We're building towards something big here, and this gonzo genre-bender title is easily carrying its own weight as part of that picture. Read Full Review

So whether Deathstroke and Canary are on the same or at one another's throats, Deathstroke Inc. continues to deliver outstanding action in a very stylish vision of DC's greatest villains. Read Full Review

Joshua Williamson writes Black Canary dark and grim, and I like her this way.  Shes been independent of Green Arrow for a while, and its nice to see her get her own personality and identity, rather than be just Green Arrow Lite.   Slade Wilson is his usual vicious self.  He doesnt like being used, and he wants to know whats really going on with Libra and T.R.U.S.T., and hes not letting anyone stop him from finding out. Read Full Review

Deathstroke Inc. #4 is mostly a transitional issue. While these are important in the overall arc of the series, that means that it isn't the most exciting. The plot is pretty basic and doesn't stand out. The fast pace is fun and it's great to understand more of the canon of DC and this title, but transitions can only get you so far. Read Full Review

Deathstroke Inc. #4 has an over-the-top, crazy action movie feel, which makes for a fun read, but I expected more after four issues and the last issue's cliffhanger. After hinting that this book ties into the big things going on in Infinite Frontier, Joshua Williamson takes a step back, which is a shame. It still looks good thanks to Howard Porter's art, but I end up needing more from each issue of this series. Read Full Review

Incredibly ridiculous, but fun and crafty nonetheless

I wouldn't really call this a deathstroke series nor would I say it does the phenomenal priest run much service, however it utilises the medium of a comic book almost perfectly and kept me on edge

I'm glad the plot is moving along promptly.

Compressed as fuck. The story beats are enjoyable but the dialogue is extremely weak. Once again, Williamson farming Morrison keeps me satisfied. Howard Porter's art seemed a lot better this issue than it did in the past couple.

Pretty decent story, best one yet.

art is really solid and the story is finally getting its footing.

Really dig the characters that showed up for this issue, and how unpredictable it was. But some of it felt unearned to me. Like, Slade fighting Dinah, felt kinda of empty to me, almost like false advertising. But i guess that's on me, since that's how most comic books go around characters fighting these days. It just didn't feel satisfying when i got to the last page. You know when you watch a bad M. Night Shyamalan movie? like, the plot twists that most of the time doesn't add anything really substantial to the movie and feels like cheap shock value? Yeah. I appreciate the fact that we have a clear winner here, just not how this information was given.