Experience tells me its a bad idea to get my hopes up, but this could be the event Ive been wanting to see for nearly 20 years. Read Full Review

Josh Williamson is writing almost the entirety of Shadow War, so this is less of a crossover than an epic-sized story to wrap up this current era of his titles. And based on the first two issues, we're in for a hell of a ride. Read Full Review

Batman #122 is a great issue in terms of moving the story along. Less chaotic than its predecessor, it moves the characters into intriguing new places. Bruce and Talia are seemingly on the same page (and romantically reunited?), Slade's on the run, Damian's on the hunt, and the faux Deathstroke has yet to be revealed. Events are coming to the boil very nicely indeed. Read Full Review

Shadow War is shaping up to be an engaging mystery. I am really looking forward to seeing where Williamson's story is leading. And also seeing what the status of the Batman and Robin partnership will be as Chip Zdarsky begins his run on Batman. Read Full Review

This is a great issue and one that doesn't just feel like a cog in a larger story. Read Full Review

Batman #122 doesn't suffer from the second issue story arc slump, delivering action, intrigue, and mysteries galore. We also get to see some cool bat-tech that has to be inspired by the video games and a big mystery in how the shooter showed up. This issue may as well feature Porter and Williamson screaming, "are you not entertained?!" Read Full Review

Two issues down, Shadow War remains compelling and seems like a legit status altering event for the Batman titles. Read Full Review

Porter delivers some really good art in the issue. The style is filled with detail and energy. Read Full Review

I'm still interested in this SHADOW WAR. I really am but I was expecting a bit more to iron out the story. Maybe a bigger clue as to which direction the story is heading and why? Sure, I don't expect all the answers immediately but all Williamson did on this issue was explain how the DEATHSTROKE impersonator got in and who definitely didn't do it. Read Full Review

There's nothing inherently bad or wrong about Batman #122 that makes it a “read”. The comic is part of a mini-event that spans different series, so unless you're really invested in the story, it's an issue whose value really comes from that. There's some interesting aspects to Batman's actions but overall, unless you're into “Shadow War”, this is an issue you can probably skip. Read Full Review

A murder mystery with an unexpected victim and a case of mistaken identity makes for a well-crafted, engaging story, especially when Batman and Deathstroke's children get involved. Read Full Review

Batman #122 sets up some surprising team-ups, but not much else.  After the explosive Alpa issue, I expected Williamson would keep the momentum going, but that is not the case.  I am not saying this was a bad issue because it is not.  It's just not as good as I hoped. Read Full Review

While it falls below expectations when it comes to dialogue, Batman #122 is still a solid read in large part to how well Howard Porter draws the action. If readers are able to ignore the cliches, this is a solid second chapter to Shadow War. Read Full Review

Batman #122 was a good follow-up to the assassination of Ra's Al Ghul that kicked off The Shadow War crossover. Every major character that is going to play a role in this crossover is given time in the spotlight. By doing this Joshua Williamson is able to provide you with a good idea of what the scope of this event will have. Which is all you can ask for from a second chapter of a story and sells you on buying the other comics involved in the crossover even if they weren't on your pull list before. Read Full Review

This comic has very entertaining fight scenes and strong art, but the writing feels rushed and unpolished. The heavy reliance on exposition keeps taking me out of the story, and the lack of plot almost makes me feel like nothing important happened in this issue. I think you can safely skip this chapter if you're not too concerned with collecting every single Shadow War tie-in. Besides, there are much more interesting books on stands this week, anyway. Read Full Review

Batman #122 is a nonsensical and sloppy "part two to the Shadow War event that serves mostly as a way to force Talia al Ghul and Batman to kiss and make up. Literally. Read Full Review

For Brutalia.

This issue continues the trend of the Alpha issue. This is a solid event. There's not a ton to talk about regarding it, but it is an entertaining read. The backup is fine, and it beats the typical backups DC puts out.

Not a bad second chapter. I'm not really surprised Deathstroke was framed. I suspect it may have been part of some plan Ra's had all along. It's better than believing that jellyfish in Alpha was what he's genuinely been reduced to.
Batman is really just wasting time going after Talia. I remember a time when he'd never be able to suspect her of having her own father killed. But that just proves how she's changed. I also remember when Batman would turn away from such a bloodthirsty woman as she's become with disgust. He's become a lot weaker at resisting his own lust over the years. When will he wake up and learn there's no hope for her? Not anymore anyway.
This is only the second chapter, so there's still a bit to go. And frankly I think Batman should handle this one solo. No need for any Batgirls, Woman, or Nightwing. Damian is bad enough, but he's a major player in this though.
I don't really like having to buy extra books I don't usually read, but I guess this story is good enough so it's worth it. more

Really enjouing this event. Fantastic art from howard porter and an interesting story

I’m likin this event.

I generally like Williamson and I enjoyed the first part of this storyline last week. This was just ok. Plot didn’t move much. Sort of reminded me of the train scene from The Hunted. So many ninjas…

There really isn't anything groundbreaking here but it's been a fun read with a decent little mystery through the first two issues. Porter put together some fun 'Batman vs. Ninjas' sequences that had just the right amount of stylization to create something neat that otherwise would have felt rote.

Nothing much really happened. nothing of importance that is. that page with the hint of Fake deathstoke's Identity was probably the best part in this issue. not a fan of Talia and bruce. the art can be confusing sometimes specially when in the flight scenes.

Magnificent art by Howard Porter, but this is definitely a breather issue after the explosive status quo shake-up from last issue. I'm convinced that the fake Deathstroke is Geo-Force now due to his vendetta against Slade bc of Terra, the tunnel carved through underground, and the Markovian setting. He would also have beef with Talia & the Al Ghuls after the Leviathan incidents.

I could care less about who Batman is playing tongue hockey with this week.

Ok, so I have problems with this. Characters like Deadline are seriously nerfed here.(Deadline's characterization feels off too) Batman investigating was good tho, specialty when he goes to talk with Talia. That was the best part of this issue and the second best part of this whole crossover so far. But the art... I like Howard Porter's art but here, it feels so confusing and rushed. Some characters are just somewhat hard to recognize, like Respawn. The backup story feels unnecessary, and Slade's characterization feels weird. "but it's the joker gas!" I know, still, not a fan. Why retcon, again, the first time Batman and Slade fought? Not a bad issue, but again, I see some problems.

An okay story with some really poor art from Howard Porter on the lead story. I'm usually a fan, but didn't think the art was good here.

Don’t care about this issue. Part of some huge plot that I am not following. The art was nice, but the story ends with Bats kissing Talia.

Caution old man rant coming. You kids stay off my lawn.

My. Problem is that Talia is a terrible character. Terrible in both senses evil and poorly written. At first she. Hangs around her dad and calls Bats beloved and helps Bags escape death traps. She is pretty but immoral. She “loves” Bats but only opposes. Her father’s plans because of her high school rush. She does not oppose them because they are genocidal. I have never seen her protest all the thousands of people she sees Ra’s kill in front of her. It’s Beverly Hills 90210 reasons.

Then decades later she is independent.now she has her own agenda. Now she kills people and has her own evil organization to do her bidding. Her plans aren’t moral,yet Bats is supposed to be attracted to her? Don’t say because she beautiful he can’t help himself. That’s a child’s reason, not something a grown man with any emotional awareness would say.that’s the problem wiypth DC, since Miller, they’ve been writing Bats as a psycho. I miss the guy who is smart, responsible and really wants to help.not someone who is just indulging anger issues.

Don’t care about this issue.

Or I could be wrong. more

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• Nox Crawler

Comics Code Authorities - Apr 19, 2022

That's why I haven't liked her for the last 20 or so years. She no longer has that kinder side O'Neil gave her 50 years ago. The one that actually disapproved of her father's cruel ways. These days she practically embraces them. And she thinks she's as "great" as her father and has molded their son into a yet even more arrogant spoiled brat. I lost any hope for a future between Batman and her when her character went downhill a couple of decades ago.

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