WITCHCRAFT IS SAFE! BUT WHAT DOES THAT MEAN FOR WANDA?
• Witchcraft has been saved. Now Wanda has an even harder thing ahead of her - planning her life now her task is done.
• But first she must face a witch-demon who possesses a young boy with a bloodline connection to witches of yore.
• Join us as Wanda must battle evil both in present-day New York...and Havana, Cuba in 1954!!
Rated T+
Overall, this was a good story to send Wanda off onto the next chapter of her adventures. It shows us Wanda is more confident in her powers and how she has come into her own, no longer relying on her brother Quicksilver to be her protector and no longer being weighed down by the guilt of things that happened in her past (her mental breakdown in Avengers Disassembled; her uttering ‘no more mutants' in House of M). Wanda's story that begins this issue, the ending of her tale and who she is with at the end of the story shows us that Wanda knows exactly what she wants her life to be and she is no longer going to hide away but embrace who she is. I am very excited to see where Wanda turns up next, and I look forward to seeing her in action again. Read Full Review
I thought this story was a little unnecessary to get to the conclusion, but I've really enjoyed the series as a whole. James Robinson gave Scarlet Witch a new purpose and a new outlook on her place within the Marvel Universe. I didn't always love the changing artists, but I can look past that and appreciate the fact that Wanda Maximoff has been changed for the better. Read Full Review
Im sad the series is over. It was great to see all these artist leaving their impressions on Ms. Maximoff. The artist and colorist of Del Rey and Bellaire was great. Just right until the last page with the portaginist just looking wonky. I'm going to miss this series but I'm happy to see a fully loaded Scarlet Witch back in action.
In her last freelance witching gig, Wanda exorcises the Emerald Warlock from a young boy, and then it's back to the Avengers. There are decent bones to this story, but the words and art used to flesh them out are distinctly non-enjoyable. To call it a trainwreck would be spiteful (I've developed a general antipathy to both James Robinson and Vanesa del Rey), but to call it satisfying would be way too charitable.
finally the end of this hurricane