It is disappointing to see such a unique, banner character like Catwoman be given plot lines that don't explore her thoughts and conflicted inner life. Catwoman has some of the most interesting stories when we see her battling and questioning her own mischievous, criminal nature. This arc featured Selina as only an observing pawn in a larger story of a mysterious fortune and an unsolved crime that did not even affect Selina personally. With only one issue left before a new creative team takes over with issue #35, Nocenti is not going out with a bang, but a fizzle. Read Full Review

Catwoman #33 is awful, pure and simple. The writing has continued to degrade more to where it all culminated in a lackluster and quite poorly put together ending. Catwoman herself remained an unlikeable jerk throughout and the rest of the cast wasn't any better. Top it all off with terrible looking artwork and you have quite possibly the worst comic DC has produced in years. It's going to a bright and happy day once the book changes teams this October. Read Full Review

This is by far the worst title on the stands from the Big Two. Hopefully the next creative team can save this book from complete irrelevance. Read Full Review

I don't recommend reading this. It's bad. It's so bad that even when Olliffe provides solid art, you don't notice it because the story is so baffling. And it doesn't help that Olliffe's art is really inconsistent, so if you do notice it, it may not be good. The one takeaway that I did enjoy, is that I learned what "gas light" is. I also learned that the phrase developed due to a 1940's film, which I fully intend on checking into at some point. So thank you, Ann, for introducing me to this. Read Full Review

Catwoman #33 is pure and utter nonsense.  Actually, that's too much of a compliment.  This issue is the worst issue in an already horrid series.  I had fun laughing at Catwoman for awhile, but now it's just sad.  I'm done here.  Goodnight. Read Full Review