Matthew Lloyd Comic Reviews

Overall, the Aquaman 80th Anniversary 100-Page Super Spectacular is a solid issue that commemorates the character if not the different eras always effectively. The covers will get you through on that count, but it could get expensive if you wanted to collect 'em all! There's a lot to enjoy and a couple stories serve as portents of things to come that appear to be quite good. It's just sort of ironic that Black Manta and Jackson Hyde seem like they are poised to take Aquaman and the Aqua-Family's place.

Green Lantern 80th Anniversary 100-Page Super-Spectacular is an extremely fun trip through the history of the wielders of the green ring. Outside of the Alan Scott tale, they all deliver that nostalgia and sense of of scope of those who have worn the Green Lantern power ring. Most importantly, they focus on character. They not only remind the reader of a particular time or era, but reconnect the reader with why the Green Lantern concept is transferable to so many different individuals. Unfortunately, Alan Scott's story is unable to do the same thing, feeling like something new rather than something familiar. Oh, and G'nort (see above) wonders where his story is!

It doesn't seem to matter who Robin is, the concept of the character persists because each iteration has become a fan favorite over the years. Despite readers often preferring the Batman as a lone Dark Knight, Robin has earned his place in Batman's mythology. This issue both celebrates the characters and demonstrates the importance of a Robin's place in Batman's life.

You can't go wrong with the Wonder Woman 80th Anniversary 100-Page Super Spectacular. It's wonderful in every way. It's an example of comics being fun and providing sheer unadulterated joy on every page. Wonder Woman is the iconic female super-hero, and she will always be important. Even if you don't necessarily like her or her stories, one should at least understand her significance and respect that. Diana easily has another 80 years in her, but this issue is a beautiful celebration of her first 80 years. Need another 6/5 rating for this issue.

Overall, Absolute Batman #1 is technically a well executed and crafted first issue. There is a question of "why we should care about Bruce and why is Alfred more interesting? While the Easter Eggs and references should reassure the reader, there isn't a strong enough core concept for this version of Batman to bring me back. Maybe the violent, over the top approach is what some readers are looking for. Or, perhaps, it's what appeals to the creatives in the Absolute Universe. I don't think the majority of fans are looking for a recapitulation of the same ideas that Alan Moore and Frank Miller first utilized in the '80's and '90's. DC seems to have a desire to reinvent the wheel instead of just telling great stories that move established characters forward.

Overall, Absolute Power #1 is a decent comic. The art is great and Waid has some good moments. He's trying really hard to make this a big event with some startling moments. However, there's nothing behind them that is interesting enough.

Absolute Power #2 is a disappointment in that what it seems to set up is left on the table with a complete right turn that is nowhere near as interesting. It appeared that this issue was going somewhere and improve upon last month's outing. It's far more interesting and exciting to see the heroes fighting back instead of another full issue of them getting beaten by a lame villain like Amanda Waller. Still, the issue does promise some things in the future.

The biggest problem with Absolute Power #3 is that you just don't feel like you're getting all the story. And, you're not- it's in the tie-ins and other mini-series. This issue really suffers for that. It's hurried, herky-jerky, cursory and repetitive. Dan Mora's art is not enough to get this one over the halfway mark. It feels terrible to give Waid, a writer I've enjoyed immensely over the years a low score like this. He's confined to four issues. Part of the blame falls on poor planning for the publication strategy for this story, despite the overall concept being underwhelming. It may be closer to a 4.5 out of 10, but the overall feeling from the issue is .

Overall, Absolute Power #4 is pretty boring. It was never that interesting from the beginning and the need to read all the tie ins takes away from whatever impact this series had potential to have. Waid seems handcuffed by the approach to this series and he had very little plot to work with throughout. This is one of those pointless series that never needed to happen

Absolute Superman #1 is the best of the first three Absolute titles. From the original assignment, it gets it most right. The changes to Superman's lore fit with the idea of a universe influenced by Darkseid energy. The changes feel organic as to how they come about due to other factors. It's a more cohesive effort overall all. I don't know that it's enough to bring me back for a second issue, but this is the most well conceived effort of the Absolute Universe so far. So while the score is 3.5/5 (7/10), it's more like a 7.5/10.

Absolute Wonder Woman #1 is better as a comic than a Wonder Woman comic. It really feels like this is a comic for readers who don't like the traditional Wonder Woman. Thompson has (in story) removed all the essential aspects that define Wonder Woman. That leaves Diana as a shell in this issue with a lot to be filled in. Thompson could rise to the occasion and do this, but like Absolute Batman #1, the overall concept is not that compelling. Unlike Absolute Batman, it's genuinely more interesting as a new unique character than an Elseworlds version of Wonder Woman.

Absolute Wonder Woman #3 benefits from providing some real substance for the character balanced with some action and back story that is actually meaningful. Thompson can't always rely on the "idea of the reimagining to carry and issue and this is an example of how to do that. The art from Sherman and Bellaire is evocative and they do a great job of creating a unique feeling world, even if it isn't supposed to be different from the other Absolute titles.

Make no mistake. If the New 52 Superman wasnt your cup of tea, give this book a try. Jurgens makes it easy to understand whats going on for new readers and provides a lot of moments for nostalgic readers all while setting up a couple mysteries worthy of the Batman.

Im trying to imagine someone reading this comic and saying, Nah, I dont care what happens next. I simply can't! This issue uses episodic storytelling to the fullest as it moves things along just enough and keeps the questions unanswered for the time being. It also balances the line between action and story. Often, big fight issues lack any depth. This is not the case with Action Comics # 958. Go buy this comic - thats the final verdict.

This is another solid issue. The pacing is to a point where we need a break for a bit and a little more information to hold on to. Theres no doubt that Supermans world has changed and his son is his greatest liability and greatest joy, but every issue cant have the same menace. If the next issue is the same, I fear reader exhaustion.

Please, Mr. Jurgens, can we be done with Doomsday and get to solving some of the mysteries? Who is Mr. Oz? Who released Doomsday? Will Superman and Luthor become allies? Who is this Clark Kent that is not Superman? I know this is Action Comics, but the questions raised have far more potential than Superman vs. Doomsday Round 17. The interpersonal relationships continue to be the aspects of this book that are the most exciting and answering those questions will bring about some resolution to this the best part of the drama.

This issue manages to be both large and small all at the same time. It feels intimate and personal while dealing with huge ramifications for Superman and the entire DC Universe. If you've only passing interest in Superman, there's no way you can read Action Comics #963 and not get caught up in the excitement and intrigue. If you're a fan you cannot miss this issue and this story line.

This is another great issue in the Rebirth era of Action Comics. All the Superman titles are strong right now and it's a great time to be reading Superman comics. If you're not already, this is an issue that is easy to jump in to. All the exposition is there to catch the reader up easily. Jump in! You'll be glad you did.

Action Comics #965 rings with an intensity that makes this a must buy. The Super-books have benefited greatly in the Rebirth era, none more than Action Comics. Rebirth has allowed new kinds of stories to be told about Superman that don't rely on the challenge to be overcome by his super powers. Superman and Lois won't win the day with heat vision and super strength, it's going to take intelligence, ingenuity and some Batman-level detective work. Action Comics #965 is about as good as it gets.

Action Comics is hitting on all cylinders right now. This is what great comics are supposed to be! It doesn't hurt that it features the first and greatest comic book super-hero of all time. This is a Superman that is relatable and engenders all the wonder and excitement he's been known for in his 78 years of existence.

While this new threat is taking over the narrative, the lingering subplots continue to push the larger story forward. Jurgens seems to understand we are on a journey and parts of the story will unfold at different paces. This makes the storytelling enjoyable on different levels and holds your attention for the long run. The pacing is just right on all counts and I can't imagine not coming back month after month to Action Comics.

For this run of Action Comics this is one of the weaker issues. The overall concept of this story still gets high marks, but this episode seems to stall out until the final sequence. However, this does make it an ideal issue for new readers to jump aboard. The arc remains promising as it seems that Superman will be faced with a real moral quandary.

This is how to tell a Superman story. This title doesn't need to turn into a buddy book starring Luthor and Superman, but presenting these two as competitors instead of outright enemies has created new story telling potential. Jurgens is making the most of it as he gives Superman a real challenge, a true job for Superman.

This issue is a page turner. We are now set up for what must be the finale next issue. Has Superman changed his stance? Is he viewing Luthor differently? Are his preconceptions about Luthor being used by L'Call and Ch'Aar? The moral dilemma is just too good to pass this issue or arc by. I actually want to see Luthor redeemed. It's this possibility that makes this one of the best Superman arcs in a very, very long time.

Action Comics is on a furious pace with lots of great character moments and dramatic conflict. The tension in this story line continues to intensify and the surprises are always resolved in a satisfying manner while staying true to the characters.

It's ironic that Action Comics which features the pre-Flashpoint Superman has just wrapped up an arc that redefines his relationship with Lex Luthor that would not be possible if this Superman hadn't been erased with the "New 52" relaunch. Recasting Luthor from a different angle re-invigorates their dynamic and provides new opportunities for stories. It is no surprise that this arc also epitomizes the character of Superman.

Action Comics #974is another great chapter in the Rebirth era of Superman. There's the dangerous tease of the return of Blanque, a few nice moments in the domestic life of Superman and Lois and the psychological crisis of the "other" Clark Kent.

Despite revealing the identity of Clark Kent in the main story, this back up is the better of the two. It is a good idea to split up the story lines into distinct stories, but it could've been more effective with better pacing. Perhaps, a extending the tension of the reveal through a harder search and let the back up stand on its own in a separate issue. Overall, the story line maintains the reader's interest, but the execution is uneven.

Things are different all over again for Superman and family. With this identity mystery over, the title will have to shift to a new approach. Returning to a status quo for Superman while understandable is not without some disappointment. Keeping ideas newis important for characters that have the history that Superman does. This "Reborn" journey was not as great as the year leading up to it.

With all the unanswered questions after the "Superman Reborn" story line, there needed to be a clarifying issue or two. Action Comics #977 goes a long way in assuaging some fears. Hopefully, the next few issues continue to fill in the gaps. However, the emotional response to this issue is a resounding "Yes!" If you were worried, don't be. Action Comics continues to be be a top-notch Superman title, managing to communicate the new amalgamated status quo inSuperman's history while also teasing the mystery that is still out there.

If you like what's been restored, then this is an enjoyable issue. If you miss what's been lost, then you will feel lost. This issue tips slightly positive, overall for me. While this is a necessary diversion, moving ahead instead of revisiting the past is more important. Like Superman, there remains an uneasiness in the merging of the histories as I know not everything jives with what was published. There's no easy way through this. Hopefully, Mr. Oz and the Superman Revenge Squad that assembles by the end of the issue will provide a quality threat for the Man of Steel in ensuing issues.

I would never have imagined the Oblivion Stone coming into play again, nor the reveal of Hank Henshaw's past as Cyborg Superman being in play, though it was referenced last issue. What happened to him?!?! Action Comics #979 gets back on track as it barrels forward with an action packed issue with the promise of more while re-setting the status quo for Lois and Clark in a classic setting. It's almost like the "New 52" never happened!

Despite the familiarity of the Superman Revenge Squad's motives and methods, this is a solid issue strengthened by Zircher's art and the continuing saga of the Lane/Kent family. To be a better story this arc needs either a greater emotional impact on Superman or present him with a significant psychological challenge, and there are a few seeds planted which could become fruitful.

The classic approach to Superman is a welcome direction. However, there does seem to be a lack of depth in the plot. The off beat approach to trying to reconcile the two Supermen at the beginning of this run produced a more interesting challenge for both the reader and the Man of Steel. Though a step up from last issue, it's good, but not great.

This is a solid issue with a promising lead in to what should be a mighty showdown between the Superman Revenge Squad and Superman's own Super-squad. While not overly remarkable, it is enjoyable as it presents a classic looking Man of Steel and we get a little bit below the surface of Superman's character.

While this easily could've been a run of the mill fight issue, the inclusion of Zod's personal indignation at Superman's family adds a unique element to their conflict. Clearly Zod is missing his own family and it intensifies his hate for the son of Jor-El.

With a bit of a surprising ending, this issue wraps up the "Revenge" storyline without loose ends, but with future plans for Zod and family. The continued tease of Mr. Oz maintains the link to the bigger picture. All in all a satisfying ending with some well-placed surprises.

This is a solid issue, but suffers just slightly from being more or less a fill in between story arcs. The finale certainly whets the appetite for the upcoming reveal of the Mr. Oz story line in subsequent issues. The strongest aspect continues to be Superman's challenging relationship with Lex Luthor.

There's a lot of relevance to the real world in the attitudes that Oz is trying to nurture. It's easy to blame those attitudes and outlooks on an outside force. However, it's us in the real world that are to blame. Superman will have a much easier time defeating Oz in the comics than we will of turning around those xenophobic and selfish outlooks in our world. This issue makes one think. It's disguised as a super-hero comic, but it's really about the challenges we face in our own world.

While this story presents Superman with a real challenge on an emotional and philosophical angle, the depiction of Jor-El just doesn't ring true. Jor-El = Hydra-Cap? Despite the provocative nature of the story, Jor-El in this role seems out of place and undermines what could be great with a different character in this role. It will make you think, but you might hate it, too.

This has been the best chapter in the "The Oz Effect." Getting Jor-El and Jon together has humanized Jor-El and it may point to his downfall in this arc.

Prepare to think a little bit about our own world as we see similarities to it in Action Comics #990. Though not a new idea, it is particularly effective in this case as Superman must try to get everyone to get along in order to stop the machinations of his(?) terrorist sponsor father.

This issue gets at the heart of Superman's character, despite placing him in an extreme situation. To challenge Superman effectively, the writer must find a way to make it about emotion or philosophical outlook. This issue manages to do both. As we approach Action Comics #1000, it is particularly appropriate that this story arc addresses the core of Superman's values and motivation.

"Aftermath" plays better than "The Oz Effect" itself as Superman acts on the mystery at hand and moves closer to the answers he needs. With the support of friends and family, Superman will certainly run headlong into some answers, maybe here, maybe elsewhere.

Where "The Oz Effect" felt very heavy and depressing, this story line's first chapter seems to offer something more in keeping with Superman's nature. It also seems to promise a definitive answer to Superman's questions about Jor-El. It's also at the heart of the Doomsday Clock/Rebirth/Watchmen storyline that's been unfolding for the past year and a half. These elements are critical to the DCU and Superman. It feels like a tale that shouldn't be missed!

An even mix of action, fun and character make this issue another solid chapter in the post-Rebirth era of Superman. It may not come quickly, but it seems certain Superman will get his answers about Jor-El and Oz. But first, there's more time travel fun to be had next issue as the Eradicators will certainly not be welcome in the 25th century. As Superman's future was threatened this issue, it appears that Booster's existence will be challenged next.

This arc has deftly changed focus from Superman to Booster while retaining the theme of fathers. Not only is Superman still troubled with Jor-El's fate, but Booster is brought face to face with a father he wants no more of. Couple that with Lois trying to save her father from a firing squad and Superman's empathy with Booster's mom as a parent, there's a lot of interesting and diverse thematic elements in this issue. And, let's not forget that Booster himself is the father of Rip Hunter. (Does he even remember that?) Well, done!

Uncannily, Dan Jurgens continues to surprise and entertain with new angles. The Rebirth era run on this title commenced with some really interesting situations. It became almost pedestrian with the merging of the two Superman's and Lois's histories. With this story line, the title has achieved a new high watermark as the Super-family shines brightly as individual. Time Travel is always a win and Superman and Booster Gold make for an interesting pairing. Oh, and Earth's war with Krypton? What're you talking about Skeets?

Plenty of action in this title as it approaches issue #1000, and the resolution to this story line is sure to be a doozy as this issue leaves Superman, Lois and just about all the good guys apparently dead. While it's clear that this is not how this arc will end, the build up to the finale is reaching an almost unbearable tension!

All in all, a satisfying conclusion to the "Booster Shot" story arc. Despite feeling just a little hurried, the issue wrapped up all the dangling plot lines and gave Booster Gold some well deserved moments. Action Comics #1000 and a new era is just around the corner. The past couple years have introduced a lot of changes to the Superman mythos in both Action Comics and Superman. And, it's not over yet".

This is a great character focused issue that not only addressed a deeper moral dilemma in the humanity of Phantom Zone imprisonment, but the everyday relationships between family members. Those can be complex and multifaceted, but at the end of the day, Sam and Lois and father and daughter and that should override everything else. They can find a way. This issue stands well on its own and is a perfect emotional lead in to next issues anniversary spectacular 80 years in the making- Action Comics #1000!

Action Comics #1000 is a fun, and at times emotional celebration of Supermans 80 years in Action Comics. Fans of the character and of Comics in general will enjoy this loving tribute to the character who started the super-hero craze in comics. Its going to be hard to pick which cover variant to get!

This is a good issue, but far from Earth shattering. The ambiguity of Lois's larger role in the story is a little off-putting. However, the new villains appear to be intriguing and should provide a good challenge for Superman. There's a fair amount of story in this issue, which allows for some of the supporting cast to get panel time. Hopefully, Bendis will explore these new characters, but not at the expense of Lois and Jon.

So far, Action Comics in its second millennium is a book going in two directions. Superman's characterization, the mystery of the Invisible Mafia along with many of the little details feels spot on and pretty darn interesting. However, the Lois Lane subplot feels so out of place that the book would be better if it was excluded entirely.

This issue really feels like it has bogged down. There is certainly a better way in which some of the surprises could've been revealed, and as such, this issue feels like nothing happened. To top it off, the best part featured Batman. Which isn't bad for a Batman comic". The story only moves forward in the last two pages when Lex shows up, and that's very minimal movement.

This is the redefining moment for Lois and Clark's relationship and it's flat out terrible. Bendis seems to have written an excuse in order to claim that technically, Lois and Clark are not broken up. But, how can this be true when they are living in different cities and Lois doesn't seem to want any type of life together? Nothing really seems right about it, from Lois's immature and selfish actions, to Superman's willingness to accept what she says when she does nothing but hurt him emotionally from start to finish. What happened to their love?

This issue continues to introduce more ideas while not moving the plot much further. Despite the reveal of The Red Cloud's identity, it doesn't feel like this issue moves the plot along enough. It's not really that surprising a reveal, and it actually makes a lot of sense considering the character's actions in previous issues. After last issue's awkward and terrible reunion between the super-couple, It feels like the story line is settling down into classic mediocrity, the positives seem to be superficial with little substantive content.

Bendis's unimpressive run on Action Comics continues as the plot spreads out and makes the whole storytelling style questionable. The slow pace makes it hard to find much of interest especially as those things are left by the wayside in the next issue. One wonders what won't be addressed in the next issue that could've potentially been interesting. Superman and Lois's relationship continues to be a low point for the Superman titles as the direction just doesn't make sense for the super-couple either in tabloid suggestions of infidelity or Lois's continued secretive behavior.

Hands down the best issue of Bendis's run on Action so far, but it's still not perfect as Bendis seems incapable of finding the right voice for Lois or how to handle the Lois and Clark relationship. That said, there's a lot more good in this issue as there's some real attempt at relationship exploration between Lois and her dad, plus the Jimmy Olsen bits are great and the art from Steve Epting is top-notch. Superman and Co. are still not safe from Bendis yet, but at least this issue is interesting and there was some genuine emotion.

As Bendis leans into the ground level espionage aspects of this tale, it's clear these are the types of stories he's better at writing.It's another improvement on his run this month, as Epting again delivers a great turn at the drawing board again. Adam Strange's appearance is a treat as is Jimmy, Lois and Clark acting like the people they are supposed to be. It's still not clear why Lois is back at the Planet acting like herself and not some weird alien in disguise- although that may still be a possibility, eh, Jimmy?

After a terrible character arc in the first 6 issues of his Action Comics run, the current story is not only interesting, the character moments finally feel like they are accurate. Bendis is no longer trying to make Lois and Clark into something they're not, he's leaning in to what makes them work as a couple. That's not to say it's going to last…but, enjoy it while you can.

This issue is uneven at best. While it has great art and exciting concepts, it doesn't move the plot along very far and the details are given short shrift. Perhaps, the most interesting ideas are left on the floor while the plot inches forward. The razzle dazzle distract for a bit, but at least it looks nice.

VerdictBendis is playing the long game with "Leviathan Rising" and despite some nice details in Action Comics #1011, the apparent direction of the arc is uninspired. It is proving to be both too long and a "game." Referencing the weakest elements of his run on Action so far are not helping. Epting's work is still nice, but the pretty pictures can only elevate the story so much. Stay tuned, I'll let you know when all this blows over and we start getting some proper Superman comics again"

VerdictI guess it's important to state that this issue does bring together all the subplots from the last year and finally make it feel like one big story. It's taken a long time to get here…. Unfortunately, not all of it really works. The Invisible Mafia still have a lot of potential, and Rose could be a breakout character, but Lois and Clark are really suffering. Not only are they mostly on the sidelines, their story is tabloid gossip as opposed to something meaningful.

VerdictOverall, this is the best issue of Bendis's Action Comics run in a while. The plot moves forward as we learn something significant about Leviathan and Superman begins to put some pieces together. For once, Superman and the reader are on the same page and Superman isn't the last to know. There's no set up, just forward movement. Luthor's revelation to Robinson Goode falls in the same category.

As Bendis develops his Superman epics both in Action Comics and Superman, it becomes more and more clear that all his titles are interrelated. Naomi's appearance on the last page of Action Comics #1014 and the Legion of Super-Heroes appearance at the end of this week's Superman #14 demonstrates that he's developing his own corner of the DC Universe and you have to be "all in" on his titles. It's a double edged sword. While one can admire the planning it takes to bring all these disparate storylines into one grand cohesive tale, if you're not really digging some of the basics, it's hard to get worked up about the big picture. Despite Lois and Clark's relationship appearing to normalize a bit more, the inconsistency of its portrayal and multiple subplots which suffer from lack of attention casts a shadow of doubt on how well the overall story will hold together.

There are technical aspects of this issue, and all of Bendis's Superman and Action Comics runs that are executed well. He really wants to work on character, and that's great! However, the content is almost always unenjoyable.

Despite some technical positives, Action Comics #1016 is a bit of a mess. If you're all in on Bendis you're probably buying two copies, but the more astute reader will see the flaws right away. While the Red Cloud could be a compelling challenge for the Man of Steel, Robinson Goode comes off as underdeveloped and somewhat forgotten. It doesn't help that Bendis seems more interested in validating Naomi than telling a good Superman story or making sure Batman appears in character. You should like Naomi because…, not because she's actually unique or interesting.

This issue tries to play off the "Year of the Villain" event, but falls well short of feeling significant with it's similarity to this month's Justice League #36. The other plot elements of Leviathan and the Invisible Mafia. There's not a really compelling story being told. While it's clear Bendis wants this to be a huge interconnected epic, the overall pace feels slow and it's just taking too long to get anywhere. The added element of Luthor and the Legion of Doom aren't making it any easier for him to tell a good story. Action Comics #1017 is a great example of the mediocrity of Bendis's run on Superman.

If you're looking for part two of "Metropolis Doom," it's not really here. Instead, Action Comics #1018 picks up plot lines from a year ago. Despite feeling dropped in out of nowhere, there are some positives to these elements. Unfortunately, the confounding elements of the issue take over and raise more questions than are actually answered, but not in a good way. Lack of planning makes the things that do happen in this issue feel awkward and ham-fisted.

Fellow DCN reviewer, Derek McNeil messaged me that this issue was "a hot mess!" I don't know that that is an entirely accurate description as Bendis is able to make something feel exciting with Superman in Action Comics #1019. The idea of the anti-hero is intriguing and Luthor's plot to kill Superman is engaging. Certainly, his identity reveal has played out over in Supermanas a non-story. (If there's no impact to this reveal, why do it in the first place? Answer= Bendis has no idea what he's doing.) While this issue is actually pretty good, its context within the larger scope of Bendis' run begs the question, why didn't some of this happen sooner? A roller coaster ride of quality continues in Action Comics #1019, though it never gets over the biggest hills.

With too many plot lines, Bendis single best idea is not only unrealized, it has been diluted with other ideas that are also having trouble finding a footing.

Surprisingly, just when it seemed Bendis and Romita were going to run Action Comics straight into the ground, the pair with apparently a lot of help from Danny Miki right the ship mostly in Action Comics #1022. Even if one has to suffer through the terrible status quo changes wrought by Bendis on the Super-family, the actual content is a huge step up from the "Doom" arc. Danny Miki is the star of the art as his inks on Romita, Jr. breathe new life into the look of the book. And, Bendis finally has something interesting to say about the Invisible Mafia for the first time in nearly two years. Two years! In the long run, it's too little too late, but perhaps he can at least finish his first story arc..finally?

While the majority of page space in Action Comics #1023 is more or less enjoyable with the extended Kent family facing a problem together and the Invisible Mafia getting much needed exposure, the issue really falls flat as the Red Cloud lacks any real depth and Superman's actions at the end of the issue just don't fit the character we. Two years into Bendis's run, this is probably about the best one can hope for. The title is too mired in erratic characterization and overextended storylines that don't always have a satisfying payoff. There are moments, but they hold little depth.

As a single issue, Action Comics #1025 is Bendis at his best on Superman. Taken as part of his entire run it's frustrating and some of the implications are unacceptable. Because, essentially, Bendis has pulled the Shakespearian "bed trick" on Superman. It's a shame that Bendis regards Superman so poorly. He doesn't seem to know how to treat the character with respect and dignity. Haha, aren't you funn! (NOT!) Whoever signed the papers on Bendis's contract for DC should be fired…wait…maybe he already has….? In all fairness, this issue is very good, just hope the next creative team is able to erase this era from the mythos…or perhaps, Bendis has left that loophole in his own story….???

It's been a long time since I looked forward to the next issue of Action Comics. However, with Bendis's run ending in December, the mysteries presented here should be mostly revealed as Action #1028 serves as a wrap up. The majority of the middle of Bendis's run is still ultimately skippable, but if one were to read the first and last arcs of his Action Comics, it may prove to be interesting or even mildly enjoyable. However, the next issue should cement the notion if this is all above average, average or below average, or simply a huge mess to be forgotten.

It's hard for a Bendis Superman comic to be much more than mediocre, and Action Comics #1027 is no different. Bendis can never seem to get out of his own way. As soon as he introduces something interesting, he botches it with the execution. Next month sees the end of his tenure on Superman. At the very least we will all know where things stand. Maybe the big reveal will be Lois was from a parallel Earth and every time they had sex it was a Superman robot standing in for Big Blue, as corny as that sounds, it's really preferable to either of the other two outcomes.

Action Comics #1028 slows things down to try and bring Bendis's entire run to some sort of conclusion. Unfortunately, despite some nice character moments that carry this issue, Action Comics #1028 is also a reminder of all of Bendis's shortcomings as a writer. It's a real shame that DC let Bendis go unsupervised on their flagship character. And, if he was actually supervised, that person should be fired. There's years of fixing in the works for Superman. It's like waking up form a nightmare only to realize that it was real. I pity the subsequent writers who have to manage the baggage of Bendis's terrible ideas. This is the first time I've thought the idea of the "retcon" was a good thing.

Action Comics #1029 is a mixed bag. The Midnighter story is the highlight with a really interesting premise and twist that should provide some good character work and engaging storytelling. The Superman tale feels a bit flat and haunted by Bendis's additions to the mythos which don't add anything positive to the characters. Fan or not, the Midnigther tale is a good read and may be worth the price of admission alone.

Action Comics #1030 is another mixed bag of sorts. However, the positives are outweighing the negatives in a more significant fashion. Despite the basic premise of the Superman story feeling generally uninteresting, the surprise at the end and the great character moments make it an enjoyable read. Additionally, the surprise at the end gives it the feeling of real potential. The second chapter of the Midnighter tale is the icing, as the concept and characterization are equally engaging. This gives every indication that it's going to be something special!

Give this one to your friend if they aren't reading Action Comics. Both features are being produced at a high level and will keep you coming back for more. Interestingly, both features are doing the same things well. Character, mystery, surprise and excellent pacing and storytelling make for an extremely strong issue. Jon may not be finding his way, but Superman is feeling nearly perfect and Midnghter is right there with him.

Phillip Kennedy Johnson seems to have his writing on firm footing with Action Comics #1032. As long as Johnson stays on this track, he will provide readers a really great run on the Man of Steel. A focus on character create a truly engaging experience for the entire book. Additionally, fantastic art accompanies both the Superman and Midnighter stories making Action Comics an exciting and clever read.

Action Comics #1033 is another wonderful issue. Both the Superman and Midnighter stories have built over the past few months into simply fantastic comics. Interestingly, the both do a lot of the same things well while at the same time being completely different. These stories will obviously end soon, but right now they are combining to make Action Comics one of the books you should be reading.

The build up of intensity in the two stories in Action Comics #1034 promises to spill over"soon! Superman's bold move suggests so much more than discussed above. This feels like a truly important moment in the life of the Man of Steel and his relationship with the people of Earth and his friends in the Justice League (Aquaman was not happy at all!) It's a great theme that should be exciting to see explored. Midnighter's got his hands full as well as this second feature proves to be just as interesting as the Superman lead.

Johnson and Sampere deliver a heartfelt issue that continues to build on the Lost Kryptonians storyline. The character work is outstanding and is truly making Action Comics a great title. It's not hard to relate to Lois and Clark's situation, even if the particulars are otherworldly, plus the Moses analog adds another dimension to Superman's story. While Jon holds things back a bit, he's not in the way to drag things down too much. Coupled with the potential in the second feature, Action Comics #1035 is another great issue.

Action Comics #1036 is very uneven. Daniel Sampere and Adriano Lucas' art are the most consistent aspects on the issue. The story doesn't spend enough time on the best part and most interesting aspect- the Phaelosians. We don't expect Superman to die, so the stakes don't feel that high for his impending encounter with Mongul. And, in the end, the Phealosions' backstory is far more interesting than a bait and switch on Superman's "death."

Action Comics #1037 is a mixed bag. The best parts don't get the focus, and the Martian Manhunter second feature has a clearer direction even if everything isn't obvious at the start. However, Miguel Mendonca and Adriana Melo combine for a strong artistic outing across both stories. Once again Julian Totino Tedesco provides an exceptional variant cover- what a story that would be! Perhaps, once we get past this second "death of Superman" Johnson can explore the interesting concepts he's introduced.

Buy this one for Tedesco's variant cover and the Marian Manhunter second feature. Action Comics #1038 isn't without merit, it's just probably not the merit you were banking on. It's still a difficult time for Superman, but it's nice that there's more to this title than the lead Superman story.

Character is the strongest element of the Superman story in Action Comics #1039. Johnson nails this page after page, even if Superman's not quite fitting into a John Carter of Mars story as one might expect he would. The Martian Manhunter story continues to build up with an interesting reveal. The art across the issue is at a high level, Melo is great on J'onn J'onn, but Federici is exceptional on the Superman tale. All in all, this is a step up from last issue.

The "Warworld Saga," has been a rollercoaster, with more valleys than peaks, but Action Comics #1040, which almost feels like a one-off issue is a remarkable homage to John Carter of Mars. Indeed much of the "Warworld Saga" owes something to John Carter, but this issue in particular evokes the nostalgia while also doubling down on those aspects that are common to both the Warlord of Mars and the Man of Steel.

Lacking context, Simone's story is a little unsettling. One one hand, it's great to have Bronze Age/ throwback tale with influences from different iterations of Superman, but perhaps more will be explained. As a throwback tale it's a ton of fun and very enjoyable. Rowell's story takes a more serious approach that is a nice contrast to the fun in the main story.

Action Comics #1068 is WELL worth your attention. It's got enough classic Superman in it while at the same time addressing a more modern look at the Superman/ Lois dynamic. There's character work both subtle and direct throughout the issue. There's great action and Eddy Barrows delivers on the visuals. This issue is better than the previous and it genuinely feels like a good time to be reading Action Comics.

With both three part stories concluding in Action Comics #1069, there's a palpable energy to the issue. They go together in a unique way as they focus on different aspects of Superman's life, both personal and public. It's a great time to be reading Action Comics and I think any Superman fan would find this a great three issues. Stories don't always land, but in the case of this issue, but that's not the case here, as both of these adventures of the Man of Steel have something to say and say it well. Indeed, this is in fact the strongest of the three issues. It's quite easy to image just reading this issue and feeling the impetus to go back and get the other two.

Action Comics #1070 is a fun and entertaining read. It depicts a Superman that fits into the current status quo, but is at the same time undeniably classic with Silver Age elements used to great effect. Supergirl gets a solid outing as well in a story that features fantastic art from Skylar Patridge. Action Comics is a series you should be reading!

Action Comics #1071 is, once again, a fun, exciting and entertaining comic book that you should be reading. There's enough classic mixed with the current status quo to make this a Man of Steel that is accessible to all readers. Waid doesn't leave anyone in the dust. It's easy enough to jump in on both stories.

Action Comics #1072 is another great outing for Superman. Waid's love of the character and his history is tantamount to enjoying this story, especially for old readers. Hopefully, new readers will find something to love about Mon-El and the friendship between these two Legionnaires. The Supergirl story is stumbling a bit, but looks great. Overall, Action Comics is still a great read!

Sometimes less is more and that's what Waid is doing so well with Action Comics. While he incorporates a number of Silver Age elements the emphasis is on telling a fun story. The reader doesn't have to know all the references. Waid provides enough as needed information for the story to be enjoyed. For the reader in the know, it adds an additional element.

Despite the drawback of the Supergirl story, Action Comics #1074 is actually better than the last issue. Waid continues to use Silver Age concepts and update them with quality writing. Superman is in great form in Action Comics and it feels like it's a new high watermark for the character. This is a must for Superman fans, and probably the best book so far under the All In initiative.

Action Comics continues to be a great place for Superman readers. Waid and Henry are definitely "All In on this. It's strong enough that it almost doesn't matter that the Supergirl story is lackluster- well, don't tell that to Supergirl fans. Action Comcis #1076 continues to be a bright spot for DC Comics and Superman!

Action Comics #1077 delivers on so much in the Superman story and it's worth it solely for that alone- story, art, action, character beats. It would be nice if the Supergirl story was hitting on all cylinders and the Conner/ Kong story had any relevance whatsoever, but Superman has carried this book for over 85 years, so it's not surprising.

As has been the case with this series since issue #1070, Action Comics #1079 has a great Superman story and a disappointing Supergirl story. Waid continues to give us a wonderful Superman story full of action, excitement and engaging personal moments that incorporate many eras of the Man of Steel. One should ding the issue for the lackluster Supergirl story, but the lead story is so good, it just doesn't feel right.

The Supergirl conclusion in Action Comics #1081 may not improve the overall story, but Mark Waid's Superman tale concludes in grand fashion. It's been great since the first chapter back in October and it's an acceptable Christmas present as it concludes the week/ day of Christmas. It will be disappointing to see Waid leave Action Comics next issue.

Waid and artist Skylar Patridge combine for a fun story with lots of excitement in Action Comics #1087. There's a new beginning here, and while that could've been a big turnoff, the fun and Silver Age feel to Superman's beginnings as Superboy are executed effectively executed. It's ok to have a continuity shift, an updating, and Waid and Patridge are doing it the right way here. But, shouldn't this really have been in Adventure Comics #530?

Action Comics #1088 isn't just a great comic, it's FUN. I mean REALLY FUN. It's also entertaining and a perfect form of escapist entertainment. Despite a few details that wrankle this old reader, this issue by Waid and Patridge is top notch! Grinning ear to ear and gasping with fun and excitement, everything is done right for what it is and it also transcends the differences as it is a shining example of how to update without losing what's important. Let's hope this runs for a longtime in either Action Comics or maybe that relaunch of Adventure Comics with issue #530? Wish I had an extra 1/4 icon to make this 9.5/10!

Action Comics #1089 is another great installment in this updating of the Adventures of Superman When He Was a Boy by Mark Waid and Skylar Patridge. There's a great focus on character and use of DC Comics history to bring thing together as he effectively updates and brings modern storytelling sensibilities while also incorporating longtime DC history.

A lighter, fun tone permeates Action Comics #1090 in both script and art. The overall story moves forward in subplots, and the main action is enjoyable as it all revolves around character, be it Clark, Lana or Captain Comet. Skylar Patridge's work is really shining as this series progresses. There are lots of great details and storytelling elements. There are just enough nostalgic/ throwback moments to keep old readers happy while everything still feel new and contemporary.

Action Comics #1093 is another excellent single issue story, something we don't get enough of these days. It not only features great art from Patridge, but Waid continues to explore Clark's moral development. He's not afraid to show the inner struggle and temptation and Clark's mistakes. You really shouldn't be missing this.

Even if you haven't been keeping up in Action Comics, Midnighter 2021 Annual #1 is able to be read by a new reader and understood. It's an exciting and thought-provoking finale to a series that's been dynamite since chapter one. "The Passenger" concludes with the surprises and insightful character components that have made it stand out.

This is a solid issue that gets at the heart of both Superman and Lex's characters. While not portrayed as "the hero of his own story" Luthor's complexity in his modern incarnation continues to be interesting and challenging. Hopefully, this portrayal will continue to be developed and explored and not rejected in favor of the more one-dimensional traditional approach.

Alan Scott: The Green Lantern #6, like the entire series, is uneven. There are moments that really work and are quite compelling, but it all seems to be in service to retconning Alans sexuality as opposed to be in service of Alan as a heroic character. Sheridan tries to get the reader there, but the end is just unsatisfying in almost every way. If hes supposed to be bi-sexual thats a different story. If hes a gay man with a strong will power to live his life as he is then why would he lie and misrepresent himself to women? Its not heroic, its notnice. It highlights how forced changing Alans sexuality is. It feels like DC wants to have its cake and eat it too. The character ends up being weaker for it.

Aquaman #1 is an exciting and effective first issue for this new series. Framing Aquaman in terms of a world politics is a smart and logical approach. The particulars are ideal because it allows Aquaman to have both a personal as well as public stake in his endeavors.

While DeConnick and Ayala have the right idea in slowing things down for a day in the life story of Amnesty Bay, this also turns out to be the issue's biggest weakness. It forces DeConnick and Ayala to focus on Aquaman's character, and the dense, slacker of Jason Momoa's portrayal in the DC Extended Universe films just doesn't feel right at all. Instead of giving the reader a warm fuzzy with Aquaman and the people around him, it begs the question, "when will the real Aquaman return?" And can we get that guy in the movies, too?

This is a very good comic. There is a nice balance between story, action and character. Abnett and Co. are developing characters and broadening Aquamans mission for the modern world. Its a good time to read Aquaman and a great time for Aquaman fans. Aquaman is no joke. Its not too late to jump on board.

As good as the first 2 issues have been, Aquaman #3 has gotten even better. The choice to develop the political drama has enable the book to go beyond the basic comic and comment on the world in which we live.

When was the last time an acknowledged member of the Justice League was branded as a terrorist and identified as the leader of a hostile nation? Never? Aquaman is probably the only member of the League that could fit that description. If that alone doesnt draw you in, the exploration of Aquaman and Meras characters and their relationship should. Go buy this comic. You will enjoy.

This was a strong finish to the opening arc in the Rebirth era of Aquaman. The Sea King is at a cross roads that he must find a way to navigate. Aquaman has been through this a few times before, but never quite like this. He seems to be painting himself as the Black Sheep of the Justice League almost out of spite. This struggle appears it will keep Aquaman and Mera busy above and below the surface. Black Manta is still out there lurking, consolidating power and will continue to make things more difficult for Aquaman.

Solid issue that pushes the story forward and sets up the next act of the larger narrative. There's enough here for a new reader to jump in and get a good sense of what's going on, as well. Aquaman continues to be a strong title for DC in the Rebirth era.

Aquaman continues to be a strong title and Abnett is challenging the characters with conflict that forces them to reveal something about their quality. There's also some innovation with the particular storylines. While Aquaman has always dealt with some of the same themes over the years, Abnett has found a way to embrace the traditional take on the character but tell a new story with some different angles.

A nice conclusion to the two-part Shaggy Man story. Aquaman takes something away from this encounter to improve himself. A good balance on action and character,Aquaman continues to be a very good read.

Do not underestimate the appeal and potency of Mera! One does not miss Aquaman at all this issue, despite having been left in very bad shape in the previous issue. What is the truth of this prophecy? Is Mera really going to destroy the surface world? While it seems unlikely, what comes next cannot be missed for fans of great comics.

Aquaman #11 is another chapter in a wonderful take on Aquaman that establishes the character as powerful and significant. His position as King of Atlantis makes him vulnerable in ways unlike the other super heroes in the DC Universe. This series is taking full advantage of those opportunities.

If you aren't reading Aquaman you are missing some great comics. Abnett has laid such wonder groundwork on these characters that it makes this action/military story work and they character moments are a seamless part of the overall narrative. Don't miss the opportunity to read a unique and exciting Aquaman tale!

This story line continues to move at a rapid pace while building the tension throughout. There is no shortage of excitement, but it will get even better when N.E.M.O. is revealed to the world the U.S. and Atlantis can get over their misunderstanding.

For Aquaman fans, Aquaman hasn't been this good for this long since the Skeates and Aparo days. If you're not an Aquaman fan, I can only ask: "Why not?" Become an Aquaman fan"you'll be glad you did!

This was a satisfying conclusion to the war between the U.S. and Atlantis that featured a powerful and capable Aquaman. This puts Aquaman in a different light and certainly future Aquaman stories will be informed by this take on the character. Aquaman has been taken into the realm of world politics.

Aquaman continues to be a great comic and this interim story between arcs utilizes strong characterizationto build this fictional world. This issue allows for a solid recap of the status quo and what will be the next conflict both personal and external for Aquaman and Mera.

As with any part one of a new story arc, there are lots of unanswered questions. The potential is there for a great story that moves Aquaman even further into the realm of a political thriller. It's been a theme from issue #1, and it seems that it will continue for the good of the character.

If you are a fan of Mera, then this is an issue you can't miss. Not only does it focus on her character and highlight her attributes and status, it connects to her recent self-titled mini-series. The prospect of the "Drowned Earth" event is harrowing, but Mera seems capable and willing to thrown in with the Justice League to make a go against the aliens.

Mercifully, the "Year of the Villain" tie-in is negligible, which means it will probably come to fruition next month. Despite a heavy focus on character this issue, Aquaman #50 has trouble rising above mediocre because of content. While technically it's an extremely well done issue, the details leave a lot to be desired. It's hard to tell if last year's feature film is informing the comic editorially or through DeConnick's own story direction. Never the less, it's not coming across successfully. No one wants Jason Momoa in the comics"let's leave that for the questionable movies and let a classic Arthur Curry and Mera have a place to thrive. Or you could just buy back issues".

The strength of this issue lies in DeConnick's skill in characterization, even if Aquaman himself falls too far from the mark. If you're ready for the "new" Aquaman then this title is now for you, but if a classic take on Arthur Curry is what you want, it appears that ship has sailed... Go buy some Skeates/Aparo books...

This issue is evenly balanced between the good and the bad. While the technical aspects of DeConnick's writing are hitting on all cylinders, it's very hard to feel right about the depiction of Aquaman. It's a far cry from Geoff Johns' "New 52" run or Dan Abnett's "Rebirth" issues. There's clearly an editorial directive here that is pushing DeConnick in a direction. While Aquaman feels like a stranger for the most part, Jackson Hyde is a truly enjoyable character to explore. The mystery of Tristan Maurer pushes things slightly over the middle. One might have to muddle through until reason returns and the Aquaman we know and love actually returns.

Aquaman #53 is better than the previous issues in the arc, carried by Tristam Maurer's life-story. While bringing the plotlines together benefits the issue overall, not addressing Mera and Arthur's conflict keeps a hopeful feeling at bay and casts a long shadow over one of the classic love relationships in comics.

Kelly Sue DeConnick does some great character work with Black Manta in Aquaman #54. Black Manta is no longer a man with misdirected vengeance, but the victim of poor parenting from a father that didn't know how to raise his son without his mother around. An unconscious Aquaman proves to be the best method of improving this title. Let the supporting cast have their moments, and perhaps when Arthur is recognizable again, he can be allowed to lead his title.

If you've missed the real Arthur Curry, look no further than Aquaman #56. It may only last this one issue, but this flashback is a great reminder of what he's like. Even if it leaves you more disappointed with what you're missing, it's definitely worth it to check out this (mostly) stand alone tale.

As long as Aquaman is "not himself," this title will struggle. While Mera carries this title, it may not be enough. When Mera is front and center, Aquaman is a better comic. As long as Arthur is portrayed as unlikable, he will be a distraction from the good things in the book. It's well past the time to get things back on track.

Two months ago, Aquaman #56 detailed a story that took place in the past and was a stark reminder of what we've been missing with Arthur Curry. Aquaman #58 shows every sign of integrating that characterization into the status quo that's developed for Arthur's supporting cast in Kelly Sue DeConnick's run. This issue is a great extension of the emotional content of Aquaman #56, and appears to indicate that Aquaman's ship has been righted and is headed in the proper direction…. Now if we could only get him that shave!

Now, where's that underwater barber of which Aquaman is so desperately in need? Maybe for the wedding….

As a plot mover, Aquaman #60 is quite satisfying. Dolphin and Caille get the character moments in this issue and it works well. Previous issues have locked Arthur back into his recognizable characterization and the supporting characters getting some attention help expand the scope of connecting with the larger cast. The tension is pulled tightly when it seems possible Arthur will be too late for the wedding "tomorrow." Arthur…don't be too late!

DeConnick brings it (almost) all together (where's Caille?) with Aquaman #61. If you were in doubt about this title, this is definitely time to get back to the King of the Seven Seas! It's of course fitting for Mera to be just as significant as Arthur, since their original wedding back in Aquaman #18, Volume 1- 1964, the couple have functioned best together. It's a testament to Mera's strength as a character (GO MERA!). The feel here is just perfect as political intrigue once again takes center stage. Despite the absence of Caille, my new favorite Aqua-character, I'm all in on Aquaman #61! Aquaman may not even be necessary… .

If you're a fan of Jackson Hyde, you've got to buy Aquaman #62! Jackson gets the spotlight and along with a lot of excellent character work, there's a looming plot thread established for a future issue. Most importantly, Jackson comes across as a real person with genuine concerns and doubts and needs. Even Black Manta gets a little bit of sympathetic treatment. You can't help but feeling bad for him as his past unfolds slowly. In some ways, the Manta family may be overtaking the appeal of the Aqua-family! Don't call it a fill-in, it's so much more than that!

If you enjoyed Aquaman #62, then Aquaman #63 is a must! These two issues are more satisfying that the majority of DeConnick's run on the title. Jordan Clark does a great job of developing Jackson Hyde's character and hitting all the right story beats for a compelling turning point moment in the life of a young man. Even if you aren't reading Aquaman, these two issues are an entertaining read and an example of how good comics can be. Let's see if we can't get a Jackson Hyde series by this team!

With Aquaman #64, we've almost come full circle from where we were at way back when in Aquaman #24. It's been a long detour, but Aquaman has nearly shaken off the Jason Momoa influence. DeConnick shows that she's got some classic Aquaman in her with this issue and it feels right. The larger cast will clearly play a role in upcoming issues as Vulko and Cetea appear to come to a detente.

While it's nice to see Arthur and Mera finally married (this was teased way back in DC Universe Rebirth #1), the journey has been a bit underwhelming (The best character work was with Jackson and grandpa Jesse). The idea that Atlantis is moving forward with a different political agenda is interesting and would've made for a better story than returning Orm to the vengeful brother for another confrontation for the throne with Arthur. It's worth reading this issue for the small forward movements, but it's a headscratcher when one realizes the missed opportunities.

Color me pleasantly surprised that despite being chapter four in a multi-part crossover Aquaman #66 reads amazingly well as the next step in Aquaman and Mera's life. For Aquaman fans worried about an interruption, there's no need to skip this issue. Plus, for those following "Endless Winter," you might find yourselves interested in learning more about the erstwhile King and Queen of the Seven Seas- Arthur and Mera…and Andy too!

Aquaman #1 is a solid start to this new run on the King of the Seven Seas. Adams is a proven commodity and there's a lot of promise. Connecting it to the events of Absolute Power and DC All In Special may not be the best approach, but Aquaman's character seems to be back on the right track. Out of 10 it would be 7.5, but all I can do on a 5-point scale is

Aquaman #2 is a very, very good issue. It's a definite improvement over last issue, and feels like it might've worked better as a first issue. It gets the reader excited and engaged immediately. Plus, there's some interesting additions to Aquaman's world with the Blue and the mysterious Atlantean. All in all, this is what should be expected from Jeremy Adams. I expressed faith in his writing in the review of last issue, and it has paid off in the very next issue!

Jeremy Adams is doing it again! After saving Wally West and breathing new life into Hal Jordan, the King of the Seven Seas is starring in a series that demands attention! It's not rocket science, but it isn't always easy. Aquaman #3 is one of those comics that is new reader friendly. Even if you've missed the first two issues, Adams makes it clear what's going on and adds effective character moments with plot progression. You don't want to miss this new series!

Aquaman #4 shows why Jeremy Adams is DC's best writer. Like Geoff Johns 20 years ago, he is able to capture the substance of characters and integrate their histories into something new and exciting. Even an issue like this which feels short is really good as it does the right things with character and world building.

Those familiar with Jeremy Adams work on titles like The Flash and Green Lantern shouldn't be surprised that Aquaman #5 is a great issue. As the story progresses, Adams work on the series seems to get better. Great character work, action, excitement, thrills! Stay with this title, Jeremy Adams has found a new approach on the character that while manages to feel fresh while it also encompasses history and classic elements.

Aquaman #7 is a pretty solid issue that moves the plot forward quite a bit which is also satisfying. The "twist adds some good emotional content and all the while Aquaman continues to be written very "in character. This may not be the best issue of the series, but it's definitely better than the previous issue. I feel like Jeremy Adams has a longer resolution that will play out and next month's "finale is just the midpoint of the greater saga.

Jeremy Adams completely his makeover of the King of the Seven Seas in Aquaman #9 and it feels like there's a whole lot more to come. The obvious is the younger, not dead Mera on the final page with baby Andrina in tow, but there's bound to be an extensive exploration of Aquaman's power upgrade, is he stronger than Superman, now? This issue probably falls closer to 7.5/10, but I'll go with 3.5/5 for the purposes of the graphic below.

This is a fun issue, with a fun premise that is more of a celebration than any sort of deep exploration of character. Fun comics are great and important. It doesn't quite hit the highest nostalgia moments, but it does show that Thomas is aware of the history of these characters. You'll enjoy Aquaman/ Green Arrow: Deep Target #1 in the way you enjoy an old Silver Age comic or adventure romp.

The work by Thomas, Cliquet, Arreola and Reed is subtle at times and it's refreshing to have a fun story that reminds us of a "simpler" time that celebrates the history of these characters while not deconstructing them. We've seen that deconstruction in other places, and that's not what this series is about. So, come enjoy these two DC stalwarts in a fun tale behind a dynamic cover by Marco Santucci!

Aquaman/Green Arrow: Deep Target #3 loses none of the fun as it finds some deeper connections both in character and Silver Age nostalgia. Three issues in it's clear that this book has a unique feel to it as it explores this timeline that has been altered by Scorpio. One wonders if that's part of the effect, or simply that the creative team is working very hard at creating something singular.

Aquaman/ Green Arrow: Deep Target #4 maintains the fun of the previous issues of the series. It has some emotional depth to distinguish itself from the typical Silver Age stories it homages. Additionally, the continued references to other comics/books/movies elevates the fun factor. For a fun, escapist read with some nostalgia thrown in for seasoning it gets the job done.

Aquaman/Green Arrow: Deep Target #5 may be the best issue of the series. Brandon Thomas takes the hook out of the reader's mouth as he reveals Scorpio's motivations, but we're willing to stay around because the creative team has developed a fun and exciting tale rife with classic science fiction references.

All in all, Aquaman/Green Arrow: Deep Target #7 is a fun issue with a little bit of heart. It gets the job done, though it leaves a lot of room for a stronger final act. It's a nice way of celebrating the 80th Anniversary of these two who are a strange pairing, but who've historically been linked since their first appearances in More Fun Comics #73. They shared many issues of that title as well as Adventure Comics through the end of the Golden Age and much of the Silver Age.

Aquaman Giant #4 is an excellent issue! The reprints are all grea, with the "Throne of Atlantis" and Mera chapters being obvious standouts, the Teen Titans reprint is a real treat! However, the two original stories are the real gems as they both do a wonderful job with character. They also go deeper than the average story while also appearing to be building something. Aquaman Giant #4 is currently available at Walmart. Originally solicited to arrive in comic shops on May 13, it will most likely be delayed.

Artemis: Wanted #1 is a mostly disappointing postscript to "Trial of the Amazons. The idea of Artemis being Hippolyta's killer was intriguing until Artemis' motives are revealed in this issue. When they are it is not only lackluster and contrived, but it puts a black mark on the already shaky "Trial of the Amazons. Quite honestly, you don't really need to read this comic. It's a bit of a mess. You might even be happier not knowing why Artemis killed Hippolyta, knowing only highlights the petty squabbles between the tribes of Amazons.

So far, Batgirl and the Birds of Prey does a better job of reintroducing the Birds of Prey concept than the New 52 version. However, it is a bit of a mixed bag in that the characterization of the individuals doesnt fit as well as the dynamic between the characters. This issue was stronger than last months Rebirth issue, but the "DCYou" characterizations are distracting and remind the reader that this is not the classic Birds of Prey and that something is just not quite right.

This is a stronger issue and you can feel the story building and the team coming together with great promise. The Birds all get moments to shine and with the intensity of their purpose increasing Batgirl and the Birds of Prey #2 is a great read and a perfectexampleof a book on the rise.

This title is really finding its way. The continued emphasis on character combined with the mysteries and twists in this issue put this on par with the best DC Comics has to offer.

This is the Birds of Prey you've been waiting for. Over the past few issues, piece by piece these characters have becomefamiliar and developed into the concept that was so successful pre-"New 52." If you were a fan of the Birds then, it's time to come back and give this title a try.

This was a great character driven conclusion to an opening arc that continued to improve issue to issue. The Birds of Prey are back and have bonded in this Rebirth era whilst keeping intact most of the dynamic that worked so well in their pre-Flashpoint incarnation.

Batgirl and the Birds of Prey is in top form. This has surpassed the "New 52" run and is taking the best from the classic run and making it fresh and modern. The Bensons have managed to make this title feel contemporary and familiar at the same time. Great storytelling relies on great characterization and chemistry. For a concept like Birds of Prey, it is integral. The Birds could sit around a room and talk and it could still be the best story of the year. It's like that with this concept. Maybe, because it's a book that features all female leads it lends itself to this. No matter what, this title has become great.

Two issues in a row, Batgirl and the Birds of Prey has successfully channeled the best of classic Birds of Prey while maintaining a focus on character and not seeming derivative. This type of execution will quickly elevate this title to the upper echelon of DC's publications.

With issue #9, Batgirl and the Birds of Prey proves that while evoking classic Birds of Prey elements, there is room to grow and find inspiration from classic comics of days gone by. The key is always being able to make it seem fresh and new. Developing the characters in this title is the single most important aspect and that's happening. It only looks to get better next issue with Green Arrow and Nightwing joining in the fight!

Batgirl and the Birds of Prey continues to feel familiar and maintain a continuity from it's classic incarnation, yet also be fresh and contemporary. There is just the right amount of nostalgia for long time fans but not so much that it alienates new readers. Hard to go wrong with this title!

A year in, this title is hitting on all cylinders. It truly feels right as the Birds have developed that family dynamic. And it doesn't stop there. The Bensons' storytelling is centered around character and emotional conflict. And it's all equally presented visually by Roge Antonio and Allan Passalaqua. Even a new reader will find this issue entrancing. Character and emotional connections will always bring new readers in.

Another great issue of a great book! This title continues to charge forward in the right direction with great characterization and playing with the sense of nostalgia that is part of the "Rebirth" retooling of the DC Universe.

The bonds between the Birds are strong and this change of pace issue is not only fun but also heartwarming. Throw in Catwoman and Ivy and there's the makings of an even bigger family. It might take their formal permanent addition to take the inner turmoil of the Birds of Prey to the edge.

Batgirl and the Birds of Prey #15 continues to build on the foundation laid in the first year. The characters always come first, and the dynamic between the main characters drive the series. This looks to be extra fun with the added Bat-family characters along for the ride this time.

Batgirl and the Birds of Prey #16 is another outstanding issue. The hopeful quality of the allied heroes and "villains" demonstrates that it's possible to put differences aside for a common cause. Perhaps, it's a lesson we can all use once in a while.

Men! Women! They have to live together! And, the Birds of Prey and friends figure out how to stop the slaughter of the men in Gotham City through the classic example of pulling together for a common cause. There is a true hopefulness in this issue that is only matched by the characterization that gets us there.

It's nice to have a one off story. But, it's even better when that story is meaningful. Batgirl and the Birds of Prey #18 not only tells a fun story of international espionage, but it also adds to the relationship between the three main characters. The Birds of Prey concept has always been about the relationship between the characters, and the success of this version is no different. This current version has managed to find that sweet spot with the characters and it's just a joy to see them interact. My only question is when Zinda will rejoin the team.

This is a great start to a new story arc. The opening sequence hits all the right notes as Oracle and the Birds are in classic form. The story itself raises some serious moral dilemmas that should prove captivating as Barbara attempts to sort out what's happened. It appears that Helena will do some growing as well as she has reached out to her mother.

With the team back on the same page, the Birds are poised for the end run of this series as Batgirl and the Birds of Prey sadly faces cancellation in the next few months. The set up seems that it will leave the team intact and closer than ever, ready for another outing, hopefully in a short time.

On its final run, it is more apparent that this run of Birds of Prey is doing everything right. This is one of the most interesting and unique concepts and deserves an audience. Perhaps, jumping on at the end sends the right message to the powers-that-be. The intimacy of the conflict and intimacy of the lead characters will always make the Birds of Prey stand out from the rest of the crowd.

Over the past two years, this series successfully grew out of the "New 52" into theRebirthera to embrace both modern and dare I say the classic Birds of Prey into a formidable title that gelled into an amalgam of all eras. It never felt derivative, only inspired. This series will be missed. Please, show your support and make this a "must buy" this week.

What this issue lacked seems like it can be easily recaptured in the series. With more space and narrative it should be easy to get Barbara and Dinah exhibiting the friendship they once had. Helena will be an unknown quantity for a bit as she is new to this version of Birds of Prey. My only trepidation is that Batgirl and the Birds of Prey will stick close to the most recent versions of the characters and they wont exhibit the same camaraderie that existed in the classic version. It was not the basic concept that made Birds of Prey so good in the pre-Flashpoint DCU, it was the relationships between the characters that were developed by Chuck Dixon and Gail Simone most notably.

Batgirls #1 comes out of the gate at the top. It hits in places that many comics don't. Not enough comics focus on characters and their relationships with one another. Tom Taylor and Bruno Redondo are doing this over in Nightwing and it's beautiful. And, that's what Batgirls #1 is- simply beautiful. This issue's filled with lots of positivity, and it stays with you. People are what are important in life and that message comes through loud and clear. This is the kind of comic that deserves to be a top seller and is of the quality to make good on it.

Like the last issue, Batgirls #2 is a joy to read. The focus on character and interesting technical execution make it another must-read issue. These are characters you'll love if you give it a chance. If you're enjoying Nightwing, it's the perfect book to flesh out the Bat-verse. It definitely feels like the companion title. They are both character-focused and they both draw the reader in to the world in relatable and life-affirming ways that accentuate love, family and friendship.

Batgirls #3 is another fine issue that is of a certain type of comic we don't get nearly enough of. Between quality and quantity of content focused on character, it's one of those comics that you really enjoy reading and makes you feel good as you share the lives of Barbara Gordan, Stephanie Brown, and Cassandra Cain.

Batgirls #4 is a perfect example of the type of comic book series this is. It successfully recalls some of DC's best series of the past with a broad appeal with the right amounts of humor. It feels like a complete title that delivers the action/ adventure as well as human moments that will keep readers around as they get to know and love these characters.

Batgirls #5 is another fine example of why this is a special title. It's not rocket science either. Babs, Cass and Steph are three women working together to help people. The series follows not only Cass and Steph's maturation as women and crime fighters, but it highlights what makes all three of them special. This issue is definitely focused on Babs, but we've seen that focus switch in the first five issues of the title. It's the characters, it's always the characters.

Batgirls #6 is another great issue. It wonderfully balances some humor with action/ adventure and plot with character. The bottom line is FUN. I can't stress that enough. And, if you're paying attention it will make you feel good as well.

Batgirls #7 is just that kind of comic that always makes me smile. It's that good. It's been that way all the way through the series so far. Fans of Nightwing should definitely be reading this, it's the obvious companion book in content, quality and approach. Seer has been a part of the narrative since Batman #115 and she's finally getting the spotlight. The next issue looks to be another fun adventure with Steph, Cass, Babs and Dick!

I'm just sort of stunned. This is a wonderfully complex title with fun and touching relationships. The series gets the details right, the details that make the characters engaging and relatable to the real world. You're pulling for these guys! Not just Dick and Babs, but Steph and Cass as well as they are sort of carving out their own superhero family as a subset of the larger Bat-family. The overall vibe is one of positivity, and it's lovely.

There is a broken record that plays throughout my reviews of this title, and that's the emphasis on character. Ultimately, it's what makes or breaks a title. Batgirls #9 is a perfect example of how characters drives a story and keeps a reader engaged. It's these characters' lives we here for, right? That's what counts. That's what keeps readers coming back.

Character driven comics will never go out of style. They may not always get the headlines or the hype, but they are substantially better on the whole. There's just more to enjoy, and Batgirls #13 gives the reader a lot to chew on and think about. Some comics are better when you think about them and let them sink in, others deteriorate as soon as you start thinking on a deeper level. Batgirls, is of course, the former, a series that is ultimately about people and relationships and gets better as it sinks in.

Batgirls #14 gives readers the "silent treatment in a a unique chapter of the current story arc that began in Batgirls 2022 Annual. The story is an emotional journey, but Jonathan Case does a stellar job in his storytelling and coloring. It's a special issue that will be even more significant when this story wraps up. It can also be enjoyed as a one-off, and it's hard to imagine it not drawing new readers in who are checking out the title for the first time!

A high level of disparate emotions makes Batgirls #15 an excellent exploration of relationships. That's what really matters, right? The people in our lives? This title makes this consistently important and therefore, consistently quality storytelling. This is a unique and special title, and the tease of the Mad Hatter in the subsequent storyline is something to be excited about.

Batgirls #16 strikes the perfect balance between action, plot, character, nostalgia and emotion. We shouldn't be surprised that it's yet another great issue in this series. Inductive reasoning should tell us that! We didn't even get to mention the fun use of all the expected Alice in Wonderland motifs one would expect in a Mad Hatter story!

Batgirls #18 is an interesting issue with a fun plot that provides an interesting idea for the relationship between the citizens of the Hill and the Batgirls. There's really strong images as well and the issue leans into its strengths of relationship and characterization even down to the small details.

Get out a few tissues for the tears you'll have to wipe away as they roll over your smile as we say good by to Batgirls. Batgirls #19 goes out with an inspiring and thoughtful message coupled with some great action, excellent art and beautiful colors. Perhaps, one day we'll meet again, this could be just the beginning.

The Batgirls 2022 Annual is for the sensitive reader. When I say that I mean it is for a reader who is able to connect with the characters and relationships. This isn't a loud blockbuster, but it's not without an interesting and exciting plot. However, the attention to character and relationships is what elevates this, although the twists in the setup and plot are really cool as well! More comics should be like Batgirls. Even if you weren't a fan of Steph and Cass when the series started, it's hard to imagine how you can't be now after just over a year of the series.

In all aspects this issue fits neatly in the Batman T.V. show universe. Script and art trick the reader to believing he or she is in front of the television 49 years ago. Sit back and enjoy. Its not often we are allowed to have such unbridled fun with comics in this day and age.

This is someones one chance at telling a Batman story. It is the best of both worlds- a goodbye to Gotham for this creative team and a satisfying examination of what is essential about Batman. Its Batman and Gotham City and Commissioner Gordon and Alfred. Its all the possibilities for danger. As the journalist indicates, the city is changing. Batman is making a difference. Hes changing what was into what can be. And in that change, sometimes the city itself can make a difference, and when it looks darkest, sometimes Batman is not needed. This could also be someones first Batman story, and in that Snyder and Capullo communicate what a new reader needs to know about Batman. And if you can, track down Detective Comics#567 while youre at it.

This is the fourth arc in this title since its launch. The arcs that featured the Earth 2 Batman and Superman were both very strong. The one with Toymaster and Mongul fell a bit flat for me. This arc is definitely in the same league as the Earth 2 stories. This is a new type of threat for Superman- a Batman type villain with superpowers that are a match for the Man of Steel. This arc seems to be setting up a situation in which Superman will at some point have to use some of Batmans methods to defeat this killer. This is shaping up to be a very strong story.

If youre reading this storyline, you certainly dont want to miss this. It sets up the next chapter, but is not all that exciting on its own. However, it does present enough interesting ideas that if you were to pick this up on a whim, youd be drawn in to the situation and have a hard time not coming back next month.

Batman and Robin: Year One #1 is a great start to the series. Waid and Samnee deliver as expected on a simply great comic that is designed to be just thata great comic without any ulterior motives. It retains enough of the classic while addressing a few appropriate updates. Any fan of Batman will want to read this.

Batman and Robin: Year One #2 improves on last month's debut issue and shows where this series is headed. It's a combination of nostalgia, timelessness and solid storytelling from the creators. It yields a lot of fun and the excitement one expects from a super-hero comic book. Put this at the top of the list with Action Comics, the two best titles that feel All In!

Batman and Robin: Year One #4 is another outstanding issue. Waid seems to excel at classic takes with a bit of modern updating. Sometimes all you need is fun, and this comic has that. If you enjoy the idea of Batman and Robin with a non-sociopathic Dark Knight Detective, then this is the comic for you. And it all looks glorious courtesy of Samnee and Lopes!

Batman and Robin: Year One #5 demonstrates why this is one of the top two Bat-titles at DC Comics right now. It's running neck and neck with Batman and Robin written by Phillip Kennedy Johnson. Is it a coincidence that they both feature Batman and Robin? Probably. They are tonally different, but both of excellent quality as they both balance the action with character moments. Year One will take the top spot if fun is your thing! Either way you can't miss with this series!

This might be the best issue of this series so far. Batman and Robin: Year One #6 seems to have it all, yet not feel overstuffed, a real testament to the "simplicity approach, and yet it lacks nothing either. DC doesn't have enough book like this. Furthermore, this issue also feels accessible to a new reader despite it being in the middle of the arc. The real draw is the development of the Batman and Robin partnership and that shines through strong enough to carry the series.

Batman and Robin: Year One #8 is another installment of a series that vies for "Best Bat-book with Batman and Robin leaving Detective, Batman and Absolute Batman in the dust. There's a legitimately new approach to the relationship between Bruce and Dick in this issue that we've never seen. Combines with the action and villain plot, it's a truly great series that isn't dropping in quality. I'd like to add an extra 1/2 point to the ratings' scale for an 8.5/10.

Batman and Robin #25 is another very good issue in this series. As the first chapter in a new arc, it sets the stage for a mystery and the continuing development of the father/ son dynamic between Bruce and Damian that's been the character focus of the series since Phillip Kennedy Johnson came aboard with issue #14 about a year ago. And, if you're jumping in cold, it works just as well as a mystery for Batman with an ending that will have fallout you've got to come back for.

A great start to this weekly series. Batman and Robin Eternal #1 gives all indications that this will be a must read series like its predecessor, Batman Eternal, and it will utilize the strengths of the weekly format featuring cliffhanger endings and a strong ensemble cast.

Awesome is awesome. With a weekly series its easy enough to have a slow issue, but this is not that issue. Batman and Robin Eternal #2 delivers the goods in almost every way. Dont think you can skip this series. Drop something if you have to and get on board the Dick Grayson train in the form of Batman and Robin Eternal!

The mystery, the characterization and the interaction between the members of the Bat-Family make this an extremely enjoyable series. Only three issue in it certainly seems like Batman and Robin Eternal will be a defining moment for this Bat-Era. Plus, it builds on Dick Graysons status as the equal of Batman.

This issue pushed the story forward just enough. It adds to the mystery of Mother and Orphan and solidifies the deep bond between Dick and Barbara. Bringing in the Robins and Batgirl was a nice touch. The Bat-Family works well in this format and expanding it adds to the overall approach. This story is about family at its heart and all families continue to expand over time.

Tim is not happy. He feels Dick is endangering his parents by exposing them. It ends with Tim accusing Dick of being just like Bruce and feeling betrayed by Dick. Dicks reasoning is sound- knowing Tims past he had to find out if what he knew about Tim was true. This has set Tim against Dick and with last issue surprise ending, it puts Tim as an outsider in the Bat-Family.

Dick and Jason continue their discussion, to determine the next course of action. Dicks got Harper and Cass in a safe house. Jason calls him on it- the second time in two issues a Robin has accused Dick of being too much like Batman. Jason and Dick pick Cass and Harper up on their way to Prague, and we get a tantalizing glimpse of Mother who is quite happy about the course of events. 4 1/2

Second would be the photo realistic ballet backdrops that appear a few times in the issue that have been executed with a different technique. He also does a nice job of showing the Prima for what she really is as she is revealed in a mostly silent sequence. 4 .

Clarity. Mother is the villain and Bruce has been misrepresented at some point. What exactly transpired between the two is still unclear. Scarecrow is still in the mix and whatever happened in the past is more significant than simply Bruces encounter with Mother. Bruce was investigating something in Prague from which he tried to protect Dick.

The creative team is crafting a multi-faceted story with some great character moments and surprises and they are not showing their cards.

Each group of characters is left in a quandary. Jason has escaped with a Tim Drake whos had Azrael put visions in his head. However, it appears that the effect is not unlike the Scarecrows fear toxin. Hes behaving quite similarly to how Dick Grayson was acting, including the Weve failed Bruce dialogue. Speaking of Bruce, it certainly appears that hes biting on Mothers offer, but I still believe we are looking at misdirection. Im thinking Bruces reasons for hiding the case from everyone is more about failure to stop Mother instead of Bruce throwing in with Mother. Lastly, it appears that Harper is about to find out more about her past, stuff of which she had no inkling. Next issue should provide some more answers.

This moment is particularly telling. Dicks urgency upon hearing Batmans name really indicates how important Batman is to him. It ties directly into the main theme of this series- the relationship between Batman and Dick, the other Robins and the very concept of Robin. One final hit. This issue is excellent.

This issue really went deep. The emotional strings it plucked take this issue to a 4 .

One of the nice things about a weekly series is that the creative team has the freedom to veer off into different directions with different characters while not losing too much focus on the main story. Batman and Robin Eternal #13 is like that. This issue could well be called "The Secret History of Cassandra Cain," and yet it fits so seamlessly into the overall story that it doesn't seem like a fill in or deadline emergency.

A physical embodiment of fear. A symbol, something more than human. To Dick, Bruce is a man. He gets hurt, he bleeds, he questions. He is a man. As Dick says, its his greatest strength and his greatest weakness. This is no Bat-god. Bruce is a man for good and bad. But at the end of the day, he is a good man at the head of a family. Family, remember that. Oh, so close to 5…4.75.

The first half of this 26 issue series was a lot of mystery unraveling and solidifying the Bat-family. They were in the dark, confused, but now the second half of the series seems to be shaping up as an offensive against Mother both in the present and the past.

Back in the past in Cairo, Batman picks up a gun from a trashcan in an alley in Cairo. He disappears into the darkness with the pyramids in the distant. A lone gunshot.

In the present, Dick and Helena are called to the roof as Tim and Jason show up and are greeted as unfriendlies by Spyral. Meanwhile, Harper uses the ID she pinched to sneak in and see Orphan. The verbal sparring leads to Orphan taunting Harper with his knowledge of Cassandras visit to Gotham and her intended target. Cullen?

Another great issue in this highly enjoyable series. The character moments are truly the best parts of this book, but the story continues to be engaging. While Mother has become a lot more vulnerable throughout this series, the threat she poses still gives the Robins a big challenge.

This issue can be enjoyed by any fan of good comics. Its that accessible. Maybe the best issue of the series so far. Tony Daniels art is particularly welcome in that it is familiar and hes been associated with Batman for nearly ten years if not more. It fits very well. Just like New Teen Titans #38 featuring Who Is Donna Troy? This issue can be enjoyed out of context of Batman and Robin Eternal. But it doesnt hurt to get the other 20 issues.

A great issue for characterization. Seeing Batman in this light makes me itch to have Bruce return to the cowl and make an appearance by the end of this series. However, it may be something that works best as something that the Robins have to finish without Bruces involvement.

If youre looking to see what all the hubbub about Batman and Robin Eternal is about, this is not a bad issue to pick up. Its fairly straight forward and it definitely gets one ready for the showdown next issue, or at the very least, the one after that. It still seems like theres one more twist or turn left in the final 3 issues.

At this point, this book is a must read. Theres enough here for even a new reader to jump on for the 3 issue finale. Go for it!

Anticipation is high for the final issue- Dick and Mothers showdown, Harpers choice and the future of the Bat-family. And a lingering question- Will Bruce make an appearance? Gotta be back for the finale in Batman and Robin Eternal #26!

This is a great story for fans of Batman and any one of his many Robins and protgs. It succeeds at getting to the heart of the character and in a fun and sometimes surprising way. This is a must read for all fans of Batman and Dick Grayson. And Harper Row. It ranks high in this reviewers estimation of the Greatest Batman Stories Ever Told. 4 3/4.

Get yourself in that Fables space- and then pick up Batman vs. Bigby! A Wolf in Gotham #1. It might even help to read a story arc from Fables beforehand to get you there. While this issue starts off leaving the reader feeling a bit unsure, the potential is here. I have no doubt that "unadulterated brilliance" will be with us soon, but all stories have to start somewhere".

Come to a different world, a Gotham that is both different and familiar. Any fan of Fables will get what's going on and feel those same emotions that Willingham delivered in Fables. For readers that aren't well-versed in superhero comics, this is a series that will give you a fresh look as well. Rife with bits and pieces from Fables and Batman's multimedia appearances, Batman vs Bigby ! A Wolf in Gotham #2 builds on it's many foundations.

The mystery gets a bit more complex as does the exploration of Batman's "fairy tale." It's subtle at times, but it really does promise something special to come when Batman has to accept a giant talking wolf. Take a moment to enjoy the art as well as it emphasizes the aspects of Batman as a "fairy tale."

Batman Vs Bigby #4 comes together wonderfully as background details are filled in. Interestingly, Bookworm jumps out as the star of this issue as the extent of his competency is revealed. It is also gratifying to see Batman and Bigby finally working together, even if they maybe haven't got it all figured out just yet. It is clear though, that the last two issues will be barn burners!

Batman vs Bigby! #5is the perfect penultimate chapter in a 6-issue mini-series. Coupled with some really exciting visual moments it lands as the best issue in the series, and obviously at the perfect time. Next moth's finale should prove to be not only nostalgic for fans of Fables, but an enjoyable conclusion to this unique crossover.

Batman vs Bigby#6 finishes up this Fables mini-series in fine fashion with some very interesting storytelling from the art team and details that remind the reader why Fables is such a good series. This certainly whets the appetite for the return of Fables coming in May! This has been a fun series and shows that there is potential for more crossovers with traditional DC Universe concepts.

An easy to jump into issue over 1/3way through the series, which is remarkable. The book feels like a good Batman story and it incorporates so many elements which make the Bat-Mythos so enjoyable. There is a lot to like and a lot to digest, but the creative team does a good job with it all. The direction of the development with the family dynamic is a feel good aspect to the book which makes it very likable. This may also point to the meaning behind the title of the series. By creating a family and not a team Batman will in fact become eternal. This is really 3 1/2 Daily Planets.

This is another good issue of Batman Eternal despite the change of pace and characters from recent issues. Its a big story that continues to get bigger. There is a unique completeness to it with the through line that is Jade, despite two cliffhangers with Batgirl and Catwoman. The art is neither here nor there, nothing really remarkably great or awful about it, just somewhat average. If youre reading this title, youre going to get this issue. If youre not it might be a bit harder to jump in to the story here, though theres certainly enough going on to pique ones interest.

Settling in with series on a weekly basis has its pros and cons. It does move a bit slower than your average series, but the scope of the story is certainly much larger. While touted as turning point, and certainly it was, it seems things slowed down a bit this issue- Hush is barely mentioned. This is certainly worth reading, but a new reader will be not only confused, but left wondering if this is the pace of each issue. The varying pace is necessary for the gravity of the issue, but one hopes that the next issue will pick up the action and push things forward a little bit faster.

Plot advances to keep the ball rolling, but mixing of genres may make Batman Eternal a tough nut to crack for some. If youve made it this far no sense in stopping now. The emergence of the Spectre is much anticipated, and teasing him is the way to bring the reader back for the next issue. 3 1/2 Daily Planets.

The highlight was easily the Spectre and the destruction of Arkham the most troubling aspect. It seems this will lead to some overplayed Bat-tropes- Arkham escapees, Gotham (or parts) reduced to rubble. I think only time will tell how well this part fits into the overall story. As a single issue it was one of the best of this series. The smaller cast and tighter action really made this a great single issue read that didnt rely on knowledge of the overall story.

This was a really fun, fast paced issue with great Alfred action. This is an issue that can easily be read alone or in the context of the overall story. This is a good issue to pick up if youve been wondering about this title. It wont be hard to figure out whats going on. Its easy to feel the momentum building with this issue. Cmon Wednesday

Great issue this month. Hush has upped the ante on Batman and its clearly going to take a supreme effort to not only save the city, but save his reputation as both Batman and Bruce Wayne. As long as the side plots are able to wrap up or dovetail into the main plot, this will continue to be a great read.

Batman Eternal continues to please and excite. This issue is an easy jump on point for new readers, the tight story and smaller cast allow a new reader to get involved and excited about the direction without feeling lost. This is certainly a difficult thing to do in a weekly series in its 33rd installment.

Again the smaller cast this issue and the tighter plotting make this issue feel accessible to the new reader even if it is picking up in medias res. The set up for the next act is daunting enough to draw a new reader in. Batman Eternal continues to be a great Batman series with big ideas and quality execution.

This is another solid chapter in the Batman Eternal saga. No reason to jump ship at this point. For a new reader it might be a bit confusing to start this late in the game. There is a sense we are on the verge of figuring out the big bad very soon. 3 1/2 Daily Planets.

We are finally here, set for the last act of Batman Eternal. It is shaping up to be a classic showdown, and these two have had many an epic confrontation. Tune in next week Bat-fans, same Bat-time, same Bat-channel!

Overall, this was a weaker episode of Batman Eternal. It fits into the bigger picture as a set up for the finale, but on its own it is a bit meandering. It closes out some of the story points from the previous issue, butseems to stall out as it approaches the end of this Bat-Epic.

Batman Eternal has run almost a year and Batman has been put through nearly everything. Trying to find out how it was all orchestrated seems like a story for another series. As this title concludes it seems hard to imagine explaining it all in the short time left. Amazingly, this book was accessible to a new reader. Despite being at the end of a year run, anyone could pick this up and appreciate the character moments even if the reveal at the end was not anticipated for the past 50 weeks.

Dont miss this one. The pay-off is finally here. This Bat-epic is almost over. Even if youve missed the previous 50 issues you will enjoy this read and certainly be back for the final installment. Next Month teases Eternal- and I can begin to imagine what that might mean.

Very often, huge epic stories like this leave something to be desired in the conclusion. Batman Eternal is not like that. Perhaps, it's the length allowed Snyder and Co. to tell their story. Is Batman fundamentally different after this? No. But, he has been given a psychological makeover and sets him on different footing that we haven't seen in his portrayal in decades. Moreover, this change occurred in story and not as part of a reboot of the character. With this, Batman is Eternal. If you missed this series, just get the trades, you'll be glad you did.

Batman Secret Files: The Huntress #1 demonstrates the varied storytelling opportunities in the DC Universe and highlights how deserving of a series the Huntress is. Helena has been an intriguing character for a long time and Tamaki, Lapham and Mulvihill capture that in this issue and leave the reader wanting more of Ms. Bertinelli.

Next up we have Big Barda. Barda is definitely a heavy hitter. For a fight she's a good choice, but on the stealth side of things, maybe not. She could've learned some things from husband, Scott (Mr. Miracle) Free in this area. Even so, she's the muscle of the team and that works well enough. This is a solid start to the team and the path that Dinah takes to recruit these two is done well, especially as it continues to rely on Dinah's relationship to the target, Sin.

Harley Quinn ruins everything she's in. She doesn't play well with others and it's no different in Birds of Prey #2. She doesn't mesh well with the rest of the team tonally. Her ridiculousness detracts from what at times begins to feel like a Birds of Prey comic. There's far too little time spent on character which leaves too much time for Harley. Thankfully, Romero does a really nice job with the art on this issue. Script-wise it feels messy and cobbled together, you just sort of want to get through it so the plot can move forward. It's definitely a step backwards from last issue.

Birds of Prey #3 is not a good Birds of Prey comic, however, it is a pretty good Harley Quinn comic. If you're here for Harley and how great she is then you will flip that score around, probably. If you're a fan of the Birds of Prey, this isn't it.

If you've spent money on issues #1-3, you may feel really cheated with the plot developments in Birds of Prey #4. It not only exacerbates the lack of reasoning on Dinah's part in not even attempting to contact Diana for help, it just becomes clear that Thompson literally lost the plot for this arc in the very beginning. Things just don't make sense from a character standpoint, and there are just too many things that just are because Thompson wants them that way instead of them making logical sense based on character and the known world of the DC Universe.

Overall, Birds of Prey #5 is a better issue than #4. It may not seem like it when breaking down the details, but there's a stronger through line with the plot and the conflict building. This is still not a Birds of Prey comic by any stretch of the imagination despite the title. If anything, with Megaera it would be more at home as a Wonder Woman or Zatanna story, or perhaps Justice League Dark or Madame Xanadu.

While the ending of Birds of Prey #6 indicates there may be some hope for this title in future issues, the finale of this first arc reinforces the notion that Thompson isn't all that interested in the Birds of Prey concept. It's a disappointing first arc for the relaunch of a Birds of Prey title. The magic, mystical and time travel elements push the title further away from that core concept of the grounded, hand-to-hand combat, espionage, undercover mission that is central to the Birds of Prey concept. It would be better for Thompson to create a new team without damaging the Birds of Prey. A complete restart is the best option for this series, either as a proper Birds of Prey title, or a new team concept that fits what Thompson actually wants to write about.

Birds of Prey #7 is easily the best issue of the series so far. The inclusion of Barbara Gordon and thus connecting the book to the core Birds of Prey concept makes it feels right. This issue doesn't feel as derivative as feared with the time travelling killer plot that seems so similar to the first arc in the current Justice Society of America series. Things seem to be going in the right direction as long as future issues can wrap up the killer plot and move beyond connections to the first arc.

After an improvement last issue, Birds of Prey #8 slides backwards. The tone isn't right, the plot feels forced and the mystery isn't playing out in an interesting manner. Putting Barbara Gordon in danger has been done before, and done better- "The Hunt for Oracle. Thompson still doesn't seem to get what makes Birds of Prey work as a concept. The time travel works against it, the lack of character focus is missingat least the art in this issue is nice.

Birds of Prey #9 strays further from the what makes the Birds of Prey the Birds of Prey. Ill suited humor and a tone and milieu that resembles the Doom Patrol are the biggest culprits. Coupled with the fact that the story barely moves forward, the issue is relies on the out of place elements to carry it. There's little substance to what transpires and it seems to set up a meandering arc that will end in a "surprise.There are some elements that have potential, but not in within the pages of Birds of Prey.

Birds of Prey #10, outside of Cela's information dump is just so much nonsense. Barely more happens than last issue, but what does is meaningless. The very thin plot doesn't serve the characters that well, and the characters themselves feel secondary, which is again the opposite of the Birds of Prey concept. The plot itself has a lot of contrivance and the REASON Cela's sister is after Barbara couldn't be a more overused idea and underwhelming idea.

Birds of Prey #11 somehow isn't the worst issue of this series. There is some fun to be had with the action and some satisfaction with the brief confrontation with Maia at the end, but the tone, dialogue and superficial quality to the story fail to make any deeper connections. Thompson is using a deep cut villain with Velvet Tiger (Maia's mother), but there's no substance to the connection and it's emblematic of this series and issue- style over substance. "Oh, isn't that clever! No, it's not. It's disappointing. See Tom King's Wonder Woman for more disappointing style over substance comics. Too many female led titles are suffering from poor writing- Power Girl, Wonder Woman and Birds of Prey can they get some help here?

This story arc has been disastrous and Birds of Prey #12 does nothing to change the course. If anything, Thompson shows that she doesn't really know these characters, especially Barbara, and she doesn't have anything significant to say. Her take on Birds of Prey has been a bust since the first issue as the core concept of Birds of Prey has escaped her. Birds of Prey is something Barbara Gordon does, it's not simply a team of women heroes. There's a Venn diagram somewhere showing where these ideas cross over, but Thompson is not inside it.

Birds of Prey #13 is yet another disappointment. Thompson has had plenty of opportunities (13, so far) to make this series into something, and she just can't land this as a Birds of Prey series. She's got elements of Doom Patrol (wild wacky extra dimensional shenanigans), and an independent creator owned series with the focus on Maia and Cela. Writing a Doom Patrol series would be fine. A book about Cela and Maia would probably be really good, it's clear that's where her passion lies. This is just another superficial series with style over substance and none of the characters people are here for (Barbara, Dinah) show any real depth. Somehow, the resolution is better than the previous issue.

While Birds of Prey #14 does show signs of improvement from previous issues, it also continues to expose Thompson's weakness as a writer in the DC Universe. She just doesn't know the characters well enough and can't distinguish the good from the bad in terms of previous stories. Her characterization remains surface level at best. It's a mediocre start for the first issue under the "All In banner. If this is the best Thompson's got, it's not a lot to get excited about.

Overall, Birds of Prey #15 isn't that it's bad, it's just not that good. It's uneven with positives and negatives that balance each other. While Thompson gets some things right with type of story and some quality covert action, characterization is way off and the story is cluttered with pointless characters. Issues #14-16 could easily be condensed to two issues (this is doable despite not having read #16 yet!) if all the chaff were separated out. This would solve one of the problems with the story. There's probably no hope for the characterization.

Overall, the absence of meaningful character work hurts this series. It's been a problem since issue #1, and no one seems to be able to get Thompson on the right track. Characters matter. Readers come back for the characters and Thompson is doing almost nothing positive with them. It's not a terrible read, but anyone who scores this over 6/10 isn't really paying attention.

Lack of substance again makes Birds of Prey #17 a disappointing read. It's even more disheartening when it's supposedly the "the best superhero book right now. It shows how low the bar is for quality writing in today's comics. The industry moved beyond superficial writing in the Bronze Age. Chuck Dixon and Gail Simone both had amazing and classic, top tier runs on the title and this current run is a stark contrast in caliber.

Birds of Prey #18 is a mixed bag. Half of the issue is really good, and half of the issue is wasted. Thompson can't write a complete issue and gets in her own way allowing the good stuff to be undermined by nonsense that has no value to the story or characters. I had real hopes for this issue, but it's more of the same. This series will not improve until a better writer takes over.

Birds of Prey #19 is one of the better issues of this run. However, it still can't get above the "mediocre/ slightly above average hump. There's some great stuff with the Dinah/ Sin storyline while losing any momentum or sense of relevance with the Cassandra/ Barda/ Constantine plot. Thompson shows she CAN write good things in this series, but allows her predilection for magic/ supernatural and inability to handle her chosen cast detract from the elements of this series that are working.

Overall, Birds of Prey #20 is one of if not the most satisfying issues of this series. Thompson shows she's either listened to criticism or just finally figured out what a Birds of Prey comic is. Her work with character still leaves a lot to be desired, but at least things have improved on some level. The only question is will she be able to continue to improve?

Birds of Prey #21 is another good issue that's in running for best of this series. Thompson finally seems to have found the sweet spot for what a Birds of Prey story should be. Banter between Dinah and Babs finally sounds right and Barda is the best she's been so far. Thompson can't stay away from things that don't work like Megaera and her unnecessarily large cast, but those aspects play a much smaller role in this issue.

About 3/4's of Birds of Prey #22 is really, really good, but by the end Thompson gets back in her own way either trying to revisit things that were resolved a long time ago by a better writer, or the elements of this series that haven't worked from the beginning. Birds of Prey isn't a difficult concept to get, and Thompson finally does seem to be able to lean into that more and more, she's just got to understand her original ideas for the series are counterproductive to what is working.

With Birds of Prey #23, Thompson has put together two pretty darn good issues in a row. That last page doesn't make me think the finale will be anything other than a contrived ending with plot armor as thick as Barda's thighs. She's getting more of the details right even if some of the bigger picture is troubling or just downright out of place. The biggest issue is her inability to write three dimensional characters, they still too often feel forced and uncharacteristically imbalanced. But, this issue is one of the most enjoyable of the series.

I don't think there's a question that Birds of Prey #25 is the best issue of this series so far. Over the past arc Kelly Thompson has been able to finally get a story that actually feels like a Birds of Prey comic. This issue is the best she's done in the two years since the series launched. She still falls back on the ideas she likes that don't work at all like Megeara, a near sleep inducing fashion interlude, awkward dialogue and ill fitting time travel shenanigans, but in the overall scheme they take a back seat to the things that do work, the interpersonal relationships, the plan, and the apparently interesting concept of the Unreality which seems to fit perfectly with the cyber/ tech elements of the Birds of Prey concept. Closer to a 7.5/ 10 than an 8/10, but I've been pretty rough on this series.

While Jaime's family rallies around him, Jenny's aunt, Victoria has no redeeming qualities and is literally out to get Jenny, pushing her closer to the Reyes family. This contrast is subtle, but a well executed use of the family theme. The importance of the family shakes out differently than in most superhero fare, Jaime's family knows his secret and it becomes essential to Jaime's character.

Horror, nostalgia, comics history, clever storytelling and evocative art are all present in Boris Karloff's Gold Key Mysteries #1. It's fun, it's dark and a little gruesome. Perfect for the Halloween season or anytime you just want a little dread in your life. It's entertaining as well as an exciting re-start for Gold Key Comics!

Like comics published by Ahoy Comics with which this title shares a kindred spirit, Boris Karloff's Gold Key Mysteries #2 is entertaining and nostalgic, but also modern. With this issue it's clear that there's a lot of mileage in the concept and as a vehicle for comics in the mystery/ horror genre. Not everything has to be superheroes, and this title provides something different while also being comforting and familiar.

While this may not be a book for everyone, a real love of Jack Kirby's work comes through. It's a book that focuses more on fun than anything else. The story may seem nonsensical at times, but the humor compensates.

This series continues to be a wonderful wacky and fun homage to Jack Kirby while also finding the commonalities in the King's work and the Young Animal line. It's a book designed to be enjoyed and focuses more on fun than message. This issue is no exception as the fun goes to 11!

Bug! The Adventures of Forager #5, promises a no holds barred ending next issue where anything is possible. It's been a fun ride so far. This issue simply reinforces the genius of Jack Kirby and the love that the Allred's have for the King and fun comics.

"I did not see this one coming" is a an appropriate tagline for the finale of Bug! The Adventures of Forager. The playful series ends on an emotional note as Bug finds a place in the world through the machinations of a higher power. Don't miss this if you've been reading all along, and if you haven't, this issue is reason enough to go back and get the previous 5 issues.

This is a solid Catwoman story that places her as the protagonist, but not asa hero. It provides the opportunity for the exploration of her character. For a fan of the character its a good story that promises some sort of payoff, presumably next issue.

A little weird, a little nostalgic, a little confounding.

There is a nice balance of quirkiness, nostalgia and humanity to this title. While it embraces all the nostalgia of the original strip, this modern take has the benefit of utilizing contemporary storytelling techniques. And as good comics always do, this book is able to find a way to really make the reader care about the main characters and root for them both in their external as well as internal conflicts.

Like all the Young Animal titles, Cave Carson Has A Cybernetic Eye is doing something very different in its approach while at the same time fitting into a recognizable genre. Ostensibly, a sci-fi/adventure book, the underlying theme of family is strong enough that it permeates the narrative making this title about how families relate. The emotional impact hits the right beats to keep it from just being characterization and brings it to the forefront.

With an action-packed seeming finale, Cave Carson Has A Cybernetic Eye #6 manages to continue to surprise and keep the weirdness going with the last page promising a whole new narrative angle. And they aren't even done with the threat of Borsten and the Whisperer. Cave, Chloe and family are infectious. So, DC " How about a trade paperback collecting Cave Carson's appearances in the Sixties from TheBrave and the Bold and Showcase?

This is a strong issue that may actually have a broader appeal than some of the quirkier issues in the series. This is despite the fact that Cave Carson Has A Cybernetic Eye #8 follows directly from issue #7's finale and throws the alternate Earth thing at the reader on the very first page. The more traditional action/adventure feel of this issue may be a good jumping on point for new readers even though Cave and his team are in the middle of a protracted battle with The Whisperer and Borsten.

Cave Carson Has a Cybernetic Eye continues to balance modern story telling with '60's motifs and feel. This combination creates a unique title. Additionally, it never forgets the theme of family, to which everyone can relate. The element of fun cannot be understated no matter how serious or dire things may seem. You always root for Cave and Chloe and company. Amazingly, Cave Carson Has a Cybernetic Eye is able to seem innocent and naive while also being experimental and singular.

Cave Carson Has A Cybernetic Eye #10 is a fun romp that finds those emotional character moments that drive the heart of the series. There's no slow down as the team and plot push forward, with only a brief moment to catch your breath at the beginning of the issue and an eagerness for more with the surprise ending. Keep 'em coming back!

Despite betrayal across time and dimension from one's future self, the fun that is always in this title is never diminished. Additionally, the events in this issue open up a whole new emotional angle for storytelling as the robot Mazra seems to be more than an automaton, but a "real" individual with thoughts, feelings and memories. What comes next after the action is sure to be equally as entertaining.

It's rare for a comic to bring a tear to my eye, but this issue did it. Not only was the Whisperer finished and put away, but the whole emotional arc came to a moving conclusion. I don't believe Chloe and Cave are done with their father/daughter emotional hiccups, but it feels real. This family looks to move forward to even higher stakes in coming issues, and you'll regret it if you miss it!

If you thought Cave Carson Has A Cybernetic Eye was psychedelic and trippy, you ain't seen nothing yet! This first issue is a uneven in tone and content. Where it should be fun it feels tempered by a darkness. The short back up story comes across better than the main tale.

Issue #2 of Cave Carson Has An Interstellar Eye fares better than last month's debut. The tone is beginning to shift back to a more familiar one and the mystery Cave is unearthing seems like the thing he needs to bring him back. Hopefully, this also leads to Chloe finding balance in her choices.

So far, Cave Carson Has An Interstellar Eye has been up and down. For the most part it seems the pacing is just not there, yet. There's not enough of the good stuff in each issue and the down issue have been either awkward or slightly inaccessible. That means #4 should see an upswing again. The saving grace is that when it's all said and done this arc should read quite well in collected form.

The father/daughter dynamic is worth sticking around for. This series will most likely end up on a satisfying note. The journey may be a bit of a struggle. As long as the focus remains on Cave and Chloe's relationship, this series will be a great read.

This issue swings back up as the wackiness falls in the right place between plot and character. Cave Carson is at it's best when it finds a balance. This issue does just that. The plot surprises as Star Adam and Bulldozer return and it adds an element of hope while promising some cooperation in next issue's finale. The roller coaster ride that is Cave Carson Has An Interstellar Eyeappears poised to finish with a flourish and at the top.

There can't be any reason not to finish up this series if you've been here all along. If you haven't been sure about this series, then this series will read excellently in a single sitting. So go to your comic shop and get all 6 issues. The conclusion to Chloe and Cave's character arc is touching and complete.

Chilling Adventures in Sorcery #1 straddles the line between horror and the Archie characters. While the book maintains the horror theme it never loses sight of the fun. If you're a fan of the characters it's an enjoyable issue. If you're looking for the darker horror elements this will be lighter and not quite as chilling as its sound alike title featuring Sabrina. All in all it's a solid issue that demonstrates the potential of Archie Comics in the genre.

With only one issue, Collapser appears that it will be another well done, thoughtful title in the Young Animal Comics imprint. There's plenty of characterization and mystery for the comic book reader, but, also, the promise of something more that has become a hallmark of the Young Animal Comics. Comics for dangerous humans? Comics for thinking and feeling humans".

The character building and mystery surrounding Liam's powers are executed at a very high level making it difficult to imagine a reader wouldn't want to return next month.Collapser#2 makes some unusual choices that really pay off in making Liam an interesting character with an even more interesting power problem. Don't let this series get too far along before jumping on!

Almost smack dab in the middle, Collapser #3 is a story with two halves, but Ilias Kyriazis' art pushes it over the halfway mark on the rating. Be very excited about the interesting and unique concept of the sentient black hole and Liam's father's journey, but be prepared to be disappointed in Liam's cliched behavior once his celebrity status rises. Although, next issue's tease of "Louder than Bombs" bodes well, especially if you're a fan of The Smiths….

Collapser #4 turns things back in the right direction as the possibilities open up for Liam James. He is apparently in charge of his own destiny, or at least he's being led to believe so. A star can't be bad though, can it? There's enough here to make Collapser more than your average comic book.

Collapser is at its best when the unexpected and different are utilized. Way and Simon need get away from the elements with which the reader is familiar. The world around Liam is calling to be explored, Baron Throe and Mr. Edgar (the black hole) are first and foremost. As long as Liam is stuck on Earth, he will most likely be stuck in the cliches, perhaps next issue will release him"

Despite falling into a predictable pattern, Collapser #6 retains the potential for a lot more stories. Though the series doesn't feel really Young Animal, the basic concept deserves further development. Unfortunately, this final issue portrays Liam James in an all too familiar way. We've seen this story before, and this issue is unable to take it somewhere else. Though the story is wrapped up, and Liam learns how to be a hero, his mom's story may in fact be more intriguing.

I think the real sell for this series is directly proportional to how invested one is in the DC Universe in total. It finally feels like DC is making something directed at readers like me. With that said it feels like Two Thumbs Up! This could preclude newer DC readers who have only come aboard in the past few years. However, I would remind readers of The Flash (Vol.1) #123 and Justice League of America (Vol. 1) # 21 that looked back at DCs past and engaged new readers with older characters. With the re-introduction of so many iterations of DC characters, this could happen again with Convergence.

Character trumps story and Convergence #2 is well worth the read. Even if one missed #0 and #1, this book is easy enough to understand, and especially engaging through the focus on character. Nicely done, Mr. King. This issue was a bit of a step up from issue #1, give it 4 and 1/2.

The continued focus on character makes this story enjoyable and accessible to all readers. The meaningful death is in line with the character development in the issue. King is building towards something, and it is enjoyable. The nostalgic components are a bonus.

I feel deeply connected to this mini-series, and relate very closely to the characters and basic concept that is being explored. It is strong on character and allows this to drive the story. Keeping this event small is a stroke of genius and allows for readers to get involved easily without feeling overwhelmed with the vast scope of the consequences. 4 1/2.

Just when it seemed like Convergence was going to go one way, King and Co. have managed to push it in a different direction. Its similarity to Crisis is more along the lines of nostalgia rather than retelling. Bringing in the current New 52 characters to the narrative adds an element that may have been missing for some. With only 2 issues left, Convergence has brought us along with character and nostalgia to the doormat of the finale. The post-Convergence DCU is just around the corner.

If you havent been following along the past 7 weeks theres not much reason to jump on board now, but I wouldnt jump ship either. Theres enough teased for the finale to keep one around for one more week. The fate of DCs history hangs in the balance- is this a farewell or welcome back?

Well, after the past two months it's finally over, and the DC Universe will never be the same. Where do we go from here. This week's Convergence: Detective Comics # 2 suggests that there are still stories to tell in the Multiverse and if that's the result of Convergence, that makes me very happy.

Its clear that Peyer has found a way to tell a different story with this book than relying so much on the Convergence set up. Barracuda was dispatched way too quickly for that to be the big challenge for Ray and Ryan. This focus on character makes this a real treat for fans of the DCU.

Strong on characterization, this book is a great read. It doesn't matter if one is a fan of pre-Crisis Barry Allen or not. The issue is about the character and the growth of the lead character under desperate circumstances.

This special is a fun romp that does everything it's supposed to do. For fans of Jonny Quest, seeing Jonny and Team Quest appear in such a classic approach is a real treat. This book won't set a new standard in comics, but it's an enjoyable tale that evokes the right tone and mood.

For any fan of Wally West, this issue is a must. The Speed Buggy aspect of the story is fun and well done, but it holds so much hope for Wally and Linda's future that it transcends the special nature of these DC/Hanna-Barbera team up issues.

Like its design as a flipbook to be read in both directions, DC All In Special #1 is a real dichotomy of execution. As a stand alone comic, it's great. If you read it, you'll enjoy the content that's there and the art and storytelling are excellent from all sides. It's even going to be worth reading a few times to catch all the references. The other side, though doesn't really do the job of grabbing the reader for what comes next in Justice League Unlimited or the Absolute Universe titles. Certainly the spectre of ANOTHER event is enough to dissuade readers from becoming too attached to what's going on.

This book operates on different levels. On the surface it functions as hot women in World War II fighting Nazis. That might work for some. But on a deeper level it examines the multitude of the human experience. Many examples are anachronistic for the era, but viewed through a modern lens, they say something about our current human experience. Its complex.

Deadman has always been a bit of an offbeat character, and Adams utilizes this to the best of his ability. Adams recreates the feel of those original stories masterfully while creating a new mystery for Boston Brand to solve.

The beautiful art by the legendary Neal Adams is a treat. The story while seemingly disjointed reflects an earlier style that is still enjoyable if only slightly troubling at points. There is a lot of promise in what comes next and there's certainly the feeling that ANYTHING could happen. No telegraphing here, Adams is in complete control.

There's not a better looking DC comic out there on the stands. For that alone, Deadman is worthy of your purchase. Most importantly, though, Adams is able to rekindle what made the original run of the character work so well- the agony of the spirit. There's no one better than Neal Adams to provide Boston Brand with some closure.

Neal Adams' art is always beautiful. This does not change. However, the story is a bit of a mixed bag. While the surprises keep things interesting, there may not be enough pages left to finish this story off in a satisfying fashion. This could be the turn off issue for some, but there's enough potential in the concept to stick around for the last two issues.

While next issue promises a big reveal, it's been a little rocky along the way. Battle issues tend to be a bit of a snoozer and this one suffers from that. It reads like a delay before getting to the payoff in the finale next issue. Except for the insinuations about Deadman's soul, not much of real importance happens.

Despite the beautiful visuals, this is a difficult series to read, and with the final issue it gets no better. Very little attempt is made to explain what's going on. This will probably be the end of the line for many readers. Send DC a message " "Get Adams a scripter!" His visuals deserve better.

This book is not for those who feel there is already too much violence in comics. Even the hardcore Harley and Batman fans will probably find this a waste of time.This book is reaching for readership. If I bought it for the Harley and Bat-appearances, I would be disappointed.

VerdictGrant Morrison's idea of "The Black Casebook" is used masterfully by Tomasi and company. Not only does Detective Comics Annual #2 integrate the idea of "bizarre and unexplainable" cases, it is peppered with phenomenal character moments. However, the issue succeeds because these aspects are molded into one coherent tale that plays off the history and the iconic elements of the Batman.

"The measure of a life is a measure of love and respect

This issue gets Tomasi's run headed in the right direction with some solid detective work which filled out the plot, putting Batman in motion to find his adversary. Now that it's clear to the Batman the purpose of these attacks, it is also clear to the reader that it is a celebration of those who have helped developed the Dark Knight into the man he is. It proves to be interesting as these characters are explored in the run up to Detective Comics #1000.

While this issue doesn't move the story forward as much as last issue, the escape is well executed and an exciting bit of reading. Additionally, the insight into Batman's mind on both a personal and technical level is interesting and unique. We don't always get that deep inside Batman's head to understand how he sees and feels these situation. Keeping the fight with the shape shifter to a minimum and showing more of Batman's thought process to go after Hugo Strange next would have improved the issue.

Exploring Batman's past is a lot of fun. Reaching back to Hugo Strange is a nice touch that connects the story with the history of the character. What seemed to be a trip right back to Detective Comics #27 veers off this path a bit and the Demon is not a character one usually associates with core Batman characters. Wedging Silas Stone into Batman's origins feels a little off as it distracts from the history trip that it appeared this story would be. Despite this the final page suggests a real confrontation between the Batman and the boy who would become the Bat which IS at the center of Batman's narrative.

This story arc leading up to the historic Detective Comics #1000 has been a bit of a roller coaster. However, this issue brings everything together in a satisfying and meaningful way. Tomasi manages to show Batman at his most pathological, but also at his most human all while paying tribute to the origin of the character who debuted 80 years ago. While this arc is understood when read all together, this issue is most satisfying all by itself.

There's a lot to digest with this issue, and there a few really great stories along with some good ones. There are only a few that seemed a little odd or just didn't quite hit the mark for a celebration issue. It's a solid anniversary issue for celebrating the Dark Knight, but not perfect. However, "The Legend of Knute Brody" is worth the price of admission alone. There's a lot to enjoy, as well as different types of stories presenting something for everyone. And, "Medieval," while not standing out by itself, does do a good job of whetting the appetite for the next arc in Detective Comics,which starts next month in issue #1001!

This is a very accessible tale that begins a new era in Batman's history, but it doesn't try to do anything more than tell a solid Batman story with some effective characterization in a classic mystery with familiar and likable characters. While the arc has a long way to go, it starts off on the right foot.

Detective Comics #1002 is a very good issue that doesn't telegraph its punches. It would've been easy for the Arkham Knight, having already displayed disdain for Batman and his methods to come at him with everything right away. There's more to the Arkham Knight just as there's more to the Batman, and this issue suggests that they may end up realizing this about each other.

VerdictThe surprise reveal of the Arkham Knight's identity is executed excellently! The journey is clearly worth it in the case of Detective Comics #1003. This issue while having a major plot element also delves into the Bruce/Damian dynamic while providing a bit of retro fun. The questions it raises with the reveal of the Knight's identity are probably more entertaining…. This issue succeeds on multiple levels and should not be missed. So far, the surprises herein are more satisfying than the arc which preceded Detective Comics #1000.

VerdictIf this issue is the actual facts, Detective Comics #1004, has just derailed what was shaping up to be a nice arc. The incidentals of Astrid's origin are so unreal that it calls into question the veracity of the story itself. It feels like there should be something more underneath the surface. While that's always possible, taken for what it is, Detective Comics #1004 comes across like a bad movie script for a comic adaptation from the '90's…bitten by a radioactive insane asylum or some such… what did you think was going to happen when the girl's playmate is the Joker?

VerdictWhile the mechanics of this story are solid, Astird's motivation and background make her a forgettable character. Batman and Robin shine, though as Tomasi continues to have fun with this one-of-a-kind father and son duo. Don't be surprised to find a smile on your face as a little bit of camp goes a long way. Though Astrid escapes interment at Blackgate, let's hope she just keeps out of trouble and Detective Comics finds some better Bat-villains.

VerdictIf you've been waiting to see a new story with the Spectre, wait no longer. Mood and tone are the highlights of Detective Comics #1006 and it's possibly the best issue of Tomasi's run so far. The supernatural world of the Spectre invades Batman's Gotham City to great effect!

VerdictWelcome back classic Spectre! If you had any questions about who he is or how he got his powers, this two-parter answers all those questions. It's also a nice argument for a new Spectre series. There's plenty of dark, mysterious macabre pages herein, and they lay the groundwork for a new series nicely. Just what exactly is the Divine Hand? Oh, Batman's pretty good, too!

VerdictThis wonderful throwback tale not only features the Clown Prince of Crime, but it successfully recalls a classic era through style as well as numerous references to classic Batman tales of the past. The postscript with Mr. Freeze feels like a different story entirely, and it's good that it does, because the Joker doesn't need any sort of urging to give Batman a "fun" night out.

Detective Comics #1009 is a fun and exciting issue that presents a classic Batman without the over-the-top pathology that his character often gets. He's grounded, and there's a bit of humor that lightens the mood just enough, but not so much that it doesn't feel like a Batman story. It's a great iteration of the Dark Knight.

While the plot moves along, the strongest part of this issue is the tale of the two old men on the island. The whole bit is very reminiscent of a Spirit story by Will Eisner. Eisner would often use the Spirit to tell a tale about human nature. This is exactly what we have here. Batman needs these two to survive, and it is the quality of their humanity that has allowed them to survive all these years which in turn is what directs them to help someone else in need.

Detective Comics #1011 is another winner from this creative team. This title works so well because it is not mimicking the portrayal of the character in Tom King's current run on Batman. This Batman is every bit in control of his emotions and senses. He is balanced and effective. It's a portrayal of Batman that makes Batman relatable and understandable. It's a Batman that isn't a borderline sociopath. The references to DC's war comics enhance the experience, as well.

If you were waiting for "Year of the Villain" to become interesting…wait no longer! Detective Comics #1012 puts good use to Luthor's gift to Mr. Freeze, but what Freeze plans to do with it is far more significant than the gift itself. Batman and Freeze's characters drive the plot. The strong characterization of both go a long way in making this an enjoyable issue. The sympathetic aspect of Freeze's dilemma makes for a serious challenge for Batman as this arc continues, but how will it affect the Dark Knight as he reflects on his own emotional loss in the process…?

Detective Comics #1013 successfully digs down to touch on some emotional and moral issues in Mr. Freeze's story, while presenting a timeless interpretation of Batman. The relationship between Bruce and Alfred is heart warming and real, and it reminds the reader that Bruce is human, he's a real person under that cowl. Despite being intense and driven, the Batman cannot function without those around him. To top it off, this issue is easily accessible to new readers, making it a great place to start picking up Detective Comics, (but it wouldn't hurt to get last issue, too!)

Detective Comics #1014 is another big win for Tomasi, Mahnke and crew! The character work is excellent and it drives the story. You will feel yourself on the edge of your seat as you read this one. The solitary negative is fairly small in the grand scheme and not a reason to skip this or any issue of Detective Comics right now!

I just don't want to see Nora turn out to be bad. Freeze's emotional arc is selling this story right now, and how it concludes will determine the quality of the entire story line. Nora's turn to the dark side is troubling, but for now it builds the emotional tension. Definitely, don't miss the conclusion!

This one won't make you cry, but Detective Comics #1016 is a fine example of creating a classic Batman tale that still feels contemporary. Tomasi's been building this Batman since the beginning of his run and it's an enjoyable and satisfying read that provides some real emotional content as he pushes Nora and Victor's story forward. Hopefully, the events in Batman won't destroy the even keeled character that inhabits Detective Comics every month.

It is a marvelous "one and done" issue, so rare in this day and age, but probably a more satisfying read than an 18 issue "epic" because it is not contrived and finds its heart in connecting to the emotions of real people. Let me wipe away this tear...

Tomasi continues his stellar run as Detective Comics #1018 takes us to the Christmas season with some great character work. He makes some great lemonade out of the lemons he's given with Alfred's death while presenting a great classic Batman. Along the way, Tomasi sets the stage for an interesting mystery with some Viking invaders!

Tomasi continues his outstanding run on Detective Comics with the conclusion to the two-parter, "Dead of Winter." Tomasi, Godlewski and Baron balance the right amount of emotion, character development, detective work and action. This really feels like a high watermark for Batman in this title. Don't just believe me, go out and buy the comics!

It should be no surprise that Tomasi continues on a wonderful run in Detective Comics with issue #1020. This newest twist in the complexity of Two-Face seems poised to present Batman with a greater challenge than normal. There's a psychological undertone that pushes the story in a darker direction. It may finally drive home the point that Harvey really is beyond help, as the aspects of his personality seem more disconnected than ever before.

It's hard to find fault with a classic and timeless approach to Batman. Some portrayals of the character favor a slightly mentally unbalanced depiction of the Caped Crusader. However, this even tempered Batman that is a skilled detective, mysterious and startling yet still a caring, well-rounded human being is much more satisfying. Tomasi, Walker and Hennessey remind the reader of things that everyone loves about Batman. And, at the same time, there's no shortage of character development as Batman again attempts to help his friend Harvey who is himself in a mental battle.

If you've been enjoying Tomasi on Detective, you know this is the real thing. I've you're still not sure…this is a fine issue to give a try! The entire creative team show what they're capable of in Detective Comics #1022. The classic approach goes a long way, and the emphasis on character is superb! It captures Batman, Gotham and its denizens in a meaningful, emotive and timeless manner!

The surprises in this issue are well placed reminders of Batman's recent history and serve to connect these events to a run which has had such a classic tone and feel. Detective Comics #1023 is exactly what you expect from Tomasi, Walker & company. Not only is it still character centered with Batman's commitment to helping Harvey Dent, the intensity that comes through is palpable.

It should be no surprise that the creative team led by Peter J. Tomasi and Brad Walker deliver a 5/5 review score. Not only am I personally entertained by the musical references, this take on Batman is absolutely perfect. And, it's just another example in Tomasi's run on Detective Comics. Brad Walker isn't always paired with Tomasi on this title, but Detective Comics #1024 reminds the reader that he should be. This is Batman at his best. Don't be afraid to check it out!

Crossovers may not be your thing, but there's still some interesting character moments for Batman and Batwoman in Detective Comics #1025. Tomasi reminds the reader of the complexity of these characters, especially Batman as he has to work with someone just as headstrong as he is. This is a good issue with a few lighter moments to alleviate some of the mayhem of "The Joker War."

One might find events grander and more exciting, but there's nothing more satisfying than a character focused issue that makes the reader think about a "villain" in a new way. Often cast more as "misunderstood monster" than true villain, Killer Croc gets his moment in the spotlight with a bit of understanding from a truly humanistic Batman. This Batman is the Batman who comes across as a caring human being trying to save others. He's not blinded by rage or vengeance, but rather directed by the notions of salvation and succor. This Batman saves victims…and prevents further pain and anguish.

$10 is a lot of money for one comic. However, there's a ton of material here and it is all good to great. Overall, it has a fantastic focus on character and it's just plain fun front to back. If you like Batman and DC Comics it's worth checking out even if you aren't reading Detective Comics on a monthly basis (and why aren't you…). I have to recommend this as a must buy. There are some of these stories you will want to read again…even a few warm fuzzies here and there, plus a little bit of inspiration…!

While the reveal of the killer could've been more engaging, there's a lot in this issue to digest. Tomasi sets up what's coming next rather well as Officer Nakano's story will clearly lead to something. The art from Scott and Mulvihill is really enjoyable as Batman moves beyond "Joker War," perhaps into his past with the lead in to this issue referencing The Black Casebook!

Peter Tomasi continues to write some great Batman material. He's always paired with great art teams even if the art teams themselves vary in style. Tomasi is setting up a big mystery that should incorporate the Mirror, the anti-vigilante movement and the missing Black Casebook. Great stuff here, don't miss this!

Tomasi leans hard into character with Detective Comics #1030 letting it drive not only Bruce and the family, but also Detective Nakano and the most likely, soon to be prodigal son, Damian. Throw in the exceptional work of Bilquis Evely and it's a no-brainer! If the character work doesn't get you, the mysteries will- this is the Batman title you should be reading!

Tomasi's run on Detective has been absolutely wonderful, and it doesn't seem to matter who's drawing! However, Bilquis Evely is a real treat to see drawing Batman. This title is nothing short of fantastic and Detective Comics #1031 is just another example of why- intelligent writing and gorgeous art. This series is about stories, not events. If you're not reading this title, I can't imagine why?

There's just a positive, feel good element to this series as Bruce works to be the head of a family of crimefighters. It's not overly emotional, but one can't help in recognizing the difficult relationships in one's own life that are echoed in Bruce's relationships with the members of the Bat-family. We know he loves them, but it's nice to see him say it, especially to his biological son. Now, if we can just get them to bury the hatchet!

While it's disappointing that this is Tomasi's last issue of Detective (and one assumes Walker as well) that doesn't mean it's not a really good issue! This team will be missed! As the future appears quite uncertain for Bruce, Tomasi, Walker and company deliver a moving and emotionally significant story to close out this era of Batman. The real human emotions deliver on another level and are what separate good comics from great comics.

This is a comic you should be buying. The creative team understands what it takes to tell a good Batman story, one that isn't an event, but rather one that utilizes character and world building to draw the reader in. There's no shortage of surprises either. All this spills over into the Huntress feature as well.

Like the previous two issues in Mariko Tamaki's run, Detective Comics #1036 blends a great mystery with good characterization and exciting art. The creative team make it look easy, but it has to be anything but. It relies on great storytelling as opposed to an event gimmick. Don't pass this one up, especially for fans of the Huntress.

Detective Comics #1037 continues to challenge Batman's detective skills as he finds himself wanted for the murder he's trying to solve. The Huntress and Oracle provide the highlight of the issue as they assist Bruce. The back ups could be stronger this issue, but it's great that DC is doing back up stories at all. More Huntress, please!

Unsurprisingly, Detective Comics #1038 is again a great read that exemplifies what is enjoyable about the comic book medium. Not only is the main mystery gripping, and the characters interesting with truly engaging aspects, the little details bring moments of unadulterated joy. For a great Batman comic, add Detective Comics to your reading list. You won't be disappointed!

Detective Comics #1039 is a wonderful finale to the "The Neighborhood" story arc. Throughout, the issues have focused on character driving the story with the back up tales fleshing out different aspects of the larger story. The inclusion of the the larger Bat-family and nostalgia they bring with them raises the fun quotient in a significant way. This is another example of substance and character triumphing over event and hype.

Detective Comics #1040 keeps the train chugging along on this run! It's a change of pace issue that wraps up a few ideas while at the same time teasing some new ideas. Amongst it all is a clever story and multiple moments that address Bruce Wayne's character.

Detective Comics is another example of character and story triumphing over events. It's proof that it can be just as large in scope and just as significant. The entire creative team is doing a magnificent job of telling entertaining and engaging stories that bring Batman, his allies and enemies and Gotham City to life. Don't miss out! Detective Comics #1041 is a great place to jump on if you aren't already riding this train!

Sometimes a second feature will overshadow a lead, and this is what happens in Detective Comics #1042. That's not saying that Tamaki, Bogdanovic, Hernriques, Bellaire and Bidikar did a bad job, but rather Rosenberg, Raynor, Rodriguez and Leigh matched them batarang for batarang and pulled a little something extra out of the utility belt as well (no, not Bat-Shark Repellent!) You can't go wrong with this issue! Might as well pick up the whole run while you're at it!

Detective Comics #1044 maintains its intimate focus as we see how the ongoing story fits within Fear State. If you've been following this series and enjoying it, this issue is no different. In addition to the lead story delivering, the second feature is a unique tale that moves into the horror genre in an engaging and creepy fashion.

Detective Comics #1045 wraps up its storyline in a satisfying fashion, not just giving Nakano a change of heart, but demonstrating why he would have one. The more personal approach to the characters has been a strength of Tamaki's run so it's only logical this storyline's conclusion would hinge on it. The Fear State event doesn't spoil the story and that's a feat in and of itself.

Detective Comics #1046 is a wonderful lead-in to next month's "Shadows of the Bat." It features an outstanding focus on character and genuine feeling of family and relationships between the Bat characters. Gotham may "need" Batman, or maybe it's vice versa, but there's an incredibly competent group of heroes to safeguard the city in his absence.

Detective Comics #1047 is a fantastic start to "Shadows of the Bat." The Bat-family and the mystery are plenty good enough to make the reader forget that Batman isn't present. We do get the Dark Knight in the second story, but the little boy is the main character. Tamaki continues to explore Gotham City in an interesting manner with a strong emphasis on character that's always engaging.

Wow! Detective Comics #1048 is another great issue in Mariko Tamaki's run! This chapter makes it clear that despite Batman's absence from Gotham, the deeper themes being developed are directly related to the Dark Knight. Additionally, there's an exciting mystery the Bat-family has to unravel with the reader coming at it from a more insightful perspective because of the point-of-view of the narrator (literary terms- not that one of the characters is narrating this tale).

Detective Comics #1049 remains at a high level of quality as the mystery unfolds a bit with interesting developments. The art on both stories from Ivan Reis, Danny Miki and Fernando Blanco is top-notch. "Shadows of the Bat" continues to be an interesting story that doesn't rely on "even hype" as it's strongest element.

Four Chapters in and this is easily the best issue of an already great story arc. The cover advertises this as the "Landmark 1050th issue" and the story inside Detective Comics #1050 delivers, and it's especially satisfying for Dick Grayson and Huntress fans and those who see this assemblage of heroes as a family as Dick indicates in the opening panels of the issue.

Detective Comics #1051 demonstrates that "Shadows of the Bat" is sophisticated storytelling. In the literary tradition of William Faulkner's The Sound and the Fury. Tamaki utilizes different points-of-view and a character driven approach to lead the reader along. This isn't a cosmic event in which "character" is lost and degenerates into battle scene after battle scene. This is an exciting and absorbing story that requires the reader to put a little something in to get even more out of it.

Detective Comics #1052 continues to build, utilizing character and an engaging dynamic for the Bat-family told in a unique narrative style. Both "Shadows of the Bat" and "House of Gotham" hit with surprises to keep the plot rolling. With the Penguin making appearances in both storylines, one can't help but wonder if Cobblepot will end up being the lynchpin to tie them together.

As "Shadows of the Bat" is just over the midway point, it's clear that it's a series that has increased in complexity while never losing sight of the importance of the relationships of the characters be it the Party Crashers or the Bat-family. It's a series that's playing the long game and it's working extremely well.

Detective Comics #1054 is an average chapter in "Shadows of the Bat." It does its job to get the reader from point A to point B, but not much else. It's necessary to do this, but there's nothing special about this one. That doesn't mean to say you should skip this issue, rather just take it for what it is. I found "House of Gotham" to be the stronger of the two stories in this issue with its use of continuity creating a certain feeling of connectivity with the bigger picture of Batman's past.

Detective Comics #1055, while being more plot driven like last issue focuses just enough on some of the individuals of the Bat-family as well as moving the plot forward in a significant way. Furthermore, the second feature continues to be an interesting look at (presumably) Nero in the context of Batman's know past.

Except for Harley Quinn's unwelcome appearance, Detective Comics #1056 is yet again another fantastic installment of "Shadows of the Bat." It's intimate at times and gets the reader involved emotionally at the outset. And certainly by the end its not hard to see that the end is nearing as"well, no spoilers!

As we get close to the finale of "Shadows of the Bat," Detective Comics #1057 provides the reader some surprises as well as some exciting execution in the writing and art from the creative teams on both stories. This chapter doesn't disappoint as it not only brings plot threads together, but also teases the long game.

Doctor Fate #2 moves the plot along with some significant moments and it expands the mystical/ mythological elementsin the story. It doesnt quite explode yet, but it certainly feels as if it will soon.

While this issue added a couple more pieces to the puzzle, the next issue seems to promise a big payoff. Hopefully, it will because it also could be the breaking point for readers. Ive been a fan of Levitz for years and would like to see the next issue explode! Im feeling 50/50, right now which is where this issue fell. 2 1/2.

There are many comics that have revelatory moments and feature turning points. This is one of those books. It actually questions how long DC has had Rebirth in mind. It all seems to fit and mesh in this issue, one week before Rebirth. For any fan of the original Earth-Two and Ken Nelson, this is a real treat and for the rest a fitting conclusion to the first year of Doctor Fate.

Often, a comic book series will suddenly change direction and become something entirely different- Saga of the Swamp Thing by Alan Moore for example. Doctor Fate #13 has a few indicators that it is an attempt by DC to recreate the Starman phenomena 20 years later. Levitz is an experienced writer whos no stranger to Golden Age characters. The reintroduction of legacy into the DC Universe with Rebirth certainly makes this an obvious title to benefit. Its only one issue, but this may be an opportunity to get in on the ground floor of something special, or at the very least incredibly nostalgic. If nothing else, it certainly feels like a DC Comic of yesteryear. I mean that in a good way.

As the team comes together, the weirdness becomes more and more apparent and the playing field expands. The Doom Patrol, it seems, will not be bound by time, space or psychological coherency. You should've known you were getting yourself into this sort of thing"

Sometimes it feels like the world's been turned upside down and that is when we have to be like Casey and keep trying to be the light. It's not often I recommend re-reading a series in one sitting, but these first sixissues demand to be read together to mitigate the shipping delays. There's something special in this series, but the non-traditional style makes it a little difficult to find it. By itself, this issue seems a little disjointed and obtuse, but read all together, Doom Patrol #6 caps off the first arc by reassembling the team through a meaningfulexploration of self-identity and friendship.