The Hal/Barry combo has always been one of my favorites in comics, and to see the banter and chemistry that they have is heartwarming in a really legitimate way. It feels like hanging out with two old friends who never get a chance to catch up. Read Full Review

It's visually stunning, but the story doesn't totally come together. And in the last few pages, we get several major twists that upend the concept of the story and what's to come. It's a vintage Morrison head-trip, for those who like that. Read Full Review

Green Lantern gets back into its groove with a madcap, Silver Age tale featuring The Flash. Read Full Review

This is a fun and totally absurd adventure to dig into. It's a reminder of how weird comics were and can be if given the right touch of wacky ideas. Pick this up to be transported to a time when Green Lantern was getting into perplexing adventures in space. Read Full Review

The Green Lantern: Season Two #4 is a hit and miss for me due to some parts of the story failing to line up and expecting too much from the reader. While Grant Morrison's contributions were the issues low point, seeing Hal Jordan and Barry Allen together again and the ever spectacular art by Liam Sharp helped compensate in what is still a fun issue. Read Full Review

All the parts are present inThe Green Lantern: Season Two#4, but they are not coming together as well as they should. Overall, it leaves one feeling a little disappointed. Hopefully, this series will take a turn for something bigger and more cohesive. Morrison is capable of making the far out and bizarre work. It feels like he's holding back here. The tease for next issue does hold some promise… Read Full Review

Morrison doesnt seem interested in writing a traditional superhero story and that doesnt have to be a bad thing. Its just Morrisons seeming lack of interest is being conveyed through nonsensical plots that arent engaging and becoming too much work to decipher. Read Full Review

Grant Morrison gives readers a John Broome inspired story that is simple in concept, but frustratingly convoluted in practice.  Liam Sharp's art is incredible, and so far, that has been the main reason to pick up any of the Season Two issues.  There's a glimmer of the overall story by the end, but I need more than that to stay excited about this book. Read Full Review

It feels like quirky filler, and the bright spots aren't enough to compensate. Here's hoping next issue can chart a better destination. Read Full Review

This whole issue is just a big, crazy, impenetrable peek into unrefined Grant Morrison, and that's not a good thing. The man seemingly vomits loopiness onto these pages. Read Full Review

AFTER ENDLESS COMMUNION WITH THE HYPERGODS BEYOND THE OVERVOID, MAGUS MORRISON HAS FINALLY UNLOCKED THE LOST VARIABLE OF THE SILVER-AGE EQUATION: CAMP DIALOGUE!

CAMP DIALOGUE + ONE-OFF VILLAIN / LOVE INTEREST * SELF-CENTERED CONTINUITY = UNIQUE PIECE OF COMIC LITERATURE THAT WILL CONFUSED BASED FANS!!!

WITH THIS ULTIMATE WEAPON LEFT OVER FROM THE ENTROPY WARS, WILL OUR HEROES BE ABLE TO DEFEAT THE NEVERENDING DEPRESSOVERSE INFECTION THAT PLAGUES THE COMIC INDUSTRY?

FIND OUT THIS WEEK IN "THE GREEN LANTERN: SEASON TWO #4: GOLDEN GIANTS OF NEO-PANGEA!"

Morrison的这个系列总会时不时地出现某些让人看不懂的段落，但是本期，是整本的看不懂。

Morrison's series always have some incomprehensible passages from time to time, but this issue， the entire book is incomprehensible.

Art was awesome....

Like the majority of GM's run on this book, it's ok.

Over-indulgent this time around.

This was a struggle to read and I felt like I was missing something that would have helped me make sense of everything. I’m so frustrated, because this used to be a really fun run! The art was distressing.

There's a lot to be said about comics and how to expand this format of storytelling. I don't think this is the way to go, honestly. The medium is ever expanding and there are creators who are breaking the boundaries of comics much better than Grant Morrison is seemingly attempting to do here. It's so unclear. I don't even know if his intention is to do something different with the medium, or if he's just having a laugh, or if his work has just devolved into something this unpleasant now. I don't understand the thought process behind a lot of the storytelling techniques being used in this series. And maybe there is none. Maybe Morrison is just doing drugs and writing scripts, and whatever comes out the other end is what we get. I honestly would not be surprised if that's all this is. If I want an untraditional comic that plays with the format and the medium, I'm going to go read Decorum. I don't want whatever this is and it's really frustrating because there have been issues in this run that are phenomenal. I don't find enjoyment in reading comics filled with annoying, near incomprehensible dialogue tropes. And the story itself is just... Nothing.

Oh and the art... What the fuck was up with the art. Unlike the last issue, where the change was obvious and intentional, I can't tell if this was a style choice or if Liam Sharp just did a poor job.

This is not a good issue. I don't know what other people are seeing in it, but it just feels like Morrison doesn't care and therefore why should I? more

+ Like • Comments (2)

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• DarePool53

Liem Duong - Jun 17, 2020

Then again, I don't think Morrison is even trying to break boundaries here. He is just doing whatever he wants with Green Lantern.

Psycamorean - Jun 17, 2020

Whatever he wants = inconsistent work that I don't have much patience for.

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