last one in this particular storyline. Hopefully it's much better next issue. It certainly can't get much worse than this.

So this fell flat for me. The good news is that the art is much, much improved for this book than last issue. Elena Casagrande especially is fantastic and Scott Godlewski has a couple of pages in this issue that he does great on. If we can get a good story to match the artwork, it would be a top book for sure.

This is a vast improvement over previous issues. The art is still lacking a bit, but until Pelletier is off the book, it's just going to feel that way for me. But this again, is much stronger than previous issues. Let's see what happens from here.

I really enjoyed where the creative team took us these past two issues. I hope it continues. This story is one that is nutty for sure but it's highly enjoyable. And that's fine by me!

The creative team ends the issue fairly well too. I wish they started off the series with these last few issues. While I'm not the biggest Pelletier fan, he does okay here. Both of the creators do. Maybe they will work together again. They finally found their footing in their collaboration, even if it's a little late.

And it can only get better from here. I'm very excited to watch where this one might be going.

Carmine Di Giandomenico is the perfect artist on this book. I just love his style. He makes every page one that is incredibly exciting. Matched with the story, it's a great and comfortable fit. This book has turned around a lot. Let's hope it stays this way for a long time to come.

The art is pretty good, too. It moves the story at a lightning pace yet keeps you grounded as a reader. I think that this book will get even better in time to be a top tier title. I love the Batgirl character and it is nice to see that there is a lot of love and care that the character is receiving from the creative team here.

You can't really ask for a better creative team than this. The story is pretty great and the artwork is positively stunning. I love what they are doing here and it is only getting more and more cool. I cannot wait for the next issue and this one had me at the edge of my seat from start to finish.

So, the battle for Burnside is about to happen! I could not be more excited. This is a transitional issue for sure but it is well handled. It is all leading to a big battle and I can't wait to see what happens. This is really getting good!

I can't wait to see where they take us next which is a really great feeling, especially on this title.

The story is a lot of fun. Castellucci keeps things light but it also has a lot of adventure to it. I really like the art by Cian Tormey here. It fits this story very well and it feels fresh. This issue is a good start to this brand new storyline.

Castellucci keeps the book moving in a very fun way. The art and the design work by Tormey is nothing short of excellent. He is a rising star for sure. I really enjoyed this issue and the turn that this book has done.

I immediately wanted the next issue right away. Castellucci and Carmine Di Giandomenico do an amazing job with this issue yet again and I am loving the direction this has taken.

The story has been fantastic. The artwork on this particular issue is by Carmine Di Giandomenico, who I feel is one of the most under appreciated artists in comics. He does a great job here as well. Overall, this was a pretty great issue in a constantly improving series.

This is another fine issue in a series that seems to be getting better and better each and every month.

This issue is extremely well done. The story is strong. And the artwork by Robbi Rodriguez is really great. The art is surprisingly emotional, yet full of hope.

The story here is great. The art by Robbi Rodriguez. however, is out of this world. There are some pages near the end that just blew me put of my seat. This is a fine issue overall but man, the art in this issue is something else entirely.

It is sad that this series is ending with this issue. But what a way to go. Well done.

To do so, she has to write from the heart and come up with better stories. This could have been great. Instead it's just standard. I want better than that.

King has taken a three part story that seemed like a throwaway and instead made it count and count big. I'll never forget this storyline. The dialogue in the last scene also chilled me to the bone. It will do the same for you. This is a top notch comic book. Recommended.

All in all, this is a decent enough issue that one can read very quickly. It's nicely done and but moves so rapidly that there's not much in the way of consequences.

This is a perfect issue and I will read this again and discover new things in it. It lives up to the hype and then some.

I did feel a little cheated at the end but maybe that's a good thing. It ended different than I thought it would for sure. Maybe King has a bigger plan in mind than we might have been expecting this whole time. Let's see where it goes. Recommended.

The way King and Weeks go back and forth in time to show Batman fighting Freeze mixed with the jury's deliberations is amazing. This is a fantastic issue that pushes and challenges the reader and rewards them for their effort. Well done, yet again.

The art backs up the power of the story. Lee Weeks has done his best work here, bar none. I can't believe that King's already amazing run is getting better. This issue and storyline shows the power of what comic books are capable of.

It's a funny, emotional ride that King and Wagner give us. The story is fantastic. The art is some of Wagner's best. The ending is a little abrupt but I'll forgive it. This is another beautiful issue in King's run. I know it was controversial but I hope this team, much like Bruce and Dick in this issue, work together again for some time to come.

It's as good as the first time when the Beast appeared in the 80's. And that's some high praise indeed.

This is another solid issue by King and the art by Daniel is the best he has done in his career, hands down. The scenes are fluid and the figure drawings are all excellent. He's come a long way and he's doing amazing.

Tony Daniel's art is amazing. He's at the top of his game too. The fight scene he draws is fluid and wonderful. He's constantly improving. This is another strong issue in a highly successful run. Thumbs up all around to this creative team.

King is just killing it on this title. It just keeps getting better. He deserves all of the accolades he is getting. The art by Janin is tops too. This could be a definitive Penguin story arc for the character. Let's see what happens!

This issue is a major chapter in terms of King's overall story. It's excellent. I can't wait to see where he takes us next. It's sure to be incredible.

The art by Janin and Fornes is very good. I like Fornes. He has a David Mazzucchelli style to his art. I'm already dying for the next issue. This is the normal pace for me now reading this comic and it's a great thing.

We then get the strangest, most harrowing ending of the entire series. I'm not sure what it means, nor how it will tie into everything. I only know that I'm excited and full of curiosity. And I for one, hope this feeling lasts for the rest of King's run. It's been great.

The art and the writing work perfectly together. You can't get a much better team than these two working together. It's a great little stand alone issue that works and links up to a bigger storyline. And it's very interesting and intriguing indeed.

King and Janin have created a memorable issue in this storyline. It didn't seem like this was going anywhere over the last two issues. But as always I just trusted in King. And that trust is now playing off like it always seems to.

The end of the book reintroduces two characters from the beginning of King's run. It's super cool to see them handled this way. While I hate an interruption of a storyline in progress with fill ins, at least this is of a good quality. I'm happy it isn't just a throwaway and it seems they did something really cool instead.

By the end of the issue we get to a really intense cliffhanger. We finally get to see the extent of Gotham Girl's powers and it's a hell of a note to leave us on. I was glued to this book from start to finish. It's an impressive book and it works at a high level. My only hope is that the last chapter is as good as the three previous ones.

It's good to see King back on the title. It's even better to see he picks right up where he left off and gives us another fine issue of this comic. This book has evolved into its own thing and it's at the top of the reading pile each time it comes out.

This is part five of the "Knightmares" storyline. I love what is going on here. I can't quite figure it out, but I love it. It's got one more chapter to it, so I'm certain we will find out what this entire story means next month. Hopefully, King ends this storyline well. I have faith that he can.

King's resolution to the issue left me floored. I cried a little bit. Then I couldn't shake it. This is the best issue of King's run, hands down. I am still thinking about it. This is comic book excellence right here. The writing and art are perfect. This run has been great. King just pushed it to the next level. I give an A plus rating very rarely. This is one of those times.

This run on Batman is getting better and better. The story and the drama just builds with each installment and it's just incredibly well done. I can't wait for the next issue. Heck, I can't wait to read the whole run again!

This book just hits all of the right notes month in and month out!

It has to be said that I'm really hoping King didn't weave an incredible story these last 72 issues just to get us to a watered down version of Knightfall. There are a lot of nods to it and quite honestly, that's when the series is at its weakest. King can tell an original story well. I hope he continues to do that rather than redo an already used up story. Sure, it was great at the time. But his run has turned into its own thing and I hope it stays there.

The issue does feel a little incomplete. But that's okay as there's still another chapter of this story. King and artist Mikel Janin work so well together. The ending is a cliffhanger but it seems to be a newer direction for the series. I'm liking it. It's a great issue and it's full of even more promise. Well done.

We are moving into Tom King's last storyline after this. It's been a worthwhile adventure up until now. I'm dying to see where he takes us from here. I certainly can't wait.

The story is top notch. King takes elements from his entire run and puts them in everywhere. We get Gotham Girl, Pyg, you name it. We also get Catwoman. And it's completely awesome. The art by Daniel and Gerads is top notch. This is more than I could ever have hoped for. And it's just started.

This story is unfolding much differently than I thought it might. But I like that. King and Daniel work great here and it's just thrilling. The end of the issue really raises the stakes too. This is another fine chapter of this excellent comic. It's unlike any Batman story that has come before it. And I love that.

By the end of the issue, it seems like Bruce is finally ready to fight back. It's about time and it's a pretty intense moment. He looks to have Catwoman on his side. This ended up being another strong chapter in the “City of Bane” storyline. The story is good and the art is tops. Let's see where it goes from here, but I'm loving it thus far.

This is another issue that just shines in King's run. The art by Clay Mann is absolutely tops. He's really just an amazing artist. Just amazing. You can't ask for better than this.

King has set up a hell of a fight. I just hope from here that he delivers. I think he should now that everything is coming to a head. I'm buckled up and ready to see where this comic book takes us. It should be exciting for sure.

At this point, I just want to see Batman beat the living hell out of Bane. And that is because the story itself has been so involving with a lot of build up to the main event.

The last two pages are drawn by Mitch Gerads and they are the best of the issue. It ties into the Year Of The Villain and I enjoyed it. It is a decent enough comic book. I'm interested to see how this all wraps up. I know it will be very cool for sure.

The art by Janin is great, too. I love this story and I can't wait to see how it ends. This has really been a really great storyline. I can't wait for the next issue! Bring it on!

The art is pretty great here. Janin does an amazing job of making this whole thing work. Even though it is short, it does pack an emotional wallop. And that is a really great thing indeed.

So how will this all end? I have no idea. It has been a fun ride up until now. Let us hope that King can stick to the landing and make something great.

It does feel like there should have been more story after this issue ends. Maybe the upcoming Batman/Catwoman series will show us more of that story. Honestly though, this was pretty great. Congratulations to Tom King for an amazing run.

The art is very well done. The action is crisp and I like the way things moved. While the art elevates the book, it can not cover the feeling like something is lacking. And that is a shame.

The rest of the issue is just Batman visiting the captured villains, those villains getting free, and a really crazy last panel. Oh well, at least the art by March is good and reminded me of Norm Breyfogle's art. It helps the reader get through a story that is basically pretty dull.

The story is all over the place and had nothing really special about it. I do like the art but March doesn't get a lot of action to draw except for one extremely abbreviated fight scene. This title needs more life put into it.

The story leads up to a big Joker moment at the end. But it is so trite that I just didn't care. Like I said, the art is pretty decent but this whole thing doesn't add up to much.

Well, the art is nice. Jiminez is an excellent artist. The writing is all over the place, however. Tynion apparently is disregarding Tom King's run on Batman. He has no idea how to write the relationship between Selina and Bruce. This is another dull chapter of this new direction.

It looks like the pair is going up against the Riddler by the end of the issue. It doesn't end strong and I felt left with a feeling of detachment.

Hopefully this book turns around, but I found it to be a difficult and trying book to get into.

The art is all over the place. It really has been over the course of Tynion's run. Hopefully this get fixed soon. This book just ups my anxiety with each passing issue and not in a good way. I hope they get it under control.

As we move towards the next issue, I hope Tynion knows how to pay all this off. Otherwise, we have just moved back five steps.

This is a bit better than this title has been over the past few months. Punchline, however, is still annoying as always.

The art by Jorge Jimenez is top notch, however. He is really taking to this title well and the art is the best part for sure.

Jimenez holds it all together with his fantastic art however, and makes even the rougher moments shine.

Who knows how this story will end? But it also may end up being "who cares?"

Oh, well. This is the penultimate, semi-bland chapter of a semi-bland storyline. It is okay at best. I wish it had more heart in it.

We shall see how if all turns out. I am not confident Tynion will make this any better sadly.

Overall, this is a dull story in a book who's quality is rapidly declining.

Overall, I hope this comic book turns around. This is pretty rough.

The whole thing feels like it isn't defined. Tynion's script sinks under a sea of cliches. The art is decent again, but it can't bring this story up. This feels like this is only going to get worse.

Sadly, they cannot elevate the script and the whole thing feels more than just a little pointless.

I was as bored as can be as I hit the final pages of this book. Let's hope for something better in 2021!

I'm all for annuals if they give us value with a good story and art. This book gives us just that. It may end up being a classic if enough people read it.

King has written a very simple story that actually is very complex when you stop and think about it. Each story and picture is much deeper than a normal comic. It is a really nice and well done annual. It also has some of the best art that Batman has ever seen.

All in all, this is a fine annual that, while not original, is solid. Worth a look.

Even though DC will(and they will) bring Alfred back, this comic still maintains a lot of emotional weight.

DC does a great job making books like these. I enjoyed this very much.

I had high expectations going into this book. I'm happy to say that this issue exceeded them.

The two of them are just doing an incredible job on this book. I am looking forward to seeing where this creative team takes us from here.

We are a third of the way through this series and it only seems to get better and better.

This series is only getting better and I look forward to where we are headed!

Overall, this is a great issue of one of the better limited series out there.

The drama in this book goes higher here and it's awesome. Tom King writes another fine script, and his passion shows. The artwork is well done. I wish it were Clay Mann for consistency. But hopefully he will be back. I love Sharp too, so it is an easy enough trade off.

The creative team has a great and original take on this story that demands the reader's attention right from the first page! I am more excited after reading this first issue about where we might be headed. I can't wait to find out.

It's a great read that only feels too short. But that is okay. I just want the next issue as soon as humanly possible.

The art by David Marquez is nothing short of spectacular. It is perfect for this book and he is really shining here. Let us hope the quality of this book keeps up but right now it is really a winner.

The tone of the book is great. I love what Williamson is doing here. It is a lot better than most of the Batman and Superman team-ups. The story is well done and I have no idea where the heck we are going from here.

The ending has quite a twist that is extremely dark. I loved it. We do get a sort of cliffhanger to the next story. Honestly, I can't wait. This has actually turned out to be a solid book that is highly entertaining!

This is a nice epilogue to the first storyline and it is really well done.

Zod wants Kandor to live. And he might just get his wish at the end of the issue. This is a fine story. I look forward to seeing how they resolve it all. This issue has good writing combined with some great art.

It is drawn by Derington which makes it all extra special. Derington does an astonishing job keeping the fight fresh and exciting.

This is a very beautiful looking book. It is too short for sure, but I certainly enjoyed this.

It a decent comic overall and I look forward to what comes next!

All in all, this is a solid book. It is a team up book that is done right, and that is a good thing for sure.

The story is great. It is fast paced and crazy and hell of a lot of fun. The art isn't my favorite but it works. This book is always enjoyable. I had a lot of fun reading this and I hope we get more stories just like this one.

This is a fun story with excellent art by Max Raynor. I am excited to see how this creative team bring this story to it's forthcoming conclusion.

The story here is just a blast from start to finish. It is just silly fun that is enjoyable. The art is suitable to the story and works quite well. I enjoyed this very much and I had a real good time throughout.

This is truly a good issue and I can't wait to see what comes next.

All in all, this is a solid and entertaining book.

Overall, this is a book that is daringly different and quite entertaining.

This is a hell of a lot of fun and he is just letting loose. The art by Ivan Reis is tops as well. I am loving where this is going.

The story by Yang is very good and focused. It has a nice flavor to it and the dialogue is very good. I loved the art by Ivan Reis. Reis is one of the best artists in the field and proves that again here.

The writing is a lot of fun. Yang does a great job here keeping it all light but still interesting. The art by Pelletier isn't my favorite but it isn't bad. This is a nice last issue of this series.

Gene Luen Yang is a good creative force. He writes a great story with a lot of invention. He is always at his best with creative ideas like this. The art by Paul Pelletier and Francesco Francavilla especially is great.

The story is a good time. Williamson clearly is having a blast and it shows. The art is pretty decent as well. This is a good time from the first page until the last.

All in all, this is a decent first part of the newest storyline. I'm excited to see where it goes.

The ending is a cliffhanger that whets your appetite for more. It's quite a book that's been consistently great. I can't wait to see what happens next.

The story is fast paced and wonderful. The art again by Conrad is pretty damn sweet. I loved the way this is moving along. I hope DC keeps this creative team in place for a while longer. They're great!

Jurgens is doing a great job. The art by Will Conrad is the best this book has had. Check out the opening sequences of Terry brawling with the people of Gotham and trying to escape. It's awesome. This comic has been great. I'm excited to see how this team finishes this story off.

This is a great anniversary issue and a great package overall! Very enjoyable!

The story is fast paced and doesn't let up. Jurgens really turns up the speed and it's truly exhausting and exhilarating. The art matches the story perfectly. This is a great storyline that is only getting better every time you turn the page!

Jurgens has written a crazy yet completely fun script that just works. The art and the writing mesh together incredibly well. I'm loving the world they have created. It's full of great characters and some really exciting storytelling.

It's one exciting cliffhanger to end an issue on too! I can't wait to get the next issue in my hands! The story moves so fast I barely could catch a breath. And the art is just perfect for this breakneck paced story. This is some great stuff and this title only gets better from month to month!

The journey there however is more than worth the price of admission. The creative team did another fine job on this issue.

But that's only because the rest of the book isn't. This is some great stuff overall. Besides a lackluster ending, it's a nice coda to the recent story arc. Let's see where we get off to next!

The story is fun although it did move a little too quickly for me. The art however is awesome. If you put Rick Leonardi on a book as the artist, I'm in no matter what. He's quite excellent. The book is drawn amazingly and I'm happy he's on this comic. A fun book indeed.

The whole package is really great. Jurgens works so well with Leonardi, it's fantastic. This is another fine storyline in a well crafted comic. I can't wait to see where the creators take us next.

Jurgens and Leonardi work super well together. That's the best part of this. They know the character well and it all makes for another nice issue. Since Rebirth started this has been one of the most consistent of all of the books. I'm loving it.

The story is pretty great and the artwork by Leonardi is just tops. He's my favorite artist that has ever been on this title. This has been great and I can't wait to see where he and Jurgens take us next. I know it'll be someplace great.

The ending of this is quite exciting and a hell of a cliffhanger to leave off on. I love the way this book has been progressing. The story is sharp and it never gets heavy handed. This is another great chapter in this book. It's been truly an awesome ride thus far.

I think that it is a great story that the creative team executed perfectly. The writing here is excellent and the art is perfect. This is a fine book that is well done. I hope this creative team works together again for a long time to come.

There is a great cliffhanger at the end of this issue. And there are so many great plots as well. The art by Chen is perfect. I am loving where this is going. There is a mystery at play and I can't wait to see where this is headed.

I can't wait to see what those things are. This is another good issue in a decent comic book series.

Dan Jurgens has taken this title and really advanced it to become a viable property. He has done a great job. The art by Sean Chen is perfect and makes this book even better. This is another solid issue in this series.

This is a good book that is consistently entertaining with each new issue that comes out.

Now, what will happen next? I have no idea but I cant wait to see.

Jurgens and artist Sean Chen have done a solid job again here, and this is a good start for a new storyline.

The book is quite exciting. Jurgens really knows what he is doing in writing this. Sean Chen is doing amazing work on the art as well. This is a consistently good book that deserves more attention.

The story is exciting and just fun. I look forward to seeing what crazy thing happens next time as well.

I am enjoying this book very much with each issue that comes out.

The script to this is decent. There are some obvious things in it but Jurgens keeps it pretty lively. The art by Sean Chen is good and he has a real good feel to the book. This series is ending soon and I am interested to see how they wrap it all up.

A big battle erupts. This is all part of a bigger plot. Booster Gold shows up and he is somewhat responsible for Bruce Wayne's current demeanor. Can anything be done? The rest of the issue is quite exciting as Terry tries to get his bearings and figure out what exactly is going on.The story by Jurgens hooked me right away. He has done a great job making this book entertaining and interesting. Pelletier isn't my favorite artist but he does a capable job here.

It feels like it is going to be one hell of an ending on this series and I can't wait to see what happens to conclude it.

Hopefully, Batman Beyond returns in some form again sometime soon.

Still, it's Neal Adams doing this. And respect must be paid. He changed comics forever. He really did. But if these get any worse, he will change comics forever again. But in the complete opposite direction.

The art is sloppy and the storytelling is lazy. I think at this point that Adams needs a strong writer and a strong art director. It is hard to get into and very difficult to enjoy. I feel like this is the comic book version of a tornado. Just let it pass through and pray for minimal damage.

This chapter and maybe the whole book will be better once it is collected. Even so, it is an enjoyable and well illustrated chapter. It just goes by a little fast. I barely opened up the comic and it was over. I will still read the next issue, of course.

Plus, the creative team reintroduce Colonel Sulphur to modern audiences. What more can you ask for?

The script by Peterson is especially good. I'll be reading it to see where it goes. The ending was just nuts enough to make me smile.

The story is very basic but enjoyable and it works well with the art. This isn't going to blow people's mins but it will give them a lot of entertainment. It'll be interesting to see if this can continue the good time in future issues, but for now? I'll just enjoy it.

Now that Jones is moving away a little from being a clone of Bernie Wrightson, his art is much more enjoyable to look at. This whole series has been a joy and I can't wait to read it all together. This is one of the more underrated series to come out for Batman in recent years.

This book has proven itself to me. I was pretty well done with Kelley Jones on Batman as I thought I had my fill. I was wrong. He just needed to be inspired again. And this series certainly has inspiration in spades.

None of this would work without that art by Kelley Jones. Jones gives his artwork feeling, emotion, and an expressiveness all of it's own. It's beautiful in its creativity and the colors really pop as well. This is a descent into madness and it takes that decent very seriously. And that's something to truly be commended. This is simply a comic book that is fantastic.

The ending is especially wonderful because Peterson and Jones take Batman out of the toy box and they shake him around. Then, they put him back having been through the wringer and give us that one hero image to end with. Yet, the effects of the story are real and it's represented in that image very well. It's really some powerful stuff. This story needs to be in my collection as a hardcover. It's really that good and I commend the creative team for taking a chance and really just going for it. It paid off in an imaginative and creative way.

There is a revelation later in the issue that shows Batman where he really is. And it's something we have never seen before. Yes, it is the weird future we have seen in the advertisements. It also is much, much more than that.Snyder and Capullo just knock it out of the park, right out of the gate. This is the pair at their best. I'm sad it's only three issues, but I'm going to savor them while we have them. This is excellent.

The whole book is like that: Completely awesome. Snyder is at the top of this game writing this and Capullo is right along side him. Both of these creators are doing the work of their careers. This is such a well developed story. I am sad it is only three issues, but I am happy that it's coming out. This is tops.

Capullo's art is especially amazing here. These two have had an amazing time on Batman. You honestly couldn't ask for a better ending. It really is the perfect end that Snyder and Capullo have created. Kudos, gentlemen.

Stuart Moore does a decent job getting this story to the comic book page. The real star here is Wildgoose. His art is vibrant and the storytelling is excellent on his part. He has taken a very standard story and made it great. His art alone is worth the price of admission. A decent book with a great look to it, Batman: Nightwalker was very enjoyable.

The art is decent enough. I feel like Jung would produce nicer artwork with a better script. Seeley is writing all of these one shots. I hope he has better stories up his sleeve than this for future issues.

The ending leads into the next issue which is Harley Quinn and the Joker. Maybe Seeley will do better there. The art is decent enough on this and is probably the best thus far on these prelude issues.

Overall, this isn't bad, just rather slight. Maybe the other upcoming issues will have more depth.

This is still decent enough entertainment. The character moments are what makes it work best. I hope the rest of these side stories are as good as this one is.

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The writing is wonderfully offbeat as stated before. The art by Liam Sharp is great as usual. Sharp is one of those artists that only seems to get better.

The story by Garth Ennis is very well done. I love every bit of dialogue here. The artwork by Liam Sharp is absolutely fantastic. He has never been better and this is quite good.

The story again by Ennis is very strong. The dialogue in particular is very good. I like the art by Liam Sharp as well here. It is strong and very well done.

Overall, this is a mixed bag, with a tad more good than bad. They should have cut out the second and third stories and expanded on the others. But this is a enjoyable read overall.

The comic as a whole is an above average book that does better than most of the "side books" that come out. I enjoyed it very much.

This was a rough one to end on and brings the book down a bit. It takes a bit away from the good stuff in this comic as well.

It's a strong series that is definitely worth reading and revisiting for many years to come.

This is a great book and a superb release. It may have taken a while for to get here, but it was certainly worth the wait.

This is the best series DC has put out this year, bar none. I can't get enough of this. Well done.

I don't want to spoil anything so I am not going to say much more. Geoff Johns has written a script that is worth re-reading after you finish to pick up a lot of the details you may have missed. The same goes for the art by Jason Fabok. He not only does the best work of his career, he has produced exemplary work that will outlive him.

All in all, this is a great book and really has a lot of value and story packed into it!

Overall, the whole book is worthwhile, and it is better than most anthologies out there.

This anthology series is a cut above the rest. I love the stories in this and I love the quality that the creative teams have put into this.

It is a good issue overall, and all the stories worked in some capacity.

This book is well done overall and I enjoyed mostly everything in it.

Bennett wraps this all up wonderfully. The art works beautifully with it as well. The last image of the book is one of hope. I know Kate Kane will be back (she's getting her own tv series!) but this issue has a beautiful ending. It's a perfect coda for this 18 issue series.

This is a book that belongs on everyone's library. The script is strong and the art is powerful. I can't think of a better adaptation that is on the shelves. Highly recommended.

Overall, this is awesome. I can't wait to see how it all turns out.

He may be the best creator to work on this character since Walter Simonson. And that is really saying something.

Johnson is an auteur. There is no question about it. The writing is solid and the artwork is out of this world. I loved every moment of this and it is only getting better.

Let's have more comic books out there like this. It's great.

This is a pretty complete story. Johnston is the real deal and nails this story perfectly. He is very talented. I can't wait to see what he creates next. I will certainly be there for it.

All in all, this is a perfect first issue for a series we all need at the moment.

Overall, this is an enjoyable comic book that really does deliver the goods.

I love Roger Langridge as an artist. He tells the story simply but effectively and never "shows off." This is the penultimate issue of this series. I can't wait to see how it ends and if it ties into canon perfectly or not.

The story is well done. Dorkin has a great handle on these characters and he just has himself a good time writing then. Langridge does a great job drawing this too. It is sad that this is the last issue but hopefully the creative team will one day return to these characters.

Russell and Pugh give us a great first issue for a book that is destined to be a classic. Worth checking out.

This is a bit of a more mature book from these two creators. I am loving this a lot and I can't wait to see how it ends!

Billionaire Island is a well designed and well constructed comic. They just have to stick the landing now and this will be a memorable tale indeed.

I am loving where this story is headed. It is only getting better with each passing issue.

This is some great stuff overall and I can't wait to see how it all ends.

The art by Steve Pugh is great. He does his best work on this title and it shows. Together with Russell, they create a really great comic book here. The story is great and the art is superb.

The art is expressive and well paced. This book is a great package overall and I personally would like to see more of this iteration of the Birds of Prey.

So again, I am not the audience for this book. But the audience it is for will love it. It has a decent story and I did enjoy the art by Cara McGee. All in all, it is not a book that will change the world, but it does entertain, even if only for a little bit.

The Justice League is now placed at the farm where the Black Hammer gang was trapped. And we get to see the beginning replayed but this time with Clark Kent in the "Abraham" role. It only gets crazier from there.Lemire writes one hell of a first issue. You can't peel your eyes away from it. It's fast paced and fun with a lot of surprises. The art by Michael Walsh is just incredible as well. This is a great first issue of a series I can't wait to continue reading. This is just tops.

The story is smart and fresh. Lemire really knows what he is doing here. So does artist Michael Walsh. He is one of the best in the business. This book is a delight. I'm sad that it's only five issues for this story.

The writing of this book is very unique. Palicki does a great job with the script. The art is very unique as well. The pair make an excellent creative team.

Evan Dorkin is quite a writer. Veronica Fish is a hell of an artist. Together here, they make magic. This is only four issues so it could go anywhere. That's exciting. And that makes for a must read comic.

This is an excellent graphic novel and a hell of a good reading experience. The creative team did a top notch job here for sure.

Still, the passion and research shows in every panel. Allred has done his best work here and it is a beautiful book to look at. The likenesses for every character is perfect. This is a great book for any Bowie fan or for anyone who was always curious about his life. There are certainly a lot of things I never knew about and it is an impressive book overall.

The story is very good and the art by Rodriguez is pretty damn solid. I'm not sold on the creature designs (it looks a little too much like Giger leftovers for my tastes). That minor complaint aside, this is a solid series that I will be reading until the end!

Both create an interesting and compelling character with Cain, and it shows up on the page. I enjoyed that part of the book. The same can be said about Beni R. Lobel's artwork here as well. It is very well drawn and the storytelling is impeccable. I just wish it felt a little bit more whole for me. It could have been a great book instead of merely a "good one.

Camp Spirit could have been great. Unfortunately, the characters aren't strong, the story meanders everywhere and it is rather unedited and unfocused.

The writing is tight and taut. The artwork is super fluid and is kinetic. The colors by Laura Allred are especially good and a real treat. I loved the setup in this issue. It's a good time and we need a good Catwoman series. This one seems fit to fill the bill.

Still, this is an excellent book. I am excited to see where Jones takes us and what she has in store for us next. It's well done and I'm invested in this story completely.

My only gripe with it is, where is it all going? I'm assuming Jones has a plan, I just have no inkling yet of what it is. That could be a great thing if it pays off. If it doesn't, well, the whole thing can fall flat. Let's see what happens. I'm along for the ride either way.

The whole thing leads again to a cliffhanger of sorts. I'm not sure again where this is all leading. It kind of feels like it's not leading anywhere. Maybe the next issue will answer some of the mysteries of the point of the four issues thus far and why Catwoman is being toyed with by the Creels. Or at least, I hope so.

This is a nice first story arc by Jones. This issue is at it's best when Jones amps up the action. Now all that remains is seeing if she can bring it home next issue. All signs point to "yes."

The story is the biggest problem again. It just seems a bit light. The rest of the elements here work well except for that. Maybe we can get a stronger writer on this. I feel like the series would vastly improve if we had one, giving us higher stakes than what is displayed here.

Jones does a nice job writing for the other artists in this book. It's the first part of a two part story and while it doesn't have a lot of meat, at least it keeps you going. It's a simple trifle it seems, but an effective one. I look forward to finding out what the Penguin wants from Catwoman next issue.

Even so, this book is looking up with some solid writing and some great art. Let's hope it keeps up! I'm liking it.

My only complaint is where they put this issue. A storyline was already in progress from issue 8 and this interrupted the flow of that story. I understand the need for fill ins but I was invested in that previous story and now I have to wait another month. It's a minor complaint of course as this issue is very good, but it needed to be said.

This book is pretty solid. Jones and Blanco work wonderfully together. This comic book won't change the world but there is a lot of like. It did feel a little short, but I enjoyed it. It's a nice breezy book that you forget about quickly, but you enjoy your time while you are there.

The first half to the book has art by Blanco, which is what I preferred. That's not to say the second half by Petrus isn't bad, I just preferred Blanco's art. It's a simple issue that's pretty enjoyable. And sometimes that's all you need.

The art by Blanco and Petrus round out the issue well. I must confess I do enjoy Blanco more, but Petrus is a solid artist as well. It's just a personal preference. Together however, they bring home the story by Joelle Jones rather well. And I can't wait to see how it all ends.

This book has been picking up steam for months. Now it seems like Jones is really going to cut loose. The art is wonderful and the story is extremely strong. I'm excited to see what comes up next.

This issue does have a cool villain in it as well. Honestly, it was a far better issue than I ever expected. That's a good thing. Sure it won't change the world. But it was just enjoyable. And sometimes that's really all you need.

All in all, this is a nice change of pace for this title. They really took the character and put her into a nice and entertaining story. It's not overly complicated and it's just enjoyable. What more can you ask from a comic book than that?

Joelle Jones is really hitting her stride in this issue and it is amazing. Her art and her writing are both tops and it shows on each and every page. This is great and it only can get better from here.

This title keeps getting better and more interesting and I can't wait to see where Jones takes us next.

The story was great right up until the end. Maybe that weird cliffhanger will be explained next issue. Either way, the art is great and it is a mostly fun issue that is very entertaining.

The art is a little strange. There are three artists working on this title so it is a tad jumbled. It only brings the issue down a little bit though. The story is very good and it shines through.

Joelle Jones has written a really excellent storyline over many issues. Reading this particular issue, I can now see she had been planting seeds this whole time during her run. All her work is paying off and I can't wait to see how it ends!!

Jones has done a great job on this book and each issue just gets better and better. I can't wait to see what is coming up next!

The art by Aneke is the best part by far. If only there was a better story to utilize it. Like I said in the beginning, this is a pretty obvious fill in. I just wish the writer had something better than this.

Judging from this, I think he can. This is a well crafted issue overall and I am excited to see where we are this title is headed.

But it doesn't go to any place really new or interesting. It just is kind of boring.

All in all, this issue isn't too bad, and I do enjoy the direction that we are heading towards.

I am starting to really enjoy the way Ram V is writing this, and his work overall. It is a bit of a different writing style but a lot of it works. Fernando Blanco does a great job too with the art and the book looks great.

Overall, this is a solid enough comic that could have been better with some stronger art.

I am interested now to see where this is headed. I hope the quality keeps up.

The story really is pretty decent. The script is a bit better than normal too. The art by Fernando Blanco is the real treat however and I really did like where this issue went too. This was pretty well done overall.

Overall, this is a bit of fun and adds another layer to the overall crossover event.

Overall, this isn't a bad annual at all, even though the story feels stretched out.

Jones really knows how to write for other artists. She does a great job making the art by the three artists here seamless into the story she is telling. This is a good annual and a good self contained story that has impact. Well done.

It's sad the Young Animal line is going away. It's been a great run. All we can do now is enjoy the last few issues of these wonderful titles.

The art is simple but great from Oeming. It has the style and energy of a Jack Kirby comic. But it's it's own unique thing. And it's a book that will be missed greatly once The Young Animal line packs up house in the next couple of months.

In just one issue, this title will be going away. That's really sad to me. I have loved this book from the very beginning. I hope this character continues in some form from this creative team. This has been memorable for sure.

Rivera writes a smart, emotional tale. A lot of tears are shed and a lot of the characters and their various storylines get wrapped up. Through it all, it's smart and funny and very human.

Bryan Edward Hill has always been a solid writer. He proves that again here with this book. It is well thought out and well scripted. The art by Priscilla Petraites is perfect for this as well. I am intrigued to where this is all going. It should be interesting.

This is a well done first issue. Kudos to the creators and everyone over at the Young Animal line of unique comic books.

The story is one of the weirdest I've seen in quite some time. I'm fine with that though. The creative team seems to have it all together though and it shows. This may be a quirky title but it really does involve the reader. I'm looking forward to reading some more of this book when the next chapters come out.

Artist Ilias Kyriazis is amazing and will have a hell of a career from this. Mark my words. We are halfway through the series and I'm still looking forward to more.

The story is unique and strong. The art by Ilias Kyriazis is nothing short of spectacular. This has been a great story overall and I really can't wait to see how they finish it all up!

Mikey Way and Shaun Simon do a hell of a job writing this book and making the story a quality one. The art by Ilias Kyriazis is pretty amazing, too. I am sad that this is ending as it has been a pretty great ride thus far. It is books like this that make me happy that the Young Animal imprint is still happening.

This is a nice little miniseries for sure. I am sad that it is over but I am glad that I got a chance to dig in and read it.

The writing is very strong. I love the little twists and turns. The artwork is well done too. It does leave off on a cliffhanger but I expected nothing less. It is a solid first issue and the whole book is bursting with ideas and fun.

The story is pretty good. It does get a bit too crazy at times but the characters are very good. The art by Justin Greenwood is the best part. Overall, I liked this book and I am interested to see where it is really headed.

Overall, it is a decent book and has some really great moments In It.

I look forward to how they decide to end this book. It has been a good adventure thus far.

It explores the many facets of his creativity and shows you his work in a different light. The format for this book is beautiful as well and the whole thing is a nice package for any fans of the man's immense body of comic book work.

These are two creators at the top of their game and it's good to see them working together. This is pretty great.

The art by Mack is simply brilliant. He utilizes his multimedia art style brilliantly. The result are stunning. This is an amazing new path for both creators. And I personally cannot get enough.

It's quite an achievement the two have created here in this comic. This is one of my favorite books of the year.

Bendis and Mack make for an amazing team. They are firing on all cylinders here. I can't say enough about this book. Oh, except that I truly can't wait to read it all together as I'm sure it'll be one hell of a rewarding experience unlike anything I've ever seen.

At the end of the issue, we get to the convention in Brazil. It brings the whole storyline full circle from the beginning. There is also some trouble afoot of course. How will this end? I have no idea but I know that I'm in good hands. We have one more issue to go, and it's been a great ride. This issue is a big part of that.

Still, it's a decent enough book. I'll be reading it when it comes back for sure and it does feature some of the most excellent artwork on the stands. Bendis and Mack are a dream team, and hopefully this book comes back sooner rather than later. It's extremely well done.

There is a cool Ultraman backup story that features art by Bryan Hitch. This one is very sharp and good and the detail in this short story are amazing. The art by Hitch is very good as well and the whole thing just works. I am interested to see where this title goes from here.

The issue also has a backup story written again by Schmidt and with artwork by Bryan Hitch. It is a well drawn and interesting story about Owlman. It shows his origin and has a few interesting facts in it as well.

This seems to only be getting better with each passing issue.

Overall, this is a solid issue from start to finish. It is an unexpectedly enjoyable read.

Bryan Hitch illustrates the back up story, which is the origin story of Johnny Quick. It is really a lot of fun and the story is well drawn.

This is a book that has been flying under the radar a bit. It shouldn't. It was very well done as a whole.

Again, the art on this is the highlight for me. Brown has been great for years. I hope this turns around. Orlando can do better than this and I hope the story picks up and feels more focused. Right now, it's just not fully formed.

The writing is strong. Jed McPherson is obviously a talent and he is very understated in his writing. The artwork is very good as well. This is a good comic book. I would like to see this team tackle something bigger, but this is a satisfying read from start to finish.

The creators here don't seem to have much passion for this beyond it being an assignment. That's a shame. I feel like this book could be interesting if somebody just cared. Sadly, that does not seem to be the case at all.

And man, the art. It is one of the best art jobs I have seen in a long time. Gramp is a genius. I hope that it doesn't take as long until we see his next art job. But I'll be salivating over this one until then. This is awesome.

It is the hand reaching out to every story that came before it in this universe, saying "you matter."

Snyder and Capullo have done it again with this issue and this is really spectacular stuff.

The writing by Scott Snyder is excellent here. He does a great job of throwing a bunch of concepts at the reader and making it easily digestible. Artist Greg Capullo is doing the best work of his career and this is pretty great.

The writing is pretty great. Snyder is really pushing himself to make something special and it shows on every page. Likewise, Capullo is doing great on the art as well. This is a really wonderful follow up to the first series and I can't wait to see how it ends.

The story by Snyder is great. It is fun and wacky and just a joy. It is also very impactful and personal. Working with Capullo is when Snyder is at his best (and vice versa). That is certainly the case here as this series looks as though it is going to end on a real high note.

This book feels like a last chapter of sorts for this creative team in the DC Universe. I hope not, but it will be tough to top this series.

The last story of the book is fantastic as well. It is written by Mark Waid and drawn by Francis Manapul and it features Superman in a really great last story. It is perfect and this whole issue. This is probably the best of the spin off book from Death Metal and it is truly well done.

This is a truly great chapter of the Death Metal saga and it is worthy to give a repeat read.

I am loving everything that is Death Metal and this really fits in perfectly.

Both add value to an already amazing book. This is pretty great.

This is the best spinoff book I have seen come down the line of any It is essential if one is reading the Death Metal book. I had a lot of fun with this and I am glad I got a chance to sit down and savor this well done comic.

This is an excellent one shot that spins off an excellent main series. The stories are great and the artwork is great, especially by Rossmo. I could read a hundred of these spin offs, as long as they are as well handled as this one. Well done.

So this issue was a bit of a letdown overall. It could have been great. Maybe let Hill and Virella take the lead next time.

The last page is simply awesome. This is the perfect place for Wally to be. It's great.

Overall, this book is good. The artwork makes the weaker parts less noticeable and it is a pretty entertaining issue overall.

Other artists on the book include the amazing Ryan Benjamin and Paul Pelletier. They all do a great job together. Scott Snyder and Geoff Johns write an incredible script too and it is a perfect Christmas gift from the entire creative team.

I wouldn't mind a few more, as long as the quality is kept this high.

All in all, this is a decent book with some good stories in it.

It is a pretty frightening last panel. It is also pretty exciting. Snyder and artist Greg Capullo are really going the distance In this book. It is so imaginative and structured and I cannot get enough.

This book though is all about the first story. And that story is a good read indeed.

The second story has Catwoman going into the Looney Tunes universe. It's rather slight but does have a few laughs.

Daffy goes undercover for the police and it ends badly. That's pretty much it.

Still, there's a whole ton to like here. It's more than worth the price of admission. I hope DC keeps going with this idea and keeps the quality high. This was mostly a lot of fun.

Representation in all media is extremely important and it is great to see DC doing something like this book. It has various stories in it and it is good to see the company taking it all seriously. This is a fine collection of comics.

This is really well done overall.

There are some decent enough stories here that make this worth a look.It is slightly better than these things normally are.

The best story in the book comes from writer Tom King and drawn by Scott Koblish. It is a great story about Lobo and the holiday of Hannukah. It is pretty fun without trying too hard. I wish the rest of the book followed it's example. This wasn't bad but could definitely have been better.

I enjoyed it very much and I am looking forward to the next one of these treasury editions!

But I was into it the entire time. Taylor keeps the action moving fast and the excitement high. Sure, we have seen plenty of zombie inspired media out there. But where else can you see Nightwing bite Batman on the neck that turns him into a zombie? This was a pretty fun and exciting read overall.

The ending of the book is especially gruesome. We get to see Batman's last moments. He is infected and he must be dealt with. We get an ending here too that is actually shocking as a result. I'm at the edge of my seat here. I can't wait to see what happens next. This is a great book with a superb creative team. I'm very excited to see where this goes.

The art by Trevor Hairsine is tops. He really is the perfect artist for this book. The writing and the art have a certain glee to it, almost as if the creators are saying "can you believe that we are getting away with this?" I'm glad that they are, and I'll be reading whatever they create here.

The story is tops! It's a fast moving comic book that doesn't let up. The art by Trevor Hairsine really is some of the best and most exciting storytelling I've seen in quite some time. The creative team works so well together and I can't stop reading this comic. I've become pretty obsessed with this. It's been pretty damn great.

The last panel hits the hardest. There is a big change in the story dynamic at the end. The creative team just nails it perfectly. I loved this book and all of the twists and turns it took. It is brilliantly done. There is nothing more to say than that.

This leads into one of the most horrifying endings ever. I can't say much more without ruining it. But man, it is spectacular. The whole series was. Let us hope Tom Taylor writes another one. This is some truly great work.

This is just pure fun. It doesn't get any deeper than that. The story is a good time and the art is perfect for it. I'm enjoying this very much and it's a cool world Taylor is making. I hope he keeps going with it for many more stories to come.

Tom Taylor once again writes this issue with a sick glee that is enjoyable to read. He takes us to some really interesting places in this issue both dramatically and emotionally. The art by Trevor Hairsine is as good as the original series, if not better.

This is a great issue of an interesting title. The creative team has hooked me again!

I am still not sure where it is all going but I cannot wait to find out. Hopefully, it is worth it.

The art by Hairsine is pretty damn good as well. I am addicted to this book and I cannot get enough.

But things are certainly awesome if you are reading this book.

All in all, this is a fine book and a good penultimate issue as this series heads towards it's conclusion.

I loved what they did with this series and will read more if they make them!

The art is pretty spiffy as well. All in all, this is a nicely done spinoff from the previous series.

Taylor has done a great job reimagining the DC universe, and I can't wait to see what his plans are next.

This team really has a good book on their hands. I can't wait to see how it ends.

I'm sorry this book is ending. These six issues are memorable, however. I'll be buying the trade when it comes out. Thumbs up.

The art is very well handled for this title as well. This storyline seems like it will have lasting scars for both Batman and Deathstroke. I can't wait to read the next chapter of this twisty, and compelling story.

It's also great to see Ed Benes drawing this title and in the DC Universe again. He has a look to his art that is perfectly suited for the craziness and action of this book. This is another great chapter in the mini Batman versus Deathstroke saga!

There's one more issue of this madness. I can't wait to see how it wraps up. It's very fun and well done.

The question of "Is Damian Slade Wilson's son?" is answered by the end. Since it was the catalyst for this six parter, the answer had to be satisfactory. Suffice to say, it definitely is. It's done in a simple, yet effective way. This is some great stuff here. Priest doesn't play it safe, and it's great. The art by Pagulayan was perfect here too, and he was firing on all cylinders. I can't wait to read it again.

The art is wonderful here. The two artists work well to make Priest's script come to life. This seems to be another fine storyline on this awesome book. I can't wait to see what happens next.

I love this title. What a great job Priest is doing. And I'm a huge fan of Pasarin's art on this book. We are left with a big cliffhanger at the end. And I cannot wait for more.

Priest does an amazing job with this issue yet again. He keeps the reader going with great stories, fantastic dialogue, and sheer adrenaline. This is another fine story and a great collaboration with Pasarin. This is a rare book that is only getting better with each passing issue.

This is a transitional issue for this storyline. That's not to say it's bad. It just is leading to the finale. You could call it the calm before the storm. I'm interested enough to see where we end up. It could very well be a new status quo for this title. We shall see.

The last page of the issue ends the storyline. And it's so perfectly realized, that I commend the creative team incredibly. This is some good stuff. I don't know where we will end up next, but it's always an adventure. This is some great storytelling indeed going on here.

Eventually Gordon lets Wintergreen go. This leads into a good ending which is a perfect lead in to the next storyline.Priest is at the top of his game. I mean he's really at the prime of his run here at this point in this title. Every issue is fresh and works even better then the last. The art is pretty great too. I'm really excited with what Priest and each artist have been coming up with on this book, month in and month out. It's a damn fine comic.

Still, there's fun to be had. Priest peppers the script with plenty of cool dialogue and the art by Pagulayan is always a treat. Put that all together and you get a decent book that is just a tad overstuffed for my tastes, but still plenty enjoyable as well.

The art is pretty great on this title as well. When the story gets muddled in the middle, the art does the same, but the last few pages make it all worth it. I don't know where Priest is going to take it from here but I was not expecting that ending at all. And that's a good thing.

Now it's very likely that Slade Wilson will come back. But the next issue promises a new Deathstroke. Who will it be? I have no idea. I just know it'll be extremely intriguing from here on. And I, for one, can't wait. Bring it on.

The whole issue just works. This is a fun time to be reading this book as I have no idea where it's going. It really can go anywhere. And that's the best feeling anyone can have as a reader. Bravo.