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10
One of the best issues in all King's run
Art:10/10 Janín and Bellaire at their best.
Writing: It's ok, it's good and the motivations of Thomas Wayne have logic, he can save a person who he loved, yeah we don't know how he survived but that situation doesn't make the book a bad comic book, at least for me, the dialogues between Bruce and Thomas feels good. 10/10.
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10
A twisted father/son camping trip. It doesn't stand much ground on it's own as it is very light in story length, but as part of the arc it is very atmospheric and the reveal at the end was pretty crazy. I love that Thomas Wayne used his skills as a surgeon and also that he can't stop singing while being with his unconcious son.
The art is some of Janin's best to date. Absolutely gorgeous issue.
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10
Fantastic issue.
This time around, we follow Thomas Wayne as he makes his way through the desert, setting up camps, fighting and singing to himself. While all of this is happening, I was at awe by how beautiful Janin's art was, just damn beautiful. Halfway through the issue, Bruce wakes up and that's where the interesting part starts. They both have a conversation about what happened prior and where they are heading. By the end, Bruce realizes where they are going and who is inside the coffin they were carrying. That realization ultimately makes us realize what was Thomas's plan all along and why he was helping Bane, and damn I thought it was good, I was in a complete shock.
The issue ends with Bruce putting his cowl and looking like he's ready to help Thomas.
The pace of this issue was nothing short of perfection, the balance between the silent pages and the ones with Bruce and Thomas talking to each other was great as it helped to make this issue super intense.
Oh, and did I already mention that Janin's art was amazing? Because it was.
And I also got to give praise for Bellaire, because that coloring was perfection.
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7.5
Good issue- the twist at the end piqued my interest. Is Bruce's mother or Flashpoint Thomas Wayne's beloved in the box?
Still can't explain what happened between Knightmares and this. Will #71 ever be explained?
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7.0
This run is one of the weirdest things I've ever read.
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6.0
I can't say I hate this series. I can just say how painfully average it is. A comparison for me would be the Ant-Man movies in the MCU. Just filler and average but not necessarily bad, which sucks because Tom King is capable of so much better. At least the art never really disappoints
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6.0
I am amazed at the staying power of Zack Snyder's imagery of Batman in the goggles and trenchcoat in the sandy/apocalyptic world. First, Snyder did it in Last Knight. Now, King on Batman.
Singing "Home on the range" - What's the reason for the choice in song? Parody of the situation they are in? Trying to suggest calm on Wayne's part as he fights his way through 1/3 of the book? He could have fought in silence.
On the bright side, King lowered the extraneous narrative boxes to (close to?) zero. The dialogue carried more weight as a result. The art is serviceable. Which is all you can ask when you're being instructed by the writer to draw sand dunes at twilight for 23 pages.
I'll go 6.0/10...and then go buy some 1930's flight goggles and an oversized trenchcoat. more
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6.0
Tbh I think this issue was the weakest in the recent arc. And "What's in the box?" reveal didn't get me. Also lot of filler stuff...
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6.0
Surprise, surprise, I didn't hate it. That's something.
Half of the comic is unnecessary, empty filler, hence the lowered score, but once the action picks up, it's readable, and makes you want to quickly pick up the next issue to see where it all leads. The last time I felt like this while reading King's comic, was probably during... I Am Bane story arc?
Like it or not, but Thomas' motivation has some sense to it. What would you do if someone you loved became a monster and then died alongside every other being on the planet, while you were offered a chance to travel to a different reality where she's still dead, but at least there's a way to bring her back with some... let's call it "help" from Ra's? I sure would try if I was him.
And even if resurrection is a tired and heavily overused trope in comics, it still could surprie us if done right. If La Soupe aux choux managed to successfully pull this off, there's hope. Or is it? After all, we're talking about Tom King, who didn't write a half decent Batman comic since more than 2 years. more
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5.0
This story is sick on so many levels& I would enjoy it more, if I turned my brain completely off I guess, but thinking about it there are too many things, that just don’t make any sense.
First of all I can’t see, why Bruce is even thinking Flashpoint Batman is his real father. Flashpoint Batman is a mass murderer, a Batman, who went psycho. Thomas is against everything Bruce stands for, so I can’t see how Bruce would ever be fine with him or see him as his father. Already made zero sense in Rebirth. Thomas is from an erased timeline, not the father Bruce has lost in the canon timeline.
Secondly we still don’t get any explanation how Thomas can be in the canon timeline. At least we got some informations about his motivations, but it’s just twisted and sick. Reviving Martha ok.... It’s just giving Bruce a painful story for nothing. And as far as I remember: the Lazarus Pit in the comics doesn’t bring dead people back only heals people at the edge of death. Bringing people back from the dead causes madness, so Martha would be quite insane I guess. So what’s the point?
I really hope these big changes King mentioned aren’t bringing Bruce’s parents back, but marrying Catwoman wouldn’t be much better.
Then Thomas mentioned Bruce had been broken by Bane, but that’s the biggest problem of this entire run, that the way the story goes I don’t buy it for a second, that Bruce would be that devastated about a break up. Especially because the only traumatic thing - Dick getting shot- is ignored. I’m asking myself, why was it done then? Banes entire plan& the plot is just stupid. With Thomas& Martha it’s at least something dramatic, but I’m still asking myself, why the team up with Bane.
Bruce‘s portrayal also is that of a little whiney boy not of the Batman we know. I see no reason for Bruce hugging Thomas, since he isn’t his father. Many would say, that’s because of Bane, but like I mentioned above the way the story is presented I just don’t buy it. It’s too forced& over the top to be believable. Not to mention, that it’s not an enjoyable story.
So overall at least we get some story progression, but don’t know how much I like the ideas presented here. All I know is, that after this story I don’t want to see Bane for the next 4 years, since King at least succeeded with Bane getting on my nerves.
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4.0
"You are not Batman"
Well, this issue was useless. Everything that occurred here could have been said in one page, hell, in one panel or in one speech bubble. Yeah, useless.
And Thomas Wayne singing during combat was just super weird. On one hand, it was quaint and kinda fitting, but on the other, he never struck me, while reading Flashpoint, as a guy who sings, not even in the shower.
One upside to this issue though. The artwork. Mikel Janin and Jordie Bellaire go above and beyond with their work. Every page looks amazing. My favorite is the one where Bruce wakes up. The detail, his facial expression (the terror in his eyes)... just brilliant.
It's a shame that their talent is wasted... on whatever the hell this is. more
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4.0
Whatever. I don't care. I feel like all of Thomas Wayne's plan up to this point was pointless. Why go through with any of Bane's plan if your entire plan, in the end, was to revive your wife and bring your family back together? It's not as though his connection with Bane is going to help any with Al Ghul, otherwise why are they being attacked in the desert by his guard? Maybe teaming up with someone who mentally tormented your son is a bad move. I don't know. We all know this plan will fail and no one can say they won't see it coming. I can't bring myself to care about this. Let's get a move on to something more interesting as it seems King is just unwilling to answer the question of how Thomas Wayne is back. That question is the only reason I find this Batman even remotely interesting. Singing Home on the Range is not going to do it, shockingly. more
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3.5
Okay Batman's big thing was always that he was a hero without powers. Just a man and his vow. So how is it he once again has his back broken and yet he is perfectly fine? Breaks do not heal that fast. I know his dad is a doctor but still spinal injuries do not heal over night no matter who fixes them. Come on !!! If you going to have him be just a non powered human then put a little reality into his healing. At least the first time around he was in a wheel chair for a while and was magically healed. I liked the ending. But really daddy Bat's helped break him. There should have been more anger. Would have like more dialogue between the Bat's and less Bat dad singing.
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3.0
"This issue has no plot progression, and the story keeps dragging on."
"This issue is genius and portrays Thomas Wayne's tragic character beautifully."
"This issue doesn't answer any questions; How did Flashpoint Bats survive the Button?"
"Let King finish his story; you should only judge it when its over."
"King's Batman is hot garbage."
"King's Batman is art."
"Golly gee, I wonder when the next issue of Doomsday Clock comes out?"
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3.0
Once again Tom King shows that he knows nothing about Batman or even basic biology. Let’s see, Batman has his back broken, AGAIN, that’s at least the second time during this run, his alternate reality father apparently fixes it and escapes Gotham with Bruce all off panel. Is King capable of doing anything original because he just does the same shit over and over and he doesn’t do it well. Anyway, so daddy fixes his broken back and immediately throws him over the back of a horse. Having just had back surgery myself, this is complete and utter bullshit. King, again, shows that he has no idea how backs work. Lol. It’s so bad it’s funny. Daddy Bats rides around fighting ninjas and singing “Home in the Range” which I guess allowed King to fill space without having to come up with any of his own shitty dialogue, so that’s both a plus and a minus. Bruce eventually wakes up and does nothing, which is a continuing theme with King’s Batman. There’s a brief conversation where we once again see that the writer knows jack and/or shit about Batman and has him, once again, whine about the night his parents died. Holy shit this is talked about in every other issue. Oh, I forgot that Thomas, with his convalescent son draped across the back of his horse has also been dragging a coffin. Who’s in the coffin? Why non other than mommy bats. Now, is it Flashpoint Martha? That doesn’t make sense, how would he have had the time to grab her body? Is it this worlds Martha? That makes even less sense because he never met her. So either way, this is an idiotic twist thrown in for shock value. I’m sorry, but if you’re a fan of this run, you’re not a Batman fan because this isn’t Batman. When, in his 80 year history, has he EVER been written as this stupid, whiny, and ineffectual? When? This is not So much Batman as it is an extremely bad parody of him. more
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2.5
Over a quarter of this book is the song Home on the Range and honestly I could get that for free on youtube so...
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2.0
Anybody want a 73 issue Batman run plus Annuals ? Very very cheap. I don't want it stinking up my long box anymore .
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1.5
Hey guys. I'm not going to be doing a review for this issue, because I have gotten so tired of reviewing Tom King's Batman. I just wanted to let you know this was an awful issue, with no plot progression, awful dialogue, or lack thereof and really weak pencilling. The only good thing I can say about the issue is that Jordie Bellaire's colors are rather beautiful, but they don't salvage the issue.
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1.0
One of the few comics I've ever thrown away after reading.
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1.0
King’s war on words continue. There entire pages without dialog, and some pages is is just public domain songs.
The entire plot is Thomas wayne dragging a coffin with Martha’s body to a Lazerous Pit. He has Bruce coming too, and explains the whole Bane arc, literally. He explains the whole trope of you are broke down and rise from the ashes.
Bruce does nothing. He doesn’t question anything, certainly not the fact that lazerous pits were originally written so that they had to be used shortly after death.
King is stealing another plot - this time it is Death and the Maidens. That story also has the Wayne’s bodies being used for revival.
Just a terrible issue that goes nowhere and reveals nothing.
Or I could be wrong. more
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1.0
Even more garbage from Tom King. He has no grasp of Batman and I will be thrilled when they get him off of this book.
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1.0
ok. this was absolutely terrible!
Tom King is an awful no-talent Hack. still we get no real answers as to-
-how did Flashpoint Batman survive in the first place?
-how did Flashpoint Batman get to Bruce's dimension?
-why did Flashpoint Batman help Bane against Bruce?
-why is Bane dumb enough to trust Flashpoint Batman?
-how is Bruce not a cripple, with all the times his back has been broken?
-how is Bane not a cripple? wasn't his back broken by Catwoman?
all King has done is just brought up even more unresolved questions.
now he wants to Bring Flashpoint Martha Wayne back to life. JUST AWFUL.
we get some of the usual Tom King'iest of Tom King'y tropes-
-SLOWWWWWWWW pacing
-heavy decompression
-issue padded with something that wasn't really written by King (this time a song)
-spinal damage fixed easy peasy
-Bruce made to look like a weak idiot
-obligatory comical punch to the face of a Bat-family member
-3D computer models being traced and passed off as art
this is just a nasty hot diarrhea explosion of a mess. more
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10
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10
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10
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10
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10
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10
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10
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10
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9.0
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9.0
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8.5
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8.5
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8.5
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8.5
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8.0
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8.0
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8.0
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7.5
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7.5
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7.5
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7.5
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7.5
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7.5
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7.5
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7.0
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7.0
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7.0
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6.5
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6.5
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6.0
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6.0
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6.0
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6.0
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5.5
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5.5
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5.0
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5.0
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5.0
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3.0
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2.0
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2.0
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2.0
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1.0
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1.0