Featuring the conclusion of the "NADA" storyline the Doom Patrol fights Dada and someone becomes a mama. How did life and death become so intertwined? It's Robotman versus a classic foe as Casey and Terry take us into a whole new territory we've never seen before. But could this newness also just be a whole lot of nothing?
The Young Animal imprint carries on and while Doom Patrol was its flagship title its future is uncertain. However, what is certain is that Gerard Way and company collaborated on eleven top-notch issues and a crossover mini event that confused some, but for those of us willing to dig deep we found solid sequential art gold. Read Full Review
I truly hope that the collected editions of this series sell well enough to warrant a return. I need Doom Patrol in my life. We all do. Even Mr Nobody. Read Full Review
DOOM PATROL #11 keeps up the hype in a storyline abundant with twists and turns. The art is also incredible all-around, from pencils to letters. The plot surprises, but the prose soars, with phenomenal commentary on the human condition. Read Full Review
Final Verdict: 9.0 " Gerard Way and company brilliantly tie up loose ends while setting the stage for more insanity to come. "Doom Patrol" is an unadulterated joy to read. Read Full Review
I'm not sure where the Doom Patrol goes from here if it'll be more Young Animal or back in the DC Universe proper but I definitely know I'll be coming back to re-read this series again. Read Full Review
A very delayed but very good issue with brilliant writing and art. However you might as well just wait for the trade due to the delays. Read Full Review
A part of me wonders if all of this was supposed to set up Milk Wars from the get-go or if it was something Way had to work in later. I wouldn't be surprised if it were the latter, because, frankly, it works better as a standalone conclusion. Read Full Review
While the timing of this book could have been better, later readings will prove this arc of Doom Patrol sticks the landing. Read Full Review
The conclusion to the Nada arc is effective and imaginative. It's only held back by the delay between issues. Imagine if things were published in proper order and "Milk Wars" came immediately after instead of between #10 and #11. Read Full Review
It's a bit hard to read this story now that so much of it has already played out, but it stands on its own decently. I don't know if we'll ever get a volume two, but I'd be intrigued to see where it goes. Read Full Review
There are so many great ideas spinning that it hits a level similar to Morrison's classic run. However, the ending sputters in a truly dissatisfying way as it attempts to simultaneously end and deliver a to be continued for an event that already occurred. Read Full Review
This issue could be titled "Everything You Wanted to Know About Young Animal's Doom Patrol, But Were Afraid to Ask." Many loose ends are tied up, in rushed and unsatisfying ways that should please only the most sycophantic reader. The rest of us will know we've been hoodwinked when we see the final panel's suggestion that we pick up the "Milk Wars" trade collection. That's the unkindest cut of all. Read Full Review
Sometimes great is a bit late.
The problem of this issue is to come that late after the end of Milk War. I didn't enjoy one bit of it while I loved the run until then.
I find it hard to link to what happen in Milk War. In fact their was more logic to see the end of issue 10 & then the start of Milk War part 1.
Shame. I wonder what would have been the story with a issue 12, because seem seems too rushed in this one.
Cover - 2/2 nice & related.
Writing - Nice but too late and some part I didn't like some of the part. Like the fact that Terry as to go. 2/3
Arts - The arts still great. I liked Jane trip in the subway. 3/3
Feeling - Too damn late 0/3.