Jim Werner's Comic Reviews

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This was a really quick read, and unlike anything, I have read recently. With the big 2 essentially stagnating this is a great chance to read something new. It's violent, graphic and there wasn't much substance to this issue. To be fair though, it seemed like the culmination of a fight teased much earlier I wasn't privy to. The art is very pencil heavy, but not to the point of whiskers. The earlier scenes in the snow before the violence happens is scary and vaguely unsettling which really works with the story.  Not the ideal issue to jump in on, but a quick and straightforward (I think)read. 

Credit goes to Rosenberg who makes it feel like The Goonies meets Oceans 11 mishmash. This is two vastly different properties that should not flow together the way they do but execution is just stellar.   Tyler Boss on art/color duties gives the adventure an 80's type feel with subdued colors and a throwback look which I'm a huge fan of when done correctly like this.  I thoroughly enjoyed all the jokes present throughout the title and look forward to coming back to this group of foul mouth kids with a no quit attitude as soon as Black Mask Studios gives me more. 

While this book may not have been written for a guy interested in seeing what all this Bloodshot hype is all about, I'll definitely be back to check up on the title going forward.  Jeff Lemire can't write a dud and Doug Braithwaite and Brian Reber make it all so nice to look at.  I fully realize that this is and event book for Valiant and Bloodshot fans in the know, but I liked it enough to tell anyone interested to give it a shot.  

I can easily recommend this Anniversary issue to every Catwoman fan out there, but seriously, any true fan has been waiting months to get their hands on this. Better yet, though, I can also recommend it to anyone who wants to see some great art and read some pretty damn good stories with a kick-ass female lead who toes the line better than any character in comics.  

Zod is a monster.  He says it himself.  He actually revels in it.  With Action Comics #23.2 Greg Pak shows what a writing monster he is.  He keeps the classic Zod story mostly in place and fills in new details that make Zod an even better villain than before.  This is by far my favorite Villains Month issue so far and maybe my favorite Action Comics title in the New 52.  Kneel before Pak!

Action Comics #23.3 was a bit of a dissapointment.  It leads directly into Forever Evil #1 and shows this Lex is a cold hearted killer with no soul.  Hopefully it is just a setup for Lex's redemption later on in the Forever Evil storyline, but as a single issue I can't really recommend it.

Villain Month has been more miss than hit to me.  Sholly Fisch and Steve Pugh give us the continuing origin of Metallo and I liked it.  We get an understanding of his motivations and see how deep his hate for those who wronged him is.

Action Comics #23 is a pretty average read.  The story is clich and there was nothing special about the art.  The end reveal may prove interesting in the upcoming Psi War books, but I cannot recommend this book on it's own.

Action Comics #25 is a Zero Year tie-in in little more than name only.  What we do get is the fun t-shirt and jeans Superman and the promise of Greg Pak's future on the book.  Pak and Kuder make Superman fun again and if this issue is an indication, fans may finally get the book they've been waiting for since the start of the New 52.

Action Comics #26 is a good setup issue for future stories.  Pak and Kuder gives the reader giant monster battles, a mysterious new villain who poses a real threat, a strong female character and a crazy twist ending. Action Comics is quickly becoming the go-to book for Superman fans in the New 52.

Action Comics #27 shows that Greg Pak's Superman is one of the best written.  Without a clear villain, Pak let's us meet Superman all over again.  Aaron Kuder is joined by R.B. Silva and Mike Hawthorne on art and everything looks great.  If you have been waiting for the real Superman appear in the New 52, go pick up Action Comics.

Action Comics #28 continues to be the place to go for Superman goodness.  Greg Pak is showing us what makes Superman what he is and why that may be his downfall.  Throw in Lana Lang and you have two strong characters trying to save the World.

Action Comics #28 ties everything together that Greg Pak has thrown at readers since he took over the book.  Pak and Kuder's run has been really good so far, but this is my favorite issue so far and nails them down as my favorite team on Action Comics in the New 52 so far.  I hope it lasts a long time.

Action Comics #30 has an out-of-sequence release and three artists and is still really good.  Credit Greg Pak's great characterization of Superman and Aaron Kuder's awesome art while it lasts.  Pak ends his first arc and sets up the Doomed story all in one.  Recommended, but you may want to find a reading order and follow it.

Action Comics #31 continues the Doomed event, but to me it's the beginning.  Beginning of me being interested in the story after the disappointing Doomed #1.  Greg Pak does a great job showing a changing Superman who is far from what he has been in the regular run of the book.  There are three artists on display and that leads to some odd transitions, but it can't bring down such a strong story.

Action Comics #32 continues the Doomed story and while it has a few pacing issues, is a pretty good chapter.  Greg Pak does a great job showing a Superman that can't save himself, let alone everyone on Earth.  Have no fear, though, because Steel is here.  He is the hero of the issue and just great.  Scott Kolins art is also great and the ending cliffhanger looks stellar.  Highly Recommended.

Action Comics #33 may have some good dialog and continues making Steel and Lana into badasses, but it really doesn't push the Doomed story forward at all.  Aaron Kuder's art is good, but you could skip this issue and not miss much.  If your reading Doomed, get it.  If you're an Action Comics fan not reading Doomed, skip it.

Greg Pak and Aaron Kuder give readers of the Doomed event the third great issue of the week.  I was slow to jump on the Doomed wagon, but I'm fully in now.  I don't know if the writers can keep the momentum up, but if the cliffhanger is any indication, the fun is only just begun.  Highly Recommended.

Greg Pak struggles this month to get his book going after the events of Doomed.  While Clark struggled to figure out where Superman fits, I struggled to get through the issue.  While I didn't like the art at all, there were a couple things I liked out of the story to get me excited for where the book might head down the line.  However, if the cliffhanger is any indication, I'm worried about the near future.

This issue is the start of a cool horror mystery and I'm intrigued to see where it goes.  Greg Pak continues his great character work and Aaron Kuder nails the art as usual.  Something is not right in Smallville and it has everyone in it's grip, even Superman.

Action Comics #37 is a pretty good continuation of the "Mist" story.  While it is a bit predictable, I am enjoying the horror elements and the last panel was just amazing.  Greg Pak is getting his book back on track and Aaron Kuder's art is as awesome as always.  It may not be a classic story, but it's still good fun.

I enjoyed this issue for the most part.  Greg Pak gives us some great Superman inner monologue and puts him up against a situation that was terrifying and heartbreaking.  However, it was mostly setup for next month's issue and ends pretty much in the same position as it started.  I'll let you know that I'm a little worried about where the story appears to be headed, but as long as Aaron Kuder is drawing it, it's bound to look fantastic.  Let's hope that like most of this issue, it's all one big lie and a dream.

This issue was a pretty good ending to a pretty good story.  I now want more Horror themed Superman stories.  Greg Pak did a good job using this story to show what Superman has nightmares about and while there weren't any great revelations, I still enjoyed what we got.  Aaron Kuder and Scott Kolins make everything look great and if the ending was a bit more satisfying, I would have given it an even higher score.  As it was, Horrorville is a story arc I can easily recommend to any Superman fan out there.

Even if I tried, I don't think I'd find anything wrong with this issue.  Coming off a dark and dismal arc, it was so great to sit back and laugh out loud.  Greg Pak gave me a dream come true...a killer Bizarro story.  Aaron Kuder and the rest of the art team can retire now knowing that they can't possibly do anything better.  Well, maybe they can, but I don't care because this issue looks fantastic. If this is a sneak peek at what we are in store for come June, count me in big time.

The Truth is here and while I was hoping for a bigger bang, the story has me intrigued. Seeing Superman without his full powers and secret identity isn't something I thought I wanted, but Greg Pak is using it to show how Superman and the world deal with it. It's not a pretty picture...but Aaron Kuder's art is. This book looks outstanding and I can recommend it to every Superman fan out there. The wait is over and I can't wait to find out more.

I didn't like this issue.  While I still like the idea of seeing Clark depowered and exposed, the police brutality story in this issue felt forced.  Maybe it will be explained better in the next issue (The American Way?), but as of now, I can't recommend it.  I liked Aaron Kuder's art, but having three colorists caused some noticeable transitions.  It's still early, but I'm losing patience with the Truth.

While this issue doesn't completely change my opinion on the Truth story as a whole, it took a huge step in that direction.  Greg Pak and Aaron Kuder make right on almost all the things I've hated in the last couple of issues and that just makes it that much sweeter.  I am looking forward to seeing what happens in the next issue and that is something I haven't said since this story started.

This issue fell flat for me as a Truth story and a Superman story in general.  While I was hoping the final chapter of the story might give us a satisfying conclusion of sorts, t just gave us setup for the book going forward.  Really?  That's the Truth, huh??

This issue starts as a full out Truth recap and ends being a nice setup for the continuing story.  I liked the art for the most part and Pak and Kuder give us some great Clark Kent action.  I'm still dealing with a Truth headache and can't recommend this story...yet.  I like where things are headed and hopefully I'll be a fan soon.

I enjoyed this issue enough, but it did come across as a bunch of scenes forced together to get things moving along.  We learn some new Shadow powers, kind of find out Wrath's ultimate plan and watch Superman start an awesome fight that doesn't make much sense, but I can't wait to see more of.   The art in this issue is top notch, but even though I enjoyed it, I still can't recommend it to everyone.  If you've stuck with this DC You Superman, I think you'll be okay, but if you're waiting for things to return to normal, I'm afraid you'll have to keep waiting.

This is a good issue that may not have the fun of the last couple of Action Comics issues, but does a lot to push the story forward giving us a Wrath origin story and a real solid glimpse at Vandal Savage's plan.  The art was okay, but i can still recommend this issue to anyone still sticking with Superman through the Truth and beyond.

Action Comics has been the best book in this whole truth debacle and this issue may be the best one.  Superman has his powers back and while it may kill him, he's doing it for the greater good.  Vandal Savage is proving to be a great villain and I finally can say that I'm looking forward to the next issue of this crossover.  If the other creative teams can keep the ball rolling we won't have to wait until April to fall in love with Superman again.  This issue was a step in the right direction.

I don't know why Greg Pak is trying to confuse everyone with so little time left in this story. I went from not enjoying this story to being confused as hell by it. I liked the art here, but the overall narrative felt rushed at times and downright silly at others. We all just have to sit tight, close our eyes and think about the better times coming in a few months. My love of Superman needs a rebirth...stat!

We have waited over eight months for a couple of things to happen in this massive crossover story arc and yes, the big one happens here.  While I am so happy it did, I hated the way it actually went down. Actually, I'm not even sure how it happened and that is not a good thing.  It's a shame because the rest of the issue was good and even with a ton of artists, looked good as well.  I wish I could say I loved this issue, but I'll have to settle for liking it.

Action Comics #51 continues the Super League story and while I love seeing Supergirl back in action (kind of), she is a bit forced in here.  I got over that quick enough, but couldn't escape the feeling that this issue was more setup than the first two and stalling a bit until we get to the second round of the crossover.  I hope that's not the case since we still have next week's Superman/Wonder Woman , but I'll leave that until then.  Right now, I can tell you that I am still fully on board with Tomasi's story, even if this is my least favorite issue so far.

While this chapter of the Final Days of Superman finally gets the New 52 and Pre-Flashpoint Supermen together, it is brief and rather anti-climactic.  Almost everything else in this issue goes against what we've already seen, is just more recap or feels a bit off.  The art was great and that's the only thing that kept this issue from getting an even worse score.  The Final Day can't come quick enough.

Action Comics Annual #2 is not a good start to the Krypton Returns arc.  The dialogue and characterization of the three leads is awful.  The book is too wordy and those words are poorly written.  The art is good, but the panel layout makes it hard to follow.  Unfortunately, when you can follow it, the bad writing strikes again.  Superman, Supergirl and yes, even Superboy deserve better.  Time Tsunami...Time Tsunami.

Action Comics Annual #3 is a good chapter of the Doomed event.  It's star studded and action packed.  Greg Pak and seven (yes, seven) artists push the story forward and then turn it on it's head just in time for the next chapter.  The real threat is revealed and It's not Doomsday.  I can't wait for the next chapter.

I'm confused by this issue.  It's a nice little Superman story, but an unnecessary Futures End one.  Sholly Fisch shows why Superman is an inspiring hero, but at the same time DC shows how to force an issue into an event.

Brian Michael Bendis tries to put way too much into this issue and becomes a convoluted mess very quickly.  John Romita Jr.'s art doesn't help at all and while things have to get better from here, Bendis needs to thin things out a bit before that's going to happen.  Luckily, not much at all happens, so I can easily recommend you skip this issue and come back next month for the issue name-dropped at the end of Event Leviathan as the return of Leviathan himself.

Bendis continues to give readers nothing of interest as he slowly catches up to a story that is now months over.  The art by John Romita Jr. is awful, and overall, there is no reason at all to buy this book in single issues, and it's debatable if the trade would be any better.  Bendis promised something new for Superman and his fans, and I can only hope that this isn't it.

After a rough start, I ended up enjoying this issue.  It felt big and important and even mixed in some feel-good moments to boot.  I am still not a fan of John Romita Jr's recent art, this included, but this is one of the better Bendis issues I have read in quite some time.

Action Comics #1024 is good when Brian Michael Bendis stops joking around and gets emotional with Superman.  The issue gets bogged down with the usual deluge of word balloons, but Bendis is setting up a Superman that is mad as hell, and I want to be around when he can't take it anymore.  John Romita Jr's art is better than it has been on this book, and that all adds up to a decent Superman issue.

Action Comics #1025 begins setting things up for the ending of Bendis' run on this book, and after all the setup, he forces in a generic, multiversal threat to go against the House of Kent.  The issue does not look good at all, and I can't wait for a new creative team to come and save the day!

This issue is just plain bad.  Bad Story.  Bad Art.  Bad Dialogue.  December can't come soon enough!

The Invisible Mafia story ends with a thud... the thud of me pounding my head on my desk!  Not much gets resolved, and it looks awful not doing it!    If you have been waiting for a good time to jump back on Action Comics, March seems like it will be it.

Brian Michael Bendis finishes up his run on Action Comics by catching up to a maxi-series that ended four months ago and answering questions nobody was asking.  Besides that, it's filled with generic fan-service nonsense in place of any real character development or knowledge of the DC Universe or characters in it.  I know that change isn't always good, but in this case, it has to be!

Action Comics #1044 continues the slow burn Warworld Saga, and while Johnson's attention to detail is admirable, the story has stalled a bit.  That is worrisome with only a few issues left, but hopefully, things will wrap up nicely and neat.  Only time will tell.

Action Comics #1050 feels more like a zero issue than a celebration. It does right some big wrongs, but overall, it doesn't have me more or less excited about the upcoming Superman Family of books than I already was. Plus, The artists involved did not fit the story well, and they clashed with each other.

Action Comics #1053 has one great story, one good one, and a third that is... well, it's something.  While I wish all three were great, this book is still well worth the cover price, and fans hoping to see some congruence with the Superman book will be very pleased.

 I for one can't wait to see what else Actionverse has in store from here on out.  If you're not allowed to get your Laser-Tron on or you just miss some good old Sam Beckett type action, feel free to join me on the rest of this universe building action adventure.

Another Acts of Evil miss thats mostly harmless, but can be skipped by everyone but the few Ghost-Spider completionists. The setup promises some fun, but there is little to be had and the art wasnt good enough to recommend on its own. Id give this one a pass and just stick to the new solo series if you need a Ghost-Spider fix.

This is a mess of an issue that I cant recommend at all. The only Act of Evil going on here was when Marvel decided this was fit to print.

This was a mixed bag of jokes, pop culture references and a piece of crap guy doing one of the most heinous things a piece of crap can do. It was a well-told story, just one that upset me more than entertained me.

While this oversized one-shot could have been a bit more new reader/tv watcher friendly, it is a great comic for Adventure Time fans and a fun story for anyone who wants to believe that there is a hero in all of us.  Christopher Hastings and Ian McGinty make sure that everyone can get nice and comfy in the Land of Ooo with music and fun and if you're not careful you might learn something before it's done.  Hey, Hey...Wait a minute.  Strike that.  Reverse it..."Adventure Time!"

I didn't realize how much I missed reading a Supergirl book until I picked this up.  Sterling Gates does a great job of giving readers a story that both fans of the show and non viewers can both enjoy equally.  This first story gets the reader up to speed, but also focuses on values like trust and family without ever feeling forced.  Bengal's art is beautiful and the whole package combines to give anyone looking for an all-ages comic an excellent choice.

Sterling Gates has a winner on his hands and whether you are a fan of Supergirl from the comics or the television show, you will find something to like here.  If you are looking for an all-ages comic book with a great story, characters you can get behind and art that impresses, then you should pick it up as well.  Really, everyone should give the digital or print version of Adventures of Supergirl a try and maybe you will be hooked like me.

This book continues to be the place to be for Supergirl fans...comic and television.  Sterling Gates shows that Kara has an open mind and invites us to all climb inside and it's a fantastic journey to say the least.  Emanuela Luppacchino's art makes it a fantastic looking journey, but it's not just for show.  Gates continues to plant seeds of doubt about the D.E.O.'s true methods and intentions and that's what seems to be pushing the overall story forward.  I suggest everyone get onboard and enjoy the ride, but hurry because I'm not saving you a seat.  I'm a jerk like that!

Sterling Gates continues giving Supergirl fans a great book to check out and while this issue was more setup than the others, we get to see Facet and what she has to say has me very intrigued going forward.  The art and story were both good and if you are already reading the series, you'll want to keep checking it out.

Sterling Gates finishes up his great Brainiac story and this issue (and the last) show how good this book can be. It stands firmly on it's own instead of just cashing in on the television show and I'm really enjoying it so far. The only downer this issue was how easy everything was tied up, but the art and the cyberpunk (is that still a thing?) story were kick ass and easily recommended to any type of Supergirl fans.

Sterling Gates gives us a huge Facet reveal and it's all the better because it makes total sense with everything we've gotten up until now. Like Jaws: The Revenge, this time it's personal and I can't wait to see if and how Supergirl gets everyone out of this jam alive. It may not be a great jumping on point for new readers, but if you are already a fan, this is a must read.

Adventures of Superman #19 examines the darker side of hero worship and religion...pretty heady stuff for a Superman comic.  David Lapham's  tale was a surprise to me, but one that makes me look forward to the conclusion in next weeks issue.

David Lapham again explores the dangers of hero worship and religion using a unique Superman story.  While people look to Superman as their savior, he realizes he can't be everything to everyone.    The Adventures of Superman #20 is a great story and conclusion to David Lapham's arc.  Superman is a hero, but even he can't save everyone...or can he?

Adventures of Superman #22 continues the quality this book has had since being introduced.  This may actually be the best Superman book being published now and I don't think anyone who gives this issue a try will be disappointed.

Marc Guggenheim is really writing a great story here.  In fact, it seems so much bigger than the 22 digital pages it appears on.  The mystery of Krypton and Jor-El is so intriguing and I can't wait to see how it is resolved in issue #24.

Marc Guggenheim's Tears for Krypton arc was very moving and emotional. Superman is often depicted as a solitary figure who faces the Universe's horrors alone. This story shows just how alone he can be. While we love to see Superman run faster than a speeding bullet and jump tall buildings in a single bound, this story made me want to see him spend time with his own people for once in his life. Sadly, it never seems to work out that way. Great story that I highly recommend reading.

Adventures of Superman #25 is a good start to Christos Gage's three part arc.  Bizarro is always fun and throw in Toymaker and you have a winner.  The twist at the end is sure to be temporary, but should be interesting while it lasts.

Adventures of Superman #26 is really good.  Christos Gage is really giving us a great Bizarro story that is an emotional roller coaster. You will fall in love with Superman's opposite and hope that the inevitable can be avoided.  Please Christos, let it be avoided.

Adventures of Superman #27 is a great end to a great arc.  Christos Gage and Eduardo Francisco have created one of the best Bizarro tales I have ever read.  The last panel shows Bizarro with a big smile on his face and I was doing the exact same thing...not the opposite. Highly Recommended.

The Adventures of Superman #34 is a very good twist to a familiar story.  Peter Milligan has presented an intriguing beginning to an arc and I can't wait to see how it turns out.

The Adventures of Superman #35 continues the good Demolisher arc.  Superman is struggling to control this new dark persona he has created and it seems to be winning.  It's a dark story and Peter Milligan and Agustin Padilla combine to create a memorable one.  

Adventures of Superman #36 is an awful end to what was a promising arc.  The idea of Superman battling his inner darkness is great, Peter Milligan just ended it in a way that made me mad at Superman, not glad he was back.  I really wish I could recommend this issue since I liked the first two parts, but I can't.  Unlike Superman, I won't lie...I hated it.

Adventures of Superman #37 is an average start to a new arc.  The idea of Superman's identity being exposed is interesting, but the slow start and average art hold this issue back.  I hope Moore and Rodriguez have better in store next week because what is here is not enough to recommend.

Adventures of Superman #38 is continuing the mediocrity of the Exposed arc.  The story is not interesting and the comic itself is boring.  Maybe the final issue will "wow" me, but so far this arc is a big disappointment.

Adventures of Superman #39 ends B. Clay Moore's Exposed story arc and I'm glad.  I wasn't a fan of the arc or any of the issues especially this one.  When I make the argument that digital titles are equalling print titles in quality I won't use these as an example.  However, it highlights a plus for this book in particular...a new story starts next week.

Adventures of Superman #40 gives us the Joker and the Man of Steel so what could go wrong?  Well, Max Landis' Joker seems a little to eager to prove his insanity, but Jock's art is stellar.  I hope the writing catches up next issue because if it does we'll have something really special.  For now, buy this issue and just stare at it...it's worth it.

The Joker meets Superman.  Just reading that excites me.  I just wish this two part act from Max Landis and Jock matched that initial feeling.  Instead of something memorable we get a contest of which character can annoy the reader more.  I love Adventures of Superman because it gives us the opportunity for these stories, I just don't always love the stories themselves.

Adventures of Superman has been many things.  Serious, action-packed, thought provoking and now with chapter 42, Hilarious.  Clark babysitting Sugar and Spike is fun on it's own, but throw in Atomic skull and you get Adventures in Babysitting meets Bugs Bunny.  I really enjoyed this one-shot for what it was, good fun.

Adventures of Superman #43 is good start to another promising story arc.  The idea of family has been done with Superman before, but this has a unique twist.  The art of Doc Shaner is really good and I can't wait to see what both do in the final two issues.

Adventures of Superman #44 is another really good issue.  Ron Marz' story remains interesting, but it's the art of Doc Shaner that you need to buy this issue for.  It is that good.

Adventures of Superman #45 is the conclusion to Ron Marz and Doc Shaner's Only Child story and it really good.  It is just good old fashioned storytelling and art and I loved it for just that.  The story is touching and I recommend it highly.  This type of arc is why I really love the Adventures of Superman.

Adventures of Superman #46 is a really good start to a new arc by Joe Keatinge, Ming Doyle and Bent Shoonover.  The story is unique and I'm looking forward to see how it develops.  The art pays homage to the source material and compliments the story so well.

Adventures of Superman #47 continues Joe Keatinge's story of the parable of Superman.  Where the story is going is still a mystery, but the writing and art are worth the ride even if we don't yet know the destination. Whether the arc as a whole is a success depends largely on next weeks final issue, but I enjoyed this piece of the puzzle enough to recommend it on it's own.

Adventures of Superman #48 was a really good ending of Joe Keatinge's arc.  Superman is timeless and always there and Keatinge, Lotay and Alexander (and Doyle and Williams) give us a glimpse of how great the Man of Steel really is. This has been one of the strangest tales this series has had and I for one am glad a book like this gives it the platform to be told.

Adventures of Superman #49 is a nice, but forgettable one-shot.  While the basic story was good enough, the drab art brought it down.  If you skip this one, you won't be missing much.

It's Valentine's Day in April.  Kelly Sue DeConnick gives readers a funny little tale that is belated, but good. I wish Valentine De Landro's art fit the story better, but I'll give DC credit for having Valentine on a Valentine story.  

Adventures of Superman #51 is Jerry Ordway and Steve Rude's tribute to Jack Kirby.  It's more OMAC than Superman and I liked it all the same.  It's good fun with great art and I'd love for the story to continue.

One common complaint friends of mine had about the original series was that the dynamic between our titular characters basically carried the book. While I agree with that to an extent, I also felt like that was the kind of the point. As long as it gave us fun action/adventure stuff while showing meaningful character development for our leads, there's not much more I could ask for, and it delivered on that premise each and every month. Frankly, that is more than what many books from DC have given us lately. Luckily, this series opener does not disappoint, and I'd be surprised if anyone could put this issue down without a smile plastered on their face. 

There were complaints from some folks I know (like one Jim Werner) that the pacing of issue #1 was off, particularly in the beginning with some retreading of old ground from the first series. It moved past that towards the end of issue #1, and it is barely present in issue #2 if at all. This is full steam ahead with The Gang vs. The Super Sons, and I for one can't wait to see where we go from here.

This was a solid, fun issue. However, though the banter between the characters is always great and continues here, the plot doesn't move all that much. I love our characters, and I love Peter Tomasi, but all we get is a lot of banter and fighting and a ship crashing. I trust Tomasi, so I'm not gonna be too harsh, but I want to see some forward progress next time.

I always have fun reading this book, even if when I'm done reading I get kinda let down by how little transpires in an issue. But your mileage may vary on that. Regardless, Tomasi is giving readers something that DC/Brian Michael Bendis has foolishly taken away from us: Jonathan Kent. His earnestness and genuine good-heartedness are dearly missed in the DCU these days, and I'll take it wherever and however I can. Plus that cliffhanger has me excited for #5 already.

Sometimes it's tough to grade this book because I always find ways to enjoy each issue. This was fun and included lots of homages for longtime followers of Jon and Damian's exploits (including in Tomasi's respective runs on Superman and Batman and Robin), but we are on issue #5 and I am a little unsure of where this story is going. We didn't see much of the gang and for as much fun as I had, there was basically no plot development. I'm always gonna give Tomasi the benefit of the doubt, but I hope things pick up soon. I enjoyed this issue more than last so I feel like my score must reflect that, but plot-wise we're basically where we were when Joker Jr. abandoned our boys' last issue.

As long as DC keeps publishing a book with Jon and Damian I'll keep buying it, but I need more from this series. I'm still on board, and I still have faith in Tomasi, but my score reflects my building frustration.

While this issue does have the feel of a wild goose chase, with Robin going from one wannabe villain to the next delivering beatdowns throughout, it is fun. And fun is all that I've wanted from this series since it was relaunched in August. Carlo Barberi made his return on art duties for the book and picked up right where he left off. While Tomasi doesn't answer all the questions I have, this issue does provide us with a nice launching point for the second half of this series.

I had high hopes for this book at the start with our boys battling the Gang across the galaxy, but after a promising start, it has failed to live up to that hype lately. We seem to be treading water despite never having much momentum in the first place. I love our boys, but I'm tired of going nowhere slowly.

While next issue's “showdown at the Injustice Gateway” sounds like fun, we've been running in place for so long now I can't get myself excited for it.

This was a fine issue, continuing the rebound from the last issue. I still want more out of it, but I think I've restructured my expectations now. This is a good book for what it is. I just wanted - and still want - more from it.

This felt like a battle episode in Game of Thrones. Stuff happens but it won't get resolved until next time. That said, I am still excited to see how Tomasi wraps up his 2 ½ years run writing the Super Sons in the final issue next month.

Peter Tomasi is one of my favorite writers in comics, but this finale fell flat as did this entire series for the most part. Some very funny moments and fun stuff happened, but not enough to keep me invested all the way through, and that's a shame and a waste considering he had 12 issues to basically just have fun.

This first issue is more about the feel than anything else. It looks great and it gives readers who enjoy manga and anime something you dont usually get at the Big Two. I think this is one of those books that youll know if you like it or not right away so at least check it out and see where youre at. I know I liked it enough to keep reading.

For the first half of the book, I wasn't a big fan of the story or the art, but after the story found its stride and I came around to the art style, I thoroughly enjoyed the book. The pacing is more like a novel than a typical comic, even a collection, but it works. Leila Del Luca put together a story that could continue on if she wants, but works just as well on its own. This is a pretty good read if you've got some extra cash and want to read a complete, well-written story.

In the end, I was left a bit dazed and confused and not sure if I will continue with this going forward. It looks great, but I need a bit more than a book telling me to go read other books and while this start is intriguing, it was also frustrating.

Out of all the mini-series that has come from this world; the first one wasnt that bad, the second one was actually pretty good, but they have one thing that this issue doesnt have; a decent story. Literally, nothing happens, just telling us how perfect this world is. After a few pages of Kurts dialogue, I realized one thing that makes Kurt, his dialogue. His German accent was gone. I know that shouldnt be a big deal but its like its who he is.

This issue may be a bit mixed but there is a whole lot to like about it. The art is, for the most part, great and the characters are very familiar. It was an enjoyable read. That said, the storytelling needs to be a lot tighter and the dialogue could use a little work. Overall, not a bad tie-in to this crossover, just an okay one.

I'll just end by saying that Airboy #1 is one of the most unique comic books I've ever read.  It is raw, profane, over-the-top and simply fantastic.  It will never be confused with all those all-ages comics that are being pushed nowadays and to that, I raise a glass and would give a toast if I wasn't so awkward.  This is a must-read!

I'll just end by saying that Airboy #1 is one of the most unique comic books I've ever read.  It is raw, profane, over-the-top and simply fantastic.  It will never be confused with all those all-ages comics that are being pushed nowadays and to that I raise a glass and would give a toast if i wasn't so awkward.  This is a must read!

This issue could be entirely wordless and I'd suggest you go out and buy it for the art alone. With overly cluttered and claustrophobic art wrapped in dread filled beautiful colors it is absolutely masterful in setting a perfect tone for this story. The story is a bit tropey to start, but it does a fine job of steering around it and ends up adding some great touches by the end.

It's an issue you can jump into not knowing anything about the arc and get enough info provided to catch you up. The issue provides a new threat to the ongoing plot, seeing how the team takes a huge risk, in the end, is quite rewarding. It'll leave wanting to see the outcome of their decisions made. Regardless if you are an old fan or new for the franchise, this will be an enjoyable read for you. Never was there a dull moment in the book while the story unfolds further. You're provided with great character moments, action, art and story pacing throughout. What more could you ask for from a comic with Aliens involved?

The Avengers in the Negative Zone fighting Annihilus sounds like fun, right? Well, it is. Mark Waid brings the team closer together and uses it to show that the younger team members belong. It may not be the most mind bending issues I've ever read, but I had a smile on my face while reading it and will be back next month for more fun.

The Avengers in the Negative Zone fighting Annihilus sounds like fun, right?  Well, it is.  Mark Waid brings the team closer together and uses it to show that the younger team members belong.  It may not be the most mind bending issues I've ever read, but I had a smile on my face while reading it and will be back next month for more fun.

On the surface, this issue is all about the fussin' and a fightin', but Mark Waid is also showing us a team coming together and fighting individually, but still for the good of the whole.  The whole thing looks great and while it can be looked at as more of a diversion than an important story, I had fun reading it and sometimes that is more than enough for me.

If you go into this book expecting the usual team book, you will be very disappointed. Instead, Mark Waid uses this Civil War II tie-in to explore the philosophical questions of "predictive justice" all wrapped up in a Vision story.  It looks great and feels important enough, but at the end of the day, it is a big setup issue and I have to rate it accordingly.  Vision fans will probably enjoy it the most, but even a hater like me didn't mind my time with it.

Mark Waid sets up the All New Wasp for her own book, but not much more.  Sure, we get a couple of Civil War II pages and an attempt to end the conflict, but it all goes back to Nadia.  The story and art were pretty middle of the road and while I wasn't upset I read it, nothing here grabbed me.

I was engrossed from the second I picked up this title until the second I put it down. Then, just for safe measure, I picked it up and read it again to make sure I wasn't dreaming.  This is the magic that Marvel needs to capture more and I want to read and experience way more often. All-New Wolverine has it all, is worth the price of admission, and your attention.

Tom Taylor and Ig Guara do their best to make this Civil War II tie-in issue important, but in the end, it's as unnecessary as most of the other tie-ins have been.  We get some good interaction between Laura and Old Man Logan, but by the end, everybody presses the big, old reset button and we move on from there.  I won't lie...there aren't many reason not to skip this issue.

Tom Taylor gives the reader a pretty kick ass start to the Enemy of the State story and I'm all in. Things are about to get very bloody and it's not only exciting, it's personal.  While the issue may be more recap than long time readers would like, I appreciated it and think that anybody looking to jump on this book would as well.  Really, there is no reason not to join the party this month!

I have loved everything that Tom Taylor has given us in All-New Wolverine, but this issue is the exception to the rule.  It's all setup to get Laura to Madripoor and while that seems exciting and very personal, that is a story for another issue.  Unfortunately, I can't give this issue high marks.

I still think that All-New Wolverine is one of the better books at Marvel, but the Enemy of the State II story is making it harder and harder to recommend.  The story and art in this issue seems stuck in neutral and that's not a great place to be stranded in.  So far, this story arc is a miss that I hope turns into a hit starting with the next issue.

The Enemy of the State II story is hitting it's stride and while I expected a lot more slicing and dicing, I am still enjoying it.  The art was good and Tom Taylor is gearing up for a big finale.  BTW, Gabby steals the show (once again) because she is awesome!  That's just how it is.

Tom Taylor uses this Annual to give fans a fun, body switching story and if you are a sucker for that like myself, you will love it. Everything here, from the characters to the art, pushes the wacky story forward and when it ended, I wanted so much more. Please have this happen some more!

Tom Taylor uses this Annual to give fans a fun, body switching story and if you are a sucker for that like myself, you will love it.  Everything here, from the characters to the art, pushes the wacky story forward and when it ended, I wanted so much more.  Please have this happen some more!

No matter what you thought of All-Star Batman up until now, I suggest you check out this issue.  It's a really good start to an Alfred story that still has plenty of Batman as well.  Scott Snyder is having fun here and so was I.  Plus, Rafael Albuquerque's art (and backup story) only made things better.

I'm really having a lot of fun with this story.  Its a mystery with a ton under the surface and I can't wait for Snyder to peel the layers back some more.  I am a Rafael Albuquerque fan so this book may just have it all!  Highly recommended!

The First Ally story continues with some twists and turns, but before a crazy cliffhanger there is a whole lot of exposition.  Scott Snyder wants to make sure the reader gets the pirate connections in his story and while it plays out pretty well, it also ruins the pace of the story a bit.  I'm still intrigued and excited to see how this story plays out, but this issue was a bit of a downer compared to the ones that came before it.

Scott Snyder reveals some more about the First Ally and it's got me excited about next month's finale. It looks like it's going to be up to Alfred to save the day and after the setup, I wouldn't want it any other way.  This issue was action packed in both story and art and I can easily recommend it...which I will.

Scott Snyder and Rafael Albuquerque end All-Star Batman on a high note that was action packed, but also full of the feels.  While I wish this series was continuing, but at least it went off into the sunset with a kick ass Alfred leading the way and a story that looked great and also tugged at the heartstrings as well.  Recommended.

I had so much fun reading this issue. Garth Ennis and John McRea poke fun at so much and it all hits it's target. The reader is left wondering what is real and what isn't, but I don't care, I just want to keep laughing. If you like having fun, check this one out.

While this issue is lite on story, it's heavy on laughs. Whether it's Six Pack and his crazy plans or Bueno Excellente being a perv, I really enjoy this book. I would never want to hang out with any of these guys (except maybe the Grapplah), but I love dropping in on them once a month.

While this entire series is an acquired taste, I have enjoyed it from page one. I liked this issue, but I am starting to want a little more substance with my curse words and fart jokes. While I wish that Garth Ennis would have portrayed Martian Manhunter a bit better, this issue made me laugh and the art by John McCrea was...Excellente, he, he, he. If you have enjoyed the first two issue, you will continue doing so this month. If this book disgusts and upsets you, nothing here will change your mind.

I have enjoyed this book since it's debut and having Wonder Woman show up should have been a slam dunk.  Unfortunately, it wasn't.  There are some hilarious scenes, but overall it felt like deja vue at best and a missed opportunity at worst.  While I love John McRea's art, I hope Garth Ennis gets things back on track for the last two issues because when this book is on, it is a hell of a good time.

Like I said, this was a really fun read.  You get intrigue, an escape, a huge gun fight and Batman.  I was wary about Jonah Hex in modern Gotham, but so far it's been a hell of a ride.  I can't wait to see what happens next.

Overall, All-Star Western #23 is a very good issue.  Jonah Hex shows he's an honorable man that will do what's right no matter the consequences.  While the art isn't as strong as it has been, the story more than makes up for it. 

Palmiotti and Gray continue to write one of the funnest books in the New 52.  Jonah is no longer in Gotham and that seems like a good thing so far.  Moritat's art is good, but I was hoping the detail he brought to the cityscapes would continue into the wide open plains.  The issue ends with a reveal of a guest star that is sure to make the book even more fun.  Highly recommended.

All-Star Western #25 takes the fun of Jonah Hex in the Present, adds the mystical and throws in two of the coolest characters in the New 52 to create a great issue.  I was getting wary of Jonah just shooting his way through our time, but the addition of magic is brilliant.  Everything is so fun and fresh that everyone needs to read this book.

All-Star Western #26 continues Jonah Hex's fun tour through the modern DC Universe.  The story kind of stalls a bit, but Palmiotti and Gray make it so much fun anyway.  I question the final reveal, but the book hasn't let me down yet.  If you want a fun read, here it is.

All-Star Western stalls a bit this month.  Palmiotti and Gray give us Superman, but he seems forced into the book and is not very necessary.  The ending is a great setup for the next issue and I can't wait to see how Jonah gets out of his current situation.  I love All-Star Western and even a mediocre issue is better than most, I just hope and now expect more each issue.

All Star Western #28 wasn't as fun as usual, but what happened in it was much needed.  Palmiotii and Gray put the book back where it belongs it's just unfortunate the art didn't seem to be ready for the ride.  It is a must read for long time fans and the changes to Jonah are huge and are more than just superficial.

All Star Western #29 was a unusual slip in an otherwise stellar title.  Palmiotti and Gray give us filler as they try to regain the momentum of the book now that it's back in the Old West.  I didn't like Cliff Richards' art and the ending seemed rushed and ill advised.

All Star Western #30 lets Palmiotti and Gray get everything back to where it should be.  Jonah in the Old West is awesome, I just wish we got more of it this month.  However, the short length was due to an interesting backup featuring the origin of Madam .44.  The book never left, but I'm so glad it's back.

All Star Western #31 is the beginning of the end of one of my favorites.  It's fitting that this issue highlights what drew me to it in the first place...sharp dialogue, great action and fun.  F.U.N.  I wish more people jumped on the train earlier, but for those who waited, this is your last chance (for a while at least).  Jump on and enjoy the end of this great series.  

All Star Western is ending soon and while I'll miss one of my favorite books, I'm glad Palmiotti and Gray are ending it with such a classic Western tale.  Staz Johnson and Fabrizio Fiorentino give the proceedings the proper look and make me even sadder this book is short for this world.  Do yourself a favor and go back to the beginning and enjoy a great run by two of my favorite writers in comics.  It's well worth the time and effort.  Highly recommended.

All Star Western #33 is a tale of deceit, revenge and honor.  It's also damn good.  Palmiotti and Gray show why everyone should have been reading this book and why I'm really going to miss it.  Do yourself a favor and pick up their entire run, it's well worth it.

All Star Western #34 is such a great end to a great run.  Jimmy Palmiotti and Justin Gray tie everything up and send Jonah Hex off with style.  I will miss this book so much, but at least fans got such a great finale.  Come back soon, Jonah.

Amazing Spider-Man #15, while covering ground we've tread over before, is still able to still come off as an intriguing concept with emotional weight to it. I was especially fond of Dan Slott's inclusion and use of Harry Osborne and Mary Jane who were given some nice moments and growth with this story. Kudos to Slott who made sure they were not just used as a plot device for Spider-Man to save, which happens too often in paint-by-numbers superhero affairs.  The art team (Giuseppe Camuncoli, Cam Smith, & Marte Gracia) is fantastic as the figures and colors jump off every page. Mary Jane looks amazing in the Iron Spider suit in this issue, but especially on the front cover done by Alex Ross. Bits and Pieces:Overall I would say this was a strong arc, which may have benefitted from a little more meat and cheese, but was far from a disappointment.

Not that I was on the fence to begin with, because the premise had already sold me, but I'm totally on board for this arc now. This was an excellent issue to setup the coming threat Spider-Man/Peter is going to be facing and I can't wait to see him mix it up with some of these classic characters. The art by Giuseppe Camuncoli, Cam Smith, and Marte Gracia is the perfect complement to any Spider-Man story. The team really puts together some beautifully fluid action sequences and really, I find it hard to look away from, but in a very good way. Dan Slott is on top of his game here and really has me intrigued where he's going to take this story going forward. This book was, in the words of Stan Lee, Excelsior!

Dan Slott is currently weaving what seems to be a new take on a classic Spider-Man tale. I just can't state enough how much I've loved the Before Dead No More story arc. The Amazing Spider-Man title currently has years of stories finally merging together and I love when you put in that commitment to a comic and it all starts to pay off in new and interesting ways . The mystery of what the Jackal is up to, who exactly he is, why he has returned, and who he is bringing back with him has me gobbling up each issue while my brain is spinning like a top trying to guess what will happen next.  Basically, Dan Slott is making Spider-Man great again!

There is not much forward progress in this issue, but what it does an excellent job of is recapping Otto's current predicament for anyone who hasn't consistently read Spider-Man comics over the last few years. The art by Giuseppe Camuncoli continues to be some of my favorite at Marvel with his action scenes always a treat to look at.

The setup and construction of the story so far deserves much more credit than that because it's been a heartfelt affair with spot on characterization for everyone involved.  As a long time reader and Spider-Man fan I'm riding high at the moment and hope this trend continues. 

The Clone Conspiracy rolls as the villains take the spotlight here. While overall this was an entertaining flashback issue, filling in the blanks of how Otto got from point A to point B, it wasn't necessarily a required buy unless you're a “collect em all” kind of person.

The first 2 issues of this arc were great and this issue wasn't terrible by any means BUT it seemed a bit rushed to wrap it up by issue 800 and possibly Slott's last issue ( not sure on that one).  AND Peter only stops being Spider-man for one issue and comes back to fight him in 800 also seems silly. It makes this issue seems less important and thrown together.  Personally, I see Anti-Spider happening next issue, which is technically NOT Spider-man if we go by semantics, and he takes down Red Goblin leaving a trace of it in his Grandson for a future story to come. But, we shall see.

As for this issue, get it regardless. It's issue 800! It ends Slott's Run! You'd be a fool to not read this and own it. 

This was a down issue of Amazing Spider-Man full of J. Jonah Jameson recap and an extended fight. Nick Spencer seems to know these characters well, but sometimes it feels like he doesnt know what to do with them. This is one of those issues.

This book has an identity problem and the back and forth nature of Nick Spencers narrative is starting to get to me. I do like that it is rarely boring, but its also rarely must-read material either. The art might take regular readers a bit to get used to as well and in the end, this is just another okay issue in an overall okay run.

This story arc needs to end. Readers may find themselves getting bored and its moving too slow. Lets get to Kravens son fighting Spidey, as well as Kraven. Lets get to the final battle with Lizard ripping out his chip and going HAM with Spidey as they take on Kraven, Arcade, and the other costume villains led by Vulture. No more tie ins, please. As a certain someone I know says all the time, when are we going to get to the fireworks factory? I dont know Millhouse I just dont know.

Nick Spencer and Ryan Ottley give us an epilogue to The Hunted story that everyone who is reading Amazing needs to check out, whether they stuck with The Hunted or not. Spencer plants a bunch of future story seeds while wrapping up his event and Ottley makes it all look great. Its rare that an epilogue makes me more excited for the book going forward, but it did just that.

Spider-Man and Mary Jane living the married life is something a lot of Spidey fans have been clamoring for and Conway, Stegman, and the rest of the team involved don't disappoint. Despite an odd choice for the villain the group will combat in coming issues I look forward to continuing to follow this story because of what my favorite character now has in common with myself … a normal life.

I'm glad to have Stockman back on pencils for this title and I think he's a great fit for the story given here. Houser has the character voices down, especially the internal dialogues for Peter and Annie, but the plot is too thin. I'll still be picking this title up, as I love the family dynamic, but I hope we get more plot than your typical television family dramedies.

Taken as a whole, then, this issue (just about) manages to do its job in introducing our main character and giving us a tantalising look at the wider world in which the story takes place. On that basis, I think it's worth a look.

All in all, this is a good example of comic book storytelling: the plot is intriguing, the characters fleshed out in interesting ways, the dialogue lively and the art, though still a little on the restrained side, is detailed and clear. Shadow is growing on me and Wednesday is so far the star of the book. There's certainly enough here to hook the reader into the unfolding larger plot and I'm now very interested to see how this story develops.

American Vampire 1976 #3 is wall-to-wall action that pays homage to the best of 70s cinema. The story moves at breakneck speed, sometimes literally breaking a few necks in the process. The monsters are brutal and terrifying as each team's mission goes more than sideways, and the twist cliffhanger sets up more fun and games in the next issue. I was thoroughly entertained by this issue.

While this isn't exactly easy to jump into without havingread the previous Wildstorm run, it does give you just enough backgroundinformation to make the characters interesting. It's not a lighthearted storyby any means, and it's not trying to be. I personally like a little more fun inmy comics, but that doesn't make this a bad story by any means. It balancessuperhero powers and gritty realism really well, and is sets up a potentiallygreat story moving forward.

Amethyst #1 is a fun start to a book that feels out of place with the overly dark post-Rebirth DCU...amd that's what I enjoyed most about it.  Instead of the Batman Who Laughs, Infected or Leviathan, we get flying horses and giant caterpillars and young heroes trying to save their world.  It all looks excellent, and I am excited to learn more as we travel Gemworld again...for the first time!

I had fun with the first issue of Amethyst, but not so much this one.  I still love Amy Reeder's art, but the story felt like we jumped issues ahead and then forced our way forward again.  The main narrative is simple enough, but the scenes telling it don't get enough time to breathe and end up not hitting as much as they should.  I hope the next issue (whenever that will be?!?) gets back to the good stuff we got from the opening issue.

I was looking forward to this series when DC announced it, and while I thought the first issue was good, things have gone downhill since.  I still enjoy Amy Reder's art, but she is not developing her characters enough, and the story is beginning to get tiresome.  Issue #4 is going to have to win me over big time for me to continue with this series.

The story remains engrossing through the entire issue and the ending has me excited for the next entry in the series. This issue is a solid chapter in the story of Claudio and The Writer and fans of the Amory Wars story will likely be engrossed as the saga moves towards another epic showdown.

Animal Man #26 is the beginning of the end.  Jeff Lemire sets up a meaningful end for Buddy Baker and expands the mythos of the Red and Green in the process.  Cully Hamner's art is good, it just doesn't fit the dark tone of the book.  I'm sad to see Animal Man go, but Lemire has set the pieces up for a great finale.

Animal Man #27 is the beginning of the end of one of the best New 52 books out there.  Jeff Lemire and Rafael Albuquerque give us a great issue that sets up what is bound to be an exciting conclusion.  It's bitter sweet, but I can't wait to see how it ends.

Animal Man is ending soon, but Jeff Lemire is going out swinging.  Animal Man #28 is a treat for long time readers and the art and colors by Rafael Albuquerque and Dave McCaig makes it great to look at as well.  It's not new reader friendly, but if you haven't read Animal Man yet, just go back to the beginning and start reading.  Those up to speed will love this issue.

Animal Man #29 is a great ending for longtime fans of the book.  Lemire and Foreman give readers everything they could ask for and more.  If you don't shed a tear by the end, you have no soul.  

It's funny how a book called Animal Man can be the best depiction of what it is to be human I've read in a long time.  Being the Father of Five Boys, I can only begin to imagine Buddy's loss.  I am  glad to be there with him as he slowly pulls himself up from rock bottom and begins the healing.  Whether or not you are a fan of Animal Man, buy this book.  If you don't know the difference between the Red and the Green, buy this book.  Trust me, it's worth every penny.

Ant-Man #1 is a good start to the series, and one I will continue reading. The story, while just getting started, hit the right notes, and I liked the humor and family vibe throughout. Recommended to any Ant-Man fans out there (movie or comics), but I'm here for Stinger!

Ant-Man #4 is a fun issue with some feels and a big threat getting way bigger by the end. Zeb Wells and Dylan Burnett will be ending things next issue, and it's a shame more people haven't been reading this book I recommend you change that and start reading this series.

Ant-Man comes to an end with an issue that felt a little rushed, but still put a smile on my face. This series is about family and ends with Scott and Cassie coming together as Ant-Man and Stinger, and father and daughter. More people should have given it a tryI am glad I did!

I will say it again, I love Black Manta.  I will also say, I did not love this issue.  What little character building we get was negated by a story that has been told before.  In fact a major part of this issue is directly from last weeks Forever Evil #1. I hope that Black Manta's Forever Evil issue is better than this.  He deserves much more.

Aquaman #23.2 is a good issue.  Orm is not a true villain.  He isn't a horrible guy intent on the destruction of the World.  He is a man who just wants to go home and make sure his people are ok.   I loved Orm before this issue and it did nothing to quell that love.

Aquaman #24 is such a good comic.  It brings any newcomers up to speed while providing long time fans with the answers they have been waiting for.  The best part is Geoff Johns does it subtly and effortlessly.  Everything is now in place for the finale next month and I can not wait.  

Aquaman #25 was a great end to the Death of a King arc and a fitting end to Geoff Johns' run on Aquaman. No longer a joke, Johns leaves Aquaman in such a great place for future writer Jeff Parker to continue the story.  It's sad to see Geoff go, but Aquaman fans were certainly lucky to have him.

Jeff Parker begins his Aquaman run on issue #26 and it's a success.  He continues the political intrigue that has made the book so good with the bonus of humour that adds a nice little touch.  It is a new reader friendly story that ends with a mysterious cliffhanger.  I hate to use bad puns, but I'm hooked all over again.

Aquaman #27 is a really good issue that shows Jeff Parker gets Aquaman and what has made him a hit in the New 52.  He isn't going for a big splash, but instead is slowly setting up his own stellar story.  The art is inconsistent, but it doesn't sink the ship.

Aquaman #28 continues showing fans that Jeff Parker wont just maintain the quality of the book, but bring something very special to it as well.  The character moments and humor make this issue my favorite of his short run so far.  With the mysteries that were hinted at this issue, Aquaman better enjoy his down time because thing are surely about to heat up.

If you are a fan of over-the-top fun action of the silver age kind, pick up Aquaman #29.  I hope Jeff Parker and Paul Pelletier are having as much of a blast creating this book as I am reading it.  Highly Recommended.

Aquaman #30 has some interesting things going on, it's just a shame Jeff Parker concentrated on filler. Granted, it's a fun and action packed fight between Aquaman and Hercules, but the meatier parts lie with Triton Base and Mera.  I hope to see more of them next month.

If you are reading Aquaman, then you will enjoy this issue for what it promises down the road.  If you are a new reader, you will see this issue for what it is...pure setup.  Aquaman and Swamp Thing are supposed to be the draw, but I'm more interested in Mera and Triton Base.  I can't wait until Jeff Parker brings it all together, I just wish it was with a different artist.

Aquaman #32 is another great issue from Jeff Parker and I loved it.  Mera kicking ass and an honest to goodness sea monster make this the go to book for fun, unless you're Aquaman, himself.  Arthur is up to his eyeballs in trouble and I can't wait to see how he gets out of it.  Also, Paul Pelletier returns to form and makes this book look like it should, which is beautiful.  Highly Recommended.

Aquaman #33 is some good creature double feature fun.   The Chimera is a real threat to Aquaman and Parker and Pelletier do a good job of making him scary and grotesque.  However, the issue itself treads a bit of water and leaves the awesome Mera behind in it's wake.  Parker does do a good job of getting everyone up to speed so this is a pretty good jumping on point for those interested in joining in.

Aquaman #34 ends the Chimera arc just in time for the big September event.  It's one big fight scene that is mildly entertaining and way too convenient.  There isn't much to the script to push the book ahead and Carlos Rodriguez's art is just not that good.  If you've been following the Chimera story, go ahead and pick it up to get somewhat of a resolution.  If your looking to jump in, check back with us in October.  We'll be here for you.  That's what we do.

Aquaman #35 ties up some loose ends while setting up the book for some exciting adventure.  It's no surprise that Atlantis has had a problem with King Aquaman, but this issue makes it personal in a way I didn't see coming.  I liked that, but not everything in this book had me smiling.  How Arthur deals with traitors is head scratching and the art was hit-or-miss throughout.  Even with those problems, I can still recommend this issue for what it sets up.

The mystery of Arthur's missing Mother continues this month with the help of Martian Manhunter.  Jeff Parker uses him to advance the story in such a cool way, but then throws him into an unnecessarily long fight.  In the end, however, this issue continues the Maelstrom story in style and leaves the reader wanting more...now.

Aquaman #37 ends up feeling more like a detour than a destination.  It's always cool to see Gorilla City, especially it's greatest resident, Gorilla Grodd, but the Maelstrom story barely goes forward.  Paul Pelletier's art was okay and in the end, the whole issue felt like filler with a tiny bit of setup.  I hope next month gets us back on track because I'm more interested in Aquaman's quest to find his Mother than a who's who trip through the DCU.

I have really enjoyed the Maelstrom story and this issue really pushes it forward.  While it can be considered setup for the final issues, I enjoyed it for the action packed battle and finally getting to see Atlanna.  I can't wait to see more of this crazy family reunion.

This penultimate issue of Maelstrom is just as good as the rest and it sets up an action packed finale.  Jeff Parker has really been nailing it and Paul Pelletier is back in great form.  This is not an issue to just jump into, but if you've been reading the Maelstrom story from the beginning, I know you will enjoy it.

This final issue of the Maelstrom story may have had some forced and rushed bits, but it was still a really nice way to end the arc and Jeff Parker's and Paul Pelletier's run on the book.  I am glad that Jeff Parker got the chance to tell his story, I just wish he would have been given more time.

Aquaman Annual #1 is a missed opportunity.  What could have been a cool issue featuring The Outsiders, ended up being a sub par effort that lead to me to hoping Arthur's former team will get retired for good.  Aquaman fans deserve so much better.

Aquaman Annual #2 is an overdrawn, unnecessary and forced Aquaman and Wonder Woman Team-up.  The Giant Born look cool and there is some nice action, but the story is paper thin and can't sustain the length of the book.  Aquaman fans who want to see the conclusion to the Giant Born story may get some enjoyment, but others should steer clear.

Aquaman: Futures End #1 is my least favorite Futures End tie-in yet.  It's exposition heavy, full of awful ideas and pretty much ruins everything that I love about Aquaman's regular run.  To make it worse, it's a setup issue for another book.  Aquaman may get a new kickass outfit, but that, my friends, is not worth $3.99.  Just skip it and save your cash money.

Kyle Higgins jumps on Aquaman to get readers ready for Aquababy with a bunch of callbacks and an enemy I .0/10was not expecting.  It's not a must-read, but Aaron Lopresti's art and Higgin's writing make it a worthwhile pit stop.

I like what we got at the end of this issue, but it's up to you to decide if one page a good comic makes.  That might be a little harsh, but everything else leads up to the cliffhanger and doesn't spend too much time getting there.  I am excited to see what comes next, though I wish all of the concerned parties were along for the swim.

Kelly Sue Deconnick is taking this book back to familiar territory with Atlantian politics, but with Orm stirring up trouble and AQUABABY, it all feels fresh.  The cliffhanger has me worried, but in the way that makes me want the next issue right now and that is a sign that things are looking up for Aquaman fans like myself.

While I enjoyed the first half of this issue, the second half felt unfocused and forced.  Kelly Sue Deconnick ties a bunch of things into her story, but not everything fits perfectly.  Overall, this was a decent issue with great art, and I can deal with that, though I was hoping for more.

Kelly Sue DeConnick knows what readers want and gives her (or even them) to them quickly.  Besides that, though, we get a fantastic character moment with Arthur, the building tension of Dagon City, and some kickass art.  This run may have started slow, but it's worth checking out now.

The wedding is here, and if you thought it was going to go smoothly, you haven't been paying attention.  Kelly Sue DeConnick gives readers an issue with big moments, intrigue, and humor.  It sets up the next issue as a battle royal, and I mean that literally and figuratively!

Jordan Clark takes over Aquaman for a few issues to give us an Aqualad and his AI Grandfather story.  That may sound ridiculous, but it isn't, and I wanted more of the two together.  Clark does a good job, and Marco Santucci's art is great,  making this a side-story worth checking out.

Jordan Clark gave Aqualad fans a nice two-part story that was true to the character and had some real feels moments. The art by Marco Santucci was great, and I wouldn't mind seeing them together on more DC books in the future.

I have been looking forward to this issue for months, and maybe I expected too much because I was disappointed.  Most of the wedding setup and the Seven Kingdoms disappeared to get to an Aquaman vs. Ocean Master fight like so many other stories.  While there is still time to turn it around, this issue felt uninspired.

While Kelly Sue DeConnick needed to rush things to end her run on Aquaman, I think most fans will be smiling by the end.  Some may even shed a tear or two.  Not me, though.  I just got something in my eye!

Aquaman #66 continues the Endless Winter story, and while it wasn't great, it was better than the last two solo character issues in the event.  Better yet, if you aren't even reading Endless Winter, you can check this out as a nice Aquaman and Mera... and Andy (!) issue.

This confusing and convoluted start took too long to get to our main characters, and did nothing with them once we got them.  I don't know who the target audience is for this book, I just know it isn't me.

Brandon Thomas continues not telling much of a story while giving readers a mystery based on the lack of information.  The art is good, but I'm still trying to figure out why I need to read this after two issues.

Aquaman / Green Arrow: Deep Target #3 finally gives the reader some answers, but the story is so convoluted and confusing that it doesn't matter much. I wish I were having some fun with this book, but besides it looking great, there is nothing for me to recommend.

Aquaman / Green Arrow: Deep Target #4 is another lousy issue in a bad series.  Brandon Thomas continues his timeline-changing mystery, but the real secret is why this book even exists.  If DC Comics wants things to improve, they must stop allowing books like this to hit the shelves.

Aquaman / Green Arrow #5 continues the train wreck this series has been from the start.  So what else is there to say about it?  If you've liked it or hated it so far, this issue won't change your mind.  However, if you haven't read it yet, I advise you to avoid it.

Aquaman / Green Arrow: Deep Target #6 continues what might be the most convoluted story from DC Comics in years.  Since the body-switching through timeline change (?) has been resolved, Brandon Thomas throws another eye-rolling one at readers to set up the finale.  I don't think many people are reading this book, but if you have been, you know what to expect - great art with a wonky story.

Dan Jurgens does a good job reintroducing the Others while maintaining a sense of mystery around them. Lan Medina's art is really good showing off the cool characters in the book.  I was a little down on the Others as a team, but Jurgens and Medina have me back on board.

I hate to sound like a negative Nancy, but I thought this issue was pretty mediocre.  We should still be in the "can't do no wrong" part of this relationship, but I'm already looking for the door.  I will give Dan Jurgens a little more time to right the ship, but so far I'm not impressed.

Aquaman and the Others #3 continues the poor characterization that has plagued this book since the start. It's a team book with an uninteresting team.  Although we get the main villain and better action, it's still a struggle to read and the rushed art only adds to the problems.  I love Aquaman, but this book is getting very near to being dropped.

It's four issues in and I don't like this book.  I barely can remember the team and don't care what "adventures" they get in.  The book seems to take place somewhere outside the New 52 by itself and if we're lucky, it'll just walk away without looking back.  Aquaman and even the Others deserve better than this.

Aquaman and the Others ends the Legacy of Gold arc and while it isn't great, I didn't hate it.  That's actually a compliment seeing that I haven't liked this series at all.  Jurgens does enough to get me a little more interested in the team and while Medina's art is inconsistent, when it's good it's really good.  I still can't recommend this book, but I hope it's heading in that direction.

This is not a good issue or a good book.  This issue is a good jumping on point since it over explains everything and reintroduces the team.  Nothing in the book passes as interesting and it should be canceled.

I'm also getting tired of Lan Medina's art.  It's so up and down with one page looking detailed and great followed by two that are just plain bad.  Oh well.

I didn't like this issue, but that's no surprise because I don't like this series.  I am so far from recommending this book to anyone, even fans of the Others from their appearances in Aquaman.  Just be like everyone else and avoid this book.

Aquaman and the Others #9 was yet another awful issue.  I'm sure that most people have bailed from this book, especially since it was cancelled and I envy them.  After nine issues, this "team" still feels like complete strangers to reader and themselves.  The dialogue is so heavy handed and laughable and the artwork lacks detail and pupils.  This book wans't good monthly, won't be good collected and is just plain not good.

Aquaman and the Others: Futures End #1 wraps up the two part story with lots of action, a bit of cheesy dialogue and some silliness.  In the end, it's going to be another forgotten story that does nothing for the series or Event in general.  Thankfully, this event is over and we can get back to the regular series.

Steve Orlando and V Ken Marion give readers an action-packed story with some cool callbacks for recent and longtime Aquaman fans.  And it's only 99 cents!  Recommended.

Aquamen #2 was a bit down for me, and while I am still intrigued with the overall mystery, the characterizations have me worried.  The art is outstanding, and there is some cool fan service going on, but I am already struggling with the book's dark tone.  I understand that is all on me, so your mileage may vary, but I wish that finally having Arthur and a larger Aqua-Family in a book together would make me smile more.

This first issue was a good start to this mini, even if I did wish there was more interaction between properties.  Thins need to be set up, though, and I'm sure we will hit the ground running next issue.  Besides that minor quibble, everything felt right and the art was great all around.

Things are heating up and by that I mean I am having a lot of fun with this series.  The best part?  Things are about to get even more fun as the two properties collide head-on from here on out.  If you are looking for a fun, quick all-ages read with outstanding art, look no further!

Cullen Bunn has me sold on this book and after staying away from it too long, Im glad I took the plunge. If you are looking for a fun, action-packed book, give this one a try.

This was a good War of the Realms tie-in that doesnt leave fans of this book behind to jump into the Event. The art is good and the story is full of action-packed fun. So far, this might be my favorite regular book tying into the big War.

Asgardians of the Galaxy comes to an end and Cullen Bunn does a really good job sending it on its way. I am going to miss this book and its crazy cast of characters, but at least fans get to say goodbye and it ends with the spirit that made this book so good.

Cameron Stewart and Karl Kerschl buck the trend of video game tie-ins by not only making a good comic, but one that might be better than the source material.  It's only the first issue, but I'm already invested in the characters and can't wait to see what happens next.  If you enjoy the Assassin's Creed games and didn't read this when it first came out, Get your hands on it and enjoy.

Even though this was a book to get people caught up, it never got in the way of the story and it had a good flow to the whole thing. If you let it slip off your pull list or worse yet, forgot all about it like me, this is a great chance to get back in.  I can't wait to read the next issue!

Another slam dunk of an issue by the creative team of Astonishing Ant-Man. This book balances humor, action, and intrigue to great effect. Some developments in this story appear to be set-up for storylines down the road, but that makes them no less entertaining. I strongly recommend this issue and the entire run of Astonishing Ant-Man.

Atlantis Attacks doesn't feel big just yet as Greg Pak spends most of the real estate on recap and introductions for new readers to jump in. It does enough to get the story going, but not much else and while I am going to continue reading, it didn't jump up my pull list. Recommended mainly to fans of the Agents of Atlas book.

These Waid stories have definitely made my Marvel app work over time. It was some work going back and reading every issue in this new volume of avengers, but I'm really glad I did. I will be happy to keep up to date on the Avengers. Though I hope Waid doesn't end everyone of these back stories in such a cheesecake way that would get old fast.

That said the last two issues involved lots of talking or periods of time at the end of time where there was nothing happening in the background. Which draws your eye to the character, and in his style the characters are wonky and misshapen making the comic give you the impression it was rushed or wasn't properly cared for. I am still one very interesting and happy fan though.

I feel this story was only written to promote the Infamous Iron Man and Unstoppable Wasp titles. It had some good character moments. Waid can write the hell out of any character. I also like the voice Whitley gives to the Wasp. It was a little bit of a bait and switch if you ask me, but I had fun.

This run got me back into the Avengers without really showing me the main team. Excellent job Waid. I can't wait to see the last issue!

This issue is hard to grade is an issue of information and direction of the book. The arc as a whole was fun and exciting. This issue was again mainly just informative. It wasn't bad but it certainly wasn't as good as the rest. Personally, it was nice but it wasn't needed. If you have read them all to this point, then read this one to wrap it up. Otherwise, just wait until next week when Jason Aaron starts his run! But I highly recommend the trade!

Ultimately, the art is fantastic and the story is an easy read. I do leave wanting more and hope to get some answers in the next issue. Knowing Jason Aaron, I'm sure we will. Definitely pick this up and keep it on your pull. Currently, move it to the top quarter of your comic stack. 

Going back to 1,000,000 BC at this point in the run felt seven issues too late. We get an Iron Fist origin that was a chore to get through and didn't feel important at all. In a book that has been struggling to stay focused, this trip backwards didnt help.

It seems that what a Marvel Civil War has been missing all along is the word vampire before it. While there are a couple of iffy character moments and not a lot very everyone to do, I am ready to rollespecially after the cliffhanger. I just hope we get at least one who ordered the stake line before its over.

While I am all in on this Vampire Civil War, I need more…well, Vampire Civil War! This issue sets up some big things, but a lot of the characters have nothing to do and besides a great bit with Tony Stark and Dracula, I was actually a little bit bored by the end. The art is great throughout, but I am hoping the next issue gives me more of what I want.

I am still interested in the Vampire Civil War, but I need more Avengers in their own book. They are side players here and even when they are on the page, they are just there to make some noise and not much else. I loved the art, but overall, this issue is middle of the road fare.

The Vampire Civil War ends with a cool twist I didn't see coming, but overall, it was a bit of a letdown. Things felt rushed here and after the buildup, I expected more.

If you are looking for an integral tie-in to the WOR story, you may be a bit disappointed. However, if you are looking for a fun issue that begins tying up loose ends of this series and set up some exciting things in the future, you will like this as much as I did. This is more for regular Avengers readers than casuals showing up for the big event.

If you are only here for the War of the Realms, you may be disappointed and confused. However, if you are a regular reader of this book, Jason Aaron is putting a lot of cool pieces together in very interesting ways. I went into this for more of the later so I left with a smile on my face.

If you are a She-Hulk fan, Jason Aaron and Ed McGuinness have an issue for you! I have been upset by the lack of focus on Jenn throughout this series and this fixes that big time. Does it push the overall story much? Nope, but I loved it anyway!

This was a nice issue to come out of the War of the Realms with. Part cool down, part setup and part character study, Jason Aaron is moving forward and I am looking forward to seeing what we get coming up.

Jason Aaron lets Robbie Reyes have his moment to shinewith a big assist from his friends. Everything looks great thanks to Stefano Caselli and the entire art team and if you are a Robbie Reyes fan, you might even get some feels by the end as well. It looks like its off to Caveman Stark next issue so enjoy this while you can. I know I did.

If you are invested in finding out who the new Starbrand is, this is the issue for youor the start of a series of themmaybe. Jason Aaron pads out the affair with fight scenes galore and while it all looked fantastic, it could be skipped since the big explanations are yet to come. It's a shame something this big didn't feel like it was.

Avengers #30 gives readers a new Starbrand and not much else. Sure, there is some punching and arguing, but we've been getting that for issues now. I wish this all felt bigger than it does, but I will wait until Jason Aaron expands on it until I get more excited. Let's hope that it is sometime soon.

Avengers #32 is recap mixed with setup, and by the end, we add more elements to a story that is lacking progression and focus. I liked the art, but when I get excited to see a couple of Avengers in a couple of panels, something is off. Unfortunately, that something is this book off of my pull list.

Avengers #33 is a significant Moon Knight issue and would have been an excellent start to a new series. However, Jason Aaron continues to neglect his actual roster, making the Avengers themselves minor characters in their own book. If you are a Moon Knight fan, this is a must-buy, but if you are an Avengers fan, it might be time to start trade waiting. I'm sure this run will tie up nicely, but it's just becoming frustrating monthly.

Avengers #34 continues the Age of Khonshu story, and Jason Aaron reveals the Moon Knight behind the curtain while remembering this is an Avengers book as well. That last part is what has me excited about this book after being down for so long.

I've been looking for the first Marvel Comics of 2020 that would catch my attention but be slightly off the beaten path at the same time, I don't want to jinx things, but I may have found it.

Avengers of the Wastelands #4 is an issue that doesn't feel as big as it should. Ed Brisson gives us some formidable villains to fight the Avengers and reveals there is indeed a traitor on the team, but seems to be in a race to the cliffhanger page instead of letting it all sink in. I still am interested to see where this book goes, but ended up less interested in the journey this issue.

Avengers of the Wastelands ended in a thud, but did it ever really begin? Ed Brisson filled this finale with forced exposition, cliched twists, and not much else. I am a bit embarrassed that I defended and even recommended this book when it started because, in the end, it was just a waste!

A good, but a bit uninspiring first issue that introduces the large cast of characters and gets them up against the big bad by the end of the issue. This book looks fantastic and Ewing, Waid, and Zub do enough to keep me readingfor now.

For the second issue of a weekly book, not a lot is going on here. It looks great and the cliffhanger had me excited, but as far as the main story, I really could care less. It's a shame, but I think I am giving Waid, Ewing, and Zub one more issue to impress me because they haven't so far.

If you've been reading this weekly saga until now, then the completionist in me says buy it! If you're interested in a beautifully clever stand-alone issue, pick this up. If you're looking for smooth cohesive answers to the story, you won't get them here. However, you will get a well-written take on the human spirit, creativity, and the hope of human character as told by an android.

While this comic wasn't perfect, it did capture a bit of that old Back to the Future magic that I love so much.  The second story dealing with a young Doc Brown and the Manhattan Project was my favorite here, but the first one showing Doc and Marty's first meeting was good and easily would have fit into the animated universe.  This mini is a celebration of everything Back to the Future and it's off to a good start.

I get I may not be the required age range to enjoy this, but given that Back to the Future is a 30-year-old property, am not sure how well this comic will rope in a younger audience. Aside from that, you would have to be a diehard fan to pick this up as it never rocks the boat one way or another. 5.5/10

While Barbara not knowing or caring about the death of Batman was a major negative to me, I liked the rest of this issue.  It was fun and exciting and the Batman chasing down vigilantes (especially Batgirl) angle is so good.  We also get Livewire and it looks like she will be wreaking havoc in this book for a bit.  However, it all goes back to Batman versus Batgirl and the cliffhanger has me excited for next month's issue already.

This issue was a fun, fast read that pushed the Batgirl/Batman drama into a whole new direction, ended Livewire's brief reign of terror and will make longtime Batgirl fans so happy.  The art and story really came together to make this an homage at the same time it sets up the future of the book.  I really enjoyed this issue and recommend the last two issues to everyone, even those turned off by Stewart, Fletcher and Tarr's new direction of the character.

This issue is mainly setup for a bunch of new storylines, but it's really all about Barbara's failed attempts to lead a full life on both sides of the cowl.  While the pacing was off and the story kind of makes itself inconsequential at the end. I liked the art and am looking forward to seeing where everything goes.

This issue ends the short reign of the Velvet Tiger, but I enjoyed the character development of the main characters more than the fistacuffs.  Barbara's personal life is getting even more complicated going forward, but with Luke Fox involved and Frankie stepping up her game, it's all good to me.  Bengal steps in this month on art and this book looks so good.  While I want Barbara to deal with more than the villain of the month, I can't wait to see what happens next...including the wedding fans have been waiting for.

After waiting for this wedding to happen, I was so disappointed.  It all falls flat as Stewart and Fletcher would rather give a Grayson recap than a wedding.  When we do get the big event, the writing lacked any spark and the art didn't do it justice.  The issue ends with the promise of a scary villain (something this book sorely needs), but as a whole, I could care less about this issue.

While this issue was fun enough, too many things through me off and it all felt like a forced way to continue the story. This may be the villain I've been waiting for to elevate this book, but we will have to wait and see. While I liked Carlini andMoritat's art, this issue was still just mediocre.

This is a personal issue for the creators and the readers.  As an issue of Batgirl, I liked that we got to see that Fugue is indeed the best villain we've gotten in Burnside and also how much Bab's friends are willing to do to save her.  As far as it's place in Barbara's history, we get to see what Cameron Stewart, Brenden Fletcher and Babs Tarr want for their Batgirl...nothing more, nothing less.  I respect that and recommend this issue because of it.

Team Batgirl ends their run, not with a bang, but with an issue that is pure fun.  I'm not going to tell you it's perfect...the story felt a bit rushed and the ease of which the bad guys and gals are dispatched is unfortunate, but it looked fantastic and when I was done reading it, I had a smile on my face.  After everything that surrounded their run, both good and bad, I think that's all Fletcher, Stewart and Tarr wanted to do...bring the smiles back to Batgirl and her fans.  For the most part, I'd say, Mission Accomplished.

Brenden Fletcher has been given the task of transitioning Batgirl into Rebirth and he does a good job here.  While a couple of things felt forced, he still gives fans a callback villain and a story that has me looking forward to next issue.  The art team does a good job maintaining the regular feel of the book and it all combines into an issue that I can recommend to Burnside fans, even if new readers should wait until June and beyond.

Brenden Fletcher turns off the lights on Batgirl's time in Burnside and while I can't say that this is a "must read" it was a nice ending that fans of Team Batgirl's run should enjoy.  Barbara is heading off to her Rebirth journey and Fletcher and Carlini throw her a going away party and all her fans are invited.  If you are looking for me at the party, I am definitely not the one with the lampshade on my head!

This Annual is not a necessary read for anyone, Batgirl readers or not.  It was fun, however, and great to see Batgirl interact with some of my favorite Gotham characters.  There were a truckload of artists on this issue and while it was a mixed bag, I enjoyed it for the most part.  If you can't get enough of this new Batgirl, go out and grab a copy of this Annual.  If you are looking to jump into Batgirl, go back and pick up the last two issues of the regular run.

Batgirl sends Oracle packing and even makes things right with Jason Bard in the process.  Cecil Castellucci ends the Year of the Villain story she was thrown into and sets up some stuff for her own stories coming up, but I wish it was a little more engaging.  I do look forward to seeing what she has in store for Babs and am so glad to leave Oracle behind.

Cecil Castellucci and Cian Tormey head back to Unearth and if that doesn't sound familiar, don't expect this story to get you up to speed at all.  Castellucci just throws the setting and characters at the reader and expects them to care, but nothing here seems interesting enough, even for those who do.  The "big moments" fall flat and Batgirl is left with little to do in her book.  You can add a point or two to the score below if you are familiar with Unearth and have been praying for its return, but I was left shaking my head in disbelief and disappointment.

The Unearth story comes to a close, and I can't say I will miss it, or even bring it up again.  I liked the art in this issue, but not much else at all.

Batgirl #45 is a convoluted mess of a story that is hard even to figure out let alone enjoy.  Batgirl fans deserve so much better than this mix of rehashed ideas and nonsense.

Batgirl #46 is an awful issue that is a slog to get through and hilarious for all the wrong reasons.  It is rough being a Batgirl fan right now, and I can only hope we get something better and soon!

Batgirl #47 is not a necessary Joker War issue, but it's not a bad read for Batgirl fans.  Cecil Castellucci gives Babs a chance to kick the Joker's ass, and while it doesn't erase their past, it doesn't need to.  Overall, this is the best issue in Castellucci's run so far.

Batgirl #48 is hardly a Joker War tie-in, and really, it's just a convoluted mess.  Cecil Castellucci throws characters at the reader without thought of proper setup or characterization and while Robbie Rodriquez's art is good, it can't save this sinking ship.  I am sure that Batgirl fans will stick it out until this series ends at #50, but they deserve something...anything better than this.

I was looking forward to this issue after the last issue's cliffhanger, but the Batgirl murders hit with a thud, and while the ending is significant in the Babs-verse, the clunky and convoluted route to it lessened it by a ton.     Robbi Rodriguez's art was good, but this book has been on a downward spiral since Cecil Castellucci took it over, and while I am sad Batgirl is canceled, I am not sad this one is.

Cecil Castellucci uses this Batgirl finale as a personal soapbox, and I hated it.  It's not the message but the execution, and even after a dismal run on Batgirl, this is hard to swallow.  Leave your politics for your Twitter feed and give Batgirl fans an ending they deserve or at least would like!

If it isn't obvious, I loved this book. It has great art work, dialogue and in-jokes galore. It is laughing with the 60's Batman show not at it and laughing is what you'll do if you pick it up. I had a smile on my face the entire time.

Batman '66 #14 is a fun comic that is held back by an ill advised art style.  Jeff Parker plays up to the Sandman's d-list status and motivations.  I just wish the art style was more Batmobile and less Mystery Machine.

Batman 66 #15 is a 12 year old boys dream.  Batgirl and Catwoman!  The story is a playful romp that put a smile on my face.  Batman 66 is such a fun book and this issue continues the trend.

If you are a fan of laughing and smiling, pick up Batman '66.  If you are a fan of scowling and frowning, pick up Batman '66.  This book is so much fun and #16 is the start of what already is another fun filled arc.

Batman '66 #17 was a disappointment.  The Bookworm may be a weak villain, but that doesn't mean he has to have a weak story to match.  Worse yet, the book was not much fun.  It seemed to be mocking the beloved source material instead of celebrating it.  Not recommended at all.

Jeff Parker returns for Batman '66 and while it is all good fun as usual, it feels too much like a filler issue to get too excited about.  The story, while not very fulfilling, is funny and all in good fun.

Batman '66 is always great fun, but without a strong villain it sometimes misses the mark.  Issue #19 doesn't have that problem with False Face on the prowl.  Even though this is one of the least "funny" issues, it is a good story and great setup for more fun to come.

Despite having a B-list Villain or because of it, I really liked Batman '66 #24.  Jeff Parker dials back the camp just a bit to give us a good story that has the Dynamic Duo on the short end of the stick.

Batman '66 #25 shows again that the book doesn't need to rely solely on camp to be good.  The jokes are still their, but so is a good story that touches on the issues of being a hero or villain.  Good stuff, I just wish the art was a better fit for the book.

Batman '66 #26 is a really good issue showcasing a obscure but fun Batman villain.  Jeff Parker and Ruben Procopio give readers an old west tale that is fun and entertaining.  In the end, that's what I look for in this book so mission accomplished.

Batman '66 #27 was another great issue.  The story of Mr. Freeze and the motion comic art were both top notch.  Do yourself a favor and pick this one up digitally to truly enjoy it.

Batman '66 #29 is a really good issue.  Tom Peyer gives us a great story and a unique villain with the added bonus of some real laughs.  This issue gives me hope for a book that I was growing a bit tired of.  Do yourself a favor and read this digitally so you get the fun of the motion comic.

Batman '66 #31 is a fun story throwing a handful of Batman villains in a Patient Pageant at Arkham.  Jeff Parker's dialogue is great and so is Jonathan Case's explosive art.  My fears that this book is becoming stale were unfounded.

Batman '66 #32 continues what is the most complete story this series has seen.  This is becoming a good Batman story, period.  Throw in good art and we have a winner.  Do yourself a favor and get it digitally so you can experience as a motion comic.  It's worth it.

Batman '66 #36 is a classic of a classic, retro within a retro issue.  Art Baltazar and Franco bring the fun they are known for and I enjoyed it so much.  Ted Naifeh's art was a bit off, but not enough to ruin the fun.  This is the type of issue I want out of this series.

Batman '66 #37 is a great issue for anyone who thinks Batman has become to dark and gritty.  If you love the fun and campy adventures of Batman and Robin over the Dark Knight, you will be right at home here.  Gabriel Soria gives us such a clever idea for a story and Dean Haspiel comes through with some inspired art.  Highly recommended.

Gabriel Soria finishes a hilarious two-parter in style. This issue was laugh-out-loud funny with a great story, awesome pop culture references and an underlying moral I can get behind. Dean Haspiel makes everything look great and the motion comic aspect is second to none. Their two-parter is my favorite in the Batman '66 series and I highly recommend it to anyone even slightly interested in the source material. A Very Special Episode indeed.

Batman '66 #39 is a fun little one shot story that is a great homage to the Archer.  Tom Peyer either loves the character or did his homework, because he nails the spirit of the original by giving the reader a nice little twist on his TV appearance.  The best compliment I can give Peyer is that after reading this issue I really want to watch The Archer's two Batman '66 episodes.  Good job and Recommended.

Batman '66 #40 is a fun start to Jeff Parker's new arc.  If you ever wanted to see a Batman Robot fighting crime and lecturing villains, this is the issue for you.  I know things are bound to go horribly wrong, but until then Batman and Robin can keep on Fishing. Recommended.

Jeff Parker finishes his little Bat Robot story in style.  It's funny, but also shows there is no substitute for the real Batman.

If you are an Avengers fan (British TV show, folks), then I can easily recommend this book to you. Ian Edginton knows his stuff and plays around with it a bit here. If you have no idea who Steed and Mrs. Peel are, then I pity you and will tell you that your mileage may vary. I suggest you pick up this first chapter to see if it tickles your fancy. At the very least, you'll get to see Alfred as Batman. I'm not lying, I can't get enough of that!

After the first chapter of this miniseries, I was fully prepared to tell everyone to jump on the trolley, but this issue is a bit of a step backwards.  It's not necessarily bad, but not enough happens to get me excited...except maybe Peel flirting with Robin.  That had me VERY excited.  The issue ends with some Cybernaut action that has me excited for the next chapter, but until then, I can only recommend this chapter to those Avengers/Batman '66 fanatics out there.  I won't joke about there only be six of us out there.  Instead, here is my score...

If this issue was here just to show us all thatIan Edginton knows his characters then mission accomplished! I wish that was the case, but the story is pretty thin (Riggs?) and left me wanting a lot more meat to go with the cheese. I am chalking this up as just a down issue in a promising start to this crossover.

Fans of both the Avengers and Batman '66 should get a kick out of this series and while this chapter is mostly setup, there are some important stuff here that readers will want to see for themselves. The forced nature of it was a little off putting, but we do end with a crazy cliffhanger that has me excited for the next chapter.

Batman '66 meets Green Hornet #1 is a great concept with two great writers and a great artist. Unfortunatley, it just isn't much fun.  Maybe it needs more time to get going, but right now I have to say I'm pretty disappointed.

We are two issues in and I'm already pretty bored.  I love Ty Templeton's art, but Kevin Smith and Ralph Garman's story hasn't impressed me.  It's just not fun.  I hope it turns around quick or I will just get my Batman '66 fix in the consistently good regular run of the book.

I loved this issue and that's something I've wanted to say from the start.  We finally get the absurd situations and humor that this teamup promised.  Ty Templeton's art is just the icing on the cake.  I can't wait for the next issue and more laughs.  Highly recommended.

Batman '66 Meets Green Hornet #4 is another good issue.  Garman and Smith know the characters and put them in situations that could be from a lost episode.  Ty Templeton's art is awesome and the motion comic aspect makes it even better.  This series is getting better and better as it progresses.  Highly Recommended.

Batman '66 meets the Green Hornet #5 was one of the better issues of the series.  It was fun and that's something I've found missing from the book as a whole.  Smith and Garman finally deliver the dialogue and situations I was hoping for and Ty Templeton's art remains great.  Recommended.

Kevin Smith and Ralph Garman are on a roll.  This issue is campy fun with some clever winks to the fans of the source material.  It's got good action and dialogue and great art from Ty Templeton.  We're halfway through the series and I'm finally warming up to it.

With all the crossovers the Batman '66 has seen, this one is already near the top of the list. It just feels right and while this issue is all setup, I liked it a lot. The story, characters and art all come together to make an enjoyable time that has me wanting more. That's what the opener of a series is supposed to do, right?

I'm sure you can tell that I love this series and while this chapter is mostly setup for the upcoming finale, I had a ton of fun reading it.  Jeff Parker and Marc Andreyko seem to be having a lot of fun as well and it's books like this that makes me a fan of the Digital First stuff.  If you are a fan of either property, do yourself a favor and pick this one up.

I continue to like this crossover and this Bruce-centric chapter was a whole lot of fun.  There are a bunch of big Batman moments here and while I didn't expect them, they were awesome.  David Hahn and the entire art team do a good job and this is an easy recommendation for anyone who enjoys either Batman, Wonder Woman or both.

With Zero Year, Scott Snyder is not just giving us his personal take on the Batman origin, but making it fit in the New 52.  We are seeing the transition from Man to Bat in a way that fits the time frame and new continuity of the universe he inhabits.  But what makes it so grand are the little nods to the readers that love the old stories and the old continuity.  Snyder shows he wants to be known for his new stories, but loves and respects everything that came before him.  He is truly standing on the Shoulders of Giants and letting us see the new view he is creating.

This issue seems more like a missed opportunity than a must read.  Why Andy Kubert tries to make Joker a sympathetic character is beyond me.  The story is average and totally unnecessary.  Let's hope that the rest of Villains Month rises above the low bar set here.

Batman #23.2 is a great issue.  Ray Fawkes fleshes out the Riddler and I love him.  Everyone should read this and being a one shot, everyone can fully enjoy it.  Just remember, the Riddler likes his cards and never, I mean never, touch him.

Batman #23.4 is not a great book.  Peter Tomasi's script doesn't give us much at all to enjoy here.  We get Bane's rehashed origin story and a lame lead up to Arkham War.  The art of Graham Nolan is great but can't make up for the lack of any real story here.  I'd rather punch a little girl than read this again.

Batman Zero Year has gone from "Why do we need this again?" to "I can't believe I ever got along without it!".  With nods to the past and new wrinkles to make it their own, Snyder and Capullo have fashioned a story that already stands with the best of them.  What's even better is that this is only the beginning. I can't wait until next month, but at least it gives me time to pour over this issue again and again.

Batman #25 is a great issue.  Scott Snyder and Greg Capullo continue the history lesson and it is fresh and exciting.  Gotham's future is dark, but this book's is so bright it's blinding.  A must read.

Batman #26 continues the excellent Zero Year story.  Snyder and Capullo keep giving us little tweaks and nuances to make this origin story their own.  I keep saying it with each issue, but this is a book that needs to be read by everyone.

Batman #27 continues the Zero Year story and this issue begins to lift the curtain on Snyder's master plan. Readers there from the beginning will be rewarded this month.  Capullo continues the awesome art that combined with the story are making a book that may not be flashy, but is just plain awesome.

Batman #28 is a sneak peak at the Batman Eternal weekly starting in April.  Make no bones about it, it's an issue released solely to get readers excited for the new book and while it's a shame to interrupt the stellar Zero Year story, I'm sold.  

It is no surprise that Batman #29 is good.  It is much more than that.  It is an awesome action comic and a great origin revamp for every Batman fan to enjoy.  Throw in some of the best art I have ever seen and you have a winner.  Like I said, with Snyder and Capullo that is no surprise.

Batman #30 starts the Savage City story and everything has changed.  While the story is heavy on setup and exposition, it is great and has me wanting the next chapter now.  I'm sure every Batman fan is already invested in the story, but this arc is one every DC fan should be reading.

Batman #31 continues the great run of Snyder and Capullo.  Zero Year may be going on too long, but each individual issue always brings something great to the table.  This month it's dirt bike Batman vs Lions and the promise he'll soon meet Riddler face-to-face.  Highly Recommended.

Zero Year has become the coming out party for the Riddler.  Scott Snyder has made him so badass and dangerous.  This issue continues Nygman's rise as he outwits Batman over and over again.  Unfortunately, even with Scott Snyder's great writing and Greg Capullo's awesome art, I'm no longer enjoying myself.  I can't wait for next month, but mainly just to wrap up this story and get on to something new and exciting.

Batman #33 is one of the most satisfying comic books I've ever read.  Scott Snyder manages to tie everything up in a story filled with layer upon layer of greatness.  Greg Capullo's art is second to none and this arc just cements his place in the Bat Hall of Fame.  Zero Year is over and I'm not sure how Snyder and Capullo can top this masterpiece.

Batman #34 is a one-shot snuggled in between Zero Year and Futures End. Don't write it off, though, because Gerry Duggan and Matteo Scalera do a good job of telling a moody detective story that feels important. I really enjoyed it and recommend it.

This is a story I can get behind.  The action is so great and is a fanboys dream come true.  How can you go wrong with Batman versus the Justice League?  I hope we get to see the other members duke it out, but I think the story will be shifting to the main villain next month.  It's a bit of a shame, but I wouldn't blame anyone and I can't wait to see it either.  

Batman #36 ha a lot going for it.  A fanboys wet dream, the mystery of the Joker and some of the best art in any book out today.  Scott Snyder and Greg Capullo are quickly outdoing themselves and while that seems like an impossible task, it's happening, folks.  ENDGAME is starting big and looks to get bigger real soon.

Batman #37 shows that the Joker is back and has changed up his game.  He has turned Gotham into his own private nightmare and Batman seems to have no solution.  Scott Snyder gives the reader a bit of setup, but it's so intriguing that you won't mind. Greg Capullo and FCO Plascencia make everything look great.  This arc is turning into something special.

This issue continues the Endgame story and while this is an intriguing Joker story, I'm enjoying watching Batman struggle even more.  The Joker is back, but the game has changed and the cliffhanger shows the reader how desperate Batman is and I can't wait to see the results.

While Court of the Owl fans may be disappointed, I don't think many readers will walk away from this issue with anything but glee.  Scott Snyder has thrown a change up that turned a setup heavy issue into a blast.  While I'm still up in the air over the Joker being immortal, I'm suddenly having too much fun to care.  Bring on next issue.

This issue is beautiful, brutal, bloody, exciting and important.  Important to Batman and the whole DC Universe.  I really shouldn't have to say anymore.  Just go and buy this issue, read it and have your mind blown.

The stars of the book are writer Marguerite Bennett and the Anchoress. I expect Bennett to graduate soon to her own title and the Anchoress to haunt Batman in the future. Batman Annual #2 is a good stand alone issue worth the price of admission.

I'm not going to go overboard and say that this is a must-read issue, but if you like a good Joker story, pick it up.  Like Tynion's backups to Endgame, you can skip it, but you'll be missing out on some seriously good moments.  While I wasn't a huge fan of Roge Antonio's art, it's dark and gloomy style fit the story well.  Annuals are sometimes a hard sell, but if you are reading Endgame and/or a Joker fan, I can easily recommend this to you.

Batman: Futures End #1 is a special issue that fans of the current Batman need to read.  Ray Fawkes ties so much together and leaves so many stories to be told.  While it's not essential to the Futures End story and I was not a fan of Aco's art, I still loved every minute reading this comic.  At the end, Bruce says, "Gotham must always have a Batman" and you know what?  He's right.

This is an edge of your seat, don't look away, action movie on the page type of issue and my gut tells me that it was great.  My stupid brain had a few issues that I can't completely overlook, but boy, I had a lot of fun with this book.  I can easily recommend this issue to anyone looking for a good time and the crazy cliffhanger ups the ante going forward and I can't wait to see how it all fits together in two weeks.  If this is what Rebirth is about, it's a great time to be a DC Comics fan.

Since Rebirth started, Batman has been a good, but not great book.  This issue doesn't change things in that department and may take a tiny step backwards.  Maybe I'm expecting too much right out of the gates, but I am struggling to find reasons to love Batman right now.  The cliffhanger may hold that promise, but right now I very underwhelmed.

After this issue, I am all in.  All it took was some real solid information on Gotham and Gotham Girl and the surprise revelation that they are actually fun characters.  David Finch's art is good, but the best part is he never smothers the story which is becoming really, really good.  I know it's a cliche thing to say, but two weeks is going to feel like an eternity.

This issue shows that Tom King has a little more in store than just giving us a book with heroes and villains chasing each other around.  Even the concept of "villain" is thrown into a gray area by how you look at things and Batman is caught right in the middle of it.  Right now it's Gotham vs Gotham and I'm not sure who is going to come out on top.

This is my favorite issue of Rebirth so far.  It's also one of my favorite issues period and one of the best payoffs to an arc that I've ever read.  It's that good...trust me!  Highly Recommended.

While it would be hard to top last issue's epic conclusion to Gotham's story, Tom King gets very close this week.  I love Gotham Girl and seeing her in such a bad place was gut wrenching, but only lead to a great moment where we see the light at the end of the tunnel.  Of course, that tunnel is going to lead Batman to some pretty bad places, but that's the fun of it all, right?  The story, characters and art (by Ivan Reis this week) are top of the class and this issue is just one more reason that Batman is my favorite Rebirth book.  Now, I have to go find my tissues.

The Night of the Monster Men is upon us, but all I can muster up is a lukewarm response.  Steve Orlando sets up his story here and while there isn't anything "wrong" with it, I find myself not really caring either way.  I did like Riley Rossmo's art. but if things don't heat up quick, I will likely check out until the regular run is back underway.

This isn't just another disappointing issue of the Monster Men crossover, but my least favorite issue so far.  The story and art were both lacking and I'm now officially looking past this nonsense and wanting our regular stories back right now.  Please, give us our regular stories back!!!

While I was hoping that Tom King and Mikel Janin would knock my socks off, they just gave us a solid start to the I AM SUICIDE arc. Underneath it all was a sly sense of humor that I loved, but this issue just made me look forward to the next and hopefully a little more to sink my teeth into. This issue was good, just not great.

While the I Am Suicide story is a little more subtle than I thought it would be, this issue hit most of the right notes for me and left me satisfied while still wanting so much more.  Selina Kyle stole the show while hardly being in the issue and Batman kicks ass...and may not have been in the issue either.  Tom King and Mikel Janin are turning what could be a straight up action fest into a smart and intriguing mystery.  Sure, there is still action, but it's everything else that has me waiting in anticipation for the next chapter.

Tom King continues Batman's quest to get Psycho Pirate from Bane by giving us a glimpse of the plan...maybe.  This story has really turned into an exciting and intriguing caper that is definitely more than meets the eye.  It may be more setup, but I liked it.  I liked it a lot!

While this issue doesn't contain many (if any) answers to the larger mysteries of the I am Suicide arc, Tom King gives us a look at Batman that is harsh and real.  Mikel Janin's art is top notch and I felt fully satisfied even as I wanted more and more.

It's a shame that the finale to the "I am Suicide" story is my least favorite issue of Batman since Rebirth started.  After such a well paced and intriguing setup, it all just fizzles out leaving me feeling a bit ripped off.  I expect more from Tom King and maybe that's not fair, but a writer with his talent is going to have to deal with that.  Mikel Janin's art was great, but this ending just left a bad taste in my mouth.

This is a very personal story that builds as it goes, but still left me wanting more.  As an epilogue, it doesn't answer the questions I wanted answered, but fans of Batman and Catwoman may enjoy it.  The art is good and really, there is nothing wrong with it, but nothing great either.

Selina may have stolen the night from Batman, but Tom King has given me back my enjoyment of Batman.  I loved this issue for everything in the book, but also because it restored my faith in Tom King.  I wonder how Catwoman fans will react, but this one is very, very happy.

If you loved "I am Suicide", you will love the beginning of this "I am Bane" arc.  If you hated the it, you will still love this.  In fact, I can't see anyone not liking this beginning and can't wait to see what Tom King has in store next.

Tom King and David Finch return to up the stakes in this second part of "I am Bane"  While the story really is all setup, it sets up some pretty awesome things and leads to another crazy cliffhanger.  The art is fantastic throughout and two weeks suddenly feels like way to long to get the next issue.

Tom King gives fans a deep look at what made both Batman and Bane while showing the later beating the tar out of the former.  It's a really great issue with really great art and it's the type of issue I've been waiting for King to give us since the beginning arc of Rebirth.  Highly recommended.

On the surface, this issue is just a simple lead up to the big finale, but there's enough here to like.  We see that Batman and Tom King know their history and David Finch can make it all look great.  The overall story not moving forward much does subtract a bit from the score, but the fun factor just about makes up for it.

Those looking for a clear cut ending to the I am Bane (and I am Suicide) arc may be disappointed, but Tom King is going bigger here.  The reader gets to see what's been driving Bruce since even before Rebirth started and it's the big picture reveal that grabbed me.  The story and art were both outstanding and if you have been a fan of Tom King's run, I think you'll be satisfied and ready to move forward.

The Button is here and those looking for quick answers will be disappointed, but if you relax, enjoy the great art and remember this is just the start, you should enjoy yourself.  I had a few nitpicks, but still really enjoyed myself and can't wait to see where we go from here.

I can't quite call this issue disappointing, but if you are looking for answers, you may disagree with me.  Joshua Williamson gives us some huge Batman (Batmen?) moments and there are a lot of intriguing things going on, but with one issue left, it feels like the Button story hasn't really begun. Jason Fabok's art is stellar, but that can't stop me from wishing this issue and story in general was giving us more.

On paper, this issue should be a sure fire hit.  Batman and Swamp Thing? Batman and Swamp Thing! Unfortunately, Tom King gives us a Batman who also seems more concerned for his own philosophy on life and death than anything else and is just not good at being Batman.  Mitch Gerads art is good, but this issue felt like an Annual story than a standalone issue.

This is a good story that shows how human Batman really is underneath the Cowl, but unfortunately, it fails miserably as an epilogue to any of the stories that desperately need one.  With all the questions left hanging, it's ridiculous how little we find out.  The art is good, but this issue continues the trend of having to wait for answers that never come.

This is a slower start to the War of Jokes and Riddles than I expected and a big letdown.  It's obvious that Tom King is going to take his time here (it is a very long story), but I need something to grab me in each issue and this one doesn't have much to hold onto.  I did love Mikel Janin's art, but even that wasn't enough to recommend this issue.

If you've loved his Batman run so far, Pick it up! You won't be disappointed. If you like what you heard, love talking all types of comics, and are interested in joining a comic chat group, hit me up at dispatchdcu@gmail.com or @dispatchdcu on twitter. Catch you all later! Peace

Tom King continues his run with an issue that is full of fan service moments that can be fun but don't lend themselves to telling any type of overall story.  I'm sure that I will be told that it's all part of the 100+ issue plan, but I need more meat and cheese to keep me going now.  It does end in a huge moment, but depending on where you lie on what you are looking for from DC since Rebirth started, you will either love or hate it.  My gut reaction is that I hate it, but I am willing to wait and see if it can lead to more interesting stories down the line.  Besides that, this issue had great art, some fun moments, but an equal amount of frustration and missed opportunities.

While I was expecting more emotions from this issue, we get our standard over the top anger moment, but not much else.  Half the issue is devoted to KGBeast working out some daddy issues, but without properly setting up the character, it fell flat.  While that was going on, we get a couple of Batman scenes that felt a bit incomplete to lead him the Beast and even if this isn't the worst issue of Batman we've had, the overall storytelling is starting to feel lazy.

A public domain folktale shoved into an extended fight scene that ends with Batman doing something he should never do!  This issue was infuriating beyond the lack of a story and while I'm sure some will praise it, I found it appalling.

While this was one of my favorite Batman issues in a while, I am pretty fed up with the lack of details in the storytelling.  This book has a very forced feeling to it and even though I really appreciated the callbacks to some loose threads, I was pretty bored will reading it. 

Tom King shows the reader how far Batman has fallen as he begins to reveal how committed Bane is to breaking the Bat.  I like that King is connecting some dots, but I really wish he would ease up on the choose your own adventure storytelling.  This is far from a perfect issue that others will no doubt proclaim, but it is one of the better Batman issues in quite some time and I am very happy about that!  Let's hope it continues and maybe someday I can give a perfect score and get invited to all the parties that I no doubt have been missing out on.  

Tom King continues giving readers a very unlikeable Batman and tops that off by ruining the Penguin...for me at least.  There is also a bit of revisionist history, a joke that needs to be retired and all the other nonsense that readers of this book either love or hate.  It's beyond me why and how this keeps going on, but maybe it's just because I don't fill in the blanks the same way as others are filling them in.  I will just blame myself from now on since I seem to be the only one missing out.

Tom King continues his Hush-lite story of Master Bruce this week.  It's obvious this issue exists, not to expand on what we've already got, but to remind us of the character and get him to where Bane can use him.  Funny, he should have already been there and all I was reminded of is how much he reminds me of Tommy Elliot.  At least we get F. Scott Fitzgerald and some nice art!

This issue doesn't do a lot to advance the overall narrative, but Mitch Gerads art almost makes up for that all by itself.  If you are a fan of King/Gerads, then I'm sure you will get more out of this than me and if you just look at it as a one-shot and not worry about the stalled overall story, you may love it.  However, if you have been frustrated with this book and are looking for an issue to get you back into this entire series, you may have to wait a little longer.

The Nightmares continue and depending on what you are looking for, this may be a dream you don't ever want to wake from or just a reminder of what you didn't get.  Tom King uses this opportunity to show that maybe a failed wedding is a better one, but in the end, I liked finding out what Batman is up against...maybe.  Mikel Janin's art was great in this issue (maybe the best it's been in quite some time) and this one is sure to get people talking on the intranets.

This issue is recap and forced setup and not much more.  Guillem March does his job making it look good but the story is slim pickings and by the end, I can only guess this was thrown together to fill the gap while Tom King is away.  I have seen DC pushing this as something huge...someone better tell Joshua Williamson.

The Price continues and while some big things happen, they somehow don't seem so big.  After not seeing Gotham and Gotham Girl for so long, bits of the issue fell flat, felt forced and didn't feel earned.  The art was really good, but it all comes down to next week's finale to make it all seem worthwhile because right now, it just doesn't.

The Knightmares arc continues with another issue that feels disjointed with what came before it and now seems like an excuse for Tom King to work with a bunch of his favorite artists.  It's cool to have friends, but I want a story and this clip show of the mind didn't do it for me at all.

This Knightmare is an extended chase scene that looks fantastic but has nothing past the pretty pictures on the page.  Is  Ashton Kutcher writing this book, because I feel like I am being Punk'd! 

Tom King gets his (not a wedding) cake and gets to eat it too as we get another bachelorette party issue to a wedding that never happened.  Fans of the Superfriends fair issue may dig the reprise, but those looking for the story to go forward or even some answers will have to wait another couple of weeks at least.  Frustrating!

The Knightmares are over and that is cause for celebration all on its own!  Tom King does give some answers here, but it's wrapped up in a been there done that feeling issue that wasn't as satisfying as it should have been. 

The Knightmares are over, but if you're looking for story progression, you may have to wait a little bit longer.  We do get Batman talking at a lot of villains and then punching them.  If that's your thing, have at it.  This is not my thing.  On a positive note, I liked the art.

This book seems like it's arrived a day early for the Joker War, and we are hanging with it until the real party starts.  Big things happen, but I still found myself looking at my watch, knowing it's all just set up for later.  The art was inconsistent (a two artist problem), and I'll file this in the okay bin.  I wasn't upset that I read it, but it's the first prelude to the Joker War that didn't have me more excited for it all by the end.

This is an action-packed issue that will give Future State readers a bit of deja vu.  Tynion gets the Magistrate up and running in time for Fear State and not much more.  It looked good but was not that interesting overall.

Batman #111 is an okay issue that gets everything in place for Fear State. Because of that, the excitement is what's coming, not what's happening, and while the art was good,  there wasn't anything that stood out. 

After feeling let down by the Fear State Alpha issue, I was hoping Batman #112 would get me pumped up for this crossover event.  It did not.  The issue looked great, but Tynion gives readers more recap (and recap of recap) and meanders around a bit instead of much forward progression.  I know it just started, but I have not enjoyed this start at all.

Fear State continues, and while I want to see how the Scarecrow's plan is working in a big picture sort of way, Tynion narrows the view even more.  This issue looks great, but the story only moves inches on all fronts and needs to pick up asap.  Hopefully, the tie-ins lend a hand because the main book has been a dud so far.

Fear State continues to be an uninspired mess of a story that makes Batman a bit player in his book and event.  I know it's bad when I'm yearning for the good old days of the City of Bane!

This book looks good, but there is barely a story going on and what little we do get is boring.  Tynion can't decide who the main villain should be, and almost all the significant plot developments get forced in.  Fear State keeps becoming more and more a mess as it goes on, and that is not a good trend at all.

Fear State trudges along, doing what it's been doing from the start, which is not much at all.  It looks great, but nothing feels earned in a convoluted story that talks big but reads small.  This is such an anti-climactic way for Tynion to finish up his DC Comics career.

James Tynion gives fans a blink, and you might miss it ending to Fear State that seems to show there wasn't much of a story here all along.  The Big Bads all get taken down too quickly, and heroes win with forced narratives and exposition.  The issue looked fantastic, but I think fans will remember Fear State for what comes after it, then the nothing of a story within it.

Readers looking to be wowed right out of the gate with Joshua Williamson's Batman run start may have to wait a bit.  This was a solid but safe issue that spends time transitioning out of James Tynion's run before getting interesting by the end.  The entire issue looks fantastic, and the cliffhanger alone makes it worth reading.

Batman #119 continues the solid but slow start to Williamson's Batman run.  This issue is more about the setup of a multi-pronged mystery than wowing the reader with explosions, punches, and kicks.  I may not be as excited as I hoped to be, but I am still interested in what's going on here.

Batman #120 expands the mystery of both Abyss and Batman Inc.  Joshua Williamson is taking his time, and while I am still intrigued, I was hoping to get more from this issue.  It looks great, but I hope we get some answers to what is happening before readers lose focus or interest in this story.

Batman #121 was one of the worst, most forced, and convoluted endings to a story I've read in a long time.  I am pretty sure that plans changed, and Williamson and Co. had to get out of this story fast, but it shouldn't have been so obvious.  This sort of thing should never happen, but having it happen with Batman is unbelievable!  Most of my score is for the Maps backup and the art because the main story was awful.

Batman #122 sets up some surprising team-ups, but not much else.  After the explosive Alpa issue, I expected Williamson would keep the momentum going, but that is not the case.  I am not saying this was a bad issue because it is not.  It's just not as good as I hoped.

Batman #123 is an okay continuation of the Shadow War story.  I love that we get some Batman & Robin action, but most of the plot feels like it's being stretched to fill up the multiple books involved.  It does look like things are finally heating up by the end of this issue, and that has me looking forward to the next installment.

Batman #124 was a forgettable issue that ends a forgettable run by Joshua Williamson.  Whatever the circumstances surrounding him taking over the book, he barely had a story to tell, and it shows with this weak finale.

Batman #130 has a full appearance of the Batgod and if that's not your thing, get ready to roll your eyes a lot.  I think a lot of what we're seeing in Chip Zdarsky having fun in a Grant Morrison way, but he may have taken it all a bit too far.  The issue looks fantastic thanks to Jimnez's art and this is the book to get some good Tim Drake.

Batman 2022 Annual #1 (I'm not too fond of how these are titled) is a backdoor pilot for the upcoming Batman Inc. series, so whether you are excited about that may sway your opinion. I was lukewarm going in and left feeling much the same. The art in this book is fantastic, but Ed Brisson struggles a bit with characterization... when he tries to give the reader any. Most of the book gets tied up in a boring mission that seems to miss the mark of what this book should be doing.

Batman 2021 Annual #1 gives Ghostmaker fans one last bit of information before Tynion leaves DC Comics, and while I'm not sure we needed an Annual to do this, time had run out. The issue looks good and has some good action and interaction, but I'm just not sure it was necessary. I guess that depends on whether you needed more Ghostmaker in your life.

I love the idea of a Batman Holiday Special and for the most part, I liked what we got here.  We get Ace the Bat Hound, a Scott Snyder Story and Harley Quinn's creator giving us...Harley.  We also get two other stories, but don't worry about them and decide if three out of five is worth $4.99.  I do.

This is one of my favorite issue of Batman in a long, long time.  I am a huge Tom Taylor fan and he never fails to get me teary-eyed when he wants to and it seems like he wanted some waterworks this week.  If you bailed from the Batman book after the non-wedding, do yourself a favor and come back for this issue.  You can thank me later.

While Fear State ended a couple of weeks ago, this Omega issue puts a nail in the coffin. James Tynion's time on Batman is over, and while this issue isn't a grand goodbye, it ties up things and sets up the Bat-books going forward. It may not be great or necessary, but it looks good and does what it sets out to do.

While I think Alfred deserves a nice sendoff, this issue left me feeling sad and bitter...and mostly for the wrong reasons.  The timing and tone felt off, and the art didn't wow me either. The idea of the Bat-Family falling apart because of Alfred's death would be cool if we had a strong Bat-Family beforehand. I expected this to be an issue that I'd go back to in years to come, not one I could barely get through the first time.  

While Batman: Fear State: Alpha #1 seems intent to catch everyone up to get them into Fear State, I was bored reading it. I didn't care for the art and hope that this is just a minor detour before getting to the fireworks factory.

Wow. This book is a lot of fun, my only gripe thus far is that I can't get behind the art work of Jae Lee. Now don't get me wrong everything looks beautiful, but for a comic book it just doesn't work for me. I'm really looking forward to next month when Brett Booth takes over, who is probably in my top 5 of DC artists right now. But that's another article entirely. Earth 2 has been since it came out one of my favorite books in the New 52 and I'm really happy that the first meeting between Batman and Superman is apart of Earth 2 Batman and Superman. I just have been wanting more back story on our heroes Earth 2 counterparts since Earth 2 began. Killing them off in the first issue of that title had me crying foul so hopefully we get that with the continuation of this story.

Batman/Superman #10 is a fun story any fan of either hero can enjoy.  Jeff Lemire writes an all ages, funny little adventure that feels out of place in the New 52 only because of how fun it is.  It's like jumping in the wayback machine to when comics were a blast to read.  Recommended.

Batman/Superman #11 is a good Doomed story that really pushes the event forward more than I expected. Regular fans of the book may be upset, but it got me more excited for Doomed.  Maybe I'm just a selfish bastard, but that's enough for me.  Batman/Superman fans not reading Doomed can skip this month, but It's essential to those following the event.

Unless you want a recap of Earth 2 #1 or an issue with bad art and an inconsequential script, pass on Batman/Superman #12.  This issue is pure filler and if you skip it you will miss nothing, but you'll have $3.99 more in your pocket.  Hopefully, the promised "clean slate" for next month makes me forget about this issue.

Batman/Superman #13 is a good issue hampered by bad art.  I'm intrigued with where the story of Superman and Batman dealing with memory loss goes, it's just a shame we have to wait two months to continue it.

Batman/Superman #14 was not a good issue.  It continues the Clean Slate story, but I'm already looking for the exit.  The story is boring and the art is awful.  I'm looking forward to next month's finale, but for all the wrong reasons.  Just skip this issue and the arc and come back when it's over.

Batman/Superman #15 was a horrible end to a bad story.  The story and art were equally bad and i can only recommend that you avoid it.  How about we get Kaiyo to just erase our collective memories so we don't even know it ever existed?

I really enjoyed the beginning of this new arc.  While I hated the Joker comparison, I liked the mystery of who the villain is and why he's targeting those Superman cares for most.  Ardian Syaf's art is great and I'm glad to have a new and consistent look to the book. Anyone on the fence with this book can jump in now with no problem and enjoy the promising start to a new story.

I was a little worried about this Superman's Joker story going in.  It's not that I don't trust Greg Pak, because I do, I just didn't know what to expect.  Besides an unnecessary fight with Lobo and Batman being forced to the sidelines, I am really excited to see where this goes.  It's an added bonus that Ardian Syaf's art is the perfect fit for the story, which is something sorely missing for this book since the beginning.  If you were staying away from this book for any reason, this issue is a great jumping in point for anyone and everyone.  I recommend you do so.

Okay, I am now officially interested in the "Superman's Joker" story.  Greg Pak shows that he not only knows Batman and Superman, but has a firm grip on the Joker as well.  While we still don't find out who this Joker is, we see more of his methods and they are spot on.  Ardian Syaf does a really good job on art and the issue ends with a crazy cliffhanger that has me interested going forward.

Greg Pak finally reveals who Superman's Joker and I really liked it.  It's someone with recent dealings with the Man of Steel and makes so much sense.  Ardian Syaf draws the hell out of this issue, but in the end, it's all just setup for next month's finale.  However, it is a hell of a setup and has me wishing it was March already.

This is another good chapter in the Superman's Joker arc.  While I could have gone for a bit more Xa-Du and some loose ends were wrapped up too conveniently, Batman kicking ass with his knee and brain makes up for it.  The story and art are really good and I can't wait to see how it all wraps up in the Batman/Superman Annual #2.

I didn't like this issue.  It felt rushed, had poor transitions and the overall story wasn't that interesting. Greg Pak had two scenes that could have been classics, but both fell flat.  The art was okay, but overall this issue was a disappointment.

Add this issue to the multiple reasons why I haven't enjoyed the Truth story so far.  Jim Gordon may be Batman, but he's also a huge ass that made me want to jump into the book and choke him out.  The art felt off and the story went off in a direction that takes it further from the other Truth stories and just felt silly.  In other words, I hated this issue.

Greg Pak continues his story that is off the rails crazy compared with the other Truth issues and while it's different, it's not great.  Pak does a great job showing Superman's thoughts and fears over his depowerment, but this whole Subterrania story feels off.  Then, just when you thought it couldn't get crazier, Pak hits us with another cliffhanger that may be ridiculous, but has me curious for next issue.

I guess this issue ends the Batman/Superman Truth arc, but you could have fooled me.  It didn't feel like an ending and I still am looking for the Truth.  We do get a convoluted story with multiple artists that equal some jarring transitions and an awesome cliffhanger reveal.  I haven't been impressed with the Truth story in general and this issue didn't change that.  In fact, I may be less impressed after reading this issue...and that's the Truth.

After the nonsense of the Truth story, I liked the fun approach of this issue.  Clark fighting Vandal Savage with the help of Bat-tech and some cool Bat Family members is my idea of a good time and as long as it continues, I will be reading.

Greg Pak uses this issue to set up a big fight with Vandal Savage, but unfortunately doesn't stop there.  Batman shows up (his name is on the marquee, you know) and this issue goes down the tubes.  By the end, I'd pretty much forgotten about the cool Vandal Savage storyline and just wondered what the hell happened and why a sun didn't melt snow.  I still want to see when Savage returns, but I can certainly wait the month to see it.  The art was also lacking and in the end, I can't recommend it.  Just grab something else this week and remember...Brick not hit back!

I understand what Greg Pak is doing here, but I question the timing.  Instead of pushing the current Superman story that we've been forced into forward, Pak uses this issue to get Jim Gordon and Clark Kent on the same page when it comes to their part in being the new version of the World's Finest. While I'm sure that those who want the old Superman back will like this book more than me, I want to finish this current story in a decent fashion before moving along to the inevitable return that we all want.  All that aside, this issue is a story telling mess with art that doesn't do it any favors so I'm sure you can figure out that I can't recommend this issue.

Tom Taylor gives fans of Batman and Superman a nice little treat and hopefully it's the gift that keeps on giving.  The story involves a crazy mystery that may just be a setup for a huge showdown, but I want to be there when it happens.  Tom Taylor may just be giving fans a fun little diversion to get us to the return of the DC status quo, but that's exactly what I liked about it.

Tom Taylor answered all my questions and concerns from last issue of Batman/Superman and gave fans one great issue filled with humor, mystery, tension and action. I had so much fun reading it and the art by Robson Rocha, Julio Ferreira and Blond made it a pleasure to look at as well. Highly Recommended.

Tom Taylor wraps up his mini arc in fine fashion.  The way Taylor unfolds the story is so good as we see what makes each character so special...Batman shows off some major detective skills as well as planning way ahead while Superman is just a caring hero who would do anything for a guy he just met.  Add Lobo and a murder mystery to the mix and we have ourselves a winner.  A huge winner that I wouldn't hesitate to recommend to anyone.

Peter Tomasi keeps giving fans the Superman they've been begging for even as he sets up his grim future.  I know we are only two issues in, but Super League is already one of my favorite Superman stories since the New 52 started and that isn't a back handed compliment! At this point in the crossover, Tomasi is still dealing out questions, but the issue ends with a cliffhanger that will have a lot of fans super happy.  However, the thing I still like best of all is having "my" ("our"?) Superman back the way I (we?) love him.

It really does pain me to see this promising crossover go down the tubes like it has.  This issue continues the slide downwards with barely a hint of a story, little to no characterization and hokey dialogue.  We do get another Superman into the mix, but even that was confusing and forced.  I really hope Tomasi can rebound next week with Action Comics because right now, this story is on life support.  Now excuse me while I stare some more at the cover and dream of what might have been.

This Annual is cliched, predictable and even unoriginal.  You know what else it was?  Enjoyable.  I had a fun time reading it and even with it's faults, I recommend it to anyone who's been reading Batman/Superman or the Doomed story.  It has the added bonus of a crazy cliffhanger that sets up the book for a crazy return in June.

Batman/Superman: Futures End #1 is an unecessary book held back by the Futures End Event it is supposed to be a part of.  Superman is missing and Batman is trying to carry on without him.  It'd be a bit easier if he wasn't torn apart at the seams himself, but when does Batman care about easy?  The score below is indicative of how I felt about the issue, but doesn't express my feelings for writer Greg Pak.  He literally had the odds stacked against him and made something (almost) good out of a bad situation.  It's still not good enough for me to recommend it to any one but a Futures End completest.

This was not a good start to a series that is already playing catchup to all the big things going on at DC Comics right now.  The issue ends with a great cliffhanger, but if you have even a tiny bit of an idea who Batman and Superman are and read the Batman Who Laughs, you can just skip to the last page and come back next month.  This was a really big disappointment for me!

A by-the-numbers fight that went on too long for what little we got out of it.  I am still somewhat intrigued to see what's up with this Infected story but after these first two issues and DC's ridiculous decision to announce the Infected Six before issue one even came out, my excitement level is dangerously low.  I hope things pick up soon because right now, I can't recommend this book.

Things are picking up a bit, but if you already know the Secret Six roster, you are probably getting as impatient as me waiting to get to the Fireworks factory.  The cliffhanger does point this book in an even bigger direction, but we have a bit of time until that goes down and I want to enjoy the journey as well as the destination.  David Marquez's art looks great, now if Joshua Williamson could pick up the pace a bit, we could have something special here.  Let's hope we get there soon.

The Secret Six have Batman and Superman on the ropes as we see the crazy plan the Batman Who Laughs is putting into play.  Joshua Williamson is cutting some corners here to get the ball really rolling and while they don't bring down the story, they could in the near future.  For now, though, the great art and over the top story has me more interested with each issue.

There are some things to get excited about in this issue and while I was enjoying myself, Joshua Williamson didn't stick the ending.  It wasn't his fault, though, because instead of an ending, the Infected story packed it's things and went over to more Hell Arisen pastures.  The cliffhanger promises some Trinity action which I always love, but right now, I am a bit bummed out.

Joshua Williamson gives readers an aftermath to the Infected story as it heads off to bigger things and while it all looks great, it is mostly filler.  The cliffhanger looks interesting enough but only makes me suggest skipping this one and coming back next month.

I am all for Williamson fixing the crap that Bendis did to Kandor, but I wish he allowed the moments to feel big before moving on to the next one.  It felt like everyone was in a race to get to the finish line first, and there's no winner when that happens.  I am looking forward to seeing where it all leads, but I hope we can catch our breath a little while we do.

Batman/Superman #8 was an okay ending to an okay arc.  It could have been bigger, but we got Kandor back in a way that could lead to an interesting story down the line, and everything else necessary reset to where it should be.  

Joshua Williamson has me on board this book, finally with an intriguing story filled with cool villains, a bunch of nods to current continuity, and kick-ass art by Clayton Henry.  The story does barely get moving, but I'll be checking it out next month for sure.

Batman/Superman #10 is the definition of an ok issue.  Not a ton happens, and the pacing is off at times as we slowly get to the all-important cliffhanger.  I love seeing the Ultra-Humanite since he doesn't make a ton of appearances, and I will be back next issue even though I'm not very excited right now.  Clayton Henry's art was good enough, and Joshua Williamson didn't piss me off.  I guess that's something, right?

Joshua Williamson forces an ending to his Atomic arc that makes little sense and will probably be forgotten by most the minute they are done reading it.  Clayton Henry's art was good, but it can't save the convoluted ending to a generic story.  Batman and Superman are the World's Finest, I just wish this book would show that.