The Question: The Deaths Of Vic Sage #4 was a pure pleasure to read. Not only is this story topical, but it delivers one of the best stories I've read this year. I'm sure that Denny would be proud at how Lemire, Cowan, and Sienkiewicz have carried on the legacy of his classic Question series. Read Full Review

This issue keeps us at a distance, never quite letting us get into his head, and isn't that the best way to handle a Question comic? Vic Sage has never given away his answers easily, and that's not changing any time soon. Read Full Review

Lemire, Cowan, and company have crafted a complex tale about racism, injustice, and the nature of evil in the world, that offers its readers no simple answers or happily ever afters. This series shows the heights that the DC Black Label imprint can reach when creators are given free rein to tell complex stories with characters (other than Batman and Batman related properties!). Read Full Review

When combined with Denys Cowan and Bill Sienkiewicz's art, this issue packs an admirable punch"one that begs the entire miniseries to be reread again. Read Full Review

A faacinating conclusion to this story that leads you not to a simple answer, but to a newfound drive and a will to face the Question we all encounter in ourselves.

Art is excellent. Writing is strong, dialogue is natural. Some bits are mysterious and ambiguous but that is in the nature of this character.

A solid wrap up to one of the most unique takes on The Question since O'Neil and Cowan in '87. Or at least since Rucka's take on Montoya as the Question.

I jumped into this not knowing a lot about the question as a character. My largest experience is really with Renee Montoya in the role. I enjoyed this series and loved how relevant it was to today.

Loved the tribute in the back. I haven’t read O’Neils run but I have heard wonderful things about his work with this character and definitely will he adding to my list.

Huh. I was kind of confused by this finale, but I guess that was just the charm of Question as a character, who is quite confusing in of itself. For a book that was started back in November of 2019, it is incredibly relevant today with the extreme climate we have regarding authority here in the United States. Welp, what a coincidence, but it works with the story.

By the end of this issue, you can see a clash in styles between the two legacies of Question, the hard-line Ditko Question of the 60s, and the zen appeal of the late great Denny O'Neil of the 80s. By the way, a touching tribute to Denny O'Neil at the end, Rest in peace. How Lemire plays between these two distinct versions of Question was very engaging in my eyes, I really liked it. The whole " Vic Sage is not real " bit was interesting and a cool idea, but I didn't feel Lemire executed it with the best technique. It felt a bit too overly edgy even with the gritty atmosphere going on.

The conflict and mystery at hand was interesting, but how it all ties together left me more confused than intrigued. I guess the whole conspiracy of Hub City was just evil itself? Maybe? who knows? Thats a good question that Lemire seems to be drawing out in a future sequel. The really cool thing about the characterizations of Question is that after all of his hallucinations, he thinks he finally has figured it out, when he actually just fell into a deeper pit of misunderstanding, not knowing what to believe, Vic is confused (GASP).

Between the supernatural element Vic is drawn to believe is true contrary to his hard-line black and white style, it really throws the Question for a loop. While it didn't exactly answer the mystery set up in the first issue, the finale was a really treat to read seeing the Question in a situation he doesn't understand. Art by Cowan and colors by Sienkiewicz were brilliant, these guys are veterans and legends in the comic book industry. Especially Cowan, and to see him still pumping out amazing work like returning to the Question and soon Milestone, it makes me proud to see him going on strong. Overall, the finale, while underwhelming in a sense, was still a visual and methodical treat, and another great series wrapped up under DCBL. Warrants a re-read of the entire series for me. more

I mean, I think I mostly agree with the concepts here, but as a story about the Question, I find myself unsatisfied. This didn’t feel like it progressed the character in a meaningful way. I really enjoyed the art, but I think that’s because it just made me think of Denny O’Neil’s run.

This story was certainly something. I think it could've been executed much better than it was. I'm left with a feeling that, well, I'd rather just re-read Denny O'Neil's run. The kindest words I could give this issue is that it was a valiant effort, but I don't know, it misses the mark for me, no matter how socially relevant it is.