Jesse Schedeen's Comic Reviews

Reviewer For: IGN Reviews: 5525
7.5Avg. Review Rating

9.2
100 Bullets #100

Apr 15, 2009

Now will someone clean up all this blood on the floor?

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8.6
100th Anniversary: Guardians of the Galaxy #1

Jul 30, 2014

Regardless of whether or not they've been following the rest of Marvel's 100th Anniversary Specials, Guardians of the Galaxy lovers will want to give this comic a look. It's entertaining and oddly engrossing for what is really just an alternate universe story at the end of the day. If we can't have more Dan Abnett/Andy Lanning Guardians comics, the Lanning/Marz team is a good substitute.

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8.5
100th Anniversary: The Avengers #1

Jul 23, 2014

I also appreciated the fact that, for all this comic's weirdness, Stokoe doesn't remain fixated on the humorous elements. This is not a self-deprecating or cynical comic. Quite the opposite. This clash between good and evil leads to a surprisingly heartfelt conclusion. In some ways, it's more like an Avengers comic of a bygone era than it is a product of some crazy future.

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7.9
1872 #3

Sep 24, 2015

Most of the plot twists can be seen coming a mile away as the downtrodden heroes of Timely begin rising up against Mayor Fisk and his bloodthirsty agents. Even so, there's a lot of enjoyment to be had in seeing Gerry Duggan's Wild West re-imagining of iconic Marvel characters, especially as characters like Carol Danvers join the fray.

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5.3
30 Days of Night (2017) #1

Dec 21, 2017

There's a pretty obvious question that arises from the announcement that IDW is publishing a "reimagining" of the original 30 Days of Night miniseries - why?

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4.5
30 Days of Night (2017) #2

Jan 25, 2018

The idea of of 30 Days of Night getting a full-blown remake from its original writer/co-creator is interesting, but after two issues, the new 30 Days of Night hasn't done much to justify its own existence.

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3.5
30 Days of Night (2017) #3

Feb 8, 2018

There's still time to turn this series around, but these first three issues don't inspire much confidence.

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5
5 Days to Die #1

Sep 1, 2010

Chee's art is as pleasant a surprise as the writing in this issue. Chee reminds me very much of the gritty, crime noir stylings of Michael Lark or Matthew Southworth. Strong, competent line-work, heavy blacks, and emotional energy are the name of the game here. Chee's work isn't quite monotone, but features different color washes depending on the scene at hand. This issue is a strong debut both visually and in terms of the story. I'm pleasantly surprised with 5 Days to Die, and I hope that readers interested in 1 Month 2 Live will also give IDW's weekly series a fair chance.

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6
A Game of Thrones #1

Sep 21, 2011

Again, this is a competent adaptation, but a project like this needs to offer something more than competence. Either offer a deeper exploration of the series' mythology, as in the Dark Tower comics, or deliver a comic so beautifully rendered that the actual text doesn't even matter, like in Marvel's Oz books. Right now, there isn't much incentive to read this interpretation of A Game of Thrones over the original novel or the HBO series.

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6.9
A+X #1

Oct 31, 2012

A+X isn't a bad read as long as you don't allow the cover to fool you into thinking it has anything at all to do with Avengers vs. X-Men. Hopefully future issues will be more consistent on the promise to skip continuity and tell simple, fun done-in-one tales.

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7.3
A+X #2

Nov 28, 2012

Though A+X has its quirks and weak moments, the series can't be accused of not delivering on its simple premise. Even Marvel readers tired of the event machine might want to look beneath the AvX-style cover page and enjoy the simple, lighthearted tales within.

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7
A+X #3

Dec 19, 2012

Fans of Black Panther and Storm and/or Ferry's art will want to check out this issue, but the $3.99 cover price may be asking too much of everyone else.

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9.2
A+X #4

Jan 23, 2013

A+X #4 is a win-win. Can the the remaining two issues keep the streak going?

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8.8
A+X #5

Mar 6, 2013

If the first few issues of A+X were a bit rocky and uneven, these most recent two chapters have been milking the team-up concept for all its worth.

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8.5
A+X #6

Mar 27, 2013

After an early string of issues wherein only one of the two tales managed to live up to the premise, this is the third issue in a row where both segments are worth the price of admission. Judging from the newest solicits, Marvel doesn't appear to have any intention of wrapping up this book. And why should they at this rate?

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8
A+X #7

Apr 24, 2013

The CG art style is interesting, showcasing what a Pixar or Dreamworks-animated Marvel movie might look like. The downside to this is that there's little storytelling flow from panel to panel since the story consists of so many splash pages and large shots. But on the other hand, the artists do an admirable job of giving the figures a sense of fluidity, something that is all too rare with CG artwork.

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8.4
A-Force #1

May 20, 2015

While certain details regarding the nature of this team and their connection to the old marvel Universe remain unclear, A-Force #1 marks a worthy debut for Marvel's newest team book. It's fun and fast-paced, but also features great characterization and clear ties to the larger framework of Secret Wars. Marvel picked a solid creative team for this series, and it's already paying off.

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8.8
A.D.: After Death #1

Nov 23, 2016

A.D. is every bit as compelling a comic as one would expect from a Scott Snyder/Jeff Lemire team-up. It's intensely emotional, beautifully rendered and very diverse in its presentation. It does seem like the story would have been better served as a single graphic novel, but at least readers don't have to wait long for the next chapter.

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9.2
A.D.: After Death #3

May 11, 2017

I do wish the creators had emphasized sequential art over illustrated prose a little more with this book, but regardless of approach, A.D. works as a very intimate, very emotional look at a man finally coming to terms with death.

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8.8
Abbott #1

Jan 25, 2018

This comic manages to look both gritty and sentimental at the same time. Those few moments of supernatural horror stand out all the more because they're employed so sparingly. In short, this is a series worth following.

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8
Abe Sapien (2008): The Abyssal Plain #1

Jun 30, 2010

One of the benefits of following Mike Mignola's Hellboy universe is that even the spinoffs are generally worth reading. Abe Sapien: The Abyssal Plain doesn't break that trend. Mike Mignola and John Arcudi offer a tale less overtly steeped in horror and more plain creepy as Abe dives deep below the surface to seek out a lost artifact inside a sunken Russian sub. Peter Snejbjerg doesn't always capture the foreboding tone of his surroundings as well as he could, but there are some shots worth admiring. Those hoping that Mignola and Arcudi will shed new light on Abe's past might be disappointed, but the hero stands tall on his own once again. And those who just want more of those traditional clashes with monsters and demons should have their thirst quenched in issue #2. Though not an essential read, Abyssal Plain is just one more worthwhile and accessible entry in the increasingly vast Hellboy-verse.

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8.4
Absolute Carnage (2019) #1

Aug 7, 2019

Absolute Carnage #1 is a slow but haunting start to Marvel's latest crossover event.

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9.4
Action Comics (1938) #868

Aug 13, 2008

Naturally, Johns's story achieves a similar level of success. I really enjoy the looming sense of peril Johns is slowly building up. It's comparable to what Morrison is doing with Final Crisis, except simpler and.. you know... better. It's hard to ignore the feeling that something truly terrible is going to happen to Superman's loved ones, something that will likely kick off New Krypton at the end of the year. If this issue's story has any weak point, it's simply that fact that it doesn't move as quickly as I'd like. Johns spends the first half in the shadows, allowing Gary Frank's art to do all the talking. I really can't blame him for that, and yet I can't help but want more. This is, without a doubt, the best in-continuity Superman tale in a very long time. I'm always going to want more.

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7.8
Action Comics (1938) #872

Dec 10, 2008

The simple fact that an issue like this is taking place so late into "New Krypton" leaves me seriously worried about the overall impact of the crossover. At this point Johns and his collaborators have precious little time to accomplish what they set out to do. Forget matching the impact of "The Sinestro Corps War," at this point I'm just hoping for a crossover that doesn't fizzle out.

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8
Action Comics (1938) #878

Jun 10, 2009

Diego Olmos handles the pencils in this issue. It's nice to have one single artist handling the interior, at least. Olmos is no substitute for Barrows, but he's pretty competent in his own way. His pencils are a little more grounded and in keeping with Rucka's espionage flavor. In the quieter story segments and those focusing on human characters, Olmos is a solid fit. His page layouts and overall storytelling are fluid and easy on the eyes. On the other hand, his figure work is a little underwhelming, and this really starts to drag the book down in the more action-oriented sections. Olmos is a good match for Rucka, but not necessarily a good match for Action Comics.

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8.7
Action Comics (1938) #880

Aug 12, 2009

Crossover is increasingly becoming a dirty word in the industry, but it doesn't have to be. So far "Codename: Patriot" is a strong example of how to do these stories properly.

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7.5
Action Comics (1938) #889

Apr 28, 2010

This wasn't a bad finale by any stretch. All the same, I look forward to seeing Nightwing and Flamebird become more actively involved in the greater franchise over the next month. Anything after that remains to be seen.

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8
Action Comics (2011) #0

Sep 5, 2012

Sholly Fisch delivers another backup feature to complement the main tale. Interestingly, this story delves into Morrison's ongoing mythology much more than these backups have tended to in the past. Fisch doesn't focus on Superman here, but rather the origins of the Captain Comet/Neo-sapiens subplot from recent issues. Again, this material isn't necessarily that vital, but it adds a bit of color to previous stories. It's nice to have one issue that slows down the breakneck pace of the series and focus on the characters before Morrison begins his final push.

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7
Action Comics (2011) #8

Apr 4, 2012

In short, the larger plan for this book is beginning to come together, and it all seems promising. Is there any chance Action Comics can find a more timely and consistent art crew now?

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9.5
Action Comics (2011) #9

May 3, 2012

Finally, the backup story is an enjoyable read. It too focuses on Earth-23 Superman on a slightly smaller scale adventure. Writer Sholly Fisch explores the sometimes conflicting responsibilities a president/superhero faces and suggests the character is headed for a reckoning at some point in the future. If that means more of the character in Morrison's run, I'm all for it.

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6.5
Action Comics (2011) #10

Jun 6, 2012

Though Nimrod himself turns out to be a dud, he does facilitate an interesting twist that could have a profound impact on the Superman franchise depending how far Morrison chooses to push it. Even when this series stumbles, it remains an ambitious and exciting reinvention of the Man of Steel.

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7
Action Comics (2011) #11

Jul 5, 2012

Finally, Sholly Fisch delivers a backup story about the man who supposedly crafted Superman's T-shirt. The story doesn't complement the main feature in the way these backups have tended to, but it's an enjoyable read nonetheless. CAFU's artwork is as slick and expressive as ever, and it's a shame the rest of the book doesn't look this presentable.

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7
Action Comics (2011) #12

Aug 1, 2012

The problem with this finale chapter is that certain threads are wrapped up too quickly and neatly. There's the aforementioned Captain Comet sendoff, but more annoying is how little the Johnny Clark persona amounts to in the end. Superman's identity crisis had far more potential to explore, but it seems there just isn't space to continue along that path. Meanwhile, a last-minute character reveal could have used a bit more room in the script. Overall, this series just doesn't seem to have the room to expand to its full potential, nor the visual consistency it really deserves.

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7.7
Action Comics (2011) #17

Feb 20, 2013

The backup feature this month ranks among the better efforts from Sholly Fisch. Part of this is thanks to artist Chris Sprouse, who takes to Superman like a fish to water. But the script is heartfelt in its own right as it explores the last meeting between Clark and his father. The time travel aspect makes it a bit redundant in light of Morrison's All-Star Superman #6, but it works well nonetheless. The only problem? An editor's caption explains that the backup is meant to take place after Action Comics #18. Clearly the last-minute addition of that final chapter messed up the flow of the series, but couldn't this strip have been saved until then?

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8.4
Action Comics (2011) #18

Mar 20, 2013

Sholly Fisch and Chris Sprouse also return for one final back-up story. As mentioned, it isn't closely tied to Morrison's story, but it does tackle the idea of Superman from a different angle as it explores how a boy in the far future is inspired to stand up to a bully thanks to the Superman Museum. It's a little formulaic, though Fisch spices up the tale by cutting out all dialogue and using sound effects from the Museum to convey information instead. And there's no reason to complain about Chris Sprouse drawing a Superman comic, even if Superman himself is present only in spirit.

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5.4
Action Comics (2011) #21

Jun 5, 2013

But if nothing else, the "World of Krypton" backup feature holds some entertainment value. Though also burdened by excess dialogue at times, this segment features much sharper plotting and pacing, as well as some unusually detailed and energetic art from Philip Tan. It's enough to make you wish the backup feature could replace the main feature.

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8.8
Action Comics (2011) #28

Feb 6, 2014

Aaron Kuder's artwork perfectly matches the charming tone. His style is a little less focused on superheroic action and spectacle and more on unique character designs and overall energy. His facial work suffers a bit whenever the figures are framed from an angle, but otherwise Kuder brings a vibrant, slightly more cartoony look to Superman's world.

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9.5
Action Comics (2011) #29

Mar 5, 2014

And more and more, Aaron Kuder emerges as just the right artist to bring that eclectic blending to life. His work is expressive and dynamic, focusing less on big muscles and pretty faces and more on unique creature designs, quirky facial expressions, and awesome displays of Superman's might. I can't wait to see what these creators have in store for Superman as this run continues to unfold.

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8.2
Action Comics (2011) #30

Apr 2, 2014

The art in this issue is also easy on the eyes, despite the fact that Aaron Kuder doesn't illustrate every page. Kuder's work is as expressive and dynamic as ever, but guest artist Karl Kerschl also manages to impress with some intricate, jaw-droppingly gorgeous underwater scenes. Where can we sign up for more of that?

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7.9
Action Comics (2011) #31

May 15, 2014

Pak offers a satisfying blend of introspection, JLA dynamics, and good old superhero action in this chapter.

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8.2
Action Comics (2011) #32

Jun 5, 2014

Unfortunately, Aaron Kuder doesn't pencil this issue, instead making way for Scott Kolins. Kolins proves to be a perfectly decent replacement, however. His slightly cartoony style offers a similar vibe. Kolins renders the big action scenes well, though his facial work isn't quite as expressive and varied as Kuder's tends to be. Still, it's a vast improvement over Superman #31's rapid-fire switching between artists.

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8.5
Action Comics (2011) #33

Jul 3, 2014

"Doomed" is always at its best whenever it passes through Action Comics. It's almost a shame it's not confined solely to this title.

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6.8
Action Comics (2011) #36

Nov 6, 2014

The main appeal with this issue is seeing Aaron Kuder back on board as artist. Kuder's expressive style has been as integral to this series' newfound success as Pak's writing. And despite the generally cartoonish quality of Kuder's art style, he's able to perfectly match the darker tone of this story. This arc could be a showcase for Kuder's superhero versatility.

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8.7
Action Comics (2011) #37

Dec 4, 2014

It's also nice to have artist Aaron Kuder back in the saddle. This may just be Kuder's best issue of Action Comics to date. The sheer amount of visual variety alone makes this a blast to read. Kuder's typically expressive characters are in full effect, but he also has the chance to cut loose and design some really horrific and hyper-detailed monsters. On top of that, a brief flashback to Clark and Lana's childhood allows Kuder to tap into a different art style. It's like a blend between Kuder's cartoony approach and the sentimental paintings of Norman Rockwell.

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8.8
Action Comics (2011) #39

Feb 5, 2015

Action Comics #39 caps off Pak's post-Doomed story arc in very satisfying fashion. It has less to do with the horror elements or Pak's new take on Ultra-Humanite at this point. The emotional core of this issue is what makes it thrive.

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7.4
Action Comics (2011) #43

Aug 13, 2015

This issue offers a rousing conclusion to the current conflict, one that plays well on Clark's more vulnerable state and the way he continues to inspire those around him. Aaron Kuder's expressive yet down-to-earth style seems to suit the book more than ever given all these changes. Unfortunately, the story loses some of its punch as this issue wears on.

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7.1
Action Comics (2011) #44

Sep 10, 2015

Pak is great about exploring Clark's new status quo and his unflappable optimism in the face of one defeat after another. But as far as molding Wrath into a compelling villain? Not so much.

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8.1
Action Comics (2011) #46

Nov 19, 2015

Pak strikes a balance between letting Clark's darker side come out while still respecting the fundamentally good man beneath. If anything, this reads less like "Evil Superman" and more like a weary hero finally getting the chance to cut loose and enjoy himself again.

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8.2
Action Comics (2011) #50

Mar 9, 2016

It's unfortunate that such a talented creative team is forced to wrap up their Superman saga as cogs in a bigger machine, but Pak and Kuder make the most of their final issue of Action Comics. This issue is a rousing celebration of Superman and his supporting cast. The mish-mash of artists leads to a visually inconsistent issue, but Kuder's pages are worth the price of admission all on their own.

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6.8
Action Comics (2011) #51

Apr 21, 2016

Pete Tomasi's "Final Days of Superman" storyline continues to be a breath of fresh air in terms of Superman's characterization. As the Man of Steel confronts his own mortality, he suddenly feels more like classic Superman than he has in a long time. Unfortunately, that characterization isn't enough to save this issue from its various storytelling missteps.

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6.4
Action Comics (2011) #52

May 11, 2016

At this point "The Final Days of Superman" will go down in history as a flawed crossover at best. In some ways, it's just the shot in the arm this franchise needed. In other ways, it suffers from the same problem so many Superman crossover have in the past - poor pacing and too much exposition among them. Still, there's enough that works in this issue to suggest that Tomasi is the right creator to take over the relaunched Superman comic this summer.

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7.3
Action Comics (2011): Futures End #1

Sep 3, 2014

On the whole, this uplifting story is a nice change of pace from the generally darker world of Futures End.

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7.8
Action Comics (2016) #957

Jun 8, 2016

It's good to have a classic-numbered Action Comics back on the stands. This first issue doesn't completely live up to its potential in terms of Lex Luthor's role in the series, but it does offer a fun blend of old and new Superman elements as Superman and Luthor butt heads in front of Metropolis' residents. This issue looks great, and the series shows potential to keep building on the crazy twists and turns already brought about by DC Rebirth.

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7
Action Comics (2016) #959

Jul 14, 2016

It's unfortunate that we're barely a month into DC Rebirth and fill-in art is already becoming more common. But in this case, Tyler Kirkham's work stands out because it's so different from Patrick Zircher's rather than because it's poorly suited for the story Dan Jurgens is telling.

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8
Action Comics (2016) #1000

Apr 18, 2018

Action Comics #1000 isn't without its disappointments. A lackluster plot twist prevents Brian Bendis' first DC story from making the impact it should, and in general the short length of these stories tends to limit their scope. Still, there's a lot of heart in these pages, and no shortage of gorgeous artwork. It's impossible not to be moved by the many loving Superman tributes these creative teams have put together.

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9
Action Comics (2016) #1001

Jul 25, 2018

Action Comics #1001 is a great start for the new creative team, one marked by strong characterization and art.

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8
Action Man #1

Jun 23, 2016

Writer Nick Barber is able to strike a balance between innocent, old-school spycraft and a more grounded, real-world-influenced take on the franchise.

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9.2
Adventures Of Superman (2013) #1

May 29, 2013

The only real complaint worth registering about this issue is that it costs a dollar more than it would to download the three chapters digitally. But to be fair, it does offer at least as much content as any normal $3.99 comic would. Whichever viewing method you choose, this is a series that all Superman lovers need to be reading.

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7.5
Age of Apocalypse (2012) #1

Mar 7, 2012

Age of Apocalypse is a solid book all around in its debut issue, but it has plenty to prove in the coming months. Does this particular alternate universe have enough legs left to carry an ongoing series? Will the X-Terminated continue to hold their own alongside the other cast members? Again, time will tell.

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8.9
Age of Apocalypse (2012) #12

Feb 14, 2013

Renato Arlem adeptly handles the visual side of things. He creates a look of a world wracked by years of war and suffering that equals the tone established by Roberto de la Torre. And if anything, Arlem's facial work is more defined and nuanced, which is key in an issue like this where the dialogue-driven scenes take center stage. I'll be sorry to see this series end, but crossover or not, I have little doubt Lapham and his artists will manage to deliver the finale saga Age of Apocalypse deserves.

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8.2
Age of Apocalypse (2012) #13

Mar 6, 2013

The artwork is sold this month, with Renato Arlem tackling the bulk of the issue and Valentine De Landro handling the bookend pages. Both capably channel Roberto de la Torre's gritty, noir-esque style. It's a style that somehow works even though the tone and locations are comparatively cheery in this issue. One complaint, though, is that some characters are a bit harder to recognize now that most of them have ditched their costumes for civilian attire.

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7.5
Age of Apocalypse (2012) #14

Apr 3, 2013

This issue has two pencillers. Andre Araujo handles the scenes set in the 616 universe, while Renato Arlem lends his usual touch to the AoA universe. It's good that the story allows for such a logical separation of content, but the two artists are so completely stylistically different that the constant shifts are still jarring. Araujo's style is attractive in its own kooky way, but not necessarily dark enough to suit the tone of this story.

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6.7
Age of Heroes #1

May 19, 2010

And therein lies the core problem. Age of Heroes doesn't offer enough bang for the buck. $3.99 is too much to ask for four short stories, only two of which are of significant length. If both of the longer stories were of equally high quality that might help to justify the price, but they aren't. And in a week with so many promising new releases, it seems particularly hard to recommend an anthology book that can't offer full value and consistent quality.

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7.8
Age of Ultron #2

Mar 13, 2013

As nice as it is to see Bryan Hitch working in the Marvel Universe again, his work isn't as consistent as I would like. The landscapes and environments tend to be more impressive than the actual figures. Hitch creates a powerful sense of mood as he renders cities where buildings have crumbled and corpse-ridden vehicles litter the streets. But the figures suffer from many of the same problems Hitch's work so often displays lately. Characters seem to have chronically dislocated shoulders with the unnatural way their arms bend. Facial work is riddled with stray, haphazard lines. The latter quality is something that the inking should be able to fix, but instead Paul Neary's inks only highlight the unnecessary lines.

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8
Age of Ultron #3

Mar 27, 2013

The inking becomes a major problem at times, as it routinely fails to accomplish its basic purpose -- to lend weight and definition to the pencil lines. The inks are so scratchy and haphazard in some pages that I'd rather Marvel had just skipped that step entirely and released this series with plain penciled art.

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6.8
Age of Ultron #4

Apr 3, 2013

This is Bryan Hitch's penultimate issue of the series, and at this point there's little left to be said about his artwork. His various landscape shots look great. He crams ample amounts of detail into his ruined cityscapes and other environments. He paints an equally bleak picture of a Savage Land gutted by apocalyptic warfare. The many wide shots lend the book a generally cinematic, event-worthy feel. But his figures never benefit from the same sense of consistency and vitality. Background figures and panels that feature a large assortment of characters are much more loose haphazard. One odd quirk with this issue is that the interior art and cover alike make it obvious that Luke Cage wasn't originally drawn with hair. His hairdo looks scribbled on at the last minute.

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8.1
Age of Ultron #5

Apr 10, 2013

As mentioned, this is Hitch's final issue, and his work continues to show the same strengths and flaws as before. At the very least, issue #5 offers more diversity and allows Hitch to zoom in on a few key characters rather than tackle group shots of the Avengers. The detail in his figure work bumps up considerably in the flashback pages and any other page where the camera is zoomed in. But in general, this is still a familiar example of how Hitch's landscapes and environments outstrip his character designs. And as has often been the case with Hitch's Marvel work, there are certain objects and shapes he seems to struggle in rendering properly, most notably Iron Man's helmet. At this point, a visual refresh might not be such a bad thing.

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8.6
Age of Ultron #6

Apr 17, 2013

Honestly, my one real complaint with the story at this stage is that the future timeline feels almost incidental when held next to the past. Most of the dramatic impetus falls on Wolverine now. There's fighting and even death in the future, but the death only highlights the fact that much of this story will be wiped away by the finale issue. There's no longer any doubt as to whether Age of Ultron will have lasting ramifications for the Marvel Universe, but we need to see more of this future realm and Ultron himself before it becomes clear whether those ramifications extend to all angles of the story.

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6
Age of Ultron #7

May 1, 2013

Perhaps we'll find that this new alternate setting really is crucial to the development of Age of Ultron. But with the finale fast approaching and still no sign of the titular villain, it's difficult not to feel that the series is back to dragging its heels.

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6.1
Age of Ultron #8

May 15, 2013

The artwork is equally haphazard in this issue. Brandon Peterson handles the entire comic, having temporarily transitioned from Ultron's digitized future to this dystopian present. The story is the same as it has been. Some of Peterson's pages look spectacular, especially with the big action sequence as le Fay's armies attack and Stark's Helicarriers begin crashing out of the sky. But Peterson's facial work is too often stiff and jagged. Not that a harsh look is ill-suited to this new landscape, but the emotion of the script is too frequently lost in a mishmash of lines and shadows.

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7.3
Age of Ultron #9

Jun 5, 2013

As for Pacheco, his work is a little flat and lifeless compared to previous chapters. The muted color palette of the past-era scenes, while a clever way of calling back to marvel's Bronze Age past, doesn't do enough to bring life and depth to the pencils. Pacheco's storytelling also comes up short in certain scenes. One page shows a panel of Wolverine sneaking up behind Invisible Woman, followed by another where she's lying on the ground unconscious and he's off on his merry way. This entirely physical exchange falters because it lacks sequential flow.

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5
Age of Ultron #10

Jun 19, 2013

Each sequence is less story and more teaser ad, culminating in a single page spread extolling readers to buy the book in question. Between these sequences and the multiple pages reprinted from Avengers #12.1, it's fair to question why Marvel still charged $3.99 for this comic. The actual Ultron conflict is more or less forgotten by this point. None of the immediate fallout is explored, because as far as this issue shows, there isn't any. The focus is all about the next wave of events and tie-ins. As much as I resented Fear Itself #7 for losing sight of its own story in favor of setting up future books, Age of Ultron #10 is worse.

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8.5
Age of Ultron #10AI

Jun 26, 2013

There are a few odd quirks in this story, such as when Pym looks to the battle with Loki in Avengers #1 as his life's crowning achievement. But regardless, this is a fun read and, like with Avengers Academy before it, a welcome change of pace for such a normally glum character. The larger problem is that this issue gives too little indication of what to expect from Sam Humphries on Avengers A.I. next month. Will he retain this fun and lighthearted approach or strive for something different? That remains to be seen.

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7.2
Age of Ultron vs. Marvel Zombies #1

Jun 24, 2015

This series succeeds in shining a light on one of the more compelling regions of Battleworld and those unlucky few who call the Deadlands their home. However, this first issue is unfocused and doesn't offer a clear sense of what the book's core struggle will be.

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7.5
Age of Ultron vs. Marvel Zombies #2

Jul 30, 2015

This issue certainly establishes the stakes, though it spends a little too much time exploring the history of Salvation's defenders and poking fun at Hank Pym's "Aw, shucks!" shtick than fleshing out either Ultron's faction or the Marvel Zombies.

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7.6
Age of Ultron vs. Marvel Zombies #4

Sep 3, 2015

Unfortunately, after all this build-up the climax is too abrupt for its own good. This issue really could have used a couple extra pages to help give the conflict the finish it deserved.

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5.8
Agent Carter: SHIELD 50th Anniversary #1

Sep 17, 2015

It's always nice to see Peggy Carter given the spotlight in Marvel's comics, but this issue didn't do much to further her story or take advantage of the team-up with Lady Sif. The underwhelming conflict, and especially its poor resolution, take the wind out of this book's sails.

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7.8
Agents Of Atlas (2009) #1

Feb 4, 2009

The backup story, set in the original era of the team and guest-starring Wolverine, is more along the lines of what I want from this book. It's humorous and filled with plenty of sci-fi B-movie cheesiness. It even manages to use its Wolverine appearance to great effect, which is not a particularly common occurrence in these types of stories/ Even the retro-flavored art style seems more suited to the tone of the series. To be fair, I think Carlo Pagulayan turned in some great work with this issue. Particularly thanks to the coloring of Jana Schirmer, his pencils pop in a vibrant way they haven't in some of his recent work. I just find Benton Jew's style to be more along the lines of what this book can and should be. Agents of Atlas shows great promise in its first issue. I'm really just hoping that the book can move from underneath Dark Reign's shadow as Captain Britain did and establish itself as something truly unique in Marvel's catalog.

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8.3
Agents Of Atlas (2009) #9

Aug 5, 2009

Once again - gun-toting apes. Flying saucers. Talking dragons. Buy this book. You're only robbing yourself of great amounts of fun.

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4.3
Agents Of S.H.I.E.L.D. #1

Jan 13, 2016

Agents of S.H.I.E.L.D. the comic doesn't do much to live up to the legacy of the TV series. The cast may be similar, but the comic has no clear sense of purpose of a compelling conflict to propel these characters forward. Hopefully that will come with time and we'll see the comic make strides as great as the show once did in its troubled early months.

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6.7
Air (2008) #1

Aug 20, 2008

M.K. Perker is another source of mixed emotions for me. I love his page layouts. Though he relies on a very traditional six panel structure, Perker's work is compelling and easy on the eyes. I only wish his figures were able to measure up. Thanks mostly to his flat, uniform inking style, the characters stand out in odd ways, almost like they were carved out of wood. This was a problem in Cairo as well, but it only becomes worse through the addition of color. I don't know if a separate inker would be able to turn things around, but I'd like to see vertigo give it a try. Air certainly has potential, but it really needs to be held on the runway for maintenance right now.

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7.5
Air (2008) #2

Sep 17, 2008

Still, this book has improved significantly in just one month. I'm hopeful that it'll continue to do so as the main conflict becomes more clear. We still have a long flight ahead of us, after all.

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7.7
Air (2008) #3

Oct 15, 2008

Air has the potential to be something really great. For the time being, though I feel that the series is still struggling to find its rhythm. Call it some early flight turbulence if you like.

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6.1
Aliens (2009) #1

May 27, 2009

I can see potential in this series. Arcudi and Howard are both talented. The problem is that neither creator really put their talents to good use in this issue. Hopefully that will change soon.

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7.3
Aliens (2009) #3

Sep 30, 2009

This newest Aliens comic got off to a very rocky start, but it seems to be doing pretty well for itself now. I'm disappointed we don't have an Aliens book that looks more like an Aliens book should, but at least it satisfies all those baser desires for blood and gore. Perhaps it satisfies them a little too much...

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7.6
Aliens vs Predator: Three World War #3

Apr 7, 2010

Though his review of issue #1 was generally positive, Tim ultimately lamented the fact that his inner 10-year-old wasn't tickled by the plot of this book. I didn't find myself disagreeing with him at that stage in the game, but now Jesse Jr. is feeling quite happy and stimulated. And I'm only expecting this story to get more bloody and exciting from here.

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6.5
Aliens vs Predator: Three World War #6

Sep 15, 2010

The only real weakness in Stradley's final issue is spotty pacing. Certain scenes deserve more room to breathe than they are given. The ending in particular could have sorely used an extra page or two. Unfortunately, Three World War is too flawed to achieve true greatness, but it still provides ample entertainment and leaves the door wide open for future stories. With any luck, Dark Horse will pursue more sequels to this saga. If I can't count on the movies to do this concept any justice, I'll gladly settle for more comics.

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5.8
Aliens/Vampirella #1

Sep 2, 2015

The idea of Vampirella battling Xenomorphs is definitely enticing, but this first issue does little to capitalize on the potential of this crossover. The best we can hope for is that the series will veer away from formulaic Alien tropes and make better use of its heroine in future installments.

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9.2
Aliens: Dead Orbit #1

Apr 26, 2017

Even if Alien: Covenant fails to live up to its promise, at least fans of the franchise are getting one worthwhile Alien story this spring. Dead Orbit is an excellent throwback to the original film, focusing on claustrophobic horror and dread rather than action and spectacle. This is what happens when you give a talented storyteller the reins of a beloved franchise and simply let them go wild on the page.

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6.5
Aliens: Fire and Stone #2

Oct 30, 2014

Oddly enough, this comic is at its least successful when it comes to channeling the tone and horror of the Alien franchise. Between the outdoor jungle setting and the sudden segueways from character interaction to Xenomorph attacks, there isn't room for the sort of creeping, claustrophobic tension you find in the movies.

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7.3
Aliens: Life and Death #1

Sep 22, 2016

The plot is basic and the characters pretty standard Aliens fare, but that doesn't mean the story isn't engaging. Dan Abnett taps into the survival horror aspect while also wrapping this first issue on an intriguing note.

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6
All-New All-Different Avengers #3

Jan 14, 2016

Initially this series seemed like one of the safest bets of the All-New, All-Different Marvel lineup, but even after three issues it feels like there's something important missing.

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6.1
All-New All-Different Avengers #4

Jan 27, 2016

All-New, All-Different Avengers is still struggling to find its footing as it transitions from its first story arc to the second. The art quality improve in this issue, and Waid's characterization of Thor is a highlight. Unfortunately, the general team dynamic hasn't come together, and little about the conflict in this series is very remarkable.

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8.1
All-New All-Different Avengers #5

Feb 10, 2016

All-New, All-Different Avengers lacks a compelling villain right now, so it's good to see that the core team dynamic is becoming strong enough to offset that flaw. Waid's characterization of Vision alone makes this book worth reading, but the improving visual quality, the general team banter and the Ms. Marvel-centric material don't hurt either.

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6.8
All-New All-Different Avengers #6

Feb 25, 2016

All-New, All-Different Avengers has made some clear improvements over the course of this first story arc. The general team dynamic is stronger, and the series is in a better visual place as well. Unfortunately, this issue still caps off the arc on a fairly underwhelming note. There are still flaws that need addressing, but with the Avengers Standoff crossover coming up it's not clear how soon that will happen.

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6.7
All-New All-Different Avengers #7

Mar 24, 2016

Basically, it's the character drama rather than the action that distinguishes this series at the moment. That's partly because Adam Kubert's art in this issue isn't up to the book's recent standard.

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7.6
All-New All-Different Avengers #9

May 12, 2016

Waid plays around with time travel in small, fun ways here, but the script doesn't make enough of an effort to explain what exactly is happening with Vision or why. The script is a bit choppy as a result, but it ultimately sets the team on two divergent but equally intriguing paths.

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8.3
All-New All-Different Avengers #10

Jun 2, 2016

This issue has a very classic Avengers feel to it, while at the same time the "young vs. old" group dynamic and the low budget approach to superhero-ing give it a flavor all its own.

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8.5
All-New All-Different Avengers #11

Jun 30, 2016

This current story arc is the first to really tap into what I was hoping for from All-New, All-Different Avengers in the first place, which is a combination of fun, old-school-style Avengers threats mixed with an unpredictable "rookie vs. veteran" team dynamic.

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7.9
All-New All-Different Avengers #14

Sep 8, 2016

While ostensibly a Civil War II tie-in, this issue is more a launching pad for Jeremy Whitley and Elsa Charretier's upcoming series The Unstoppable Wasp. Which is just as well, as the script tend to be at its weakest when it attempts to draw in the events of Civil War II.

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8.5
All-New All-Different Avengers Annual #1

Aug 11, 2016

Because these stories needn't be constrained by logic anything can and does happen within these pages. I only wish the various creative teams had room to get a bit more in-depth with their epic fantasy tales.

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8.3
All-New Captain America (2014) #1

Nov 12, 2014

Marvel's latest Captain America relaunch is off to a successful start. Remender and Immonen waste no time before diving in the action and showcasing Sam Wilson in action. This issue looks great, and the dynamic between Sam and his new partner help give the series some extra flavor. The Hydra conflict may be pretty basic for now, but there's every reason to expect this new series to develop into something special.

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8.9
All-New Captain America (2014) #4

Feb 19, 2015

Rick Remender was wise to throw Sam into the deep end with this united Hydra enemy. It's allowed the hero to shine and stand well apart from the other characters to wield the shield.

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8.2
All-New Captain America (2014) #5

Mar 19, 2015

If you need proof that Rick Remender is aware of the criticisms lobbied against Sam Wilson becoming Captain America, the first page of this issue will do the trick. Remender continues to demonstrate Sam's worthiness both in word and deed.

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7.2
All-New Captain America: Fear Him #1

Feb 5, 2015

The strong writing keeps the story moving, even as the art and wonky perspective threaten to slow it down again. Visually, this comic can't really measure up to the core All-New Captain America book.

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7
All-New Classic Archie: Your Pal Archie #1

Jul 27, 2017

If you pine for the simpler, more innocent Archie Comics of yore, then Your Pal Archie is the comic for you. This new series offers basically the exact same take on the Riverdale crew that fans have seen from those grocery store digests for decades. Simple, innocent, all-ages fun, in other words.

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8.4
All-New Doop #1

Apr 9, 2014

As I was reading this issue, I did worry the premise would leave Doop marginalized within his own story too much. Do we really need five issues of him toying around behind the scenes of a completely different X-Men storyline? Luckily, the final pages deliver a major shake-up and promise that the mini-series will be shifting in a different direction. This is shaping up to be a very enjoyable and stylish addition to the X-Men franchise.

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8.1
All-New Doop #3

Jun 26, 2014

t's unfortunate to see David LaFuente joined by a fill-in artist in this issue, but the good news is that Jacopo Camagni is able to adhere to LaFuente's distinctive aesthetic and slip in and out of the issue with a minimum of fuss.

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7.4
All-New Doop #4

Jul 24, 2014

Needless to say, the book remains as entertaining as ever. And it's great to see Milligan making use of his old X-Statix cast as well. There's even a tease at a possible X-Statix revival. But it does feel like this book has lost sight of its original conceit - exploring how Doop appeared 'in the margins' of Battle of the Atom. Not that this change in direction is even a bad one, but the book does feel unfocused.

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8.3
All-New Ghost Rider #1

Mar 26, 2014

Time will tell if All-New Ghost Rider can find more sales traction than the previous book. But at least the new creative team are off on the right foot. All-New Ghost Rider offers an engaging, accessible entry point into the franchise that doesn't trip over itself trying to introduce the new hero. And in the tradition of new series like She-Hulk and Moon Knight, the unique visual style immediately sets this Ghost Rider apart from the ones that have come before. Hopefully this series can only get better as the creators work through the origin story and further establish Robbie's world.

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8.3
All-New Ghost Rider #4

Jun 26, 2014

It's easy to ridicule this new take on Ghost Rider based on the hyper-stylized art and the fact that he doesn't drive a motorcycle, but the series is coming along nicely. Tradd Moore's art is easily the biggest draw still, packing enough energy and expressive character design to fill three or four normal comics.

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8
All-New Ghost Rider #5

Jul 31, 2014

All-New Ghost Rider's first story arc wraps up with a finale that focuses more on action and spectacle than providing firm answers or explaining the new hero's true connection to the Ghost Rider mantle. But with an artist like Tradd Moore rendering the book, would you want something different?

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7.5
All-New Ghost Rider #6

Aug 20, 2014

Felipe Smith's second story arc sees Robbie settling into his role as a supernatural avenger. And everything is coming up Robbie lately. He's making good money by using his Ghost Rider powers to win races. He's able to spend more time with his brother. The only one not happy in this equation is his spectral partner Eli. Above all, this issue is great at building a sense of dread. Everything in Robbie's life is so positive that it's obviously going to collapse on him sooner rather than later. The question is how badly. Robbie is still very early in his hero's journey, and he has yet to learn the important lesson about power and responsibility (something Smith acknowledges in a very direct way here). The conflict Smith begins building isn't all that memorable aside from a purely visual standpoint, but clearly bigger things are brewing underneath.

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8.4
All-New Ghost Rider #11

Feb 12, 2015

The dynamic between Robbie Reyes and his younger brother has become far more compelling thanks to the latter's recent personality shift. Couple that with dark new revelations about Robbie's ghostly partner and its plans for the two brothers, and the drama is really mounting.

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8.3
All-New Ghost Rider #12

Mar 26, 2015

All-New Ghost Rider is another All-New Marvel NOW title reaching a premature end. To his credit, writer/co-artist Felipe Smith doesn't try to close the book on Robbie Reyes or wrap up every single loose end in these 20 pages. This issue reads more like the end of an arc than a series finale.

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8.3
All-New Guardians of the Galaxy #1

May 3, 2017

Marvel's relaunched Guardians comic isn't quite as different as its title would have you believe. In fact, it pushes the franchise in an even more movie-inspired direction. But it does offer plenty of fun featuring Star-Lord and the gang., as well as a terrific sense of visual style. For now, that's enough.

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8.6
All-New Guardians of the Galaxy #3

Jun 8, 2017

This issue may raise more questions than it answers, but those questions are more than enough to hold the reader's attention. The fact that this issue also goes a long way towards showcasing how this series will diverge from the movies rather than echo them certainly doesn't hurt.

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7.3
All-New Invaders #1

Jan 22, 2014

No, this isn't a flawless debut for the latest Invaders revival. But I can forgive this issue's storytelling missteps in light of the sheer ambition and fun already apparent in the story. Robinson and Pugh aren't simply dusting off an old team and coasting on a wave of nostalgia. They're trying to do something distinctly different with the Invaders, and that alone is enough to capture my interest.

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6.2
All-New Invaders #7

Jul 10, 2014

For this series' Original Sin tie-in, James Robinson has revealed that the Invaders failed to stop the dropping of the atomic bombs that ended WWII. That premise is a lot more interesting than what is actually delivered in issue #7.

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9
All-New Marvel NOW Point One #1

Jan 8, 2014

It's a little weird that this issue has no connective threads or build-up to Orginal Sin, especially considering that the first Point One issue teased Original Sin over two years ago. But that aside, this issue is well worth the price of admission, and serves as a strong showcase for Marvel's 2014 lineup.

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6.2
All-New Ultimates #1

Apr 10, 2014

Depending what you're looking for in All-New Ultimates #1, you may walk away disappointed. This is less a replacement for the classic Ultimates team and more an extension of Ultimate Spider-Man. But while this first issue is held back by some strange storytelling choices and a generally choppy script, at least it tries new things and doesn't come across as just another in a long line of teen superhero comics. It adheres to the promise of the Ultimate Universe being a home for new and unexpected kinds of stories.

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4.6
All-New Ultimates #6

Aug 21, 2014

I really wish I could enjoy this series, based both on Michael Fiffe's pedigree and the great work that was done setting up this team on the previous volume of Ultimate Spider-Man. But All-New Ultimates continues to disappoint after six issues.

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6.3
All-New Ultimates #12

Jan 14, 2015

But to his credit, Fiffe caps off a solid character arc for Bombshell. Lana has emerged a stronger and more fully realized character thanks to this series. The decision to frame this arc from her viewpoint was an inspired one. The final few pages focus on Lana and the rest of the team bonding as a family unit, and they reinforce the great dynamic uniting these heroes. It's a shame the book never built a more engaging conflict around that dynamic, and that this may be the last we see of this particular incarnation of the Ultimates.

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8.5
All-New Wolverine #1

Nov 11, 2015

The Wolverine franchise has finally found its bearing, and all it took was a completely new character underneath that distinctive mask. This first issue is lean and fast-paced, tossing readers right into the heat of battle and proving the former X-23 worthy of inheriting the mantle of Wolverine.

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8.8
All-New Wolverine #2

Nov 25, 2015

There's a real momentum to this series even so early into its lifespan. Taylor's pacing is quick, but not to the point where he does the characters or conflict a disservice.

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8.4
All-New Wolverine #3

Dec 31, 2015

All-New Wolverine has the distinction of being the best of Marvel's new X-books so far. This issue continues that trend, as Tom Taylor digs deeper into the relationship between Laura and her clones and pits them against Taskmaster.

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9
All-New Wolverine #4

Jan 14, 2016

In the end, Strange's role in this book might be fleeting, but he offers a fun change of pace for the series while also helping to reinforce the bond between these "sisters."

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9
All-New Wolverine #5

Feb 11, 2016

The Janet/Laura team-up in this issue is fun to read (who would have ever expected Laura to don an Ant-Man suit and go cruising through a human body?), but the heartfelt bond between the new Wolverine and her sisters is where the real heart of this issues rests.

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9
All-New Wolverine #6

Mar 10, 2016

In the end, this issue accomplished exactly what the finale of an opening story arc should - it closes the door on one conflict while laying the groundwork for darker and more dramatic battles to come.

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9
All-New Wolverine #7

Apr 28, 2016

This issue manages to be silly, poignant, sweet and downright hilarious in equal measure.

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9.2
All-New Wolverine #8

May 19, 2016

Somehow this series manages to be the silliest and most entertaining of the X-Men line while simultaneously offering some of the deepest characterization.

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8.5
All-New Wolverine #9

Jun 2, 2016

You might as well ignore the "Road to Civil War II" banner, because this comic has no tangible connection to the events of that big crossover. What it does have is plenty of wacky fun and adventure as Laura literally climbs into the belly of the beast in order to rescue Old Man Logan from being digested by Fin Fang Foom.

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8.1
All-New Wolverine #11

Aug 18, 2016

All-New Wolverine's Civil War II tie-in arc is unfolding in the same way it is in so many other books. Ulysses has a vision about a specific hero, and then everybody panics. As has been the case from the start, however, it's the top-notch characterization that makes this book shine.

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6.9
All-New Wolverine #12

Sep 22, 2016

This issue closes out the brief arc well enough, but it does feel fairly underwhelming in the end.

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7.7
All-New Wolverine #13

Oct 6, 2016

The original "Enemy of the State" was a watershed storyline for Wolverine, influencing many stories that followed in the years to come. The hope is that "Enemy of the State II" will do the same for the new Wolverine. So far, this arc seems to be on the right track.

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6.2
All-New Wolverine #15

Dec 8, 2016

"Enemy of the State II" has yet to really live up to its predecessor. Conceptually, it's a fitting sequel, but the scope isn't really there yet.

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7.1
All-New Wolverine #16

Jan 12, 2017

This may not be the epic murder-fest the original "Enemy of the State" was, but maybe it doesn't need to be.

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7.1
All-New Wolverine #17

Feb 9, 2017

Much like the issue in the original "Enemy of the State" that focused on S.H.I.E.L.D.'s efforts to de-program Wolverine, this issue hinges on the attempt to break Laura's weakness to her control scent. The difference being that Taylor frames the ordeal as an introspective, even intimate battle that hinges on the sisterly bond between Laura and Gabby. It's a firm reminder that, for all the mistakes this series can make at times, Tom Taylor really knows how to write Laura Kinney.

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7.1
All-New Wolverine #18

Mar 8, 2017

It's a shame the art in All-New Wolverine #18 isn't more dynamic, because otherwise this issue manages to deliver a strong finish to "Enemy of the State II" and the first 18 months oft he series as a whole. It embraces positivity rather than darkness and it paves the way for a newer, more hopeful era for the new Wolverine.

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8.5
All-New Wolverine #19

Apr 6, 2017

All that really matters is that the new status quo allows both Laura and her younger sister Gabby to serve as superhero partners. Their relationship continues to be the driving force of the series and the main reason All-New Wolverine is one of Marvel's most purely enjoyable superhero comics.

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7
All-New Wolverine #20

May 11, 2017

This series made such a strong impression early on thanks to David Lopez's art, and it's never been able to meet that standard since.

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7.5
All-New Wolverine #21

Jun 15, 2017

In terms of plot, this new story arc is far from the most remarkable we've seen on All-New Wolverine.

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8.3
All-New Wolverine #22

Jul 6, 2017

This issue continues to mine gold from the wonderful Gabby/Deadpool partnership, while also making the most of Laura's new team-up with the Guardians of the Galaxy.

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8.7
All-New Wolverine #23

Aug 10, 2017

Tom Taylor and Leonard Kirk continue to make the most of the Wolverine/Guardians of the Galaxy team-up here, even using character traits like Drax's newfound pacifism and Rocket's hatred of animal lab testing to their advantage.

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8.3
All-New Wolverine #25

Oct 12, 2017

There's some concern that the series is treading into overly familiar territory as Tom Taylor again digs into Laura's tragic past. However, the addition of Daken and the emphasis on lingering threads from the Wolverine Origins days does help to spice up the new conflict. And certainly, the unexpected cliffhanger promises to shake up Laura's world in a big way.

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8.4
All-New Wolverine #27

Nov 23, 2017

This series has received a real shot in the arm with Marvel Legacy. Part of that simply boils down to the change in artist. Juan Cabal's dynamic, expressive style gives All-New Wolverine a sense of energy it's been lacking lately.

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8.5
All-New Wolverine #28

Dec 14, 2017

I still have certain reservations about the "Orphans of X" (including their weird knack for taking down some of the biggest heavy-hitters in the Marvel U), but overall things continue to look up for this series.

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6.8
All-New Wolverine Annual #1

Aug 31, 2016

If all you want from this issue is a fun, goofy team-up between two of Marvel's most prominent heroines, you won't leave disappointed. This comic looks great and delivers a steady stream of body-swap comedy. But given how well the main series has managed to blend humor and emotional drama, it's disappointing that the annual feels so light and inconsequential by comparison. There's too much missed potential with this crossover.

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7.4
All-New X-Factor #1

Jan 8, 2014

Carmine Di Giandomenico provides a new look and feel to go with the new direction and status quo. Everything is light and angular, befitting a corporate-led mutant team. Di Giandomenico's storytelling shines best early on, during Gambit's botched robbery attempt. The coloring is the one visual flaw right now. Between the wardrobes and odd lighting choices, characters often appear almost monochrome in many panels.

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8.2
All-New X-Factor #9

Jun 5, 2014

While the story quickly heats up this month, the pacing does seem almost too fast for its own good (especially considering the pointless opening sequence). But between David's characterization and Carmine Di Giandomenico's expressive art, there's plenty to like here.

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8
All-New X-Factor #10

Jul 3, 2014

The current X-Factor storyline has definitely picked up the pace, though not quite to the point where it proves detrimental to the plot like it did last month.

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8.5
All-New X-Factor #12

Aug 21, 2014

As much as All-New X-Factor has read like a clean break for the team from David's past work, this material really bridges the gap between the old and the new and furthers Pietro along the path to redemption. It's a rewarding read after a decade of seeing Pietro stumble and fall.

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7.9
All-New X-Factor #16

Nov 6, 2014

With this series due for cancellation in a couple months, it's good to see that Peter David isn't letting this AXIS tie-in derail the book's momentum or the focus on character relationships.

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9.1
All-New X-Men #6

Jan 16, 2013

Even the temporary (I hope) loss of Immonen can't prevent this new series from firing on all cylinders. Bendis is weaving a very engaging tale that celebrates the long history of the X-Men while also managing to appeal to people who have no prior attachment to the characters.

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7.7
All-New X-Men #18

Nov 13, 2013

Stuart Immonen remains on board in the aftermath of Battle of the Atom. Naturally, his work is clean, engaging, and visually dynamic even though the script involves little more than talking heads. His art is as much responsible for differentiating this series as any other element. It's good to have a less stylized and more traditionally superheroic look at Cyclops' faction of mutants to offset the art in Uncanny X-Men.

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6.3
All-New X-Men #19

Nov 27, 2013

All-New X-Men #19 isn't a bad comic, though the art frequently leaves a lot to be desired. It's more that this series is lacking in the excitement and ambition that defined it prior to Battle of the Atom. Hopefully that will change quickly enough when the crossover begins.

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6.4
All-New X-Men #21

Jan 15, 2014

Perhaps this new Stryker will eventually emerge as a worthwhile X-villain. There's little doubt after this issue that Bendis has plenty more planned for him. But for now, I'm just as happy to move onto the big Guardains of the Galaxy crossover storyline.

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8.5
All-New X-Men #22.NOW

Jan 22, 2014

But the good news is that Stuart Immonen is back on board as artist. Given how rushed Battle of the Atom was towards the end, it's been a while since we've seen Immonen in top form with this series. His talent for rendering epic action and expressive, emotional figures is as impressive now as it was at the beginning of All-New X-Men. Immonen is in good company as he works alongside Sara Pichelli with this crossover, and I'm eager to see the final product collected in one package.

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9
All-New X-Men #23

Feb 12, 2014

Not to mention that Stuart Immonen is delivering some amazing visuals. Bendis' script gives Immonen a wide variety of material to work with. There are intimate emotional scenes that hinge on facial work. There's slapstick, comedic banter. There's epic space warfare and explosions abound. If we've learned anything from this crossover so far, it's that there's nothing Immonen can't draw impeccably well.

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8
All-New X-Men #24

Mar 12, 2014

The issue manages to function on a deeper level thanks to Stuart Immonen's art. Immonen has been on his A-game all throughout this crossover. He's able to convey a great deal about Jean's emotional turmoil through his bold page layouts and nuanced facial work. Similarly, Immonen is able to convey a great deal about Oracle and her conflicted role in the story simply through facial work.

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8.8
All-New X-Men #25

Apr 9, 2014

And the varied artwork helps a great deal. I don't know that this is "the greatest artist roster ever assembled" as the cover proclaims, but it's a mighty fine assortment either way. The issue features a nice mix of classic X-Men pencillers (Art Adams, Paul Smith) and artists you wouldn't normally expect to see on a Marvel book (Bruce Timm, Jill Thompson). These artists contribute a variety of splash pages and more traditional sequential work scattered in among David Marquez's framing sequence, with the overall flow and effect working better than the similarly focused Ultimate Spider-Man #200 from last week.

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8.8
All-New X-Men #27

May 14, 2014

All-New X-Men is always at its best with Stuart Immonen providing the art. This issue allows Immonen to tackle a wide range of material, from a dramatic birthing scene to dimly lit, underground battles to neon-drenched scenes of the future Marvel U. Maybe none of the material is quite as epic as what we saw in the "Trial of Jean Grey" crossover, but who knows where this arc will venture before the end?

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8.7
All-New X-Men #28

Jun 11, 2014

And once again, Stuart Immonen is at the top of his game. His work takes on a slightly darker tone than usual with this arc, especially in the shadowy future scenes as the Brotherhood plot and scheme. The constant back-and-forth in the script helps keep the story humming along, and Immonen's shadowy scenes frequently open up into widescreen displays of psychic fury. That Immonen can keep up this level f detail and craft coming right on the heels of the "Trial of Jean Grey" crossover is very impressive.

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8.4
All-New X-Men #29

Jul 9, 2014

Issue #29 also serves as Stuart Immonen's swan song on the book, unfortunately. His vibrant, dynamic art will be sorely missed. This issue does show a few rough edges in terms of loose facial details and such, but that's to be expected considering how many pages Immonen has tackled in recent months. He still brings an awesome sense of scale and drama to every page, and the interplay between the real world and the psychic plane helps distinguish this issue even further.

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8.4
All-New X-Men #30

Aug 13, 2014

It's unfortunate that the ending sequence has to come along and kill the groove the issue had achieved. Bendis finishes the story with a rehash of a scene from Uncanny X-Men #23. It feels out of place and not terribly relevant to the other story segments.

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7.6
All-New X-Men #31

Aug 27, 2014

Mahmud Asrar makes the jump from Wolverine and the X-Men to illustrate this arc. It's a bit of a thankless job considering the impossibly high standard artists like Stuart Immonen and Sara Pichelli have set. Asrar's art isn't on that level in terms of energy or refinement, but he does a respectable job of maintaining the series' aesthetic. Some pages look great and feature bold action, while others suffer from loose details or reused panels.

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7.7
All-New X-Men #34

Dec 17, 2014

Mahmud Asrar has some stiff competition with this book, coming on the heels of greats like Stuart Immonen and David Marquez. But he's also coming into his own as a Marvel artist. Some of Asrar's pages are dynamic and detailed enough that it's almost tough to tell Immonen ever left. The Iceman scenes in particular showcase Asrar's storytelling abilities. Other pages never hit that level, though, and at times his facial work is too muddy and simplistic to keep up with Bendis' dialogue-heavy approach.

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7.4
All-New X-Men #36

Feb 11, 2015

There's a sense that Bendis is offering the Ultimate X-Men one final moment of triumph before Secret Wars swoops in and upends their world for good. Speaking of which, a number of teases in this issue call to question just how directly this arc is setting up the events of Secret Wars. But more intriguing is a development at the very end that looks to dictate the course of this series in its final months.

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8.2
All-New X-Men #37

Mar 12, 2015

Brian Bendis uses this issue to explore one of the more oft-ignored character dynamics in his X-men run - Emma Frost and young Jean Grey. And even if this chapter does little to advance the larger plot, it's worth a read for that element alone.

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6.5
All-New X-Men #38

Feb 25, 2015

But again, at least the art impresses. This issue does stand out in the sense that previous Black Vortex chapters did a solid job of adhering to the aesthetic laid out by Ed McGuinness in the Alpha issue. Andrea Sorrentino's style is a far cry from McGuinness'. That's a flaw in the greater context of the crossover, but on its own merits this issue really shines in the visual department. Sorrentino does cosmic spectacle every bit as well as gritty superhero drama. The transformed heroes especially stand out thanks to Sorrentino's striking figure work and the general surreal tone he generates. Brian Bendis may well have found his next great collaborator in Sorrentino.

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7.8
All-New X-Men #39

Mar 18, 2015

Andrea Sorrentino's distinctive style may put him at odds with the rest of the artists working on this crossover, but on his own merits he's a great fit for this sort of cosmic drama. His dynamic layouts shine best during the scenes of carnage and destruction. During the more emotionally charged scenes, he brings a subtler touch that emphasizes body language and emotion. A lot is conveyed in simple looks between Kitty and Star-Lord or Cyclops and Jean.

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7.5
All-New X-Men #40

Apr 23, 2015

All-New X-Men #40 offers an intriguing epilogue to Black Vortex, but the series needs more momentum now.

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8.5
All-New X-Men Annual #1

Dec 24, 2014

Basically, if you enjoyed Uncanny X-Men Annual #1 earlier this month, you'll get a kick out of this one, too. It remains a treat to see Andrea Sorrentino working his magic on the Marvel Universe.

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8.5
All-New X-Men: Special #1

Oct 2, 2013

Much of the appeal with this issue rests on the fact that it's Anka's first full-length sequential work at Marvel. He doesn't disappoint, bringing the same sense of energy and strong design work that have characterized his covers. The characters are simple but expressive, and the overall style manages to pay homage to the X-Men's Silver Age roots while still offering the sort of ferocious action you expect from modern superhero fare. We'll just have to see how well the crossover holds up as other artists tackle the remaining two issues.

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7.1
All-New X-Men (2015) #1

Dec 2, 2015

All-New X-Men #1 doesn't race right out of the gate like the previous series did in its first issue, but this is an enjoyable debut all the same. Hopeless shows a strong handle on his cast of mutant heroes, while Bagley is right at home in this corner of the Marvel U. However, the needlessly slow pace and emphasis on team-building over plot do hold this issue back.

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6.7
All-New X-Men (2015) #6

Mar 17, 2016

This issue continues Dennis Hopeless efforts to use the Blob conflict as a means of exploring each character's state of mind. That means there's a lot of clunky, ponderous introspection and not a great deal of plot progression.

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8.6
All-New X-Men (2015) #7

Mar 31, 2016

Not only is this issue emotionally gut-wrenching, it's also very claustrophobic and unsettling thanks to to catacomb setting and the physical suffering Cyclops endures.

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4.8
All-New X-Men (2015) #8

Apr 14, 2016

This issue serves as a transitional chapter as the books shifts from the opening conflict with The Blob and Toad to the events of "The Apocalypse Wars." Frankly, it reads more like a filler issue than an integral addition to the series.

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7.8
All-New X-Men (2015) #9

May 12, 2016

All-New X-Men might just be the most vital addition to the growing Apocalypse wars crossover, given the fact that one of the core team members is a teenage clone of the world's oldest and most evil mutant. At the same time, it's unfortunate that this series is covering the same ground as its sister X-books.

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6.8
All-New X-Men (2015) #10

Jun 9, 2016

This issue explores what happens when Evan buddies up with the teenage En Sabah Nur and realizes that even Apocalypse himself was once an ordinary, even loving boy. It makes for an interesting reality check, but this issue doesn't do much more than reiterate Evan's shock and confusion and chronicle the ancient Egyptian equivalent of a beach trip.

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6.4
All-New X-Men (2015) #12

Aug 11, 2016

Though the Laura/Warren romance is a major focus here, it's actually the Laura/Scott dynamic that stands out the most. The two have developed an entertaining friendship under Hopeless' hand.

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9.1
All-New X-Men (2015) #13

Sep 15, 2016

This series has had plenty of ups and downs, but at its best it showcases what's possible with such an eclectic team of teenage X-Men. This issue serves as a high point for Dennis Hopeless and Mark Bagley's run so far.

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8.3
All-New X-Men (2015) #15

Nov 10, 2016

It's nice to know that some X-Men comics can still inspire excitement and anticipation.

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6.2
All-New X-Men (2015) #19

Mar 30, 2017

The hope was that Dennis Hopeless would be able to wrap up his series on a high note in the aftermath of IvX. Sadly, that doesn't turn out to be the case.

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7.5
All-New X-Men (2015) Annual #1

Nov 24, 2016

This series is often at its best when it focuses on smaller, character-driven stories rather than trying to contribute to the mess that is current X-Men continuity. Even without regular writer Dennis Hopeless on board, this issue taps into that appeal.

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8.5
All-Star Batman #1

Aug 10, 2016

It just doesn't feel right not having Scott Snyder writing Batman. This series fills the void that's existed since the end of Batman Vol. 2, but more importantly, it shows that Snyder still has plenty of tricks up his sleeve when it comes to the character. Plus, this issue is worth reading solely for the gorgeous visuals provided by John Romita, Jr., Declan Shalvey and the rest of the art team. It's just a shame this is the one Batman comic that isn't twice-monthly.

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9
All-Star Batman #2

Sep 14, 2016

No matter how many great Batman comics DC publishes, Scott Snyder's work will always stand out. This issue offers a rousing road trip adventure, plenty of impeccably rendered action, dramatic foreshadowing of things to come and a dash of real world allegory to boot. All these ingredients combine to from an eclectic and very enjoyable Batman comic.

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9.4
All-Star Batman #3

Oct 13, 2016

Throw in the return of a fan-favorite Batman character and an increased role for Duke, and this issue serves as a new benchmark for the still-young series.

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8.7
All-Star Batman #4

Nov 10, 2016

Needless to say, a story that already felt plenty timely is only growing more so in light of recent political developments. But this issue also has plenty of brutal, hard-hitting action to offer as Batman's physical gauntlet grows more harrowing and The Beast re-enters the fray.

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9.2
All-Star Batman #6

Jan 11, 2017

The Batman franchise really offers an embarrassment of riches these days. This issue succeeds in revitalizing a villain whose stock had plummeted in recent years, while also serving as a terrific reunion for Scott Snyder and his Detective Comics collaborators. It's just a shame Jock won't be sticking around longer.

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9
All-Star Batman #7

Feb 8, 2017

If All-Star Batman were nothing more than an excuse for Scott Snyder to work with a who's who lineup of talented artists, the series would be well worth following, This issue offers a gorgeous take on the Batman/Poison Ivy dynamic courtesy of Tula Lotay. But there's plenty of depth to this story, to boot, as All-Star Batman continues to be a showcase for the enduring appeal of Batman's villains.

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9
All-Star Batman #8

Mar 16, 2017

This issue finds a strong emotional hook in the way it explores themes of anxiety and self-doubt and forces Batman to question even fundamental truths about himself and his past. Giuseppe Camuncoli's art matches the story well, as he's able to transition from a relatively straightforward superhero style to something far more twisted and surreal over the course of this issue.

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9.2
All-Star Batman #9

Apr 19, 2017

"Ends of the Earth" wraps with what is easily one of the strongest chapters of All-Star Batman to date. This issue manages to drag the Dark Knight out of his comfort zone even as it offers a powerful meditation on the end of the world and the power the Batman symbol holds to light the way in dark, confusing times.

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4.8
All-Star Batman and Robin the Boy Wonder #10

Sep 24, 2008

I'm sure some readers will disagree with a lot of what I've said here. All I ask is that you consider what you really enjoy about this book. To me, All-Star Batman & Robin is a joke. Just because it lets you in on the joke doesn't mean you should be laughing along with it.

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7.5
All-Star Section 8 #1

Jun 10, 2015

Artist John McCrea doesn't miss a beat with these characters. His vision of the Cauldron is both outlandishly cartoony and slathered in grime and grit. It's a very unique visual sensibility relative to the rest of DC's comics. McCrea crams in various visual gags as well, with the standout example being several homages to classic Batman artists like Neal Adams and Kelley Jones. It appears these homages were directly lifted from the old comics in question rather than recreated, but they're integrated in an effective and hilarious way.

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6.8
All-Star Section 8 #2

Jul 9, 2015

John McCrea's art is great at channeling and enhancing the humor of Ennis' script. His pages are full of gritty, grimy charm and dynamic, almost Tex Avery-esque storytelling. But beneath all of the goofiness, there's not much of a story to be had with this book.

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7.7
All-Star Section 8 #3

Aug 13, 2015

John McCrea's art shines once again, contrasting the high-minded heroism of Martian Manhunter with the gritty, grimy, downright filthy world that this team occupies. But now that we're halfway through this comic, maybe it's time to get the plot in gear?

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7.5
All-Star Western #5

Jan 25, 2012

Hopefully the writers will pick up the pace of the main story in issue #6, as reading about Hex and Arkham bickering and battling Bat people can only sustain the book for so long.

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7
All-Star Western #6

Feb 22, 2012

The Barbary Ghost backup tale proves entertaining in its final chapter, if also a bit rushed in its own way. Luckily, the story leaves room for more adventures with this unique Western heroine. And both the lead and backup features boast impressive visuals. Moritat delivers some of his moodiest and most consistent work of the series to date. And Phil Winslade's bold figures and striking imagery go a long way towards elevating the Barbary Ghost pages. Hopefully he can continue to play a role in this series as it moves forward.

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7.5
All-Star Western #7

Mar 28, 2012

Unfortunately, Moritat's artwork isn't really up to snuff this month. His style seems to vary quite a bit from month to month, and in this case it becomes far more loose scratchy, with flat characters that don't do enough to convey action and motion. The art in the backup feature is far stronger and more refined in comparison. Still, this issue goes a long way towards proving that All-Star Western has strong legs beyond the Batman connections.

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8
All-Star Western #8

Apr 25, 2012

All-Star Western is doing well for itself at the moment. The only question is whether the imminent Night of the Owls crossover will derail the plot or enhance it further.

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7
All-Star Western #11

Jul 25, 2012

On the plus side, the new backup feature this month is particularly memorable. The writers continue their Wild West-ification of modern DC heroes by offering up a new version of Doctor Thirteen. This take is basically an amalgamation of Sherlock Holmes and Teddy Roosevelt, which is every bit as awesome as that sounds. This segment has a fun horror vibe as Thirteen clashes with a Headless Horseman-esque villain named the Haunted Highwayman. Scott Kolins once again proves that his style is well-suited to the horror realm. Hopefully Doctor Thirteen can enjoy more of a lasting presence in the series beyond this short feature.

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6.5
All-Star Western #12

Aug 22, 2012

Fianlly, the writers wrap up their short revamp of Doctor Thirteen in the backup feature. The backup loses some of the fun factor it had in the previous chapter, as the story takes a decidedly grim turn. Even so, there's a lot to love about the idea of a Teddy Roosevelt-esque hero who battles evil with brains and common sense. Scott Kolins provides a bold, simple, but shadowy look for the story that suits the script well. More than any backup so far, I hope to see this Doctor Thirteen material return in a larger capacity down the road.

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6.8
All-Star Western #15

Jan 2, 2013

The current Tomahawk backup is notable not for the script, which is fairly by-the-numbers and a little overwrought at ties, but for the visuals. Phil Winslade delivers panel after panel of bold, energetic action. The strip looks like a lost relic of DC's classic Western era in many ways, but this is hardly a bad thing.

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6.8
All-Star Western #16

Jan 30, 2013

The Tomahawk backup makes up for the sporadic art quality, though. Phil Winslade's dramatic depiction of American Indian warfare is as gorgeous as anything you'll see in a DC book this week. The story here is nothing terribly special. But for a book where the visuals are too rarely a draw in either the main feature or the backups, this sudden boost in quality is welcome indeed. I'd love nothing more than to see Winslade take over the main feature for a while and give Moritat some time to focus on the finer details that his pages can often lack.

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7.3
All-Star Western #17

Feb 27, 2013

The backup feature is a bit more well-rounded. Here, Palmiotti and Gray introduce readers to the 19th Century incarnation of Stormwatch. The star of this opening chapter is that era's Century Baby, Jenny Future. As much as this backup could be viewed as a rehash of Demon Knights in a different time period, all that really matters is that it offers a fun blend of Wild West adventure and steampunk aesthetic. I'm very much looking forward to seeing this version of Stormwatch take shape in subsequent chapters.

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7.8
All-Star Western #18

Mar 27, 2013

The backup feature is particularly strong this month, as it always is when Palmiotti and Gray focus on Doctor Thirteen. If Teddy Roosevelt were a DC superhero, Doctor Thirteen is pretty much what you'd get. Entertaining in its own right, this segment also acts as a piece in a larger puzzle as the writers continue assembling the 19th Century incarnation of Stormwatch. The visuals in this segment aren't terribly memorable, but Thirteen's antics alone are well worth the price of admission.

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8.3
All-Star Western #19

Apr 24, 2013

Staz Johnson's pencils show a flair that is sometimes lacking in Moritat's work in the main story. Johnson offers up some dynamic page construction and framing that, coupled with the moody inking and coloring, effectively blend Wild West action with a more foreboding sense of horror. I'm eager to see where these backup features are headed once the full roster is finally assembled.

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8.5
All-Star Western #22

Jul 25, 2013

The shift to the present allows Moritat a chance to branch out a great deal from the usual dusty landscapes and seedy bar rooms of past storylines. Luckily, Gotham is seedy enough that his textured style is still a strong fit. As usual, there's a fair amount of discrepancy in the detail from panel to panel. Some panels see Moritat devote painstaking attention ti every scar and crag on Hex's face, while others feature characters that are little more than loose outlines. But when Moritat is on top of his game, he paints a picture of Gotham that's tough to beat.

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9.2
All-Star Western #34

Aug 27, 2014

Needless to say, the resolution satisfies. And Hex's adventures have never looked better thanks to the Cooke/Stewart team-up. Cooke is a master storyteller, and his clean, elegant line-work is every bit as home in the Wild West as it is rendering DC's heroic age or the seedy crime drama of the Parker graphic novels. If this series had to go, at least it was able to go out on a tremendous high note.

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7
Alpha Flight (2011) #1

Jun 15, 2011

Fear Itself has done this new series no real favors. Luckily, it doesn't appear as though the book will be dealing so directly with that event after this issue, instead focusing on its own characters and conflicts. As long as that proves to be the case, Alpha Flight should have no problem living up to its full potential.

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6.2
Amazing Mary Jane (2019) #1

Oct 23, 2019

Despite arriving at just the right time, The Amazing Mary Jane #1 doesn't exactly live up to its name.

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6.8
Amazing Spider-Man & Silk: The Spider(Fly) Effect #1

Mar 3, 2016

The main disappointment with this first issue is that the series doesn't exploit the Peter/Cindy dynamic to very good effect. There's little to their interaction beyond Peter's excessive wisecracking and Cindy's exasperated responses. There's a lot of untapped potential there that hopefully Thompson will address in future installments.

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3.5
Amazing Spider-Man (1999) #545

Dec 26, 2007

Bryan's Score: 2.0

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7.1
Amazing Spider-Man (1999) #547

Jan 16, 2008

More than anything, I'd like a few more answers regarding Spidey's new status quo. I've been compiling a growing list of questions regarding the many changes to his history which, at this point, could probably fill a novel. I need to know that Marvel isn't simply building towards a big "Spider-Man is really a Skrull" revelation later this year before I can allow myself to become fully invested in a promising but flawed new direction for the character.

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6.2
Amazing Spider-Man (1999) #551

Feb 20, 2008

The worst part is that, instead of taking more time to explore the Menace mystery in the next arc, we'll be subjected to yet another new villain. It's nice to have a fun, relatively happy-go-lucky Spider-Man again, but the Brand New Day approach clearly values style over substance. If I don't see more improvement in the coming quarter, I fear a pink slip may be in order.

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5.2
Amazing Spider-Man (1999) #553

Mar 12, 2008

I'm doing my best to keep my spirits up as far as Brand New Day is concerned. The next arc definitely sounds intriguing, even without its contents being alluded to on every other page of this issue. However, I can't keep wading through arcs like this in hopes of finding something better at the other end of the tunnel.

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9
Amazing Spider-Man (1999) #555

Apr 2, 2008

Sure, the villains (what little we see of them) come across as goofy, and the Wolverine guest appearance is a bit pointless, but this is by far the most fun I've had with BND so far. It seems a lot of seasoned Spidey writers could learn a thing or two from the relative rookie Wells.

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8.8
Amazing Spider-Man (1999) #557

Apr 16, 2008

As for Wells, his dialogue is as amusing and well-crafted as ever. However I was just struck by a few odd lapses of story logic (something that seems to be all-too common in Brand New Day) and an ending that lacks the necessary oomph. Other than advancing a few mundane details of Peter's life (he has a roommate now! Yippee!) it can be argued that nothing of consequence happened in this brief arc. Consequences be damned, though. I'm just glad that, for three weeks, Spidey once again became the headline character he deserves to be.

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6.7
Amazing Spider-Man (1999) #561

Jun 4, 2008

Those pluses aside, this issue would have fared a whole lot worse if it wasn't for Marcos Martin. Martin is, put simply, one of the best artists to handle Spidey in many years. His art is fluid, dynamic, ad everything you could hope for in a Spidey comic. It manages to hearken back to the classic days while still retaining modern storytelling sensibilities. If only I could say the same for the writing.

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7.7
Amazing Spider-Man (1999) #566

Jul 16, 2008

The story isn't entirely watertight, unfortunately. For one thing, Guggenheim inserts an unnecessary tie-in to the original Kraven's Last Hunt in the form of Vermin. The character does absolutely nothing other than keep several characters busy and pad out the pages for a while. The connection to KLH is also problematic because of the many unanswered BND continuity questions. I know answers are supposedly forthcoming, but it's mid July now. I think we've all waited long enough.

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6.2
Amazing Spider-Man (1999) #581

Dec 17, 2008

After a full year and 36 issues, Marvel has shown us what to expect from Amazing. When the scripts ignore the jangled mess of continuity and retcons that make up Brand New Day and just tell fun stories, the series works marvelously. When they get too caught up on exploring the new status quo, we get issues like this. I hope Marvel takes these examples to heart in 2009. There's no reason these past two months can't be the norm rather than the exception.

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7.4
Amazing Spider-Man (1999) #588

Mar 18, 2009

Still, Guggenheim has tossed out enough juicy nuggets that I'm keen to keep reading. More than anything, I'm just anxious to get back to the clean, simple, and, most importantly, devilish good fun of the stories we saw in November and December. "Character Assassination" didn't raise the bar, but it did ultimately come close to brushing it.

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7.2
Amazing Spider-Man (1999) #589

Mar 25, 2009

Van Lente could really bring something to this series, but he needs more to work with than one D-List villain and a band of generic thugs. Though this issue leaves the doors open for further developments, I can't say I have a huge interest in a sequel. Let's keep the biting humor and move onto something more interesting.

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8
Amazing Spider-Man (1999) #590

Apr 1, 2009

The best issues of ASM lately have been the ones with the highest fun factor. Issue #590 has fun in droves, but it unfortunately carries some of the more annoying qualities of the Brand New Day approach along with that fun. I really hope this is the arc that finally answers some of those burning questions. Not so much because I crave the answers, but because I'm sick and tired of being teased with them. The series has too much to offer at this point to dwell in the past any longer.

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8.4
Amazing Spider-Man (1999) #591

Apr 15, 2009

Thanks to Slott's last minute twist, Mark Waid has a treasure trove of material to work with as he embarks on the next arc, "Spider-Man 24/7". I'm looking forward to it quite a bit. Now that the series seems to be striking a better balance of fun and revelation, I'm optimistic the future will stay bright for Spidey's readers, if not Spidey himself.

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7.1
Amazing Spider-Man (1999) #592

Apr 22, 2009

Spider-Man 24/7 certainly has its merits so far, not least of which being more slick pencils from Mike McKone. However, issue #592 offers up a far more mundane beginning than I would have expected. I'm hopefully the next issue can do better. Until then, I'm going to busy myself trying to scrub all memory of the final page out of my brain.

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7.1
Amazing Spider-Man (1999) #593

May 6, 2009

Once again, this arc is saved by some solid Mike McKone art and a few bright spots amid the underwhelming portions. I like what is being done with the new love birds, and the new Vulture has the potential to be another quality addition to Spidey's rogues gallery. But the core premise of this arc continues to fall flat, and nothing can really make up for that.

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7.1
Amazing Spider-Man (1999) #594

May 20, 2009

"Spider-Man 24/7" proved to be far more underwhelming than I would have expected. But my enthusiasm for "American Son" and issues beyond hasn't diminished, so I'd say the series as a whole is still riding a pretty nice wave at the moment.

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6.8
Amazing Spider-Man (1999) #609

Oct 21, 2009

What this arc needed more than anything was some helpful trimming. By toning down the flashbacks and eliminating Screwball's presence altogether, this story could probably have been comfortably told in two chapters. Still, I suppose there's always hope that Guggenheim will have some surprises in store for the third and final chapter. We'll see.

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6.7
Amazing Spider-Man (1999) #629

Apr 28, 2010

Rounding out the issue is a short story by Zeb Wells and Chris Bachalo that serves as a prologue for next month's "Shed". It's not much, but Wells turns in a haunting portrayal of Curt Connors. Maybe it's just Bachalo's pencils at work, but the Lizard is shaping up to be creepier and more interesting than ever when he returns. After an overly long jaunt outside the confines of The Gauntlet, I think "Shed" will be just what the doctor ordered.

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7.4
Amazing Spider-Man (1999) #631

May 12, 2010

Unfortunately, there is an artistic problem in this issue. Emma Rios steps in for Bachalo and handles the first third of the issue. It's disappointing to see any fill-in artist on this arc. Sadly, it's rare for any multi-issue story on this series to pass by without some fill-in work. I'm getting to the point where I'd welcome a hiatus for the series so that the Spidey Brain Trust can build a longer lead time. But worse is the fact that Emma Rios could not possibly be more different in style and tone from Bachalo. Luckily, she doesn't reuse the same manga-esque style seen on Mark Waid's Strange mini-series. There is a bit more depth and grit on display here, but not nearly enough. Rios isn't inherently wrong for the series, but to pair her with an artist Like Bachalo on such a violent, bleak story seems a very strange choice. The letters page admits that Rios was brought in so Bachalo could focus on issue #632. Hopefully that means the arc will finish on a strong note. Wells and Bachal

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7
Amazing Spider-Man (1999) #637

Jul 14, 2010

Ultimately, "Grim Hunt" wasn't quite the epic finish to "The Gauntlet" I might have expected given the creators involved. When it comes to Peter's struggle, the emotional core rings a bit hollow. But there are still plenty of admirable qualities to be found in this last issue, and I doubt many readers will feel their $3.99 was wasted.

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6
Amazing Spider-Man (1999) #639

Aug 4, 2010

In terms of visuals, this issue is also an improvement on Paolo Rivera's end. Rivera's work is allowed more freedom and room to breathe now that it doesn't have to share page space with Paul Ryan's panels. Rivera is given some very emotional scenes to work with, and he captures that emotion well. Quesada's framing art, on the other hand, still suffers from overly soft and extremely inconsistent character renderings. Ultimately, this arc succeeds as OMD damage control, but not quite so much as a simple, engaging story.

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6.5
Amazing Spider-Man (1999) #641

Sep 9, 2010

As a bookend to one emotional era of Peter Parker's life, OMIT is fairly successful in what it sets out to do. And yet, the arc failed to answer all the lingering questions surrounding current Spidey continuity. I'm fully content to put all this business behind me and get back to what Spidey does best. Hopefully the series will oblige as "Origin of the Species" debuts.

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6
Amazing Spider-Man (1999) #644

Sep 29, 2010

Mark Waid's scripting is somewhat haphazard. Humor has never been his strong suit with the series, so the straightforwardly dramatic tone of this issue is a boon. Waid still shows a tendency to overwrite his hero, though. Having Spidey voice his sense of personal torment isn't nearly as effective as having the issue show it organically. Waid had the opportunity for a truly memorable scene in this issue as Spidey and Rhino encounter each other for the first time since the latter's tragic meltdown in issue #625. While Waid mines the scene for some of its depth, it's difficult not to imagine how much more could have been done in a story that allowed the proper space. Paul Azaceta's art is also frustratingly haphazard. The action scenes have a dynamic quality, but Azaceta's unattractive figures and facial work tend to drag down the more dialogue-centered panels. Hopefully "Origin of the Species" can find its legs in these last two issues.

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7
Amazing Spider-Man (1999) #645

Oct 13, 2010

Not unexpectedly, the Spidey crew are forced to bring in a filler artist for a good portion of this issue. Matthew Southworth's dark, noir-infused pencils make this story seem even more in line with The Grim Hunt, but in that sense it's hardly a bad move. Southworth's work is unfortunately rushed, but still attractive and well-suited to the tone of the story. His assistance also allows Paul Azaceta to deliver his best work of the arc in the final pages. Based on the cliffhanger, the last chapter of "Origin of the Species" should be a doozy. The arc has generally improved over time, and Waid has the chance to end the Brand New Day saga with a bang if he can bring his loose threads together.

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7
Amazing Spider-Man (1999) #646

Oct 27, 2010

As for the art, Paul Azaceta is once again joined by Matthew Southworth. As with the previous issue, Southworth's presence allows Azaceta to deliver more consistent, detailed pencils, and the shift between the two is rarely jarring. Issue #646 is a decent conclusion to the arc, and if nothing else, Harry Osborn is in store for big things in the future. As for Spidey, let's hope issue #647 can offer a truly satisfying sendoff for Brand New Day.

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7.5
Amazing Spider-Man (1999) #647

Nov 3, 2010

BND fans should find enjoyment in this issue, even if the bulk of the backup material doesn't compare to the main story. On the whole, the Spidey Brain Trust were able to see the hero out in style. This issue sets the stage in some small way for the next era of Spider-Man. Luckily, unlike last time, the character begins his new life in good, solid shape.

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6.5
Amazing Spider-Man (1999) #648

Nov 10, 2010

I knew from the start that this issue would leave me slightly disappointed because of Ramos' art. Unfortunately, I wasn't expecting such a chaotic and crowded first script from Slott. This first issue leaves me very excited for the future of the series, but in and of itself it certainly could have benefited from a tighter, leaner script.

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7.5
Amazing Spider-Man (1999) #649

Nov 24, 2010

"Big Time" has already met with significant improvement in its second issue. That bodes well for Slott's run on the series. It's clear the writer isn't pulling punches in this new era, and readers can rest easy knowing only that the won't know what to expect moving forward.

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7.5
Amazing Spider-Man (1999) #664

Jun 29, 2011

The art in the main story segment is fine, if a little flat at times. Giuseppe Camuncoli's pencils could benefit from stronger, more vibrant colors. Luckily, the art is the star of the show in the Spidey/Shang-Chi backup. Max Fiumara's work is always welcome on this series.

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7.5
Amazing Spider-Man (1999) #668

Aug 31, 2011

Spider-Island is good fun so far. The stakes aren't really there, but Slott still has plenty of time left to ramp up the danger and deliver on the promise that Spider-Man's world will be dangerously overturned by this event.

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7.5
Amazing Spider-Man (1999) #673

Nov 2, 2011

As ever, it's clear that the chaos and drama of Peter Parker's world won't be letting up. Issue #673 shows plenty of promise for the future, but also some worrying signs. Hopefully the former will define the series going forward.

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8
Amazing Spider-Man (1999) #675

Dec 7, 2011

Giuseppe Camuncoli's art style is a bit unusual for a Spider-Man comic, but certainly effective for this story. Klaus Janson's inks bring an even more harsh and jagged edge to Camuncoli's lines. The darker edge suits the new take on Vulture and his crew. Camuncoli clearly isn't suited for all types of ASM stories, but the same could be said for most artists on this book. The visual variety is part of the fun of this format.

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7
Amazing Spider-Man (1999) #676

Dec 21, 2011

Again, this issue is a little goofier than you might expect given the subject matter, but it still serves as an effective teaser for 2012 and a nice way to wrap up 2011.

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8.5
Amazing Spider-Man (1999) #681

Mar 7, 2012

It's nice to see Giuseppe Camuncoli being employed effectively on the book. Camuncoli's harsh, jagged figure work isn't always the best fit for Spidey's world, but in a darker setting like this it works very well. Hopefully Slott can continue to tailor his arcs to best fit Camuncoli's artistic sensibilities.

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7.5
Amazing Spider-Man (1999) #689

Jul 5, 2012

If not without its flaws, No Turning Back is a refreshing change of pace for the series, and not a bad gateway for prospective new readers looking for more Spider-Man vs. Lizard shenanigans.

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5.5
Amazing Spider-Man (1999) #693

Sep 5, 2012

There's some decent character work to enjoy in this issue as Peter interacts with Max Modell, his family, and various superhuman allies. Sadly, none of it involves Alpha himself. As poorly executed as these two issues have been, my enthusiasm for the series and the build-up to Amazing Spider-Man #700 is beginning to wane.

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7.5
Amazing Spider-Man (1999) #700

Dec 26, 2012

Long story short, yes, ASM #700 is worth venturing to the shop. The execution falls short in a couple of key areas, but it nonetheless gives the long-running series proper closure and paves the way for a very interesting and unpredictable 2013.

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7
Amazing Spider-Man (1999) #700.1

Dec 4, 2013

There's also the problem that the concept as a whole feels a bit thin for a five-issue mini-series. Morrell only lightly hints that there's something bigger at play with Peters condition and the encroaching blizzard. He'll need to start showing his hand quickly in order to justify another four issues of this material.

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7.6
Amazing Spider-Man (1999) Annual #37

May 26, 2010

But quirks aside, this annual manages to be quite a bit of fun. Were it priced at the expected $4.99 level, I might have a hard time recommending it. Luckily, Marvel is only charging $3.99. With many current books asking that much for far less content, I see no reason not to give this annual a shot. The Gauntlet may be a particularly strong example of how engrossing Peter Parker's life becomes in its darkest moments, but even Spider-Man needs a break now and again.

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6.5
Amazing Spider-Man (1999) Annual #39

May 30, 2012

All told, this actually isn't a bad issue to hand a new reader curious about the current status quo of Spider-Man and his world. At $4 for 40+ pages, it's certainly a better value than most books the Big Two put out. Still, the script never reaches its true dramatic potential, and that's a shame.

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7.8
Amazing Spider-Man (2014) #1

May 1, 2014

Amazing Spider-Man #1 offers a solid, enjoyable look at Peter Parker's return to the Marvel Universe. Not every element in this first issue is a home run, but Slott and Ramos succeed at bringing back the fun and excitement of classic Spider-Man while still building on the events of Superior Spider-Man. This issue might have been better off forfeiting some of the less compelling backup material and lowering the cover price accordingly. But regardless, there's plenty of reason to be excited for Spider-Man's future with Peter back in the saddle.

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8.5
Amazing Spider-Man (2014) #1.1

May 7, 2014

A retread this is not. Learning to Crawl avoids rehashing a story readers have seen countless times, instead opting to explore Peter's slow, painful evolution into the hero he is today. It's definitely a worthy companion to Slott's core Spider-Man series.

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7.9
Amazing Spider-Man (2014) #1.2

Jun 12, 2014

This 'Learning to Crawl' mini-series would be worth reading if for no other reason than because Ramon Perez perfectly marries the Steve Ditjo era of ASM with more modern storytelling sensibilities.

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8.3
Amazing Spider-Man (2014) #1.3

Jul 10, 2014

Slott and Ramon Perez's collaboration serves as a true love letter to Silver Age Spidey without being too old-fashioned.

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8.3
Amazing Spider-Man (2014) #1.4

Aug 27, 2014

Slott is able to build up the drama in this penultimate issue so that the odds are stacked against Peter in a typically Spider-Man-ish way. If anything, he actually oversells the drama in the final pages as literally every part of Peter's world goes to hell in front of him. The book doesn't need quite that much darkness as Peter continues to wrestle with the notion of power and responsibility. But regardless, the creators have set the stage for a fitting conclusion to this previously untold tale of a young, inexperienced Spider-Man.

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8.1
Amazing Spider-Man (2014) #1.5

Sep 24, 2014

But if this issue is guilty of focusing too much on Peter himself, that's an understandable sin. Slott's script delivers where it matters most in terms of tracing Peter's final steps towards true heroism. The final splash page alone is a terrific cap to the series and an homage to decades of Spider-Man history. Never has Ramon Perez's Ditko-esque art style stood out so much. There's also a more subdued but no less memorable scene between Peter and Aunt May. Just as it seems Slott's writing is veering into sappy territory, he throws a majorly unexpected curve ball. It's nice to see that a flashback story like this can offer its share of surprises.

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8.1
Amazing Spider-Man (2014) #2

May 22, 2014

As with issue #1, the main weak point with this new story arc is Electro. Max Dillon feels very much like a shoehorned villain, and this issue shows that his role could have been filled by several other Spidey rogues easily enough. Whereas Slott delivered a great Lizard-centric storyline to coincide with the first Amazing Spider-Man movie, this Electro appearance seems to do little else but tick off those boxes on the movie tie-in checklist.

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7.3
Amazing Spider-Man (2014) #3

Jun 25, 2014

As usual, Humberto Ramos' art works better during the action scenes than it does the quieter, character-driven moments. Some of his facial work is wonky in this issue (wonkier than usual, anyway), but there's also plenty of energy to the clash between Spidey and Black Cat or JJJ's latest vitriolic rampage.

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7.2
Amazing Spider-Man (2014) #4

Jul 23, 2014

By the end, I found myself very eager to see more of the Peter/Cindy connection and how it'll play into Black Cat's ongoing vendetta. As for why Electro is relevant to this storyline? Who knows?

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7.8
Amazing Spider-Man (2014) #5

Aug 13, 2014

Despite never having been the biggest fan of Humberto Ramos' style, I've been impressed with his work on this new series so far. Ramos' tendency to exaggerate facial features and body proportions seems toned down slightly. Meanwhile, his Silk design and his Black Cat redesign both look great. The book has a vibrant sense of energy that really begins to heat up as the two heroes and two villains begin to clash.

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6.8
Amazing Spider-Man (2014) #6

Sep 10, 2014

In general, this issue suffers from a common problem in that it feels disjointed and rushed in many spots. Slott is constantly juggling plot points and characters and setting things up for the future. Often all that prep work can have a detrimental effect on the story being told in the present. Hopefully Spider-Verse itself will be more streamlined and focused.

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8
Amazing Spider-Man (2014) #7

Oct 8, 2014

All in all, this is an eventful and entertaining issue, but the Spider-Man/Ms. Marvel team-up might have benefited from being published on its own in a completed form.

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7.2
Amazing Spider-Man (2014) #8

Oct 22, 2014

The backup feature, as with last month's story, manages to intrigue and upset in how it takes a fairly lighthearted character (in this case, Mayday Parker), and engulfs her world in darkness and bloodshed. At least this Spider-Girl now has genuine stakes in the Spider-Verse conflict, but is it necessary to keep putting these characters through the wringer in each and every backup? We already have a good grasp on how terrible Morlun's family is and how dire the situation has become.

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8.7
Amazing Spider-Man (2014) #9

Nov 6, 2014

After weeks of memorable build-up, Spider-Verse hits the ground running. This event loses none of the appeal of Slott's ongoing Spider-Man work, managing to balance humor and drama and make the most of a concept that brings all the Spider-Men together for one grand adventure. And with Coipel making Peter Parker and his world look better than ever, there's a lot to love in Marvel's latest event storyline.

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7.9
Amazing Spider-Man (2014) #10

Nov 20, 2014

This issue serves as the major launching point for the various tie-ins and spinoffs Marvel has in the wings. On one hand, it's nice to see Slott find time for so many alternate Spider-Men and Women to shine as numerous characters are shifted along the board. Many old favorites are given their due, while a handful of new players leave an impression as well (particularly Spider-Punk). Even with the scope as big and dire as it is, Slott finds room for humor and banter. The interaction between Spider-Monkey and Spider-Ham is priceless. On the other hand, the final pages are a nonstop barrage of exit scenes and editor's captions directing readers to this tie-in or that tie-in. Hopefully this issue has taken care of all that editorial business and the core Spider-Verse conflict can resume its normal course in the next chapter.

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8.3
Amazing Spider-Man (2014) #11

Dec 10, 2014

Spider-Verse is rapidly shaping up to be Marvel's best event comic of 2014. Even though it occasionally gets bogged down in setting up tie-in books, ASM #10 is a tremendously fun read that delivers the Peter Parker/Otto Octavius showdown we've been waiting for. It also looks great and further builds up the threat of the Inheritors. It's nice to have an event that actually lives up to the hype.

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6.9
Amazing Spider-Man (2014) #12

Jan 7, 2015

The latest chapter of Spider-Verse is somewhat disappointing compared to the previous three, but that hardly means there's no entertainment to be had. Dan Slott manages to ramp up the drama without losing sight of the inherent fun of this concept. Giuseppe Camuncoli, meanwhile, fills in for Olivier Coipel as well as anyone could hope. It's mainly the lack of forward momentum in this issue that disappoints. With only two chapters remaining, this storyline needs to kick into high gear.

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8.3
Amazing Spider-Man (2014) #13

Jan 21, 2015

Spider-Verse is building steam as it nears its big finale. This issue doesn't suffer as much as previous chapters when it comes to setting up or interacting with the various tie-in comics, although there are still some problems on that front. But for the most part, Slott and Camuncoli deliver a clean, attractive comic that allows many characters their moment in the spotlight and sets the stage for a very memorable final battle.

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6.3
Amazing Spider-Man (2014) #14

Feb 11, 2015

Unfortunately, the Spider-Verse saga ends on a relative low note. Amazing Spider-Man #14 packs in a lot of cool moments, but too often the fast pace and action-heavy approach steamrolls right past the big developments. Meanwhile, Coipel's normally stellar art is prone to weak spots, despite only drawing about half the issue. Hopefully issue #15 will be able to better wrap up this saga with a bow and address the problems of this finale.

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6.8
Amazing Spider-Man (2014) #15

Feb 25, 2015

Spider-Verse has been a great event comic over all, but some of the structural choices have really come back to bite Amazing Spider-Man in the butt. Issue #14 was the official conclusion to Spider-Verse. Unfortunately, its heavy emphasis on action prevented any real resolution to the story. Thus, it falls on Amazing Spider-Man #15's epilogue story to wrap up all loose threads and give this event the proper conclusion it needed. If only it were a little more successful in that regard.

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6.1
Amazing Spider-Man (2014) #16

Mar 11, 2015

Spider-Verse was always going to be a tough act to follow. Even so, there's definite potential in this new conflict, as the writers emphasize Peter's personal and professional woes over his costumed antics. Unfortunately, there's precious little time for the series to build momentum before the main story is interrupted by a pointless backup tale.

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7.5
Amazing Spider-Man (2014) #17

Apr 2, 2015

Humberto Ramos illustrates both story segments. My usual problems with his exaggerated style and use of perspective remain, especially during the early scenes that focus more on dialogue and character interaction than superheroics. Things do pick up once the focus shifts to Parker Industries. Ramos draws a great Ghost, rendering him as lithe, deadly, and more than a little creepy.

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6.4
Amazing Spider-Man (2014) #18

May 6, 2015

Amazing Spider-Man hasn't been firing on all cylinders in recent months, and this finale issue does nothing to reverse that trend. While Ghost makes for a good villain, the rushed pacing and divided focus are a drag on both stories.

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7.4
Amazing Spider-Man (2014) #18.1

Jun 4, 2015

Conway has been delivering a perfectly enjoyable tale with "Spiral," a storyline that feels right at home alongside Dan Slott and Christos Gage's recent ASM work. Conway does the writers one better in this issue, offering a more nuanced and less annoying Black Cat than we've seen since the post-Superior Spider-Man relaunch

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7.3
Amazing Spider-Man (2014) #19.1

Jul 2, 2015

I do wish this storyline had a more consistent roster of villains rather than a rotating lineup (especially as Conway was doing a great job of salvaging Black Cat last month), but the focus on the two lead heroes is enough to offset that problem.

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4.7
Amazing Spider-Man (2014) #20.1

Aug 13, 2015

Spiral was a solid read over the past few months, but in its final issue it comes across as less a compelling Spider-man conflict and more a means of bridging the gap between volumes of the main series.

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5.1
Amazing Spider-Man (2014) Annual #1

Dec 11, 2014

Spidey fans are better off devoting their money to the various Spider-Verse-related comics this week.

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8.5
Amazing Spider-Man (2015) #1

Oct 8, 2015

The new Amazing Spider-Man has the distinction of feeling both fresh and comfortably familiar at the same time. This series boasts an exciting new status quo for Peter Parker, but one that still feels like a natural extension of Slott's previous work. This is shaping up to be the book the previous volume of ASM should have been.

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5.4
Amazing Spider-Man (2015) #1.4

Mar 31, 2016

This mini-series may scratch an itch for certain Spider-Man fans who want to see Peter Parker getting back to basics and swinging around New York. But even four chapters in, it's hard to shake the notion that Spidey feels poorly matched for the conflict at hand.

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9
Amazing Spider-Man (2015) #3

Nov 5, 2015

This issue manages to both take advantage of Peter's new status quo while honoring his more humble roots, and that's exactly the sort of balance this series needs to achieve.

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8.3
Amazing Spider-Man (2015) #4

Dec 9, 2015

The new volume of Amazing Spider-Man is exciting in a way the previous series sometimes struggled to achieve. The new status quo is great, lending a much bigger scope to Peter's world while retaining his basic appeal as a well-meaning but unlucky hero. But as often as Slott's previous books became bogged down by too many simultaneous plot threads, it's worrying that this series might be moving in that direction as well.

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8.6
Amazing Spider-Man (2015) #5

Dec 23, 2015

The real success with this issue, though, is how much Dan Slott focuses on Peter's new status quo as a delicate house of cards. He may be living the dream, but Peter is also dangerously overextended and starting to make bad decisions as a result. The Parker Luck seems to remain in full effect.

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8.3
Amazing Spider-Man (2015) #6

Jan 5, 2016

The new volume of Amazing Spider-man is quickly eclipsing the previous one. Rarely has Dan Slott's Spider-Man saga felt this focused, both in terms of is visual style and the emphasis on Peter Parker's personal struggles. Having Mister Negative, Cloak and Dagger back in the picture just adds to the appeal.

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8.3
Amazing Spider-Man (2015) #7

Feb 4, 2016

Matteo Buffagni's style doesn't impress quite on the level of Giuseppe Camuncoli's, but there's a clear energy to his storytelling as he renders the violent clashes between Spidey and the brainwashed Cloak and Dagger.

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6.2
Amazing Spider-Man (2015) #8

Feb 17, 2016

Amazing Spider-Man #8 is the first real disappointment of the new volume. This issue looks great thanks to Matteo Buffagni's dynamic action scenes, but the conflict fizzles out and fails to provide much closure for Mister Negative's story. At this point it's just as well Peter is moving on to bigger and more challenging problems again.

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8.5
Amazing Spider-Man (2015) #9

Mar 9, 2016

Whatever momentum this series might have lost in the previous issue is instantly reclaimed as Dan Slott and Giuseppe Camuncoli reunite and continue Spider-Man's conflict with Zodiac. This issue is crammed with epic superhero spectacle, but it also established the new Scorpio as a credible and unpredictable threat to Peter Parker's growing global empire.

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8.5
Amazing Spider-Man (2015) #10

Apr 14, 2016

It's a dark issue in some ways, but one that also emphasizes Peter's resiliency. Plus, the banter between Anna Maria and The Living Brain make for a fun contrast to all the doom and gloom.

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8.8
Amazing Spider-Man (2015) #11

Apr 28, 2016

This issue continues the book's trend of offering bigger, more challenging problems worthy of an internationally focused Spider-Man. At the same time, there's plenty of humor and silliness to offset all the sweeping drama

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9.9
Amazing Spider-Man (2015) #12

May 4, 2016

This issue serves as an enjoyable palate cleanser after the recent drama in Peter Parker's life. It makes the most of the Peter Parker/Tony Stark rivalry, even if it's annoying that the two characters are practically starting from square one. With top-notch art, a steady stream of humor and an emphasis on some long-dormant supporting characters, this issue starts off the new story arc on the right foot.

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6.8
Amazing Spider-Man (2015) #13

Jun 2, 2016

Camuncoli's storytelling is as solid as ever, so at least the constant battling is allows him to strut his stuff, but it fails to satisfy on a narrative level.

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6.8
Amazing Spider-Man (2015) #15

Jul 6, 2016

After spending so much time on the sidelines, it's great to see Mary Jane front-and-center and saving the day when Peter Parker falters. Still, this story arc never managed to build regent into a compelling villain, and this finale issue suffers as a result. Hopefully better things lie ahead as Slott shifts focus towards building to the events of The Clone Conspiracy.

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8.3
Amazing Spider-Man (2015) #17

Aug 31, 2016

This issue goes a long way towards building a strong foundation for Dan Slott's next Spider-Man epic. It gives Hobie Brown some much-needed attention, while at the same time offering readers a closer glimpse of the Jackal and his plans for the Marvel Universe. The art isn't quite as strong without Giuseppe Camuncoli at the helm, but this issue has plenty of strong storytelling moments regardless.

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7.9
Amazing Spider-Man (2015) #18

Sep 21, 2016

Clone Conspiracy has a tall order to fill if it's going to surpass Dan Slott's previous Spider-Man crossovers. But at least Slott is giving himself plenty of compelling material to work with as he sets the stage for that event. As much as Amazing Spider-Man #18 is weighed down by exposition at times, it also offers a compelling look at the return of an iconic Spider-Man villain.

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9
Amazing Spider-Man (2015) #19

Oct 6, 2016

Those who feel the current status quo doesn't tap into Peter's "unlucky loser" vibe may be singing a different tune by the end. This is an emotionally hard-hitting issue that adds a great deal of weight to what's to come.

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9.9
Amazing Spider-Man (2015) #21

Nov 16, 2016

Budget-minded Clone Conspiracy readers can probably skip this issue without missing too much of importance. However, it does offer a more cohesive and satisfying read than the main event is providing at the moment. It also makes a strong case for the idea that Kaine deserves his own comic again.

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8.6
Amazing Spider-Man (2015) #22

Dec 21, 2016

As far as event tie-ins go, they don't get much more important than Amazing Spider-Man #22. This issue adds crucial depth to the Jackal and his motivations for creating this latest batch of clone-related melodrama. Anyone who's been following the main event would do well to check out this companion tale.

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5.2
Amazing Spider-Man (2015) #23

Jan 19, 2017

The decision to focus so little attention on the big reunion between Peter Parker and the Stacys in The Clone Conspiracy itself is a bit odd, to say the least. And while this issue is eager to make up for that omission, it doesn't prove entirely satisfying.

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6.3
Amazing Spider-Man (2015) #24

Feb 22, 2017

The Clone Conspiracy disappointed with its abrupt, open-ended finale issue, and this epilogue chapter doesn't do enough to give the event the closure it needed. It focuses too little on Otto Octavius, and it doesn't do enough to shift Ben Reilly from sinister villain to compelling protagonist again. Giuseppe Camuncoli's art is always a draw, but this series clearly needs a fresh start.

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7.1
Amazing Spider-Man (2015) #25

Mar 15, 2017

This new issue of Amazing Spider-Man has a lot going for it. The main story, if a bit awkwardly paced, delivers some big twists, a dark tone and plenty of gorgeous art from Stuart Immonen. Unfortunately, this issue struggles to justify the hefty cover price. Too many of the backup stories read like pointless filler rather than meaningful additions to Peter Parker's increasingly chaotic world.

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8.7
Amazing Spider-Man (2015) #26

Apr 12, 2017

Dan Slott's Spider-Man run hit a slump with The Clone Conspiracy, but Amazing Spider-Man is quickly bouncing back in its aftermath. This issue delivers a fun, visually dynamic superhero romp that also asks some difficult questions about where Peter Parker's responsibilities truly lie these days. Peter himself, not Norman Osborn, may well be the real antagonist of this arc.

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8.2
Amazing Spider-Man (2015) #28

Jun 8, 2017

Dan Slott can sometimes be too preoccupied with setting the stage for future conflicts at the end of current ones, and that approach gives this battle a slightly anticlimactic feel in the end.

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8.9
Amazing Spider-Man (2015) #29

Jun 28, 2017

The Amazing Spider-Man is quickly shaping up to be one of the stronger Secret Empire tie-ins, though this issue's strengths have less to do with Marvel's latest crossover event and more with the ways in which it furthers several of the series' key plot threads. With top-notch art from Stuart Immonen, a nuanced look at the warring sides of Peter Parker's life and the grand return of Otto Octavius, there's plenty for ASM fans to chew on here.

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8.8
Amazing Spider-Man (2015) #31

Aug 9, 2017

Slott and Immonen really made the most of this tie-in arc, using the carnage of Secret Empire to further key story threads and accelerate the collapse of Parker Industries. This issue delivers more epic, emotionally charged visuals and sets the stage for what promises to be a fascinating new status quo for Peter Parker in Marvel Legacy.

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9.1
Amazing Spider-Man (2015) #32

Sep 14, 2017

This standalone issue makes it clear that Slott has big plans for Osborn heading into 2018.

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8.1
Amazing Spider-Man (2015) #789

Oct 11, 2017

Amazing Spider-Man's new direction in Marvel Legacy is a bit of a mixed bag right now. As satisfying as it is to see a classic, "down on his luck" version of Peter Parker, the series needs to prove that Peter can continue to evolve as a character even as he falls back into old habits. Fortunately, the proven creative team are still able to deliver an entertaining start to this new era for the series.

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8
Amazing Spider-Man (2015) #790

Oct 25, 2017

Peter Parker is back in a more classic status quo thanks to Marvel Legacy. For the most part, that's working in Amazing Spider-Man's favor. It's fun to see the inverted dynamic between Peter Parker and Spider-Man, and the book continues to look spectacular. However, between the forced rivalry between Spidey and Human Torch and the worry that the series is trying a little too hard to leave behind the Parker Industries era, there is some cause to worry about where ASM is heading.

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8.1
Amazing Spider-Man (2015) #791

Nov 15, 2017

While a few nagging flaws hold this issue back slightly (the flawed coloring, the generally rushed pacing), it does it part to flesh out Peter Parker's new status quo and reassure readers concerned about the character sliding back into old routines. The great dynamic between Peter and Bobbi and the always dependable artwork of Stuart Immonen help the whole package go down that much more smoothly.

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8.2
Amazing Spider-Man (2015) #792

Dec 13, 2017

The second chapter of Venom Inc. isn't quite as as strong as the first. Lee Price and his symbiotic minions aren't exactly the most compelling threat Spider-man has ever faced. But this crossover continues to thrive in two key areas. The characterization frequently shines as Slott explores the constantly evolving relationship between Peter and Flash. And Stegman's gritty, powerful art recalls the best aspects of the early '90s Spider-Man books.

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8.2
Amazing Spider-Man (2015) #794

Jan 24, 2018

Amazing Spider-Man #794 boasts a strong premise that often feels constrained by the limitations of the single issue format. Perhaps more could have been accomplished with the return of Scorpio, but it's hard to complain too much when a comic is able to achieve such a strong balance between dramatic tension and goofy comedy and deliver such eye-popping visuals.

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8.6
Amazing Spider-Man (2015) #795

Feb 7, 2018

Spider-Man and Loki make a great team. That was true during J. Michael Straczynski's time on Amazing Spider-Man, and it's true now. This issue makes the most of each character's respective status quo as they briefly join forces, even as it continues laying the groundwork for "Go Down Swinging." It's a shame this team-up couldn't have been explored in a lengthier format, but it's plenty of fun while it lasts.

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5.9
Amazing Spider-Man (2015) #796

Feb 21, 2018

Amazing Spider-Man tends to be one of Marvel's more reliable monthly titles, which makes a disappointing installment like this one all the more unusual. Issue #796 sets a couple wheels in motion, but for the most part it tells a formulaic Spidey adventure that doesn't live up to the standard of its predecessors.

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9
Amazing Spider-Man (2015) #797

Mar 7, 2018

If this first issue is any indication, "Go Down Swinging" will wind up ranking among the best of Dan Slott's many, many Spider-man tales.

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7.5
Amazing Spider-Man (2015) #800

May 30, 2018

Despite its flaws, Amazing Spider-Man #800 is a fitting conclusion to a ten-year-long story.

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8.7
Amazing Spider-Man (2015) #801

Jun 20, 2018

Amazing Spider-Man #800 may have wrapped up Dan Slott's last major storyline, but the real emotional climax of that story comes in this epilogue issue. Slott and artist Marcos Martin are able to weave their magic with the character one last time, delivering a sweet, uplifting tribute to Peter Parker. This issue is over a little too quickly, but there's something to be said for leaving readers craving more, even after ten years.

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7.1
Amazing Spider-Man (2015) Annual #42

Feb 14, 2018

Amazing Spider-Man Annual #42 isn't a terribly essential read for Spider-Man fans on a budget. Apart from adding a bit of extra closure to Clone Conspiracy, this issue mainly focuses on telling a self-contained mystery story. That mystery suffers from inadequate payoff, but at least the book highlights the Betty/Peter dynamic in a fun way. And with Slott's run so near the end, any new material is appreciated.

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8.6
Amazing Spider-Man (2018) #1

Jul 11, 2018

Amazing Spider-Man #1 gives its hero a fresh start while also charting an exciting and unpredictable path forward.

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8.8
Amazing Spider-Man (2018) #3

Aug 8, 2018

Amazing Spider-Man #3 delivers a wacky premise and a satisfyingly well-rounded story.

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8.8
Amazing Spider-Man (2018) #5

Sep 12, 2018

Amazing Spider-Man #5 brings the new series first story to an entertaining close.

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7.1
Amazing Spider-Man (2018) #6

Sep 26, 2018

Amazing Spider-Man #6 delivers an amusing detour, but the art isn't quite up to snuff.

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7.8
Amazing Spider-Man (2018) #8

Oct 24, 2018

Amazing Spider-Man #8 overcomes a few visuals flaws with an engaging story and a revamped Marvel villain.

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7.7
Amazing Spider-Man (2018) #14

Jan 30, 2019

The villains are the big selling point in Amazing Spider-Man #14, but the art isn't always up to the task.

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6.7
Amazing Spider-Man (2018) #15

Feb 13, 2019

Amazing Spider-Man #15 is a flawed comic, but one that pays warm tribute to a classic Spidey moment.

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7.9
Amazing Spider-Man (2018) #16

Feb 27, 2019

Amazing Spider-Man #16 shows that better days lie ahead for Kraven the Hunter.

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4.8
Amazing Spider-Man (2018) #18

Mar 27, 2019

The second chapter of Amazing Spider-Man: Hunted does little to push this epic conflict forward.

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7
Amazing Spider-Man (2018) #19

Apr 10, 2019

The latest chapter of Amazing Spider-Man's "Hunted" shows improvement, but the story needs an adrenaline boost.

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8.6
Amazing Spider-Man (2018) #19.HU

Apr 17, 2019

The Amazing Spider-Man #19.HU is an essential read for fans of The Lizard.

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8.6
Amazing Spider-Man (2018) #20

Apr 24, 2019

The second half of Amazing Spider-Man's "Hunted" is shaping up to be much better than the first.

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8.1
Amazing Spider-Man (2018) #21

May 15, 2019

The penultimate chapter of "Hunted" shows that this Amazing Spider-Man epic is finally living up to its potential.

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8.1
Amazing Spider-Man (2018) #22

May 29, 2019

Amazing Spider-Man #22 is an intense, character-driven conclusion to the "Hunted" crossover.

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7.5
Amazing Spider-Man (2018) #23

Jun 12, 2019

Amazing Spider-Man's "Hunted" crossover wraps up in a flawed but enjoyable epilogue chapter.

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8
Amazing Spider-Man (2018) #24

Jun 26, 2019

Despite a fairly anticlimactic finish, Amazing Spider-Man #24 generates ample excitement for the book's second year.

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8.9
Amazing Spider-Man (2018) #25

Jul 10, 2019

Amazing Spider-Man #25 is a great starting point for Marvel's flagship Spider-Man comic.

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7.9
Amazing Spider-Man (2018) #26

Jul 24, 2019

The villain-focused Amazing Spider-Man #26 is a fun throwback to the days of Superior Foes of Spider-Man.

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8.2
Amazing Spider-Man (2018) #27

Aug 14, 2019

The latest villain-focused chapter of Amazing Spider-Man recaptures the charm of Superior Foes of Spider-Man.

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8.5
Amazing Spider-Man (2018) #31

Oct 10, 2019

The Amazing Spider-Man #31 is technically an Absolute Carnage tie-in, but it's not Carnage who steals the show here.

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8.4
Amazing Spider-Man (2018) #32

Oct 23, 2019

The Amazing Spider-Man #32 is a slow start to a new story, but it looks incredible.

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8
Amazing Spider-Man Extra #2

Jan 28, 2009

I don't get the impression that this issue will factor as heavily into later ASM stories like the first one did, but that doesn't mean it isn't worth checking out. Wells and Rivera turn in exactly the kind of entertaining Spidey adventure I crave more of. If the other half doesn't measure up, at least it doesn't fall flat either.

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7.2
Amazing Spider-Man: Family Business #1

Apr 7, 2014

Amazing Spider-Man: Family Business should have a pretty broad appeal. It caters to casual readers who want a self-contained, accessible Spidey adventure. It appeals to those who crave a tale with Peter back in the saddle. And even those who crave a different sort of Spider-man adventure will find plenty to love here. It's a solid effort from all the creators. Unfortunately, it's not as long or well-paced a story as it could have been, and the lack of more permanent, obvious repercussions on Peter's life is disappointing. This OGN is definitely worth a look, but maybe not at the current $25 price tag.

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8.1
Amazing Spider-Man: Renew Your Vows #1

Jun 2, 2015

If you've been craving a comic featuring a married Peter Parker, Renew Your Vows won't disappoint. Maybe it doesn't take place in the traditional Marvel Universe, but this issue effectively established the Parker family dynamic and then quickly builds a sense of danger and dread. Couple that with great visuals from Adam Kubert and the series has most of the right ingredients in place. Only a bland, unremarkable villain hold Renew Your Vows back a little.

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8.3
Amazing Spider-Man: Renew Your Vows #2

Jul 9, 2015

This book stands out because of the ways it examines the familiar "power and responsibility" struggle from new angles.

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8.4
Amazing Spider-Man: Renew Your Vows #3

Aug 6, 2015

It's a shame Regent isn't a strong or better realized villain, because that's the only element preventing this mini-series from rivaling the best of Dan Slott's Spider-man work. The art is terrific

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6.9
Amazing Spider-Man: Renew Your Vows #4

Aug 19, 2015

This new issue is fairly disappointing given the quality of the previous chapters of Renew Your Vows. It fails to keep the book's momentum going, and the visual quality is a noticeable step down. On the other hand, the renewed focus on young May is welcome, and there's little reason to expect the quality won't pick up when the finale hits.

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6.8
Amazing Spider-Man: Renew Your Vows #5

Sep 10, 2015

Renew Your Vows doesn't quite live up to the promise it showed in earlier issues. It's fun seeing the entire Parker family united in battling evil, but said evil is still a bland, unremarkable villain. This finale issue doesn't pack enough of a punch, and it offers no indication of what elements might cross over into the relaunched Amazing Spider-Man.

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8.7
Amazing Spider-Man: Renew Your Vows (2016) #1

Nov 9, 2016

If the current incarnation of Amazing Spider-Man isn't floating your boat, maybe Renew Your Vows can do the trick. This new series boasts a terrific creative team exploring a more classically oriented Spider-Man status quo. Luckily, the series doesn't just coast by on nostalgia, as the fact that Peter is now a loving husband and father adds crucial new layers to his story.

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8.5
Amazing Spider-Man: Renew Your Vows (2016) #2

Dec 15, 2016

Renew Your Vows is so close to a flawlessly executed Spider-Man comic that it's almost frustrating to read because of that.

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8.8
Amazing Spider-Man: Renew Your Vows (2016) #3

Jan 12, 2017

Naturally, Stegman excels at rendering flexible spider-heroes and massive mole monsters, but the school segments show just how much he can bring to the table even with more relatively mundane material.

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8.8
Amazing Spider-Man: Renew Your Vows (2016) #4

Feb 9, 2017

This new series does so much right, but it does face a continual uphill battle when it comes to proving that every member of the Parker household really needed super-powers.

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8.5
Amazing Spider-Man: Venom Inc.: Alpha #1

Dec 6, 2017

Fans of the enduring Spider-Man/Venom rivalry are in for a treat with Venom Inc. This crossover already contains the depth and strong characterization that was lacking in Venomverse. This issue makes the most of the rivalry between Flash Thompson and Eddie Brock, as well as the unexpected x-factor that is Spider-Man. Combine that with Ryan Stegman's gorgeous art, and you have a winning debut issue.

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7.4
Amazing Spider-Man: Venom Inc.: Omega #1

Jan 17, 2018

Venom Inc. was never the deepest Spider-Man crossover, and that certainly doesn't change in its final chapter. But if driven almost entirely by spectacle, this issue is worth the price of admission solely to gaze at the dynamic visuals of Ryan Stegman. Between that and the occasional moments of strong characterization, this crossover manages to wrap up on solid footing.

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8.8
Amazing X-Men (2013) #1

Nov 6, 2013

Amazing X-Men #1 isn't a fundamentally different book from Wolverine and the X-Men. This story could just as easily be an arc of that book. But there's a sense of fun and whimsy at work that the X-books don't always tap into. Between that and the terrific artwork, Amazing X-Men #1 is definitely worth a purchase.

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8.9
Amazing X-Men (2013) #4

Feb 19, 2014

At this point, the weakest element of this story is its villain. Aaron has improved Azazel as a character, but not necessarily elevated him to the point where he makes for a particularly memorable or imposing threat. And the fact that he doesn't even appear in this issue doesn't help. Hopefully issue #5 can turn things around in that regard.

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7.5
Amazing X-Men (2013) #5

Mar 26, 2014

Still, there's plenty of pirate-y action to round out the story. Ed McGuinness remains in top form as he renders cutesy Bamf battles and X-Men all geared up and ready to wage pirate war. His visuals alone are enough to distinguish the series, with its clean, sleek lines and classical superhero imagery. So at least if Aaron is nearly out the door, we can count on more from McGuinness in the near future.

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7.2
Amazing X-Men (2013) #6

Apr 16, 2014

Amazing X-Men #6 serves as a generally effective way of welcoming Nightcrawler back into the fold and celebrating his many relationships. It's not a wholly satisfying as a cap to Aaron's X-Men saga, but it's not exactly fair to judge it as such. And that last page is pretty great.

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6.8
Amazing X-Men (2013) #15

Jan 14, 2015

Unfortunately, the art is a significant problem at times. Jorges Fornes delivers a very rough, harsh style that would be better suited to an old-school X-Force comic than a contemporary X-Men series. Fornes also doesn't do enough to distinguish among his characters physically. Colossus hardly has more muscle mass than iceman in most panels. The storytelling suffers from a lack of dynamic perspective. Characters are generally rendered either head-on or form the side and show little energy during the minimal action sequences.

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4.4
Amazing X-Men (2013) #16

Jan 29, 2015

This issue suffers from flat, lifeless characters and facial expressions that do little to convey emotions or drama. Hopefully the latter two issues of this arc can pick up the pace and do justice to the mighty Juggernaut.

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7
Amazing X-Men (2013) #18

Mar 25, 2015

Above all, I wanted this arc to do something different with the Juggernaut mythos rather than resorting to the same old tropes. Yost has largely succeeded in that regard. Even if the final pages seem to indicate a return to more familiar territory, I'm confident the writer still has some tricks up his sleeve for the finale.

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5.6
Amazing X-Men (2013) #19

Apr 23, 2015

It's been nice to see writer Chris Yost play with the usual conventions of an X-Men vs. Juggernaut story over the course of this story arc. Unfortunately, this final issue retreads more familiar territory as Colossus makes his desperate stand against an even more powerful Cain Marko.

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7
Ambush Bug: Year None #1

Jul 23, 2008

Bad jokes aside, the look and feel of this comic is very similar to past efforts from Giffen and Fleming. Giffen provides pencils, which are a bit scratchy but plenty good enough to show you why DC's weekly books relied so heavily on him for art direction. The man still knows how to lay out a page like no one's business. As much as I know he loves Bug, I can't help wishing he was devoting his time to something a little more important. Or, at the very least, something funnier. Year None is not comedy gold, but for hardcore Ambush Bug fans, it's probably good enough.

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4.7
Ame-Comi Girls (2013) #1

Mar 6, 2013

With formulaic superhero storytelling and art that imitates manga only in the most superficial ways, there's really no reason to recommend this series in either digital or print form.

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8.5
America #1

Mar 1, 2017

If there were any doubts that Miss America truly needed her own comic, America #1 should put them to rest. This new series features an engaging take on the adventurous America Chavez, one that emphasizes goofy humor and grounded character drama over superheroics. Anyone who enjoys The Unbeatable Squirrel Girl or Hawkeye will feel right at home here.

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6.4
American Gods: Shadows #1

Mar 15, 2017

American Gods: Shadows is shaping up to be a competent adaptation of the source material, but one that only sporadically uses the new medium to good effect. The rest of the time, the heavy reliance on Gaiman's original text begs the question of why readers shouldn't just turn to the novel instead.

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7.7
American Monster #1

Jan 21, 2016

American Monster #1 is an intriguing debut for this gritty crime drama, if not an entirely cohesive one.

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8.4
American Way: Those Above and Those Below #1

Jul 12, 2017

Even if you're not familiar with the original America Way, this sequel is well worth checking out. It balances out biting, insightful social commentary with thoughtful characterization and engaging visuals. Even with as many deconstructionist superhero stories as we've seen over the years, The American Way has something important to add to the mix.

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8
Angel & Faith Season 9 #1

Aug 31, 2011

All of these qualities, coupled with a nice little twist at the end, ensure that this series should have little problem holding the attention of Buffy fans. With luck, the actual Season 9 book can manage as strong a start.

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8.5
Angel & Faith Season 9 #4

Nov 30, 2011

Both Buffy books are a welcome change of pace for the franchise. However, Angel & Faith is emerging as the clear winner of the bunch in these early months. Let's hope Gage and Isaccs have a long and successful run ahead of them.

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6.7
Angela: Asgard's Assassin #1

Dec 3, 2014

Phil Jimenez handles art duties on the main story, while Stephanie Hans tackles the interlude segment. Of the two, Hans stands out more thanks to the ethereal watercolor approach that goes hand in hand with the storybook quality. Jimenez renders some solid action, but otherwise his work doesn't quite capture the otherworldly vibe of the characters and setting.

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8.2
Angela: Queen Of Hel #1

Oct 29, 2015

This first issue serves as a fairly easy gateway into the saga of Angela and her partner/friend/lover Sera. It deftly summarizes what's transpired now without losing focus on Angela's new status quo. The relationship between Angela and Sera is very much the heart of the book.

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8.6
Animal Man (2011) #19

Apr 3, 2013

Steve Pugh handles the entirety of this issue; he really steps up the plate with a stark, gripping style that could be mistaken for a cleaner version of Foreman's work. If this is the level of storytelling fidelity and clarity we can expect from the book going forward, Animal Man will be in good hands.

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7.4
Annihilation: Conquest #1

Nov 7, 2007

Essentially, Annihilation: Conquest #1 is a decent first issue that requires you to take a leap of faith. Based solely on the pedigree of Annihilation and everything that's come before, I'm still confident this series will prove ultimately satisfying. The next couple issues will be the real judge.

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8.4
Annihilation: Conquest #2

Dec 5, 2007

So really, I have very few bad things to say about about Conquest. I am a tad bit disappointed in the art. Tom Raney isn't one of those artists whose style has a significant amount of overt flaws to pick out. As long as you don't mind certain characters having different jaw structures every panel, there's little to complain about. At the same time, there's nothing especially praise-worthy about this issue. When compared to Andrea do Vito's masterful work in the original Annihilation, the art is one aspect of this sequel that just doesn't measure up. The story fares better, though. Superior in some ways, slower and more restrained in others, Annihilation Conquest manages to stand out as one of the best event books of the year. Whether it will retain that title when Secret Invasion hits next year is another story entirely.

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7.7
Annihilation: Conquest #3

Jan 2, 2008

If Marvel had simply allowed this sequel to ferment for a few months longer I think we all would have been much happier. Conquest originally began as a story arc in Nova, and I think its defining flaw is that it never quite grew out of those smaller limitations.

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6.9
Annihilation: Conquest #4

Feb 6, 2008

At this point Conquest stands little chance of living up to the original in any sense except the butt-kickingly cool covers. The most I'm hoping for is that Conquest will spawn at least one new series that impresses on the same level as Nova. The potential is certainly there.

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6.8
Annihilation: Conquest #6

Apr 16, 2008

Frankly, the best thing this issue does is set up the new Guardians of the Galaxy ongoing series. Individually, many cosmic characters have benefited greatly from some Conquest exposure. The fact that we're now getting a book starring Star-Lord, Rocket Raccoon, Drax, and Cosmo makes this all worth it. Collectively, though, Conquest has been one bungled opportunity after another. It's one thing to have tie-in books that follow along with an event comic. It's another entirely to literally force readers to follow everything to fully comprehend what's going on. And trust me, unless you've been reading Nova you're going to spend more time scratching your head about the presence of Warlock and his buddy Tyro than you will actually reading the issue. The most I can hope is that all creators involved have learned some valuable lessons from this project. The next Annihilation event - and we all know there will be one - needs to kick things into high gear if the cosmic Marvel renaissance is goin

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7.2
Annihilation: Conquest - Quasar #4

Oct 31, 2007

Having now read the first chapter of Conquest itself, I know for a fact these characters can be written better than they are. I don't even blame Gage entirely. The writer is one of Marvel's most eclectic, penning issues of everything from Union Jack to Iron Man to World War Hulk: X-Men. Every writer has their own strengths, and operatic space epics simply aren't Gage's. Rest assured that Phyla-Vell will be moving on to grander and more exciting adventures from this point, and let's just hope that the upcoming House of M: Avengers plays more to Gage's talents.

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8.3
Annihilation: Conquest - Starlord #3

Sep 26, 2007

The situation becomes less absurd and more desperate this month, as the team struggles to find the mysterious secret weapon of the Phalanx and avoid capture. The latter proves to be especially difficult. I'm also loving Timothy Green's art, even though I still find myself wishing he were a little more diverse in drawing facial expressions. The Kevin Maguire comparisons are never far behind when it comes to Green, but without strong facial work the comparison just doesn't stick. That aside, this continue to be my favorite Conquest book, and I'll be an unhappy camper indeed if I can't have my Rocket Raccoon on a monthly basis from now on.

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9
Annihilation: Conquest - Starlord #4

Nov 7, 2007

Here at the end, I'm happy to say Starlord was the best of the four Conquest books. It started out strong, unlike Wraith. It continued strong, unlike Quasar. Most importantly, it finished strong, unlike Nova. I don't know if we'll ever get the chance to read the continued adventures of Peter Quill and friends, but if we do I'll fight tooth and nail to be first in line.

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7.6
Annihilation: Conquest - Wraith #4

Oct 24, 2007

Up till now, Wraith has been little more than a composite of every mysterious gunman you've ever seen in movies, television, and anime. Equal parts Clint Eastwood and Vampire Hunter D, in other words. In this issue Wraith finally meets someone who convinces him to ditch the cowboy hat and do something more. The only question is if the rejuvenated Wraith can put a stop to the Phalanx's secret weapon before it instantly assimilates everyone in the galaxy. Granted, a bad outcome isn't exactly likely with a larger mini-series looming, but that's the same storytelling limitation all four Conquest books have had to deal with. The important thing is that Javier Grillo-Marxuach has managed to turn around what was unequivocally the least enjoyable Conquest book and give it a surprisingly rousing conclusion. He's helped somewhat by artist Kyle Hotz. Hotz's work has been a real mixed bag so far. His figures tend to look both jagged and washed out, if such a thing is possible. However, Hotz is cap

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7.8
Annihilator #2

Oct 8, 2014

The idea of real and fictional worlds colliding has bee explored before in Morrison's stories, and with more subtlety and nuance to boot. It's still great to see these two creators working together again, but Morrison's past work casts a long shadow over this new story.

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7.9
Annihilator #3

Nov 20, 2014

This remains the rare Grant Morrison comic where the art outshines the writing. Mind you, Morrison is delivering a perfectly enjoyable tale of reality and fictional worlds bleeding together and influencing one another. The interplay between writer Ray Spass and his creation Max Nomax is a lot of fun. But compared to a lot of Morrison's work, it all seems surprisingly straightforward.

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9.2
Annihilator #6

Jun 25, 2015

What initially seemed like a fairly by-the-numbers (for Grant Morrison, anyway) tale of meta-science fiction has grown steadily more ambitious and mind-bending over time. This finale is wonderfully weird and emotionally satisfying, while managing to veer away from becoming overly sappy or sentimental in the final pages.

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7.5
Annihilators: Earthfall #1

Sep 28, 2011

But forget all that noise. The real question worth asking is how the Rocket Raccoon and Groot feature shapes up. Sadly, the duo are no longer granted a full-length co-feature, but are merely relegated to back-up status. The story is definitely a lot of fun, and Timothy Green's art is stellar, but it's far too short and sweet. The one benefit to the reduced content is that the cover price has been adjusted accordingly. Hopefully that and the presence of the Avengers will be enough to bolster the readership for a series that sorely deserves it.

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7
Annihilators: Earthfall #2

Oct 26, 2011

One area this series continues to excel in is the Rocket Raccoon/Groot backup. Though criminally shortened compared to the previous series, this adventure packs in all the comedy, frantic action, and cosmic hijinks readers could hope for. And Timothy Green's art ties it all together in a very attractive package.

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8.6
Ant-Man (2015) #1

Jan 7, 2015

It's been a long time since any hero calling themselves Ant-Man has had a solo comic to call their own. Luckily, this new series shows plenty of staying power. It's funny, emotionally engaging, and easily accessible regardless of your familiarity with the character. This debut issue presents a cohesive, standalone adventure that sets up the hero's new status quo and provides a foundation for the creative team to tell bigger and more unusual stories. Chalk this up as another successful addition to Marvel's growing lineup of quirky, character-driven comics.

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9
Ant-Man (2015) #3

Mar 12, 2015

In addition to being a fun, accessible gateway into the world of Ant-Man, this series continues to fill the void left by The Superior Foes of Spider-Man. It taps into a similarly fun, blue collar superhero vibe as Scott Lang struggles to make a name for himself in a new city and maintain a relationship with his daughter.

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8.5
Ant-Man (2015) #4

Apr 9, 2015

Nick Spencer really seems to have found his niche writing oddball heroes and villains who struggle for success and acceptance. This particular issue takes a slightly more ensemble focus as Scott Lang adds to his growing crew of reformed, D-List villains in a desperate bid to rescue his daughter. Even as the book becomes more urgent and dramatic, it also taps into the same lovable loser vibe that made Superior Foes of Spider-Man such a blast to read.

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5
Ant-Man: Larger Than Life #1

Jun 25, 2015

All told, there's a fair amount of content here for the $3.99 cover price, but those interested in learning more about the character are better served looking elsewhere.

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7.5
Aquaman (2011) #0

Sep 26, 2012

Aquaman #0 is a visual marvel, but it's not a wholly effective flashback tale. The methodical pace is destroyed in the final pages when Arthur encounters a helpful new friend who proceeds to explain, at great length, the history of Atlantis, Arthur's birth, and the fate of his mother. It's a lot of exposition to hit the reader all at once. Nor does the issue offer a very satisfying or conclusive ending. Instead, the final pages read more like a giant tease for what's coming up in the near future. Perhaps the main flaw with Aquaman #0 is that this story deserved more space than one, lone issue.

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8.5
Aquaman (2011) #8

Apr 25, 2012

Penciller Ivan Reis and inker Joe Prado continue their excellent collaboration. This arc is far more visually diverse than the first and allows the duo to tackle a number of interesting and unique situations not normally glimpsed in an Aquaman book. Together, the entire creative team show a willingness to push Aquaman in new directions without ignoring what made him work in the first place. That's exactly what the New 52 is supposed to be about.

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9
Aquaman (2011) #9

May 23, 2012

Ivan Reis nails the various action scenes and character interactions. While there's a slight inconsistency in style and quality due to Reis being inked by three separate artists, it's a slick and visually dynamic issue by any standard. Aquaman is really benefiting from having one of DC's best writers and one of its best artists in control. The series seems destined to only get better from here.

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8.5
Aquaman (2011) #10

Jun 27, 2012

Already a strong book among the New 52 lineup, Aquaman became something truly special with this second arc. Who would have thought more Black Manta was all Aquaman needed to shine brighter?

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9
Aquaman (2011) #11

Jul 25, 2012

See? Aquaman is as cool as Superman. In the right hands, at least.

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8.5
Aquaman (2011) #12

Aug 29, 2012

But again, in terms of plot, there's not much forward momentum in this chapter. Johns doesn't shed any new light on these mysterious artifacts or their connection to Arthur's legacy. There's a battle between Aquaman and Black Manta, but it's really more of a prelude to a later showdown. Oddly, Manta is brutally impaled by Arthur in one panel and appears completely unscathed in the next. There is one major development late in the issue that lends an extra bit of emotional weight to the proceedings. It's going to be a long, difficult wait for the finale in October's issue #13. Still, it's usually a good sign when a comic can induce that sort of frustration in readers. Let's hope issue #0 can manage to tide us over until then.

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8.9
Aquaman (2011) #15

Dec 27, 2012

THE VERDICTIt's a little early to be drawing comparisons between Throne of Atlantis and The Sinestro Cops War. Even so, this crossover is showing many of the same qualities that make Sinestro Corps such a standout comic book event. It's dramatic, engaging, and expertly rendered. Its's also a very straightforward crossover with no pointless tie-ins or filler. No muss, no fuss.

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8.2
Aquaman (2011) #20

May 22, 2013

I'd like to think that there's a more permanent place for The Others in the New 52 lineup, and perhaps this issue is being used as a testing ground. Maybe this team isn't bankable, but whether Johns or Ostrander is writing them, they're certainly entertaining.

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8.9
Aquaman (2011) #21

Jun 26, 2013

My only real complaint with the direction of this arc is the depiction of the First Kin. We still know so little about the character even two months after the original reveal, and he doesn't feel like a clear and present danger in the same way the Orm loyalists or the Scavenger do. Not to mention the fact that the idea of a villain being the "first" something seems a bit redundant in light of "Wrath of the First Lantern."

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9.5
Aquaman (2011) #25

Nov 27, 2013

I was nearly prepared to be disappointed with this issue's depressing ending until Johns pulls a 180 and gives Aquaman the more uplifting sendoff he deserves. Meanwhile, the epilogue strongly suggests that Johns isn't quite done with this corner of the DCU, even as he passes the torch to Jeff Parker. The ride isn't over yet.

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8.3
Aquaman (2011) #26

Dec 31, 2013

Paul Pelletier's artwork certainly helps smooth the transition as well. Whether the issue focuses on undersea intrigue or epic brawls with giant crabs, Pelletier is able to expertly capture the action and emotion of the story. Unfortunately, there are several fill-in pages from artist Netho Diaz in this issue. Diaz's storytelling is sound, and even on par with Pelletier's at times. But his facial work is a little stiff, making it all too obvious when the issue bounces between the two pencillers.

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8.4
Aquaman (2011) #27

Jan 29, 2014

With a winning balance of intrigue, action, and sentimental reflection, this issue further establishes Parker as a worthy heir to the Aquaman throne. The series hasn't radically changed from where it was a couple months ago, but Parker drops just enough hints about the future of the series to suggest we won't have too long to wait before he makes the series entirely his own.

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9.2
Aquaman (2011) #28

Feb 26, 2014

This is the first issue of Parker's run entirely penciled by Paul Pelletier, and the visuals are markedly improved as a result. Pelletier has no trouble switching from epic undersea action to surface world character banter and back again. More than ever, it's clear this series remains in very capable hands.

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8.5
Aquaman (2011) #30

Apr 24, 2014

Hercules makes for a fine antagonist in another winning chapter of Jeff Parker's Aquaman run.

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8.3
Aquaman (2011) #31

May 29, 2014

Parker doesn't neglect his other brewing plot threads despite the brief crossover. There's continued momentum on the Mera front s she investigates her own attempted assassination. Parker provides a compelling new glimpse of Atlantean society and its social stratas here.And there's more mystery and horror aboard Triton Base to balance out the book. The issue does feel a bit choppy in that the three segments don't really have any interplay and read more like three separate stories. But Aquaman is never guilty of failing to entertain.

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8.6
Aquaman (2011) #32

Jun 26, 2014

The book becomes more cohesive in the aftermath of the Swamp Thing crossover. And the fact that Paul Pelletier is able to pencil the entire issue for a change doesn't hurt this story either.

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8.6
Aquaman (2011) #39

Feb 26, 2015

Parker continues to strike a balance between delivering fun, rollicking adventure, emotional family drama and expanding and enriching the mythology of Atlantis. Paul Pelletier's art also remains in top form despite being five months into this storyline now.

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8.4
Aquaman (2011) #40

Mar 26, 2015

Jeff Parker has proven a more capable replacement for Geoff Johns on this book than anyone could have hoped for, so it's disappointing to have to bid him farewell with this issue.

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6.8
Aquaman (2011) #41

Jun 25, 2015

Bunn's new status quo is intriguing, as is the frequent intercutting between past and present. But as much as this series has dealt with Aquaman's struggles for acceptance in Atlantis, in some ways it feels as though the book is retreading old ground.

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7.6
Aquaman (2011) #43

Aug 27, 2015

Aquaman didn't really need a status quo shake-up, but the series got one anyway thanks to DC You. The book's new direction is unfolding well enough under Cullen Bunn's hand, with a renewed emphasis on Arthur as a loner and the divide between he and Mera.

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4.1
Aquaman (2011) #44

Oct 1, 2015

The result is an issue that somehow feels dull and upsetting at the same time.

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5.2
Aquaman (2011) #45

Oct 29, 2015

This series could use a change in pace or focus, but this issue didn't deliver in that regard.

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7.5
Aquaman (2011) #50

Mar 31, 2016

Aquaman reaching its 50th issue doesn't carry the same significance as many other DC books given how much creative turnover there's been on this book of late. But if this issue doesn't feel especially momentous, writer Dan Abnett does make use of the boosted page count to deliver and fun and occasionally dramatic look at Aquaman trying to foster relations between Atlantis and the surface world and confronting a mysterious oceanic killer.

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4.7
Aquaman (2011) #52

May 19, 2016

Apart from a final sequence that hearkens back to the very beginning of the series, this issue doesn't do much to send Aquaman off in style.

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6.5
Aquaman (2011): Futures End #1

Sep 3, 2014

It's definitely intriguing to see so many running conflicts come to a head five years in the future. But Jurgens' handling of the characters isn't quite on par with Jeff Parker's work on the main series. There's an overabundance of dialogue in places where less would be more.

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7.3
Aquaman (2016) #6

Sep 8, 2016

Ultimately, though, the Aquaman/Superman battle comes across as a bit forced and unnecessary. And in the end, a little pointless given Superman's peacekeeping mission. But despite that, this issue manages to bring the current conflict to a close while offering a sobering reminder of the cost if Aquaman can't balance his dual responsibilities to his kingdom and his friends on the surface.

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7.5
Aquaman (2016) #9

Oct 20, 2016

While this current arc got a fairly slow start in the previous issue, it builds steam here as Aquaman battles to save his hometown from a rampaging Shaggy Man.

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7.2
Aquaman (2016) #14

Jan 5, 2017

Aquaman's woes continue in this issue as Atlantis is attacked by a group of genetically modified super-soldiers calling themselves the Aquamarines. It's a memorably wacky concept that unfortunately isn't exploited to its fullest here.

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8.7
Aquaman (2016) #20

Apr 6, 2017

Mix Aquaman with a healthy dose of 1987's The Abyss and you basically have the "H2.0" storyline. The name is a little dumb, but the execution sure isn't.

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6.8
Aquaman And The Others #1

Apr 3, 2014

Aquaman and the Others #1 isn't an entirely successful first issue. It's certainly accommodating for newcomers and Aquaman neophytes, but at the expense of building momentum and really establishing the series among the New 52. But the building blocks are definitely there, and this issue has no trouble capturing the most important elements of Geoff Johns and John Ostrander's Aquaman work. Assuming Aquaman and the Others can build and maintain an audience, we could be in store for something special here.

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6.7
Aquaman And The Others #2

May 8, 2014

Aquaman and the Others #1 was a decent, if cluttered offshoot of the main series. Issue #2 makes some further missteps and proves a little less satisfying than the first.

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6.6
Aquaman And The Others #3

Jun 5, 2014

Aquaman and the Others may not be at the level of its sister series, but it's slowly getting there.

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4.7
Aquaman And The Others #7

Nov 6, 2014

Geoff Johns' introduction of the Others showed what potential there was for this team to thrive on its own apart from Aquaman himself. Unfortunately, this series can't seem to move beyond the obligatory Aquaman guest appearances or focus the attention that needs to be devoted towards fleshing out the regular cast members.

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6.6
Aquaman And The Others: Futures End #1

Sep 25, 2014

The dialogue can be clunky at times, but there's still a strng team dynamic anchoring the story and a moving scene as one of the Otehrs passes their mantle to another character. All of this dovetails with Aquaman's struggle as he again confornts King Atlan and tries to unite his people.

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7
Aquaman: Rebirth #1

Jun 9, 2016

This issue serves as a good starting point, but the goal going forward should be to showcase what makes Aquaman new and different in DC Rebirth.

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7.5
Archie #666

Jun 4, 2015

This issue is no more or less than a lighthearted celebration of the franchise. Pretty much every Riverdale favorite turns out to help Archie through his latest crisis, with the comic reaching a predictably happy ending.

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9
Archie (2015) #4

Nov 25, 2015

This issue finally delves into the infamous "Lipstick Incident" and just what drove former power couple Archie Andrews and Betty Cooper apart. Waid deftly blends humor and bittersweet tragedy as he sheds light on the incident.

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7.4
Archie Meets: The Ramones #1

Oct 6, 2016

Writers Alex Segura and Matthew Rosenberg craft a fun, charming little tale as Archie and his bandmates are whisked back to 1976 to learn about the magic of punk rock from the "in their prime" Ramones.

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8
Army of Darkness Vol. 4 #1

Dec 4, 2014

Larry Watts brings a dynamic energy to the book with his art. His Ash is instantly recognizable as Bruce Campbell, and he handles the nonstop barrage of zombie gore and free-floating combat very well. The coloring also helps the storytelling a great deal. It's brighter and more flamboyant than you might expect from an Evil Dead comic, but that's appropriate given the unusual setting.

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4.3
Army of Two #1

Jan 13, 2010

Like the games themselves, perhaps Army of War the comic is best enjoyed with a friend. At least then you can share a laugh over the silly, generic script and awkwardly framed visuals. Sadly, it seems videogame tie-ins like this are still the rule rather than the exception.

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6.1
Arrow #1

Nov 28, 2012

None of the three stories here do much to flesh out the characters and conflicts of Arrow. Even at its most competent, this book is an easy pass for all but the most hardcore fans of the show.

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7.1
Arrow #2

Jan 2, 2013

Rounding out the issue is a segment from Cho and Ben Sokolowski. This portion reads like Arrow in microcosm, as it manages to breeze through the general structure of an episode in a mere handful of pages. It works surprisingly well in these limited confines, showcasing Ollie and Diggle carrying out an international mission. Mike Grell's art serves the story well. It's grim and finely textured, though certain panels feel a bit cramped. This is one instance where the smaller digital format might have been a hindrance. This segment also suffers from the same horrible Ollie monologue that plagues so many episodes of the show. I've often wondered if those monologues might play out better on the printed page than spoken aloud. The answer is no, no they don't.

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8.1
Arrow #3

Jan 30, 2013

Capping off this issue is a story from Schwartz and Katherine Walczak and artist Mico Suayan that focuses on Helena Bertinelli's past and the events that led to her becoming Huntress. This segment basically just rehashes what we learned from her conversations with Ollie, but it's nice to see it play out visually and to see her relationship with her late fiance play out. Suayan's pencils are easily the strongest of the issue. He delivers a gritty, noir-tinged feel that compliments the writing, and he also manages to nail the actor likenesses without sacrificing the quality of the storytelling.

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7.4
Arrow: Season 2.5 #1

Oct 8, 2014

It remains to be seen how well the overall conflict will develop, though. These chapters smoothly pick up where the show left off in terms of Detective Lance's illness, the crumbling Queen Consolidated empire, and so forth. But Guggenheim's decision to revisit Brother Blood in a new form is a little worrisome. As adept as this comic is at respecting the source material, I'd hate to see it retread familiar ground when the possibilities are practically endless.

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7.4
Arrow: Season 2.5 #2

Nov 13, 2014

The second chapter in this issue spends a bit too much time on flashback material and revisiting familiar scenes from Season 2, though it is fun to see more connections form.

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7.6
Arrow: Season 2.5 #4

Jan 15, 2015

The plot in this series has progressed to the point where I find myself wishing it would actually be turned into an episode of the show.

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7.8
Arrow: Season 2.5 #5

Feb 12, 2015

I continue to be impressed with just how much the dialogue, the plotting, and the general tone of this comic recreate the feel of the TV series. That's the benefit of keeping Marc Guggenheim and Keto Shimizu so closely invovled.

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7.5
Arrow: Season 2.5 #7

Apr 9, 2015

This series continues to succeed in its mission of telling stories that flesh out and enhance the world of the TV show. In certain ways (particularly when it comes to spotlighting Roy), it does the show one better.

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7.7
Arrow: Season 2.5 #8

May 14, 2015

Having Marc Guggenheim at the reins of this book has been a major boon. Guggenheim's role on the show and his prior comics experience means that this series is a very faithful extension of the source material. And in many ways, Huntress is a more enjoyable character in this issue than she's ever been on the show.

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6.8
Art Ops #1

Oct 29, 2015

The newest Vertigo series is certainly a visual showcase. It also boasts a clever concept. But with too much focus on exposition and setup (despite the lingering questions about this universe) and a lack of any truly compelling characters, this first issue isn't the strong debut Arts Ops needed.

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7.7
Assassin's Creed #1

Oct 15, 2015

Assassin's Creed has a surprisingly strong track record when it comes to comic book tie-ins. So far, it doesn't appear that this new series is going to break that trend.

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4.2
Assassin's Creed: Awakening #1

Nov 10, 2016

Titan's latest Assassin's Creed comic is unique both in that it's a direct adaptation of one of the games (Black Flag, to be specific) and a translated Japanese manga story. Unfortunately, there's little to recommend this version of the story over simply playing the game.

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8.2
Assassin's Creed: Templars #1

Mar 23, 2016

The newest Assassin's Creed comic is already shaping up to be a worthwhile addition to the ever-growing franchise. Templars #1 stands out for several reasons, but above all because it works to humanize the Templar faction and makes great use of a very distinctive historical setting. This first issue is a solid start, and it leaves plenty of room for the book to get even better in the next four chapters.

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8
Assassin's Creed: The Fall #1

Nov 9, 2010

Assassin's Creed: The Fall is a welcome breath of fresh air in the normally depressing video game comic market. Though it carries some minor flaws, issue #1 is an engaging and enjoyable read regardless of your exposure to the Assassin's Creed franchise. Let's just hope two issues are enough for the creators to deliver a satisfying character arc for Nikolai and Daniel.

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8
Assassin's Creed: The Fall #2

Dec 15, 2010

And even if the script were forgettable, The Fall would still thrive on the strength of its art. Kerschl and Stewart make an impressive team. Though the two each handle their own assigned timelines, Kerschl and Stewart have similarly bright, animated styles that allow for a very cohesive look. It's arguable whether a slightly darker visual style might have suited the tone of the games better. On the other hand, part of the appeal of this series is seeing the result of a creative team who are fully involved in both sides of its production. There's an undeniable energy and storytelling flow that comes when a creator writes and draws a page themselves, and that energy is readily apparent in The Fall. It's unfortunate this book is so unusually brief. Still, it's refreshing to have a video game comic leave the reader so desperately wanting for more.

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6.7
Assassin's Creed: Uprising #1

Feb 2, 2017

Unfortunately, while the script mostly avoids becoming too cluttered, the same can't be said for the art. Jose Holder makes many odd framing choices that make it difficult to follow the flow of battle and leave key characters relegated to the background or obscured by shadow at awkward times.

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5.5
Astonishing Thor #5

Jul 6, 2011

Astonishing Thor is not without merit, but it doesn't exactly warrant the "Astonishing" moniker, either. How long until books like this and the post-Whedon Astonishing X-Men cause the Astonishing line to lose its credibility?

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9.4
Astonishing X-Men (2004) #23

Nov 7, 2007

As always, the main flaw with this issue of Astonishing X-Men is that we won't see another one for so long. I hate to think that I won't get to read another Whedonesque adventure until 2008. I think I'll use the new issue of Messiah Complex to wipe my tears away.

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8.1
Astonishing X-Men (2004) #25

Jul 2, 2008

Here's the real problem with Astonishing at the moment - I don't know why I should care. The series no longer fills a niche. This same group of A-list X-Men will also occupy Uncanny on a monthly basis. The only real difference there is that Uncanny will substitute Pixie for Armor as the current "peppy female student with everything to prove." With no real story to speak of yet and art that's firmly in the good-but-not-great category, Ellis has his work cut out for him in the months ahead. I don't blame anyone who chooses to trade-wait this book.

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6.8
Astonishing X-Men (2004) #31

Oct 7, 2009

"Exogenetic" is a step in the right direction, but on the whole Astonishing just isn't succeeding on the level it should considering the talent involved. As an X-fan who is frequently invested in the direction of the franchise, I recognize the necessity of an accessible book like this. I only wish the finished product was as attractive as the concept.

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5.5
Astonishing X-Men (2004) #34

Jun 30, 2010

It seems the only consistent thing about Astonishing X-Men is its inconsistent shipping schedule. Even as Warren Ellis' saga has moved forward with the Xenogenesis mini-series, Exogenetic still needs wrapping up. Sadly, Xenogenesis' successes only highlight how dull and forgettable the previous storyline is. Ellis' X-Men lack the playful quality seen in Xenogenesis, instead spouting endless bits of snark and sarcasm. Painfully unnatural interactions between Cyclops and Beast only highlight how far behind the curve this story is working. As for the art, Phil Jimenez once again provides breakdowns upon which Andy Lanning finishes. Given how heavy and thick Lanning's inks have been over Jimenez's pencils in the past, the difference is scarcely noticeable. Between those heavy blacks and the unnatural colors of Frank D'Armata, the series is just too grungy and dreary for its own good. I've certainly read worse X-storylines, but Ellis has proven he can handle the team in a much more interest

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6.5
Astonishing X-Men (2004) #37

May 11, 2011

This series is something less than astonishing right now, but at least it offers clean, uncluttered fun for X-Men readers. The real question is how the series will be impacted by the sudden switch in focus with issue #38.

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5.5
Astonishing X-Men (2004) #38

May 18, 2011

Hardcore Astonishing fans may be happy to simply have another issue of the series in hand so soon, but so far this arc is doing nothing to establish itself as more than filler.

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6
Astonishing X-Men (2004) #39

Jun 1, 2011

Daniel Way's script is a mixed bag in quality. The highlight of his arc is seeing Armor rise to the forefront, as she doesn't seem to factor into the rest of the X-books very often. However, Way doesn't prove as adept with the remaining three X-Men. His Emma is neither as humorous nor as bitchy as she should be. Meanwhile, a handful of potentially strong scenes between Cyclops and Wolverine aren't used to their full potential. In general, once the fun of monster battling wears off, this arc doesn't have much else to offer. It's just as well Way's next issue will cap off this particular story. There doesn't seem to be much life left in this particular Astonishing tale.

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6.6
Astonishing X-Men (2004) #55

Oct 24, 2012

While Astonishing has its moments, I'm quickly growing eager for this arc to wrap up so Liu can move on to new material that once again emphasizes characterization over action.

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8.2
Astonishing X-Men (2004) #58

Jan 23, 2013

Though hardly bloated at only two issues, I do feel that Liu could have trimmed the story even further by reducing the role of the other X-Men. Other than the Christmas celebration with Karma in issue #57, the various other characters didn't really add anything to the conflict or Warbird's journey. As a single one-shot issue, this storyline might have been that much stronger and more tightly paced.

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7
Astonishing X-Men (2004) Annual #1

Nov 28, 2012

Unfortunately, Marvel had to go and spoil things to an extent by pricing this issue at $4.99. The main story is no longer than an average issue of Astonishing. Padding out the remnant is a reprint of the Alpha Flight issue where Northstar originally came out of the closet. Historical significance notwithstanding, that alone doesn't justify an extra dollar, and I wish Marvel would stop acting as if annuals automatically need to cost more. The reprint isn't even worth the hassle of reading. The hardcore 90s artwork, with its muscles piled on top of more muscles and criminal overuse of crosshatching, is enough to make your eyeballs leak out of your skull. Trust me. I'm writing this review blind thanks to this book.

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8.7
Astonishing X-Men (2017) #1

Jul 19, 2017

As underwhelming as Marvel's ResurrXion relaunch has been as a whole, at least Astonishing X-Men seems capable of living up to the hype. The series gets off to a strong start thanks to an eclectic cast, memorable characterization and typically strong artwork from Jim Cheung. This is the ideal comic for those who want to dip their toes into the franchise and those who have been craving something different in the X-Men universe.

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6.2
Astonishing X-Men (2017) #4

Oct 5, 2017

While this series was billed as having more of a standalone approach to X-men storytelling than most X-books, it doesn't actually seem that way in practice. This opening storyline reads very much like one, continuous conflict. And a conflict that's becoming painfully drawn out, no less.

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6.1
Astonishing X-Men: Ghost Boxes #1

Oct 29, 2008

Most glaring of all is the fact that neither story carries much of an X-Men flair. Switch out a few familiar faces and the stories could easily be taking place in another Ellis book like Planetary. Is that all Ellis' Astonishing run is going to amount to - a series that seems culled from unused plot points in other books? His work carries an inherent charm regardless, but I expect a lot more given the pedigree of Astonishing X-Men in the past.

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7.4
Astounding Wolf-Man #4

Dec 12, 2007

It's going to be a while before Astounding Wolf-Man ascends to the level of quality seen in Kirkman's best books, and I'm not entirely sure it ever will. However, even if it doesn't, the likable cast and constant stream of surprise twists should be enough to tide Kirkman-junkies over between issues of Invincible.

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8.8
Astro City (2013) #1

Jun 6, 2013

Even the meta commentary, which can so often be annoying in superhero comics, works under Busiek's hand. Broken Man's frequent references to the all-seeing Oubor and the need to find heroes who are invisible to its influence could be interpreted as a jab at the New 52. I doubt that was Busiek's intention given how long this series has been in the works, but it's fitting considering how this is exactly the type of fun, charming superhero comic that the New 52 seems to have wiped out of existence.

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9
Astro City (2013) #2

Jul 10, 2013

Brent Anderson expertly captures this blend of the mundane and the superheroic. He shows a strong sense of design as he renders the sci-fi-flavored workplace of the ECL, but the focus is generally on more basic elements like facial work and emotion as Marella explores her new world. At times the script is a slice-of-life drama, and others a superhero slug-fest, and Anderson is equally adept with either.

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9
Astro City (2013) #3

Aug 14, 2013

Brent Anderson more than holds up his end of the issue, as his art is perfectly suited towards capturing that human element of Busiek's writing. His characters are brimming with emotion and varied facial work. Anderson is able to convey the scope of the superhero characters and their battles, but all of that is ultimately just window dressing in service of the more down to earth elements.

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6.2
Astronauts in Trouble #1

Jun 18, 2015

Though somewhat looser than his current style, Adlard's work in these pages is still plenty imrpessive. The retro '50s setting suits his style especially well. All the book really needs is an ink wash to give the stark black and white lines some added depth. Unfortunately, while Adlard's art is impressive, the story is too jumbled to leave a good impression.

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8.4
Atomic Robo #1

Oct 16, 2007

So far I haven't had anything bad to say about Atomic Robo #1. Granted, it did make for a unexpectedly satisfying read, but it does have one fairly major problem at this early stage. I mentioned a comparison to Forrest Gump, but in truth I'm forced to take writer Brian Clevinger's word on that. The intro page paints a pretty picture of Atomic Robo acting as a major catalyst for various 20th Century events, not unlike Mr. Gump. Unfortunately, Himalayan Nazis don't quite fit that bill. And where's my Tesla? I really hope that Clevinger and Wegener can increase the scope and live up to what is admittedly a terrific concept. Even in its present form, Atomic Robo is a breath of fresh air in a crowded indie market.

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7.2
Atomic Robo and The Ring of Fire #1

Sep 10, 2015

The cover to this issue offers a pretty good clue as to the state of both Robo and the members of Tesladyne at the moment. But fear not, Atomic Robo hasn't veered so far into darkness that it loses sight of the fun, adventurous charm that made the series stand out in the first place

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8.5
Atomic Robo and the Temple of Od #1

Aug 25, 2016

The latest chapter in the Atomic Robo saga sends our metallic hero to Japanese-occupied China to team up with the local resistance and stop the creation of a doomsday weapon. It's a solid premise that allows for plenty of the humor and Indiana Jones-style adventure the series is known for.

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7.3
Atomic Robo: Spectre of Tomorrow #1

Nov 2, 2017

This issue makes for a very slow, even quiet start to Spectre of Tomorrow, and because of that, this may not be the ideal jumping-on point for new and curious readers.

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8
Avengers (2010) #5

Sep 22, 2010

As far as the visuals go, certain points need reiterating regarding John Romita Jr.'s artwork. This is some terrifically dynamic stuff. Once again, the panels featuring Thor are the standouts, but Romita's general sense for action and choreography is nearly unmatched in the industry. Yes, his figures are somewhat blocky and unattractive. To some extent this is just the nature of his style. But the inking and coloring in this series are also to blame for lending an unnecessarily harsh edge to his figures. Romita's work in J. Michael Straczynski's Amazing Spider-Man was more effective because of the thinner inks of Scott Hanna and the brighter hues of colorists like Dan Kemp. It's unfortunate the visuals in this series can't fall a little more in line with those in Amazing, but the core appeal of Romita's pencils remains.

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7.5
Avengers (2010) #7

Nov 17, 2010

John Romita Jr's art is a bit erratic this month, as it's inked by both Klaus Janson and Tom Palmer. Palmer's lighter, feathery touch is what Romita's pencils need to shine, not the overly thick and heavy inks of Janson. But while this arc displays a few odd qualities in its first issue, it also shows the potential to outclass the first and pay off on some threads still dangling form Bendis' earlier Avengers projects.

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8.5
Avengers (2010) #13

May 18, 2011

The only real point of concern to be found right now is a romantic subplot introduced in this issue. Bendis seems intent on playing up a mutual attraction between two characters who really have no prior history together. So far it seems forced, unnecessary, and even a little awkward as the two interact. Hopefully that will change over the course of the arc and this new relationship can be properly fleshed out.

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7
Avengers (2010) #14

Jun 15, 2011

This Fear itself tie-in started off with a bang, and it's unfortunate that the follow-up isn't as strong. If the current formula is to continue, Bendis will need to ensure that the talking head scenes expand and flesh out the events of Fear Itself rather than simply rehash them.

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7
Avengers (2010) #16

Aug 17, 2011

The art proves once again that John Romita Jr.'s art can thrive or falter depending on the inker and colorist involved. Paul Mounts' colors bring new life to the series. Unfortunately, Klaus Janson's inks are still too heavy and flat to do the art full justice.

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7.5
Avengers (2010) #20

Dec 21, 2011

Daniel Acuna's art is doing its part to keep the story humming. My common complaint with his style is that it lacks depth and definition thanks to its over-reliance on color and lack of shading and shadow. Acuna seems to have struck the right balance between the two on this series, and the results are pleasing.

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7.5
Avengers (2010) #28

Jul 25, 2012

Ultimately, a story like this is always limited by the need to fit within the confines of the main event. And so there's little in the way of consequential plot progression or character growth. But if nothing else, Avengers #28 proves that Red Hulk still has a place among Earth's Mightiest Heroes.

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5
Avengers (2010) Annual #1

Jan 4, 2012

This annual does finally pick up a bit of steam at the end. In the aftermath, Simon is written in a more evenhanded fashion, finally explaining hi position and motivations in a more convincing fashion. The interaction between him and Beast is also a nice touch. Ultimately, with as much as this short crossover did wrong, it does do its part to establish the general sense of unrest and anti-Avengers paranoia running rampant in the ongoing books. Ideally, this story should have unfolded several months ago and in a more intimate form without all the useless flash and noise.

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8.2
Avengers (2012) #1

Dec 3, 2012

Little about Opena's approach has changed from his Uncanny X-Force arcs, other than the fact that he alters his style with a smoother, more organic approach for the brief flashback sequences. The question is how well the series will transition visually from arc to arc. Opena, Adam Kubert, Dustin Weaver, and Mike Deodato all have distinctly different styles. Will this even feel like the same book five issues down the road?

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8.8
Avengers (2012) #2

Dec 19, 2012

Unfortunately, my other complaint regarding issue #1 remains true here. Ex Nihilo, Abyss, and the rest of the new villains really aren't that memorable beyond their interesting visual designs. Their motivations and actions feel too reminiscent of other recent storylines like The Dark Angel Saga in Uncanny X-Force or Hickman's own Ultimates work. If anything, the similarities grow more apparent as Ex Nihilo rants about ancient beings who manipulate genetics and seeds that can remake worlds. Hopefully this problem is merely a temporary one. Hickman has made it abundantly clear, both within this book and in various outside interviews, that these early issues barely scratch the surface of what he has planned.

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8.3
Avengers (2012) #6

Feb 20, 2013

The real difference to the formula of these past few issues is that there's less question of how this new Avengers recruit fits into the larger picture. Hickman caps off this pseudo-arc by circling back to the larger events covered in issue #3 and a major new development that provides the spark for the next story. These character-focused issues have been enjoyable, but it'll be good to see what path the series takes from here.

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7.8
Avengers (2012) #12

May 22, 2013

Unfortunately, the eclectic nature of the issue isn't the best fit for Mike Deodato's pencils. Deodato's style is all about moody lighting and hulking figures, neither of which are really called for in the script. Deodato also shows a tendency to reuse character poses again and again. He gets an incredible amount of mileage out of one recycled Iron Man frame. This is a case where the lighter touch of Dustin Weaver probably would have worked better.

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6.2
Avengers (2012) #24.NOW

Jan 1, 2014

This isn't a bad comic, necessarily, but it's visually jumbled and doesn't do enough to build excitement for what's coming next.

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8.2
Avengers (2012) #25

Jan 22, 2014

Having illustrated several pages of issue #24, Salvador Larroca steps in for a full issue this month. Larroca delivers strong storytelling but weak figure work, leaving the colorist to fill in too much of the depth and detail on his characters. My main concern with this series and its sister books going forward is that any sense of visual cohesiveness will be lost thanks to the steady stream of rotating artists. It seems anyone who's anyone at Marvel will be drawing one of Hickman's Avengers books in the coming months.

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5.7
Avengers (2012) #26

Feb 12, 2014

Nor does Salvador Larroca's art bring much to the table. Larroca's figures are as spartan as ever, but normally his framing and storytelling can make up for deficiencies in that area. Not so here. The action scenes between the Adaptoids and Avengers are dully framed. There's not enough scope to match the tenor of Hickman's writing.

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5.8
Avengers (2012) #27

Mar 26, 2014

With this arc over and with Original Sin fast approaching, hopefully Avengers can regain the momentum it had just a few months ago.

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8.4
Avengers (2012) #28

May 1, 2014

It all makes for a fun read that has ramifications for more than one of Hickman's Avengers titles. And hopefully it's a sign that the series' recent doldrums are receding.

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8.3
Avengers (2012) #29

May 14, 2014

This issue also sees Leinil Yu return to the series for the first time since the Infinity tie-in storyline. He's a perfect fit for the grim, foreboding tone of the tale, which culminates in a big battle between Avengers and iron Man drones worthy of a an action-oriented storyteller like Yu. The inking sometimes obscures the figures and the facial work unnecessarily, but not to the point that it derails the story.

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7.8
Avengers (2012) #31

Jun 18, 2014

Little has changed in terms of the art in this issue. Leinil Yu does a great jb of bringing this futuristic Earth to life, but the lack of clarity to his pencils and Gerry Alanguilan's inks is frustrating at times. Especially since there are a handful of pages here that do show the artists at their best and brim with cinematic detail.

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8.5
Avengers (2012) #32

Jul 9, 2014

The art, unfortunately, is weirdly inconsistent in this issue. At times Leinil Yu's pencils and Gerry Alanguilan's inks merge in a scratchy, haphazard assortment of lines. But at other times, Alanguilan's inks smooth out and Sunny Gho's colors become more vibrant. Here the issue is at its best, and there are some definite shots of beauty as Franklin's garden blooms and he gives the Avengers a tour of the universe as it exists thousands of years from now.

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7
Avengers (2012) #35

Sep 17, 2014

In some ways, "Time Runs Out" is exactly what this series needed. It kicks the book into drive as the focus shifts ahead to a darker and more unpredictable Marvel Universe. But the time shift creates its own problems, and this issue is never entirely consistent in tone or visual style. But hopefully things can only improve as Hickman delves deeper into this new status quo.

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8.3
Avengers (2012) #36

Oct 8, 2014

This issue also proves more visually cohesive now that Stefano Caselli illustrates the entire story. Caselli and Hickman have formed a great team dating all the way back to Secret Warriors. Caselli's expressive art captures both the massive scale of the story and the very real, emotional drama.

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8.3
Avengers (2012) #37

Oct 22, 2014

Unfortunately, visual consistency just isn't this book's forte. Mike Deodato steps in as artist this month, giving the series a much darker and more foreboding vibe than it had in the previous two chapters. In general, that suits the setting and the tone of Hickman's writing. On the other hand, one flaw from Original Sin rears its head again in terms of figures standing out in stark contrast from the backgrounds. Some scenes also suffer from the lack of distinction between female characters or Deodato's tendency to draw frail, elderly Steve Rogers as a fairly robust character.

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8
Avengers (2012) #38

Nov 20, 2014

And visually, this series is the clear winner. Stefano Caselli gives the comic an impressively bold and dynamic quality. His figures are sharply defined and vibrant, and the book takes on a larger-than -life tone that meshes well with the increasingly epic climax Hickman is building towards.

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7.9
Avengers (2012) #39

Dec 11, 2014

Withthe focus more on action than plot progression, this issue isn't necessarily the most compelling to come out of this "Time Runs Out" storyline. Still, Hickman defintiely gives Mike Deodato plenty of great material to work with, especially the shots of Jim Rhodes' War Machine army or Captain Marvel battling Hulk.

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8.8
Avengers (2012) #40

Jan 14, 2015

Frequent Hickman collaborator Stefano Caselli steps in to tackle the art this month. While the shift from Mike Deodato to Caselli does nothing to help this book's wildly inconsistent visual style, it's tough to complain about the final product. Caselli has a real talent for combining sleek superhero physiques with dynamic body language and expressive facial work. All of those qualities are integral to this issue's storytelling success. If only we could see him settle down on one series for a while.

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8.6
Avengers (2012) #41

Feb 4, 2015

If I have any complaint about this chapter, it's that Mike Deodato does nothing to vary his style and strive to distinguish the Earth-616 and Earth-1610 settings. His bold, powerful figures serve the issue well despite the focus on dialogue, but the Ultimate and regular Marvel scenes might as well be taking place on the same world.

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8.7
Avengers (2012) #42

Mar 4, 2015

This issue does make me wish Hickman had focused more on Cyclops and his mutant nation in recent months. Many key plot developments occurred off panel in the eight month gap that set up "Time Runs Out." Unfortunately, this is the oe that most needed fleshing out considering how little the X-Men have factored into Hickman's work before now. The Cyclops-centric scenes lack some of the impact they might have had because here's been so little build-up.

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7.3
Avengers (2012) #43

Apr 2, 2015

Unfortunately, the art isn't always up to par in this chapter. Mike Mayhew's work is at its best when it focuses on the space battle and general spectacle rather than the human figures. Outside of those scenes, many characters suffer from wonky facial work and stiff poses. It's a shame these two Avengers titles can't offer a greater level of visual consistency during "Time Runs Out."

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7.3
Avengers (2012) #44

Apr 29, 2015

The Avengers #44 caps off Hickman's saga in grand fashion while also setting the stage for Secret Wars. This issue is full of epic drama, but often it's the character moments that shine the most. It's a shame that two artists with such clashing styles were called upon to finish out the series, but Caselli's pages never fail to impress.

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7.3
Avengers (2016) #1

Nov 2, 2016

Mark Waid's Avengers saga begins its new stage on slightly rockier ground. The team dynamic definitely suffers from the fact that the younger characters have departed to form their own team, and new recruits like Spider-Man and Hercules don't do enough to make up for that loss. But at least the Kang conflict is heating up. Plus, Del Mundo's art is incredibly striking, even if it occasionally gives the issue a more surreal tone than necessary.

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7.2
Avengers (2016) #2

Dec 8, 2016

The Avengers themselves are the weak link in this latest incarnation of the series. Not only is the cast small, their personalities don't make for a particularly compelling mix.

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8.2
Avengers (2016) #3

Jan 5, 2017

The resolution in this issue feels a bit cheap and easy considering the scope of the threat Kang and his other selves have posed, but at least it ties together the majority of the book's current loose ends.

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7.5
Avengers (2016) #4

Feb 2, 2017

Despite the fact that the script is basically a long series of narrative captions, the book avoids coming across like a dry summary or Wikipedia entry. Del Mundo's gorgeous, surreal artwork certainly helps with that. This issue is really a chance for del Mundo to cut loose.

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8.5
Avengers (2016) #5

Mar 2, 2017

Mark Waid and Mike Del Mundo deliver a fun tribute to Avengers past and present in this issue as the team uses Kang's methods against him. There's a real joy in seeing this new team join forces with the iconic Avengers of yesteryear, and Waid's humorous dialogue makes particularly strong use of the original Avengers.

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6.6
Avengers (2016) #8

Jun 8, 2017

This series is the first outside of the Iron Man books to really take advantage of Victor Von Doom's current status quo. That led to a really fun Avengers/Doom team-up in issue #7. Unfortunately, this follow-up story mostly ignores that dynamic in favor of picking up threads left over from the recent Avengers: Four mini-series.

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8.4
Avengers (2016) #11

Sep 21, 2017

This issue breaks the the team into pairs and explores several key relationships. Between the blossoming Cap/Thor romance, Vision and Hercules pondering the nature of immortality and Spider-Man trying to get to the bottom of why Wasp doesn't like him, there's plenty of great character work on display here.

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7.3
Avengers (2016) #672

Oct 5, 2017

It's the character dynamics that make this issue worthwhile. Seeing Hercules and Amadeus Cho reunited is practically worth the price of admission all on its own.

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7.6
Avengers (2016) #675

Jan 10, 2018

If you've been feeling apathetic about the state of the Avengers franchise in Marvel Legacy, the "No Surrender" offers new hope. While straightforward and focused more on spectacle than characters, this first chapter starts the crossover off on solid footing. If nothing else, it's clear that Marvel's Avengers writers are working closely in sync to bring this latest conflict to life.

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8.4
Avengers (2016) #676

Jan 18, 2018

What began as a simple tale of heroes battling Roland Emmerich-worthy natural disasters is quickly evolving into something more ambitious

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8.5
Avengers (2016) #677

Jan 25, 2018

So far, "No Surrender" is accomplishing what its creators set out to do by unifying the Avengers line and building a conflict worthy of Earth's Mightiest Heroes.

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7.8
Avengers (2018) #1

May 2, 2018

The Avengers #1 is a solid start for the new series, but one that holds few surprises.

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7.9
Avengers (2018) #2

May 16, 2018

The Avengers #2 has an underwhelming story but strong visuals and a terrific cast.

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9
Avengers (2018) #10

Nov 14, 2018

The Avengers #10 celebrates a big franchise milestone with engaging storytelling and terrific visuals.

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5.8
Avengers / Invaders #3

Jul 2, 2008

Given Alex Ross' involvement, I was hoping this series could at least impress on a visual level. Sadly, Ross doesn't appear to contribute much beyond cover images. Steve Sadowski's work is decent enough, even if he shows a far better handle on human characters than superhuman ones. Mostly, I just can't help but hold this book up to The Twelve, which aims for a similar look and tone. Unfortunately for Avengers/Invaders, it fails to measure up in any area. I'd tell potential readers to just hold out and trade-wait this series, but it's actually going to be more expensive to go that route. Instead, I'd recommend ignoring Avengers/Invaders altogether. Several current ongoing books are telling the same basic story, and they all seem to be doing it better.

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5.8
Avengers / Invaders #4

Aug 6, 2008

More annoying than anything, this issue ends on a pseudo cliffhanger with the promise that Avengers/Invaders will return in October. I really don't find the series to be worth waiting that long. It's already drawn out and lacking in substance as it is. I suggest readers spend this two-month vacation catching up on The Twelve and learning how this type of series can be done properly.

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4.8
Avengers / Invaders #5

Oct 8, 2008

Don't buy this book. Do yourself a favor and read The Twelve instead.

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7.5
Avengers Academy #1

Jun 9, 2010

For a book that I wasn't sure would capture my interest, Avengers Academy manages an impressive debut. So far Gage in working has succeeded with his new cast. The true test comes now as he begins to flesh out the various personalities and build towards a larger conflict.

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8
Avengers Academy #2

Jul 14, 2010

Mike McKone impresses once more with his detailed, precise pencils. Though the setting remains largely fixed, McKone is able to stretch his muscles a fair bit with a large cast. I'm still iffy on certain costume designs, but aside from that the series is very easy on the eyes. As long as Gage and McKone keep firing at this level I'm hopeful Avengers Academy has a bright future ahead of it.

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8.5
Avengers Academy #3

Aug 18, 2010

As for the art, Mike McKone delivers another 22 pages of gorgeous art. This issue allows him to stretch a bit and render plenty of outside villains and a few new Avengers to boot. I have serious doubts about the ability of this crossover to sustain itself for very long. For now, though, part 1 has the distinction of being Gage's best issue of Avengers Academy so far.

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8
Avengers Academy #7

Dec 15, 2010

Tom Raney fills in for Mike McKone on pencils this month (despite what the credits page would have you believe). Raney's recent Marvel work has been pretty variable in quality. Luckily, Raney is in solid form here, and the inks of Dave Meikis and Scott Hanna help bring an echo of McKone's precise pencils into the mix. Their rendering of Giant-Man's new uniform is startlingly inconsistent, however. Details and trimmings appear and vanish at random. The coloring of Jeromy Cox and Andrew Crossley is also fairly inconsistent, with one panel of Iron Man even featuring reversed colors. Though generally attractive, the visuals in this issue suggest a rushed schedule. Luckily, McKone is back next month, and readers have every reason to be excited for the continued future of this series.

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8
Avengers Academy #14

May 18, 2011

My one worry with this issue was how Gage would handle the Sinister Six in general and Rhino in particular. After Joe Kelly did such great work with Rhino last year, I'm wary of other writers tackling him. Surprisingly, the newly bloodthirsty but still noble Rhino was one of the highlights of the issue. The villains proved to be organic additions to the series, and Gage leaves the reader wondering all the more what these baddies are cooking up.

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9
Avengers Academy #15

Jun 15, 2011

With the whole creative team firing on all cylinders, Avengers Academy may just be the strongest of the Fear Itself tie-ins alongside Journey Into Mystery. Hopefully that will convince a few more readers to check this book out.

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7
Avengers Academy #16

Jul 27, 2011

The issue picks up considerably when it shifts focus to Veil. Gage puts her through a physical and emotional gauntlet that takes full advantage of the Fear Itself setting. Her story results in both triumph and tragedy and satisfies all the way. Tom Raney also really delivers on all fronts in these pages. With Pym's fight out of the way for now, hopefully upcoming issues will continue to spotlight the Academy recruits and the battles they face. That's where the meat of this tie-in lies.

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8.5
Avengers Academy #17

Aug 3, 2011

This continues to be the most engrossing arc of Avengers Academy yet. Let's just hope Gage doesn't wipe too many characters off the board when the action heats up in issue #18.

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8.5
Avengers Academy #18

Aug 17, 2011

There's no doubt at this point that the entire Fear Itself arc is the strongest Avengers Academy has ever been. The blend of action and character building continues to impress with each new chapter. The only problem now is that readers are bound to get spoiled from having a new issue every two weeks.

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8.5
Avengers Academy #19

Sep 28, 2011

It's good to know this series still has a healthy future ahead of it. But if it were to end, this arc would have been a fitting place to do so. Gage has effectively brought these characters full circle, and I look forward to what he has in store as the next phase begins.

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6.5
Avengers Academy #20

Oct 26, 2011

Tom Raney's art is also a bit underwhelming. It carries a rushed quality through many pages, with a team shot on page 7 looking particularly loose and wonky. As nice as it's been to have this series ship so often this year, a more methodical schedule might not be such a bad thing right now.

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7.5
Avengers Academy #21

Oct 31, 2011

Avengers Academy doesn't ease perfectly into the post-Fear Itself landscape, but it shows plenty of promise. Seasoned readers will sympathize with the main cast, feeling mistrustful and wary of the new characters and what they'll bring to the series. It's up to Gage to bring the magic all over again.

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7
Avengers Academy #23

Dec 14, 2011

There's even more material to round out the issue, including a field mission and even more revelations about the future versions of the Academy recruits. Gage stumbles in some areas, such as a less than ideal portrayal of Hawkeye, but generally the material is solid. The problem is that the various pieces of the script never come together in a truly satisfying whole. Where once the book focused on too few characters at once, now it focuses on too many. The delicate balance of recent arcs needs to be restored. Also troubling is that Tom Raney's normally solid figure work is surprisingly stiff in many of the action scenes. In more ways than one, the book needs a little breathing room and a chance to catch up to all the chaos that has unfolded these last few months.

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8
Avengers Academy #24

Jan 4, 2012

Tom Grummett steps on board as the new penciller with this issue. His art has a distinctly old-school feel, with its clean lines and simple figure work. That doesn't exactly help solidify the tone either, but it generally suits the book and its mishmash of old and new characters. Hopefully Grummet can offer the book the visual consistency it hasn't enjoyed much in the past year.

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8
Avengers Academy #25

Feb 1, 2012

Yes, the series is too crowded for its own good at the moment, and hopefully that flaw will be addressed in future issues. But issue #25 gives fans plenty to chew on as the current arc wraps up and offers the sort of fun, bombastic, old-school adventure that you won't find in many Avengers books these days.

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8
Avengers Academy #26

Feb 22, 2012

Tom Grummett's art continues to provide the series with an old-school aesthetic that might have been out of place on the other Avengers books, but fits in fine here. Grummett's characters don't always look their proper age, but his storytelling and facial work is solid.

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8
Avengers Academy #27

Mar 7, 2012

"But what of the unresolved plot threads from Immonen's run?" you may ask. Gage strangely chooses to address some lingering plot points but ignores others. Maybe that was an editorial mandate, or maybe too much focus on Runaways continuity would have annoyed AA readers. So while it's satisfying to have these characters back in some form, this issue only highlights the need to have an actual, ongoing Runaways series again. Heck, Marvel could do far worse than hand the reins to Gage himself.

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7.5
Avengers Academy #28

Apr 4, 2012

If Avengers Academy #27 didn't prove Gage should be writing a Runaways book, issue #28 cements the idea. We've gone far too long without a steady dose of these characters, and it's high time Marvel gave them another shot.

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7
Avengers Academy #29

May 3, 2012

Avengers Academy is enjoyable as always. However, the bar has already been set pretty high when it comes to AvX tie-ins, and it's difficult not to feel like Gage could be doing more with this arc.

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7
Avengers Academy #30

May 16, 2012

Tom Grummett's artwork is decent, if not particularly sleek or eye-catching. He handles the dialogue-heavy scenes and Shaw vs. Avengers action well, but the larger battle scenes are comparatively flat and bland. How his work will hold up now that the various character factions have converged on the battlefield remains to be seen.

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8.5
Avengers Academy #31

Jun 6, 2012

It doesn't appear as though this series is leaving behind AvX just yet, but if Gage has proven anything on this series, it's that he knows how to make the most of tie-in arcs.

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7.5
Avengers Academy #32

Jun 20, 2012

While I was happy to see Timothy Green come on board for this arc, the actual art quality is fairly disappointing. Green generally offers a surreal, almost European approach in his Marvel work, but this issue sees him struggle with a more traditional superhero style. Characters often seem overly stiff and posed, while the facial work consists mainly of grimaces and gritted teeth. It's too bad more of the energetic, manic style seen in Green's recent Rocket Raccoon/Groot stories couldn't have appeared in this book.

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7
Avengers Academy #33

Jul 18, 2012

As with issue #32, Timothy Green's art is unexpectedly disappointing. His facial work is dull and lifeless, while his characters are often stiffly posed and suffering from wacky anatomy. Green has done top-notch work in several cosmic books recently, so it's strange to see him deliver such underwhelming work here.

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8.5
Avengers Academy #34

Aug 1, 2012

No doubt we'll learn in the coming weeks whether Academy will be sticking around after Final Exam wraps up. Regardless of the outcome, Gage is showing every sign of doing justice to the characters he's built up these past two years.

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8
Avengers Academy #35

Aug 15, 2012

Andrea Di Vito steps in for Tom Grummett this month. While it's disappointing this arc won't have one, consistent penciller, Di Vito handles the characters well and delivers a bit more detail and depth in his panels than Grummett's issues had been offering. What the issue lacks in style it makes up for in good, solid storytelling.

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8
Avengers Academy #36

Sep 5, 2012

Much of this character building seems to lay the groundwork for future stories, which of course raises hope that maybe Gage won't be done with these characters just because the series is ending. No doubt there's still a wealth of material to explore in the coming weeks.

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8.5
Avengers Academy #37

Sep 19, 2012

With only one short arc remaining, I've given up hope of Gage completely wrapping up the series' various loose ends. Still, rather than rush to the finish, Gage is content to deliver more of the same quality characterization and plot twists that have made this series such a worthwhile read for the past two-and-a-half years.

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8.8
Avengers Academy #39

Nov 7, 2012

It's sad to see this series go, partly because Gage makes it abundantly clear that there's still so much story left to tell with his cast, and partly because Avengers Arena does not appear to be the kind of book that will explore that potential. Regardless, we'll always have these past 40 issues to look back on fondly.

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6.8
Avengers Arena #3

Jan 9, 2013

I could tolerate the grotesque concept of this series if I felt like it served a greater purpose. Avengers Arena revels in its similarities to books like Battle Royale and The Hunger Games. But the common factor among those stories, and one that Arena lacks so far, is that the teen-on-teen violence served as a larger sort of social commentary. What purpose do any of these deaths serve besides depriving readers of future stories with the characters? Hopeless is so cavalier in killing off his protagonists that I'm beginning to suspect more and more that this really is all an elaborate illusion or simulation. The thought that Avengers Arena might be one giant red herring somehow seems even worse than it being a nonstop slaughter-fest.

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6
Avengers Assemble #1

Mar 14, 2012

Avengers Assemble #1 isn't a terrible entry point for new readers, as it's light on continuity and easy to dive into. Unfortunately, there could and should have been more substance to this issue.

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5
Avengers Assemble #2

Apr 11, 2012

If you want a simple, action-oriented Avengers book, Assemble has its merits. Mark Bagley's work is attractive in this issue and actually shows a higher level of detail and consistency than it did in issue #1. There's not much continuity to get in the way of the action, and there's something to be said for that in a time when nearly every other Avengers book is becoming tied up with Avengers vs. X-Men. And so, as with issue #1, the readers most pleased by this effort are going to be the ones who don't have much Avengers experience. For everyone else, the simplistic plotting and frustrating characterization are major hurdles to contend with.

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4
Avengers Assemble #3

May 9, 2012

I don't know whether to hope that incoming movie fans are able to enjoy this book as some sort of pseudo-sequel to the film, or that they'll take issue with the many glaring problems in Avengers Assemble too. In any case, there are far better Avengers comics from Bendis and numerous other writers they should be reading instead.

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5
Avengers Assemble #4

Jun 13, 2012

By all rights, this series should have taken on a new level of excitement once it became apparent that Brian Bendis is working to reinvigorate Marvel's cosmic heroes and villains along with telling an accessible Avengers tale. Sadly, the execution just isn't there.

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6
Avengers Assemble #7

Sep 12, 2012

Bendis would have a potentially much more interesting and enjoyable story on his hands if he were just writing a Guardians of the Galaxy comic. And perhaps one day he will be, and the Avengers will just have been a necessary evil in order to help provide causal readers a stepping stone into the Marvel cosmos. That still doesn't excuse this series for its storytelling shortcomings.

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8.8
Avengers Assemble #11

Jan 16, 2013

That's not to say there's no deeper, emotional appeal in this issue. DeConnick offers some great material between Spider-Woman and Hulk as the two deepen their bond. This is really the first post-AvX comic to justify Hulk's return to the Avengers fold. In general the book is a celebration of the Avengers' family dynamic. It's cheerful in a way the franchise has so rarely been of late.

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8.2
Avengers Assemble #15AU

May 8, 2013

It helps that Butch Guice is on board to provide the visuals. Guice's art rivals anything we've seen in the main series. He expertly captures the scope and detail of Ultron's destruction with his usual dark, noir-tinged style. But the premise allows him to branch out quite a bit, with some fun digital sequences that pay homage to the 8-bit era of gaming. It's enough to make one wonder how the core event would have turned out if Guice were the lead artist.

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8
Avengers Assemble #18

Aug 21, 2013

In some ways the story is fragmented without Avengers #18 providing a larger context. But a more pressing concern is that DeConnick doesn't fully exploit the bond between Jessica and Hulk or her lasting revulsion toward Skrulls during various key moments where it would have made sense. Hopefully the next issue will make up for those omissions.

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8
Avengers Assemble #22.INH

Dec 18, 2013

Again, the plot in this arc is hardly remarkable. It adds very little to the larger Inhumanity picture (not there there seems to be much to work with until Inhuman actually kicks off). But as this series has always been about characterization and fun over plot since DeConnick originally took over, that's no great crime.

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8
Avengers Prime #3

Sep 29, 2010

The story doesn't disappoint either, particularly now that Brian Michael Bendis seems to have found his rhythm with the scripts. This issue begins the process of reuniting the three Avengers, allowing plenty of time for Steve and Tony to play off one another. The humor is admittedly a bit overdone in spots, with Tony's dialogue in particular being overwritten. But in general Prime offers exactly the sort of unfettered fun and adventure Heroic Age promised. I just wish the series didn't seem to so frequently fly in the face of recent events in the main Thor series. A script dealing with Hela and the state of the other Norse realms is bound to run into continuity conflicts at the moment. However, that should hardly prevent fans of classic Thor and Avengers stories from digging into Prime. This mini is steadily improving and continues to justify the bimonthly wait.

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7.5
Avengers Prime #4

Nov 10, 2010

The writing is of somewhat lesser concern, but that doesn't mean Brian Michael Bendis isn't delivering a satisfying script. There's a clear attempt to transition the trio from tense allies to comfortable friends again. For the most part this attempt is successful, though Bendis' portrayal of Tony Stark continues to perplex. It's no longer a matter of Bendis' portrayal not meshing with Matt Fraction' current handling of the character. Tony is annoying in his humor and reads awkwardly by any standard. It's a flaw that holds back an otherwise solid script. Bendis makes up for it somewhat with his strong handling of Hela and the welcome surprise appearance of another recent Thor villain. The pieces are moving into place for an epic finale in two months. The wait will be long, but these past four issues have shown it will be well worth it.

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8.5
Avengers Standoff: Welcome to Pleasant Hill #1

Feb 17, 2016

As exhausting as it is to think Marvel is already launching into a new crossover event, Avengers Standoff is showing plenty of promise at this early stage. The political nature to the conflict and the mystery behind the nature of Pleasant Hill both combine to form a compelling conflict. The real question is whether this event can sustain itself as it draws in other books and other creative teams.

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8.4
Avengers Standoff: Assault on Pleasant Hill Omega #1

Apr 28, 2016

Nick Spencer really needs to be given the reins of more Marvel events. While Avengers Standoff became overly bloated as various Avengers and S.H.I.E.L.D.-related comics were drawn into the fray, Spencer's issues have maintained a distinctive balance between lighthearted charm and epic drama.

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8.5
Avengers Standoff: Assault on Pleasant Hill Alpha #1

Mar 1, 2016

Two chapters into Avengers Standoff, it's already clear that Marvel needs to turn to Nick Spencer for event comics more often. Spencer shows a knack for blending humor and darkness in this issue as he escalates the situation in Pleasant Hill and draws the Avengers into the fray. It helps that he has a very strong partner in Jesus Saiz. This crossover is off to a great start, but can it maintain that momentum in the hands of other creative teams?

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7.8
Avengers Undercover #1

Mar 12, 2014

Avengers Undercover will serve as a smooth transition for fans of Avengers Arena. It has a familiar (if reduced) cast and the same creative team. And right away, this series capitalizes on the drama that comes from surviving a hellish gauntlet and returning to the real world. However, this issue doesn't do enough to establish the new status quo. And the strong character drama might not mean as much to those who didn't follow Arena. The first problem, at least, is soemthing that will hopefully eb addressed over the coming months.

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8.3
Avengers Undercover #2

Apr 10, 2014

The series may be slow to build towards its ongoing status quo, but the benefit to this approach is a methodical, believable examination of how Niko, Chase, Cullen, and the rest could actually be tempted by villainy.

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7
Avengers Undercover #3

Apr 24, 2014

Only the art holds this issue back from being an early high point for the series. Cluttered panels and haphazard scene transitions don't do full justice to the tightly plotted, darkly humorous story being told.

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8.2
Avengers Undercover #4

May 15, 2014

It's a busy, eclectic issue. And as with the previous three chapters, it shines best when Dennis Hopeless focuses on the character dynamics both among the team and with their friends and family (kudos on the Runaways reunion).

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8.8
Avengers Undercover #5

Jun 11, 2014

As much as I wish Kev Walker's pencils were still paired with Frank Martin's colors, Walker brings a lot to the table in this issue. He's great at conveying the seedy, surreal, even hellish nature of Bagalia, but also at giving life and expression to the heroes and making them seem like living, breathing characters.

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7.8
Avengers Undercover #6

Jun 26, 2014

The real problem, however, is that we now know this series is ending with issue #10. There seems little chance of Undercover reaching a satisfying conclusion by then.

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8.2
Avengers Undercover #7

Jul 10, 2014

While it seems hard to imagine Avengers Undercover reaching a satisfying conclusion by issue #10, at least this chapter doesn't linger or dawdle.

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8.7
Avengers Undercover #8

Aug 14, 2014

It still smarts to know that Avengers Undercover is ending with issue #10. But the good news is that Dennis Hopeless is transitioning towards his big finale much more smoothly than might have been expected.

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7.8
Avengers Undercover #9

Aug 28, 2014

This definitely reads like a rushed issue as the series races to its finish, but an enjoyable one all the same.

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8.5
Avengers Undercover #10

Sep 10, 2014

Tigh Walker returns to finish out the series. Of the book's various artists, he's the most adept at replicating Kev Walker's distinctive style. Tigh's work is a bit more angular and stylized than before, but adept at conveying the tension and emotion and elation of the story as the battle races to its climax.

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7
Avengers Vs. X-Men #0

Mar 28, 2012

In the end, both halves of the issue are enjoyable (the first one a little more so). However, the issue comes up a bit lacking when it comes to ambition or a dramatic build-up to the main event. There's really nothing to link the two tales other than the vague shared element of two women clashing with the most important men in their lives. Nothing is revealed about the nature of Avengers vs. X-Men that hasn't been already. Fortunately, it's not as if we have long to wait for issue #1.

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7
Avengers Vs. X-Men #1

Apr 4, 2012

Unlike most Marvel events, the hope is that this one will start off modestly and grow stronger over time. Issue #1 is a perfectly decent opening chapter, but it almost feels perfunctory in a way. The conflict needs to grow and evolve in interesting ways over the next 11 issues. And Cyclops certainly needs to be handled with more care going forward, lest this series repeat Civil War's mistake of making one faction look so crazy and militant that no one can sympathize with them.

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5
Avengers Vs. X-Men #2

Apr 18, 2012

The best that can be said about AvX #2 is that it provides hope that the event won't always play out in such a dull and unremarkable fashion. The most memorable scenes in the issue are the ones that don't feature Avengers fighting X-Men at all, but rather characters like Thor and his deep space team preparing for certain doom. This series may be titled "Avengers vs. X-Men," but it's quickly looking as though the best thing that can happen is for the in-fighting to stop.

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5.5
Avengers Vs. X-Men #3

May 2, 2012

There's no question that Avengers vs. X-Men could be a good, solid event comic. The operative word being "could." It's continuously frustrating to see writers doing such great work in the tie-in books and delivering so little of that quality and content on the main series. Maybe somewhere in the multiverse there exists a bizarre Frankenstein's monster of an event that actually crams the nuanced character work, epic blockbuster action, and tight plotting we're seeing in these disparate books into one, cohesive whole.

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6.5
Avengers Vs. X-Men #4

May 16, 2012

If still a fractured and somewhat hollow event comic, AvX at least gained some traction in issue #4. And if nothing else, the plot continues to push forward rather than dwell on endless series of punch-fests between Avengers and X-Men. The next issue marks the end of Act 1, and perhaps the real indicator of whether the series can move past its initial storytelling mistakes.

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6.5
Avengers Vs. X-Men #5

Jun 6, 2012

Finally, there's the big, long-awaited twist that puts the cap on Act 1. This new development is bizarre, to say the least. I worry it pushes the conflict into silly a direction, but that's for future issues to confirm or deny. At the very least, the twist marks the point where AvX stops feeling predictable and begins exploring uncharted territory. A newfound sense of unpredictability and change can only be a good thing as the story moves into its second act.

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8.5
Avengers Vs. X-Men #6

Jun 20, 2012

The Phoenix Five concept might have seemed silly on the surface, but in terms of execution Hickman really delivers in this issue. Finally we have an book that doesn't sacrifice characterization in favor of mindless spectacle. My enthusiasm is suddenly renewed for AvX as a whole, and even though this is already Hickman's final issue, I sincerely hope that issue #6 is an indicator of the quality readers can expect from this point forward.

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7.5
Avengers Vs. X-Men #7

Jul 5, 2012

As with nearly every chapter of this event, Avengers vs. X-Men #7 is guilty of glossing over certain vital parts of the story in its charge forward. Even so, the series remains in better shape than it was during Act 1. I would be surprised if issue #8 were to kill that momentum given the groundwork Fraction has laid here.

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7.5
Avengers Vs. X-Men #8

Jul 18, 2012

In the end, though AvX hit its current peak at the beginning of Act 2, the event is still in a better state than it was in its early months. Issue #8 offers an exciting and action-packed battle. It simply doesn't propel the conflict forward in the way a concluding chapter should.

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8.5
Avengers Vs. X-Men #9

Aug 1, 2012

At its best, AvX manages to deliver on all the hype Marvel has placed on it. As we near the finish line, I can only hope that this renewed momentum means the event will remain at its best through the home stretch.

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5.5
Avengers Vs. X-Men #10

Aug 15, 2012

I had hoped issue #9's strong showing meant we could expect a rousing finish to Act 3 and AvX as a whole. That didn't prove to be the case. However, there is still hope that this chapter was merely one last, unnecessary pit stop in an overly drawn out conflict, and that the remaining two issues will pick that lost momentum back up again.

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7.5
Avengers Vs. X-Men #11

Sep 12, 2012

In the end, the real importance of this death is going to be determined by how Marvel's writers deal with the fallout. I'm optimistic on that front. Unfortunately I'm somewhat less optimistic about the final issue of AvX. Jason Aaron has a tremendous amount of material to work through if the major beats of the event are going to reach a proper, satisfying conclusion.

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6.9
Avengers Vs. X-Men #12

Oct 3, 2012

Issue #12 drives the cover price up another dollar because of the extended page count. Unfortunately, this is one of those issues where the extra pages are devoted less to wrapping up the story itself and more towards laying the groundwork for other books. Much as Fear Itself #7 set up everything from Defenders to Fear Itself: The Fearless, Aaron's final pages build towards books like Uncanny Avengers and All-New X-Men. There's nothing wrong with this approach in theory, as long as the series is given a proper ending, but it does feel as though the emotional fallout of the event is being glossed over in favor of the "next big thing." Yes, there will be plenty of post-AvX tie-ins to explore that fallout. But that brings up the familiar complaint. Why are so many key emotional beats being relegated to tie-ins instead of unfolding in the main series? Will we ever have an event comic that offers a wholly complete and satisfying story in itself?

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8.5
Avengers vs. X-Men: Infinite #1

Apr 4, 2012

By itself, Avengers vs. X-Men: Infinite #1 is simply an enjoyable and lavishly illustrated story featuring the latest hero to call himself Nova. But it also marks the beginning of a promising new approach to digital comics. Frankly, I'd be much more keen to embrace digital fully if more books read as cleanly and elegantly as this.

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7
Avengers vs. X-Men: Infinite #6

Jun 20, 2012

If the art doesn't always do justice to the script and storyboarding, AvX: Infinite #6 nonetheless succeeds in building my excitement for this new digital format.

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8.5
Avengers World #1

Jan 8, 2014

Stefano Caselli's art is a nice way to round out the strong creative team on this series. Caselli is no stranger to pairing with the writers at this point, and his work helps further cement the bonds between this series and its two sisters. As always, his figure work pops off the page, and his art crackles with a manga-esque energy. We can only hope Caselli will be a regular player on the book, rather than the drifter he's been since leaving Secret Warriors.

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8.7
Avengers World #2

Jan 22, 2014

Between that quality and Stefano Caselli's gorgeously expressive artwork, this series is quickly shaping up to be a superior book to Avengers. So any fears that Avengers World might be a pointless, redundant, or unnecessary addition to Hickman's saga can be safely put to rest.

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9.2
Avengers World #3

Feb 19, 2014

The martial arts action in this issue is sublime, thanks in no small part to Stefano Caselli's dynamic visuals. This series only further proves that Caselli is the ideal artist to work with Gorgon and the Hand. But propping up the action is a terrific glimpse into Shang-Chi's mindset. The flashes to his ancestors and mentors as he steels himself for the big fight are effective in both fleshing out his character and further building tension. By the end, you'll be craving a martial arts-themed Avengers book from this creative team.

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7.9
Avengers World #5

May 1, 2014

Artistically, Avengers World remains the most satisfyingly consistent of Jonathan Hickman's Avengers crop. Issue #5 features more gorgeously vibrant and dynamic work from Stefano Caselli. But the series does begin to frustrate at times with the way it skips between conflicts.

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8.5
Avengers: Children's Crusade #1

Jul 8, 2010

When it comes down to it, the shipping schedule is the only valid reason for not snatching this issue off the shelf. Children's Crusade sees the original Young Avengers crew back in very fine form. I can understand why readers might be hesitant to follow the book from chapter to chapter for the next year-and-a-half. But assuming the quality stays this high, the eventual trade should be high on their to-buy list. As a Young Avengers fan, I've grown accustomed to waiting and being rewarded for it in the end.

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8
Avengers: Children's Crusade #6

Jun 29, 2011

While the conflict is slightly lacking in punch at this stage in the story, Heinberg and Cheung deliver plenty of material to keep readers salivating and waiting for the next issue.

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6.5
Avengers: Children's Crusade #7

Sep 21, 2011

At least Jim Cheung's art never fails to satisfy. Even with the presence of so many separate inkers on the book, Cheung's pages are always expertly crafted, highly detailed, and engaging to the eye. I very much look forward to the day when this series is collected as an oversized hardcover. Not only will the long waits no longer be an issue, but the visuals will be at their very best.

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6
Avengers: Children's Crusade #9

Mar 7, 2012

Luckily, Jim Cheung's artwork is surprisingly strong considering the rush to finish the series before Avengers vs. X-Men. The presence of two inkers occasionally works to dull his precise line-work, but for the most part his cinematic appeal and knack for fine details remains. Children's Crusade will at least go own in history as a visual showpiece. It's a shame it couldn't do a better job of elevating the Young Avengers and building on past Marvel events too.

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8.4
Avengers: The Initiative #9

Jan 30, 2008

Other than that, I see no reason not to give Avengers: The Initiative a big recommendation. Few series manage to blend the light and dark elements of the Marvel universe with such grace.

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6.7
Avengers: The Initiative #17

Sep 24, 2008

The Initiative had the chance to stand as one of the better Secret Invasion tie-ins. Instead, a glaring lack of focus and an unfortunate rotating casts of artists have bumped it to the other side of the spectrum. There's still room for a bit of redemption, but I'm not holding out hope this series will ever again be as entertaining as it was in its first year.

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7.6
Avengers: The Initiative Annual #1

Dec 5, 2007

Nothing about Avengers: The Initiative Annual #1 is poorly done in any way. It's just the overall execution that falls a little flat, and it leaves me to wonder if we really needed it in the first place. Assuming we see a follow-up next year, Slott would do well to focus on telling a single, fulfilling story rather than a handful of forgettable tales. After all, annuals fell out of favor for a very good reason.

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7.2
Avengers: The Initiative: Special #1

Nov 5, 2008

This issue certainly represents a step in the right direction for a book that has faltered in recent months. If nothing else, Gage proves he has the chops to continue on his own, and that's a good sign to this tired reader.

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7.3
Avengers: The Origin #1

Apr 7, 2010

Whether or not you choose to buy this issue comes down to one question: Are you willing to lay down $3.99 for a superior take on a comic that has been printed and reprinted ad nauseum? One thing I would have liked to see from this book is evidence that Casey has a larger plan in mind. Presumably he won't spend the entire mini-series adapting old Avengers comics and nothing more. I'd just like to see signs that he has the same structured plan in place he did for Earth's Mightiest Heroes. As fun a read as issue #1 is, I wont begrudge readers who pass this book over.

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6.5
Avengers: X-Sanction #1

Dec 14, 2011

Avengers: X-Sanction feels a bit bare bones at the moment despite only being a four-issue series. There aren't many surprises to be had either. Knowing the basic premise of the series and the fact that it leads into Avengers vs. X-Men, it's easy enough to connect the dots. However, the art is strong, and Loeb proves he still has a handle on Cable. The best thing that can happen now is for the book to downplay the fighting and focus more on the characters themselves.

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5.5
Avengers: X-Sanction #4

Mar 21, 2012

If it was big, dumb action you craved, X-Sanction delivers well enough. If it was teases and revelations for AvX, it offers a few morsels. But in the end, even a humble four issues seemed too long for the meager conflict. Trade-waiters may be better off skipping this book entirely and moving straight ahead to AvX #0 next week.

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7.3
AVX: Consequences #1

Oct 10, 2012

Tom Raney's pencils are a bit mixed in quality. The inks lend an unusually harsh edge to his line-work. It's an interesting shift, but one that only works in the more dramatic scenes. Raney's figures also have a tendency to appear tense and slightly distorted here. Oddly, the issue features Captain America in his Jerome Opena-designed costume, rather than the more traditional costume seen in Uncanny Avengers. I assume we'll be seeing a lot of that back-and-forth in the early weeks of Marvel NOW.

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7.8
AVX: Consequences #2

Oct 17, 2012

Hopefully this second issue is a sign of how Gillen will approach the remainder of Consequences, with each chapter narrowing its focus to one group of characters glimpsed in issue #1.

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7.2
AVX: Consequences #3

Oct 24, 2012

Scot Eaton handles the artwork this week. His style falls closely in line with issue #2 -- solidly rendered, but not particularly flashy or memorable. Like Tom Raney in issue #1, Eaton seems to struggle with Captain America's overly busy new costume. Thankfully, it's a new costume we probably won't be seeing after this book wraps.

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8.3
AVX: Consequences #4

Oct 31, 2012

Mark Brooks handles the art this week, making issue #4 the standout of the series as far as the visuals are concerned. Brooks brings an extra sense of refinement and detail to the characters. If Iron Man's role is superfluous, I could still spend hours staring at the sleek lines that make up his armor. Brook's facial work is also top notch, and he really delivers on some key panels involving Namor and Magneto. Uncanny fans definitely shouldn't be passing this book up.

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7
AVX: Consequences #5

Nov 7, 2012

Even so, Gillen delivers a strong finish to a surprisingly enjoyable and important mini-series. More than ever, I'm eager to see what the future holds for Cyclops and his dwindling band of allies as the Marvel NOW! status quo kicks in.

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6
AVX: VS #1

Apr 25, 2012

AvX: VS does exactly what it sets out to do. In some ways it's a more enjoyable read than AvX itself is so far. That said, there are far better and more ambitious books you can be spending your $3.99 on this week.

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6.5
AVX: VS #2

May 16, 2012

This series more or less delivers what it aims for. Still, it wouldn't hurt to see the writers strive to be more wacky and further embrace the brainless, bombastic nature of the book.

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7
AVX: VS #3

Jun 13, 2012

So once again, AvX: VS. delivers two enjoyable superhero fights that fill in some of the gaps of the main series. On the other hand, both stories are too simple and brief to fill out a $3.99 comic. Yost's segment at least strives for more dramatic depth, but it's still over and done with almost as soon as it begins. If meatier, more character-driven tales aren't in the cards with this book, then maybe what VS. needs is either more than two segments per issue or a lower cover price.

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6
AVX: VS #5

Aug 29, 2012

Ideally, AvX: VS should be able to offer a mix of effective character moments and big, dumb action. Unfortunately, this issue is an example of poorly handled character moments simply getting in the way of the action.

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8.8
Axe Cop: American Choppers #1

May 22, 2014

The stream-of-consciousness approach and hyper-violence are great, and the comic is genuinely funny, not just silly. The idea of a world called Captain Planet where all the captains of pop culture dwell is particularly inspired. Bring on more Axe Cop!

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7.9
Axe Cop: American Choppers #2

Jun 19, 2014

It's all typically hilarious Axe Cop fun. However, this issue does get a little wonky towards the end as the Nicolle brothers introduce and seemingly abandon a big plot twist.

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7.3
Axis: Carnage #1

Oct 29, 2014

German Peralta's art is solid, if not entirely suited to a character as visually dynamic and extreme as Carnage. Kasady is a looking a little plain here. But Peralta visualizes the new Sin Eater well, bringing a creepy vibe to his many scenes.

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8.4
Axis: Hobgoblin #1

Oct 22, 2014

Even if you're not a fan of AXIS, this issue is probably worth checking out on the strength of the visuals and its celebration of Spider-Man's goblin-themed enemies.

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8.8
Axis: Hobgoblin #2

Nov 13, 2014

The best thing that can be said about this AXIS tie-in is that it channels the same vibe as Superior Foes of Spider-Man. Kevin Shinick weaves a fun, goofy little tale about Roderick Kingsley trying to shift his franchising empire towards good and Phil Urich bristling at this perversion of Hobgoblin's bad name. The first issue's problems with exposition have been smoothed out, resulting in a more cohesive overall story.

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7.1
Axis: Revolutions #1

Oct 29, 2014

The second story reunites the X-men Legacy team of writer Simon Spurrier and artist Tan Eg Huat. This tale focuses on Doctor Strange, who unlike Spider-Man is very much afflicted by an excess of hate. This allows Spurrier to pour his trademark sense of snarky humor into Strange without it feeling out of character. The loopy premise also plays well into Huat's style, which sometimes struggles to mesh with the Marvel Universe. Strange's attempts to rectify the situation and avoid magically obliterating everyone he encounters makes for an entertaining read. It also makes you wonder if the character might not benefit from a harder, more caustic edge in general. Food for thought as Marvel begins spotlighting the character again.

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6.8
Azrael (2009) #4

Jan 20, 2010

Azrael continues to be a surprisingly satisfying read that is unfortunately held back by sub-par visuals. Despite my fears, Michael Lane is a better character following his transformation. Let's hope the gulf between Lane and his alter ego continues to narrow in future issues.

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7
Azrael (2009) #6

Mar 17, 2010

But if Nicieza is doing his job in building up both the book and its star, artist Ramon Bachs isn't. In theory Bachs should be suited for the series. He has a gritty style that ditches superhero tropes for something a little more grounded and believable. But his work is ultimately too flat and bland to really leave a lasting impression. Bachs' depiction of Lane as Azrael is often less impressive and imposing than it should be. Well, Lane's historical counterpart fares no better. I can't help but think the series could be more exciting and dynamic if only Bachs brought more vitality to the page. Given the heavy religious elements at play, I want the book to resemble nothing if not a bold Renaissance painting in motion. It doesn't help that Francesco Mattina's covers continue to ensure Azrael is the best-looking Batman book on the stands... until you open it. Azrael needs more visual style to go with the substance.

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7.8
Azrael: Death's Dark Knight #3

May 13, 2009

This issue makes no secret of the fact that Lane's story as Azrael is only beginning. It's unclear when or where we'll see him next, but I'm hoping the wait won't be too long. Azrael: Death's Dark Knight has proven to be a great pitch for a longer story, which is more than I could have hoped for from a mere tie-in project.

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8.4
B.P.R.D.: 1947 #1

Jul 8, 2009

And Ba and Moon certainly don't disappoint. The two are just similar enough in style that it can be difficult to distinguish between them at times. As best I can tell, Ba handled the first half of the issue, while Moon handled the second. The overall look is loose and kinetic compared to the normally dark and oppressive tone of many B.P.R.D. comics. Both artists tend to inject their comics with a unique sense of energy. All the same, there are certain B.P.R.D. trademarks to be seen in the art. Overall, Moon's later pages are the strongest. He manages to build tension both with his inventive panel structure and with the assistance of colorist Dave Stewart. The stark lighting and dense, eerie fog seen in the final pages are definite visual treats. I can't wait to see how the art fares once the crazier story elements begin to crawl out of the woodwork. Once again, this is a fairly slow start, but still a promising one for the latest B.P.R.D. tale.

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6.5
B.P.R.D.: Hell On Earth: New World #1

Aug 11, 2010

New World lacks a hook, and it reads a bit dull because of it. Isolated scenes work well, particularly those involving Abe Sapien. There just needs to be more consistency and a larger driving conflict. Paper pushing and office politics don't really cut it. Luckily, Guy Davis is still around to keep the characters looking good. His thin, laid back line-work is complemented surprisingly well by the rich colors of Dave Stewart. Hopefully the story can kick into gear with issue #2. After last week's issue of Hellboy: The Storm, my standards are pretty high concerning this franchise.

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7
B.P.R.D.: Hell On Earth: New World #2

Sep 9, 2010

Guy Davis' art helps keep the story moving, though it is a bit looser and scratchier than I'd like. Davis has done a better job in the past of adhering to the traditional Hellboy/B.P.R.D. style while allowing his own voice to shine through as well. "New World" isn't a terrible start for B.P.R.D.'s ongoing Hell on Earth direction, but it's taking too long for this series to establish itself and its larger purpose.

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8.1
Back to the Future #1

Oct 21, 2015

This new series may not be the full-fledged sequel some Back to the Future fans were hoping for, but it certainly does the trick as far as capturing the look and feel of the original trilogy and telling fun new stories set in that universe. The first story in particular shows how much potential there is in exploring the back-story of these characters and fleshing out the key relationships in the films.

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8
Back to the Future #2

Nov 12, 2015

Despite the fact that this mini-series focuses on shorter vignettes over a full-length story, it adds a surprising amount of depth to the characters and events of the original BttF trilogy.

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6.1
Back to the Future #3

Dec 10, 2015

This is the first chapter of IDW's Back to the Future tie-in that fails to add much to the series' larger mythology.

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4.8
Back to the Future: Biff to the Future #1

Jan 26, 2017

Alan Robinson succeeds in capturing the lighthearted vibe of the films, but that alone isn't enough to salvage what's shaping up to be a big missed opportunity.

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8.3
Backstagers #1

Aug 18, 2016

This is not a comic afraid to get silly or weird, and that's one of its greatest strengths.

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8.9
Baltimore: The Cult Of The Red King #1

May 7, 2015

The ending is a little abrupt, but this issue marks a promising start to this new adventure.

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6
Baltimore: The Plague Ships #1

Aug 4, 2010

Fortunately, the same chilling atmosphere common to most of Mignola's work is still present here. Scenes of vampire hunting should entertain, even if the characters themselves don't. Ben Stenbeck's art also helps matters. As with Witchfinder: In the Service of Angels, Stenbeck provides a very old-fashioned visual style that nonetheless evokes Mignola's own familiar style. For the most part, all this series accomplishes is to make me vaguely curious about the original novel. Perhaps that can be considered a success. Still, when held against the copious output of Mignola and his collaborators at Dark Horse, Baltimore falls somewhat short of the mark.

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8.3
Baltimore: Empty Graves #1

Apr 7, 2016

In general, Peter Bergting is a solid addition to the lineup of artists playing in the Mignola-verse sandbox, but his stark, eerie style really comes alive in this flashback to a harsh, demon-infested desert wasteland.

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5.2
Bane: Conquest #1

May 4, 2017

Perhaps it was too much to hope for more than one great Bane story out of DC this year. Bane: Conquest comes right on the heels of Tom King and David Finch's "I Am Bane" storyline, but it does little to build on that momentum.

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5.3
Bane: Conquest #2

Jun 8, 2017

The appeal of having Bane co-creators Chuck Dixon and Graham Nolan working with the character again was deflated after reading the first chapter of this new maxi-series. Issue #2 makes some solid improvements, but Conquest still isn't on the level of their previous Batman work.

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7.2
Bang! Tango #1

Feb 4, 2009

Bang! Tango is certainly interesting, but it also doesn't hook the reader immediately in the way Kelly's best work tends to do. I'll need at least another issue in the can before I'll feel comfortable in making a firmer judgment. For now, I'll just say that it was a fun first dance. Same time next month, eh?

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7.8
Bankshot #1

Jun 29, 2017

Together, De Campi and ChrisCross create a boisterous, explosive tale of modern war and espionage, one where the liens between good and evil are practically nonexistent. If the plot comes together, this could become a truly memorable addition to Dark Horse's lineup.

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7.3
Barb Wire (2015) #1

Jul 2, 2015

The main problem with this first issue is that none of the characters really stand out apart from Barb and her brother. Most are simply one-note caricatures.

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7.2
Bat Lash #1

Dec 12, 2007

At least the art leaves me with few complaints. Granted, it's far less flashy than what we've seen in books like Lone Ranger, but John Severin packs in a pleasing amount of detail into each panel. From a visual standpoint, Bat Lash fits in quite nicely with fellow DC cowpoke Jonah Hex. The story is somewhat less successful so far, but it shouldn't do anything to kill the latest cowboy craze sweeping the industry.

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6.6
Batgirl (2009) #3

Oct 14, 2009

This opening arc has been pretty weak, all things considered, but I see no reason why the book can't make significant strides in future arcs. As long as Miller can strike and maintain a proper dynamic between his leading ladies, the rest should eventually fall into place.

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5.8
Batgirl (2009) #7

Feb 10, 2010

With so little to recommend about this book, I won't blame Batgirl fans for giving up on the series. After seven issues I'm still not sold. And with a new Birds of Prey series set to return Barbara to her rightful status in the DCU, I have even less reason to stick around. Hopefully Miller has something big planned after the Red Robin crossover ends.

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5.1
Batgirl (2009) #8

Mar 10, 2010

Upon finishing Batgirl #8, readers are invited to move right along to Red Robin #10. I would strongly recommend against that. These two books have constantly struggled to remain relevant or even readable among the current crop of Bat titles. Bringing the two together is clearly doing nothing to aid either character.

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7.5
Batgirl (2011) #5

Jan 11, 2012

On the plus side, issue #5 addresses a number of lingering questions about the book, such as the source of Babs' "miracle" and the current state of the Gordon family tree. Simone also continues to succeed in painting her heroine with the right mix of renewed optimism and youthful uncertainty. The book isn't perfect, but it's certainly engaging.

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6.5
Batgirl (2011) #6

Feb 8, 2012

On the down side, Ardian Syaf's line-work continues to waver in quality, with some panels boasting significantly more detail and clarity than others. The pacing is also really off in this issue. The conflict reaches an early crescendo, dies down, and then picks back up again. The pages focused on the tension between Barbara and her mother read like wasted space, and it would be nice to see this plot point ether shoved aside or dealt with quickly.

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8.3
Batgirl (2011) #39

Feb 18, 2015

The overall effect on this personal and professional drama is to ramp up the tension in her life and set the stage for the big twist. This issue becomes progressively more engrossing as Babs gets closer to the truth behind the supposed "real Batgirl" plaguing her life. This issue proves that Babs Tarr's slick and expressive art style can handle emotional drama as easily as it can flamboyant superheroics and scenes of 20-somethings partying it up. And when the big twist hits, it's impossible not to be excited for this books future. It's tough to say how far the creative team are going with the revelation, but here's hoping they have something bold and dramatic in store for next month's installment.

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9
Batgirl (2011) #40

Mar 18, 2015

The new Batgirl team are able to give their first story arc the big finale it deserved. This issue offers an exciting, tense finale that pits Barbara Gordon against her own troubled past. This issue's biggest accomplishment is putting that past to rest and setting the stage for Barbara and her new friends to embrace a brighter, more unpredictable future.

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8.3
Batgirl (2011) #42

Jul 29, 2015

There's ample potential when it comes to exploring the new Gordon family dynamic, and so far this series is doing a great job. This issue is fun and lighthearted, but also uses the complicated history between Jim and Barbara to great effect. Livewire's role in the story is pretty generic, but this issue is less about the villain than the Batgirl/Batman team-up.

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8.7
Batgirl (2011) #43

Aug 27, 2015

This new issue of Batgirl manages to be a lot of fun even as it explores the increasingly hectic and dangerous landscape of Barbara's life. The diverse visuals and the increased emphasis on the supporting cast don't hurt either.

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8
Batgirl (2011) #44

Sep 24, 2015

Though this issue of Batgirl is marred by some some overly expository dialogue and weird pacing, the fundamental appeal of the series is as strong as ever. Stewart and Fletcher continue to put the supporting cast to great use, building a storyline that offers compelling drama, lighthearted fun and charming romance in equal measure. Even the absence of Babs Tarr this month does nothing to diminish the book.

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7.3
Batgirl (2011) #45

Oct 29, 2015

What should be the big selling point of this issue is actually the weakest element. As nice as it is to see Dick Grayson and Barbara Gordon reunited, this issue doesn't do much with the team-up or even justify Dick's presence in the first place. It falls on the stylish art and the emotional wedding scene to make up for that disappointing team-up, which they mostly do.

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8.4
Batgirl (2011) #46

Dec 17, 2015

Much like Harley Quinn in early 2015, Barbara Gordon is beginning to feel the pressure of juggling her personal, academic and superhero lives. The result is a fairly crowded new issue, as Cameron Stewart and Brenden Fletcher pile on new challenges from every corner. It's certainly an entertaining one, though.

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7
Batgirl (2011) #47

Jan 21, 2016

This chapter of Batgirl takes a predictable dip in quality thanks to the absence of Babs Tarr. The book still has its moments of visual excitement, though. And between the three-way superheroine team-up, the father/daughter bonding scene and the return of a character who deserves more attention, this new storyline is quickly heating up.

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7.4
Batgirl (2011) #48

Feb 3, 2016

The current Batgirl conflict is building momentum as Babs teams up with an old friend and gets to the heart of her recent memory problems. This issue often struggles to find its groove as it barrels through several big scenes, but it finally settles down in time to do justice to this team-up.

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8
Batgirl (2011) #51

Apr 28, 2016

This short epilogue arc isn't necessarily remarkable because of its villain (a minor footnote compared to the likes of Fugue, really), but rather in how it celebrates the ensemble cast the series has built up over the past couple years.

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8.2
Batgirl (2011) Annual #2

May 1, 2014

Art issues aside, this is a solid little comic that shows Simone doing what she does best in the DCU.

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7.7
Batgirl (2016) #1

Jul 28, 2016

So far, this series doesn't break any new ground in terms of storytelling, but it has plenty to offer Batgirl fans.

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7.8
Batgirl (2016) #4

Oct 27, 2016

The plot in this first arc has become a bit convoluted as Batgirl continues to bounce from one Asian city to the next. What began as a simple tale of Batgirl taking a vacation and getting in touch with her inner warrior has suddenly become an international romp involving wacky villains spawned by the horrors of cram school.

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7.3
Batgirl (2016) #12

Jun 29, 2017

It's a suitably low-key, lighthearted chapter of the series, poking fun at ghost hunting culture and highlighting Babs' rational scientist mindset as she struggles to find a rational explanation for the supernatural. The actual mystery angle falls a little flat, however.

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6.4
Batgirl (2016) Annual #1

Mar 30, 2017

This issue features the first team-up between Batgirl and Supergirl in current DC continuity, which is just one more reason why Rebirth needed to happen in the first place. Unfortunately, the main story doesn't do a whole lot with that dynamic.

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6.3
Batgirl and the Birds of Prey: Rebirth #1

Jul 21, 2016

There are various reasons why DC's New 52 Birds of Prey comic never really connected, but one of the biggest is that it never featured the core Birds of Prey trinity - Barbara Gordon, Dinah Lance and Helena Bertinelli. This new series at least rectifies that problem. Unfortunately, the decision to portray the trio as a squabbling, dysfunctional unit does nothing to recapture the old dynamic that's been missing.

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8.9
Batman #686

Feb 11, 2009

Daniel's Score 8.9

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8.6
Batman #689

Aug 12, 2009

In its first three issues, Winick's new Batman run has impressed me far more than I would have expected. It offers a nice counterpoint to the visually stunning but sometimes light-on-content Batman & Robin. As a Bat fan, it's hard to imagine being more satisfied at the moment. Let's hope Batgirl doesn't go and ruin everyone's high spirits next week.

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6.6
Batman #699

May 12, 2010

Overly brief and cluttered, this arc nonetheless proves Daniel is a natural fit for the series. I look forward to his return later this summer and whatever changes that might bring.

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8
Batman #700

Jun 9, 2010

Issue #700 doesn't seem to have a great deal of relevance to the greater picture. I went in expecting connections to The Return of Bruce Wayne. Though Professor Nichols' time travel device is suspiciously similar to Darkseid's Omega Effect, I was hard-pressed to find anything of real merit. Bearing that in mind, Bat fans should check out this book not as a vital piece of the puzzle, but more as a lighthearted celebration of Batman's long and storied career. Issue #700 allows Morrison to jam with some top-notch artists and cover a great deal of territory in a relatively small space. It's not his best Batman work, but still highly entertaining.

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7.5
Batman #704

Nov 17, 2010

Daniel continues to impress more and more with his artistic abilities. Whatever storytelling flaws the artist suffered from in his earlier Batman work have largely been ironed out by now. Thankfully, the slightly more exaggerated style Daniel exhibited in his recent collaboration with Morrison has been toned down again. This issue is a showcase for Daniel's character designs, some of which are more successful than others (again, Catgirl is particularly offensive). If Daniel's work has a flaw right now, it's that he tends to be a little overly aggressive in his inking. His figures don't always need as many lines as they exhibit, and in one particularly odd panel a character appears to have spontaneously donned a mask based on the amount of unnatural shading at work. But again, the art in this series is fundamentally sound with just a few quirks weighing it down. The same goes for the book as a whole. This new arc is off to a chaotic start, but an enjoyable one nonetheless.

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7
Batman #705

Dec 31, 1969

Daniel's art is mostly pleasing as well. His style is a bit more restrained and realistic than his recent collaborations with Morrison. I would like to see Daniel adjust his inking style a bit, with less feathery lines and more substantial blacks. Though not without its quirks, Daniel's Batman is proving it has the quality to stand up to the other high profile books in the Batman line these days.

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8.2
Batman '66 #27

Sep 24, 2015

This issue offers a new take on Bane, one that gives the fearsome villain a campy, luchador-inspired makeover. It works surprisingly well, especially with all the nods to previous Bane stories (the cameos by Bird, Trogg and Zombie are an especially neat touch).

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9.2
Batman '66 #30

Dec 17, 2015

One of DC's longest-running digital-first comics comes to a close with this issue. It's a fitting finale, especially for a franchise that's never been big on continuity or long-form storytelling.

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8.2
Batman '66 Meets Steed and Mrs. Peel #1

Jul 6, 2016

The world never got the Batman '66/Avengers TV crossover it so richly deserved, but at least DC can make up for that omission in comic book form. Even at this early stage, it's clear this new team-up series is combining the best of both franchises for a fun, retro-flavored crossover that any Bat-fan can enjoy.

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8
Batman '66 Meets The Man From U.N.C.L.E. #1

Dec 23, 2015

Sadly, Batman and Robin don''t actually cross paths with Agents Solo and Kuryakin in this first issue. Writer Jeff Parker focuses instead on separate but parallel adventures as each Dynamic Duo battles fiendish villains and narrowly escapes death. The mash-up works very well, and Parker achieves a happy medium between spy drama and campy superhero charm.

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8.3
Batman '66 Meets Wonder Woman '77 #1

Jan 25, 2017

Batman '66 and Wonder Woman '77 are two great tastes that go great together. While this first issue is a bit slow, it quickly proves that writers Jeff Parker and Marc Andreyko are intent on making the most of this team-up rather than simply going through the usual crossover motions. Already the series is making a strong case for the need for an ongoing Batman '66/Wonder Woman '77 comic.

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7.4
Batman '66 Meets Wonder Woman '77 #2

Feb 23, 2017

In general, the series continues to combine both franchises into one cohesive whole, one that retains Batman '66's campy charm with a slightly more serious undertone.

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6.5
Batman '66: The Lost Episode #1

Nov 20, 2014

This story is well worth a read for Batman '66 fans as a glimpse of how Two-Face might have fared on the show had things worked out differently. Unfortunately, the $9.99 price tag is a tough pill to swallow. Less than half of the issue is even devoted to the story itself. DC padded out the issue by reprinting every one of Garcia-Lopez's pages in raw pencil form, and then reprinting Ellison's story treatment in its entirety. Both sections will be of interest to some readers, but I'm sure most would rather just pay a far more reasonable $4 or $5 for the main event alone.

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7.6
Batman (2011) #23.3

Sep 18, 2013

The artwork in this issue is nothing remarkable, with fairly bland page layouts and characters (apart from Penguin himself) that tend to look very similar and interchangeable. The storytelling is competent enough, but this bird might have soared a little higher if the visuals were able to exploit the full depravity of Penguin's world.

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8
Batman (2011) #34

Aug 13, 2014

It's easy to be disappointed at the prospect of a Batman issue without Scott Snyder and Greg Capullo at the helm. And while this issue doesn't always read like the Batman we know, it doesn't come across as a pointless filler issue either. Between the unique new villain and Scalera's gorgeous imagery, this is still a worthwhile addition to Snyder's overarching saga.

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8.8
Batman (2011) #40

Apr 29, 2015

Batman #40 is a satisfying conclusion to Snyder and Capullo's second Joker epic. While the early scenes focused on Batman's other villains and sidekicks are under-cooked, the bulk of the issue and its focus on the Batman/Joker rivalry is an enthralling read. The creators paint an unsettling, bloody and very dramatic picture of two old enemies locked in one last, desperate battle for the fate of Gotham. And the best part is that this issue, rather than merely acting as a finale to one story, only opens the door for new conflicts to come.

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8.5
Batman (2011) #42

Jul 8, 2015

After such a big, loud, epic conflict involving the Joker, this series really needed a chance to slow down and take in the changing landscape of Gotham City. That's exactly what "Superheavy" is accomplishing right now. Snyder and Capullo are doing a great job of exploring what makes Gordon a different breed of Batman, but also why he's the only one that could have been the new Batman in the first place. Now if only the limited Bruce Wayne material were so successful.

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7.8
Batman (2011) #43

Aug 12, 2015

This issue of Batman doesn't come together as cohesively as most, nor does it place the spotlight on Gordon as much as he deserves. However, there's plenty of good material on tap in issue #43. Capullo's work is as strong as ever, and Snyder's refined dialogue results in a number of standout scenes and moments for heroes and villains alike.

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9.6
Batman (2011) #44

Sep 10, 2015

Though this may be an interlude issue, it's not a filler chapter by and stretch. Batman #44 features two talented Batman writers working in sync alongside a very stylish artist, resulting in a very cohesive collaboration. This issue is less about the murder mystery or the origins of Mr. Bloom and more about challenging Batman's world view and place in his own city. In other words, it's a perfect companion to Snyder's ongoing storyline.

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8.7
Batman (2011) #45

Oct 15, 2015

This latest issue puts Jim Gordon back in the spotlight, and the results are very enjoyable. Between last month's flashback issue and now this chapter, the tone and direction of Superheavy is beginning to solidify. It makes for a very different type of Batman comic, and certainly an exciting one to read.

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8.3
Batman (2011) #46

Nov 12, 2015

The Superheavy storyline continues to move into interesting and unexpected places as Mr. Bloom makes his presence known across Gotham. This issue has its problems, but it offers a great showcase for the three core players in this storyline and the promise of more surprises and drama to come.

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9.1
Batman (2011) #47

Dec 10, 2015

"Superheavy" is only getting better as it heads towards its climax. This issue deftly juggles all three lead characters while building up the menace of Mr. Bloom and throwing out some unexpected curve balls for good measure. The last page alone is going to make the wait for issue #48 very painful indeed.

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9.1
Batman (2011) #48

Jan 20, 2016

"Superheavy" seems to keep getting better as it goes along. This new issue delivers thrills and character drama in equal measure. Capullo's art shines regardless of subject matter, and Snyder again shows a firm handle on the rivalry between Batman and Joker. Best of all, this issue strongly suggests that life won't simply return to normal in Gotham once this storyline is finished.

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8.7
Batman (2011) #49

Feb 10, 2016

Batman #49 is far from being a mere stopgap before the big finale to Superheavy next month. This issue offers a compelling look at Bruce Wayne's return to being Batman and whether the immortality of the Dark Knight is a blessing or a curse. It's a very different comic from the ones that preceded it in both look and feel, and that's part of why this issue is such a great read.

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9.6
Batman (2011) #50

Mar 23, 2016

Assuming Batman #51 doesn't turn out to be a disaster of epic proportions, it's safe to say that Snyder and Capullo stuck the landing on their years-long Batman run. This issue is a fitting end-cap not just to "Superheavy," but all 50 issues of the series. It's gorgeously rendered and emotionally stirring, reminding us that a fictional character like Batman can shape and influence the world in very real ways.

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9.4
Batman (2011) #51

Apr 27, 2016

It would be silly to expect anything less than greatness from the final chapter of Scott Snyder and Greg Capullo's Batman saga. This issue ties up all remaining loose ends while creating a fitting sense of symmetry with the beginning of the run. It sports more terrific art from Capullo, Miki and Plascencia and offers a powerful meditation on the impact Batman has had on his city. What more could readers ask for?

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8.3
Batman (2011) #52

May 11, 2016

Batman #52 is a perfectly enjoyable series finale, albeit one that doesn't really measure up to issue #51 when it comes to bidding farewell to the Dark Knight. Taken on its own merits, though, this issue provides a heartwarming look at the bond between Bruce and Alfred and showcases Riley Rossmo's considerable storytelling talents.

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6.1
Batman (2011) Annual #2

Jul 31, 2013

Wes Craig proves to be a decent fit for this issue in terms of providing a clean, stark style that somewhat recalls Greg Capullo's distinctive work. Unfortunately, with so many inkers at play in these pages, certain sequences are far more detailed and refined than others.

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8.2
Batman (2011) Annual #3

Dec 24, 2014

Artist Roge Antonio brings the right touch to this issue - slightly understated but still very shadowy and unsettling. He depicts Gotham as it is for the average man on the ground, while still casting Joker as a larger-than-life figure who seems to be operating on a different plane than everyone else.

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7
Batman (2011) Annual #4

Sep 30, 2015

Batman Annual #4 has some compelling elements as it ties into the larger Superheavy conflict. It taps into the potential of Bruce Wayne's amnesic state in a way the main Batman comic couldn't. Unfortunately, this issue loses steam once the focus shifts to a battle between Bruce and his old rogues gallery.

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8
Batman (2016) #1

Jun 15, 2016

Batman #1 offers an attractive, enjoyable but mostly straightforward beginning for the new series.

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8.3
Batman (2016) #2

Jul 6, 2016

The new Batman series may not be offering the story readers were expecting, but that's hardly a bad thing. Tom King and David Finch are showing a knack for blending familiar Batman tropes with new conflicts and challenges. With a little more character growth for Gotham and Gotham Girl, this story arc could develop into something truly memorable.

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8.2
Batman (2016) #3

Jul 20, 2016

The latest issue of Batman suffers from a slight sense of decompression, but there's still some food for thought as King sheds new light on the background and motivations of Gotham and Gotham Girl. Couple that with top-notch art from Finch and Bellaire, and this relaunched series remains on solid footing.

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8.4
Batman (2016) #4

Aug 3, 2016

As bizarre as it is to see this story arc suddenly skip forward several beats, that increased sense of momentum definitely helps the series. Tom King's voice becomes more pronounced as he explores the losing battle Gotham and Gotham Girl are fighting to remain uncorrupted by their city. And in a time when few Rebirth titles are maintaining consistent art teams, this series is on;y looking better after two months.

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8.7
Batman (2016) #5

Aug 17, 2016

The first arc of Batman wraps up on a high note as Tom King and David Finch chronicle the violent clash between the Dark Knight and the fallen hero known as Gotham. This issue looks great, and it also delivers an effective blend of humorous moments and darker drama. If you weren't sold on the new series and its status quo before, this issue might just change your mind.

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8.8
Batman (2016) #6

Sep 7, 2016

Who would have thought a standalone epilogue issue like this would turn out to be the best issue of the new Batman to date? Batman #6 offers some much-needed character development for Gotham Girl, offering a very effective blend of heartfelt emotion and goofy humor along the way. And who better to channel that emotion that Ivan Reis? This issue serves as a great cap to the series' first story arc and sets a high standard for new stories to come.

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7.6
Batman (2016) #7

Sep 21, 2016

If you've ever wanted to see Batman and his partners battle a pack of rampaging kaiju in Gotham City, then "Night of the Monster men" is right up your alley. The first chapter succeeds on the strength of its memorable creature designs, surreal artwork and a generally entertaining script. However, this isn't shaping up to be the deepest Batman story you've ever read, and fiscally conservative readers might prefer to take a break until the series' next major storyline begins.

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8.8
Batman (2016) #9

Oct 19, 2016

This new series got off to a solid start, but "I Am Suicide" seems poised to push Batman to a new level. The creative fusion between tom King and Mikel Janin is a joy to behold. This issue delivers plenty of surreal, moody imagery and strong characterization. Bane fans especially will want to keep this arc on their radar.

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6.7
Batman (2016) #10

Nov 2, 2016

It's disappointing to see this series follow up one of its best issues with its worst. The bizarre depiction of Batman in this issue dragged down what could have been a great reunion between the dark Knight and Bane. Still, the issue looks great (weird prison chamber scene aside), and there's no reason to believe things won't pick up again in issue #11.

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8.7
Batman (2016) #11

Nov 16, 2016

Tom King and Mikel Janin's latest Batman arc bounces back after a disappointing issue. Batman #11 delivers plenty of great Batman/Catwoman material while also fleshing out the rest of Batman's new team. And Janin's art never fails to impress, whether the focus is one mind-bending page design or more subtle forms of storytelling.

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9.7
Batman (2016) #12

Dec 7, 2016

This arc hasn't been especially consistent in quality, but it's clear that Tom King's Batman work is never stronger than when he's paired with Mikel Janin. This issue marks a new high point for the series, blending violent, brilliantly choreographed action scenes with a deep, disturbing look at the man underneath Batman's cowl.

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7.8
Batman (2016) #13

Dec 21, 2016

It's not easy following up one of the best Batman comics in recent memory, so it's not surprising that Batman #13 isn't on the same level as issue #12. This "I Am Suicide" finale features a great take on the Batman/Bane rivalry, but also some predictable plot twists and relatively underwhelming visuals.

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9.5
Batman (2016) #14

Jan 4, 2017

This issue proves two things - that the Batman/Catwoman romance is one of the most powerful relationships in the DCU, and that King and Gerads absolutely need to be doing a Catwoman book together. How they're supposed to manage that feat and also keep Sheriff of Babylon going is a mystery, but hopefully we'll see much more of this creative pairing in DC Rebirth.

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9
Batman (2016) #15

Jan 18, 2017

Just because two people love each other very much doesn't mean they're meant to be together. That's the hard lesson as Tom King and Mitch Gerads wrap up their gorgeous, moody look at the romance between the Bat and the Cat. Gerads' chameleon-like ability to switch between his own distinctive style and those of other iconic Batman artists is stunning, and together he and King are able to close the door on this chapter of the Batman/Catwoman saga.

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7.7
Batman (2016) #16

Feb 1, 2017

No two of Tom King's Batman storylines feel the same, and that's one of this book's strongest qualities. This issue doesn't entirely play to artist David Finch's strengths, but it does offer a solid blend of Bat-meta humor and foreboding build-up to what promises to be a titanic clash between Batman and Bane.

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8.8
Batman (2016) #17

Feb 15, 2017

"I Am Bane" is quickly shaping up to be one of the best stories to feature the titular villain. The "less is more" approach pays off handsomely when it comes to both Bane himself and Tom King's exploration of the Batman/Superman friendship. This issue is dramatic, suspenseful, and full of gorgeously detailed artwork. What more could a Bat-fan ask for?

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8.6
Batman (2016) #18

Mar 1, 2017

This series has taken its sweet time building up to the battle royale between Batman and Bane, and now that it's arrived, this issue doesn't disappoint. David Finch and Jordie Bellaire bring that fight to life in glorious, vivid detail, while Tom King's script eloquently points out the many ways in which Batman and bane have been linked since childhood.

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8.7
Batman (2016) #19

Mar 15, 2017

"I Am Bane" doesn't give the impression that it really needs five issues to be told. But that slow, methodical pace serves its own uses. This issue allows Tom King and David Finch to get into Bane's head in a more subtle way, exploring the tragedy of his return even as the villain mops the floor with every enemy Batman can throw at him. This issue looks and feels as unique as any of the others that have preceded it.

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9
Batman (2016) #20

Apr 5, 2017

"I Am Bane" has been a worthy addition to Tom King's Batman saga, and it wraps up in strong form in Batman #20. It delivers a visually spectacular finish, one that thrives as much on Jordie Bellaire's mood-enhancing colors as David Finch's ultra-detailed pencils. It also reinforces the central themes of King's work, reminding readers once again that the Dark Knight might be mortal, but he can never be conquered.

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8.2
Batman (2016) #21

Apr 19, 2017

Batman #21 is a very slow-paced, methodical start to this crossover, which is a little frustrating considering that writers Tom king and Joshua Williamson only have four issues with which to work. Still, this is a gorgeous start to "The Button," and one that perfectly establishes the mood, even if it doesn't seem overly concerned with plot.

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9.1
Batman (2016) #22

May 3, 2017

"The Button" may be playing things conservatively when it comes to providing answers to ongoing DC mysteries, but it's certainly managing to tell a great story. The third chapter is easily the best yet, as Batman and Flash's journey takes an emotional turn and Joshua Williamson and Jason Fabok manage to channel much of what made DC Universe Rebirth #1 such a powerful read last year.

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9.4
Batman (2016) #23

May 17, 2017

With Batman #23, Tom King and Mitch Gerads further cement their status as one of the greatest creative teams currently working in comics. This issue offers a captivating blend of moody horror and zany humor, while the creators make the most of the surprisingly resonant bond between Bruce Wayne and Alec Holland. Its's enough to make you wonder why DC has kept Swamp Thing out of the spotlight for the past year.

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9.2
Batman (2016) #24

Jun 7, 2017

Batman #24 is a terrific way to cap off Tom King's first year's worth of Batman stories. This moody, introspective issue manages to both flesh out Gotham Girl and illuminate Batman's complicated psychological state in the wake of storylines like "Rooftops" and "The Button." This issue also makes the most of both artists, with the visuals anchored by the haunting colors of Jordie Bellaire.

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8.8
Batman (2016) #25

Jun 21, 2017

Tom King and Mikel Janin's new Batman epic is off to a fine start. This issue manages to set the stage for an epic conflict in Gotham City without losing the momentum by flashing back to the past. King's take on the two lead villains is fascinating, and the series never looks better than when Janin is by his side.

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8.8
Batman (2016) #26

Jul 5, 2017

"The War of Jokes and Riddles" is shaping up to be another classic Batman tale for King and Janin. This issue doesn't do much to push forward the present-day portion of the conflict, but it does built a growing sense of unease and showcase both Joker and Riddler at their best. And Janin's gorgeous art is yet another reminder that he and King make an excellent team.

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8.3
Batman (2016) #27

Jul 19, 2017

Batman #27 doesn't do much to add greater momentum to "The War of Jokes and Riddles," but ti does serve to greatly enrich a character who, until now, was treated merely as a recurring joke in the series. This issue chronicles the tragic rise of Kite-Man and further cements the idea that the war itself is less important than the terrible toll it's taking on Gotham's citizens.

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8.3
Batman (2016) #28

Aug 2, 2017

Despite an unsatisfying ending, this issue offers a compelling portrait of a city ravaged by war. Tom King and Mikel Janin prove once again what an effective team they are as they craft a comic dominated by symmetrical storytelling and moody, haunting visuals. This series is usually at its best when these two are working together.

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8.5
Batman (2016) #29

Aug 16, 2017

Not many creative teams could pull off a comic about Bruce Wayne sharing a fancy meal with Joker and Riddler, but Tom King and Mikel Janin aren't just any team. This issue serves as a tense, tightly rendered and slightly surreal addition to "The War of Jokes and Riddles." Despite another abrupt, underwhelming ending, this issue is another winner for the creators.

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9.2
Batman (2016) #30

Sep 6, 2017

Batman #30 marks another high point for the current Batman storyline. On one hand, it lends further depth and pathos to Kite Man, exploring just how much this outwardly goofy is motivated by tragedy and loneliness. On another, it changes Batman's role in this conflict in a major way and makes the Dark Knight a source of mystery and uncertainty. And with top-notch visuals from Clay Mann, Seth Mann and Jordie Bellaire, this issue truly fires on all cylinders.

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7.8
Batman (2016) #31

Sep 20, 2017

In terms of story, this is easily one of the more satisfying installments of "The War of Jokes and Riddles" yet. It captures the zaniness of Batman's temporary supervillain alliance, yet never loses sight of the true darkness fueling this conflict. Unfortunately, the bright, sunlit setting brings about some visual problems. Mikel Janin's work simply doesn't have the same impact when exploring the sunnier side of Gotham.

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8.2
Batman (2016) #32

Oct 4, 2017

While one of the big moments in this issue suffers from awkward build-up, otherwise Batman #32 serves as a satisfying conclusion to this lengthy story arc. It's dramatic and emotionally charged, yet also marked by moments of campy humor. And the twists in this issue promise to have a significant impact on the series moving forward. What more can readers ask for?

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8.7
Batman (2016) #33

Oct 18, 2017

One of the great things about this series is the way it always feels fresh and different with each new story arc. The return to the present, the increased emphasis on the Batman/Catwoman romance and the series debut of Jordie Bellaire all contribute to an exciting and unpredictable new storyline. As much as this series is highlighting the bond between the bat and the Cat, it also reminds us that marriage might not actually be in their best interests.

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6.3
Batman (2016) #34

Nov 1, 2017

Batman is normally one of DC's consistently best books, so it's a little strange to see the series take such a hit in the middle of this new story arc. Issue #34 reads very much like a transitional chapter, one that pads out a handful of key character moments with repetitive dialogue and fight scenes. The most we can hope is that issue #35 will redeem this troubled storyline.

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5.8
Batman (2016) #35

Nov 15, 2017

Even great comic book runs hit a few bumps in the road, and Tom King's Batman was probably overdue for a misfire. This issue does some solid work exploring and fleshing out the current Batman/Catwoman dynamic, but there's a general lack of closure to "Rules of Engagement." Even at a mere three issues, this story seems longer than it needed to be. Hopefully the next storyline can put this usually dependable series back on track.

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9.5
Batman (2016) #36

Dec 6, 2017

The only thing better than reading a terrific Batman comic from writer Tom King is getting one two weeks in a row. This new story arc looks to be making the most of Batman's surprise engagement, welcoming a stellar art team back into the fold and doing a fantastic job of fleshing out the complicated friendship between Batman and Superman.

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9.4
Batman (2016) #37

Dec 20, 2017

This series truly offers an embarrassment of riches. Issue #37 caps off a short but enthralling celebration of the Batman/Superman friendship, one that inspires both laughter and love for these enduring icons. The only reason this issue doesn't qualify as the series' best to date is that it's had such stiff competition over the past few weeks.

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8
Batman (2016) #38

Jan 3, 2018

Batman #38 is a perfectly solid and entertaining comic, just not one that meets the same high standard as the previous few chapters of the series. This issue struggles to establish its new villain as a worthy addition to Batman's rogues gallery, but at least it manages to offer a well-rendered, carefully constructed detective story. There are far worse ways to spend $3.

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6.5
Batman (2016) #39

Jan 17, 2018

It doesn't appear that this Batman/Wonder Woman team-up storyline will reach the same heights as the recent Batman/Superman pairing. The art is great, with Joelle Jones painting a vivid portrait of two heroes united in an eternal battle. Unfortunately, the characterization isn't as deep or compelling. Worse, King makes a very misguided choice when it comes to Diana's role in this story.

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6.8
Batman (2016) #40

Feb 7, 2018

Ultimately, the latter half of "Superfriends" proves unable to do for Batman and Wonder Woman what the first half did for Batman and Superman. There's too much wasted potential, and this issue still suffers from poor choices made in Batman #39. Both the Catwoman scenes and the generally gorgeous art help offset those problems to some extent, but not enough to redeem the story in the end.

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8.5
Batman (2016) #41

Feb 21, 2018

After a rough couple issues, Batman is back on track thanks to a new story arc and the return of the always dependable Mikel Janin. This issue may annoy readers hoping for more consistency in how Poison Ivy is portrayed in the DCU. But on its won terms, this issue paints a vivid portrait of a villain dominating an entire planet and a Dynamic Duo rendered helpless in her wake.

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8.4
Batman (2016) #42

Mar 7, 2018

Batman #42 emphasizes both comedy and tragedy and manages to succeed at both.

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8.7
Batman (2016) #44

Apr 4, 2018

At first glance, Batman #44 comes across as a pleasant but fairly unremarkable addition to the series, one that arranges a few pieces leading up to the big wedding. It's only by rereading this issue and directly comparing it to the classic Batman stories it references that it becomes clear how King, Janin and Jones are commenting on the evolution of these characters and superhero comics in general.

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6.6
Batman (2016) #45

Apr 18, 2018

This series has developed a pretty spotty track record when it comes to spotlighting Batman's fellow Justice League members. The altered setting in this issue is great, offering a dark, dystopian look at a Gotham City without its traditional Batman. Unfortunately, it's depiction of Booster Gold as an unfeeling sociopath is hard to stomach. Hopefully there's a deeper plan at work here.

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8.3
Batman (2016) #48

Jun 6, 2018

Batman #48 makes up for lost time as Joker finally takes the spotlight.

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9
Batman (2016) #49

Jun 20, 2018

Batman #49 downplays the Dark Knight in favor of a harrowing reunion between Catwoman and Joker.

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9.1
Batman (2016) #50

Jul 4, 2018

Batman #50 may underwhelm new readers, but it serves as a strong culmination of many ongoing storylines.

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8.5
Batman (2016) #51

Jul 18, 2018

Batman #51 delivers a moody, visually striking follow-up to the recent wedding storyline.

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8.7
Batman (2016) #52

Aug 1, 2018

Batman #52 is a visually stunning and methodically executed look at the troubled psyche of Bruce Wayne.

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9.5
Batman (2016) #53

Aug 15, 2018

Batman #53 is one of the best chapters of a series already full of winners.

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8.2
Batman (2016) #54

Sep 5, 2019

While not the best standalone issue the series has seen, Batman #54 is a satisfying celebration of fathers and sons.

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8.5
Batman (2016) #55

Sep 19, 2018

Batman #55 offers a winning blend of light and dark elements, though the jury is still out on the cliffhanger.

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7.3
Batman (2016) #56

Oct 3, 2018

Batman #56 is a gripping read, but one that ignores a crucial part of the current storyline.

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6.2
Batman (2016) #57

Oct 17, 2018

Batman #57 delivers a disappointing and needlessly bleak conclusion to the Dark Knight's clash with KGBeast.

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8.7
Batman (2016) #58

Nov 7, 2018

Batman #58 is a visually stunning comic that also adds new layers to the Penguin.

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8.8
Batman (2016) #59

Nov 21, 2018

Batman #59 is every bit as rock-solid a comic as one would expect from the Tom King/Mikel Janin pairing. It's expertly rendered, with art and coloring both helping the ease the many transitions between past and present. It casts Penguin in an unusually sympathetic light. And best of all, this issue explores why darkness and violence aren't always the answer for Batman. If he's going to dig himself out of this hole, he has to find a better way to beat Bane.

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8.5
Batman (2016) #60

Dec 5, 2018

Batman #60 continues the series' strong track record with a compelling look at both Batman and Penguin.

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5.6
Batman (2016) #61

Dec 19, 2018

After a mostly strong showing in 2018, Batman hits a major stumbling point in issue #61.

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8.5
Batman (2016) #62

Jan 9, 2019

The surreal, deranged Batman #62 is a major step up from its underwhelming predecessor.

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8.1
Batman (2016) #63

Jan 23, 2019

Despite its underwhelming use of John Constantine, Batman #63 is a satisfying addition to the series.

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7.2
Batman (2016) #64

Feb 6, 2019

Batman #64 kicks off an awkwardly timed but still engaging crossover with The Flash.

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8
Batman (2016) #65

Feb 20, 2019

Batman #65 is a lackluster event tie-in but a strong showcase for Batman and Flash's partnership.

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9.4
Batman (2016) #66

Mar 6, 2019

Batman #66 is a haunting look at Batman's unraveling mind and one of the best chapters of the series yet.

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5.2
Batman (2016) #67

Mar 20, 2019

Batman #67 features characteristically strong artwork but a very barren and unsatisfying story.

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8.2
Batman (2016) #68

Apr 10, 2019

Batman #68 offers a welcome dose of humor even as it explores the depths of Bruce Wayne's psyche.

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9.2
Batman (2016) #69

Apr 17, 2019

Batman #69 delivers a strong, beautifully rendered ending to an overly drawn-out story arc.

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8.3
Batman (2016) #70

May 1, 2019

Batman #70 still doesn't give the series the forward push it needs, but it has other strengths to offer.

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9
Batman (2016) #71

May 15, 2019

Batman #71 ramps up the drama as even the reader is forced to question whether Batman can triumph against Bane.

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8.5
Batman (2016) #72

Jun 5, 2019

Batman #72 delivers plenty of critical answers while still telling a gripping story of revenge and betrayal.

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5
Batman (2016) #73

Jun 19, 2019

Batman #73 could almost be dismissed as an unnecessary addition to the series if not for a pair of important revelations about Thomas Wayne's motivations and larger role in the series. Even so, it's hard not to be frustrated by the repetition and general lack of momentum in this chapter. As good as this series often is, Batman is far too prone to dragging its heels as the buildup toward "City of Bane" slowly continues.

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8.6
Batman (2016) #74

Jul 10, 2019

Batman #74 puts the series back on track as it wraps up Batman's father/son reunion.

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7.3
Batman (2016) #75

Jul 17, 2019

Batman #75 offers a glimpse of a city in turmoil, but the scope of this issue is too small.

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6.1
Batman (2016) #76

Aug 7, 2019

Batman #76 is an underwhelming addition to a normally great series, as "City of Bane" fails to live up to its promise.

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8.1
Batman (2016) #77

Aug 21, 2019

"City of Bane" finally builds steam in Batman #77, thanks to the assistance of Batman's bratty son Damian.

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8.8
Batman (2016) #78

Sep 11, 2019

Batman #78 is a welcome return to form for the series, as the Bat and the Cat take center stage.

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9.2
Batman (2016) #79

Sep 18, 2019

Batman #79 finds beauty and pathos in Batman and Catwoman's enduring romance.

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5.6
Batman (2016) #81

Nov 30, -0001

DC's flagship Batman series continues to struggle even as it builds to a major finale.

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7.4
Batman (2016) #82

Nov 6, 2019

Batman #82 finally gives readers the showdown they've been waiting for, but it's forced to cover too much ground.

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8.6
Batman (2016) #83

Nov 20, 2019

Batman #83 delivers a touching tribute to an iconic DC hero, even as it justifies the need to kill them off.

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8
Batman (2016) #84

Dec 4, 2019

Batman #84 provides some much-needed answers and a novel approach to depicting the life of Thomas Wayne.

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8.6
Batman (2016) #85

Dec 19, 2019

Batman #85 isn't a perfect finale issue, but it hits all the right emotional notes.

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8
Batman (2016) #86

Jan 9, 2020

While darker than expected, Batman #86 serves as a bold and fast-paced start to the next phase of Bruce Wayne's life.

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8
Batman (2016) Annual #1

Nov 30, 2016

As with most anthology issues, the stories included in Batman Annual #1 are fairly uneven in quality. But there's plenty of enjoyment to be had as Batman and friends celebrate the winter season. And with everyone from Tom King to Scott Snyder to Neal Adams pitching in, it's hard to go wrong with this creative lineup.

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9.1
Batman (2016) Annual #2

Nov 29, 2017

Some of the best chapters of Tom King's Batman run have dealt with the Batman/Catwoman romance, and this issue continues that trend. It's often a very funny read, but one always anchored by the sad, desperate longing these two character share with one another. This issue also happens to be one of the prettiest additions to King's run, which is no small feat at this point. If you enjoy this particular superhero pairing, this issue is not to be missed.

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9.6
Batman (2016) Annual #4

Oct 30, 2019

With a humorous yet heartfelt adventure, Batman Annual #4 is easily one of the best DC Comics releases of 2019.

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8.8
Batman / Superman (2013) #1

Jun 26, 2013

Unfortunately, DC failed to advertise the fact that Lee doesn't handle every page in this issue. Ben Oliver steps in to render the final act of the story. While the visual shift makes sense in terms of how the plot makes a sudden swerve, there's no denying that Lee and Oliver have vastly different styles that don't mesh well at all. Oliver's work is strong and carries a hazy, dream-like quality that suits the story well, but it can't really hold up to Lee's work. Hopefully Oliver's presence was motivated by the fact that this first issue is longer than normal, and we won't be seeing fill-in artists on every issue.

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5.6
Batman / Superman (2013) #5

Nov 6, 2013

Part of the selling point on this issue is the "widescreen" format, with a more horizontal approach to storytelling. Unfortunately, Brett Booth rarely takes advantage of the format shift, and many pages could just as easily be split in half and presented as normal. Booth's wonky, Jim Lee-meets-Rob Liefeld approach to character design doesn't really do the book any favors either.

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5.1
Batman / Superman (2013) #6

Dec 5, 2013

It's not as though this Batman/Superman arc is the worst story to feature either character on the stands right now. It's more that it revolves around a one-note premise that's been spread too thin.

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4.6
Batman / Superman (2013) #7

Jan 8, 2014

Capping everything off is the fact that this conflict ends on such a quiet, unremarkable note. The script directly references the superhero team-up trope of two heroes putting aside their differences to fight a common foe. From there, Mongul is tossed out of the fray as quickly as he appeared. It's all very anticlimactic. But the good news is that the conflict is finished, and hopefully the series can get back on track with its next story arc.

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7.3
Batman / Superman (2013) #10

May 7, 2014

This series hasn't been able to offer much in the way of visual cohesion so far, and this issue is certainly a huge shift from Jae Lee's Gothic visuals. The storytelling from both artists is solid enough, though the figures and character designs are fairly plain. It would have been nice if only one penciller tackled the issue, but multiple artists is practically the norm for this series.

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6.3
Batman / Superman (2013) #12

Jul 3, 2014

Decent filler, but whether it has any consequence in the grand scheme of things remains to be seen. The art has a rushed quality to it, especially in regards to the facial work and its often bizarre proportions and angles

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6.9
Batman / Superman (2013) #15

Oct 16, 2014

The constant shift between art styles in these pages distracts from an otherwise entertaining story

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8.3
Batman / Superman (2013) #17

Dec 17, 2014

Greg Pak's Batman/Superman work hasn't been as consistent as his Action Comics run, which is perhaps to be expected when you have such a disparate lineup of artists on board. Pak seems to be settling into a deeper groove with this new arc, however.

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7.2
Batman / Superman (2013) #19

Feb 19, 2015

The art does sometimes hinder the story, as the rotating inkers bring different textures to Ardian Syaf's pencils and create an inconsistent and sometimes rough look.

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8.3
Batman / Superman (2013) #20

Mar 19, 2015

Greg Pak's arc culminates with a knock-down, drag-out battle with Superman and Supergirl facing their brainwashed relatives. Supergirl's struggle actually proves the more compelling of the two, with brief, frequent flashbacks alluding to her past in Kandor. But either way, it's a nicely personal way to cap off Superman's recent gauntlet.

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6.5
Batman / Superman (2013) #24

Sep 10, 2015

The common thread with all the Superman books involved in the "Truth" storyline right now seems to be that they feature great characetrization but are held back by lackluster villains or conflicts. That's certainly the case with Superman/Batman, which features a mess of a story involving Atlantean rebels and portable suns and some fairly inconsistent artwork divided among three pencillers.

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8.8
Batman / Superman (2013) #30

Mar 10, 2016

Taylor seems to relish the opportunity to write Batman and Superman as friends rather than bitter enemies for a change, and their odd friendship is very charming to read.

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7.3
Batman / Superman (2013) #31

Apr 14, 2016

It's ironic that it took a story about Superman confronting his imminent death for the character to finally regain the hope, optimism and decency he's so often lacked in the New 52.

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8.3
Batman / Superman (2013) Annual #1

Mar 5, 2014

This issue loses points for not being more visually consistent, but it nonetheless marks a return to form for Pak's Batman/Superman run.

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8.2
Batman / Superman (2013): Futures End #1

Sep 18, 2014

Even with an absent Superman, this comic captures much of the appeal of the main series.

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9
Batman / Superman (2019) #1

Aug 28, 2019

Batman/Superman #1 is one of the strongest first issues of a DC series in recent memory.

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8.6
Batman / Teenage Mutant Ninja Turtles: II #1

Dec 6, 2017

This miniseries proves there's still plenty of ground left to cover with the pairing of the Batman and TMNT families. This sequel feels at once more dramatically ambitious and more intimate than its predecessor. At the same time, the book hasn't lost sight of the sheer fun and bombastic nature of this pairing. If you enjoyed the original, there's absolutely no reason not to stick around for Round 2.

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8.6
Batman / Teenage Mutant Ninja Turtles: II #2

Dec 21, 2017

This issue strikes the right balance between zany bombast and grim danger, suggesting a bright future ahead for this crossover.

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8.7
Batman / Teenage Mutant Ninja Turtles #4

Mar 9, 2016

Batman/Teenage Mutant Ninja Turtles is a story worthy of all the crazy crossover fantasies fans have cooked up over the years. Issue #4 continues building a compelling conflict for our heroes to wrestle with, but the focus remains on exploring and celebrating the unusual bond between Batman and his mutated comrades. Hopefully the same attention will be paid to their enemies before this story wraps up.

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8.6
Batman / Teenage Mutant Ninja Turtles #6

May 12, 2016

As silly as this entire concept might be, Tynion and Williams offer a very touching look at a loner hero who found a new family with the heroes in a half shell.

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9
Batman / The Shadow #1

Apr 26, 2017

Batman/The Shadow shows every sign of living up to the recent high standard set by crossover comics like Star Trek/Green Lantern and Tarzan on the Planet of the Apes. It cleverly merges the two franchises and explores the enduring legacy of The Shadow in Gotham City, for good and ill. And thanks to Rossmo, the comic looks every bit as good as it reads.

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6.5
Batman / TMNT Adventures #1

Nov 9, 2016

Every comic should ultimately be judged on its own merits, but it's impossible not to compare Batman/TMNT Adventures to DC and IDW's previous (and very recent) crossover. Even with this book spotlighting two different universes, it doesn't do enough to stand apart from Batman/TMNT or shake up the crossover formula in general. Mostly, this first issue begs the question of why the two publishers didn't simply commission a sequel. But with Batman/TMNT taking a couple issues to find its groove, hopefully the same will be true for this book, too.

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6.2
Batman / TMNT Adventures #2

Dec 15, 2016

The series continues to move slowly, focusing an odd amount of attention on the villains considering that the heroes themselves are only just starting to cross paths.

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7.3
Batman / TMNT Adventures #6

May 11, 2017

But in the end, this series proves once again that Batman and the Ninja Turtles are two great tastes that go great together.

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7.8
Batman and Robin (2009) #1

Jun 3, 2009

I have little doubt Batman and Robin will rank among the best of the Bat family once all the respective books have had their chance to debut. Even in its early stage the series is a huge amount of fun and, for the most part, a visual stunner. But this issue didn't bowl me over like I hoped it might. It's certainly not Morrison's strongest debut on a series. Let's just hope that doesn't matter when held against the bigger picture.

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8.1
Batman and Robin (2009) #7

Jan 27, 2010

Fortunately I still have enough brain function for that. I have issues with how Morrison executed his plot in this issue, but the core characterization remains very strong. As mentioned, Batman and Th Squire display a strong dynamic. Alfred once again steals the show in his brief scene. The villains are memorable in their own ways. Other than the out-of-place Batwoman, Morrison fires on all cylinders when it comes to his cast. Hopefully as the arc continues to grow and take shape, some of the pacing problems will be eliminated. Regardless of what happens, we don't have very long to wait for issue #8. It's a testament to how quickly Morrison won me over again that the thought excites me.

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8.2
Batman and Robin (2009) #9

Feb 24, 2010

Batwoman aside, I did find this issue to be the most enjoyable since Frank Quitely was on board and Professor Pyg was doing his happy dance. Above all, I applaud issue #9 for raising new questions - not just about the state of Bruce Wayne - but regarding many of the mysteries Morrison has been building since the beginning. This won't be the first time I feel compelled to go back to the beginning and examine old stories in a new light. But it's always a good sign when a new issue leaves me with that compulsion.

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6
Batman and Robin (2009) #18

Dec 15, 2010

Not helping matters is Scott McDaniel's art. McDaniel's style is far too loose and scratchy for its own good. Characters are overly stylized and angular, to the point where most of the male characters and even some of the females are interchangeable in appearance. McDaniel's page structure is a bit improved from the previous issue, at least. This story arc does what it needs to as far as filling a gap in the publishing schedule. Unfortunately, I can't picture the trade appearing on my shelf alongside Cornell's other DC work.

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6
Batman and Robin (2011) #12

Aug 8, 2012

Impressively, Patrick Gleason has illustrated all but one issue of the series since it relaunched last year. Gleason has a talent for big action and graceful notion that is readily apparent throughout these pages. That said, the toll of the last year is apparent at times, as his figure work is less refined and detailed than normal. Hopefully the #0 issue next month will allow Gleason a bit of time to rest and return in top form for the next arc. And hopefully that next arc will see Tomasi return to the more methodical, character-driven focus of the first.

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8.5
Batman and Robin (2011) #23

Aug 21, 2013

Tomasi also dusts off the concept of Internet 3.0, a tool he now uses to allow Bruce to revisit the night of Damian's death and struggle over and over again to save his son, despite the ultimate futility of it all. Tomasi makes great use of Nightwing during these scenes, foregoing the often questionable and selfish characterization Dick has shown in other books for a more classic dynamic. But even stronger than Dick this month is Alfred, as Bruce is forced to acknowledge that his faithful butler is suffering as much as he is in the wake of Damian's death. Tomasi has a unique talent for exploiting the Batman family dynamic to its fullest effect. No wonder so much of the post-Damian grieving process has been relegated to this series.

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8.1
Batman and Robin (2011) #23.1

Sep 4, 2013

Guillem March is an interesting choice for this issue in the sense that his style is marked by sleek, pretty, acrobatic figures and Two-Face is about half of the ugliest character in the DCU. But other than the fact that he draws Two-Face's scarred side too fleshy and bulbous, March does a solid job of exploring Gotham in a state of total anarchy. His page construction is often able to highlight Two-Face's duality as much as Tomasi's writing.

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6.4
Batman and Robin (2011) #25

Nov 21, 2013

This arc hasn't really featured Patrick Gleason at his strongest. His figure work is a bit muddier and less refined than normal. And though this is as much Tomasi's fault as Gleason's, this issue creates unnecessary confusion when it lapses into a flashback with little warning or indication. But Gleason's flair for action storytelling still shines, particularly during a dimly-lit prison fight sequence.

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7.9
Batman and Robin (2011) #26

Dec 18, 2013

Only one scene in this issue rings false, involving a hackneyed speech by Bruce about duality and inner darkness. The art also continues to be relatively weak compared to Patrick Gleason's usual standard. His action storytelling is superb, but his figures are really beginning to suffer from inconsistent detail and line weight.

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8.4
Batman and Robin (2011) #27

Jan 22, 2014

On the subject of duality, artist Patrick Gleason finds many ways to reflect that motif in his artwork. Plenty of thought went into the framing and design choices in this issue, and it pays off for the most part. There's one double-page spread that stands out as awkward. Tomasi and Gleason elect to suddenly call back to previous storylines by depicting the many tragedies Bruce has suffered with the collapse of the Bat family. It's a sequence that could have worked in a different context, but here it comes across as a forced and random way of reminding readers that there's a larger struggle facing Batman once this Two-Face conflict is through.

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7.5
Batman and Robin (2011) #30

Apr 16, 2014

This issue is at its strongest when Tomasi's script veers into introspection mode. There's a great scene where Diana pays tribute to her petrified mother, and another where Batman reflects on the path Damian's life took. These scenes, coupled with the fact that this issue doesn't offer a great deal of plot progression, highlight the sense of disappointment that Tomasi didn't focus more on the relationship between Bruce and Diana. It's a good comic that could have been better.

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8.9
Batman and Robin (2011) #40

Mar 25, 2015

You could argue that the creative team could have done more with the idea of Damian Wayne having super-powers. But in the end, all that really matters is that they wrap up their long run on this series with the right blend of fun and emotional heart. It's the ending Bruce and his son deserved after the past three years.

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9.5
Batman and Robin (2011) Annual #2

Jan 29, 2014

Tomasi is once again at his best in telling a self-contained adventure that celebrates Damian's impact on the Bat family. The twist this time is that we get a much-needed glimpse of the original Bruce/Dick partnership. It's a reassuring confirmation that the core of the franchise hasn't changed much over the decades, and one that pays homage to a lighter, more fun era for the Dark Knight.

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8.4
Batman And Robin Eternal #1

Oct 8, 2015

While DC didn't necessarily need another Batman comic (much less a weekly one), Batman and Robin Eternal makes a strong case for itself in its first issue. While some aspects of this new series are as dark as its predecessor, the series also boasts a welcome dose of fun and adventure thanks to Dick Grayson's starring role. How well this six-month-long mystery will shape up remains to be seen, but this opening chapter starts off the series on the right note.

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7.9
Batman And Robin Eternal #3

Oct 22, 2015

Batman and Robin Eternal is a much different beast from its predecessor, and that's a good thing. The series feels much more focused, with the cast (for now, at least) all united and pursuing similar goals. And despite the fairly heavy subject matter and dark conspiracies at play, the emphasis on humor and banter among the various Robins is a welcome change of pace.

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8
Batman And Robin Eternal #7

Nov 19, 2015

With the conflict heating up and a cliffhanger that promises big things to come, there's plenty of reason to be enthusiastic about this series.

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8.6
Batman And Robin Eternal #8

Nov 25, 2015

Genevieve Valentine and Alvaro Martinez deliver another great collaboration as they explore Dick Grayson's first encounter with Mother. Valentine's snappy dialogue makes the most of this showdown, especially when it comes to painting Mother as a sinister figure despite her relatively innocuous appearance.

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6.3
Batman And Robin Eternal #16

Jan 21, 2016

Batman and Robin Eternal is coming across as a solid story that suffers from the weekly grind.

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7
Batman And Robin Eternal #26

Mar 30, 2016

Batman and Robin Eternal's final issue doesn't quite live up to the promise the series had when it first debuted last year, mainly due to the underwhelming final bow for Mother. But as an end-cap to Harper Row and Cassandra Cain's intertwined story, this issue is very satisfying indeed. This finale does its part to get readers excited for what's to come in DC Rebirth.

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7.5
Batman and the Outsiders (2019) #1

May 8, 2019

Batman and the Outsiders #1 suffers from a bland plot, but the characters and art make up for it.

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7.3
Batman and the Signal #1

Jan 3, 2018

Three issues already seems like too little to contain this ambitious look at Duke Thomas' new superhero status quo. But better too much ambition than not enough. Batman and the Signal looks great, and it successfully pushes the character forward and cements his new place within the Batman family. We can only hope DC has more planned after this brief miniseries wraps.

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6.5
Batman Beyond (2010) #1

Jun 30, 2010

Unfortunately, as much as Beechen captures the flavor of the show in his writing, Ryan Benjamin is not so successful in his art. Benjamin's style seems to haphazardly replicate the look of the cartoon, neither offering the level of detail normally seen in a Bat book nor embracing the stylishly geometric character designs of Bruce Timm. The result is a hybrid style that doesn't upset the eyes but doesn't do much to draw attention either. Benjamin's work is far less plagued by the stray lines that ruined his Batman #675 work. That same inconsistency remains, however. Terry's body shape remains in constant flux. Coupled with his not entirely consistent face, Terry's age seems to vary between 12 and 30. Again, the art has its merits, but it's not the satisfying reproduction of the animated series that Beechen's scripting offers.

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8
Batman Beyond (2015) #4

Sep 3, 2015

As much as I wanted to leave everything connected to The New 52: Futures End in the past, this series does have its appeal as it chronicles the ongoing battle between Tim and Brother Eye. There's a real sense of scope and drama to the conflict.

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7
Batman Beyond Universe #1

Aug 21, 2013

Both halves run into problems stemming from the shift from digital to print. There's the aforementioned cramped quality in Silas' art. But the chapters themselves are also poorly organized. Rather than alternate chapters of both series, this issue crams the two Batman Beyond and Justice League Beyond tales into one singular story. In both cases, it's fairly obvious where the original chapter break would have occurred, and it throws off the pacing to see the issue barrel straight from a cliffhanger into the next chapter. As usual, my recommendation would be to give this material a look, but in its original digital form rather than print.

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8
Batman Beyond: Rebirth #1

Sep 29, 2016

This issue is very efficient at recapping Terry's origin story and laying out the basics without getting tripped up over unnecessary details. Little direct mention is made of the previous volume's events, meaning that fans of the animated series can dive in just as easily as veteran comic readers.

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8.5
Batman Confidential (2006) #20

Aug 13, 2008

If you're in need of a simpler, more light-hearted Batman tale, I doubt this arc will disappoint. It's good dumb fun that's not too heavy on the dumb. And it looks spectacular to boot.

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9
Batman Incorporated (2012) #1

May 23, 2012

Chris Burnham is no stranger to Morrison's Batman run, but this series finally marks the point where Burnham takes full control of the book's visual direction. Burnham hits the ground running in this issue. The similarities to the opening arc of Batman and Robin are as much due to Burnham's pencils as they are to Morrison's writing style. There's a similarly frenetic approach to depicting action and movement. Burnham frequently experiments with layouts and panel construction. These experiments don't always work as well as intended (the page with shots of Batman and Robin projected on the sides of buildings is pretty wonky), but the sheer amount of energy on every page can't be denied. Burnham proves right away he has the creativity, the flair for action, and the dramatic storytelling hops to do justice to Morrison's final Batman adventure.

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9.1
Batman Incorporated (2012) #8

Feb 27, 2013

So the twist is handled well, but I have yet to be convinced it's the best direction for the series to take. It seems to kill a lot of future storytelling potential for the sake of immediate drama. But there are also four issues remaining on this series, and it's probably a safe bet that Morrison has more up his sleeve. After all the excellent stories that have come out of this run in the past seven years, he certainly deserves the benefit of the doubt.

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8.2
Batman Incorporated (2012): Special #1

Aug 28, 2013

And finally, this issue is rounded out with a silent tale from Dan DiDio and Ethan Van Sciver about the most important Batman incorporated member of all -- Bat Cow. If that doesn't justify a purchase, I don't know what does.

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7.5
Batman's Grave #1

Oct 9, 2019

The Batman's Grave manages to find fresh new material with the most familiar hero in comics.

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8
Batman, Inc. #5

Apr 27, 2011

Yanick Paquette is back this month, though Chris Burnham now casts a long shadow over the series. Paquette's figures lack the fluidity of Burnham's, and contribute at least somewhat to the more serious tone of the story. While Paquette's pages are impressively detailed and designed, his figures are too static for such an action-oriented affair. I find myself eagerly anticipating Burnham's return now.

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6.5
Batman, Inc. #8

Aug 24, 2011

It's not entirely clear when we're getting the last two chapters of Inc., but until they arrive, issue #8 offers a deceptively dense story to mull over. Just be prepared to squint while reading.

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7.5
Batman: Arkham City #2

Jun 8, 2011

There are some pieces to the Arkham City puzzle I wish were more prevalent in these pages, but on the whole Dini and D'Anda are doing a fine job of bringing this version of Gotham to comics.

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7
Batman: Arkham City #5

Aug 24, 2011

As mentioned,, issue #5 doesn't conclude so much as pave the way for the Arkham City game. That's to be expected, but it is somewhat unsatisfying to leave the story where it ends knowing that resolution won't come before another two months of waiting and $60. It doesn't help that Dini writes numerous splash pages towards the end, further rushing the book along towards its murky conclusion. Still, as a complete product, this series does a much better job of hyping the game than anyone had a right to expect.

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8.1
Batman: Arkham Knight #1

Mar 11, 2015

Despite a few early hurdles, DC's Arkham Knight prequel gets off to a solid start. Tomasi is able to take advantage of the medium and deliver a tale that focuses more on humor and character drama without ignoring the brutal action the games are known for. There's enough meat to this story that it should appeal even to Bat-fans who don't care about this video game universe.

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7.2
Batman: Arkham Knight #2

Apr 8, 2015

The second issue of DC's Arkham Knight comic isn't quite up to the standard of the first, mainly due to an underwhelming first chapter. However, the book picks up as the cast of villains grows, and this prequel saga promises to only grow more interesting from here.

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8.4
Batman: Arkham Knight #3

Apr 23, 2015

This prequel saga is definitely picking up steam as Tomasi draws more villains into the conflict and complicates Bruce Wayne's plan to save Gotham City. This issue offers the best balance so far of action, intrigue, and character dynamics, and it bodes well for the series going forward.

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8.2
Batman: Arkham Knight #4

May 14, 2015

This series seems to have hit its stride in terms of blending Arkham-worthy action with the character moments and humor Tomasi excels at. This issue doesn't add a huge amount to the unfolding narrative, but it certainly entertains.

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8.1
Batman: Arkham Knight #5

Jun 3, 2015

This prequel comic continues to offer an enjoyable lead-up to the game, one that's distinguished more by its characterization and exploration of the wider Bat family than its action or spectacle. It focuses on Batman stories that wouldn't be suited for the games as much as those that would.

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7.1
Batman: Arkham Knight #7

Aug 20, 2015

There's more solid character work here (even if Bruce seems unusually chatty with Tim), but the series seems to be lacking a clear and compelling conflict right now.

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6.4
Batman: Arkham Knight #9

Oct 8, 2015

This is the strange sort of Batman comic where the quieter, out-of-costume moments are more compelling than Batman's superhero exploits.

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7.2
Batman: Arkham Knight #11

Dec 3, 2015

Pete Tomasi has found the greatest storytelling success in exploring how Bruce is confronting his own mortality and worrying about the legacy he'll leave Gotham. That's a far more interesting tale than learning exactly how Scarecrow and the Arkham Knight hooked up. Luckily, this issue focuses more on the good stuff than some recent chapters.

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6.9
Batman: Arkham Knight Annual #1

Sep 30, 2015

If nothing else, DC's various Arkham Knight prequel comics have been helpful as far as fleshing out the titular villain and his rivalry with Batman. This annual issue continues that trend. The catch is that the story is too light and straightforward to really justify the length (and therefore the cover price).

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7.8
Batman: Arkham Knight - Batgirl/Harley Quinn #1

Feb 11, 2016

Tim Seeley delivers two perfectly enjoyable tales that show a strong understanding of each character's psychology. Neither origin revision diverges significantly from the norm, but why fix what isn't broken.

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7.2
Batman: Arkham Knight- Robin Special #1

Nov 25, 2015

The characterization is rock-solid, but this issue doesn't have much new or interesting to say with Tim. Other than a few superficial elements, there's no reason this story couldn't be taking place in just about any incarnation of the Batman universe.

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8.2
Batman: Arkham Knight: Genesis #1

Aug 26, 2015

So far, Arkham Knight - Genesis is both a worthy addition to the mythology of the game and a solid character study of Jason Todd. This prequel comic also benefits from a more focused approach than its sister series. Hopefully the lack of emotional ties between Bruce and Jason now won't impact the book as the story grows darker.

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8
Batman: Arkham Knight: Genesis #2

Sep 17, 2015

Arkham Knight: Genesis continues to be a worthy companion to the game. It fleshes out a relationship that probably should have been more of a focus in the first place, while tossing in a healthy blend of superhero action for good measure.

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5.5
Batman: Arkham Unhinged #1

Apr 11, 2012

Unhinged #1 does little to expand the Arkham mythology. An actual sequel to Arkham City would have been preferable, if not necessarily feasible at this point. However, as the series shifts to other characters who were less prevalent in the games, there should be far more potential for writers to to work with.

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8.3
Batman: Cacophony #1

Nov 12, 2008

Crown's Score: 8.7

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8.8
Batman: Creature of the Night #1

Nov 29, 2017

Any fan of Superman: Secret Identity would do well to check out Batman: Creature of the Night. This series definitely reads like a sequel in many respects, or at least a riff on a similar theme. As dark as this story is, it's anchored by the very real, genuine bond between a boy and his uncle. Busiek and Leon prove here that's it's always possible to find a fresh new spin on the Batman mythos.

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8.7
Batman: Curse of the White Knight #1

Jul 24, 2019

Batman: Curse of the White Knight is already shaping up to be a worthy sequel to Batman: White Knight.

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7.5
Batman: Damned #1

Sep 19, 2018

Batman: Damned #1 delivers a flawed story bolstered by some incredible visuals and fun supernatural elements.

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8.2
Batman: Damned #3

Jun 26, 2019

Batman: Damned #3 is a flawed but unforgettable sendoff to this bleak and moody series.

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5.4
Batman: Death Mask #1

Apr 9, 2008

The one thing I was really hoping for, and something that Natsume still stands a chance of accomplishing, is providing a glimpse of Bruce Wayne's training period in Japan. Even after Batman Begins, the comics have done a surprisingly lackluster job of exploring the pre-Batman years of his life. Unfortunately, this issue withholds any such flashback material, perhaps hoping to entice readers to follow the series completely. I'm rather doubtful that's going to work with me. I simply don't think I can stand anymore "earth-shattering" revelations about the nature of Batman.

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8.7
Batman: Earth One #2

May 6, 2015

Batman: Earth One Vol. 2 is a showcase for the potential this graphic novel imprint still holds. It's not simply about streamlining the character, but making his world more reflective of our own and tracing Bruce Wayne's long, painful road towards truly becoming the Dark Knight. Geoff Johns' writing is adept at fleshing out that journey, while Gary Frank brings this Gotham City to life like only he can.

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8.4
Batman: Eternal #50

Mar 18, 2015

As slow-moving as Batman Eternal has been in the past, this final month is finally paying off on all that setup. This issue includes a number of memorable moments featuring our heroes triumphing over evil. It also sets the stage for the final confrontation between Batman and the architect of Gotham's misery. Even the art contributes to a sensation of Batman being run ragged. With two issues remaining, hopefully Eternal will be able to stick the landing.

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7.9
Batman: Eternal #51

Mar 26, 2015

Last week's issue revealed the ultimate mastermind behind this yearlong plot against Gotham's heroes, and it wasn't the villain you'd might expect. With that in mind, you can forgive the villain for devoting so much time to monologuing and explaining how their master plan came to fruition. It all plays to one of the early themes of Scott Snyder's Batman run - that Batman doesn't know his city quite as well as he'd like to believe.

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7.3
Batman: Europa #1

Nov 19, 2015

Batman: Europa #1 doesn't necessarily justify the decade-long wait, but it does offer a reasonably enjoyable adventure that takes Batman out of his usual comfort zone. The main appeal in this first issue is seeing Giuseppe Camuncoli and Jim lee jamming together. Hopefully the book won't lose too much of its charm with Lee's departure.

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8.3
Batman: Europa #2

Dec 16, 2015

Losing a name as big as Jim Lee could be the death knell for a comic like this. But surprisingly enough, Europa actually imprvoes in its second issue. The script shows a better balance between Casali and Azzarello's voices, while Camuncoli has no trouble flying solo and delivering a stunning depiction of Batman's European adventure.

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7.2
Batman: Europa #3

Dec 31, 2015

"Batman: Europa undergoes another major stylistic overhaul with its third issue. This time Giuseppe Camucoli's layouts are finished by Diego Latorre, with the end result being a much more surreal and painterly approach to the series. That certainly has its merits, particularly when it comes to depicting the shadowy catacombs of Paris and conveying the growing madness both Batman and Joker are experiencing. Unfortunately, the book loses something when it comes to storytelling clarity.

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7.2
Batman: Europa #4

Feb 4, 2016

There's an ethereal quality to the book that speaks both to the ghostly locale and the deteriorating physical condition of both Batman and Joker.

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7.1
Batman: Kings of Fear #1

Aug 22, 2018

Batman: Kings of Fear #1 stands out more for its visuals than its story.

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9.2
Batman: Last Knight on Earth #1

May 29, 2019

Batman: Last Knight on Earth #1 provides an engrossing look at the end of Batman's long journey.

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8.9
Batman: Last Knight on Earth #2

Jul 31, 2019

Batman: Last Knight on Earth #2 isn't quite as strong as the first issue, but it's a must-read for Bat-fans.

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9
Batman: Li'l Gotham #4

Jul 11, 2013

As usual, both tales are endlessly charming and feature gorgeous watercolor artwork from Dustin Nguyen. The Easter tale stands out particularly. The opening sequence with Damian playing a video game boasts some creative pixel art, while scenes set in Mad Hatters nightclub are awash with lush colors. The only complaint to lodge specifically involves this print version. Each digital segment costs 99 cents while each print collection is $2.99. It's hard to justify that extra dollar, particularly when the art is designed for a widescreen tablet format anyway. But whatever format you choose, this is a Bat book every DC fan should be reading.

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9
Batman: Lost #1

Nov 8, 2017

Batman Lost isn't an absolutely critical tie-in for those Metal readers who are trying to buy as few books as possible. But it does do a lot to enhance and flesh out the events of that crossover. It also works well as a celebration of the long history of Batman himself. And despite the massive creative team, this issue manages to tell a very cohesive, effective story.

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8.5
Batman: Rebirth #1

Jun 1, 2016

The New 52 didn't dramatically revamp the Batman franchise, and it doesn't appear as though DC Rebirth will either. And why should it? Batman was a terrific comic under Scott Snyder and Greg Capullo, and it's shaping up to be a terrific comic under Tom Kinng, Mikel Janin and David Finch as well. This issue serves as a great showcase for the new team as well and offers a taste of the new flavor they'll be bringing to Gotham City.

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8.2
Batman: Streets of Gotham #3

Aug 19, 2009

But backup feature aside, I'm getting quite a bit of enjoyment out of Streets of Gotham. Given how much good work Dini is doing for the villains of Gotham, I almost wish Batman and Robin would take on an even more diminished role. The series has its faults, but the strengths outweigh them by a significant margin.

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3
Batman: The Dark Knight (2011) #7

Mar 28, 2012

There's certainly room in the Batman franchise for a book that focuses more on big, loud, action-oriented storytelling . A simplistic Batman book can still be an enjoyable one. Sadly, Dark Knight is anything but enjoyable right now.

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6.2
Batman: The Dark Knight (2011) #22

Jul 24, 2013

Sadly, this issue falls apart once the focus shifts back towards Batman. The scenes with Gordon in captivity are too few and far between to build any real sense of tension. Meanwhile, Hurwitz devotes far too much attention to Bruce's mourning over the death of Natalya. Her inclusion was one of the weakest elements of the previous arc. Batman has enough current trauma to work through without the need for another throwaway love interest. Because of the shift in focus, the issue loses steam as quickly as it built it. Still, there's plenty of room for this arc to pick up again in future issues.

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6.5
Batman: The Dark Knight (2011) #23.1

Sep 4, 2013

Hopefully this new Ventriloquist will prove her worth in the pages of Batgirl. But for now, she reads like another case of a great character brought down by unnecessary changes.

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6.8
Batman: The Dark Knight (2011) Annual #1

May 29, 2013

The central flaw with this Annual is that it's too light and simple to justify the $5 cover price. The idea is fun and the execution solid, but, it doesn't even need to be as long as it is. This story would have been better off trimmed down into a one or two-part installment of Legends of the Dark Knight. At least then readers would only be asked to fork over a dollar or two.

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8.5
Batman: The Return of Bruce Wayne #1

May 12, 2010

The Return of Bruce Wayne is off to a great start so far. It's a silly concept that is delivered with heart but also in a fittingly tongue-in-cheek manner. A surprise reveal towards the end also suggests this story won't be as simple or straightforward as it initially seemed. Now bring on Puritan Batman!

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4.5
Batman: The Unseen #1

Oct 7, 2009

Under far different circumstances, I could see this story working well enough. As an extended one-shot, with an increased focus on Batman, there might have been potential. Instead, what we have is a fairly uneventful first issue with a terrible new villain. I can't imagine this dragging on for another four issues. And unless Moench has a serious ace up his sleeve, I doubt I'll be sticking around that long anyway.

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6.1
Batman: The Widening Gyre #1

Aug 26, 2009

Widening Gyre is not going to be high art. The first issue makes that abundantly clear. What it doesn't make clear is what the overall story is truly about. But despite all this and some rather serious storytelling flaws, I'm willing to keep an open mind about the series. Smith and Flanagan display just enough flashes of brilliance that I'm willing to hold out hope for something better.

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7.5
Batman: White Knight #1

Oct 4, 2017

In terms of story, Batman: White Knight has a few hurdles to clear before it can live up to its full potential. This first issue has some dialogue problems and dwells too long on setting the stage for Joker's personality change. But it's a promising start all the same, and the gorgeous artwork is worth the price of admission all on its own. Murphy's dynamic, gritty style is perfect for bringing Gotham City and its inhabitants to life.

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7.4
Batman: White Knight #2

Nov 2, 2017

This is a gorgeous book, one that brings a bold, angular, shadowy look to Gotham City and gives numerous Batman villains a distinctive visual overhaul.

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8.3
Batman: Who Laughs #1

Nov 15, 2017

While the standalone format limits what can be accomplished in this issue, The Batman Who Laughs #1 nonetheless offers a welcome look at one of the more memorable characters introduced in this crossover. James Tynion and Riley Rossmo offer a suitably twisted, bleak look at a world where Batman becomes the thing he hates most. In the process, they manage to elevate the Batman Who Laughs into an even bigger and more imposing threat than he already was. Metal #4 can't come soon enough.

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7.5
Batwing #0

Sep 5, 2012

Marcus To provides the visuals for this issue. Much like Winick's script, the result is structurally sound, if not particularly flashy. To's facial work isn't particularly detailed or varied. However, his action sequences have a strong vitality to them, and the general mood of the issue is suitably dark and dreary. I doubt Batwing #0 will win many new readers over, but it is a solid addition to Winick's run.

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8
Batwing #1

Sep 7, 2011

Ben Oliver practically steals the show, however. This is some of the most refined and cinematic art we've seen from Oliver yet. Oliver delivers plenty of wide shots, but the use of diagonal borders brings an extra dose of energy to most pages. And though I feared the final product might not live up to the quality of the black and white preview art, I'm happy to report that Brian Reber's colors do nothing but accentuate the visuals. Yes, Oliver could stand to focus more attention on his backgrounds, but otherwise this is one of the best-looking books DC put out this week. Again, Batwing is an unexpected but very welcome surprise among the New 52.

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8.5
Batwing #8

Apr 4, 2012

By this point Winick has done everything he needs to as far as establishing the New 52 version of Batwing and what drives the character. Following next month's crossover issue, the next test is to see how well the book can grow and evolve from this strong foundation.

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8
Batwing #10

Jun 6, 2012

Marcus To illustrates this issue. His work is very clean and presentable, if a bit lacking in some of the gritty texture and finer details other artists have brought to this series. Batwing occupies a harsher landscape even than Gotham City, but it never really comes across visually.

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7.8
Batwoman (2010) #25

Nov 20, 2013

This issue features four pencillers, which isn't necessarily surprising given how quickly the transition from Williams and Blackman to Andreyko happened. Series veteran Trevor McCarthy is joined by Andrea Mutti, Pat Olliffe, and Jim Fern. The overall style is fairly uniform despite this, though there are some odd visual inconsistencies in terms of environmental details and Kate's impromptu makeup disguise. Williams' departure has its impact in terms of the page layouts, which are noticeably more geometric and simple. But there's still a certain outsider quality and spark of life to the art that marks this as a Batwoman comic.

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7.4
Batwoman (2010) #32

Jun 18, 2014

But it's Kate's civilian struggles that are the focus in this opening chapter. Andreyko's decision to pull Maggie out of Gotham and force her to deal with a heated child custody battle is definitely an interesting wrinkle in her relationship with Kate. As such, I found it a little disappointing that Andreyko also chooses to introduce an old flame of Kate's from her military academy days. It's a pretty stereotypical development for an engagement to be tested by the sudden appearance of an ex-lover. Still, this new character does have potential as far as bringing Kate's military background into the forefront for a while. Hopefully this arc justifies her inclusion.

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6.1
Batwoman (2010) #33

Jul 17, 2014

Batwoman has more villains than she can properly handle in this story arc. As fun as it is to see her clash with an honest-to-goodness vampire queen, the addition of a third party and multiple costumed villains makes this portion of the story a little too crowded.

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5.8
Batwoman (2010) #37

Dec 17, 2014

Georges Jeanty's work isn't flashy or angular enough, and the two inkers on this issue lead to highly inconsistent detail and an overall underwhelming look.

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5.8
Batwoman (2010) #40

Mar 19, 2015

Georges Jeanty's pencils are generally effective in this issue, especially when it comes to facial work and emotion. Some of the more esoteric monster characters suffer a bit, though, especially when Jeanty chooses to pull back from his subjects and leave them small and diminished.

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6.1
Batwoman (2010) Annual #1

May 1, 2014

The art is also disappointing in that Trevor McCarthy only handles portions of the issue. The rest is tackled by Moritat, whose work is very spartan and straightforward compared to McCarthy's heavy shadows and more ambitious page layouts. It's just a shame, because such a great run deserved a stronger, more consistent finale. At least Andreyko can get back to his own story next month.

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6.1
Batwoman (2010) Annual #2

Apr 2, 2015

Andreyko does the best he can with the limited space available here, and to an extent this issue leaves Kate in a better place than she has been in recent months. The best thing to do now is let the character rest for a while and come back stronger.

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5.5
Batwoman (2010): Futures End #1

Sep 18, 2014

This is a comic that makes me hope Futures End isn't actually the eventual future of the DCU. It has its charms as a superhero horror romp, but it does too much damage to Kate as a character fr it to be a worthy continuation of her journey.

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8
Batwoman (2017) #1

Mar 16, 2017

This issue doesn't necessarily cover a lot of ground in terms of plot (the frequent flashbacks tend to get in the way of that), but plot is rarely as crucial as characterization when it comes to Batwoman.

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5.5
Before Watchmen: Comedian #2

Jul 25, 2012

Before Watchmen: Comedian #2 wins points for trying to be a little different. But it loses far more for its uninteresting handling of the title character.

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6
Before Watchmen: Comedian #3

Sep 12, 2012

J.G. Jones' artwork is solid enough. The sense of mood and general level of detail are stronger than they were in issue #2. On the other hand, the page layouts are fairly bland compared to many of the other Before Watchmen books. This is one case where the decision to distance the book from the nine-panel grid format didn't exactly pay off.

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6.8
Before Watchmen: Comedian #4

Dec 5, 2012

The artwork on this series is a bit of a mixed bag compared to other Before Watchmen books. J.G. Jones brings a grittier, more refined realism to his work that suits the tone of Comedian's adventures. However, compared to the clever page construction of books like Silk Spectre and Minutemen, the straightforward framing in this issue is disappointing. The real standout element is Alex Sinclair's color. The hues are varied throughout, with Sinclair making liberal use of yellows, reds, and purples to convey the surreal and gruesome nature of the Vietnam War.

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5.8
Before Watchmen: Comedian #5

Feb 14, 2013

Artistically, issue #5 is a bit strange. J.G. Jones' pencils and inks have remained more detailed and precise than I would have expected. The drop-off in quality that occurred during his issues of Final Crisis is really apparent here. The colors are more problematic, however. I've praised Alex Sinclair's surreal, haunting hues in past reviews (the only aspect of the series that really does feel Apocalypse Now-esque). But here, numerous panels have very rigid, segmented gradient bars in the background and sky areas that make it look as though the printers were running out of ink when this issue was in production. This occurs in both the print and digital versions, so I'm honestly not sure if this was some sort of surrealist design choice or a flaw in DC's source files.

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8.7
Before Watchmen: Comedian #6

Apr 24, 2013

Before Watchmen as a whole might just be a textbook case of a mixed bag. But if we're never going to see that epilogue issue, DC could certainly have picked a far worse finale issue to cap off this lengthy experiment.

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8
Before Watchmen: Dr. Manhattan #1

Aug 22, 2012

As mentioned, what Straczynski does in this issue is keep his cards close to his chest, only revealing in the final pages what he really has planned for the remainder of the book. Throughout the issue he explores the notion of quantum mechanics and the way specific actions can determine what course the future takes. That comes to a head at the end, where it finally becomes clear that Straczynski has something far more ambitious in mind than simply paying homage to a great character. Maybe it was a bad idea to wait so long before getting to the point in a four-issue series. Even so, I'm far more excited at the prospect of issue #2 than I was issue #1.

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8.6
Before Watchmen: Dr. Manhattan #2

Oct 10, 2012

Adam Hughes' art really shines in this second issue. The retro, throwback quality to his character designs really suits the flashback setting. Hughes doesn't tend to adhere to the rigid Watchmen panel grid, but instead breaks his pages apart to convey the chaos of the unraveling timestream. The final pages in particular are very striking as Hughes even works Manhattan's familiar logo into the design. After so many years of seeing Hughes deliver mostly covers, it's really nice to see him tackle something meatier again.

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8.5
Before Watchmen: Dr. Manhattan #3

Dec 12, 2012

Adam Hughes' artwork doesn't excel as much as some other Before Watchmen artists when it comes to inventive page layouts. However, he does provide plenty of striking imagery and emotive characters to make up for that. And as is so often the case, Laura Martin's colors are the star of the show. Whether it's the ethereal blue glow of a winter forest of the faded yellow Jon's childhood home, the colors are rich and perfectly suited to the tone of each scene.

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8.5
Before Watchmen: Minutemen #3

Aug 29, 2012

Minutemen remains one of the stronger Before Watchmen books. It looks great, and it's doing a better job of realizing its potential and expanding upon these characters in tangible ways.

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8.8
Before Watchmen: Minutemen #4

Oct 17, 2012

If not as focused as it could be, Minutemen #4 is nonetheless proof that there are interesting stories to explore in the shadow of Watchmen, as well as creators talented enough to bring them to life.

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8.4
Before Watchmen: Minutemen #5

Dec 5, 2012

Cooke's artwork is impressive, as usual. The first page in particular stands out as a really clever use of panel structure and familiar Watchmen imagery. There are instances in the big action sequence where the panels are simply too small to convey all the necessary information, but aside from that, Cooke delivers yet another chapter that respects the Watchmen aesthetic while also making full use of his particular talents and artistic strengths.

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8.7
Before Watchmen: Minutemen #6

Jan 23, 2013

And the artwork is as gorgeous as ever. Cooke works a lot with contrasts in this issue, offsetting dark, shadowy scenes in the old Minutemen headquarters with bright shots of new heroes emerging and Hollis bonding with his "niece," Laurie. Cooke adheres to the traditional nine-panel grid more than usual, but he still finds opportunity for striking page design within that structure.

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5.8
Before Watchmen: Moloch #1

Nov 7, 2012

Given where Straczynski chooses to leave off in this issue, I'm not even sure where the second chapter is going to move from here. That could be a bad sign, or it could signal the beginning of a more interesting and less predictable avenue in Moloch's story.

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5.1
Before Watchmen: Moloch #2

Dec 19, 2012

That said, J. Michael Straczynski does deliver a few points of interest in this finale. For one, it's fun to see Ozymandias portrayed in a wholly sinister light, as neither the original series nor Ozy's own book really harp on the terrible lack of humanity someone must have to carry out a master plan like his. And though most of the script is dull and emotionless, the final few pages bring the series full circle and make the reader sympathize with Moloch. He wasn't such a bad guy, after all. If the entirety of these two issues had been able to reflect as much, this series would have been a lot more enjoyable.

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6.5
Before Watchmen: Nite Owl #2

Aug 1, 2012

Before Watchmen: Nite Owl #2 feels less familiar than the first issue. However, Straczynski needs to maintain focus on the title character and leave Rorschach to his own series.

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5.5
Before Watchmen: Nite Owl #3

Sep 19, 2012

The series' presentation takes a hit in this issue thanks to the unfortunate passing of Joe Kubert. Those pages Kubert wasn't able to finish inking are instead handled by Bill Sienkiewicz. There's arguably no artist in the industry more renowned for his bold, striking inks. Unfortunately, the limited timetable and the need to adhere to Kubert's style dilutes Sienkiewicz's work to a degree. His pages stand out only because there a bit more rough and haphazard than Kubert's. This issue still captures the Watchmen aesthetic well, as the previous two have, but some of the finer details are a bit dampened .

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6.5
Before Watchmen: Ozymandias #2

Aug 8, 2012

I'll continue picking up this book until the end solely because of the art. That said, it's really disappointing that Wein hasn't found anything new or interesting to say about Veidt so far. I can only hope the final page reveal will shake up the formula a bit.

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6.5
Before Watchmen: Ozymandias #3

Sep 26, 2012

As before, Jae Lee's art is what distinguishes this series. Though perhaps the book least in line with the original Watchmen aesthetic, Ozymandias is a showcase of striking visual design. There's a haunting, slightly surreal quality to the figures and their world. Lee's page composition is very eye-catching, if not always geared towards narrative flow. This is a series that manages to outdo even the best of Lee's Dark Tower work in terms of mood and detail, and the book is worth a purchase solely because of it.

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6.4
Before Watchmen: Ozymandias #4

Nov 28, 2012

But again, the art makes this all worthwhile to an extent. Every one of Jae Lee's pages ooze with striking design work and a palpable sense of mood. Even if nothing terribly important is actually unfolding in the script, Lee's moody pencils and inks lend everything a sense of gravitas. Even compared to his various Dark Tower minis, this is career-defining work for Lee. It's a shame the visuals aren't backed up by a more compelling story.

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8
Before Watchmen: Rorschach #1

Aug 15, 2012

Before Watchmen: Rorschach delivers exactly what you'd expect when this creative team pairs up for this particular character. It doesn't break new storytelling ground, but it offers an enjoyable read that doesn't rely overly much on material we've read before. If any Before Watchmen book could be read and enjoyed with no knowledge of the original Watchmen, it's probably this one.

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7.1
Before Watchmen: Rorschach #2

Oct 3, 2012

Fortunately, Azzarello has Lee Bermejo to help establish that atmosphere. Bermejo's pages are crammed with striking imagery here. The sheer amount of detail crammed into each panel is impressive enough. But the way Bermejo frames his panels is equally impressive. Even the cover image manages to seamlessly transition right into the first page. In terms of sequential flow, the story is a little more stiff than something like Amanda Conner's Silk Spectre. Perhaps the worst that can be said about the art is that the individual panels don't always contribute to the greater flow of the page as well as they could.

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6.5
Before Watchmen: Rorschach #3

Dec 12, 2012

With only one issue left, there's little hope that this series will overcome its recurring flaws. But the good news is that, at a mere four issues, Rorschach isn't in danger of overstaying his welcome.

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8
Before Watchmen: Silk Spectre #2

Jul 18, 2012

Silk Spectre arguably had the most potential of the Before Watchmen books, and so far Cooke and Conner are realizing that potential.

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9
Before Watchmen: Silk Spectre #3

Sep 5, 2012

Besides the typically bland Crimson Corsair feature, there's really nothing to complain about with Silk Spectre #3. This may be the only Before Watchmen book that leaves me immediately wanting more once it wraps up.

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9.1
Before Watchmen: Silk Spectre #4

Nov 28, 2012

Conner rounds out the series with another fantastic set of pages. More so than the previous three chapters, she largely adheres to the familiar Watchmen grid layouts. Maybe that's intended to be a visual sign of the timeline marching inexorably forward. The facial work is as varied and expressive as ever, and various visual flourishes like the daydream exaggerations further spice up the pages. This book doesn't necessarily leave me wanting more of Silk Spectre's adventures, but it does have me craving the next Amanda Conner book, whatever that might be.

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6.6
Ben Reilly: The Scarlet Spider #1

Apr 26, 2017

Ben Reilly: The Scarlet Spider #1 is a fairly enjoyable debut. Peter David's sense of humor shines through, as always, and it's always great seeing Mark Bagley playing in this corner of the Marvel U. That said, this issue does little to establish Ben as a sympathetic or even understandable protagonist. The character's new mean streak is both a blessing and a curse as this series tries to establish itself.

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6.6
Berserker Unbound #1

Aug 7, 2019

Berserker Unbound #1 is a solid barbarian comic undone by its numerous similarities to Marvel's Conan books.

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6.5
Bill & Ted Go to Hell #1

Feb 18, 2016

If this latest adventure is going to succeed, it's going to have to rely on more than nostalgia to do so.

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8.4
Bill & Ted's Most Triumphant Return #1

Mar 12, 2015

It remains to be seen if we'll ever actually get that third Bill and Ted movie Hollywood keeps promising. But at the very least, this comic does a most competent job of continuing the adventures of Ted "Theodore Logan" and Bill S. Preston, Esq.

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8.5
Billy Batson and the Magic of Shazam! #1

Jul 2, 2008

The simple fact that this issue ends on a cliffhanger is proof enough that Kunkel and DC are taking this book seriously. It may be family-friendly and set apart from normal continuity, but in this case that's a very good thing. For the first time in a while, Captain Marvel fans have something to get excited about.

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8
Billy the Kid's Old Timey Oddities and the Ghastly Fiend of London #1

Sep 9, 2010

Kyle Hotz also returns for this sequel. I find Hotz to be a much better fit for this wacky brand of storytelling than his more grounded Marvel work. Here, Hotz is given full clearance to be expressive and colorful in his approach, and the difference is clear. In addition to the main tale, Powell writes and draws a Goon segment wherein Frankie and The Goon attempt to have a relaxing day on the "beach". This tale should tide hungry Goon fans over for a bit longer, though I'm curious to see if it has the legs to stay amusing and peppy over multiple issues. But even if not, the main story is well worth the price of admission for anyone craving a few laughs and some oddball characters.

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7.5
Birds Of Prey (2011) #0

Sep 19, 2012

Romano Molenaar makes his debut as the new regular artist for the series, and he looks to be an apt fit. Molenaar's style falls somewhere between the sleek, sexy lines of Ed Benes on the classic BoP books and Jesus Saiz's recent, grittier style. There's a bit of cheesecake on display, but also some fun action scenes and just the right touch of grit and grime to the surroundings. Hopefully Molenaar will remain on the book longer than Saiz did.

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6.5
Birds Of Prey (2011) #1

Sep 21, 2011

If nothing else, Birds of Prey #1 should reassure readers that the franchise has plenty of life left after the relaunch. The series merely needs its full cast and less reliance on structural tomfoolery.

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8
Birds Of Prey (2011) #7

Mar 21, 2012

This issue receives a nice visual boost thanks to the return of Jesus Saiz. Javier Pina was a solid fill-in artist, but Saiz brings an extra level of mood, shadow, and more fully realized character renderings to the table. The book is fairly understated compared to many New 52 titles, but as far as pure storytelling goes it's one of the best. It's a shame Saiz will soon be shifting over to Resurrection Man, though I'm eager to see what Travel Foreman can accomplish in his place.

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6.5
Birds Of Prey (2011) #8

Apr 18, 2012

Birds of Prey is a solid book, but it really needs to get moving and stop drawing out the various mysteries introduced so far.

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5.2
Birds Of Prey (2011) #13

Oct 17, 2012

Romano Molenaar enjoys another solid month following his debut on issue #0. He continues to capture the darker style of Jesus Saiz while simultaneously lending a more freewheeling, energetic touch to his pages. With the scripts growing less satisfying all the time, at least the series still has some selling point to fall back on.

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7
Birds Of Prey (2011): Futures End #1

Sep 11, 2014

Even though this issue doesn't stick the landing, it's a decently enjoyable and well illustrated read and a thematically fitting send-off to the series as a whole.

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8.5
Black Canary (2015) #2

Jul 16, 2015

Much like the current Batgirl run, this take on Black Canary is so dramatically different from what's come before that she could just as easily be a new character with the same name. But Black Canary needed a shake-up, and this series more than delivers in that regard

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8.5
Black Cloud #2

May 11, 2017

Black Cloud isn't an easy read, but it's a gorgeous one.

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8.8
Black Hammer #1

Jul 20, 2016

If you think there's no room left in your life for another superhero comic, Black Hammer #1 might just prove you wrong. This series races right out of the gate, focusing on fleshing out its strong cast rather than becoming fixated on the background and history of the universe. The gloomy art style further establishes this as a very different breed of superhero book.

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9
Black Hammer #2

Aug 18, 2016

This series is quickly proving that it's always possible to find a worthy new angle on the superhero genre. Black Hammer succeeds mainly because Jeff Lemire and Dean Ormston are far more concerned with exploring their characters and their respective foibles than trying to shine a spotlight on the larger universe.

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9.5
Black Hammer #3

Sep 22, 2016

Jeff Lemire and Dean Ormston deserve a huge amount of credit for not only finding a compelling new take on the superhero genre, but crafting what has quickly become one of the best superhero books on the stands.

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9.2
Black Hammer #6

Dec 22, 2016

Black Hammer #6 caps off the book's first story arc with new story wrinkles and complications that serve to make these heroes' extended "vacation" that much more unpredictable.

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7.7
Black Hammer #7

Mar 23, 2017

Jeff Lemire and Dean Ormston devote the majority of this issue to fleshing out the background of the fallen Black Hammer and the bond he shared with his daughter. The story is executed well, as usual, with the creators doing an excellent job of making readers care for a hero who had little direct role in the series before now.

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9.5
Black Hammer #8

Apr 20, 2017

Eight issues in, Ormston and Jeff Lemire have allowed readers to care about these fallen heroes as if they're lifelong friends. That, above everything else, is what makes this the best superhero comic on the stands.

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8.3
Black Hammer #9

May 25, 2017

This issue takes a step back to explore the original meeting of Colonel Weird and Talky-Walky. That origin story is extremely entertaining, making the most of Jeff Lemire's talent for evoking the feel of classic Silver Age storytelling with a modern, self-aware twist.

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8.6
Black Hammer #10

Jun 22, 2017

This series has both spoofed and paid loving having homage to many eras of the comic book industry. It was only a matter of time before Jeff Lemire and Dean Ormston got around to lampooning the excesses of '90s superhero comics.

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9.1
Black Hammer #11

Jul 27, 2017

It's a satisfying feeling knowing that Black Hammer can now be officially referred to as "The Eisner-winning Black Hammer." And this issue is a good showcase for why the series won that award.

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8.8
Black Hammer Annual #1

Jan 19, 2017

Maybe labeling this issue "giant-sized" is a bit of a stretch, but it does offer a nice, satisfying standalone story that expands on the cast of the main series.

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6.5
Black Knight #1

Nov 18, 2009

Maybe it isn't fair to complain too much about this book. It's a simple throwback story, and it knows it. And if you choose to read The Black Knight #1 as one of the perks of Marvel's digital comics service, then that's all it needs to be. But those who actually pick this issue up in the store and plunk down their $3 may be less satisfied.

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5.5
Black Knight (2015) #1

Nov 19, 2015

There's plenty of potential for this book to develop into something special, but there are some fundamental problems in need of addressing first.

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4.5
Black Knight (2015) #2

Dec 10, 2015

With too much emphasis on the Avengers and not enough on the core cast, there's little sense that the plot has advanced much since the first issue.

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6.4
Black Lightning: Cold Dead Hands #1

Nov 2, 2017

It's a solid return for the character, but it could have been something more.

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9.2
Black Magick #6

Jun 29, 2017

This series enjoyed a strong debut in 2015, though its long absence was an unfortunate momentum killer. Luckily, Rucka and artist Nicola Scott hit the ground running with this issue, which is easily their strongest to date.

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8.7
Black Magick #7

Aug 31, 2017

While not quite as strong as issue #6, Black Magick #7 is an enjoyable read that serves as yet another reminder of how strong the Greg Rucka/Nicola Scott partnership is.

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7.4
Black Panther & the Crew #1

Apr 13, 2017

This first issue reads more like a grounded cop drama starring Misty Knight. Most of the characters on the cover don't even put in an appearance. But despite the weird branding and the sometimes agonizingly slow pace, this first issue does succeed in exploring a different side of the Marvel U.

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2.8
Black Panther (2005) #31

Oct 24, 2007

At least I don't need to complain about the art for once. Francis Portella takes over as the regular series artist with this issue. Portella has started to really impress me with Super-Villain Team-Up. His work here isn't as refined, but it more than does the job. Truth be told, I'd feel bad for Portella if he put in anymore work than necessary with this series. It just isn't worth bothering.

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3.4
Black Panther (2005) #32

Nov 28, 2007

Make no mistake, the only reason this issue didn't score much lower is that the art is surprisingly good. I don't know how Marvel convinced Andrea di Vito it would be a constructive use of his time to assist regular artist Francis Portella this month. The end result is nice, but surely the two artists could find something better to do. I really feel bad for everyone who put in time on this issue, even Hudlin himself. If ever a series cried out to be canceled, it's this one.

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3.4
Black Panther (2005) #35

Mar 26, 2008

It's a sad, sad time when I find myself wishing one of my favorite comic book characters would just die already. Obviously Priest had the right idea by giving Panther an incurable aneurysm. In all honestly I would rather have Panther die or turn Skrull so some other character could take up the mantle. It wouldn't excuse the many problems this book faces each month, but at least I could stop caring so much.

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7.6
Black Panther (2005) #40

Aug 27, 2008

Unfortunately, as much as I'm enjoying this story, I do have to question its importance. This arc is similar to Secret Invasion: X-Men in that it really doesn't need more than a single, oversized issue to tell its story. Both books are extremely well-crafted, but neither really amounts to anything more than entertaining fluff in the end. However, the sheer novelty of having a decent Panther arc should be incentive enough for most readers.

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7.6
Black Panther (2005) #41

Sep 24, 2008

Whatever the ultimate fate of this book, I'm pleased to have finally encountered a Black Panther story that recalls some of the glory of the Christopher Priest days. If the book is gone, then at least I know it died much better than it lived.

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4.3
Black Panther (2009) #1

Feb 4, 2009

Not that this should come as much of a surprise, but Black Panther has changed very little in its latest transition. The series is still plagued by an overly simplistic and often aggravating portrayal of its characters. With a less than compelling mystery that will likely persist for many months to come, I see no reason to get excited at the prospect of more Black Panther. This long-term fan continues to pine for the good old days.

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4.1
Black Panther (2009) #2

Mar 4, 2009

It's pretty clear to me the new volume of Black Panther could easily be a solid read. The potential is there. Between the bubbling conflict with America and the imminent arrival of a certain vampiric Spider-Man foe, there's no reason I shouldn't be foaming at the mouth for the next issue. But the continual poor writing, odd structuring choices, and uninspired art conspire to keep this series well behind the rest of the pack. But hey, what else is new?

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5.7
Black Panther (2009) #8

Sep 2, 2009

Black Panther remains on the lower end of the Marvel spectrum, but it admittedly shows some level of improvement with the new creative team. I'd like to think that Maberry will eventually settle into his new gig, and that once the series escapes from under the shadow of past Panther storylines, it will become something I can truly recommend.

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6.3
Black Panther (2009) #12

Jan 13, 2010

With this issue done, Black Panther as we know it is ending. I don't know whether the series will return after Doomwar, but even if it does I imagine the changes will be significant. This issue has gotten me reasonably interested in Doomwar, so in that sense at least it was successful. Still, seeing how many problems remain in the overall execution, I plan on keeping my expectations in check over these next few months.

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8.8
Black Panther (2016) #1

Apr 4, 2016

After several years of ups and downs, Black Panther finally has the solo comic he deserves again. Coates and Stelfreeze build on the many stories that have come before to weave a tale about Wakanda in its darkest hour and a king who may not be up to the task of saving it. Whether you're a hardcore fan of the character or Captain America: Civil War has you interested in learning more about T'Challa, this comic has plenty to offer.

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8.8
Black Panther (2016) #2

May 12, 2016

Brian Stelfreeze's lithe, burly interpretation of Black Panther and his captivating use of light and shadow make for one of the most visually distinctive Black Panther comics ever published.

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9.2
Black Panther (2016) #3

Jun 30, 2016

Three issues in, it's already clear that this series will rival the best in the history of the character.

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8.6
Black Panther (2016) #4

Jul 28, 2016

It's clear from reading these first four issues that Ta-Nehisi Coates and Brian Stelfreeze are every bit as passionate about their supporting cast as they are Black Panther himself.

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8.2
Black Panther (2016) #6

Sep 14, 2016

The latest chapter of Black Panther is another winner. While the focus of the series is becoming a little choppy, issue #6 offers an engrossing look at a reluctant king fighting to hold his nation together. The combination of Coates' intelligent prose, Sprouse's elegant line-work and Martin's vivid colors results in a truly engaging reading experience.

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7.4
Black Panther (2016) #13

Apr 27, 2017

This issue kicks off the second season of Ta-Nehisi Cates' Black Panther run, and there's an immediate and palpable stylistic shift. The emphasis is less on politics and high-minded ideals and more on the supernatural side of Wakandan culture.

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6.7
Black Panther (2016) #14

May 25, 2017

For a series that ranked among Marvel's best in 2016, Black Panther is having a surprisingly difficult time finding its footing in its second story arc.

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5.3
Black Panther (2016) #18

Sep 28, 2017

It's impossible not to feel excited for the future of this series given certain developments in Marvel Legacy #1, but the current conflict is starting to seem like a bland appetizer before than enticing meal.

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6.3
Black Panther (2016) #166

Oct 26, 2017

This issue doesn't offer the bold, inviting jumping-on point readers might have been hoping for with Marvel Legacy. The book's numbering may have changed, but Ta-Nehisi Coates is still very much in the middle of telling his second major Black Panther story. And unfortunately, that story still struggles to measure up to "A Nation Under Our Feet."

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5.7
Black Panther (2016) #169

Jan 25, 2018

This series has struggled quite a bit since the initial high of the "A Nation Under Our Feet" arc, and throwing a silent interlude tale into the mix only further dampens the book's momentum.

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8
Black Panther (2016) #170

Mar 1, 2018

In general, things seem to be picking up for the series again, though I'm still very much looking forward to the new status quo that comes with the impending relaunch.

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7.6
Black Panther (2016) Annual #1

Feb 21, 2018

How much Black Panther Annual #1 appeals to you as a reader may depend on how familiar you are with the different eras being referenced. Priest and Perkins' story is a great coda to a classic run, but not one that does much to stand on its own. Of the three, McGregor and Acuna's story does the best job of standing on its won two feet, while Hudlin and Lashley's tale reads like it needed a much larger platform to really breathe.

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8.6
Black Panther (2018) #1

May 23, 2018

Black Panther #1 delivers a wildly different and compelling new status quo for T'Challa.

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2.7
Black Panther: The Sound And The Fury #1

Feb 8, 2018

The inclusion of a classic Stan Lee/Jack Kirby story helps add a bit of value, but new readers interested in learning more about T'Challa are better off looking elsewhere.

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8.8
Black Road #1

Apr 14, 2016

Brian Wood is returning to familiar territory with this new series. Luckily, Black Road recalls the appeal of Northlanders while offering just enough of a new approach to exploring Viking life that it doesn't read like a simple rehash.

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9.4
Black Science #4

Feb 26, 2014

Issue #4 closes out the series' first story arc. Our heroes make a last, desperate stand as they wait for the Pillar to activate. Sacrifices are made, and it's a testament to how quickly and capably Remender has fleshed out his cast that the consequences hit home. By the end of this issue, the overarching conflict of the series becomes more clear. We have our cast of heroes (and sleazeballs), we have our stakes, and the only question is just how strange and surreal the journey will become from here.

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8.4
Black Science #5

Apr 2, 2014

Regardless of setting, Matteo Scalera and Dean White keep this book looking awesome. Scalera's work is endlessly dynamic and expressive, offering a grungy sci-fi aesthetic with the hints of darkness and horror inherent to his work. And White seals the deal with his colors, giving every panel a sense of life and vitality amid the grunge and heavy texture of Scalera's pencils. These two are fast becoming one of the more effective art teams in the industry.

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6
Black Widow (2010) #6

Sep 22, 2010

Swiercynski introduces a number of minor complications throughout the issue that spice up the proceedings further. It's enjoyable, but even at three issues I'm worried this arc doesn't have enough steam to last to the end. It's also disappointing to see Swiercynski rely on one of the most overplayed cliffhangers in the industry for his first issue. This run could easily develop into something worthwhile for Widow fans. For now, though, it still has a ways to go towards establishing itself.

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7.4
Black Widow (2014) #6

May 8, 2014

This is one series where the visuals have always been the prime selling point, and that doesn't change with issue #6.

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6.2
Black Widow (2014) #7

Jun 5, 2014

The latest issue of Black Widow pays homage to the good old days of Natasha Romanov and Matt Murdock hanging out in sunny San Francisco. Unfortunately, neither the change in scenery nor the guest appearance by Daredevil do much to shake up what is increasingly becoming a formulaic series.

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6.5
Black Widow (2014) #9

Aug 7, 2014

Hopefully this series can move onto more interesting territory with this issue's cliffhanger.

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7.9
Black Widow (2014) #13

Dec 17, 2014

This is easily one of the series' most gorgeous installments. Noto's economical, expressive line-work merges with his lush colors for a breathtaking end result. As for the story? It's fine? This has always been a series whose primary selling point is the art.

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8.5
Black Widow (2014) #16

Mar 19, 2015

As a character study, this issue is one of Edmondson's most successful. The art is predictably fantastic as well.

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9
Black Widow (2016) #1

Mar 2, 2016

Those hoping for a deep, complex narrative may be disappointed with the first issue of Black Widow. But when a comic looks this good and takes such full advantage of the medium's storytelling possibilities, who needs pesky words? This issue will almost certainly be looked to as a teaching tool for up-and-coming comic artists. Not a bad start to this new series.

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9.4
Black Widow (2016) #2

Apr 7, 2016

After only two issues, this series is quickly establishing itself as one of Marvel's best.

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9
Black Widow (2016) #4

Jun 16, 2016

If it wasn't obvious that Mark Waid and Chris Samnee are one of the best creative teams working in comics today, this series serves as undeniable proof. Black Widow #4 is yet another showcase for what's possible when two talented creators with a close working relationship join forces.

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9.4
Black Widow (2016) #5

Jul 21, 2016

Every issue to date has been a terrific showcase for Samnee's artistic talents and the finely honed collaboration between he and Mark Waid. Issue #5 is no exception.

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9.3
Black Widow (2016) #6

Aug 18, 2016

Best of all, this issue makes a very substantial leap forward in Nat's ongoing quest to clear her name. Under a lesser creative team, that sudden leap forward might have seemed abrupt and unsatisfying, but Mark Waid and Chris Samnee remain in total control of their story.

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8.7
Black Widow (2016) #12

Mar 30, 2017

Perhaps everything wraps up a little too neatly and quickly in the end, but this issue still offers a satisfying look at a deadly agent trying to atone for the sins of her past.

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8.9
Blackest Night #1

Jul 15, 2009

All in all, it's hard to find fault with Blackest Night #1 itself. Most of my problems stem from being too bombarded with pre-release information, and all that eventually melts away in favor of the actual joy of reading. The Sinestro Corps War Special left a slightly bigger impression on me in the end, but there's something else worth noting. That storyline hit its high mark with the opening installment. With Blackest Night #1, I feel Johns and company are only scratching the surface with this issue. This event has nowhere to go but up from here, and that's quite a rosy thought to last me through the rest of the year.

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7.7
Blackest Night #6

Dec 30, 2009

In many ways this is the weakest issue of Blackest Night yet. It's simultaneously overly serious and too goofy for its own good in points. It also fails to push the storyline as far as I would like. But despite these complaints, the core of what has made the Johns/Reis collaboration so great remains. I have a feeling things will quickly pick back up once issue #7 hits and Johns' endgame begins. Its just a shame we have to wait a full two months to get to that point.

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7.2
Blackest Night #8

Mar 31, 2010

Ultimately what disappoints me about Blackest Night #8 is that it doesn't provide the satisfying, conclusive finale I hoped for. The story is surprisingly open-ended for what was billed as the culmination of all of Johns' Green Lantern work since Rebirth. Clearly, plans changed along the way, and I'd be interested to see how the series would have turned out if Johns didn't change his mind about leaving Green Lantern. The events and revelations in this issue are certainly interesting. The emotional payoffs for many characters are wonderful. But Blackest Night feels less like an epic finish to Johns' Lantern trilogy than it does a means to the end that is Brightest Day. I'm more pumped for Brightest Day than I've ever been. I won't deny that. But did it have to come at the expense of this story? Like so many events before it, Blackest Night is a flawed endeavor. Though certainly better than most, it ultimately failed to reach the bar set so high by The Sinestro Corps War three years ago.

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6.8
Blackest Night: Batman #3

Oct 14, 2009

So, in the end, what was the point of this? Like too many Blackest Night books, the story behind Blackest Night: Batman comes up sorely lacking. The Black Lantern reveals were fun, but it's become painfully clear at this point that these reveals are a poor substitute for true substance and conflict. The most Blackest Night: Batman has to offer is the art of Adrian Syaf. Syaf is a solid addition to the Andy Kubert/Tony Daniel school of Batman art, and I have little doubt we'll see him return to Gotham soon. That said, Syaf's art could just as easily been showcased in a one-shot special. This mini-series offered about enough content for one solid issue. I can only hope at this point that the next round of character-specific mini-series will be able to claim more than that.

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6.2
Blackest Night: Tales of the Corps #1

Jul 15, 2009

If these stories were inserted as back-up material in the other Lantern books, I would be able to overlook their flaws. But the fact that DC are charging $3.99 for three short, lackluster stories and some reprinted bonus material makes it more problematic. The most I can hope for is that the remaining two issues have more to offer from a storytelling standpoint.

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7.5
Blackest Night: Tales of the Corps #2

Jul 22, 2009

Blackest Night: Tales of the Corps still has its problems, but its pleasing to note that issue #2 is already significantly improved over the first. I'm hoping Johns and Tomasi have saved the best tales for last.

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8.3
Blackest Night: Wonder Woman #2

Jan 6, 2010

Ultimately, this issue suffers from a slightly fractured sensation as Rucka drags Diana from scene to scene and battle to battle in rapid succession. But that does little to dampen the overall impact of this series. Between Wonder Woman and Flash, we finally have Blackest Night minis that are living up to their potential.

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6
Blackhawks (2011) #1

Sep 28, 2011

In more ways than one, this book is still in need of a firm identity. It's a reasonably competent debut, but one that doesn't do nearly enough to distinguish itself among the New 52 or provide incentive to stick around for more.

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7
Blackhawks (2011) #2

Oct 26, 2011

In terms of plotting and pacing Costa is handling the series well. There isn't much about the series that feels terribly original, but the conflict is engaging thus far. Where Costa needs to focus is characterization. The various members of the Blackhawks are mostly interchangeable soldier types. There's a character named Lady Blackhawk, but she neither resembles nor looks anything like the one made popular in books like Birds of Prey. Without a stronger, more identifiable cast, this series will never become greater than the sum of its parts.

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8.7
Bloodshot: Salvation #1

Sep 20, 2017

Valiant continues to make it both easy and attractive to dive into their superhero universe in 2017. Bloodshoot Salvation #1 serves as a great starting point, even though it serves as the latest act in Jeff Lemire's ongoing saga. With strong characterization and a compelling balance between present-day and flash-forward conflicts, there's plenty of reason to become invested in this new chapter in Bloodshot's ongoing struggles.

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8.5
Bloodshot: Salvation #5

Jan 11, 2018

This issue caps off the series' first story arc in especially brutal fashion, as Bloodshot finds himself transformed back into ordinary, human form at the worst possible moment.

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4.2
Bloodstrike (2015) #1

Jul 9, 2015

The book reads like a bad parody of early '90s superhero excess. The characters are all (extremely) thinly veiled riffs of familiar heroes like Deadpool and Cable. The violence, sexual humor and profanity give the book a very juvenile quality, and that's to say nothing of the grotesquely exaggerated, implausible anatomy.

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8
Blue Beetle (2011) #0

Sep 19, 2012

The script does tend to drag towards the end when the scarab's narration starts to feel more like exposition directed at new readers. But on the whole, it enriches the Blue Beetle mythology and sets the stage for some fun conflicts coming up as the series continues shifting away from Earthly matters.

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7
Blue Beetle (2011) #1

Sep 21, 2011

This isn't a perfect debut for the series. Bedard does seem to go a bit overboard in emphasizing Hispanic characters and culture. The Spanglish-ridden dialogue can be slightly annoying

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7
Blue Beetle (2011) #2

Oct 19, 2011

This series could stand to pick up the pace somewhat, but it's doing a competent job of shining the spotlight back on this particular teen hero.

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7.5
Blue Beetle (2011) #4

Dec 21, 2011

What really sets this fourth issue apart is the surprise ending. It could either provide the series that extra little boost it needs or unnecessarily drag it down into melodrama. We'll find out one way or the other next month.

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8
Blue Beetle (2011) #6

Feb 15, 2012

Bedard continues to push Jaime into new territory with the conclusion. Though annoyingly rushed, the final pages promise to shunt the character into new locales and story directions. For a book that was a little slow to get moving and find an identity at first, this can only be a good thing. But hopefully the more familiar cast members will still have some part to play in this new direction.

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8
Blue Beetle (2011) #7

Mar 21, 2012

Ig Guara is missing this month, unfortunately. Marcio Takara replaces him, and the results are pretty similar to what Guara was delivering. Takara's work is a bit more loose and scratchy, but it's still reasonably expressive and very much in line with what one would expect from a teen superhero series with slight sci-fi influences.

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8
Blue Beetle (2011) #8

Apr 18, 2012

Marcio Takara fills in for Ig Guara this month. His style isn't radically different, merely more angular and a little less detailed than Guara's. Takara's pencils are nothing spectacular or flashy, but they get the job done well enough.

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5.9
Blue Beetle (2016) #1

Sep 29, 2016

This series can do better, and it needs to if it's going to stand out in DC's new lineup.

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8.1
Blue Beetle: Rebirth #1

Aug 25, 2016

Writer Keith Giffen is hardly any stranger to either incarnation of Blue Beetle, but there's something fresh and exciting about the idea of a book that pairs Ted and Jaime in a mentor/pupil relationship. The result is a book that entertains as both a teen superhero drama and an exploration of the mystical nature of the Scarab.

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7.5
Books of Magic (2018) #1

Oct 24, 2018

Books of Magic #1 works with too many familiar tropes, but at least it does them well.

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6.2
Borderlands #1

Jul 17, 2014

Agustin Padilla's tenure with the G.I. Joe franchise made him a natural fit for such a wacky, violent, gun and gadget--filled comic. Padilla is able to capture the general look and feel of the Borderlands universe. However, while the art is certainly gritty and grimy enough, the colors and inking don't do enough to replicate the distinctive bright, cel-shaded style of the games. It's a simple element that would have gone a long way towards making this comic feel more authentic.

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5.6
Borderlands #2

Aug 28, 2014

IDW's Borderlands comics would be better off focusing more on the visual presentation and on telling stories unique to this medium.

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6.6
Borderlands #3

Oct 23, 2014

Between the dull, muted colors, the scratchy figure work, and the vehicle designs that look nothing like those of the game, none of Borderlands' distinctive aesthetic is replicated here.

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6.4
Borderlands #4

Nov 13, 2014

The result is an almost meta approach to characterizing the villain and his clash with the Vault Hunters as Nine-Toes muses on the nature of climaxes in fiction. An interesting approach, but one that downplays the action almost too much in the end.

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5.9
Borderlands #5

Dec 17, 2014

This issue begins a new arc for the series, but doesn't really do much to address its fundamental flaws.

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6.8
Borderlands #6

Jan 21, 2015

The result is a comic that's funny and sad in equal measure. Unfortunately, this books visual woes continue unabated. This simply isn't how a Borderlands comic should look, either in terms of character design and architecture or in terms of coloring.

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6.5
Brightest Day #13

Nov 3, 2010

Johns and Tomasi do make some inroads this month, revealing exactly what Hath-Set and Khea want and how it plays into the larger picture. The journey to that point is bumpy, however, particularly during a drawn out exposition sequence towards the middle of the issue. Overall, though, this issue wasn't as underwhelming as I would have expected given the subject matter. One benefit to the near-exclusive focus is that the team of artists are able to break from their usual assignments and tackle the war on Hawkworld. It's refreshing to see Joe Prado and Ivan Reis tackle Hawkman now. And fortunately, the various styles mesh fairly well together over the course of 22 pages. Brightest Day is now at the halfway mark. While this issue wasn't the finest method of ringing in the occasion, improvements made to the Hawkworld conflict suggest the series as a whole could be headed for an upswing.

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7.5
Brightest Day #14

Nov 17, 2010

Naturally, the newly returned Bruce Wayne factors heavily into the issue. Luckily, his inclusion wasn't as random or pointless as might have been feared. Granted, scenes of Bruce becoming the unwilling host for a Lantern ring are becoming played out, but otherwise his involvement furthers the story. Another benefit to the current structure is that Ivan Reis steps in front and center. Easily the strongest of the Brightest Day artists, Reis captures all the acrobatic grace of Deadman's antics and his tortured emotions. There's even a nice homage to Neal Adams original cover to Strange Adventures #205. This is easily one of the best issues of Brightest Day. Whether it can be taken as a sign of continued improvement is unclear, unfortunately.

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6.5
Brightest Day #15

Dec 2, 2010

Another benefit to this issue is that all but two pages are attractively pencilled by Patrick Gleason, with the remainder being handled by Scott Clark as the series prepares for a Firestorm-heavy installment. Granted, Gleason's art is inked by seven different collaborators, but the visuals are surprisingly cohesive despite that. In general, this shift of focus to more character-specific issues is for the benefit of the series. Hopefully issue #16 makes better use of that approach with Firestorm.

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5.5
Brightest Day Aftermath: The Search for Swamp Thing #1

Jun 23, 2011

The saving grace of this issue is the interaction between Constantine and a pair of JLA-ers. Batman tossing Constantine on his ass is one of the more memorable comic book moments of the year. It's also a treat to see Zatanna bickering with her old boyfriend again. If the series is to improve over the next two issues, Vankin will need to focus heavily on this sort of banter as well as bring Swamp Thing more fully into the spotlight. Constantine alone clearly isn't going to carry the book.

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4.5
Brightest Day Aftermath: The Search for Swamp Thing #3

Aug 24, 2011

This series suggests, if nothing else, that it's not a bad thing to have Constantine, Swamp Thing, and other Vertigo mainstays back in the DCU proper. Hopefully these characters will be put to better use in the relaunch.

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8
Britannia (2016): We Who Are About to Die #1

Apr 27, 2017

Britannia: We Who Are About to Die is more than just a hard-boiled detective mystery set in the Roman Empire. It's also an examination of the debauchery of late-stage civilization and the contradiction of a man of reason and deduction being tormented by visions from the gods.

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4
Bruce Wayne: The Road Home: Outsiders #1

Oct 13, 2010

As with the preceding issue of Red Robin, the core appeal for many readers might lie in seeing Bruce put his new suit to the test. It seems he's packing the entire JLA armory inside that thing, which is simultaneously awesome and a little weird. Unfortunately, this issue also suffers from some seriously lackluster art. Javier Saltares delivers some uncharacteristically loose and haphazard pencils. The fact that this issue was originally solicited without a designated artist may explain the rushed quality of the visuals. In short, if there is any chapter of The Road Home that can be safely skipped, it would be this one.

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6.5
Bruce Wayne: The Road Home: Batman and Robin #1

Oct 13, 2010

Unfortunately, Fabian Nicieza doesn't shed much light on how Bruce's return impacts Dick and Damian. It's not even clear if they're aware of his return. Too much of the issue is devoted to other threads, such as Vicki Vale's exposé and Bruce's mission with Tim. However, Nicieza does handle the Dynamic Duo well, with plenty of playful banter to break up the butt-kicking. This issue reminds readers why it's so important these two remain partners. So this issue is hardly a total loss. It's just unfortunate that these various one-shots aren't one-shots at all, but pieces of a larger story. Those truly curious about how Dick and Damian will handle the return of Bruce Wayne might as well just wait until Grant Morrison tells that story next month.

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7
Bruce Wayne: The Road Home: Batgirl #1

Oct 13, 2010

It's unfortunate this issue had to come out in the same week as The Return of Bruce Wayne #5, though. Perez truly outdid himself there, despite only acting as fill-in artist for Ryan Sook. The level of detail and sense of style isn't as pronounced here. The script isn't perfect, either. Stephanie's dialogue comes across as needlessly annoying in several spots, particularly early on as she believes herself to be battling Amazo. The point of the current Batgirl series may be to showcase a happier, more bubbly sort of crimefighter in Gotham, but too often Miller takes Steph's personality to the extreme of ditziness. Still, this issue goes a long way toward cementing her place among the Bat family. Consider this payoff to the past year of Batgirl stories.

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5.5
Bruce Wayne: The Road Home: Red Robin #1

Oct 13, 2010

This issue should mostly appeal to long-term fans of the Red Robin ongoing. It has the same writer and a similar focus. Those tuning in specifically for Bruce will find little of interest aside from a showcase of just how technologically advanced the new Batsuit will be. Oddly, Nicieza's narration, which read perfectly fine in the Batman and Robin issue, feels more awkward and stilted here. The Vicki Vale subplot is somewhat interesting, but also comes across as a forced attempt to build continuity between these issues. Also unfortunate is that Marcus To isn't present to continue rendering Tim's escapades. Instead, original Red Robin Ramon Bachs delivers a comparatively bland set of pencils. Though less scratchy and more attractive than his recent work on Azrael, Bachs' work is a definite step down from the previous Batman and Robin issue. Future installments will need to ramp up considerably if I'm going to be able to maintain interest for the latter two thirds of Bruce Wayne: The Roa

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7.3
BubbleGun #1

Jun 20, 2013

BubbleGun is a series that wears its influences on its sleeve to a certain degree. But I have hope that the book will eventually carve its own path, and there's enough entertainment value in this first issue to suggest that BubbleGun will be worth a shot even at full price.

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8.5
Bucky Barnes: The Winter Soldier #1

Oct 2, 2014

Marco Rudy's vibrant, surreal art style is a perfect fit for such a trippy book. Rudy delivers page after page of mind-bending imagery and intricate panel layouts. It's the sort of style that requires a more methodical read in order to follow the flow of the story, but it's a rewarding read. Only towards the end of the issue does Rudy's work begin to falter. The final couple pages are a little confusing in terms of what Kot and Rudy are trying to convey. But hopefully this is a partnership that will only grow and thrive with time.

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8.8
Bucky Barnes: The Winter Soldier #6

Mar 19, 2015

The book has both wit and grandeur, and it continues to carve out a niche for itself in Marvel's lineup.

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8.8
Buffy the Vampire Slayer (2019) #1

Jan 23, 2019

Buffy the Vampire Slayer #1 manages to reboot a long-running franchise without losing its core appeal.

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8
Buffy the Vampire Slayer Season 8 #36

Sep 1, 2010

If anything needs to be addressed in this arc, it's the pacing and framing of the story. Whedon is cutting back and forth between characters very rapidly. The frantic focus is justified to an extent, but it could still be toned down somewhat. The final few pages leave me hopeful this will be the case in later issues. Whedon had the chance to cut loose and go wild in this issue, but the arc shows signs of narrowing its focus a bit from here on out. There's plenty more to do and explore in these final issues. I just hope Whedon has room to explore it all while not ignoring the character relationships that have always been the backbone of Buffy.

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6.5
Buffy the Vampire Slayer Season 8 #38

Nov 3, 2010

Georges Jeanty also seems to be weakening under the strain of putting "Last Gleaming" to rest. The quality of draftsmanship is weaker than in previous issues, and the level of detail fluctuates from page to page. "Last Gleaming" is still poised for a great finish if the team can ever push this exposition out of the way. This arc is proving that even Whedon isn't infallible on the series. Hopefully it will offer some lessons that can be applied to the pacing, structure, and presentation of Season 9.

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7
Buffy the Vampire Slayer Season 9 #1

Sep 14, 2011

It'll be interesting to see how well that quality holds over the long-term. Whedon is credited as the sole writer for this issue, but he'll generally be co-writing the series with Andrew Chambliss. Will the quality of the writing hold steady once this new arrangement begins? That's the $64,000 question right now.

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7
Buffy the Vampire Slayer Season 9 #2

Oct 12, 2011

Georges Jeanty's pencils, meanwhile, are fairly variable in quality. Jeanty's close-up shots look good, offering clean, recognizable takes on the familiar characters without resorting to blatant photo-referencing. On the other hand, there are too many medium to wide-range shots that lose detail and feature characters that are stark almost to the point of abstraction. Jeanty's work needs a more unified, consistent feel.

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8.2
Bug: The Adventures of Forager #1

May 11, 2017

The Allreds deliver a surreal, enjoyable script, but one that doesn't fully tap into the psychological weight of Forager's constant cycle of sleep and wake and death and resurrection. Hopefully that'll change soon enough.

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8.7
Bullseye (2017) #1

Feb 1, 2017

Bullseye #1 won't change the way you look at this bloodthirsty assassin, but it does make the most of having Daredevil's nemesis in the driver's seat. It's fun, violent and brought to life in a very creative and energetic way thanks to artist Guillermo Sanna. Bullseye lovers won't want to pass up this book.

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8.7
Burn The Orphanage: Reign of Terror #1

May 7, 2014

The potential downside to all of this is that Reign of Terror doesn't welcome new readers as much as you might expect from a #1 issue. Granted, this isn't exactly the most deep or labyrinthine storyline on the stands. But readers are better off starting from the beginning to get a sense for the character relationships and the scope of the franchise in tone and setting. Grace and Freedman continue pushing their characters forward and exploring relationships built in the preceding three issues. There's a depth to the characters that isn't immediately apparent from the '90s video game aesthetic and giant robots. Meanwhile, Grace's art and storytelling keeps improving with each new issue, suggesting that Reign of Terror will only get better as it goes along.

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7.5
Burn The Orphanage: Reign of Terror #2

Jun 5, 2014

Burn the Orphanage has changed for the better with the shift to a more traditional mini-series structure. However, issue #2 loses a bit of the drive and focus from the first as the characters rest up and plan for their next assault on Mann-Corp.

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8.6
Burn The Orphanage: Reign of Terror #3

Jul 17, 2014

The combination of fun and drama and old-school gaming charm is something you won't find anywhere else.

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8.8
Burn The Orphanage: Reign of Terror #4

Aug 14, 2014

What's not to love about this comic?

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8.2
Burn The Orphanage: Reign of Terror #5

Oct 2, 2014

Sina Grace and Daniel Freedman deliver the goods as they explore the final clash between Rock's gang and Mannheim's robots. Even as the drama mounts and the body count rises, the duo find time for the sort of silly humor and pop culture homages the series is known for.

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6.3
Bushido #1

Oct 2, 2013

Bushido is a story with potential, but it really needs to slow down and allow the characters to develop rather than race through one confrontation after another.

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8.6
Cable (2008) #1

Mar 5, 2008

Though not without its problems, Cable #1 is a very enjoyable spinoff from an equally enjoyable crossover. Cable fans of all sorts should be pleased. Even the die hard Rob Liefeld supporters have been blessed (is that the right word?) with an alternate cover. Aside from X-Men: Legacy, this series could quite possibly be the most important X-book on the market for a while, so there's no real reason to avoid it.

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6
Cable (2008) #15

Jun 17, 2009

Messiah War has proved a disappointment through these past weeks. I'm really hoping Kyle and Yost have a huge payoff waiting in the wings for the finale issue. Messiah Complex fell apart in its home stretch. It would be nice if this sequel could at least break the mold in that respect.

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4.6
Cable (2008) #24

Mar 10, 2010

Cable is a series that has accomplished little in its time. With issue #24 paving the way for Second Coming to begin, all I can do is breathe a serious sigh of relief. Should Cable live long enough to star in another ongoing book, I hope the shackles will be lifted and the creative team will be able to do something more with the character.

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8.4
Cable (2017) #1

May 31, 2017

Cable immediately establishes itself as one of the stronger additions to Marvel's ResurrXion lineup. This first issue offers a tightly paced, attractive romp as the cyborg hero hunts a mysterious enemy across time. And fortunately, the book is able to add just enough depth and complexity to its main character to balance out the light, breezy storytelling approach.

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4.4
Cable (2017) #150

Oct 18, 2017

Cable seems to have taken one step forward and several steps back as it joins the Marvel Legacy. The new team writer Ed Brisson begins assembling in this issue shows plenty of potential. And group with Doop as a member is a group worth following. But while the team dynamic is great, the conflict is somewhat less memorable. And with the book now struggling so much in the visual department, this series flaws are outweighing its strengths.

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5.5
Cable and X-Force #2

Dec 19, 2012

I'm not ready to write this series off yet. However, I don't want to have to wade through an entire story arc full of jumbled storytelling before getting a clear sense of what place Cable and X-Force will occupy in the X-Men franchise. With Uncanny X-Force's relaunch imminent, this series really needs to make a stronger case for itself immediately.

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6.5
Cable and X-Force #3

Jan 9, 2013

So basically, the series wouldn't be half bad if it were just "X-Force" and not "Cable and X-Force." At the very least, I'm hoping that the series will even out a bit and ditch the nonlinear format after this debut arc.

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6.8
Cable and X-Force #4

Feb 14, 2013

Salvador Larroca is right at home with this book, at least. The blend of weird tech, frequent gunplay, and grotesque monsters plays to his storytelling strengths. Additionally , Frank D'Armata's surreal colors seem to be a better fit for this series than they were on Invincible Iron Man. The costume designs in this series leave something to be desired, but in general Larroca does a great job of matching the tone of Hopeless' script and establishing this seedy little corner of the X-Men universe.

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8.1
Cable and X-Force #6

Mar 20, 2013

The other half of the issue is a bit more dull by comparison, as Cable leads his team on a spaceship heist. But as the team dynamic begins to solidify, Hopeless is able to deliver some fun banter helps prevent the book from feeling overly grim and dark. Meltdown (or Boom-Boom or whatever codename she goes by these days) shows up for that extra bit of 90s nostalgia. Hopeless generally handles her well, though the use of slang like "totes" and "whatevs" is a bit grating. None of this material feels as vital as the Colossus portions, but the appearance of another major character at the end suggests that will soon be changing.

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8.1
Cable and X-Force #7

Apr 17, 2013

The more deep emotional material comes in the interaction between Colossus and Domino. Hopeless has managed to build up a solid relationship and rapport between the two characters in a short time, and it's already paying off. More than any other character right now, Colossus seems to be the emotional center of the book. Sadly, the Cable/Cyclops pairing didn't have as much emotional resonance as I was hoping. Hopeless writes some nice father/son dialogue, but ultimately Cyclops' presence just felt unnecessary and poorly timed.

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6.7
Cable and X-Force #9

Jun 6, 2013

Though it features some fun conflict and solid characterization, this is largely a forgettable installment of Cable and X-Force. The book developed a strong sense of direction and pacing in recent months, but it did seem to languish quite a bit in its first arc. Now isn't really an ideal time to be dealing with filler stories.

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8.4
Cable and X-Force #10

Jun 19, 2013

With this issue, Hopeless gets his team up and running and lays the framework for his next big arc on the series. If recent installments are any indication, that arc should be a lot of fun.

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8.2
Cable and X-Force #13

Aug 21, 2013

But aside from that, this proves to be another enjoyable chapter in the Cable and X-Force saga. Bunn delivers some fun banter between Forge and Doctor Nemesis, as well as some deeper interaction between Havok and his nephew Cable. Many questions are answered regarding the overall direction of the series and the source of Cable's precognitive visions. That said, maybe we don't need two issues of this series every single month, Marvel.

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6.7
Cable and X-Force #14

Sep 18, 2013

This issue also suffers from uncharacteristically weak art. Salvador Larroca's pencils are about as rushed and haphazard as I've ever seen. Working with colorist Frank D'Armata, Larroca has always had a tendency to leave it up to the colors to fill in the finer details on his figures. But that approach is far more pronounced here, as many figures are little more than loose outlines of uniform line weight and colored in. This artistic duo has long ranked among the fastest in the industry, but maybe even they need a breather from time to time.

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6.3
Cable and X-Force #15

Oct 16, 2013

This issue also sees regular artist Salvador Larroca step down in favor of Gerardo Sandoval. Considering how much the quality of Larroca's pencils had tapered off in recent weeks, a temporary change was probably for the best. Those who crave a slightly more '90s-influenced X-Force aesthetic will appreciate the exaggerated figures and facial expressions. It's not a style that meshes well with Larroca's techno-infused work, and the action framing and general storytelling aren't very exciting.

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7
Cable and X-Force #16

Nov 21, 2013

Unfortunately, the art quality continues to suffer now that Salvador Larroca has been replaced by Gerrardo Sandoval. The visuals are too '90s-inspired in how they emphasize gritted teeth and hyper-exaggerated muscles over all else. The storytelling is sometimes frustratingly unclear during the battle with the Reavers, even as it functions much better during the Sentinel fight.

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8.5
Cage (2016) #1

Oct 5, 2016

It's been a long time coming, but now that Cage! is finally here, the series doesn't disappoint. Tartakovsky offers a fun, goofy and very self-aware romp through the '70s-era Marvel Universe. His distinctive art style lends itself very well to that setting and ensures that Luke really earns the title of "Power Man."

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8.6
Cairo (HC) #1

Nov 28, 2007

Cairo is a story that may not appeal to everyone. Certainly, it seems to invoke different responses in each reader. I've already read one review that praised Perker's art but was fairly unimpressed with the execution of the story. Regardless of the difference in opinions, I think one thing all readers and reviewers can agree on is that Cairo is a provocative and heartfelt look at Eastern culture. Surely that's at least worth a quick glance.

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6.4
Call of Duty: Black Ops III #1

Nov 5, 2015

The characters are pretty generic and forgettable outside their witty banter and one-liners. This really hinders the book when the body count starts rising and the book struggles to elicit an emotional response.

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5.6
Call of Duty: Black Ops III #2

Dec 3, 2015

Aside from the gunplay, very little about the comic actually suggests that it's a Call of Duty story. It certainly doesn't look like the games. Instead of emphasizing gritty futurism of the game, Black Ops III opts for a more exaggerated art style that feels more '90s throwback than futuristic.

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8.2
Call of Duty: Zombies #1

Oct 26, 2016

Call of Duty: Zombies doesn't have much new to bring to the table when it comes to the zombie genre. But as straightforward as this first issue is, the execution is thoroughly solid. The art alone is enough to warrant a look for anyone who hasn't gotten their fill of the undead.

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9
Captain America (2004) #31

Oct 17, 2007

Now that we've seen Brubaker is able to maintain a consistent quality over the long run and without the series' main character, there is absolutely no reason not to be reading this book. Do it for Cap, if not for yourself.

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8.7
Captain America (2004) #32

Nov 19, 2007

If this issue doesn't rank quite as highly as recent ones, it's only because the focus on action makes it stand out from the crowd a little less. As the issue wears on Brubaker's story feels more and more like it could have been cribbed from any number of James Bond movies. It's hard not to make the comparison when Dr. Faustus makes his escape from his secret underground lair by blasting off in his spy plane while the heroes do battle with a legion of faceless, uniformed henchmen. Maybe I'm just cranky because I was hoping the storyline would have progressed a little farther in the past seven months. The new Cap is due to make his first appearance in a mere two issues, and I worry Brubaker will have to rush the rest of this storyline to get there. Still, it would be wrong of me not to have faith in the writer. He didn't turn this series into an absolute gem by his disappointing readers.

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9.2
Captain America (2004) #33

Dec 26, 2007

I think some readers will come into this issue with a slight amount of unconscious resentment. We've all been waiting for issue #34 and its big reveal of the new Captain America's identity. I know that's how I felt. I want to know already, darn it! Well, don't be surprised if you come out of this issue knowing more than you expected. All I can say is that 2007 was a truly great year for Captain America, and I'm sure 2008 will only be better.

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9.3
Captain America (2004) #35

Feb 27, 2008

If this issue has a flaw, it's the slightly weak ending. This isn't the first time in recent months Brubaker has relied on a slightly forced ending to cap off an issue. I sympathize that ending issue after issue on a satisfying cliffhanger is one of the more difficult aspects of writing comics. However, when a series is as good as this, lone flaws stand out all the more.

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9.1
Captain America (2004) #38

May 21, 2008

If recent covers of Captain America had you feeling ill at ease, cast those feelings aside. Brubaker once again proves he's not a man to take the obvious routes, and his story continues to thrive because of it.

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8.4
Captain America (2004) #39

Jun 25, 2008

While the script is strong, the art unfortunately lags behind. I'm continuously amazed at how well the Cap crew has managed to achieve a consistent visual tone amidst multiple artists. If Steve Epting needs assistance in any given month, he tends to share pages with his collaborators. That approach worked well in the past, so it's bewildering to see it change this month. Roberto de la Torre steps into the driver's seat and handles the entire issue to less than pleasing results. It's strange to think I recently praised de la Torre for making Iron Man such a visual stunner. Little of that talent shines through here. Given that the original solicitation listed Epting as the artist for this issue, I'm inclined to blame it on a rush job. Last month proved that de la Torre can be better integrated into the book than this.

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7.5
Captain America (2004) #600

Jun 15, 2009

Dan's Score: 7.7

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7
Captain America (2004) #605

Apr 28, 2010

I certainly didn't dislike this arc. It had some interesting things to say about the Grand Director and the state of the country as a whole. But ultimately, it lacked the sense of immediacy and the engrossing struggle of Brubaker's better Cap arcs. I'm hoping the return of Baron Zemo next month will signal a true return to form for this series.

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8.5
Captain America (2004) #618

May 25, 2011

It's tough to say where "Gulag" will leave the main cast when all is said and done, but there's no question this is one of Brubaker's strongest story arcs to date.

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8.5
Captain America (2004) #619

Jun 22, 2011

Judged by its own strengths, this issue is another winner from Brubaker. If anything, it only emphasizes how much potential Bucky had left and highlights the disappointment regarding his fate in Fear Itself.

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8
Captain America (2004) #620

Jul 27, 2011

It's hard to imagine Cap fans being disappointed with any aspect of this book. Conversely, the series has yet to prove it truly needs to exist. Yes, it's good to see Bucky still being shown some love and attention. But can this book both complement the main Cap series and thrive on its own merits in the same way Journey Into Mystery does for the Thor franchise? That's what upcoming issues will have to prove.

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6.5
Captain America (2004) #629

Apr 25, 2012

This arc absolutely needs to have a strong hook to rise above the glut of Hawkeye material on the market, and so far it doesn't have one.

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6
Captain America (2004) #630

May 9, 2012

It's probably too much to hope that this arc will spontaneously improve in the second half. Hardcore fans of Hawkeye who somehow still haven't gotten enough of the character may find these issues well worth the price, but personally, I'm waiting for the next "Captain America and..." team-up to hopefully breathe new life into the series.

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4.5
Captain America (2004) #631

May 23, 2012

With no real dramatic pull and too little focus on the simple joy of superheroes punching dinosaurs, Captain America and Hawkeye has nothing to offer readers. The next Cap team-up can't come soon enough.

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5.5
Captain America (2004) #632

Jun 13, 2012

This issue wraps up the Captain America and Hawkeye phase of the series and paves the way for Captain America and Iron Man next. Cullen Bunn does offer a glimpse of a larger, overarching plot tying these various phases of the series together. But given how dull these four issues were, is that even a positive sign?

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5
Captain America (2004) #635

Aug 8, 2012

The upcoming .1 issue turns back the clock to deliver a team-up between Cap and Namor. Here finally is a pairing we don't see in half a dozen Marvel books every month. Maybe the series will finally acquire a voice and life of its own again.

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8
Captain America (2011) #8

Feb 8, 2012

Alan Davis' art is a major part of the reason for the classic, old-school feel of the arc. But in this case, "old-school" is anything but a derogatory term. Davis is still a master draftsman and storyteller, qualities that far outweigh little niggling concerns like the dated hairstyles some characters sport. If nothing else, Captain America Vol. 6 has been a pretty book from the start.

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8.5
Captain America (2011) #9

Mar 14, 2012

This issue may sport the best work from Alan Davis so far. Davis really nails the extended fight between Sharon and Machinesmith, with plenty of dynamic motion and some amusing robot designs. And as always, his character work is every bit as refined as his action. This arc may have been slightly underwhelming at first, but it's definitely picking up as the conclusion draws near.

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5.5
Captain America (2011) #17

Sep 12, 2012

The one element this arc has going for it is Scot Eaton's artwork. Eaton's work makes up for its lack of flashy style with a solid storytelling foundation and powerful, detailed figures. Eaton is a worthy follow-up to the likes of Steve McNiven and Alan Davis.He proves himself equally adept at massive riot scenes or outlandish shootouts on the moon. It's just a shame that this arc isn't half as interesting as that last sentence makes it sound.

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5.9
Captain America (2012) #22

Jul 2, 2014

Again, Remender seems to be building the foundation of an interesting story here. But the execution in this issue is underwhelming, and we need to see why this instance of Steve Rogers losing his powers is different from the others.

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8.2
Captain America (2012) #23

Aug 14, 2014

After starting out on a weaker note, this arc is building some serious momentum.

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7.7
Captain America (2012) #24

Sep 4, 2014

This is the last issue of Rick Remender's Cap run before the big shake-up. And it's likely that the final page cliffhanger will annoy a lot of readers given what Marvel has revealed about issue #25. But I actually appreciated what Remender did with the cliffhanger and this issue in general.

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7
Captain America (2012) #25

Oct 2, 2014

With some great Zola moments and strong visuals, this series ends in a way that builds excitement for what comes next. However, due to a heavy-handed transition and little focus on the man who will be the new Captain America, this issue is just good instead of great.

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9
Captain America (2017) #695

Nov 1, 2017

Whether you're eager to follow the fallout of Secret Empire or are just ready for Captain America to move on, there's plenty to like in the first chapter of Mar Waid and Chris Samnee's new run. Waid is a seasoned Cap veteran at this point, and he proves that he hasn't lost his touch with the character. Samnee, meanwhile, shows that he's perfectly at home in any corner of the Marvel Universe. This run isn't shaping up to be a particularly groundbreaking, but it tells a good story and tells it well.

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8.5
Captain America (2017) #696

Dec 7, 2017

This issue offers more insight into what Steve is actually trying to accomplish in his cross-country travels, but for the most part it tells a pretty straightforward story. For now, that's enough.

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8.3
Captain America (2017) #697

Jan 4, 2018

Artist Chris Samnee makes the most of the premise, creating a dense, unsettling jungle environment and really capturing the scope of Cap's predicament. And while this issue maintains the done-in-one format of Waid and Samnee's issues so far, it does play its part in terms of advancing the overarching narrative

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8.9
Captain America (2017) #698

Feb 15, 2018

The action and storytelling are as dynamic as ever, but the unusual character designs and world-building result in an issue that stands out in stark contrast to its predecessors. Let;'s hope Waid and Samnee keep taking risks like this.

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9.3
Captain America (2017) #700

Apr 11, 2018

Most anniversary issues like this are devoted to introducing earth-shattering plot twists and setting the tone for a series going forward. Cap #700 takes a more character-driven approach, using its futuristic setting to test Steve Rogers in compelling new ways and explore the enduring appeal of this character. It serves as a fitting conclusion to Waid and Samnee's latest collaboration.

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7.3
Captain America (2018) #1

Jul 4, 2018

Marvel's latest Captain America relaunch shows plenty of promise, but the series has some growing to do.

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6.1
Captain America / Black Panther: Flags of our Fathers #1

Apr 7, 2010

Hudlin seems to be much more in his element with this version of Black Panther, and the story greatly benefits as a result. Sadly, whereas the art was usually the saving grace of Hudlin's past Panther stories, here it proves to be the book's worst enemy. I think Panther fans will be pleased with this take on the first meeting of two Marvel icons, but the series can still do better for itself.

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6.8
Captain America 70th Anniversary Special #1

Apr 1, 2009

Sorry, Marvel. I enjoyed the 65th Anniversary Special much more. Better luck in five years.

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8.5
Captain America and Batroc the Leaper #1

Mar 23, 2011

If Marvel hopes to end these weekly specials on a high note, they had better have something mighty good in store for Captain America and the Secret Avengers next week.

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8
Captain America and the First Thirteen #1

Mar 9, 2011

Though hardly a necessary read by any stretch of the imagination, this one-shot will hit the spot for any readers hungry for more Peggy Carter tales after reading Ed Brubaker's Cap run or watching the movie.

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8.2
Captain America And The Mighty Avengers #1

Nov 12, 2014

Luke Ross immediately proves himself to be a great fit for the tone of this Avengers book. Ross is able to channel the more grounded, street-level sensibility of Ewing's writing without losing sight of the larger-than-life elements of these characters. If most elements with the relaunch are business as usual, the visuals certainly seem to be on stronger footing.

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7.5
Captain America Corps #1

Jun 15, 2011

There's nothing terribly compelling about the plot to the series, as Captain America and the multiverse don't easily mix. And while Stern effectively commented on contemporary American politics in "War and Remembrance," this series seems a bit more lacking in subtlety. Perhaps that will change as he reveals more of the strange new reality our heroes find themselves in. What Cap Corps manages, however, is allowing Stern to explore various iterations of the hero not in use any longer. American Dream has pretty much been collecting dust these past few years. The current incarnation of John Walker is clearly in less than fighting shape. And Bucky? Yeah. Rather than feeling out of place, these time-displaced heroes combine for a fitting and enjoyable celebration of the Cap legacy.

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6.7
Captain America: Living Legend #1

Oct 2, 2013

It's rare to see Adi Granov illustrating a full issue anymore. His work exhibits the typical strengths and flaws of most painters working in comics. He brings a wonderful sense of detail and texture to Cap's world, including giving the character a slick, functional costume redesign that runs circles around his over-produced Marvel NOW! suit. But Granov's figures can be stiff and lifeless at times, with action scenes not always flowing as well as they should. It may be just as well that Granov is being replaced by Augustin Alessio on the remaining three issues. Alessio is a painter who has proven himself capable of avoiding these sorts of storytelling flaws with his work.

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7.4
Captain America: Living Legend #2

Oct 30, 2013

As with the first issue, the plot is nothing too terribly remarkable, and Andy Diggle doesn't really add any new wrinkles in this second issue. Cap is able to show off his unbreakable cool in a cool scene involving a HALO jump from suborbital heights, but otherwise he's a pretty bland and emotionless lead. Nor does his scientist sidekick add much to the equation. Diggle finds a bit more dramatic weight with Volkov, the mutated cosmonaut character. The flashbacks showcasing his transformation are easily the highlight of the issue, and hopefully the series will pick up steam as he and Cap finally meet face to face.

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7.5
Captain America: Peggy Carter, Agent of S.H.I.E.L.D. #1

Dec 4, 2014

All in all, there's plenty of value for the $8 cover price, and this issue serves as a perfectly decent primer for the upcoming TV series.

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8.6
Captain America: Sam Wilson #2

Oct 29, 2015

The scope of this book is far more down to Earth than Acuna's recent Marvel work. And while that approach doesn't necessarily suit his style as well, Acuna is able to deftly move between big action scenes and quiet character moments without missing a beat.

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7.6
Captain America: Sam Wilson #5

Jan 14, 2016

Nick Spencer has a special talent for writing emotionally troubled, down-on-their-luck supervillains. While this issue is ostensibly focused on the introduction of the new Falcon, that element is quickly overshadowed by Spencer's efforts to flesh out certain members of the new Serpent Society.

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8.1
Captain America: Sam Wilson #6

Feb 4, 2016

The most obvious improvement with this new Captain America comic over previous incarnations is the stronger emphasis on humor. Sam Wilson might be dealing with some pretty shady characters, but that doesn't mean there isn't room for social satire or some moments of pure silliness.

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8
Captain America: Sam Wilson #7

Mar 31, 2016

There's something here for pretty much any Cap lover. It's just a shame the Bucky/Sam story couldn't have offered a little more meat.

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8.8
Captain America: Sam Wilson #11

Jul 7, 2016

The simple fact that Daniel Acuna is back on board with this issue is cause enough for celebration. Acuna helps kick off the series' Civil War II tie-in arc in style, balancing the high-flying heroics of the Avengers with the all-too real pain and bloodshed of the war against the Americops.

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8.1
Captain America: Sam Wilson #19

Feb 16, 2017

I wish this series were a little more subtle in the way it mixes superheroes and contemporary American politics, but there's no denying that this issue packs a punch as it explores the racial inequities of the criminal justice system and (most powerfully) the perpetual cycle of violence that builds from one generation to the next.

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7.6
Captain America: Sam Wilson #20

Mar 16, 2017

Nick Spencer's greatest strength with this series is that he uses Sam Wilson to showcase a different sort of Captain America, one who struggles to do the right thing and even wrap his mind around what the right thing actually is.

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8.6
Captain America: Sam Wilson #21

Apr 13, 2017

Sam is at his lowest ebb since taking up the mantle of Captain America. And while a great deal of energy is spent rehashing his journey so far, the book carries enough emotionally weight that it doesn't read like a simple recap.

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7.6
Captain America: Sam Wilson #22

Jun 1, 2017

This issue basically serves as a character study for Sam, exploring his reaction to Hydra's takeover of America and the internal conflict between his weary resignation and innate need to help others. Nothing earth-shattering, in other words, but enjoyable enough.

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7.7
Captain America: Sam Wilson #23

Jun 15, 2017

Captain America: Sam Wilson #23 does its part to flesh out Sam's head-space and the character's role in this massive conflict, but it doesn't necessarily add anything critical to the larger crossover. But for long-term fans of the series, it's worth it mainly just to see Nick Spencer explore what happens when Sam no longer has the will to be Captain America.

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7.9
Captain America: Steve Rogers #1

May 25, 2016

Captain America: Steve Rogers #1 doesn't offer the most exciting start for this new series (at least, not until the final sequence), but it does feature a talented creative team digging in with some of Marvel's most iconic characters. Spencer's depiction of the new Hydra alone is proof that this isn't just any old Cap comic. Saiz's artwork only furthers that impression. Hopefully there's nowhere to go but up as this new series moves beyond the setup phase and continues building new challenges for Captain America.

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8.6
Captain America: Steve Rogers #2

Jun 29, 2016

If you needed reassurance that Captain America: Steve Rogers #1's big twist wasn't included merely for shock value, this follow-up issue should do the trick. It offers a comprehensive look at Steve's new status quo and how the Hydra reveal ties into Red Skull's ongoing plans. Between the strong characterization and the vibrant art, there's no reason to fear for the future of this iconic Marvel hero.

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9.1
Captain America: Steve Rogers #3

Jul 27, 2016

This new Cap series is taking the slow burn approach, and so far it's paying off handsomely. Cap's current status quo only grows more intriguing in this issue as new twists emerge and our hero finds himself torn between his friends and his new Hydra allies. It certainly doesn't hurt that artist Jesus Saiz is crafting one of marvel's most gorgeous comics every month.

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7.5
Captain America: Steve Rogers #5

Sep 28, 2016

In terms of plot and characterization, this series is one of the best Marvel has to offer right now. Each new issues brings with it a new wave of engrossing twists and a fascinating look at a hero torn between his inner goodness and the twisted assassin Hydra would make of him. Unfortunately, the first three issues set a high standard when it came to the art, and this story arc isn't measuring up in that regard.

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7.3
Captain America: Steve Rogers #9

Jan 12, 2017

With so much unfolding simultaneously, the book's overall momentum does seem to be dragging a bit. Still, there's plenty of compelling material to chew on here.

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7.3
Captain America: Steve Rogers #10

Jan 26, 2017

Spencer's revamped take on the first meeting between a young Steve and Dr. Erskine also makes for compelling drama.

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7.8
Captain America: Steve Rogers #11

Feb 16, 2017

This issue offers an engrossing new take on Cap's origin story, one that takes some pretty shocking twists and turns along the way.

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6.6
Captain America: Steve Rogers #12

Feb 23, 2017

This series always takes a noticeable plunge in visual quality whenever Jesus Saiz is absent, and that's very much the case here. Javier Pina continues his valiant effort to echo Saiz's approach, but his work lacks the smooth, refined quality that makes Saiz's work such a joy to view

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5.9
Captain America: Steve Rogers #13

Mar 9, 2017

This particular chapter sheds more light on the revised history of Cap/Zemo and how the latter figures into the rapid build-up to Secret Empire. But at this point it's regrettable that said build-up has to be so relentless and fast-paced.

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7.1
Captain America: Steve Rogers #15

Apr 5, 2017

Captain America: Steve Rogers #15 is an especially eventful new chapter of the series as Marvel gears up for Secret Empire. While the opening pages offer a jarring transition from Uncanny Avengers #22, the remainder of the issue delivers a compelling look at the new state of the Cap/Red Skull dynamic. The book's real problem ,as usual, is its wonky, inconsistent art style.

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7.2
Captain America: Steve Rogers #17

May 24, 2017

In terms of its contribution to the larger Secret Empire narrative, Captain America: Steve Rogers #17 is a winner. It offers crucial context for the story and how Hydra's rise impacts both the superhuman community and ordinary Americans. But as with so many issues of this series, the art is disappointingly rushed and haphazard.

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6.1
Captain America: Steve Rogers #18

Jun 21, 2017

This series hasn't turned out to be the critical companion to Secret empire readers might have expected. This issue in particular suffers from a seeming inability to fixate on any one plot point, instead bouncing around the landscape of Secret Empire. But there are at least some memorable moments along the way, not to mention that the art is far more cohesive than is usually the case with this book.

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6.4
Captain America: The Chosen (2007) #2

Sep 26, 2007

Mind you, the art is good. That's one thing every Marvel Knights series has had in common so far. I have to give it up for ay artist who takes the time to draw out every single link in Cap's chain mail armor. Mitch Breitweiser is equally adept at rendering the various military equipment and soldiers that take up most panels. I just wish the story could back up the art. I still don't know quite what to make of it. I thought this mini-series would follow a real-world soldier who begins to have hallucinatory visions of Captain America on the battlefield. Simple enough, but apparently there's a real Captain America in all this, and he's basically jacked into the Matrix so as to communicate with said soldier for whatever reason. I'm not entirely sure if Cap is real, or the soldier, or both. I feel more confused than I should be with a comic of this nature, and it bugs me. Two issues are more than enough to explain the premise behind a story. I can only stomach so many scenes of a ghostly Ca

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7.1
Captain America: The Chosen (2007) #3

Oct 17, 2007

Thank goodness for Mitch Breitweiser. Even if the majority of the new Marvel Knights books can't live up to Silver Surfer: Requiem in terms of overall quality, at least they can all look good not doing it. Short of Esad Ribic's paintings in Requiem, Breitweiser's art is the best to come out of the line. I'm prepared to say he might be the best Cap artist of the modern age after John Cassaday. Even compared to the first two issues his work here is mind-blowing. Chosen may have no lasting effect on the Marvel Universe, but I hope it at least gives Breitweiser the recognition and future work he deserves.

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8
Captain America: White #0

Jul 9, 2008

So, really, my only complaint is that this issue doesn't offer enough. Given my general opinion of Loeb's work output lately, that's a nice complaint to have. By all indications Captain America: White is another destined classic. I hope the creators don't let me down now.

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8.4
Captain America: White #1

Sep 17, 2015

Captain America: White doesn't offer a dramatic reinvention of the character or his mythology. This series is more about paying homage to an older, simpler time in Cap's career and exploring the brotherly bond between Steve and Bucky. If you enjoyed Loeb and Sale's previous Marvel projects, you'll find a lot to like with this collaboration.

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7.8
Captain America: White #2

Oct 1, 2015

Captain America: White has found its niche by offering a classing, lighthearted (well, relatively lighthearted) take on Cap's WWII days.

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7.7
Captain America: White #5

Dec 31, 2015

Captain America: White is an entertaining read as long as you're able to tune out the narrative captions.

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8.4
Captain Britain and MI:13 (2008) #11

Mar 11, 2009

The one real problem stems from the art, as Leonard Kirk is joined by fill-in artist Mike Collins. Collins' scenes are pretty obvious. He's relegated mainly to the slower, more dialogue-centric scenes, but the downgrade in visual quality is still very noticeable. Kirk, for his part, continues to put out solid work. Seeing that this series has already offered 11 issues since its launch last summer, I wouldn't mind it if Marvel chose to slow down a bit. As with many books, I would prefer a less-than-monthly schedule if it meant fill-in artists could be avoided. Captain Britain and the MI:13 remains one of Marvel's top books after all this time, and I see no reason to mess with a winning formula.

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9
Captain Britain and MI:13 (2008) #12

Apr 8, 2009

Leonard Kirk continues to hold his own as well. Especially impressive are Kirk's renderings of Castle Dracula and its dank hallways. His Earth settings are a bit dull by comparison, but in general the book is quite pleasing to the eye. Once again, I'm convinced this is Marvel's best team book on the market, and you're doing yourself a serious disservice if you pass it over in favor of another.

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7.8
Captain Britain and MI:13 (2008) #14

Jun 17, 2009

With any luck, we'll get a stronger show on the art side of things as well. Leonard Kirk continues to impress as always, but it's been quite a while since we've seen him pencil an entire issue. Adrian Syaf helps fill in the gaps. Syaf is very competent at replicating Kirk's style, but a certain special magic is absent from his pages. Kirk generally shows up whenever the action gets hot and heavy, which is wise, but that only accentuates the gap further. At this rate we've only got a few months left before the series dies an unjust death. I hope Cornell and end this wildly entertaining but slightly flawed arc on a high note.

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8.6
Captain Marvel (2007) #1

Nov 14, 2007

Brian Reed and Lee Weeks wouldn't have topped my list for a killer Captain Marvel team (no pun intended), but they certainly make a case for themselves. Reed is increasingly proving that he can easily survive without his frequent writing partner Brian Michael Bendis. Reed's own voice shines through in this issue, particularly with some well-written narration by Mar-Vell. Weeks, despite not qualifying as a very traditional superhero artist, is a near-perfect fit for this mini-series. In many ways Weeks evokes memories of Jim Starlin's work on The Death of Captain Marvel. If this series is eliciting favorable comparisons to that classic story already, I think we're in for a marvelously good time (har har).

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8.7
Captain Marvel (2007) #2

Dec 26, 2007

Lee Weeks is a name that hasn't graced many Marvel covers lately, but I hope that will change after this mini-series. Weeks is one of many similarly-accomplished noir artists at Marvel. His stark, realistic pencils aren't what I would have initially expected from this book, but his style wound up being a perfect fit. I highly recommend giving this series a look if you're still on the fence. I just don't think any supposed connection to Secret Invasion should be a motivating factor.

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8.1
Captain Marvel (2007) #3

Feb 13, 2008

Captain Marvel #3 took a noticeably long time to hit stands, and it's probably safe to assume the art played a role in the delay. Even if that isn't the case, Lee Week's pencils seem a little rougher and less refined than the first two issues. I still love his work, and his style fits the book a lot better than I would have expected, but issue #3 is a bit of a disappointment. That goes for the issue as a whole. While some mini-series like Sub-Mariner have benefited from their connection to major event storylines, I can't help but feel Captain Marvel would work better if it were a little more removed from the hustle and bustle of Secret Invasion.

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8
Captain Marvel (2007) #4

Mar 19, 2008

One area I feel no conflict with is Lee Weeks' art. This is some good stuff. Detailed, consistent, moody, and perfectly suited to the subdued nature of the story. I sincerely hope marvel will continue to make better use of Weeks in the future. Even if I don't approve of the overall story direction, both creators are turning in some of the best work of their respective careers.

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9.3
Captain Marvel (2014) #15

May 14, 2015

Among the many series finales at Marvel these past few weeks, this easily ranks among the best.

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8.5
Captain Marvel (2016) #1

Jan 20, 2016

Captain Marvel is in good form as she kicks off her latest solo series. The new status quo is a logical extension of what's come before, and the ensemble cast injects new color into the mix. The creative team work seamlessly together to provide a clean, accessible and entertaining gateway into her world.

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6.5
Captain Marvel (2019) #1

Jan 9, 2019

Despite its strong suits, Captain Marvel #1 serves as a muddled and unfocused debut for the new series.

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6.5
Carnage (2010) #1

Oct 20, 2010

Carnage #1 is neither quite as accessible nor as straightforward as it should be. Still, it makes for a decent read, and all signs point to Wells being able to provide Carnage a proper reintroduction into the Marvel U.

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6
Carnage USA #1

Dec 14, 2011

Not all books appeal to all readers, and to some extent I can accept that Carnage U.S.A. just isn't for me. However, the book has problems by any standard, and there's no telling if those problems will get better or worse over time.

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8.3
Cartoon Network Super Secret Crisis War #2

Jul 31, 2014

Super-Secret Crisis Wars is proving to be every bit as entertaining as you'd expect from a mash-up of all the big Cartoon Network franchises.

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8.5
Casanova #10

Oct 24, 2007

Between the evil people running rampant and the surprising amount of nudity on each page, it's no wonder Fraction turned to Image for a publishing outlet. Even Vertigo or MAX might have issues with the book's content. That said, Casanova is nothing if not a silly, almost light-hearted series. It may not be everyone's cup of tea, but those that push through the burn will find a lot to love.

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8.3
Casanova #11

Nov 28, 2007

It's unfortunate that the remaining few pages ruin the effect a bit. I'll admit it's hard to follow along with the ongoing plot at times, and every time Casanova's father appears and Fraction starts throwing acronyms around like party favors my enjoyment starts to lessen. Sometimes Casanova is just more complicated than it needs to be. It's hard to complain too much, though. Fraction is very obviously telling exactly the story he wants to, and, for the most part, it's exactly the kind of story I want to read.

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8.4
Casanova #12

Mar 5, 2008

The only trouble with the sparse dialogue and heavy action is that the issue blows by even more quickly than normal. Each issue of Casanova is a mere 16 pages long. Between the low price tag and dense storyline, usually that's plenty. This month... not so much. I just love my Casanova too much to be entirely satisfied with 16 pages of shooting and eye gouging. Hopefully the next issue will have more of a timely arrival.

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9.3
Casanova #13

Apr 2, 2008

However, Fraction also layers this issue with a surprisingly profound look at death in a universe where super-science and trans-dimensional travel can render one functionally immortal. This is partially accomplished through a series of poignant flashbacks. It's here that artist Fabio Moon stands out even more than usual. Moon brings back the olive-green tone of the previous arc, Luxuria, and deftly bridges the gap between storylines. As much as I love Fraction's quirky writing, I'd gladly buy a wordless issue of Casanova as long as I could continue to admire Moon's gorgeous drawings. Together, Fraction and Moon make for the sort of indy comics dream team I never knew I wanted but can't imagine going without again.

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9
Casanova #14

May 14, 2008

But Ba will tide me over well enough. I'll miss Casanova while he's gone. I just hope I won't be kept waiting too long before Cass' next adventure. When it comes to Matt Fraction comics, I just can't seem to get enough.

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8.5
Casanova Vol. 2 #1

Jul 8, 2010

As much as I adored the original Image series' two-tone color scheme, I have to admit the new colors are a boon to Casanova. They lend more depth and vibrancy to Gabriel Ba's pencils. The scene of Casanova falling back into his original timeline alone shows how much the new color treatment can aid the series. Ba's work is clearly more rough around the edges than his more recent material, but the same core level of craft is still there. The backup feature is even more visually dynamic and a very welcome bonus. Only the new lettering leaves me a bit cold, as it often appears squished and out of place atop the original art and word balloons. Though occasionally a little obtuse and confusing, Casanova is a delightfully crazy sci-fi romp and a great addition to the Icon line. Don't make the mistake of passing it up a second time.

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9.1
Casanova: Acedia #3

Jul 30, 2015

There's a sense of the surreal and otherworldly to this story that very much works in its favor. Alongside his penchant for big, weird ideas, Matt Fraction writing stands out because of its economy. Fraction never includes a word balloon or caption that doesn't serve the story in some way. It's a refreshing change of pace after some of the comics I've read this week.

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8.7
Casanova: Acedia #5

Jun 2, 2016

Matt Fraction and Fabio Moon generate plenty of weird, trippy sci-fi goodness in this issue, along with an unexpected but very welcome dose of horror for good measure. If anything, the Lovecraftian hospital sequence suggests that Fraction needs to turn his attention to a creator-owned horror series at some point in the near future.

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8.5
Casanova: Avaritia #1

Sep 5, 2011

The wait was long, but it was worth it. Gula built up to be something very special over the course of its life, but Avaritia shows plenty of potential to surpass it. If Fraction can conjure up a surprise ending to top that one, I would very much like to see it.

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9.5
Casanova: Avaritia #2

Oct 4, 2011

Until now, Casanova: Gula #4 ranked as my favorite issue of the series. Though Avaritia #2 can't rival that one in terms of the twist ending, all of the elements come together to form a superb comic. Any fan of Fraction's mainstream Marvel work who isn't also picking up this series is doing themselves an incredible disservice.

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8
Casanova: Avaritia #3

Apr 4, 2012

Gabriel Ba is also in fine form with this issue. The imagery is getting progressively more surreal with each new chapter, and that says something coming off of an issue with samurai panda warriors. Cris Peter's colors also bring a lot to the table. Peter frequently shifts from full color to a more old-school Casanova, monotone approach to highlight certain panels. It's no surprise that Peter's work earned the series an Eisner nomination today, although it really deserved more than one.

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8.5
Cataclysm: The Ultimates Last Stand #0.1

Oct 30, 2013

Three artists collaborate on this issue - Mico Suayan, Mirco Pierfederici, and Leonard Kirk. But impressively, it's actually very hard to detect when the book shifts from one to the next. Suayan's extreme musculature does stand out at times, but these three seemingly disparate pencillers do a great job of giving the book a cohesive feel that fits in well with Hunger;'s aesthetic and the current tone of the Ultimate Universe.

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5
Cataclysm: The Ultimates Last Stand #4

Jan 29, 2014

All that being said, this issue does improve on the previous three in one key area. Galactus has been far too much a silent, almost faceless threat throughout Cataclysm. For all his phenomenal cosmic powers, Galactus is still a creature with thoughts and motivations and desires. Bendis reflects that here as Jean Grey delves into Galactus' mind and readers get a sense of Galactus' desperation and confusion at his current predicament. There'a kernel of drama there that could finally give this story the emotional resonance it sorely needs in the final issue.

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5.5
Cataclysm: The Ultimates Last Stand #5

Feb 26, 2014

Worst of all, this issue doesn't even offer a satisfying conclusion to the conflict. No sooner does the battle wrap up and the survivors dust themselves off than the conclusion is at hand. The best we can hope is that the Survive epilogue one-shot can cap off Cataclysm in a more satisfying way, and maybe channel more of the emotion and drama that was so apparent in the tie-ins but in short supply here.

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8.9
Cataclysm: Ultimate Spider-Man #1

Nov 14, 2013

Back during Ultimatum, Ultimate Spider-Man was far superior to the actual event. While the gulf isn't quite as wide with Cataclysm, there's still a huge difference in quality between Cataclysm #1 and this issue. This issue packs in all key character moments that make readers care about the idea of an impending Ultimate meltdown in the first place.

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6.4
Cataclysm: Ultimates #1

Nov 21, 2013

Carmine Di Giandomenico also sticks around to illustrate the book. He gives the conflict a nice sense of grit and harshness, but his work is a little looser and less defined than I'd like. And particularly with Fury, Di Giandomenico seems to reuse similar poses and facial expressions too often.

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8.3
Catwoman (2002) #76

Feb 20, 2008

Every month Dan makes it clear you should be reading this series. This time it's my turn, and I can only hope I converted a few new readers. The book certainly deserves them.

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4.5
Catwoman (2011) #0

Sep 19, 2012

Nocenti's new take on Catwoman's origin is far too convoluted and confusingly presented for its own good. Let's hope this isn't an indication of how the rest of her run will play out.

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7
Catwoman (2011) #2

Oct 19, 2011

But ultimately, in a time when I'm struggling to keep track of the plot points of 52 assorted new DC books, I'm never in danger of forgetting Catwoman. That has to count for something.

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7.5
Catwoman (2011) #6

Feb 15, 2012

After this dramatic showdown, Winick ramps up the issue even further when Batman enters the fray. The Selina/Bruce dynamic plays out much differently this time, and more satisfactorily to boot. Winick starts to show his hand as far as what his fundamental take on Selina is. With the foundation laid as far as character work and a new supporting cast, the series has plenty of room to grow in the coming months.

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6.5
Catwoman (2011) #7

Mar 21, 2012

It's still unclear whether this book can really hold its own over the long term. The building blocks are in place, but Winick needs to do more to push the characters and conflicts along.

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7.5
Catwoman (2011) #8

Apr 18, 2012

As I mentioned last month, the series is improving of late because Winick is showing a clearer sense of purpose and direction in his plotting. Even the build-up towards "Night of the Owls" seems to benefit the series rather than constrict it. Winick's next goal should be to better flesh out Spark, assuming the character is destined for more than a transient role in the book.

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6.5
Catwoman (2011) #9

May 16, 2012

While this issue offers a decently fun and action-packed adventure, it's not one of the more memorable Night of the Owls tie-ins.

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6.5
Catwoman (2011) #10

Jun 20, 2012

Issue #10 stumbles fairy significantly during the big action sequence and its immediate aftermath, but on the whole this new storyline seems a promising one. The main challenge for Winick will be to more elegantly work in Selina's personal turmoil with the conflict at hand.

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6
Catwoman (2011) #11

Jul 18, 2012

Winick's Catwoman left a bad taste in many readers' mouths with its first issue. And as much as the series has been able to prove it has substance beneath all the sex appeal, issues like this frustrate in their unwillingness to fully explore the characters and push the plot forward.

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5
Catwoman (2011) #12

Aug 15, 2012

This book needs more -- stronger character dynamics, a greater sense of purpose, and a more emotionally resonant conflict for Selina to contend with.

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6
Catwoman (2011) #13

Oct 17, 2012

Rafa Sandoval makes his debut as new series artist. On one hand, it seems unwise to assign Sandoval such a female-centric book when he has so many problems rendering hair. And the lousy hair does prove distracting in some panels, as it has a spiraling effect on the facial work in general. But on the plus side, Sandoval is able to recapture some of the book's visual energy that was lost when Guillem March departed. Sandoval delivers some nicely framed shots and cool action sequences, so in the end the trade-off is worth it.

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4.4
Catwoman (2011) #16

Jan 23, 2013

Catwoman has been in a slump for months. The real problem facing this series now is that Selina will soon be joining the JLA, a fact which offers even less incentive to keep reading this book.

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6.3
Catwoman (2011) #17

Feb 20, 2013

With Catwoman joining the Justice League of America, the time has come for this series to finally step up and deliver on its potential. Issue #17 makes some significant strides, but it remains to be seen if this will develop into a trend.

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8.2
Catwoman (2011) #40

Mar 26, 2015

This series has vastly improved under new writer Genevieve Valentine. Sure, it's a bit dry at times with its constant references to historical figures and the way it describes the unfolding gang war in Gotham more than it actually showcases said war. But this book has been great about exploring Selina Kyle's delicate new position in Gotham's underworld and the many challenges and sacrifices she's forced to make as she wars with Black Mask.

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8.3
Catwoman (2011) #41

Jun 11, 2015

This issue won't be especially welcoming to newcomers, what with its vast web of criminal conspiracies and the fact that Selina KYle is semi-retired as Catwoman. However, for those who have been following the book since Genevieve Valentine's run began last fall, you'll find the book hasn't lost its appeal during the two-month hiatus.

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8.2
Catwoman (2011) #42

Jul 9, 2015

This series works as the most cerebral and subdued member of the Batman family. David Messina's art helps offset that subdued quality with dynamic fight scenes and an overall high sense of energy.

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8.6
Catwoman (2011) #44

Sep 10, 2015

As if all the historical quotes and allusions to ancient Rome didn't make it clear, Genevieve Valentine's Catwoman run is a real Shakespearean tragedy in the works.

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5
Catwoman (2011): Futures End #1

Sep 25, 2014

This issue offers a glimpse of Selina Kyle's new status quo ahead of the imminent revamp of the main Catwoman series. While it's certainly interesting to see Selina trading in her catsuit for business attire and rule the Gotham underworld, the execution leaves a lot to be desired.

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6.5
Catwoman (2018) #1

Jul 4, 2018

Catwoman #1 looks fantastic, but there's not much beneath the surface of this new series.

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4.5
Catwoman: Election Night #1

Nov 2, 2016

This issue is nothing if not a study in contrasts and an example of both the right and wrong way to handle political satire in comics. The main Catwoman feature is a dull, lifeless, painfully unsubtle slog, while the Prez backup is a great throwback to a series that deserved much more love. Unfortunately, that backup alone can't justify the price of admission here.

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8.5
Cave Carson Has A Cybernetic Eye #1

Oct 20, 2016

This issue manages to tell a very simple, genuine tale of a grieving family man even as it works in all manner of strange sights and situations. Those turned off by the psychedelic, stream-of-consciousness approach to Doom Patrol and Shade: The Changing Girl may find this issue a bit more approachable.

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9
Cave Carson Has A Cybernetic Eye #2

Nov 17, 2016

This book really is DC's answer to The Venture Bros. in many ways.

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9.1
Cave Carson Has A Cybernetic Eye #4

Jan 19, 2017

Artist Michael Avon Oeming and colorist Nick Filardi becomes the stars of the show even more in this latest issue. If you'll pardon the pun, Cave Carson #4 is a very eye-popping read.

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8
Champions (2016) #1

Oct 4, 2016

Champions is exactly the sort of book Marvel needs in the wake of Civil War II. Champions speaks to the need for heroes who cut through the nonsense and infighting and simply strive to make the world a better place. This first issue serves as a charming debut and showcases a strong team dynamic. It's unfortunate, though, the the artwork doesn't always hold its end of the bargain.

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7.5
Champions (2016) #3

Dec 8, 2016

Forced romantic drama aside, the general tone and direction series is shaping up nicely. However, Ramos' art style seems even more out of place than usual in this more real-world setting.

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8.3
Champions (2016) #4

Jan 5, 2017

This issue offers deep insight into many of the Champions, but always in a way that feels natural and organic rather than forced. And Waid always maintains a balance between lighthearted banter and bickering and deeper, darker drama (much of it surrounding Viv's tragic background).

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5.8
Champions (2016) #6

Mar 2, 2017

Ramos' normally distorted figure work becomes even more so here, which really messes with the sense of perspective during the extended paintball battle and makes it difficult to follow the flow of the action.

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7.5
Champions (2016) #8

May 4, 2017

In some ways, the "Champions vs. Freelancers" storyline has been a disappointment, as the series has done little to flesh out the latter group or make them feel like a compelling bunch of characters in their own right. But they have, at least, had a profound effect on the Champions as they struggle to establish their place in the ever-changing Marvel U.

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8
Chaos War #3

Nov 3, 2010

Visually, this may be Khoi Pham's strongest issue so far. Pham often struggles with clarity and consistency. While there are cases where characters sport unusual or unclear expressions, on the whole that consistency is much stronger this time. All the pieces seem to be falling into place for Chaos War now. Now as the conflict explodes wide open and the onslaught of tie-ins is about to begin, readers will be able to judge if this is the swan song the Incredible Hercules saga truly deserves.

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6.5
Chaos War #4

Dec 15, 2010

There is some fun to be had, at least. Amadeus Cho displays the evolution of character Herc isn't, and his scenes are among the highlights of the issue. The Chaos King's dialogue is also enjoyable. It's surprising how much can be communicated via haiku when the story calls for it. The art is also strong despite the fairly quiet nature of the issue. Khoi Pham's pencils are more clean and restrained than they have been on past projects. However, Pham falters when depicting a certain character's transformation late in the story. Visually, the character shows no sign of having changed, and it hinders the effect somewhat. Thematically, Greg Pak and Fred Van Lente are on the right track with this story. They just can't seem to execute in terms of pacing or characters.

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9
Chin Music #1

May 8, 2013

Luckily, the tone of the story is enough to build interest. And Tony Harris art really shines throughout. This is exactly the sort of Harris I like to see. There's less emphasis on photo-reference and photo-realism than books like Ex Machina, even though several characters in this issue are based on historical figures. Harris opts for a more stylized approach to his figure work, one that emphasizes the noir-infused visuals and the dynamic action of the Egypt flashbacks. His page layouts are also a feast for the eyes. The issue is easily worth a purchase for the art alone. But from what little Niles' writing reveals and the big twist ending, there's more than just the art convincing me to return for issue #2.

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7.8
Chin Music #2

Aug 21, 2013

The first issue offered up a strong premise that didn't completely come to life by the end. If the phrase "chin music" translates to "too much talk, not enough action" then issue #1 had the opposite problem. Issue #2 makes some inroads as far as reconciling that problem. Art begins to diverge wildly from history as Elliot Ness is faced with the brutal and apparently superhuman murder of Al Capone, as well as a person of interest with amazing regenerative powers. There's the sense that writer Steve Niles has still barely started to pull back the curtain of what this book has to offer, but as with the first issue, there's enough here to hold my interest for the time being. Even if it takes another three or four months for the next issue to arrive.

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8.3
Chrononauts #3

May 14, 2015

Leave it to Mark Millar and Sean Murphy to make time travel fun and exciting again.

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7.6
Cinderella: From Fabletown With Love #2

Dec 3, 2009

So far, Cinderella is a bit more shallow and familiar than I would have liked, but I'm still having a good time. And luckily, Roberson still has plenty of time to veer in unfamiliar directions and give Cindy the wild, fantastical romp she truly deserves.

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8.1
Cinderella: From Fabletown With Love #3

Jan 6, 2010

I'm coming to like Shawn McManus' artwork more and more as the series progresses. McManus' art has an energy that suits the adventure and intrigue of Cindy's world. Issue #3 is probably the best we've seen from McManus so far. In all areas, this series only seems to be getting better. I just hope that the disparate threads of Cindy and Mr. Cordwainer begin to intertwine as the book moves towards its conclusion.

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8
Cinderella: From Fabletown With Love #6

Apr 7, 2010

In the end, Cinderella: From Fabletown With Love does exactly what it set out to do. It entertained me and left me wishing for more Cinderella stories. If a butthead like Jack can support an ongoing series for so long, why is Cindy left to slim pickings like this? Given the challenges the Fables face in the main series now, I sincerely hope we'll see her doing what she does best soon.

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7.2
Civil War (2015) #2

Aug 6, 2015

Like the original story, Civil War is a great idea that isn't entirely successful in its execution. The new series doesn't do nearly enough to flesh out its world or move the plot forward. Even so, the appeal of seeing the Avengers split by a philosophical divide is as strong as ever.

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8.3
Civil War II #0

May 18, 2016

Between the lackluster FCBD Special and Marvel's general track record with major crossovers, there's plenty of reason to worry about Civil War II. But the good news is that this prologue issue makes a strong case for the upcoming event. It clearly lays out the brewing conflict and makes a strong case for both viewpoints. It also looks great, offering a brief but enjoyable reunion between Brian Bendis and Olivier Coipel. Hopefully this issue, more than the FCBD Special, is a sign of what to expect from Civil War II as a whole.

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7.1
Civil War II #1

Jun 1, 2016

As far as Marvel events go, Civil War II is shaping up to be neither the publisher's worst nor its most impressive effort. This first issue cleanly establishes the conflict and delivers a nonstop stream of gorgeous artwork. However, it offers few surprises for those not already familiar with the basics of this crossover, and it often fails to elicit a strong emotional response in the way the first issue of Civil War did ten years ago. The excitement factor simply isn't there right now.

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6.5
Civil War II #2

Jun 16, 2016

Given that this is technically the fourth Civil War II comic Bendis has written now, it's disappointing that the story is still in such a nascent stage. This isn't a civil war so much as "Everybody is mad at Tony Stark." Tony's characterization is sound, and the visuals in this book are downright fantastic, but those qualities aren't enough to give this Civil War sequel the spark it needs.

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5.1
Civil War II #3

Jul 13, 2016

Civil War II looks every bit as good as you'd expect from Marvel's flagship event comic. Unfortunately, this series doesn't have nearly enough to offer beneath that gorgeous exterior. There's too much dialogue and exposition and not enough progress or dramatic weight to the story. Civil War II is exploring some interesting ideas, but it's going to have to do more than that over the remaining four chapters.

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7.3
Civil War II #4

Jul 27, 2016

Civil War II #4 makes some clear improvements to a very flawed mini-series. The pacing is quicker in this chapter, and the dialogue problems that hindered issue #3 are mostly eliminated. And it goes without saying that the series continues to look gorgeous. Unfortunately, the series is still struggling when it comes to characterization. Civil War II is reminiscent of its predecessor in the sense that too much character development is happening in the tie-in books rather than the main series.

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4.4
Civil War II #5

Sep 21, 2016

Civil War II has had its moments over the past few months. And at the very least, the series has always had its gorgeous visuals to rely upon. But at this point, that's not enough. This issue fixates on an extended superhero brawl that lacks dramatic weight (or even narrative logic) before transitioning into a very disappointing twist that threatens to derail the series for good. It may be too late in the game to hope for things to turn around now.

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6.3
Civil War II #6

Oct 26, 2016

Civil War II has had trouble building momentum from the beginning, and this issue does nothing to address that problem. There are some strong emotional moments here, and plenty of stunning artwork from Marquez and Ponsor, but the sluggish pace and generally listless nature of the conflict continue to frustrate.

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7.8
Civil War II #7

Nov 23, 2016

Issue #7 is easily one of the stronger chapters of Civil War II. That doesn't say a great deal at this point, but it is still nice to see Bendis focusing on a smaller, more intimate cast here. The complications in terms of Ulysses' role in the conflict are also welcome. And it's hard to say no to a comic featuring both David Marquez and Andrea Sorrentino on art. There's hope that Civil War II can at least end on a solid note.

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5.3
Civil War II #8

Dec 28, 2016

Civil War II ends with what is easily one of the weakest chapters of the entire crossover. This issue is anticlimactic and fails to wring much emotion from the final battle between Captain Marvel and Iron Man. Nor does it justify the decision to expand the series. David Marquez's art helps make the book a little more palatable, but there's only so much great art can do to salvage a poorly conceived comic.

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8
Civil War II: The Oath #1

Jan 25, 2017

Civil War II: The Oath isn't quite as strong as its predecessor, mainly because it focuses too much attention on setting wheels in motion. Still, it succeeds for the same reasons. It offers an emotionally charged, character-focused epilogue to an event that could have used more of both qualities.

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8.5
Civil War II: Amazing Spider-Man #1

Jun 8, 2016

Regardless of how the main Civil War II series fares, it seems we can expect some solid tie-ins from Marvel's latest big crossover. Civil War II: Amazing Spider-Man #1 looks and reads like a logical extension of both Civil War II and the ongoing Amazing Spider-Man comic. Best of all, it works as an enjoyable Spider-Man adventure even if you have no interest in Civil War II.

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7.3
Civil War II: Amazing Spider-Man #2

Jul 14, 2016

At this point it's clear that this Civil War II tie-in is really the spiritual sequel to Amazing Spider-Man: Learning to Crawl. This is less a story about Peter Parker than it is Clayton Cole.

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7.2
Civil War II: Amazing Spider-Man #3

Aug 18, 2016

As a tie-in to Civil War II, this series is hardly essential. But as a sequel of sorts to Amazing Spider-Man: Learning to Crawl, it's proving to be very satisfying.

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5.8
Civil War II: Amazing Spider-Man #4

Sep 15, 2016

What started as a worthwhile Civil War II tie-in fails to stick the landing.

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6.8
Civil War II: Choosing Sides #1

Jun 23, 2016

Marvel fans could certainly do worse if they crave an anthology adventure, but hopefully future chapters will delve a little deeper into the main conflict.

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8
Civil War II: Kingpin #1

Jul 7, 2016

Matthew Rosenberg paints a compelling portrait of Wilson Fisk as he settles back into New York and finds a way to take advantage of the city's power vacuum while evading the all-seeing eye of Ulysses.

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5.7
Civil War II: X-Men #1

Jun 15, 2016

On paper, this mini-series sounded the most promising of all the Civil War II tie-ins. Unfortunately, this opening chapter does little to realize the potential of this conflict between mutants and Inhumans. And with only three issues remaining, it's not clear if there's going to be enough room to do the conflict justice.

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5.1
Civil War II: X-Men #2

Jul 7, 2016

With this mini-series now half over, it's becoming clear that Civil War II: X-Men isn't actually going to deliver the massive X-Men/Inhumans conflict that readers have been waiting for. It reads more like a prelude to something bigger, with a surprisingly sluggish sense of pacing for a book that numbers only four issues.

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4.5
Civil War II: X-Men #3

Aug 18, 2016

This issue does at least tease a more dramatic finale, but whether the book finally starts to live up to its potential remains to be seen.

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5.8
Civil War: House of M #1

Sep 10, 2008

Ultimately, the very title of this series seems to betray Marvel's own lack of faith in it. House of M is supposed to be the main title, not the subtitle. Perhaps Civil War has more brand recognition, but if the House of M name can't sell books any longer, then maybe this project was ill-advised from the start.

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6
Civil War: House of M #2

Oct 1, 2008

An extra benefit of a quick end to Civil War: House of M would be the freedom for Andrea Di Vito to move onto other projects. I enjoy his work a great deal. Di Vito is an expert at laying out action sequences and all the hallmarks of the traditional superhero comic. Unfortunately, this book doesn't really call for that traditional look. Though I had problems with the execution of Mike Perkins' art in the previous House spinoff, that darker, grittier tone is really what this series needs. Civil War: House of M needs something to set it apart, in any case. So far, it's a passable but uninteresting return to a universe that would be better off left alone for a while.

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6.4
Civil War: House of M #3

Nov 5, 2008

The art is similarly torn between the good and the bad. At times Andrea Di Vito's work is almost maddeningly bright and cheerful. It conflicts with the tone of the book, and I truly wish Mike Perkins were available to continue his work from last year's House of M: Avengers. Di Vito moves from being a liability to an asset during the many battle sequences. In the sense that both are weighed down by some pretty serious flaws, the writing and art are two peas in a pod. This series will likely never break from mediocrity, but even mediocre books can have something to offer readers who are willing to put up with the lousier aspects for a while.

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8.3
Clandestine #1

Feb 6, 2008

Given that this is a fairly slow week for Marvel, there is little excuse for not throwing this issue onto your weekly pile. If you're anything like me, you could always use another pleasant surprise in your reading list.

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8
Clandestine #2

Mar 5, 2008

There's little point in me even reviewing this book going forward. If you've started reading Clandestine, you should know by the end of this issue whether you want to keep reading. If you haven't started yet, don't even bother.

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8.4
Clue #1

Jun 29, 2017

Clue is a comedic, character-driven and very self-aware series that should appeal to anyone who adores the cult classic 1985 film.

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8.8
Colder: Toss The Bones #1

Sep 30, 2015

This issue is a disturbing, violent but darkly entertaining look at Nimble Jack as he bounces between worlds and wreaks all manner of havoc on innocent civilians.

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9
Conan the Barbarian #1

Feb 8, 2012

The book deftly straddles the lien between adhering to the tone of previous comics but also reflecting Wood's own voice and storytelling sensibilities. Wood lends the story a surreal, dreamlike quality as Conan becomes enraptured with the legend of Blit. So even if the characters have yet to meet face to face yet, it's already abundantly clear that Wood and Cloonan are building a quality adaptation of a landmark tale.

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9
Conan the Barbarian #2

Mar 14, 2012

It's abundantly clear now that a new team and new series were just what the Conan franchise needed. Wood and Cloonan are offering a different sort of Conan that should appeal to fans and newcomers equally well.

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9
Conan the Barbarian #3

Apr 11, 2012

The creative team have done a fantastic job so far. The question is whether Conan the Barbarian will lose any momentum as it takes on a new artist and begins exploring less familiar territory and expanding the original story. So far, Wood has given no reason to doubt him.

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8.5
Conan the Barbarian #4

May 16, 2012

More worrisome than the new story material was the departure of artist Becky Cloonan. Luckily, James Harren proves to be a very capable replacement. Harren's style falls in line with Cloonan's in terms of offering a more down-to-earth, organic take on the Hyborian Age. However, his figures are more rough-hewn and textured, creating a more sinister tone that suits the growing conflict in Argos. Picture Conan by way of BPRD. What's not to love about that?

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9
Conan the Barbarian #5

Jun 13, 2012

This new series is managing to deliver on every level a proper Conan book needs to. It faithfully replicates the tone and style of what is arguably Howard's greatest tale of the Hyborian Age while also boldly charting new territory and daring to push Conan in new and unfamiliar directions. And regardless of whether Cloonan or Harren are at the helm, this might just be the best-looking Conan series Dark Horse has published.

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8.8
Conan The Barbarian (2019) #1

Jan 2, 2019

Conan the Barbarian #1 swerves as a mighty debut for the character as he returns to Marvel Comics.

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7.2
Conan the Cimmerian #1

Jul 16, 2008

It's not off to the greatest start, but Conan the Cimmerian succeeds on the same strengths all recent Conan comics have. It may not draw in many new readers, but long time fans won't be too disappointed.

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8.3
Conan the Cimmerian #2

Aug 20, 2008

I also wish I could have seen more of Tomas Giorello in these past issues. Giorello has filled in for former headliner Cary Nord better than I could have expected. I hate to see him relegated to a few pages a month. Hopefully future issues will change that. This story has cemented a new direction for Conan, and I'm eager to see where the creative team takes our favorite Cimmerian next.

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6.8
Conan the Cimmerian #4

Oct 15, 2008

It's hard to deny the core appeal of Conan, no matter what the pace of his stories may be. Even with relatively disappointing issues like this, Truman proves himself a more than capable Conan writer. I'm just feeling let down because the book is beginning to lag just as it should be firing on all cylinders. The creative team has the potential to make Conan the Cimmerian the crown jewel of dark Horse's lineup. All the book needs is a quick kick in the loincloth.

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7
Conan: Road of Kings #1

Dec 31, 1969

Road of Kings is a worthy read for Conan fans so far, but it needs to try a little harder to distinguish itself in the future.

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8.2
Conan: The Avenger #1

Apr 24, 2014

Long-term readers should have little trouble transitioning into the new series, while newcomers will find this an easy gateway into Conan's world.

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6.8
Conan: The Slayer #1

Jul 14, 2016

The result is a solid Conan comic, but not a show-stopper by any means.

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8.1
Constantine (2013) #3

May 8, 2013

Renato Guedes enjoys his strongest issue yet, thanks largely to the hellish setting and the various opportunities to explore the DCU's magical trappings. The storytelling is generally solid, though Guedes' continued insistence on exaggerated, titled perspective in many panels often proves distracting.

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6.5
Constantine (2013) #5

Jul 24, 2013

By the end of this brief tie-in, the battle wraps up and the two characters go their separate ways. Ray Fawkes sets up the next storyline for this series, certainly, but there's little tangible impact on Trinity War. What was the point of even pairing these two together in the first place? As such, it's hard to recommend this issue to readers who aren't already following the series.

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6.4
Constantine (2013) #6

Aug 14, 2013

Renato Guedes' art is eye-catching enough, if not always as consistent as it could be. Again, the barroom scenes tend to stand out the most thanks to the way Guedes frames each panel and his dynamic angles. Disappointingly, the astral plane material is comparatively flat and dull. But colorist Marcelo Maiolo deserves credit for lending a vibrant, eerie shine to every scene.

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7.8
Constantine (2013) #11

Feb 12, 2014

As with the previous tie-ins to Blight, Aco illustrates this issue. In some ways, Aco's style is very reminiscent of Mikel Janin's on Justice League Dark. The thick blacks and twisted designs paint this as very much a supernatural book in addition to a superhero one. But the line-work lacks some of Janin's careful confidence, and the facial expressions can be wonky at times. Luckily, Brad Anderson's colors do a fine job of capturing all the mystical energies and hallucinations being tossed about.

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8.1
Constantine (2013) #13

Apr 10, 2014

Like the other DC Dark books, this series benefits from venturing out on its own again.

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6.7
Constantine (2013) #14

May 15, 2014

The issue has a cool, creepy vibe to it, though the art isn't always 100% successful at channeling it. Ray Fawkes also takes the opportunity to flesh out John's New 52 origin a bit more.

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8.1
Constantine (2013) #21

Jan 15, 2015

Jeremy Haun's art helps in this regard as well. Haun brings an angular, gritty vibe to the series that emphasizes the seedy, supernatural side of Constantine's struggles.

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7.3
Constantine (2013) #22

Feb 12, 2015

Haun's work is fairly loose and haphazard compared to recent DC efforts, though the way he visualizes Constantine and Darkseid's war of wills is very effective.

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7.9
Constantine: The Hellblazer #1

Jun 11, 2015

If you've fallen away from John Constantine since his Vertigo days ended, this book might pull you back in.

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8.7
Constantine: The Hellblazer #4

Sep 17, 2015

The "DC You" relaunch has been particularly kind to John Constantine, with this relaunched series bringing back some of the grit, darkness and pathos of the Hellblazer era.

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7.1
Constantine: The Hellblazer #10

Mar 10, 2016

This issue amps up the drama as more of Constantine's mistakes come back to haunt him and the tension builds. Unfortunately, the book isn't quite the same without Riley Rossmo's distinctive style.

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6.7
Constantine: The Hellblazer #12

May 12, 2016

This series is just one more victim of the game of artistic musical chairs that's been going on at DC leading into Rebirth. Constantine: The Hellblazer has largely succeeded in marrying the gritty tone of the classic Hellblazer comic with the New 52 take on John Constantine, and much of that balance was due to the surreal art style and impeccably rendered page layouts of artists like Riley Rossmo. But as the series reaches its climax, it's sadly lost a great deal of that distinctive visual flavor.

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6.2
Convergence #0

Apr 2, 2015

Convergence #0 isn't quite the epic start this event needed. Visually, this issue definitely does the trick, allowing Van Sciver to tackle classical DC heroes and settings for a change. But apart from the neat depiction of Brainiac, the story in this issue simply isn't that engaging. Superman stands out like a sore thumb, and the script doesn't even establish the premise as well as DC's various marketing materials did. Hopefully this issue isn't too indicative of what to expect from the main series.

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6.1
Convergence #1

Apr 9, 2015

Two weeks in, and Convergence is still struggling to move past the setup phase and develop a compelling conflict. This is a story where the characters and the combinations of alternate worlds are the driving force rather than plot. The early scenes in this issue are proof enough of that. Hopefully this event will capitalize more on that quality as it moves forward.

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6.3
Convergence #2

Apr 15, 2015

Convergence is finally picking up some steam in its third chapter, but this event still has a ways to go before it truly satisfies. Despite Pagulayan's eye-pleasing visuals and the generally improved pacing, this issue stumbles through a lot of pointless narration and an underwhelming first battle with Telos. King really needs to take a "less is more" approach if this book is going to live up to its potential.

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4.4
Convergence #3

Apr 23, 2015

Convergence is getting worse, not better, as it continues trudging along. There's ample potential in this story, particularly in its focus on the Thomas Wayne/Dick Grayson dynamic, but that potential is rarely fulfilled. The series suffers from both clunky dialogue and a general lack of excitement. Now even the art quality isn't a strength. Is there any hope at this point that this series can rebound?

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4.9
Convergence #4

Apr 29, 2015

Convergence isn't seeing much in the way of net gain as it reaches the halfway mark. This issue picks up the pace and fleshes out the lead villain, but the series is still mired in poor dialogue and characterization. Meanwhile, the visual quality only worsens with so many inkers handling one issue. Things aren't looking bright for the series in Month 2.

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5.7
Convergence #5

May 6, 2015

Convergence continues to suffer from the same flaws that have dogged the series from the beginning. And while the art boost is appreciated and the ending holds new potential, there's little hope that things will truly improve in the final few weeks of this event.

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7
Convergence #6

May 14, 2015

Convergence #6 finally shows the series living up to its potential in terms of offering a big, loud, superhero epic. The inconsistent artwork is a drag at times, but now there's hope this book can at least finish strong after a weak first half.

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6.7
Convergence #7

May 21, 2015

It's nice to see Convergence actually picking up steam this late in the game. The lack of a good villain is dampening the book's appeal, but at least the scale of the conflict and the cast of characters is where it needed to be all along. Lopresti also delivers a solid set of pages for this issue, albeit some riddled with art and continuity errors.

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5.9
Convergence #8

May 27, 2015

Convergence had been picking up steam in recent issues, so it's disappointing to see the series stumble again at the finish line. This issue wastes too much energy on dialogue and exposition and neglects to actually show readers the imminent danger threatening the multiverse. The good news is that it does offer a happy ending for the various characters involved, while leaving the door open for what will hopefully be a more varied and cohesive DC Universe.

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6.2
Convergence: Action Comics #2

May 27, 2015

This issue also suffers from the fact that it doesn't reach a satisfying conclusion. It merely sets the stage for the characters to appear in the core Convergence mini-series and ends abruptly. Had this book maintained a clearer focus and a more standalone storyline, it could have been something special.

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8.6
Convergence: Batman and the Outsiders #1

Apr 23, 2015

Carlos D'Anda was a bit of a strange choice to illustrate this comic. It's not that he does a bad job by any means. His bombastic style brings a palpable sense of energy to what ends up being one of the quieter Convergence tie-ins. It's just that nothing about this issue's art style recalls the Outsiders in their pre-Crisis era (wacky costumes notwithstanding). Visually, this could just as easily be set in the contemporary DCU.

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8
Convergence: Blue Beetle #1

Apr 30, 2015

Like most Convergence tie-ins, this issue suffers from the need to tie into the main event and all the formulaic drudgery that results, but fans of these characters should still seek out this issue.

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8.5
Convergence: Blue Beetle #2

May 28, 2015

This series has proven to be one of the more pleasant surprises of the Convergence lineup. If anything, Blue Beetle only gets better in its second issue now that Scott Lobdell has moved past the formulaic setup phase and can focus on the battle for the fate of Hub City.

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6.3
Convergence: Booster Gold #2

May 28, 2015

Convergence: Booster Gold isn't a bad story when it focuses on the title character and his relationship with Blue Beetle. Unfortunately, that isn't always the case. Too often Dan Jurgens busies himself with tying this issue into previous Booster-centric material or setting the stage for certain events in Convergence #8.

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4.7
Convergence: Crime Syndicate #2

May 28, 2015

Though this series features one of the more promising creative teams among the Convergence lineup, it hasn't really lived up to its potential.

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6.7
Convergence: Harley Quinn #1

Apr 8, 2015

The good news is that Phil Winslade's art is a good match for the story. Winslade channels the zany energy of Harley's antics and the various colorful hallucinations that plague her troubled mind. At the same time, there's a very down-to-earth, subdued quality to these pages that plays well with the more low-key approach to story. However, the action becomes a little stiff once Catwoman and Ivy enter the fray, and that does nothing to help the disappointment that comes when the story shifts gears.

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7
Convergence: Harley Quinn #2

May 6, 2015

It's just unfortunate that the issue can't transition back into Harley's personal life more smoothly. By the time Harley's battle with Captain Carrot is over, there's precious little time to wrap up her doomed romance and tie up loose ends. The transition is awkward and the ending abrupt. Even so, there's a sense of tragedy to the way things play out that is appreciated. And even if the script can't quite blend these two elements together, artist Phil Winslade offers a sense of unity. He channels all the hyper-kinetic vibe of Harley's fight while also nailing the more subtle emotions at work in the quieter scenes. Had this series been given more than two meager issues to grow and flourish, it really could have been something.

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9
Convergence: Hawkman #1

Apr 23, 2015

Hawkman #1 is a gem among this week's decidedly mixed crop of Convergence comics. Parker is able to capture all the charm and adventure of the hero's pre-Crisis past

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8
Convergence: Justice League #1

Apr 8, 2015

Vicente Cifuentes' art is solid as well. Certain smaller panels and background figures are a bit lacking in detail, but for the most part Cifuentes brings a vibrant and expressive look to the heroines and their surroundings. The fact that the characters spend most of this issue in civilian attire does nothing to diminish the book's energy.

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8.2
Convergence: Justice League Of America #1

Apr 23, 2015

It's pretty rare to see ChrisCross tackle a new DC project, so his art is also a selling point in this issue. Between his bold, detailed figures and dynamic angles, he brings a very slick look to this series. The fight scene with the Secret Six really pops. And unlike Carlos D'Anda's work in Batman and the Outsiders, it's not a style that works against the retro throwback era. That said, some of ChrisCross' facial work can get pretty wonky, especially when the use of photo-reference becomes more noticeable. Zatanna's "I just swallowed a lemon" face is an especially blatant example.

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8.2
Convergence: Shazam #2

May 28, 2015

Jeff Parker offers a fun battle between Captain Marvel and Gotham by Gaslight's Batman, one that quickly turns into an unlikely team-up as the two heroes confront their true foe. This pairing works well precisely because the two characters and their cities contrast so deeply.

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7
Convergence: Swamp Thing #1

Apr 23, 2015

But again, Jones' art is a real treat. As always, he brings a real Gothic horror vibe to every page, with exaggerated, almost grotesque figures and heavy shadows blanketing everything. He proves he still has the right touch when it comes to offering vampirized renditions of Batman's villains as well. Issue 32 is shaping up to be even better as the battle really gets underway.

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6.8
Convergence: Wonder Woman #1

Apr 23, 2015

This issue showcases Wonder Woman from one of the more unusual stages of her career, when she was a powerless secret agent in a slick white jumpsuit. Unfortunately, it does little to really capitalize on that era and its trappings.

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7.5
Cosmo #1

Jan 4, 2018

There's nothing groundbreaking or remarkable about Cosmo #1. It's just a fun, silly, low-stakes book about a group of Martian heroes taking a bumbling human astronaut under their wing.

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4.8
Countdown to Final Crisis #1

Apr 23, 2008

At this point, I'm very glad Grant Morrison is doing such a stellar job of pitching Final Crisis to his readers. This botched weekly series has failed over and over to do anything of the sort. Here at the end, it gives almost no indication that a Crisis is brewing in the first place. With 12 months of boredom leading up to a fizzling payoff and no tangible connection to what will likely be DC's biggest book in many years, I can only say that Countdown has proved itself a failure on nearly every front. I hate to say it, but I'm glad I won't have a weekly DC book to look forward to over the next couple months. I need a break.

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5.5
Countdown to Final Crisis #2

Apr 16, 2008

Praise Darkseid this bloated whale of a book is almost done. I still don't know precisely what Countdown is actually counting down towards, and I really, truly don't care. The end of this book means the beginning of far more interesting projects at DC. Hopefully once Final Crisis and Trinity kick off I can look back on this series and chuckle. Maybe while I use every issue to fuel a bonfire and dance around it.

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4.4
Countdown to Final Crisis #3

Apr 9, 2008

I was somewhat impressed by the art, at least. On the whole, Countdown has managed to outdo 52 in the art category on a semi-consistent basis. At his best Freddie Williams II manages to evoke Ed McGuinness' bombastic work. The rest of the time, characters randomly develop over-sized heads and clench their teeth far too much. I guess I'd clench my teeth constantly if I were trapped in a book as bad as this. When you consider that just one year ago 52 was delivering the big World War III climax, this is just pathetic.

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8.1
Countdown to Final Crisis #10

Feb 20, 2008

The upward trend started when the story began to focus exclusively on the Challengers. That focus has broadened since, which resulted in a span of issues that weren't

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7.8
Countdown to Final Crisis #11

Feb 13, 2008

Like most issues in recent months, I can find neither anything to commend or to complain about as far as the art is concerned. The overall look of the series is vastly improved over the early months, and I think it's jst one more sign that DC has finally decided to give Countdown the editorial and artistic attention it deserves. Bring on the next issue, guys. I want to know what happens next.

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8
Countdown to Final Crisis #13

Jan 30, 2008

The rest of the issue is well worth the price of admission. Jason Todd is quickly becoming an interesting character after his recent metamorphosis, and I'm left wondering just what the DC higher-ups have planned for him after Countdown. We also enjoy another glimpse of Darkseid's grand scheme, followed by the promise that future issues will deliver much more in the way of answers. Once again, at no point do the more boring elements and characters of the series rear their heads. These other plotlines haven't all been resolved yet, but I'd gladly have them fall by the wayside if it means the remaining three months of Countdown can be as good as these past two weeks.

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8.1
Countdown to Final Crisis #14

Jan 23, 2008

Can future weeks get even better? It's quite possible, but I won't get my hopes up too high. As I said before, the optimism I felt way back at the beginning has long since drained away, and even a huge improvement like Week 14 won't earn the Countdown writers and extra slack.

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5.3
Countdown to Final Crisis #15

Jan 16, 2008

Countdown only moves in one direction for so long before an errant storyline returns from the depths of obscurity again. This week, we're reminded that Karate Kid, Una, and the original OMAC still have a mission to accomplish in Bludhaven. How long is it going to take them exactly? This particular storyline isn't necessarily uninteresting either. I just hope the writers wrap it up before it manages to bleed into Final Crisis. It's becoming obvious now that the various Countdown storylines are shaping up to converge in something very derivative of Infinite Crisis. For whatever amount of quality I've come to expect from Countdown, I'd still rather have as little of it touch Grant Morrison's upcoming story as possible.

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6.9
Countdown to Final Crisis #18

Dec 26, 2007

As is increasingly common in recent weeks, the art manages to impress. Scott Kolins stops in for a guest stint, and his new, improved style works quite well with the overall story. I'm starting to believe that Countdown's one, true advantage over 52 when both completed series are held together will be its generally superior art. I miss the older weekly series, but it was kind of a fugly book.

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5.1
Countdown to Final Crisis #21

Dec 5, 2007

The issue gets much worse once the focus shifts to the Holly/Harley and Karate Kid threads. The former has always been among Countdown's worst, and there's no saving it this late in the game. The latter hasn't been that bad, though it was a little off-putting that the writers resumed the story from the exact point where they left off a month ago. There's something to be said for 52's strict timeline. My real problem, though, was a cliffhanger that manages to push Countdown into even more directions I wish it wouldn't go. If this is what happens when the plan starts to come together, I don't want any part of it.

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4.1
Countdown to Final Crisis #22

Nov 28, 2007

I don't even feel like delving into the rest of the issue. It'll only make you depressed, particularly if you're a Flash fan. Or a Superman fan. Or a Fourth World fan. Heck, if you like good stories in general you'll more than likely find this series increasingly offensive. With Grant Morrison recently stating in no uncertain terms that Final Crisis can be read and enjoyed with no Countdown experience, I see little reason to keep trudging through it every week. I only do it because it's my job, and one of these weeks it might just force me to quit.

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2.4
Countdown to Final Crisis #24

Nov 14, 2007

Little room is left for any other threads this week, and it's not surprising that there are few new or interesting developments in the respective journeys of Karate Kid et al. or the Challengers. This issue offers very little apart from an insipidly annoying Superman and a fairly major spoiler for The Sinestro Corps War. Even if you've followed Countdown from the beginning, I have to urge you to stay far, far away this week.

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5.6
Countdown to Final Crisis #25

Nov 7, 2007

And hey, the book doesn't offend the eyes this week! Coming off a relative high point thanks to Scott Kolins last week, the trend continues with Ron Lim's pencils. Lim won't blow your mind with epic page layouts or intricately detailed figures, but his characters are surprisingly expressive, especially during the requisite goofball sequence featuring Trickster and Pied Piper. Every so often it's nice to have a reminder that the Countdown crew is capable of firing on more than a few cylinders and delivering a reasonably enjoyable reading experience.

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5
Countdown to Final Crisis #26

Oct 31, 2007

If the writing is only marginally improved this week, at least the art takes a massive leap forward. I never thought I'd champion the arrival of Scott Kolins on a series, but I am. Besides, his style has improved immensely in the last six months or so. The bright, flashy colors and thick, black lines are well-suited for a book that would never be mistaken for taking place in a realistic universe. I just have a feeling I'll be missing Kolins next week. We probably won't have someone of his caliber on art duties until DC decides to change the name of the series to Countdown Until Our Fans Give a Damn or something.

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5.4
Countdown to Final Crisis #27

Oct 24, 2007

And DC, please reconsider giving Carlos Magno more work on this series. It's entirely possible Magno is capable of good work when not forced to draw at a frantic pace, but when he shows up every four weeks like clockwork my eyes just can't stand it.

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4.2
Countdown to Final Crisis #29

Oct 10, 2007

Manuel Garcia returns to pencil this issue. Outside of the random contribution from bigger names like Dennis Calero, I've never much cared for art quality in Countdown. This isn't the worst product we've seen from Garcia in the past couple months, so I guess that's enough to leave me relatively satisfied. Emphasis on relatively.

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8.6
Cover (2018) #1

Sep 5, 2018

Brian Bendis' strong track record at DC Comics continues with the debut of Cover. The premise of this new series is fun, but it' really the strong visual presentation and finely rendered characters that gives the book its flavor. This comic doesn't read like anything else Bendis is currently writing, and that's a good thing.

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7.4
Cowboy Ninja Viking #4

Feb 24, 2010

Riley Rossmo's art seems to have improved, at least. Rossmo hasn't necessarily stuck to a rigid style anyway, but here he seems to have a greater stylistic shift than usual. The rough, sketchy quality is diminished. In its place are bolder lines and a more refined sense of page design. Even the color washes are richer and more pronounced. These changes are all for the better, as far as I'm concerned. Cowboy Ninja Viking manages to retain its subversive tone while also telling a more coherent visual story.

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9
Criminal: The Last of the Innocent #1

May 31, 2011

It's too early to tell how The Last of the Innocent will compare to past Criminal stories, but it is clear this tale has potential to outshine them all. Criminal was sometimes guilty of wearing its influences on its sleeve early on. But with this new series, Brubaker and his team are showing themselves to be highly inventive crime storytellers. The least readers can do is make a point of giving The Last of the Innocent a chance in a week when Flashpoint and Fear Itself threaten to bury everything else on the shelves.

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9
Criminal: The Last of the Innocent #2

Jul 27, 2011

Brubaker and Phillips are pushing themselves to tell a very different type of Criminal story arc here, and the results are excellent. Whether you've been following the series from the beginning or have never picked up a Criminal book, make a point of adding Last of the Innocent to your stack.

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7.9
Crosswind #1

Jun 22, 2017

This is definitely an issue that demands multiple readings to be fully appreciated. The first time around, the narrative feels a bit jumbled, as it's not at all clear how the two plot threads and their respective protagonists are connected. But once this issue establishes its Freaky Friday-esque twist, the pieces click into place.

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7.9
Crosswind #2

Jul 27, 2017

At its core, the Freaky Friday-esque premise of this series is pretty straightforward. It's really the execution where Crosswind stands out and finds its voice.

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9
Cry Havoc #1

Jan 28, 2016

If you're a fan of Spurrier's distinctive voice and Kelly's artwork, this issue will hook you almost immediately.

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6.9
Cryptocracy #1

Jun 29, 2016

Cryptocracy is hardly the first comic to make the mistake of prioritizing world-building and exposition over providing a clean, easy gateway for readers. Even so, this issue showcases an interesting, complex new sci-i universe, one that clearly won't be guilty of taking itself too seriously. That certainly warrants sticking with the book for now.

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5.8
Cutter #1

Oct 2, 2014

Cutter features a lot of trappings of the slasher genre in general and movies like I Know What You Did Last Summer in particular. Unfortunately, there's not a lot of depth to the story beyond that.

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8.7
Cyborg #1

Jul 22, 2015

Cyborg was long overdue for a solo series, but at least DC assembled the right creative team for this book. With some of DC's top artists bringing Cyborg to life and a promising writer delving into both Cyborg's superhero exploits and his search for his own lingering humanity, this first issue is a satisfying read that showcases plenty of potential ahead.

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8.6
Cyborg #2

Aug 27, 2015

Cyborg not only has the solo series he's long deserved, but a creative team able to do his story justice. The book is well worth reading solely for Ivan Reis' art.

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6.6
Cyborg #4

Oct 29, 2015

The series' visual quality takes an unfortunate hit. Ivan Reis only provides layouts this month, with Felipe Watanabe handling finishes. This at least helps the issue maintain cohesion in terms of page construction and general style. However, many of the finer details that characterize Reis' work - the intricate line-work, the subtle use of emotional and facial work - are greatly diminished.

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6.9
Cyborg #7

Jan 28, 2016

The latest issue of Cyborg comes across as pretty standard epilogue fare in the aftermath of David Walker's big Technosapiens storyline.

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8.3
Cyborg #8

Feb 25, 2016

The series also continues to thrive on the strength of David Walker's characterization. He's especially adept at capturing the playful banter between Cyborg and Shazam, to the point where this issue left me craving a team-up book featuring the duo.

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4.2
Cyborg (2016) #1

Sep 21, 2016

Any hope that Cyborg Rebirth #1 was a poor indicator of what to expect from the main series has been dashed. This new series bucks the familiar DC Rebirth trend by aiming darker instead of lighter, and it suffers as a result. The series needs an infusion of fun and a less heavy-handed approach to scripting if it's going to do justice to the character.

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4.3
Cyborg (2016) #3

Oct 20, 2016

This series is still struggling to deliver a compelling take on Vic Stone. The question of whether Vic is truly human or merely a digitized copy isn't as intriguing as it should be, with the book offering precious little reason to doubt what readers have long known to be true.

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4.5
Cyborg (2016) #6

Dec 8, 2016

In addition to the familiar problems involving wooden dialogue and characterization, this issue suffers from the forced nature of the Cyborg/Variant relationship. She's too similar to Cyborg, and the deep, immediate bond that forms between them is very sudden and unnatural. She simply doesn't come across as a natural character.

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3.6
Cyborg (2016) #11

Apr 6, 2017

It's the execution that really drags the book down. John Semper bombards readers with an onslaught of expository narrative captions, all of which seek to chronicle exactly how Vic is thinking and feeling at any given moment.

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4.6
Cyborg: Rebirth #1

Sep 7, 2016

Cyborg Rebirth #1 serves as a disappointing start for the new series. This bland issue focuses more on recapping the character's history than doing anything new with Vic Stone. And even the new elements feel a bit out of sync. Hopefully this is one of those cases where the Rebirth special is a poor indicator of the ongoing series' quality.

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6.8
Cyclops (2014) #6

Oct 23, 2014

Losing Greg Rucka and Russell Dautermann is a blow, but John Layman and Javier Garron do a perfectly decent job of picking up where they left off.

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7
Daken: Dark Wolverine #1

Sep 9, 2010

It's difficult to judge whether Daken: Dark Wolverine will successfully address the flaws of its predecessor. For now, it does seem that this series carries the sense of purpose and importance Dark Wolverine lacked. Daken could be in store for a brighter future in the Heroic Age, even if he's no more heroic now than he ever was.

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7.5
Daken: Dark Wolverine #2

Oct 13, 2010

Even Giuseppe Camuncoli shines brighter on this series. While we don't get to see Daken's new duds in action, Camuncoli does provide a great deal of eye-catching imagery, from a battle with a flame-spewing Wolverine to a sexually charged rendezvous with Mystique. Daken's adventures have never looked better. The Mystique/Daken pairing is an interesting one, and hopefully one that will continue to be explored beyond the confines of this arc. And even if the series remains a little too preoccupied with Daken's monologues and manipulations, it's still a very enjoyable read. Wolverine might not be having much fun in Hell these days, but his readers have plenty of reasons to celebrate.

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5.5
Damage (2018) #1

Jan 17, 2018

Damage #1 is a less than auspicious way of launching "The New Age of DC Heroes." This issue tells a very straightforward tale that does nothing to set its title character apart from the classic Hulk or the many other character's he's inspired over the years. Fans of Daniel's art may be won over regardless, but there's little about this series that feels genuinely new or different right now.

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5.7
Damian: Son of Batman #1

Oct 30, 2013

But with Kubert drawing this book as well as writing, surely the art has to justify the purchase, right? Maybe, depending on how much you enjoy Kubert's style. This issue falls very closely in line with the tone and texture of his work on Morrison and Gaiman's Batman. That means sleek, angular figures, a seedy Gotham, and a strong focus on color and lighting. The best pages are those like the early double-page spread and the funeral sequence, where the figures are almost overpowered by the oppressive, textured environment of Gotham. But Kubert's pages too often suffer from wonky facial expressions, most notably the very first page of Damian staring agape. Less obtrusive but still annoying is the way that Batman is drawn in his 2006-era costume but colored in a halfhearted attempt to resemble the New 52 version. I don't know why anyone is bothering trying to convince readers that this story is unfolding in the New 52.

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6.5
Dante's Inferno #1

Dec 9, 2009

This comic is making me feel smarter all the time.

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7
Dante's Inferno #2

Jan 13, 2010

Still, I'm pleasantly surprised with how Dante's Inferno the comic is turning out. Gage manages as much as can be expected with some tricky source material. Were the art a little more structured and a little less abstract, this project could even rival Marvel's Halo comics for entertainment value.

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8.3
Daredevil (1998) #102

Nov 28, 2007

One area I never have any complaints about, however, is the art. Michael Lark is one of the best in the biz when it comes to blending superheroes and crime noir. It's nice to know that, even if Brubaker's writing goes completely off the deep end, I can cover up the word balloons and admire the pretty pictures. I don't think that will be a problem, though. I don't know if Daredevil will ever return to the level of quality we saw in 2002-06, but even at its worst the series is one of Marvel's better monthly books.

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8.1
Daredevil (1998) #104

Jan 30, 2008

I can't complain too much in the end. Even if Daredevil isn't Brubaker's best work, it still blows the majority of current superhero series out of the water. One scene in particular - the confrontation between Daredevil and Ox - proves that Brubaker understands our hero and is willing to push him just as far as necessary to serve the story. I only wish I could stop waiting for the series to improve and just enjoy a quality DD yarn to rival Brubaker's Captain America work or Brian Michael Bendis' Daredevil stories. I know it's possible, and I feel like we're on the verge of something truly satisfying again.

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8.8
Daredevil (1998) #111

Sep 22, 2008

Crown's Score: 8.2

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9
Daredevil (1998) #116

Mar 3, 2009

I haven't always loved Brubaker's DD run, but I think he's hit on something very special here. "Return of the King" is off to a rousing start. If this issue is any indication, we may be in for one of the finest Daredevil stories since the Frank Miller days.

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8
Daredevil (1998) #119

Jun 24, 2009

This is just one more book where trade-waiters may have more fun than monthly readers. Having waited several weeks for this issue, and faced with the prospect of waiting several more for issue #500, I just don't feel totally satisfied with the penultimate chapter of "Return of the King". It was a solid story, but strangely subdued given how close to the end we are now. I just hope that, as a complete package, "Return of the King" will become the classic DD epic I know it can be.

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7
Daredevil (1998) #509

Aug 11, 2010

The actual continuity sync with Shadowland is a bit dubious, but it's nice to see more from Foggy and Dakota, Luke Cage and Iron Fist, and some of the more neglected women in Matt's life. The writers pack in more of the Hand conspiracy as well, but that only reinforces my fears that Shadowland is headed for a lousy end. In better news, Roberto De La Torre continues his welcome return to the book with some effectively moody artwork. This arc reads as if it's making the best of a bad situation. In an ideal world, Shadowland will improve to the point where that's no longer necessary. We'll see what actually happens over these next few months.

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6.5
Daredevil (1998) #512

Dec 2, 2010

The greatest attraction remains Marco Checchetto's artwork. Roberto de la Torre's absence is no longer felt, as Checchetto more than capably handles the same dark, noir-influenced style with a greater level of consistency. This isn't a bad issue by any means, but it suffers from the familiar and uneventful nature of most post-event epilogue books, and also from a series of hits and misses in terms of characterization. It's enough to make one wonder why we need both this issue and next week's Shadowland: After the Fall.

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7.6
Daredevil (1998) Annual #1

Oct 30, 2007

It's always nice to catch a glimpse of the quieter days in Matt Murdock's life, especially because even they aren't all that quiet. Like most of Marvel's annual issues, this book likely won't have any impact on the ongoing series, but fans of the character will be reasonably pleased with the result.

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9
Daredevil (2014) #5

Jul 10, 2014

It's a testament to Mark Waid and Chris Samnee's storytelling abilities that a comic involving Ant-Man zapping cancer cells and D-List villains chasing our heroes in giant, armored suits never loses sight of the simple, enduring friendship between Matt and Foggy.

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8.8
Daredevil (2014) #9

Oct 16, 2014

Waid's revamped take on Purple Man and his family is great too. But the real stars of the show, as usual, are artist Chris Samnee and colorist Matthew Wilson.

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9.1
Daredevil (2014) #13

Feb 26, 2015

This issue is actually pretty charming in its exploration of the Matt Murdock/Kirsten McDuffie romance and the latter's insistence on living her own life and not being pegged simply as "Daredevil's Girlfriend."

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8.3
Daredevil (2014) #14

Mar 26, 2015

Even with all the good will Mark Waid has engendered with his Daredevil run, this issue might draw the ire of some readers. Matt's quest to be true to himself and live a life without secrecy is taken to a new extreme here as he dresses in a flamboyant red business suit and begins merging his activities as vigilante and lawyer.

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8
Daredevil (2014) #15.1

May 21, 2015

This story starts off well enough but loses steam as it reaches a murky conclusion. At the very least, I would have liked to see a little more from the framing story - something that could have tied the whole issue together a little more. Still, this issue is well worth a read for fans of the current volume or more classic DD adventures.

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8.6
Daredevil (2014) #18

Sep 2, 2015

This final issue has a few too many villains for its own good, which calls into question whether Kingpin should have been brought into the picture in the first place. But all that really matters is whether Waid and Samnee are able to wrap up the long, sad saga of Matt Murdock in a way that does justice to the character and remains true to the core of their run. And this issue doesn't disappoint in that regard.

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8.3
Daredevil (2015) #1

Dec 1, 2015

Daredevil remains in good hands as he finally passes from the previous creative team to Charles Soule and Ron Garney. The new series makes a strong first impression thanks to Garney's stylish visuals and some strong characterization from Soule. Certain elements of Matt Murdock's new status quo are a little disappointing, but it's also far too early to tell where this book is heading.

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8.8
Daredevil (2015) #2

Dec 23, 2015

One of the many early successes of Charles Soule and Ron Garney's new Daredevil run is that they're building up a villain who shows strong potential to run with the greats. This issue is a proper showcase for Tenfingers, both in terms of the threat he poses to New York and the charisma he possesses that enables him to draw so many into his fold.

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8.2
Daredevil (2015) #7

May 26, 2016

While now is the logical time to bring Elektra back into Daredevil's world, this current story arc is hardly guilty of regurgitating the same old tropes. Between the fact that Elektra no longer knows Daredevil's identity and the revelation that she may apparently has a daughter somewhere in the wide world, there's a lot of compelling material to chew on in this issue.

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5.7
Daredevil (2015) #595

Nov 9, 2017

As far as new status quos go, having Daredevil confront a world where New Yorkers have just elected Wilson Fisk their mayor is pretty swell. It's essentially Dark Reign in microcosm. Unfortunately, this series doesn't immediately make the most of that premise as it enters Marvel legacy.

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7.3
Daredevil (2015) #596

Dec 14, 2017

The series seems to be veering towards a more '80s-inspired aesthetic, and that's not necessarily a bad thing.

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5.4
Daredevil (2015) #597

Jan 11, 2018

Charles Soule's pitch for "Mayor Fisk" is strong, but the execution still leaves a lot to be desired.

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8.9
Daredevil (2019) #1

Feb 6, 2019

Marvel's latest Daredevil comic is a must-read for anyone who likes their stories dark, beautiful and brooding.

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7
Daredevil / Punisher #1

May 4, 2016

Fans of the Daredevil/Punisher rivalry will likely be entertained by this new series. It starts with a bang and doesn't let up as the two characters go to war over a hapless prisoner. But whether this series will explore their dynamic in greater depth or can add something new to the saga of Matt Murdock and Frank castle, that remains to be seen.

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5
Daredevil: Season One #1

Apr 16, 2012

If a new reader wants to dive into Daredevil, it's difficult to recommend Season One as a starting point. Both Daredevil: Yellow and Daredevil: The Man Without Fear offer far superior takes on Matt Murdock's formative years within the span of a single trade paperback. Meanwhile, Mark Waid's current DD series (of which the first issue is included in this hardcover) is all most readers will need to fall in love with the character. That leaves Season One very low on the priority list.

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7.2
Dark Avengers #4

Apr 29, 2009

It's been a bit of a rough start for Dark Avengers. I'm still not convinced Bendis has a great handle on his cast of characters aside from Osborn and one or two others. But I can't deny I'm excited to see where the series moves from here. Bendis has plenty of potential to work with with these villains-turned-heroes. As long as he keeps Morgana Le Fay out of the picture, he just might do alright for himself.

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8.2
Dark Avengers #5

Jun 3, 2009

Dark Avengers is already quickly improving in its second storyline. Next month looks to ramp up the action again and hopefully shed some more light on the Sentry situation, both of which should hopefully bring about more improvement. I'm confident Bendis can close his first six issues with a bang rather than a fizzle, leaving the team in a solid spot when it comes time to call on the X-Men.

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8
Dark Avengers #10

Oct 21, 2009

The ending of this issue is especially interesting. It could either spell very intriguing possibilities for the future of Norman Osborn, or mean absolutely nothing at all. Whatever comes of this new development, I just hope we won't see Dark Avengers treading water for the final few months until Siege begins. The series is strong, but there is still room for improvement and expansion.

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8.3
Dark Avengers #14

Feb 17, 2010

While the story may have a plot hole or two, and while Deodato may prove to be his own worst enemy at times, I'm still enjoying Dark Avengers quite a bit right now. The book has come a long way in the past year. And whether or not this final story arc begins to tackle Siege more directly, I have no doubt Bendis and Deodato will finish on a high note.

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7.1
Dark Avengers Annual #1

Dec 3, 2009

It can be difficult to accept how Marvel Boy has evolved in recent years. With the events of this issue, Bendis may have finally given the character the edge he needs to stand out from the pack. Unfortunately, the real benefits of that change won't be felt yet. This annual is ultimately a divisive, but not unenjoyable, look at an evolving hero.

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8.2
Dark Avengers/Uncanny X-Men: Exodus #1

Sep 10, 2009

In the end, Exodus brings the battle to a close and sets the stage for both "Nation X" and Dark Reign: The List. As I said, there aren't a whole lot of surprises to be had on either front. It remains to be seen how Fraction steers Uncanny from this point and whether he can truly make good on his promise to take the team in a direction they've never been before. But, if nothing else, Dark Avengers/Uncanny X-Men was a good start to what could be better times for the oldest and most uneven of X-books.

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7.3
Dark Corridor #1

Aug 6, 2015

Crime comics aren't hard to come by at Image these days. What sets Dark Corridor apart is the fact that it features two running stories and blends the structure and ensemble cast of a Tarantino film with a more down-to-earth, even whimsical storytelling sensibility. For the most part it works.

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9.1
Dark Days: The Casting #1

Jul 12, 2017

While the abrupt visual transitions in this issue can be a little annoying, that's a minor concern compared to everything else Dark Days: The Casting does so well. This issue ably picks up where The Forge left off last month, further building excitement for DC's upcoming Batman event and creating all sorts of fascinating new connections in the DCU. This is exactly the sort of ambitious, epic conflict that makes a great event comic.

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8.8
Dark Days: The Forge #1

Jun 14, 2017

Dark Nights: Metal just became the event comic to watch thanks to this prologue issue. Scott Snyder and James Tynion weave an engrossing story that manages to feel both adventurous and darkly foreboding. And while the visual tone of the issue isn't as consistent as it could be, it does feature memorable visuals from three of the biggest artists in DC's lineup. It's impossible not to be excited for Metal after this.

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6
Dark Gods #1

Oct 29, 2014

The one benefit of the Genesis sequences is that they bring a lush, mythical quality to the book that stands out far more than the plain, unremarkable style employed for the real-world scenes. It enhances the sensation of the mundane colliding with the larger-than-life, and this juxtaposition could be key in helping this series to find its voice.

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7
Dark Horse Presents (2011) #8

Feb 2, 2012

At $7.99, it's really hard to recommend this issue on the strength of The Massive alone, but there are just enough other solid works contained within to justify the price of entry.

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7.8
Dark Knight III: The Master Race #2

Dec 21, 2015

In some ways, The Dark Knight III doesn't quite capture the feel of its predecessors. It's less dense and frantic, losing some of Frank miller's angry passion and opting for a more controlled pace and precise visual style. But often it's the spots where this issue breaks the mold that it stands the most. The introspective look at the relationship between Carrie Kelly and her boss is a highlight, and both the main story and the mini-comic have moments of sheer visual delight.

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6.5
Dark Knight III: The Master Race #3

Feb 24, 2016

For whatever else can be said about The Dark Knight III: The Master Race #3, it's not a boring comic. This issue has its highs as it explores the bond between Bruce Wayne and Carrie Kelly and builds towards Batman's defiant stand against the Kandorians. But it also has its lows thanks to an unfocused narrative and the one-dimensional portrayal of its villains. At times The Dark Knight III doesn't even read much like a Batman story.

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6.5
Dark Knight III: The Master Race #4

Apr 27, 2016

The fact that The Dark Knight III is slowly falling behind schedule doesn't do anything to help the series' sluggish pacing. And it's disappointing to see what began as a story about a new generation of heroes morphing into another tale about an aging Bruce Wayne. But that's not to say that there isn't promise with this book, or that it doesn't improve on its predecessors in certain key ways. But as it reaches the halfway point, this book isn't exploring its characters to their full potential.

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5.7
Dark Knight III: The Master Race #5

Jun 29, 2016

The Dark Knight III is losing steam as the series begins moving towards its climax. While there's a certain appeal in seeing Batman fight back against a seemingly unstoppable foe, the story is only feeling more empty as it moves along. And with the visual quality taking a noticeable dive compared to previous chapters, the future isn't looking good for this Dark Knight Returns sequel.

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6.8
Dark Knight III: The Master Race #6

Oct 19, 2016

At this point it's tough to recommend reading The Dark Knight III in single issue form. Between the shipping delays, the generally spartan plot and the uncertainty regarding where this story is actually heading, fans may be better off waiting until the whole series is finally released in 2017. But for hardcore Dark Knight fans, the series is recapturing much of the original's unique visual flavor.

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7.4
Dark Knight III: The Master Race #8

Mar 29, 2017

The Dark Knight III has plenty of spectacle and visual excitement to offer in its penultimate chapter. Andy Kubert directly channels Frank Miller's work on 300 as he chronicles the ultimate battle between Amazons and Kryptonians. But the story feels more spartan than ever in this issue, which calls into question whether a an extra ninth chapter was truly necessary.

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9
Dark Knight III: The Master Race #9

Jun 7, 2017

As a whole, The Dark Knight III is a flawed story at best, and one that hasn't always captured the greatness of the original mini-series. But the final issue stands out in large part because it doesn't try to. Instead, it brings a newfound sense of optimism to this formerly dark and dreary universe. It's a refreshing change for the Dark Knight franchise, and one that leaves the door open for an even bolder and more daring sequel.

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6.8
Dark Knight Returns: The Last Crusade #1

Jun 15, 2016

The Dark Knight Returns: The Last Crusade deserved to be a full-length graphic novel. That's both high praise and a testament to its storytelling flaws. This issue offers a fascinating glimpse at a Bruce Wayne entering middle age and confronting his uncertain legacy. Thanks to John Romita's art, it also faithfully captures the look and feel of the original DKR. But there's too little room in this "not oversized enough" special to explore Jason Todd's mindset or the Joker's role in this conflict. That becomes painfully apparent during the abrupt, unsatisfying finale sequence.

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8
Dark Knights Rising: The Wild Hunt #1

Feb 14, 2018

The Wild Hunt is hardly the most consistent or focused chapter of the Dark Nights: Metal saga, but it is a worthy addition nonetheless. This issue adds much-needed depth to the conflict and some major and minor players. It also conveys the scale of that conflict better than anything else we've seen from Metal. This issue is a reminder that no one does big superhero epics quite like Grant Morrison, even when he's merely a supporting player.

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9.4
Dark Night: A True Batman Story #1

Jun 15, 2016

Dark Night might not be the Vertigo-branded Batman book fans have been clamoring for from DC, but it's certainly worth a read for anyone who holds the Caped Crusader near and dear to their heart. It offers a very personal and heartfelt look at how the character helped guide Dini through a terrible time in his life, and it proves all the more that both Dini and Risso are among the most talented storytellers ever to work within Gotham City.

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8.4
Dark Nights: Metal #1

Aug 16, 2017

Apart from a surprisingly sluggish middle act, Dark Nights: metal #1 is a terrifically enjoyable read. This issue crams in all the adventure and bombast that was promised, but also makes it clear that Batman is confronting one of the most dire and all-encompassing threats of his career. But for fans of the Snyder/Capullo Batman run, all you really need to know is that the old gang is back together.

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8.5
Dark Nights: Metal #2

Sep 13, 2017

While Metal still has a few kinks to iron out before it can rival the best of Snyder and Capullo's work, the series is delivering plenty of drama and spectacle as it explores the collision between the DCU and the Dark Multiverse. This issue increases the story's pace, focusing both on crazy, dynamic action and highlighting the fear and uncertainty propelling the Caped Crusader as he delves deeper into his biggest case yet.

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7.5
Dark Nights: Metal #3

Oct 11, 2017

You can't fault Dark Nights: Metal for its scope and ambition. This is every bit as epic a story as fans were promised, and the stakes only continue to grow more dire in this issue as the Dark Knights run amok in the DCU. Unfortunately, this issue seems prone to biting off more than it can chew, resorting in a number of exposition-driven sequences that slow down an otherwise exciting storyline.

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8.1
Dark Nights: Metal #4

Dec 20, 2017

Some crossovers are decompressed and drawn-out. Metal is not one of those books. At times it suffers from the exact opposite problem, as it crams in more story and world-building than these individual issues can really handle. Even so, Metal remains a wonderfully ambitious and exciting read, one that only grows bigger and more varied with each new issue.

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8.7
Dark Nights: Metal #5

Jan 31, 2018

Where some previous chapters of Dark Nights: Metal became overburdened by exposition and setup, the series is able to build a greater sense of momentum in its penultimate issue. Metal #5 stacks the odds even further against the Justice League even as it celebrates the true scope of this shared universe. Perhaps this is one event that will reach its pinnacle at the very end?

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7.3
Dark Nights: Metal #6

Mar 28, 2018

In many ways, Dark Nights: Metal is more flawed than Snyder and Capullo's previous DC work. There are simply too many moving pieces in this final issue, and not enough room to do it all justice. But despite that, there are enough great character moments, dynamic images and emotionally resonant themes at play to make Metal a crossover worth experiencing.

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5.3
Dark Reign: Hawkeye #5

Jan 27, 2010

I simply don't understand why we waited so long for an issue of this caliber. Dark Reign: Hawkeye #5 offers no satisfying story resolution and no justification for why it arrived so late. At this point I would have been happier if I had kept laboring under the misconception the series was already finished.

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8.7
Dark Reign: The List (2009): Amazing Spider-Man #1

Nov 18, 2009

I won't go so far as to say that Dark Reign: The List - Amazing Spider-Man is the best installment of the series. The Wolverine issue still holds that honor. But that issue also had little impact on anything bigger than itself. As a total package - one that offers a captivating Spider-Man adventure and one that advances the events of Dark Reign - this issue comes out on top. This is a story that perhaps should have come several months ago, but this is one comic that is certainly better off late than never.

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9
Dark Reign: The List (2009): Wolverine #1

Oct 28, 2009

Without a doubt, this is the most successful of the Dark Reign: The List books so far. It also happens to be one of the less important chapters. If major plot twists and developments are your desire, The List: Punisher has you covered this week. If you simply want a fun, slightly twisted adventure in the style of Morrison's New X-Men, this issue won't disappoint.

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7.4
Dark Reign: The List (2009): Avengers #1

Sep 10, 2009

It's clear already that Dark Reign: The List is just a middle step on the road to Dark Reign's real climax. The lack of any running threads throughout the series other than the core "Osborn's list" premise may end up dragging these books down. On the other hand, this issue features some of the better character work Bendis has done in his long tenure on the Avengers books. Even if I have to wait a few months to see where this issue leads, Bendis has done plenty to pique my interest.

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4.2
Dark Souls: The Breath of Andolus #1

Apr 20, 2016

For all the potential that the Dark Souls franchise has in the comic book medium, this issue doesn't do much to capitalize on it. Dark Souls #1 doesn't look or feel very close to the source material, and despite her tragic background the main protagonist comes across as a generic hero on a prolonged fetch quest, Hopefully future installments can do more with the setting and the characters.

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6.6
Dark Wolverine #77

Aug 26, 2009

There is, in the end, one central flaw with this series that has yet to be addressed in its first three issues. I still don't care about Daken as a character. The appeal so far is all in the situational drama his powers create. I don't have a proper sense of who Daken is or what he wants in this book. Does he actually care about his father's legacy one way or the other? Does he have any goals at all other than screwing with his teammates? There's no emotional connection to be had here. It's actually a similar problem Way has in his Deadpool book, only more pronounced. Deadpool is zany enough that readers don't always need something deeper. Daken is not the same way. Bearing all that in mind, this arc seems to function better as a Dark Avengers story than a solo tale. Hopefully that won't always be the case, otherwise I foresee a short future for the series.

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5.6
Dark Wolverine #85

Apr 21, 2010

One issue in, and "Reckoning" isn't terribly concerned with moving things along. I hope this isn't a sign that the crossover is a simple matter of claws versus claws. Romulus is a character who has tortured and manipulated Wolverine's family for generations. As poorly executed a villain as Romulus has been so far, I'd like to think Way and Liu can find a way to bring the conflict to a proper and epic finish.

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5.5
Dark Wolverine #87

Jun 16, 2010

This series desperately needs to find a strong, coherent direction, and fast. Hopefully the impending relaunch will bring with it a new purpose for this wayward mutant. Rarely has a character this well-written simultaneously been so boring.

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5.5
Dark Wolverine #88

Jul 21, 2010

When the fight finally begins, the duo spend more time cooing at each other and strutting about than actually making with the stabby and the shooty. Maybe that's just as well, as the art rarely does the action justice, with plenty of awkwardly framed panels and a jarring shift from artist Stephen Segovia to Paco Diaz. The promise of a third party joining the battle and further story complications ahead do nothing to ease my troubled mind. I look forward to improvement in the next issue as Rick Remender takes the reins of FrankenCastle again, but I fear this story has already been irreparably damaged thanks to the crossover.

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8.6
Darkseid Special #1

Aug 30, 2017

DC's Jack Kirby anniversary celebration ends on a high note thanks to this Darkseid one-shot. This issue manages to capture the power and bombast of Kirby's classic Fourth World adventures while crafting a conflict that feels grounded in the here and now. Couple that with a visually impressive OMAC backup and some added Kirby reprints, and this issue offers a lot of bang for the buck.

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7.7
Day Men #4

Jul 31, 2014

It can be tough for a vampire-themed comic to distinguish itself these days, but each new issue of Day Men succeeds a little bit more in establishing a unique tone and approach to the vampire concept.

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7.2
Day Men #5

Nov 6, 2014

At this point the writers have no trouble investing readers in David's plight. The problem is simply that the dialogue and narration can be too clunky and drawn out for their own good.

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7.7
Days of Hate #1

Jan 18, 2018

Ales Kot's pauses only briefly to set the stage and spends even less time establishing the main characters before jumping into their narrative. At times that lack of clarity can be frustrating, but there's also a lot to be said for a book with this much forward momentum in issue #1.

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8.7
Daytripper #2

Jan 13, 2010

I feel like I say this all the time, but Daytripper is another Vertigo book you should highly consider adding to your pull list. The series captures all the joy, beauty, and uncertainty that come when a young person struggles to find their place in the world.

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8.4
Daytripper #3

Feb 10, 2010

And there's always the gorgeous art to enjoy. Once again, Moon and Ba don't shine quite as much when they tackle simple buildings and apartment rooms rather than rolling hills and sandy beaches. This issue is definitely understated compared to the last one, but the artists do stretch their muscles a bit towards the middle when Bras and Jorge visit a swanky new art exhibition. And if Ba and Moon take a bit of a backseat, it's only so that colorist Dave Stewart can step to the forefront. Stewart cycles between muted blues and greens for depressing scenes and warmer reds and oranges for the more cheerful ones. He very effectively conveys mood and emotion through strategic use of color. As much as Casanova proves the Twins don't need a full color palette to thrive, Stewart's contribution in Daytripper suggests otherwise.

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8.5
Daytripper #8

Jul 14, 2010

Gabriel Ba and Fabio Moon continue to cement their status as master storytellers and artists who have no real need of outside writers. Sorry Matt Fraction and Gerard Way, it's true. Daytripper #8 is beautifully rendered and full of a wide range of emotions. My predominate emotion at this point is sadness - sadness that the series will be over in two mere months.

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8.7
DC / Hanna-Barbera: Green Lantern/Space Ghost #1

Mar 29, 2017

Green Lantern/Space Ghost sounded promising when it was announced, and the finished product doesn't disappoint. This issue forges a strong bond between the two space cop heroes and manages to tell a poignant story that avoids recycling too many of the usual crossover tropes. And for fans of the 2005 Space Ghost mini-series, it's almost like getting a sequel.

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10
DC / Looney Tunes: Batman/Elmer Fudd #1

Jun 28, 2017

DC truly saved the best for last with their DCU/Looney Tunes crossover specials. Batman/Elmer Fudd is a gleefully absurd mash-up of the two franchises, one made all the more ridiculous by the fact that it presents itself as a completely serious and gritty noir tale. But as goofy as this comic can be, it also treats its two leads with a huge amount of care and gravitas, resulting in a crossover the delivers on multiple levels and somehow emerges as King's best Batman comic to date.

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6.5
DC Comics Presents Harley Quinn #1

Feb 6, 2014

In the end, this package is mixed at best. It does offer a nice glimpse of who Harley is and why she was a more entertaining character prior to the New 52. But it's by no means a comprehensive look at the character. I would have liked to see some of Dini's later work from his Detective Comics run included where Harley made a go at an honest, Joker-free lifestyle. Or better yet, a reprint of the full, hard-to-find Harley & Ivy mini-series. This issue is a decent, if pricey primer on all things Harley, but newly converted fans will have a lot of other reading to do afterward.

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8.3
DC Comics: Bombshells #2

Sep 2, 2015

This series is making the most of its limited source material, crafting a fun, compelling new take on the DCU and its iconic female heroes. It offers a little of the familiar (Wonder Woman's origin) and the new (Supergirl and Starfire). While this issue doesn't quite measure up to the first in terms of its visuals, it still has plenty to offer.

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8.3
DC Comics: Bombshells #3

Oct 15, 2015

For a comic based on a series of statues, this comic is quickly building up a fascinating and complex take on the DC Universe.

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7.2
DC Comics: Bombshells #9

Feb 11, 2016

This issue is at least more visually cohesive than most, though neither artist quite captures the distinctive power and energy of the original Bombshells character designs.

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8.2
DC Comics: Bombshells Annual #1

Sep 1, 2016

Bennett does a great job of working in many familiar Batgirl characters and elements while also offering a very fresh spin on the character. The mix of WWI action, romance and Haunted Mansion-style supernatural horror is bizarre, but enjoyable

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3.7
DC House of Horror (One Shot) #1

Oct 25, 2017

If DC is going to features its most popular heroes and villains in a Halloween-flavored comic, the results should at least be fun. That's not the case with DC House of Horror #1, a pointlessly dark and morbid comic that seeks to drag Superman, Batman, Wonder Woman and the rest through the mud. Perhaps this comic justifies its high cover price sheerly in terms of page count, but that doesn't really matter if the stories moistly aren't worth reading in the first place.

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9
DC Nation (2018) #0

May 2, 2018

With its low cover price and trio of great stories, DC Nation #0 is a win/win for readers.

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6.5
DC Rebirth Holiday Special #1

Dec 15, 2016

With a $9.99 cover price and clocking in at around 80 pages, this issue is more trade paperback than standard holiday special. And while there's plenty of holiday cheer to be in this book, a leaner, meaner, cheaper experience probably would have been an easier sell.

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6
DC Universe Presents #0

Sep 19, 2012

Basically, the decision to buy this issue depends largely on how much you love OMAC. None of the other stories do much to suggest that their respective books should have remained on the stands.

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8
DC Universe Presents #1

Sep 21, 2011

This approach to Deadman doesn't necessarily have the legs to support an ongoing series, and that's why it's so well-suited to the transitory format of this series. Those who want a modern Deadman who reflects the changes brought about by Brightest Day can turn to Hawk & Dove. For those who simple desire a streamlined, effective update to his origin, this book will do nicely.

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8.5
DC Universe vs. The Masters of the Universe #1

Sep 4, 2013

That last fact may prove a sticking point for readers who are lured in by Ivan Reis' cover. So far, this is not a crossover predicated on heroes punching other heroes. The actual Justice League characters don't even appear. But this nontraditional approach is exactly what makes DCU vs. MotU work so well in the first place.

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8
DC Universe vs. The Masters of the Universe #2

Oct 23, 2013

Dexter Soy's art is a little rough at times, with the detail fluctuating and backgrounds dropping in and out. But when he's firing on all cylinders, Soy is a great fit for this story. His powerful figures and gritty textures suit the MotU characters very well, and he even makes Skeletor look threatening despite the massive overcompensation that is his new costume.

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8.2
DC Universe Zero #1

Apr 30, 2008

My problems are two-fold. One - and this is something that doesn't necessarily concern me personally - this issue isn't quite the primer for new readers DC wants to think it is. It's definitely cluttered, and I imagine readers new to the DCU won't even make it past the Legion section before wanting to put the book down in favor of Ex Machina or something. Two - I wasn't a particularly huge fan of the reveal that the Associated Press has already harped on. Frankly, those few pages could have been better devoted to the other characters. Overall though I can't imagine finding a better use for your two quarters this week.

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7.3
DC Universe: Last Will and Testament #1

Aug 27, 2008

Dan's Score: 8.8

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9.5
DC Universe: Rebirth #1

May 20, 2016

For all the great stories that came out of the New 52, there was always something about this version of the DC Universe that didn't sit right. DC Rebirth manages to break the fourth wall and turn that idea into a story. This one-shot is a wonderful showcase for what this universe can be when it's executed properly. It's both a fitting farewell for Johns and a worthy template for DC's new wave of comics to follow. Reading Rebirth feels like coming home again.

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8
DCeased #1

May 1, 2019

DCeased #1 reads like DC's answer to Marvel Zombies, but it shows the potential to carve its own path.

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8.5
Dead Boy Detectives (2014) #2

Jan 30, 2014

The general premise of the book is beginning to fall into place after a relatively scatterbrained issue #1. The only real disappointment with issue #2 comes as a result of DC hyping up the appearance of Death. While she's referred to in a fairly oblique sense several times, she only appears in the flesh in a single panel flashback. Hopefully the various references will eventually build towards something more for the character, and we'll learn what consequences our two ghostly heroes will face for remaining on the earthly plane for so long.

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5.9
Dead of Night: Devil-Slayer #2

Oct 8, 2008

I will say that the art continues to hold its own for a second month. What Chris Samnee's work lacks in detail it makes up for in tone and choreography. I enjoyed his panel layouts, particularly in the way they display more energy than the usual static, gritty work from many mature books. I just wish the story had more to offer. There's still potential with Devil-Slayer, as evidenced by the first issue, but future installments are going to have to do a much better job of striking a balance between realism and horror. The latter half is far too weak at this stage to have a hope of carrying the book forward.

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7.2
Dead of Night: Werewolf By Night #1

Jan 7, 2009

I guess you can have originality with these Dead of Night books, or you can have quality, but not both. For my part, I know which one I prefer.

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7.3
Dead Squad #1

Oct 8, 2014

This issue offers an enjoyable espionage adventure with ample gunplay and action but only a touch of the larger-than-life premise that distinguishes the book. Hopefully that won't be a problem beyond this first issue.

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6.2
Deadly Hands of Kung Fu #1

May 14, 2014

Again, the art is the real sticking point. It's not so much that tan Eng Huat lacks the storytelling ability and choreography necessary for a good martial arts romp. Its that his figure work is wildly inconsistent. At times our the figures will be rendered fairly realistically and in great detail, but at others they become wildly distorted caricatures. Given Huat's past Marvel work, there's little reason to expect the problem to improve over time.

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5.4
Deadly Hands of Kung Fu #2

Jun 12, 2014

Tan Eng Huat's style is too distorted and inconsistent to do this tale justice. Huat's work deteriorates from issue #1, with a poor use of perspective throughout this chapter.

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8.3
Deadman: Dark Mansion of Forbidden Love #1

Oct 6, 2016

This isn't really a superhero comic in the traditional sense, which is actually one of its greatest strengths. It's more a Gothic horror and romance story that happens to feature Deadman. Perhaps the highest compliment that can be paid to this book is that it would be appealing even without Deadman in the picture.

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8.5
Deadpool & Cable: Split Second #1

Dec 31, 2015

While Deadpool has been well-served these past few years in his ongoing series and various mini-series, some fans will always pine for the days of Cable & Deadpool. Well, that series is back in every way that matters. This mini-series not only reunites the Dynamic Duo, it also brings back writer Fabian Nicieza and artist Reilly Brown.

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8
Deadpool & Cable: Split Second #2

Jan 28, 2016

Deadpool and Cable's string of failed attempts to fix the timeline only wind up worsening the problem, leading to a wildly entertaining Groundhog Day scenario. And the comic only gets weirder from there.

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9.9
Deadpool & Cable: Split Second #3

Feb 18, 2016

This finale offers precious little of the Wade/Nate dynamic until the end. For the most part it focuses on convoluted time-hopping, which only grows more confusing as the conflict progresses. Still, the humor is enough to offset the clunkiness in the script. Moreover, Nicieza is able to celebrate the bond between these two characters even if they rarely share the page.

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5.3
Deadpool & The Mercs For Money (2016) #2

Aug 11, 2016

It's a little unfortunate that the Mercs for Money are feeling superfluous in their own ongoing series. The conflict Cullen Bunn has cooked up, involving Deadpool being hired to round up various radioactive-powered characters, is compelling enough, but this story could just as easily unfold without the Mercs.

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6.3
Deadpool & The Mercs For Money (2016) #3

Sep 8, 2016

Unlike the previous issue, at least this one makes better use of the full cast rather than coming across like another chapter of "Deadpool and Those Other Guys." Still, this series is struggling to find its place alongside the core Deadpool comic.

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7.4
Deadpool (2008) #6

Jan 14, 2009

Deadpool continues to impress, even if it isn't quite as exciting or relevant as it was in the first arc. I'm sure that will change, temporarily at least, with "Magnum Opus". For now, I can't be too down on one of the few Marvel characters who still remembers how to have fun in the wake of Dark Reign.

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7.8
Deadpool (2008) #10

May 6, 2009

This issue is a bit light on action, but there are still a few scenes where both masked goons get to cut loose. And that's where artist Paco Medina shines best. Medina doesn't always paint the most convincing portrait of man when man isn't wearing full-body spandex, but he does have a real knack for colorful, off-the-wall action. As the feud between Deadpool and Bullseye heats up, I expect Medina's art to follow suit. It's a good start to an arc. I just hope Deadpool's shtick of running and gunning with Osborn's goons doesn't grow stale.

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7.8
Deadpool (2008) #12

Jul 15, 2009

Still, this is definitely the best Deadpool book you'll read all month. The art is very solid, and Way gives Paco Medina plenty of room to play thanks to the numerous delusion sequences. In a strange way, this issue actually caps off everything Way has done since the beginning. The book isn't being canceled (Marvel doesn't hate money, after all), but it certainly feels like the end of one era and the start of something stranger and, hopefully, even more wild and fun than before.

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8.5
Deadpool (2008) #14

Aug 26, 2009

If Way's series has had any one fault over the past months, it's that he hasn't attempted to give his lead hero any depth. We love Deadpool because he's crazy, not because follows a classical hero's journey or plumbs the depths of his subconscious. And for the most part, that's always been enough. However, late in this issue there comes a point where Deadpool has a Spider Jerusalem-esque moment of epiphany. He calms down and quits being zany long enough for readers to see the human being underneath. It appears Way will actually be exploring this side of the character in the next arc, and I'm very interested to see where he goes with it. I hardly want to abandon the meat suits and tug boats, but a stronger attempt at characterization might just push this book to the next level.

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7.8
Deadpool (2008) #15

Sep 2, 2009

This could easily be hilarity in the making or just the beginning of another bum story arc. You can never really tell with this book. Way certainly has a lot to live up to in the humor department, but at the same time I hope he's able to raise the bar in terms of characterization.

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7.8
Deadpool (2008) #17

Nov 11, 2009

This isn't Way's crowning achievement with Deadpool, but it's still a fun little romp. If nothing else, issue #17 is worth a read just to see Deadpool's prank. Hopefully the laughs will pick up a bit more and this arc can close out in style next month.

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7.3
Deadpool (2008) #19

Feb 17, 2010

Unfortunately, I wasn't very impressed by Carlo Barberi's artwork. Barberi mimics Paco Medina's energetic style fairly well, but there are enough strange qualities present that I don't enjoy the visuals nearly as much. Barberi has a tendency to draw every character with bulging necks and gangly limbs. Every single person in New York is wearing clothes about four or five sizes too big for them. Barberi also goes overboard when it comes to rendering Spider-Man's uniform. I'm all for allowing artists a bit of creative license when it comes to movement and expression in Spidey's eyes, but Barberi overdoes it. In nearly every panel, Spidey is squinting or glaring despite his supposedly rigid mask structure. Little problems like these combine to kick the visuals down several notches. Like Kelly's Deadpool/Spidey crossover, the art doesn't live up to the quality of the script.

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6.8
Deadpool (2008) #21

Mar 24, 2010

Surprisingly straightforward but very action-packed, Way's latest Deadpool arc comes to a close this month. It's clear Way intends to mine this "Deadpool as a hero" concept for a while longer. Hopefully as Heroic Age approaches we can see a little more humor return to the book even as Deadpool learns more about power, responsibility, and the art of monkey warfare.

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7
Deadpool (2008) #28

Oct 20, 2010

Carlo Barberi's art is bright and expressive. His exaggerated figures are none too appealing, with their impossibly broad shoulders, baggy clothes, and Popeye-esque musculature, but for the most part Barberi conveys the script well. The only snag comes when the fake and real Secret Avengers begin appearing simultaneously. Barberi (or Way) could have done more to distinguish the two groups. Deadpool's status as the most consistent of these books might be in danger now thanks to Deadpool MAX, but those who want an enjoyable, comical read won't go wrong here.

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5
Deadpool (2008) #51

Feb 22, 2012

There needs to be more of a hook to this story, because the idea of this storyline continuing as-is all the way until May is a less than appealing one.

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8.1
Deadpool (2012) #1

Nov 6, 2012

Deadpool #1 is one of those issues that will leave you wishing Marvel had played their cards closer to their chest and not given away so much regarding the conflict of this first arc. It's also a bit subdued in terms of humor. That said, it's a fun and unfettered approach to Deadpool's world, and does just about everything a Marvel NOW! series should in terms of offering readers a fresh start.

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7.6
Deadpool (2012) #6

Mar 20, 2013

And even ignoring the script entirely, Tony Moore delivers some excellent visuals to cap off this storyline. His expressive characters, moody environments, and penchant for grotesque violence and slapstick humor all serve the book extremely well. I can only hope that Moore will be returning to illustrate a future story, as his presence on the book has been the central draw for these past few months.

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7.5
Deadpool (2012) #8

Apr 24, 2013

The humor is the main area where the series continues to struggle. And considering this is a Deadpool comic, that's not a minor problem. Too much of the humor in this book revolves around weak gags and pop culture references. There's too little edge and originality to Deadpool's comedy. What appeal is there in lampooning Tyler Perry or making jokes about female drivers? Issue #7 suggested that the writers have more up their sleeves in that regard, and it's unfortunate that thus far it seems to be the exception to the rule.

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7.5
Deadpool (2012) #9

May 8, 2013

But sadly, while this series is doing a lot right and building well from the initial premise of Deadpool vs. Zombie Presidents, the lack of humor remains a sore point. The book is generally fun, but not very funny. It continues to rely too much on limp pop culture references and not enough on genuine, situational comedy. It's not enough that Wade can find a movie to reference in every other panel.

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7.4
Deadpool (2012) #10

May 22, 2013

On the plus side, Mike Hawthorne delivers his strongest issue of the series so far. The battle between Spidey, Deadpool, and the "Blandtastic Four" is very bouncy and exciting. Hawthorne shows off some clever design tricks as he continues finding new ways to visualize the internal conversation between Wade and Preston, as well as a neat use of perspective in a scene in Hell. Visually, the series remains on firm ground despite the shift from Tony Moore to Hawthorne.

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6
Deadpool (2012) #11

Jun 12, 2013

At this point I'm just ready for this current arc to wrap up so the creative team can get a fresh start on something newer and hopefully more compelling over the long term.

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6.2
Deadpool (2012) #14

Aug 14, 2013

The one strength issue #14 has in its favor is Declan Shalvey's artwork. Shalvey might just be the strongest replacement yet for the departed Tony Moore. He shows a similarly zany, expressive, and violent style that perfectly meshes with Wade Wilson's wacky world. His art alone is enough to pique my interest in the next extended story arc.

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9.2
Deadpool (2012) #18

Oct 10, 2013

Declan Shalvey has proven to be an ideal fit for this more serious arc. He channels some of the cartoonish charm of past storylines, but he couples that quality with a more subdued tone and grittier texture. The action flows well, and the varied unhappy emotions are conveyed well. Shalvey has shown enough versatility with these four issues that he would be a great fit for the series even when it does return to more traditional Deadpool territory.

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8.2
Deadpool (2012) #23

Feb 12, 2014

Mike Hawthorne illustrates this issue with his usual flair. He brings a palpable energy to the book, and he's great at inserting moments of physical comedy into the background of his panels. The main complaint with the visuals is that the coloring is often too flat and washed out. The situations in this issue may pay close homage to Alien, but the orange-tinted colors do anything but.

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8.3
Deadpool (2012) #27

Apr 9, 2014

The remaining three-quarters of the issue are comprised of the backup tales, bringing back everyone from Joe Kelly to Gail Simone to Christopher Priest to write the Merc With a Mouth. Luckily, there's a unifying theme running throughout these tales that ensures that remain at least somewhat relevant to the larger picture. In most cases, the writers and artists deliver a story very much rooted in the style, voice, and character lineup of the projects they worked on previously. So these tales feel like a blast from the past in the best possible way.

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8.3
Deadpool (2012) #28

May 15, 2014

Issue #28 is a wacky little standalone issue that sees Wade and his new bride venture to Japan as part of their honeymoon.

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7.4
Deadpool (2012) #29

May 29, 2014

It's a promising start for this story, though the art leaves something to be desired. The facial work is muddled and often poorly matched to the tone and emotion of the script. Good thing Wade himself doesn't have to worry about that.

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8.1
Deadpool (2012) #30

Jun 12, 2014

There are goofy Deadpool stories and serious Deadpool stories, and with this Original Sin tie-in, Gerry Duggan and Brian Posehn are trying to tell both at once. The resulting blend suits Deadpool better than it would most Marvel heroes.

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7.3
Deadpool (2012) #31

Jul 9, 2014

The book continues to suffer from lackluster art, however. It's not that John Lucas' storytelling is at fault, necessarily. His action scenes are fun and violent. But Lucas' facial work is distracting at times. It's needlessly exaggerated and often fails to match the emotion in any given scene. And given how much emotion is becoming a factor in this book again, that's a problem.

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7.9
Deadpool (2012) #32

Jul 24, 2014

I really wish this story arc featured stronger, more consistent visuals, because it's really beginning to tap into that slightly humorous, mostly somber vibe that made 'The Good, the Bad, and the Ugly' so special.

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6.2
Deadpool (2012) #33

Aug 14, 2014

This issue didn't pack in quite as much drama as I was hoping for. The resolution to the conflict is a little too smooth and simple, particularly as a couple of guest stars arrive out of the blue to help Wade with his problems.

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8.8
Deadpool (2012) #34

Sep 11, 2014

The Deadpool team offer up another "lost" issue here, this time set in Marvel's radical '90s era. Everything in the art, from the gimmicky 3D cover to the over-the-top Rob Liefeld-esque stylings, is a pitch-perfect sendup of the period.

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8.5
Deadpool (2012) #35

Sep 24, 2014

Mike Hawthorne returns in this issue, giving the pages that right balance between physical comedy and sad introspection. Hawthorne makes a strong partner with colorist Jordie Bellaire. Given how much the series suffered visually during Original Sin, it's great to see it rebound on that front.

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8.2
Deadpool (2012) #36

Oct 22, 2014

Mike Hawthorne returns to the series for this new storyline. Generally among the stronger artists this series has seen, Hawthorne does a fine job of following the script from location to location and making Wade's adventures as dynamic and visually diverse as possible.

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8.2
Deadpool (2012) #37

Nov 20, 2014

Mike Hawthorne delivers another engaging set of pages with this issue. His work isn't as detailed as some Deadpool artists, but it is energetic, expressive, and cleanly laid out. The writers give Hawthorne plenty of good material to work with, especially as Wade enters the X-Men's Danger Room and waltzes into a Wild West setting.

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8.5
Deadpool (2012) #40

Jan 14, 2015

Scott Koblish furthers the illusion that this issue is a kid's coloring book by drawing and coloring it as such. The art features bold lines and relatively simple character designs that are actually colored in with a crude crayon effect. The joke kind of wears out its welcome when it comes to the coloring specifically, but you have to admire the creative team's commitment to their farce. An especially nice touch is the interlude section, which packs in all manner of mazes and puzzles for the kiddies.

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8.6
Deadpool (2012) #41

Jan 28, 2015

It's great to see Salva Espin on board for this story as well. Espin really impressed with his work on various Deadpool mini-series, and he's equally well-suited for the core Deadpool comic. His style is energetic and expressive without being overly cartoonish. That suits both the zany action scenes and the dialogue-driven scenes equally well. Like any good Deadpool artist, Espin doesn't let the fact that Waid wears a mask prevent the character from emoting.

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8.4
Deadpool (2012) #42

Feb 25, 2015

If anything drags this issue down, it's the focus on Shiklah and her kingdom. These characters don't really add anything to the story. The marriage plot thread has been so ignored for so long that it's enough to wonder why it was even introduced in the first place.

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6.8
Deadpool (2012) #43

Mar 12, 2015

There's not a great deal of humor on display, and what is there is mainly limited to easy pop culture references.

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7.8
Deadpool (2012) #45

Apr 8, 2015

Duggan and Posehn have done some great work with Deadpool over the past few years. This issue serves as a worthy finale to their long run. In their two stories, the writers showcase Wade Wilson at his most serious and his most comical. This issue doesn't wrap up every loose end, unfortunately, and the high cover price is a bit hard to stomach considering that many of the backup stories are pretty forgettable. Even so, Deadpool fans will want to tune in to see the end of an era.

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8.2
Deadpool (2012) Annual #2

May 22, 2014

Deadpool Annual #2 offers a completely standalone Deadpool advebture with a completely different creative team from the main book. All you really need to know is that writer Christopher Hastings capitalizes on the comedic potential of the Spider-Man/Deadpool team-up.

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7.3
Deadpool (2015) #2

Nov 19, 2015

Deadpool's unprecedented popularity makes for an entertaining new status quo. The problem right now is that the book is too fixated on his "Mercs for Money" team and not nearly enough on Wade or the usual supporting cast from the previous book

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7.9
Deadpool (2015) #3

Dec 10, 2015

Gerry Duggan's Deadpool saga has changed quite a bit with this new relaunch. And while the series still seems a little too preoccupied with the Mercs for Money team over Wade Wilson himself, this issue does at least make a significant shift in the right direction

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8.5
Deadpool (2015) #5

Jan 6, 2016

Once again, Duggan's Deadpool run succeeds by downplaying the humor of Wade Wilson's life and ramping up the character drama. This issue sets up Madcap as a worthy addition to Wade's small but growing rogues gallery and suggests that there's plenty more darkness in store for our hero in the months ahead. Bad for Deadpool, but good for readers.

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8.7
Deadpool (2015) #6

Jan 21, 2016

Once again, Gerry Duggan's Deadpool run thrives by downplaying comedy in favor of drama. What seems at first like a goofy little side-story winds up being a sobering look at the future of Wade Wilson and his loved ones in the year 2099. Bring on more Deadpool 2099!

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8.2
Deadpool (2015) #9

Apr 6, 2016

The current volume of Deadpool is even stronger than its predecessor, thanks to an increased emphasis on blending the insanity of Wade Wilson's world with tragedy and darkness. This issue allows Sabretooth to get in on some of that action, proving that this particular face-off is about much more than just mindless carnage.

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6.5
Deadpool (2015) #10

Apr 20, 2016

This relaunched series has really tapped into that peculiar blend of black comedy and tragedy that makes Gerry Duggan's Deadpool so appealing. That's why it's disappointing that this issue foregoes hat approach for a more humor and action-oriented installment. And while that approach has its merits, the humor falls flat too often in these pages.

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8.7
Deadpool (2015) #11

May 11, 2016

After a misstep in the previous issue, the "Deadpool vs. Sabretooth" storyline is able to reach a satisfying conclusion this month. Once again, the series succeeds by blending Wade Wilson's kooky antics with a dark, unflattering look at his tragic past and current misdeeds. And with the way this arc ens, it's clear his troubled life won't be getting any easier.

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7.8
Deadpool (2015) #13

Jun 1, 2016

This issue can easily be skipped for those readers who don't feel like paying $10 for a non-essential crossover. But for those who want to see what happens when Deadpool, Daredevil, Power Man and Iron Fist reluctantly join forces, Deadpool #13 doesn't disappoint. It offers plenty of wacky fun, with a few dramatic moments thrown in for good measure.

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6.5
Deadpool (2015) #14

Jun 16, 2016

If Marvel's various Civil War II tie-ins are going to consist solely of heroes having conversations with Ulysses, this whole event is going to get old quick.

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7.4
Deadpool (2015) #15

Jul 13, 2016

This Civil War II tie-in reads less like a crucial addition to the larger event and more like an amusing diversion. That's hardly the worst direction for the series. This issue looks great and offers ample entertainment. Still, it'll be nice to move beyond Civil War II and back into the mess that is Wade Wilson's life.

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6.8
Deadpool (2015) #16

Aug 4, 2016

This series looks to be headed in a strong direction, but it's taking a while to get to that point.

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8.4
Deadpool (2015) #17

Aug 25, 2016

The series may have hit a few roadblocks in recent months, but it's clear better days lie ahead. For readers, not for Deadpool. He's screwed.

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7.4
Deadpool (2015) #18

Sep 15, 2016

This marks about the third issue in a row where the Civil War II banner is completely unwarranted. Instead, writer Gerry Duggan focuses on capping off this troubled phase in Wade's career and building towards his next inevitable showdown with Madcap. It's a quiet, somber issue, but somber is something Duggan has always done particularly well on this series.

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8.7
Deadpool (2015) #20

Oct 13, 2016

Over the course of 2016, this series has seemed intent on testing the limits of just how many standalone interlude issues one series can support. But as much as I'd like Deadpool to move forward into the Marvel NOW era and resume Wade's feud with Madcap, it's tough to complain about an issue with as much heart as this one

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8.1
Deadpool (2015) #25

Jan 25, 2017

Deadpool #25 delivers a memorable finish to the ongoing Deadpool 2099 storyline. While longer than strictly necessary, this issue really taps into the kooky yet tragic Wilson family dynamic while celebrating the 2099 setting. As usual, this series tends to be at its best when Gerry Duggan and Scott Koblish are paired together.

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6.8
Deadpool (2015) #29

Apr 20, 2017

While enjoyable, this crossover has felt a bit drawn-out, and the finale does little to justify that approach.

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7.5
Deadpool (2015) Annual #1

Sep 29, 2016

This issue offers an eclectic assortment of Deadpool vignettes, the meatiest of which pokes fun at the classic Spider-Man and His Amazing Friends cartoon. Your mileage may vary depending on your attachment to that show, but I certainly got a kick out of watching Deadpool join forces with Iceman and Firestar and introducing coldblooded murder to this whimsical cartoon landscape.

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5.5
Deadpool (2019) #1

Nov 20, 2019

Marvel's newest monthly Deadpool series does very little to stand out amid a vast sea of Deadpool content.

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8
Deadpool Kills Deadpool #1

Jul 3, 2013

The art quality also enjoys a nice boost in this book thanks to Salva Espin. Espin previously worked on Daniel Way's Deadpool series, where his bright, energetic renderings and stylistic similarity to Paco Medina made him an asset. He brings a similarly bombastic flair to this series, giving the final part of a trilogy a more traditional Deadpool that's called for now that the setting has switched to the core Marvel Universe.

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4.3
Deadpool Kills The Marvel Universe Again #1

Jul 5, 2017

Given how well the original Deadpool Kills the Marvel Universe has sold for Marvel, you can't really blame the publisher for returning to that well. But that does nothing to change the fact that this follow-up reads like a pointless, derivative rehash of a formula we've seen too many times already. Only hardcore Deadpool fanatics need apply.

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6.6
Deadpool Killustrated #1

Jan 23, 2013

Matteo Lolli's visuals are serviceable enough. The pages documenting Wade's battle with Moby Dick stand out in terms of detail and framing, but generally the book has a pretty plain aesthetic that neither diminishes the script nor does much to enhance it. Fans of Bunn's previous mini will want to check this one out, but more casual Deadpool fans will probably be better off trade-waiting.

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7
Deadpool Max: X-Mas Special #1

Dec 7, 2011

DeadpoolMAX fans should have no reason to complain about what is essentially an oversized bonus issue. But casual Deadpool fans and Christmas lovers might be better served looking elsewhere or, at least, heading back to the beginning of Lapham's story.

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6.5
Deadpool Pulp #1

Sep 1, 2010

The attempts to integrate Deadpool's friends and enemies into the story are somewhat less successful. Cable and Stryfe as two rival FBI agents? Benson and Glass stick to the now-familiar system of dual narrative captions for Deadpool. Here, though, they actually have some relevance to the plot in addition to providing a bit of humor. Laurence Campbell's artwork is attractive in its deep blacks and moody tone, but in some ways it only further hinders the book's attempts to capture the pulp aesthetic. Readers may have to accept that Deadpool: Pulp doesn't provide exactly what the title advertises, but the story within shows promise regardless of that title.

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5.9
Deadpool Team-Up #897

Jan 6, 2010

This isn't a particularly noteworthy Deadpool adventure in any sense, But as always, the best part about this series is that you never know what might be around the corner.

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6.5
Deadpool v Gambit #1

Jun 23, 2016

There's a lot of potential on display in Deadpool v Gambit #1, but the odd structure and storytelling choices prevent that core dynamic from getting the attention it deserves here. Hopefully now that the setup is more or less out of the way, this series can dig into this rivalry and give Gambit something useful to do for a change.

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7.6
Deadpool vs. Carnage #1

Apr 2, 2014

Artist Salva Espin is back with Bunn for another Deadpool collaboration, and his pencils ave lost none of their appeal. Espin brings a bright, energetic feel to the series, like a Looney Tunes short with a few buckets of blood and hand grenades thrown in for good measure. And Espin spices up his pages with plenty of visual gags and background cameos. As far as Deadpool tales go, this one isn't very deep. But apart from the annoying villain, it has plenty of entertainment value.

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8.4
Deadpool vs. Carnage #2

Apr 17, 2014

This series is every bit as fun and wacky as a book predicated on pairing the two craziest killers in the Marvel Universe together should be

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8.3
Deadpool vs. Carnage #3

May 8, 2014

Cullen Bunn continues to find comedic mileage out of Wade Wilson's latest superpower - the ability to find nonsensical signs all around him and somehow wind up tracking his prey.

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4.8
Deadpool vs. Old Man Logan #1

Oct 18, 2017

Unfortunately, Deadpool vs. Old Man Logan does little to stand out in a sea of Deadpool crossover comics. This first issue does little to tap into the meat of the Deadpool/Wolverine dynamic. Nor does it showcase Wade's comedic side particularly well. And while the art style is a great fit, the storytelling is riddled with a number of flaws that hinder the flow of the issue. There's a lot of potential to this team-up that isn't being utilized here.

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8.1
Deadpool vs. Thanos #1

Sep 2, 2015

This issue marks a promising start for Deadpool's latest mini-series. While Seeley spends too much time setting up the reluctant team-up between the two title characters, he does show a firm grasp on both their voices and the unusual interplay they share. Backed up by solid visuals, issue #1 should easily hook fans of either Deadpool or Thanos.

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7.2
Deadpool vs. Thanos #2

Sep 23, 2015

Deadpool and Thanos isn't just a fun comic, it also has a decent helping of drama to back up the fun of seeing these two bitter rivals sharing the page again. However, the book doesn't completely shift into gear in this second issue thanks to a pointless Guardians appearance and a weird plot shift in the final pages.

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8.5
Deadpool vs. Thanos #4

Oct 29, 2015

This issue strikes a nice balance between humor and drama. There's fun to be had as Deadpool makes googly eyes at Death and further antagonizes Thanos. There's even a pretty darned good "That's what she said joke" here. But Tim Seeley isn't afraid to get deep as he further fleshes out the unlikely connections between the two leads and waxes philosophical on the importance of death to the course of life.

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8.3
Deadpool vs. The Punisher #1

Apr 12, 2017

Deadpool vs. Punisher doesn't dramatically reinvent the superhero crossover comic, but it has enough spark to stand apart from the crowd. Writer Fred Van Lente makes the most of this odd pairing of not-quite-superheroes, while Pere Perez strikes the right balance between goofy slapstick and grim, violent romp.

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6.4
Deadpool's Art of War #2

Dec 11, 2014

The series isn't really living up to its potential, but at least it looks good.

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7.6
Deadpool's Secret Secret Wars #3

Jul 29, 2015

Deadpool's Secret Secret Wars accomplishes what it sets out to do - offering a fun, Deadpool-centric new spin on a classic storyline. It even succeeds in tossing in a little dramatic ambition for good measure. this issue's script grows too choppy for its own good at times, but it's still well worth reading for Deadpool lovers.

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7.4
Deadpool: Back In Black #4

Dec 1, 2016

The appeal with this whole "Deadpool becomes Venom" shtick is that, goofy as the idea is, it does genuinely add something to the larger Venom mythos. And Cullen Bunn is still finding ways to use Deadpool's antics to cast classic Spider-Man stories in a new light.

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8.1
Deadpool: Back In Black #5

Dec 15, 2016

The finale is slightly more plot-driven than the previous chapter, which is definitely a good thing. The final battle still feels a bit anticlimactic, which may be the strongest piece of evidence suggesting a sequel is in the works. But that aside, Cullen Bunn is able to deliver a script that's both humorous and strikes at the tragedy of the symbiote.

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6
Deadpool: Bad Blood #1

May 17, 2017

Deadpool: Bad Blood is a graphic novel geared very much towards fans of the character's earliest adventures, and clearly the creative team are aware of that fact. The book does indeed succeed in recapturing a bygone era, warts and all. But ultimately, Bad Blood serves as a reminder of how far Deadpool has come in the decades since his debut.

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6.4
Deadpool: Merc with a Mouth #1

Jul 1, 2009

Deadpool: Merc with a Mouth #1 is hardly the worst Deadpool story I've ever read, but nor does it include quite the level of amusement one would expect. In this very crowded Deadpool market, any new project is going to have to work quickly to prove its merit. Hopefully Gischler has something more up his sleeve for issue #2.

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6.4
Deadpool: Suicide Kings #1

Apr 8, 2009

Suicide Kings #1 isn't a total strikeout, but it's performance so far is lackluster enough that I'm none too keen to read the remaining issues. If Benson doesn't spice things up significantly next time around, I think I'll be leaving this game early.

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6
Deadpool: Wade Wilson's War (2010) #1

Jun 9, 2010

Wade Wilson's War is a reasonably entertaining read, automatically putting it above 50 or so Deadpool books this month. But that still leaves another 40 to sort through. At this point it takes something really special to keep me invested in a Deadpool project, and Wade Wilson's War doesn't quite have it.

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7.4
Death of Hawkman #1

Oct 6, 2016

Apart from the opening flash-forward scene, this book is almost completely focused on Adam Strange as he languishes on Earth and tries to figure out how to return to Rann. It's not a particularly flashy or exciting opening (that opening scene aside), but it does serve as a great character study of a man who simply misses his wife and the call of adventure.

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7.9
Death of Hawkman #2

Nov 3, 2016

For a comic titled "The Death of Hawkman," the first issue featured surprisingly little of Katar Hol. That's not a problem the second time around. Marc Andreyko is able to strike a proper balance between his two leads as he works to bring them together amid the threat of another Rann/Thanagar war.

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8.6
Death Of Wolverine #1

Sep 1, 2014

The Death of Wolverine is off to a great start so far. This first issue is easily accessible to Wolverine fans of all kinds. It offers a clean, straightforward beginning to Logan's last adventure, but doesn't skimp on the bloodshed or drama. McNiven proves that he's still a giant among Wolverine artists, while Soule's approach to writing the hero instantly sets him apart from the crowd. It's actually kind of a shame that Soule is getting his start with the character by killing him off.

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8.3
Death Of Wolverine #2

Sep 10, 2014

Charles Soule and Steve McNiven deliver another winner with Death of Wolverine #2. While this issue has its problems in terms of cover price and poor introduction scenes, it thrives on the strength of Soule's characterization and McNiven's bold, detailed take on Wolverine's final adventure.

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8.2
Death Of Wolverine #3

Oct 2, 2014

The extra few weeks of waiting were well worth it, as Death of Wolverine #3 maintains the quality of the previous two issues. Despite some awkward exposition and the high cover price, Soule and McNiven do justice to Wolverine's final sojourn to Japan and his last team-up with Kitty Pryde. Now the creators just need to stick the landing.

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7.1
Death Of Wolverine #4

Oct 16, 2014

Unfortunately, the final chapter of Death of Wolverine doesn't quite reach the highs of the previous issues. While the slightly odd choice of final villain can be overlooked, it's harder to ignore the awkward build-up to Logan's death. McNiven's art is great, and he and Soule hit a lot of emotionally resonant beats here, but a deeper glimpse into Logan's mindset could have given this issue the extra punch it needed.

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5.7
Death of Wolverine: Logans Legacy #1

Oct 16, 2014

The art proves to be the biggest drawback, however. Granted, it was never going to be an easy transition going from Steve McNiven's work on Death of Wolverine to these fallout comics. Even so, these pages can be pretty rough with their overly heavy blacks and bizarre facial work. Too often facial expressions are completely mismatched with the dialogue or events in the script. In one or two cases it's not even clear what exactly happens between one panel and the next.

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8.2
Death of Wolverine: Logans Legacy #4

Nov 13, 2014

The narration can be a bit heavy-handed at times, but Bennett manages to cast Deathstrike as both a sympathetic and terrifying figure. The script also makes great use of artist Juan Doe's flair for vibrant, larger-than-life storytelling.

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5.2
Death of Wolverine: Logans Legacy #7

Dec 24, 2014

Hopefully all of this setup is leading to better things, because this mini-series wasn't a great follow-up to Death of Wolverines.

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6.4
Death of Wolverine: The Weapon X Program #1

Nov 6, 2014

The main point of interest in this first issue is the protagonist, Sharp. Soule makes a point of shrouding the character and his past in mystery, to the point where we don't even see his face. Depending what direction this series heads in, Sharp could develop into a compelling protagonist. There's potential with The Weapon X Program, but little of its is being realized so far.

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6.6
Death of Wolverine: The Weapon X Program #5

Jan 7, 2015

This finale issue offers no real surprises given that we've already seen the aftermath play out in other books. But one element the book does have in its favor is its handling of Sharp as he completes his transformation into Shogun.

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8.2
Death of X #1

Oct 5, 2016

Ignoring the impact this issue has on one particular character, Death of X #1 doesn't disappoint. This issue doesn't offer much information that readers haven't already gleaned about this missing period, but it taps into the tragedy and and darkness surrounding the X-Men as they confront the latest threat to their existence. This issue also makes great use of its art team, proving Aaron Kuder is one of Marvel's best acquisitions in recent years.

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7.2
Death of X #2

Oct 19, 2016

So far, Death of X is succeeding mainly on the appeal of having Cyclops back in the spotlight and in seeing Aaron Kuder tackle the X-men and Inhumans franchises for the first time. But are those elements enough to prop up a story that seems intent on playing out in such a straightforward and predictable fashion? The final two issues need to find ways to shake up the formula next month.

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6.1
Death of X #3

Nov 2, 2016

Death of X was always limited by the fact that it's taking place well before the rest of the X-Men line, and these past two issues have done little to offset that problem or build a compelling conflict between the X-Men and Inhumans. Apart from the growing Cyclops mystery and Aaron Kuder's pages, this series isn't doing much to set the stage for an exciting finale.

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7.4
Death of X #4

Nov 24, 2016

This mini-series didn't exactly live up to its potential. Even at a modest four issues, the conflict between the X-Men and Inhumans has felt drawn out. That doesn't change in this final issue, but it does provide a compelling look at Cyclops at his most desperate.

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8
Death Vigil (2014) #1

Jul 9, 2014

Death Vigil #1 clocks in at 40 story pages for $3.99, which isn't too shabby at all. It's ample room to introduce the core cast, their worlds, and their ongoing struggle. eji is able to dance around the usual first issue formula by diving into the action first and deferring the setup and exposition until the Calara character enters the picture. The dialogue could use some fine-tuning at times, as certain conversations come across as a little clunky and inelegant (especially during mid-battle bravado). Regardless, this is a solid start for Top Cow's newest series.

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7.4
Deathbed #1

Feb 22, 2018

Riley Rossmo can always be counted upon to deliver terrific art, even if the story doesn't quite measure up (see Batman: Night of the Monster Men). That's very much the case with this latest addition to the Vertigo line.

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8.5
Deathlok (2014) #1

Oct 29, 2014

Perkins' art is every bit as essential to the success of this new book as Edmondson's writing. Just as he did on Ed Brubaker's Captain America, Perkins is able to merge the gritty realm of war and espionage with the more outlandish elements of the Marvel Universe. The art transitions nicely between the scenes' of Hayes' quiet home life and the carnage that unfolds on the battlefield. Even Deathlok's costume design succeeds in honoring the source material while blending it with a more grounded aesthetic.

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7
Deathstroke (2011) #2

Oct 12, 2011

The content of these first two issues probably should have been rolled into one. Regardless, it's clear those who like their comics violent and bombastic will have plenty to love. But can Higgins, a writer with a flair for characterization elsewhere, manage something more ambitious with his protagonist over time?

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8
Deathstroke (2011) #4

Dec 14, 2011

Thanks to new developments in this issue, Deathstroke is nicely carving out a place for itself in the New 52. It has more than just a badass main character to rest on now.

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7.5
Deathstroke (2011) #5

Jan 11, 2012

Sparse or not, Higgins doesn't neglect the characterization in this issue. He strikes a proper balance between maintaining Slade's mystique and showcasing just enough vulnerability for readers to sympathize with the character. There's plenty of big action, but this isn't a dumb book by any stretch.

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8
Deathstroke (2011) #6

Feb 8, 2012

Issue #6 is also interesting because Eduardo Pansica come aboard to provide finishes for Joe Bennett's layouts. Not only is it a smooth transition, the end result is actually somewhat easier on the eyes. Pansica is able to hone Bennett's work and provide more detail and variety when it comes to facial work. With DC placing such an emphasis on firm, monthly release schedules, it may suit books like Deathstroke to rely on this approach more often.

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7.5
Deathstroke (2011) #7

Mar 14, 2012

It's very doubtful that Higgins will be able to completely wrap up all the loose ends still remaining involving Slade's troubled family and his ailing body. Nor does Rob Liefeld seem overly concerned with picking up on those threads when he takes over the series. But at the very least, all signs point to issue #8 delivering the most satisfying conclusion to Higgins' run that could be expected under the circumstances.

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8
Deathstroke (2011) #8

Apr 11, 2012

After assisting Joe Bennett a bit earlier in the series, Eduardo Pansica takes over full penciling duties for this finale. Pansica handles facial expressions and character emotions better, which makes him particularly well suited for this quieter story. Granted, a few of his faces fall on the wonky side, but on the whole he delivers a very somber and visually arresting issue. It's just one more reason why I'm sad to see the book transitioning into a different direction.

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7.6
Deathstroke (2011) #16

Jan 16, 2013

As abrupt as the transition into the next conflict is on the final page, this issue makes it clear that Jordan will continue to provide Deathstroke with challenges and foes worthy of his reputation.

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7.2
Deathstroke (2011) #18

Mar 13, 2013

One good thing about this issue is that the final pages do suggest a deeper and more meaningful conflict on the horizon for Slade. Jordan is beginning to tie this series together with the events of Team 7. With both books on the chopping block soon, hopefully Jordan will have time to give Slade's current journey the conclusion it deserves.

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4.7
Deathstroke (2011) #19

Apr 11, 2013

Perhaps most aggravating of all is the poor characterization of Slade's son Jericho. Gone is the complex, tortured father/son dynamic. In its place is a cold, unfeeling Jericho who feels unnecessarily villainous. Between his one-note portrayal and the generally perfunctory nature of the script, there's just no reason to care about anything that unfolds here. The artwork is solid, at least, but hardly stylish enough to spice up this story.

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6.4
Deathstroke (2014) #10

Sep 24, 2015

As neat as it is to see Deathstroke operating on such a big scale, this also speaks to one of the book's fundamental problems. It's too concerned with drawing in outside characters and conflicts and not enough with building up Slade's own world.

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7.9
Deathstroke (2016) #1

Aug 24, 2016

DC's Deathstroke relaunch isn't entirely without its flaws, but already this is the most enjoyable story Slade Wilson has been involved with in some time. Christopher Priest's knack for weaving complex storylines and deep characters is serving him well, and Carlo Pagulayan's slick art gives the book a very approachable feel. Regardless of your prior attachment to the character, Deathstroke will welcome you with open, blood-stained arms.

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7.2
Deathstroke (2016) #2

Sep 15, 2016

There's a lot to like about Priests's approach to the series. His writing is intelligent and witty, and he manages to blend a gritty, military-flavored approach with some of the goofier aspects of the DCU. But the frequent chronological jumps make the dense script feel too disjointed.

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8.2
Deathstroke (2016) #3

Sep 29, 2016

It's a great take on the character, and one that finally allows Deathstroke to reach his potential as a solo player again.

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8.7
Defenders (2017) #1

Jun 14, 2017

The Defenders may not appeal to readers specifically hoping for a traditional take on this superhero team, but anyone who enjoyed Brian Bendis' work on books like Daredevil and Alias will be happy to see him return to this cast of characters. And with David Marquez at the helm, this series immediately gets off to a strong start.

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7.1
Defenders (2017) #3

Jul 13, 2017

At its best, this series recalls the glory days of Brian Bendis' work on books like Daredevil and Alias. It remains incredibly satisfying to see Bendis working with these characters again, particularly given how radically their lives have shifted over the past decade. Unfortunately, this issue has an annoying tendency to get lost on pointless tangents.

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9.2
Defenders (2017) #4

Aug 10, 2017

There's a strong case to be made for The Defenders being crowned the best-looking comic book on the stands right now.

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7.9
Defenders (2017) #5

Sep 14, 2017

Coming from the high that was The Defenders #4, this issue feels a bit underwhelming in comparison. The overarching plot is beginning to meander as Brian Bendis and David Marquez put Diamondback back into play immediately after his defeat last month.

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7.9
Defenders (2017) #6

Oct 12, 2017

Marquez's versatility is on full display in this issue as he shifts between three distinct styles. His traditional superhero pages are as stylish and impeccably rendered as always. But Marquez shifts gears and takes a grittier, more textured approach to certain key scenes, reminding readers that this is a book set on the dark edge of the Marvel U.

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7.6
Defenders (2017) #7

Nov 16, 2017

Like all of Bendis' current Marvel titles, The Defenders doesn't seem in any particular hurry to get where it's going, which calls into question whether Bendis can give his story a proper finale when the time comes. But as David Marquez remains the biggest draw with this series, the slow, measured approach certainly has its advantages.

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4.3
Dejah Thoris #1

Feb 3, 2016

Dejah Thoris #1 may be accessible to new readers, but this relaunched series doesn't do much to convince anyone to stick around. This issue is dull, plodding, and more concerned with setting up Dejah's new status quo than actually making the reader care about her plight.

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8.4
Demo, Volume 2 #1

Feb 3, 2010

This issue isn't necessarily the strongest of Wood's efforts to date. The story reads very quickly and isn't necessarily as substantive as the more densely plotted issues of Demo Vol. 1 or Local. Also a bit disappointing is that the ending is fairly predictable, compared to certain past issues of Vol. 1 that genuinely surprised me in their twists and turns. But predictable and content-light though it may be, Wood still impresses with his return to Demo. Though the premise never changes, I love the fact that readers never know quite what to expect from future installments.

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8.8
Despicable Deadpool #288

Oct 25, 2017

Gerry Duggan has been writing Deadpool in one form or another for five years now. That saga has only seemed to improve in 2017. This issue continues building on the momentum of Secret Empire, with Duggan and Koblish delivering a dark, emotionally charged look at a major falling-out between Wade and the man who once called him "partner."

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8.8
Despicable Deadpool #289

Nov 8, 2017

Deadpool was among Marvel's best ongoing series before the Legacy relaunch, and it remains so now. Even though this arc loses a bit of momentum early on with the abrupt end to Cable and Deadpool's feud, it quickly makes up for that problem with an epic, bizarre and thoroughly entertaining showdown with Stryfe. Even after five years, this series has lost none of its charm.

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8.3
Despicable Deadpool #300

May 9, 2018

The Despicable Deadpool #300 provides a fitting conclusion to a long superhero saga.

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8.5
Detective Comics #849

Oct 8, 2008

As far as I'm concerned, Detective Comics offers the only Batman R.I.P. tie-in worth reading. That has nothing to do with its tie-in status and everything to do with the fact that Dini is putting out what may be his best work on the series so far.

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8.8
Detective Comics #855

Jul 29, 2009

Detective Comics is a gorgeous, gorgeous book with two of the most interesting females heroes in DC's stable. At this point, I'm glad Bruce Wayne took an extended vacation, if only because it paved the way for a series like this.

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8.3
Detective Comics #864

Apr 28, 2010

No doubt many readers will be dropping Detective Comics now that Rucka and Batwoman have both departed the series. I'd urge those readers to reconsider. Detective is still in very good hands and remains one of the better Batman books on the stands.

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4.5
Detective Comics #867

Jul 28, 2010

This is one of those stories where I have absolutely no idea if the Batman I'm reading is supposed to be Bruce or Dick. Accessibility be damned, the two are different enough that that should never have to be a problem. The issue also suffers from Scott McDaniel's art. I've never been a fan of his loose, angular pencils, and nothing in this issue manages to change my opinion. Scenes that should generate drama fall flat thanks to a lack of detail and lackluster presentation. I'm very excited for what's to come with Detective, but it's clear I'm going to have to suffer through a few months of boredom to get there.

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6
Detective Comics (2011) #9

May 3, 2012

The Two-Face backup feature is no better than the main portion. Harvey's quest hinges around his apparent desire to become Gotham's D.A. again, which is just ludicrous for all sorts of reasons. The entire story is one surreal chain of events, and unfortunately Harvey doesn't look to be faring any better here than he did in Batman: The Dark Knight.

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8.1
Detective Comics (2011) #13

Oct 3, 2012

Detective Comics isn't really any more necessary a read than it was before, but it's certainly more enjoyable thanks to the new creative team.

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7.5
Detective Comics (2011) #14

Nov 7, 2012

I won't say that if you only read one Bat-book, to make it Detective Comics. It isn't the strongest of that pack by any stretch. But it still has its definite strengths, and when it isn't forced to reference pointless bits of continuity, it succeeds at offering a nice standalone adventure with plenty of familiar faces.

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7.7
Detective Comics (2011) #15

Dec 5, 2012

Detective Comics doesn't need a pointless event tie-in to stay relevant. Layman has reinvigorated the book with his first story arc, and I look forward to what he has in store next.

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8
Detective Comics (2011) #16

Jan 9, 2013

The backup story comes in especially handy this month, as it allows Layman to continue his exploration of Ogilvy's rise to power without conflicting with his Death of the Family tie-in. This segment is a fun read, bolstered by the nonlinear approach and a strong depiction of the increasingly villainous Emperor Penguin. Andy Clarke's art is a highlight, providing plenty of dramatic facial work and character designs that are equal parts kooky and creepy.

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6.2
Detective Comics (2011) #17

Feb 6, 2013

While this issue didn't have a great deal to offer beyond the strong visuals, I'm hoping the end of Death of the Family backdrop will allow Layman to tackle his Emperor Penguin material more directly next month.

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3.2
Detective Comics (2011) #19

Apr 3, 2013

This is not the anniversary issue Detective Comics deserved, nor the one it needed. The main tale is a disappointing blend of poor pacing, questionable characterization, and a pointless retcon of the Batman/Man-Bat relationship. The rest of the stories and the art gallery don't do much to justify the $8 cover price. Even fans of Layman's run would be better off skipping this issue.

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4.6
Detective Comics (2011) #20

May 1, 2013

This definitely doesn't read like the Detective Comics of even a few months ago. But regardless of the true culprit, the end result is a very disappointing Batman comic. Hopefully a fresh storyline will put this series back on track.

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6.8
Detective Comics (2011) #23.1

Sep 4, 2013

With its uneven execution, Detective Comics #23.1 falls firmly in the middle of the pack as far as these Villains Month specials go.

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5.9
Detective Comics (2011) #23.2

Sep 11, 2013

The artwork is a major selling point, at least. Neil Googe's dynamic, cartoonish style suits even this more serious version of Harley. Googe's facial work is particularly expressive, and his clean storytelling always keeps the issue humming along. This issue leaves me hoping Googe will have a presence on the upcoming Harley Quinn series, especially if Jimmy Palmiotti and Amanda Conner can return the character to her more slapstick roots.

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7.8
Detective Comics (2011) #23.4

Sep 25, 2013

With the visuals steadily taking priority over the writing over time, this issue winds up being a very short read relative to most Villains Month issues. But with so many of these books burdened by needless narration and exposition, it's refreshing to see one writer willing to take the "less is more" approach to this concept.

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8
Detective Comics (2011) #27

Jan 8, 2014

Unlike the previous Detective Comics anniversary issue, Detective Comics #27 pays proper hoamge to the Dark Knight. This issue packs in a diverse array of talent (if a little light on classic creators) for stories than run the gamut, stylistically and in terms of time period. The Gothopia segment is relatively underwhelming, but that shouldn't stop readers from checking out the fun batch of Bat-tales on offer here.

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6.8
Detective Comics (2011) #28

Feb 5, 2014

Unfortunately, Jason Fabok doesn't illustrate this issue, and it's probably safe to assume he's moved onto Batman Eternal by now. Aaron Lopresti fills in instead. His art is solid, but it lacks the texture and power Fabok brought to the series. If anything, he would have been better suited to the bright, shining realm of Gothopia rather than the dank halls and twisted inhabitants of Arkham.

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7
Detective Comics (2011) #29

Mar 5, 2014

Layman does manage to deliver an effective cap to his run, so that this issue works as a larger finale. I do wish he had more space to work with. The immediate fallout of Gothopia could have used some more attention, particularly in terms of Batman's relationships with Catwoman and Poison Ivy. Still, not a bad way for Layman to pass the torch to the next creative team.

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8.1
Detective Comics (2011) #33

Jul 10, 2014

With J.H. Williams no longer illustrating Batwoman, the franchise needed a new visual stunner in its ranks. Luckily, Francis Manapul is delivering the goods with Detective Comics. Each page is a sight to behold.

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6.7
Detective Comics (2011) #34

Aug 7, 2014

"Icarus" has been a great debut for the new Detective Comics creative team. Unfortunately, they don't quite stick the landing with issue #34. All sense of subtlety gets thrown out the window as Batman dons his mech suit and the conflict devolves into a punch-fest.

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8.5
Detective Comics (2011) #38

Jan 7, 2015

Not that the book was in bad hands during their absence, but it's good to have Francis Manapul and Brian Buccellato back on Detective Comcis. The series has returned to being one of the finest visual showpieces in the entire New 52 lineup.

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7.7
Detective Comics (2011) #40

Mar 4, 2015

As for the visuals, there are no complaints to be had. This remains one of the best-looking superhero comics from any publisher. Manapul's dynamic layouts and fantastic depiction of Batman combine the best elements of J.H. Williams' Batwoman with Bruce Timm's Batman: the Animated Series designs. There's a fluidity to every page, whether it's full of violent conflict or quietly focused on a small group of characters. Meanwhile, Buccellato's colors give this book a very unique tone among the Bat books, one that gives Gotham a haunting, ethereal glow.

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6.5
Detective Comics (2011) #47

Dec 10, 2015

This issue chronicles part 3 of the "Robin War" crossover, as Duke, damian and most of their fellow Robins find themselves locked up in cages like literal birds. That doesn't do much to address one of the big problems with this crossover - that it's taken a perfectly logical conflict between Gotham's government and its teen vigilantes and made one side ridiculously, needlessly villainous.

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7
Detective Comics (2011) Annual #1

Aug 29, 2012

Detective Comics Annual #1 does little to push any of the characters involved forward or make changes to the Bat universe, but it does at least solidify Black Mask and a handful of other villains' places in the New 52. Hopefully Detective Comics can find a stronger sense of identity and purpose as the creative team shifts in the coming months.

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7.6
Detective Comics (2011) Annual #2

Jul 31, 2013

This issue isn't an essential read by any means, but its clearly the more successful of this week's two Batman annuals.

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4.7
Detective Comics (2011) Annual #3

Jul 31, 2014

The latest Detective Comics Annual tells a side-story of sorts to Francis Manapul and Brian Buccellato's "Icarus" storyline. But with Manapul out of the equation, a lot of that storyline's appeal is lost.

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6.9
Detective Comics (2011): Futures End #1

Sep 3, 2014

This issue is less a direct Futures End tie-in and more a follow-up to writer Brian Buccellato's recent Detective Comics Annual #3, as Batman and Riddler team up to battle a resurgent Calendar Man.

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8.8
Detective Comics (2016) #934

Jun 8, 2016

DC's new Batman comic got off to a strong start last week, but Detective Comics is in even better shape with DC Rebirth. The strong emphasis on Batwoman coupled with a generally compelling team dynamic and some excellent artwork make for a worthy addition to the Batman franchise. The series' new villain isn't much to write home about, but hopefully that will change soon enough.

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7.9
Detective Comics (2016) #936

Jul 14, 2016

While the overarching threat in this storyline isn't terribly remarkable, it offers a worthy test for this fledgling team. And that team itself is what's allowing Detective Comics to stand apart from the rest of the Batman line right now.

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8.7
Detective Comics (2016) #939

Aug 25, 2016

Unlike Action Comics opening storyline, this lengthy arc has yet to overstay its welcome.

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9.5
Detective Comics (2016) #940

Sep 15, 2016

It's no easy feat to stand out when both Tom King and Scott Snyder are writing ongoing Batman comics, yet somehow James Tynion succeeds with Detective Comics. This issue easily ranks as the best Batman comic of the Rebirth era so far.

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7.8
Detective Comics (2016) #941

Sep 29, 2016

So far, this latest Batman crossover isn't particularly deep, but it is entertaining.

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7.9
Detective Comics (2016) #944

Nov 10, 2016

In many ways, this arc serves as an ideal follow-up to James Tynion's first storyline and the "death" of Red Robin. It doesn't dwell on Tim's absence, but it does force the Dark Knight to acknowledge that loss and to question whether he and his allies do more harm than good to their city.

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6.4
Detective Comics (2016) #952

Mar 9, 2017

For all the build-up to the debut of the League of Shadows, the organization doesn't quite live up to the hype. That's mainly because writer James Tynion IV keeps the focus almost entirely on their leader, Lady Shiva. The result is a perfectly enjoyable "Lady Shiva beats up the Batman family" story, but not one that feels particularly groundbreaking yet.

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9.6
Detective Comics (2016) #1000

Mar 27, 2019

Detective Comics #1000 crams an incredible amount of Batman goodness into one comic.

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8.7
Detective Comics (2016) #1004

May 22, 2019

Detective Comics #1004 provides a satisfying look at the origin of a major new Batman villain.

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6.5
Deus Ex: Children's Crusade #1

Feb 10, 2016

There are far worse options when it comes to filling the gap until Deus Ex: Mankind Divided hits than reading this prequel comic. Deus Ex Universe #1 is a competent but largely unremarkable tie-in that doesn't do enough to make the reader connect with the characters. There are moments when the comics shows a warmth and emotion, however, and they offer hope that this series can become something more as it unfolds.

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7.2
Devolution #1

Jan 21, 2016

Remender introduces some compelling idea as he explores a world ravaged by a disease that regresses humans to a more primitive state. Unfortunately, those interesting ideas become mostly window dressing in what is basically a pretty by-the-numbers post-apocalyptic tale.

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7.2
Dexter's Laboratory #4

Jul 3, 2014

The writing gets a little sappy as Dexter reaches his profound realization. But there's enough humor and zaniness to offset the sappy stuff.

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8
Diablo #1

Nov 23, 2011

There's not much about Diablo #1 that overtly cries "Diablo!!!" But it is a satisfying read, and that's something far too few of the projects can ever claim.

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7.5
Diablo #2

Jan 18, 2012

The art isn't very Diablo-esque, but again, this really isn't a flaw. Between Joseph Lacroix's moody, scratchy pencils and inks and Dave Stewart's equally moody colors, the book resembles a Hellboy comic more than anything. There are far worse franchises to recall.

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7.5
Dial H #4

Aug 1, 2012

Mateus Santolouco brings just the right blend of gritty harshness and bizarre imagery to the table in his art. This book looks and feels very much like a lost project from the early years of the Vertigo imprint (albeit with much better coloring). As much as Vertigo has shrunk in recent years, it's good to know that DC is still willing to publish books of that style, even if they now carry the New 52 banner.

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9.2
Dial H #6

Nov 7, 2012

Dial H #6 is a perfect showcase for the real potential of this series. It's funny and thoughtful in equal measure, and it reads very much unlike any other book in the New 52 lineup.

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8.4
Dial H #10

Mar 6, 2013

At times Alberto Ponticelli's style is too harsh and gritty to suit the tone of the story, even acknowledging that this was once intended to be a Vertigo series. His human figures can be too heavily marked by creases and shadows, especially in light of the precise, clean cover art from Brian Bolland. But the general storytelling works well, and Ponticelli never fails to render the bizarre imagery Mieville cooks up each month.

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8.3
Dial H #14

Jul 4, 2013

Hopefully the visuals will improve again as Mieville and Ponticelli move into the final stages of their Dial H adventures. This has been a wonderfully kooky book from the start, and the series has a strong chance of finishing even stronger than it began.

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7.5
Die Hard: Year One #1

Sep 30, 2009

As a tie-in to the four Die Hard movies, this comic is a resounding failure. I have no doubt many buyers will throw down this issue in disgust when they realize they didn't receive what they thought they had purchased. But if you're willing to ignore the license, more or less, and just focus on an interesting crime story, Die Hard: Year One is not so disappointing.

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6.2
Django / Zorro #2

Dec 17, 2014

There's still an appeal to this unusual pairing of Wild West heroes, but so far the series hasn't done nearly enough to capitalize on it.

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7.5
Django / Zorro #6

Apr 16, 2015

Generally Matt Wagner writes this book in the same style as his other Zorro comics, but occasionally Django's dialogue will recall a bit more of Quentin Tarantino's fiery style. If only the two sensibilities blended more evenly.

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8.5
DMZ #46

Oct 14, 2009

It should be interesting to see where Wood takes the story from here. As I mentioned in my Scalped review this week, it almost seems as if Wood is building towards a big finale in the near future. However, this issue does move a little more slowly than I'd like at times, so I'm not sure just how soon that end would be coming. Still, we're seeing a lot of familiar faces at significant crossroads in their lives. DMZ is beginning to pay off in a major way for those that have followed it from the beginning.

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9
DMZ #49

Jan 13, 2010

There's not much to say about Riccardo Burchielli at this point that hasn't already been said. He captures the look of a downtrodden and now war-torn DMZ like few artists could. This issue allows Burchielli a wider range than usual as events unfold on both sides of the DMZ border. Together, both Wood and Burchielli turn in one of their finest installments yet in the long-running series. Plenty of questions remain after the final page, and we can only hope that the oversized issue #50 will address some of them. Whatever the case, I can't imagine readers losing interest at this stage in the game.

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8.1
DMZ #50

Feb 10, 2010

If the intent with this issue really is to bring in new readers, I think DMZ #50 will do a fine job of it. This comic offers fans plenty of what they like wrapped in an eclectic visual package and made accessible for newcomers as well. It isn't as meaty in terms of story as I would have liked, but this comic will certainly tide me over until Wood dives back into the escalating conflict next month.

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8.8
DMZ #51

Mar 10, 2010

But this isn't a totally introspective chapter either. The most effective sequences come when Matty ventures out into a particularly deserted part of the city. Here, with no Liberty News chatter and less dialogue altogether, Wood crafts some powerful material that showcases the truly deplorable state the DMZ is now in. The raw emotion and sense of desolation that Wood and artist Riccardo Burchielli can generate are incredible. This is easily one of the best chapters of DMZ in many months, if not the entire series. It functions well enough as a standalone tale, but I'm more curious than ever to see what Wood has planned for Matty in the rest of the arc.

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7.5
DMZ #56

Aug 11, 2010

Nathan Fox proves to be a good fit for the issue, tackling various points in Wilson's life with just enough visual variety to distinguish each. Credit is also due to Jeromy Cox, whose colors work towards the same end. These past two issues might have been a little more truncated than I would have liked, but it's clear "Collective Punishment" is going to be another memorable chapter of DMZ.

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8
DMZ #57

Sep 15, 2010

Cliff Chiang provides the art this month, following up Neil Young's Greendale with another Vertigo project. His work is as clean and expressive as ever. That said, the slightly more angular style in this issue is a step down from his usual look, and the darker, muted colors also knock the issue a notch below Greendale visually. But if this issue is meant to be a final farewell to Amina, I'm happy with what Wood delivered. DMZ is reaching the point where readers had best get used to saying goodbye.

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8
DMZ #58

Oct 20, 2010

Perhaps more so than previous chapters of this arc, issue #58 thrives on the success of its guest artist. Danijel Zezelj is the perfect artist to chronicle Decade's journey. Zezelj's own style is full of exaggerated figures and heavy lines, to the point where it resembles nothing if not industrialized graffiti. It's eerily abstract and yet impressively detailed all at once. From the opening pages where Decade silently renews his artistic quest, Zezelj draws the eye and never lets go. With one more issue to go, "Collective Punishment" hasn't worn out its welcome yet.

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9
DMZ #65

May 18, 2011

As this series moves into the final stretch, the creative team continue to fire on all cylinders.

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9.5
DMZ #66

Jun 22, 2011

Anyone who wants to see a creative team firing on all cylinders would do well to check out this issue. Wood delivers a fitting farewell to what may be his best DMZ creation. The issue is every bit as depressing as it should be this close to the series finale, but also tinged with a faint ray of hope. There may not always be a DMZ, but there will always be a Zee.

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6.8
Doctor Doom (2019) #1

Oct 9, 2019

Doctor Doom #1 is a flawed but still engrossing start to the iconic villain's new comic book series.

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8.3
Doctor Fate (2015) #2

Jul 16, 2015

Paul Levitz is developing a charming new take on the mythos, one that blends the realm of gods and supernatural magic with a very ordinary, relatable young hero.

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8.1
Doctor Fate (2015) #3

Aug 20, 2015

There's a lot about this series that feels familiar. This issue is the obligatory "rookie teen hero struggles to come to grip with his powers and save his city for the first time" chapter in Khalid's budding superhero career. But even if this issue doesn't break much new ground, it's executed deftly enough to succeed regardless.

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8.8
Doctor Fate (2015) #5

Oct 22, 2015

DC has plenty of characters who can fill the Spider-Man mold, but right now it's the new Doctor Fate that's getting the job done. This series continues to offer a compelling look at an ordinary young man caught up in circumstances far bigger than he could have imagined.

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4
Doctor Solar: Man of the Atom Vol. 3 #1

Jul 14, 2010

None of this is helped by some extremely disappointing artwork from Dennis Calero. I loved Calero's work on the X-Men Noir books, even as I acknowledged they danced a little too far into the realm of photo-referencing. Well, Calero is fully inhabiting that land now. Characters often appear traced and awkwardly posed. Backgrounds are almost nonexistent. It all leads to a very unattractive comic from an artist I know can do far better. The reprint of the original Doctor Solar #1 only illustrates how far short of the mark Vol. 3 has fallen. Doctor Solar's newest series has gotten off to a poor start, yet nothing suggests the book is fundamentally flawed.

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8.8
Doctor Strange (2015) #1

Oct 8, 2015

It's high time Doctor Strange had his own comic again, and this new series certainly doesn't disappoint. It lends a touch of fun and adventure to Strange's world even as it begins building a massive new threat for the Sorcerer Supreme to contend with. It's plenty accessible to all readers, and it boasts a terrifically surreal art style courtesy of Chris Bachalo. Hopefully this book is a sign of things to come for Marvel's relaunch.

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9
Doctor Strange (2015) #5

Feb 4, 2016

Chris Bachalo's surreal visual style suits the book all the more now that the tone has grown darker and Strange's magical escapades have become that much more fraught with peril. There's a whimsical quality to the storytelling here, but also a strong sense of unease and foreboding.

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9.5
Doctor Strange (2015) #6

Mar 10, 2016

This epilogue gives the story an added sense of context and emotional weight that should prove invaluable going forward.

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8.4
Doctor Strange (2015) #11

Sep 8, 2016

The first year of this series was an enjoyable ride, but it seems that Jason Aaron is getting to the real heart of his run in this epilogue to "Last Days of Magic."

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8.7
Doctor Strange (2015) #18

Mar 2, 2017

The resulting team-up shows Aaron doing what he does best on this book - pairing clever supernatural conflicts with ample amounts of black humor and a healthy dose of Strange's self-loathing.

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8.1
Doctor Strange (2015) #25

Sep 21, 2017

The issue mainly shines in the past, both because of Barber's ability to channel the grandiose tone of the Silver Age Strange comics and because these pages are illustrated by Kevin Nowlan. Nowlan's impeccably rendered art goes a long way towards justifying the cost of admission all on its own.

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8.4
Doctor Strange (2015) #381

Nov 16, 2017

It feels psychedelic and larger-than-life while at once very intimate and ordinary. In other words, this series remains in good hands.

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9
Doctor Strange (2015) #382

Dec 6, 2017

After only two issues, Donny Cates and Gabriel Hernandez Walta show every sign of becoming one of the defining Doctor Strange creative teams.

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8.8
Doctor Strange (2015) #383

Dec 21, 2017

This series is frequently blurring the line between telling a Doctor Strange story and a Thor story, and that's not even factoring in the unexpected return of the Sentry. Yet somehow that odd intersection of characters and franchises works better than it has any right to.

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8.9
Doctor Strange (2015) #384

Jan 18, 2018

What price will Strange pay for tapping into this level of power? That fuels an issue balanced out by equal parts magical spectacle, humorous banter and a dramatic look at a man always paving his road to hell with good intentions.

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9
Doctor Strange (2015) #385

Feb 15, 2018

Even as enjoyable as the Jason Aaron/Chris Bachalo run was, I'm not sure I expected Doctor Strange to emerge as one of the biggest success stories of Marvel Legacy. Yet here we are, with issue #385 providing a satisfying cap to a thoroughly enjoyable debut for the new team.

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8.2
Doctor Strange (2015) #386

Mar 1, 2018

This issue picks up exactly where Damnation left off, with Strange playing a high-stakes game Blackjack with his very soul in the balance. The result is an entertaining story that boats real stake for our hero even as writer Donny Cates and artist Nico Henrichon have fun with the idea of a demonic casino.

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7.3
Doctor Strange (2015) Annual #1

Sep 29, 2016

Though this issue isn't written by regular Doctor Strange writer Jason Aaron, it fits in nicely with the ongoing series. Kathryn Immonen crafts a charming little tale as Clea wanders back into Strange's life in the aftermath of the Empirikul conflict. Immonen does a great job of exploring their complicated romantic history while also allowing Wong to enjoy the spotlight a bit more.

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6.6
Doctor Strange / The Punisher: Magic Bullets #1

Dec 14, 2016

The latest team-up between Punisher and Doctor Strange is an amusing one. The plot in Magic Bullets might be straightforward to a fault, but it's largely made up for by the fun dynamic between the two characters. But as with all Infinite Comics, this story is better experienced digitally rather than in print form.

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7.6
Doctor Strange: Damnation #1

Feb 21, 2018

Damnation doesn't start off quite as strongly as Cates' first Doctor Strange story did. This issue spends little time building to or even justifying Strange's foolhardy decision, and then too much time paving the way for the larger crossover afterward. Even so, much of the charm of the monthly Doctor Strange series remains intact. Rod Reis also proves more than capable of bringing this supernatural adventure to life. Damnation looks to be a pleasant diversion for the next couple months. We'll see if it can grow into something more.

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7.8
Domino (2018) #1

Apr 11, 2018

If you've been waiting for Domino to branch out on her own, this new series won't disappoint. It delivers some wacky good fun and stylish visuals while also making it plain that being a super-lucky assassin isn't all it's cracked up to be. While there are some nagging storytelling flaws in this first issue, it's clear that Neena Thurman is in good hands.

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8.4
Doom Patrol (2016) #1

Sep 14, 2016

With Rebirth, DC has the market on traditional superhero comics cornered. Doom Patrol marks a crucial foray back into more experimental types of superhero storytelling. This new series may not be for everyone. It may not even necessarily appeal to all Doom Patrol fans. But for those who want to explore the weirder side of the DCU while connecting with some lovable but damaged characters, this series will deliver the goods.

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8.6
Doom Patrol (2016) #2

Oct 13, 2016

If you like your superhero comics on the weird side, this Doom Patrol relaunch won't disappoint. Gerard Way and Nick Derington have even managed to outdo the classic Grant Morrison run in that regard.

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9.4
Doom Patrol (2016) #3

Nov 10, 2016

The Young Animal line is a bold, daring alternative to that approach, and Doom Patrol is lighting the way.

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8.8
Doom Patrol (2016) #5

Mar 23, 2017

The creators aren't just building a new Doom Patrol, they're celebrating the legacy of the team and reminding readers what a shame it's been that they've been out of action for so long. In this era of D Rebirth, it's a very fitting approach.

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9.3
Doom Patrol (2016) #7

Jul 27, 2017

Doom Patrol is back following a brief hiatus, and the wait was well worth it. This issue manages that delicate task of honoring the franchise's roots while looking ahead to the future.

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7.3
Doomed #1

Jun 18, 2015

This new series introduces a character called Reiser who undergoes a Hulk-like transformation and becomes the new Doomsday. Perhaps not the most clever premise ever to grace the printed page, but writer Scott Lobdell largely makes up for that fact with a surprisingly charming first issue.

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8.9
Doomsday Clock #1

Nov 19, 2017

Doomsday Clock looks to be a slow burn, but one that expertly captures the feel of a true comic book classic.

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9
Doomsday Clock #2

Dec 27, 2017

Doomsday Clock #2 maintains the series' methodical pace while drawing more DC characters into this ambitious conflict.

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8.8
Doomsday Clock #3

Jan 24, 2018

Between the methodical pacing and the fact that the series is falling behind schedule, it's hard to blame anyone who chooses to wait for the trade. But slow or not, this series is managing to tell a very gripping story that faithfully carries the torch for the original Watchmen. And everything else being equal, it's worth reading the series simply to marvel at Gary Frank's precise, dynamic artwork.

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9.2
Doomsday Clock #4

Mar 28, 2018

Doomsday Clock #4 doesn't do a great deal to push the series' overarching conflict forward. But it does accomplish something more vital - fleshing out the background of the new Rorschach and allowing readers to connect with the character on a deeper level. If Johns and Frank couldn't make readers feel for these characters, what would be the point of publishing a new Watchmen sequel in the first place?

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9
Doomsday Clock #5

May 30, 2018

Doomsday Clock #5 adds new layers to DC's Watchmen sequel, painting an even more bleak view of the DCU's future.

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8.8
Doomsday Clock #7

Sep 26, 2018

Doomsday Clock #7 gives the series an adrenaline boost as Doctor Manhattan finally emerges from hiding.

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7.5
Doomsday Clock #8

Dec 5, 2018

Doomsday Clock #8 features a hefty dose of Superman, but the series' cracks are beginning to show.

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8
Doomsday Clock #9

Mar 6, 2019

Doomsday Clock #9 features a fun superhero showdown alongside dark new developments for the DCU.

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9.5
Doomsday Clock #10

May 29, 2019

Doomsday Clock #10 pushes the series to new heights as it addresses some of the most burning questions of DC Rebirth.

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8
Doomsday Clock #11

Sep 4, 2019

Doomsday Clock #11 is a messy but still thrilling issue that sets up an epic final chapter.

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6.5
Doomwar (2010) #6

Aug 4, 2010

DoomWar has been a nice treat for those Black Panther fans bored by years of lackluster storytelling. The series begins to fray at the edges in this final issue, but DoomWar still manages a decent finish. Jonathan Maberry certainly provides a mighty challenge for his two Panther heroes to overcome. My fears that the story lacked the legs to last for six issues have been assuaged. The problem is one that might be familiar to Panther readers - they overcome it a little too easily in the end. For all the massive buildup to the final battle between Doom and T'Challa, the whole thing fades away surprisingly quietly. That's not to say the series doesn't offer plenty of potential for future stories. Just don't expect this issue to devote more than a single page to the fight's aftermath. Also disappointing is how underutilized many of the guest stars were in the end. I nearly forgot the X-Men were a part of this story at times, and even Deadpool essentially keeps the bench warm in this issue.

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5.9
Dragon Age #1

Mar 31, 2010

Unlike most videogame comics that are just fundamentally broken, Dragon Age shows real potential to become something worthwhile. In terms of the overly speedy pacing and the needlessly stylized art, it seems as if the creative team was just overeager in this first issue. I'd like to think things will settle down in future installments and that Dragon Age might become an example by which other, similar projects can follow.

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6.5
Dragon Age #2

Jun 30, 2010

IDW's first issue of Dragon Age didn't exactly replicate the storytelling success of the game, but it wasn't a total disaster either. One of its chief problems was an overly speedy pace that failed to properly establish character relationships. But with the focus of the series shifting nearly two decades into the future and onto the daughter of Sadatt and Veness, that poor pacing becomes at least somewhat justified. The pacing is far better in this issue, with a tale that flows more naturally and features a more likable bunch of characters. On the down side, Orson Scott Card and Aaron Johnston eventually overload the script with two significant conflicts where either one alone would have sufficed. Hopefully those two divergent plot threads will eventually merge organically. Another drawback is Mark Robinson's art, which, while not terrible, is far too stylized and exaggerated to match the visuals of the game or the tone of the story. But while still rough around the edges, Dragon Age i

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7.9
Drax (2015) #1

Nov 5, 2015

If all you want from Marvel's new Drax comic is a fun, lighthearted adventure full of violence and space tomfoolery, this debut issue delivers the goods. The execution is made that much better by Scott Hepburn's amazingly dynamic art. However, the book doesn't show much ambition when it comes to dramatic storytelling. There's potential in exploring the darker aspects of Drax's life and personality, and hopefully we'll see this series delve into those areas.

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8.2
Drax (2015) #2

Dec 31, 2015

These days, a superhero comic needs to do more than simply offer fun, lighthearted storytelling to stand out. That's something Drax #1 struggled with last month, but the second issue makes some progress as far as building a distinctive voice and direction for the series.

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6.8
Dream Police #2

Jun 5, 2014

Despite these strengths, Dream Police still struggles to find its overall voice. It's hard to tell whether Straczynski is actively trying to spoof detective noir tales, but a lot of the tropes and dialogue in this series are familiar to the point of being quaint. And in some ways, the Dreamscape still comes across as a lesser version of concepts like the Matrix or Inception's dream worlds. Hopefully over time, Straczynski can refine his characterization and better establish the unique qualities of this series.

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8
Drive #1

Aug 26, 2015

Drive #1 marks another successful attempt at adapting the novel into a more visually oriented medium. While this series doesn't really break new ground, it does strike a balance between respecting the source material and taking advantage of the new format.Fans of comic book crime noir will definitely want to give this first issue a try.

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8
Ducktales #0

Jul 20, 2017

For now, at least, it's more "Donald Duck" than "DuckTales," as the focus remains squarely on Donald and his nephews and characters like Scrooge and Launchpad are completely absent. That's somewhat disappointing, but this issue still succeeds in spinning two amusing, duck-filled yarns as Donald bungles his way through various odd jobs and his nephews get into all sorts of mischief.

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5.5
Dungeons & Dragons #0

Aug 11, 2010

The Dark Sun prologue by Alex Irvine is really too short to leave any sort of impression. At six pages, the readers is given little more than a vague sense that Dark Sun is a slightly more fantastical take on Gladiator with a bit of Conan thrown in. There's little humor to be had, and the art is pretty dull to boot. In the case of either story, readers just aren't given enough material to form a solid opinion in either direction. Rogers' series looks like it could have some potential, but until I can get to know the characetrs a little better I have no idea if I should be excited for the book's release. Be glad issue #0 is only a buck. It doesn't offer enough content to justify much more than that.

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5.5
Dungeons & Dragons #1

Nov 10, 2010

Andrea Di Vito's art is also a boon, providing clean, crisp visuals. Perhaps too clean for the seedy world where dungeons and dragons are in fresh supply. The question is how long humor and solid artwork can compensate for a lack of truly compelling cast or conflict. D&D fails to accomplish anything unique or memorable in ts first issue. Perhaps its time to break out the pen, paper, and dice and roll a few new characters who can bring some flavor to the proceedings.

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8
Dungeons & Dragons (2016) #1

May 5, 2016

Whether you're a hardcore Dungeons & Dragons fanatic or simply crave an enjoyable fantasy series about a rag-tag group of heroes battling evil and accumulating treasure, IDW's latest D&D comic will fit the bill.

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8.5
DV8: Gods and Monsters #1

Apr 21, 2010

This is another strong debut for Wood, but at this point it's rare for the writer to have anything but. Both Wood and Isaacs manage to quickly leave me engrossed in a set of characters I had no interest in before now.

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8.4
DV8: Gods and Monsters #2

May 19, 2010

Whether or not you care for the DV8 franchise, this is a mini-series well worth giving a look. The unique premise, Wood's voice, and the slick visuals all help the series stand out in the ever-crowded superhero market.

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7
Dynamo 5 #0

Feb 18, 2009

Issue #0 does a decent job of selling Dynamo 5, even if the entire experience is over almost as soon as it begins. If this issue intrigues you enough to give the series another chance, I'd suggest skipping the boorish recap pages and start from the beginning. Jumping-on points are a poor excuse for real, honest reading.

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8.1
Earth 2 #8

Jan 9, 2013

Yildiray Cinar fills in for Nicola Scott on this issue. He doesn't show quite the flair for dynamic, expressive figures that Scott does. However, his action scenes are framed well, and Robinson gives him plenty to work with as Steppenwolf and Fury unleash hell on their unwitting enemies. Visually, this series has always been on firm footing amid the New 52 catalog.

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8.7
Earth 2 #15.1

Sep 4, 2013

This issue also succeeds in continuing the momentum of its corresponding ongoing series rather than stalling it. Levitz sets new events in motion that will have a clear impact on Earth 2 and World's Finest in the months ahead. Thankfully, not every book has to be swept up by Forever Evil or Zero Year.

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6.5
Earth 2 #15.2

Sep 11, 2013

The meat of the story is meant to be in the flashbacks, but this material is annoyingly incomplete and truncated. We don't see enough of Solomon's (the Cyrus Gold name has apparently been retired) wife and child to care much about their inevitable demise. And these flashbacks end when Solomon is still alive and well. How he actually transforms from ordinary man to immortal zombie and avatar of the Grey is completely ignored. This issue would have been better off focused more fully on the flashbacks and providing a cohesive look at this villain's fall from grace.

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8
Earth 2 #17

Nov 6, 2013

Issues like this are why DC really need to reconsider their "no recap pages" policy. It's not quite as accessible as it needs to be given the amount of new readers Taylor's name will be bringing into the fold. And really, all that would be needed is a few, simple paragraphs to provide some context for this war.

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8
Earth 2 #18

Dec 5, 2013

And it's definitely nice to have Nicola Scott remaining on board the series. She has a flair for both the dramatic action sequences (especially the Superman/Flash chase) and the stark emotions of Taylor's script. Even a masked character like Batman brims with emotion. This really is among the best looking books DC is publishing.

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8.6
Earth 2 #20

Feb 5, 2014

This issue takes a bit of a hit from the fact that Nicola Scott isn't on board. Luckily, Barry Kitson and Robson Rocha do a solid job of filling in. Kitson handles the bulk of the issue, nearly matching Scott's ability to blend dynamic action with expressive character interaction. And Rocha brings a detailed, sinister touch to the Superman scenes.

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8.3
Earth 2 #25

Jul 2, 2014

Taylor also deserves credit for addressing a lingering flaw of the book by bringing characters like Alan Scott and Jay Garrick back to the forefront. For a while it seemed as though Earth 2 was becoming yet another Batman/Superman/Wonder Woman-centric comic, but this issue offers a more even focus and big moments for just about every major cast member. More and more, Taylor is finding his footing with Earth 2, while Nicola Scott's art remains as dependably expressive and cinematic as ever. A winning combination, in other words.

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8.3
Earth 2 #28

Nov 6, 2014

In some ways Earth 2 remains superior to its weekly cousin, as it manages to stay more focused and more visually engaging.

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5.6
Earth 2 #30

Jan 7, 2015

This isn't the most successful chapter of Earth 2 since the current status quo began, but it's not an uninteresting read either.

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6.3
Earth 2 #32

Mar 4, 2015

Reading this issue has me less excited for the finale of World's End and more looking ahead to June, when the upcoming Earth 2: The Society series will hopefully even things out for this increasingly hectic franchise.

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7.1
Earth 2 Annual #2

Jan 29, 2014

At long last, readers finally have answers to all their questions about the new Batman of Earth-2. This issue hit a few snags along the way and falls a bit short of Taylor's work on the main series. Even so, it sets the stage for some solid drama as Batman's role within the series continues to evolve in 2014.

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6.1
Earth 2: Futures End #1

Sep 3, 2014

The good news is that this issue succeeds better than many Futures End one-shots when it comes to the art. Eddy Barrows handled the entire issue, and he brings a sense of power and grim foreboding to every page. That said, could any of the blame for the choppy pacing be blamed on his page layouts?

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7.6
Earth 2: Society #1

Jun 11, 2015

This series offers a welcome change of pace for the characters and a more streamlined story after all the flash and pizzazz of Earth 2: World's End.

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7.5
Earth 2: Society #3

Aug 13, 2015

It's a poignant character study that simultaneously emphasizes the chaos that holds sway over Earth 2 as its people struggle to build a new world from the ashes of the old.

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6.3
Earth 2: Society #4

Sep 10, 2015

It's a struggle for this new Earth 2 series to gain any real momentum when each issue focuses on a small handful of characters and spends most of its time locked in the past.

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7.8
Earth 2: World's End #2

Oct 16, 2014

The art could stand to be more consistent, and I wish World's End had the "one artist per issue" policy of Futures End and Batman Eternal. But even so, this latest weekly book from DC is quickly establishing itself as one worth reading.

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7.1
Earth 2: World's End #5

Nov 6, 2014

Coupled with the constantly shifting art styles and generally loose quality to most of the pages, the execution of this book still leaves something to be desired at times. Still, there's a definite momentum even this early into World's End.

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7.3
Earth 2: World's End #25

Mar 25, 2015

In better news, this issue manages to be surprisingly consistent in terms of visuals despite the large crew of pencillers and inkers. Much of the credit goes to Scott McDaniel, who provided breakdowns and helped ensure that everyone attacked the script from a similar point of view. The shifts between pencillers aren't nearly as jarring as they might be, and the issue feels more consistent and cohesive as a result.

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8
East of West #11

Apr 10, 2014

East of West sometimes reads like Jonathan Hickman's answer to Game of Thrones, what with the copious lineup of characters and the constant back-stabbery and power plays. And while the sheer visual and conceptual imagination at work in this series is usually enough to keep things afloat even when the story begins to trudge, it does seem as if the book is gaining momentum again

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8.4
East of West #12

May 22, 2014

East of West seemed to gain some momentum in issue #11, and that trend only accelerates in issue #12. Aside from a brief flashback designed to flesh out another figurehead, Jonathan Hickman focuses his full attention on the gathering of nations this month.

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7.5
East of West #13

Jul 3, 2014

This time Hickman finally returns to Death and his minions after leaving them hanging in issue #10. The result is a very violent, exciting, and action-packed script. However, the more mystical material involving Wolf and Crow gets bogged down by an overabundance of dialogue in what should be a more visually-oriented sequence.

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6.8
East of West #14

Jul 31, 2014

As much as this series can frustrate when it goes months on end without focusing on certain characters, this issue suggests that maybe the self-contained approach is better. As Jonathan Hickman transitions between recent key developments and towards a massive war between the Seven Nations, this issue manages to feel pretty disjointed.

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8.6
East of West #15

Sep 11, 2014

The story is well structured and executed, except for the opening segment focused on Xiaolin, which feels out of place in this context. But between Hickman's bold storytelling and Nick Dragotta's rich, imaginative, and occasionally grotesque art, there's plenty to love in this latest chapter.

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8.6
East of West #18

Mar 12, 2015

There's little point in complaining about a slow-paced issue of East of West. That's just the approach Jonathan Hickman has chosen to take with this series. Issue #18 is a fairly quiet addition to the series, but an interesting one all the same.

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9
East of West #19

May 14, 2015

The script is frequently amusing, though there's a sense of darkness that grows over time and as Babylon inches closer to becoming the dangerous man fate demands of him. This issue ranks among Nick Dragotta's best.

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9.3
East of West #22

Dec 3, 2015

For a book that's suffered from a slow pace recently, this issue was just the jolt readers needed.

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8.5
East of West #23

Dec 31, 2015

East of West is a series that tends to change in focus and tone with just about every new issue. So after last month's bold, action-driven and almost completely text-less installment, it's not surprising to see issue #23 emphasize dialogue and character interaction over spectacle.

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8.6
East of West #24

Jan 28, 2016

Issue #24 ends on a high note as Hickman explores the close bond between Death and his partners and hints at monumental changes to come for this trio.

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8.7
East of West #26

May 26, 2016

It's a treat just to see these characters interact with one another, particularly whenever the devious, quick-witted Archibald Chamberlain is involved. There's a constant sense that these characters are testing each other and prodding for potential weaknesses.

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8.3
East of West #27

Jun 30, 2016

Hickman's script provides a nice balance between politicking and foreshadowing in the early pages and all-out chaos and bloodshed in the latter pages. Nick Dragotta's art seems a bit more rough than usual in those dialogue driven scenes (with the line-work appearing less precise and the figures unusually gaunt), but those problems quickly fade once the action heats up and Dragotta's twisted imagery comes into play.

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9.9
East of West #29

Sep 1, 2016

This issue wraps up the second act of Jonathan Hickman and Nick Dragotta's epic saga. It does in very satisfying fashion by delivering one of the major, long-awaited moments this series has been building towards for some time.

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8.9
East of West #31

Feb 9, 2017

The issue becomes a striking meditation on power, resistance and the way simple actions can have far-reaching consequences. The script is made all the more effective by its focus on a group of new characters whose fates are uncertain and not bound by any real rules.

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8.3
East of West #32

Mar 16, 2017

Chamberlain takes the spotlight in this issue, and the results are predictably enjoyable. It never gets old seeing the silver-tongued Chamberlain talk circles around his rivals. But here we also get a better sense of his murky background and what his end-game is in this massive, post-apocalyptic conspiracy.

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9
East of West #33

May 25, 2017

You really have to admire this series' ability to include, significant, meaningful developments in each new issue. Even if it often takes months for any given character to cycle back into the dense narrative, no chapter feels wasted or out of place.

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9.2
East of West #34

Aug 3, 2017

In other words, this is a great way to wrap up the current story arc and set the stage for the next phase of this apocalyptic drama.

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8.5
East of West #35

Nov 16, 2017

In short, this chapter proves that this series is capable of shaking things up even after several years on the stands.

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6.2
East of West: The World One Shot #1

Dec 11, 2014

By and large, this issue is a sourcebook for the sprawling world of East of West, breaking down the various nation states and the timeline of events that have shaped the series. It's a handy resource consdieirng how dense the series can be and how many different characetrs and factions there are. But this is the sort of material that's better suited as supplemental pages in a trade paperback collection rather than a standalone product.

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8.3
Echo #1

Mar 5, 2008

And that's all there is to be said for now. Moore's legion of fans certainly won't be disappointed by his new project. Newcomers might not see what all the fuss is about, though. With a six week waiting period between issues, I have to recommend that curious newbies check out the numerous SiP trades first. At least then they'll be able to form a strong opinion right away.

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8.4
Echo #2

Apr 9, 2008

I can already sense that many potential readers are losing interest in following this series on a monthly basis. I can't exactly blame them. I do think that if issues #1 and 2 were bundled together the overall impression might have been better. However, it's too late for that. I'll continue to give this book a chance for now, but I can't promise I won't join the ranks of the trade-waiters eventually.

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8.2
Echo #7

Oct 22, 2008

I felt the art was particularly strong in this issue, mostly because Moore pushes himself beyond his normal boundaries a bit. We're treated to some great shots of the stormy desert, and even a ferocious monkey for good measure. I do often wonder if this series wouldn't benefit from a splash of color, though. On the other hand, hat would probably slow down the production process. I enjoy having such a dependable, solid series from Moore to look forward to every month, and I'm not sure color would be an entirely worthy trade-off.

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8.4
Echo #8

Dec 10, 2008

Still, I'll take this black-and-white drama over colorful Marvel work any day. Moore is truly at home in Echo, and I sincerely hope that whatever fans he may have attracted with his Marvel books will wander this way.

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8.7
Echo #19

Jan 27, 2010

If every issue of Echo can read like this over the next year, then I have no doubt this will go down as one of the greats in the indy world.

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7.3
Edge of Spider-Geddon #1

Aug 15, 2018

Edge of Spider-Geddon #1is a fun read for anyone eager to read more about Spider-Punk and his world.

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7.3
Edge of Spider-Verse (2014) #1

Sep 10, 2014

Unfortunately, this issue actually suffers from being a Spider-Verse tie-in. There's a hefty amount of exposition in the script as the writers work to establish the cast, set up the showdown between Spider-Man and Mysterio, and eventually connect the dots to Spider-Verse. In the end, the conflict is left hanging so that Noir Spidey can deal with the Morlun situation. This comic leaves you wanting more, which is both good and bad in this case.

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6.1
Edge of Venomverse (2017) #1

Jun 28, 2017

Edge of Venomverse #1 works fine as a sort of short, condensed take on the origin of X-23 and her first meeting with the NYX cast. It's a story that's well-suited to Ramon Bachs' murky, brooding art style. But it's not one that makes particularly clever use of the Venom element. Nor does it do much at all to build anticipation for the upcoming Venomverse crossover.

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4.7
Edge of Venomverse (2017) #5

Aug 23, 2017

Edge of Venomverse ends its run just a sit began, telling another tale of a Marvel hero merging with the symbiote and changing very little as a result. This issue does little to take advantage of this fusion. And ignoring the Venom trappings, the characterization of Deadpool is more obnoxious than amusing. James Stokoe's art is something to behold, but that alone can't make up for the many mistakes this comic makes.

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8.5
Ei8ht #1

Feb 18, 2015

Unsurprisingly, Albuquerque's art emerges as the main selling point here. Ei8ht has a fairly different aesthetic from Albuquerque's recent DC work. The line-work is a bit looser, but not necessarily less detailed. Albuquerque shows a greater range of facial work and emotional expression in this issue, and that goes a long way towards building tone and making characters like Joshua feel like fully realized people despite their aura of mystery. meanwhile, there's a clever use of color driving this book. Most panels feature only one or two hues, with each color denoting a certain time period or locale. The effect is like a more robust version of Casanova (back in the days when that series relied on monochrome art rather than full color). This series' distinctive visual style sets it apart as much as anything.

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8.4
Ei8ht #3

Apr 16, 2015

The script this month is a bit inelegantly paced, starting out slow and then cramming several key developments into teh final pages. But the overall effect is strong, as Albuquerque and Mike Johnson continue to build a fascinating world with its fair share of twists and surprises.

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8.9
Ei8ht #4

May 21, 2015

Artist Rafael Albuquerque continues to fire on all cylinders as the story spans millions of years and tackles everything from Nazi super-science to flying dinosaur jailbreak scenes. For his part, writer Mike Johnson keeps the script fast-paced and engaging.

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8.3
Ei8ht #5

Jun 18, 2015

Ultimately, while certain elements in this issue feel rushed, the overall emotional payoff is strong. Better still, there's the promise of more Ei8ht to come in the future. This series ceertainly warrants a sequel.

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5.9
Electric Ant #1

Apr 7, 2010

Electric Ant is an interesting experiment on Marvel's part, but hardly the runaway success that their Oz and Dark Tower books have been. I fully expect this series will pick up when Mack's scripts move deeper into Garson's exploration of his own reality. I just won't count on the visual side of things to improve accordingly.

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8.3
Elektra (2017) #1

Feb 22, 2017

Elektra's new solo comic isn't groundbreaking in any way, but it does offer an engaging look at a troubled assassin who can't seem to leave her old life behind. As with the previous volume, the art is really the big selling point. It's clean but stylish and shrouded in gorgeous color work that takes advantage of the glitzy Vegas setting.

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7.4
Elektra (2017) #2

Mar 23, 2017

Elektra's new comic isn't exactly lighting the comic book world on fire with its portrayal of the troubled assassin, but great art is usually enough to make a book stand out regardless.

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8.7
Empress #1

Apr 6, 2016

Empress is shaping up to be one of Millar's better creator-owned comics in recent memory. The book thrives on the strength of the art team, as it delivers a cohesive space fantasy universe with just enough quirks to stand out from the crowd. And this opening chapter serves as a great first issue. It starts the book off on an exciting note while also taking time to begin fleshing out the main characters and the struggle between a desperate mother and her overbearing husband.

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7.6
Empress #2

May 5, 2016

This book is certainly fun in the way so many Millarworld comics are, but there's no reason it can't strive for more depth at the same time.

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8.8
Empty Zone #1

Jun 18, 2015

If one were to combine Blade Runner, Ghost in the Shell and a few Raymond Chandler novels in a blender, the end result might be something like Empty Zones. Even with all the sci-fi comics Image is currently publishing, this new book has little trouble standing out from the crowd.

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8.3
Ender's Game: Battle School #1

Oct 6, 2008

The issue moves very methodically, as if it's fully aware the story has years and multiple mini-series in which to be told. I imagine many readers, mainly the newcomers, will be left sorely wanting for more. Battle School #1 is a good start to what looks to be a very long and consuming investment. Unfortunately, given the problems I found with issue #1, I look forward to the prospect of reading the novels more than I do of following the comics. Mission accomplished?

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8.7
Ender's Game: Battle School #2

Nov 19, 2008

Honestly, Ender's Game: Battle School is one series I'd recommend trade-waiting for unless you already count yourself as a big fan of the books. It's an interesting and unique read among the massive glut of comics each month, but it simply moves too slowly and methodically for its own good at times.

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7.7
Ender's Game: Battle School #3

Feb 4, 2009

At this point, I'm torn as to whether I should start reading the original Ender's Game novels. I imagine they would enhance my enjoyment of the comics and flesh out some of those gray areas. On the other hand, reading the novels might blind me to the instances where the comic just doesn't tell its story well enough. At times Ender's Game seems predominately aimed at fans of the novels. But really, if you're only targeting the hardcore audience, what's the point of creating an adaptation in the first place?

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7.8
Ender's Game: Command School #1

Sep 10, 2009

Were I able to read this whole mini in one sitting, I'm sure Id have a blast. But as slow moving and split apart as it is, I worry Command School will have a hard time holding my interest despite its strengths.

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8.2
Enter the Heroic Age #1

May 19, 2010

Enter the Heroic Age proves to be a good bargain for the price. With most of the stories succeeding at both teasing larger projects and offering cohesive adventures in their own right, this is easily Marvel's most successful attempt at the format yet. If the series in question are as good as they look in these pages, I think Marvel fans have plenty to be excited about in the coming months.

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7.5
Eternals (2008) #2

Jul 9, 2008

By all rights Eternals should be one of Marvel's best books. The Knaufs' last few issues of Iron Man: Director of SHIELD proved they have what it takes to stand up to the giants of the industry. And while their first two issues of Eternals are solid, they don't come together well enough to stand out from the pack.

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8.3
Eternals (2008) #4

Sep 3, 2008

If anything, sequences like these demonstrate why the book as a whole isn't quite as good as it could be. The ending page strives for a campy pulp tone that would suit the series well if it were employed more thoroughly. With any luck, the Knaufs will come to this realization. It took them a while to come into their own on Iron Man, and by the end of their run it had become one of Marvel's best books. There's no reason why the same can't happen for Eternals.

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8.3
Eternals (2008) #5

Oct 1, 2008

The art isn't exactly doing the series any favors now, but the core of Eternals is very appealing. The Knaufs are following up on Gaiman's plot threads much more aptly than I would have expected. While I wouldn't sugegst starting with this issue, take advantage of the slow week by catching up with Ikaris, Thena, and friends.

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9.1
Ether #1

Nov 17, 2016

Suffice it to say that Matt Kindt and David Rubin immediately craft a fantasy world that's both extremely inviting and wholly unique.

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8.1
EVE Online: Valkyrie #1

Oct 15, 2015

In some ways there's a predictable, almost textbook quality to Ran's origin as she encounters adversity and rises above. However, Wood includes enough flourishes to give the book its own flavor.

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7.1
Event Leviathan #1

Jun 12, 2019

Event Leviathan #1 has mood to spare, but it doesn't give this mystery series the early momentum it needs.

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7.4
Everafter #1

Sep 7, 2016

Fables fans can breathe easy, as Everafter looks to be a worthwhile continuation of the franchise. This new series pays homage to the past while also offering its own fresh and exciting take on these characters. The only flaw holding this book back is that the art, while plenty detailed, is disappointingly plain and lacking in style. But to be fair, the original Fables took some time to find its footing in that regard, too.

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8.5
Ex Machina #37

Jun 18, 2008

Vaughan also begins to connect back to past events, leading me to believe a big payoff is on the horizon. I assume it has to be coming sooner or later, as this series has a mere 13 issues left. That's a sobering thought. Good thing the series is in no danger of stumbling so far in its final stretch.

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8.5
Ex Machina #41

Apr 22, 2009

I sincerely hope we don't have to wait long for issue #42. As the book enters its final year I find myself more excited about the plight of Mayor Hundred and friends than ever. Making us wait another three or four months would just be cruel.

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8.5
Ex Machina #42

May 20, 2009

Ex Machina isn't moving along quite as fast as it could be. Though there are still 8 issues left, it feels like Vaughan could wrap this story up in half that time if he so chose. But as engrossed as I am at the moment, I'd hate to suggest he hurry things along. Let's just hope this improved shipping schedule isn't merely a passing fad.

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8.7
Ex Machina #43

Jun 17, 2009

Vaughan's script leaves us in agonizing anticipation of the next chapter. I don't exactly relish even a month-long wait, but there's no question Vaughan and Harris continue to deliver with every issue.

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9.3
Ex Machina #44

Aug 19, 2009

Tony Harris' art continues to shine in this arc. Whereas past storylines saw Harris' work vary in quality, he has been far more consistent lately. Couple that with the fact that Vaughan is throwing an increasingly bizarre and memorable series of visual requests at Harris, and you have an issue whose art ranks among the best in the series. That goes for the script, as well. This finale is easily one of the better issues of a series that has never, ever been bad. If Vaughan and Harris manage to keep improving in their final storyline, we could be looking at a truly classic finish for this series.

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8.6
Ex Machina #45

Sep 16, 2009

Luckily, Vaughan doesn't completely ignore the developments of last issue or the newly empowered Suzanne Padilla. Vaughan continues to build on the growing conspiracy against the mayor, which is good. But as for Padilla herself, I'm not quite sold on her new role. She seems a bit two-dimensional as a villain, and I hope Vaughan has bigger plans for her than this issue might indicate. The problem with knowing (more or less) how a series ends is that the climax is in constant danger of fizzling out. That said, this is Ex Machina we're talking about, and Vaughan has never given us any reason to doubt him on this book. As long as Vaughan and Tony Harris maintain their creative synergy in the remaining five issues, I see no reason not to expect a finale to rival Y: the Last Man.

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8.3
Ex Machina Special #4

Mar 11, 2009

Overall, this is a nice little appetizer as I wait for more Ex Machina. I just hope the chefs won't be working in the kitchen too much longer. I'm still hungry.

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7.6
Excalibur (2019) #1

Oct 29, 2019

Excalibur is another worthwhile addition to Marvel's Dawn of X relaunch, one that blends the old and new.

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8.8
Existence 3.0 #1

Dec 3, 2009

If you're not already on the Existence 2.0/3.0 bandwagon, be sure to keep your eyes peeled for the eventual trade. And don't be surprised when this blockbuster movie adventure gets plucked by Hollywood and turned into an actual blockbuster movie.

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8.8
Exit Stage Left: The Snagglepuss Chronicles #1

Jan 4, 2018

A lot of DC's recent Hanna-Barbera revamps are more interesting curiosities than must-read stories. But just as he did with The Flintstones, Mark Russell is able to overhaul a cartoon icon in a way that serves as profound commentary on contemporary civilization.

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5.3
Extraordinary X-Men #2

Nov 18, 2015

Extraordinary X-Men has a ways to go before it lives up to that title. Too much about the book feels familiar and played-out in light of past X-Men stories. The plodding pace and unnecessary focus on rebuilding the team don't help. However, Lemire's characterization is strong enough that there's hope the series will find its way once it moves beyond these initial conflicts and into something more exciting and unpredictable.

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7.5
Extraordinary X-Men #4

Dec 23, 2015

Extraordinary X-Men took way too long to bring its cast together, but now that it has the series is quickly reaping the rewards. It's clear there's a lot of potential to mine in this eclectic mash-up of X-Men favorites and newer takes on iconic characters. The addition of Sinister to the mix certainly doesn't hurt. The thing that would most helps this series now is a shift in art style to something that can accommodate the quieter scenes as well as the outlandish ones.

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7.1
Extraordinary X-Men #5

Jan 14, 2016

Extraordinary X-Men is somewhat less than extraordinary when it comes to plot. The series is still fighting that uphill battle to finds its voice and offer readers a fresh, exciting direction.

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8.2
Extraordinary X-Men #6

Jan 27, 2015

Extraordinary X-Men had a rocky start in its first few months, but things are looking up for the series as it begins its second story arc. Jeff Lemire is beginning to dig deeper into his cast of characters and push them in interesting new directions. The change in artist also helps the book's prospects. Hopefully this upward trend will continue as the new arc unfolds.

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7.3
Extraordinary X-Men #7

Feb 18, 2016

Guest artist Victor Ibanez continues to impress with his lively figure work and detailed environments, and hopefully he'll remain a fixture on the series. Unfortunately, this issue doesn't make any better use of the Weirdworld setting than the previous one did.

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6.5
Extraordinary X-Men #8

Mar 16, 2016

It seems a little soon to be kicking off a crossover among the three core X-Men books when all three series are still trying to establish their voice and build a compelling new status quo for the franchise. And it's not surprising that Extraordinary X-men is generally at its best when it's focusing on the team's interpersonal drama rather than the impending clash with Apocalypse. This crossover won't succeed unless it can find ways to shake up the familiar X-Men vs. Apocalypse formula.

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7.2
Extraordinary X-Men #9

Apr 21, 2016

Whether it's a collective of Iron Man-spawned A.I. or super-evolved Inhuman monsters, this issue offers a compelling glimpse of the Marvel Universe in the far future. But maybe a little more plot momentum next time?

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7.4
Extraordinary X-Men #10

May 26, 2016

This issue is at its best when Jeff Lemire focuses on the strain Storm feels in confronting an uncertain and very grim future for her people. That's when this story has the gravitas it needs.

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4.8
Extraordinary X-Men #12

Jul 28, 2016

The "Apocalypse Wars" crossover has really fizzled out over time. This issue is ostensibly the final chapter in EXM's portion of the crossover, but there's nothing particularly final or decisive about the events within.

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6.2
Extraordinary X-Men #13

Aug 24, 2016

"The Apocalypse Wars" didn't really do Extraordinary X-Men any favors, and the series is still struggling to find its footing in the immediate aftermath. The visual presentation is improved, and Lemire's characterization is generally entertaining, but the various intertwining conflicts aren't much to write home about at the moment.

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6.4
Extraordinary X-Men #14

Sep 29, 2016

The series may not be in the most exciting place right now, but at least it still has something to offer fans of these characters.

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7
Extraordinary X-Men Annual #1

Sep 22, 2016

This story might not be terribly consequential, but it's cute and charming in a way we rarely see from the X-books lately.

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8.4
Fables #81

Feb 11, 2009

And not enough can be said about the art in this arc. Willingham has mentioned how he has started to allow Mark Buckingham more freedom in his page layouts, and I think this has been a tremendous boon to a series that already looked pretty darn good. The emotional qualities of this issue wouldn't have been so palpable if not for Buckingham's pencils. And then there's the little matter of this being James Jean's final issue as cover artist. This cover is certainly one of the more complex and intricate Jean has turned in. Jean has helped define this book in a way few cover artists ever have, and I'm going to sorely miss him as the series continues on. This is an issue of goodbyes, but also one of new beginnings. I'm pretty confident that Fables can only get more interesting from here.

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7.7
Fables #82

Mar 11, 2009

I was hoping for "The Dark Ages" to finish off on a high note, as I'm none too excited at the prospect of a three-way crossover. I hope I don't find myself in a situation where I'm forced to go four straight months without a truly stellar issue of Fables. Even if I do, it's going to take something far worse than this entertaining but underwhelming story to turn me away.

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8.5
Fables #83

Apr 15, 2009

So far so good. I'm liking where this Fables crossover is going. That said, the real test will come when Jack of Fables and The Literals join in on the fun. Until then, I can't allow myself to be more than cautiously optimistic about the project.

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6.8
Fables #84

May 13, 2009

As much as I despise Jack, I can't claim this issue was a total waste. Still, "The Great Fables Crossover" seems to have hit a major stall in its second act. Hopefully I can turn to Jack of Fables next time and receive everything I didn't get out of this issue - more adventure and less Jack being chief among those things.

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6.6
Fables #85

Jun 10, 2009

I'm also enjoying the silly dynamic between the human Fables and animal Fables on the Farm lately. Silly is the name of the game when it comes to this issue, except when Rose is involved. I like where Bill Willingham and Matthew Sturges are taking her character. I'm just not sure I like that Jack had to be so heavily involved in her downward spiral. Overall, there are bits and pieces of this issue I liked quite a bit. It's a shame the larger crossover had to get in their way.

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8.7
Fables #86

Jul 15, 2009

I've said many times that Fables became more exciting and unpredictable after the end of "War and Pieces". This issue is a shining example of the creative avenues Willingham is able to explore now that practically anything goes in this universe. If you've fallen off the Fables wagon in 2009, pick yourself up and give it another go.

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8.4
Fables #87

Aug 12, 2009

It's certainly nice to have Mark Buckingham back where he belongs after so many months away. Buckingham returns to a more familiar art style compared to what he offered on Jack of Fables, with wide pages and storybook collages forming the borders. Buckingham's return lends the book a comfortable sense of familiarity. With the series now back on track, Willingham and Buckingham can resume shocking and awing as the series builds toward issue #100.

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8.9
Fables #88

Sep 16, 2009

Overall, this is one of the strongest issues of Fables I've read in a long time. There is literally no excuse for lapsed readers not to come back and remind themselves why they loved Fables so much in the first place.

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9.1
Fables #89

Oct 14, 2009

But other than that, I loved this issue. Fables is just getting better and better by the month. Artist Mark Buckingham is firing on all cylinders. New characters are standing tall and carrying the burden of the spotlight with ease. Fables is in a great state right now, and I once again feel the need to implore lapsed readers (that includes you, Phillips) to get caught up and see what you've been missing lately.

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8.7
Fables #90

Nov 11, 2009

But in any case, thick lines can do very little to dampen my enthusiasm for a resurgent Fables. The series continues to engross me with every issue of "Witches", and I very much look forward to the finale next month.

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8
Fables #92

Jan 20, 2010

But I'll manage. Willingham delivers a fun and whimsical story. Even better, David Lapham settles in for a brief guest stint, and his pencils perfectly suit the tone of the story. Despite his tendency to take on darker stories, Lapham is equally skilled at humor and lighter conflicts. Between the two creators, Fables fans should find enough to sustain them until the series gets back to the Mr. Dark conflict.

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8.3
Fables #94

Apr 14, 2010

Though it continues to move a little slower than I would like, I'm nonetheless pleased to see Fables putting itself back on track. Issue #100 isn't so far away now, and this new arc shows every sign of being an enjoyable build-up to the next watershed moment for the series.

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6.5
Fables #96

Jun 16, 2010

This isn't a "bad" storyline, necessarily. It's just a slow, plodding flashback tale that kills the pacing of the series at the exact point when it should be ramping up. All I can do is keep my fingers crossed that the flashback will end soon and Rose Red will get her lazy butt out of bed.

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8
Fables #100

Dec 31, 1969

Finally, this issue includes materials for both a Fables-themed board game and a puppet theater. These are... interesting inclusions, but it's difficult to imagine many readers doing more than quickly glancing at the two sections and moving on. But while the bonus content in this issue could have been a bit more consistent, it's hard to argue Fables #100 doesn't offer plenty of bang for the buck. More importantly, it serves to inject some energy back into a book that's been flagging for too long.

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7.5
Fables #111

Nov 30, 2011

The art remains solid despite the fact that Shawn McManus steps in to provide finishes on some later pages. There's little to distinguish McManus from Mark Buckingham in most cases, which helps the book maintain a cohesive feel. However, one element that is missed is the altered coloring for the Oz segments. There's now less to distinguish the two halves of the tale visually. But there are far worse problems to have than too much consistency.

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7.9
Fables #150

Jul 23, 2015

Fables #150 wraps up the series about as well as can be expected given how unfocused it's been of late. The main story is hindered by the handling of the final Rose Red/Snow White showdown and the fact that the former's motivations are never entirely clear. However, that story still includes a number of memorable moments along the way. Moreover, it's accompanied by a wide array of backup tales that both enrich the main story and provide proper farewells for a host of characters. It's not perfect, but this issue offers a bittersweet farewell to a Vertigo mainstay.

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8
Fables: The Wolf Among Us #1

Jan 14, 2015

With the core Fables series ending in a matter of weeks, it's good to know we'll have at least one quality Fables comic on the stands for the foreseeable future. The Wolf Among Us is an enjoyable look back at a simpler time in the series' timeline. It combines familiar elements with a strong noir approach. And even if the art has its issues, the rotating team of pencillers keep the script humming along. Fans of the franchise should definitely give this comic a look.

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8.7
Fables: The Wolf Among Us #2

Feb 12, 2015

This interplay of seedy drama and charming fairy tale tropes defines Fables, and it's good to see that it persists even in this prequel. Fans of the franchise really won't want to miss this comic.

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7.5
Faces of Evil: Kobra #1

Jan 28, 2009

Once again, this issue sets up a compelling story and then snatches it away from readers. Thankfully, the issue offers a more or less complete story, unlike the glorified teaser trailer that was Faces of Evil: Solomon Grundy. Brandon accomplished what he set out to do, which was to pique my interest in future Kobra stories. I just wish I knew when and where to expect the snake's return.

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5
Fade to Black #1

Mar 17, 2010

Fade to Black isn't a total lost cause, but so far it plays out in a far more generic fashion than any book involving cannibals has a right to. I hope to see both creators push for a more unique style, or at least a stronger execution, in future installments.

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8
Fairest #1

Mar 7, 2012

Phil Jimenez lends a much different aesthetic to the Fables universe with his art. It's certainly much more detailed and intricate than readers have come to expect from the various books. And though I'm rarely fond of Jimenez's pencils when inked by Andy Lanning, the colors smooth out the thick, black lines enough to balance out the combination. However, while detail is all fine and well, this issue lacks that whimsical storybook quality that defines Fables. Mark Buckingham's art succeeds not because of minute detail, but because it captures the look and fell of these popular fairy tales while dragging them kicking and screaming into the modern world. It would be nice to see a little more of that quality from the visuals in future issues.

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5.8
Falcon (2017) #1

Oct 11, 2017

This new series shows some potential as it attempts to chart a new course for Sam Wilson, but the lackluster execution makes it a tough sell for all but hardcore Falcon fans. This first issue struggles to properly balance the Marvel Universe with real-world drama, and the dialogue has a tendency to become overwrought and stilted. If Sam is going to thrive as he returns to his old role, it's not going to be a quick or easy transition.

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6.6
Falcon (2017) #2

Nov 9, 2017

It's never a great sign when the title character is the least interesting player in their own book. That's turning out to be the case for this new Falcon series.

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6.3
Falcon (2017) #3

Dec 14, 2017

When even Joshua Cassara's gritty art shines better in the supernatural-focused scenes, maybe it's time to transition this creative team to a different project.

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8.3
Fall of the Hulks: Alpha #1

Dec 3, 2009

Overall, Parker and Pelletier make a fine team, and it's a shame we won't be seeing more of them as Fall of the Hulks progresses. The Alpha issue isn't a perfect beginning to the event - it provides an awful lot of setup for what seems (for now, at least) to be relatively little payoff. But in and of itself this issue entertains, and that's more than I've been able to say about a lot of Hulk stories lately.

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6.8
Fall of the Hulks: Red Hulk #1

Jan 27, 2010

Red Hulk haters take note - the character is far from the weak link in this issue. If it weren't for some lousy dialogue and the continuously loopy shipping schedule of Fall of the Hulks, this could easily rank as one of Marvel's better books this week. I expect the latter problem will iron itself out sooner or later, but it remains to be seen if Parker can find a better handle on A-Bomb and the other weaker characters in this series.

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7.2
Fall of the Hulks: Red Hulk #2

Feb 24, 2010

Apart from these flaws, the issue just doesn't come together in an altogether satisfying manner. The script shifts between flashbacks and present day sequences frequently. It covers several different conflicts at once. In its worst moments this book reads more like a distillation of everything Greg Pak and Jeph Loeb weren't able to fit into their own books. Issue #1 focused on the rebirth of Cosmic Hulk. This issue is all about Thundra and Lyra. Next month is A-Bomb's turn. Where's the connective tissue? Parker has proven by now he has the talent to take point on these stories. I would love to see him take on a Hulk book that allows him more room to breathe and tell a complete and satisfying story. As it is, this issue almost gets us there.

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7.3
Fallen Angels (2019) #1

Nov 12, 2019

Fallen Angels completes Marvel's relaunched X-Men line with a solid debut issue.

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8.4
Fantastic Four (1998) #551

Nov 7, 2007

It's difficult not to view McDuffie's last arc as a placeholder before Millar and Hitch, but don't discount it without giving it a try. McDuffie and artist Paul Pelletier are capable of some good, solid FF stories, and I think this arc will prove to be their crowning achievement on the book.

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6.4
Fantastic Four (1998) #552

Dec 12, 2007

The worst part for me came at the end, when I suddenly realized McDuffie only has one issue left to wrap up both the current storyline and his entire run on the title. Maybe he can pull the rug out from underneath his readers at the last moment, but I really doubt it at this point. McDuffie's run has been far from the worst to besmirch the title over the years. I was just hoping for more from the writer than Black Panther wrestling the Silver Surfer in space. February and Mark Millar can't come soon enough for me.

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7.7
Fantastic Four (1998) #553

Jan 30, 2008

There isn't much else to be said about this issue. The art is competent as always, and I'm particularly impressed with Paul Pelletier's design for future Doom's armor. In the end, this issue and arc aren't meant to do much more than tide us all over until Millar's first issue. It does that well enough, so I bid farewell to McDuffie. Now how about transferring him over to Black Panther, Marvel? That series could use a few more intergalactic wrestling matches.

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8.7
Fantastic Four (1998) #554

Feb 13, 2008

That's all there really is to hold against Fantastic Four #554 anyway. A lot of little things keep it from reaching Ultimates or early-Civil War level. I'm still incredibly excited about the next 15 issues, and you should be too.

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9.3
Fantastic Four (1998) #555

Mar 12, 2008

I really can't think of a reason why someone wouldn't want to read this series now. Then again, some people give me the impression they just don't like reading good comics. Regardless, Millar and Hitch are making good on their promise to morph Fantastic Four into the World's Greatest Comic Magazine again.

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8.2
Fantastic Four (1998) #557

May 21, 2008

Easily the highlight of this issue is seeing Hitch flex all his muscles once more. The fog of war is lifted and the issue is much better off for it. While Hitch can't seem to draw classic Iron Man to save his life, every other person, place, and thing in this issue is flat out gorgeous. While still not as satisfying as the first two issues, Millar and Hitch deliver a major improvement that leaves me eager to see where the next arc may lead us.

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8.7
Fantastic Four (1998) #559

Aug 13, 2008

It always helps to have Hitch on the job. I'm not sure how many other artists at Marvel could properly depict the scale and variety of characters Millar throws out. Hitch, when he hits the mark, turns in some of the best work of his career. And while he usually does hit this mark, there are troublesome flashes. Certain pages, most notably a conversation between Sue and Elyssa, appear rushed. Carefully placed lines suddenly become haphazard. I hate to think of this series falling to Ultimates-level delays, but I hate even more to think that Hitch is rushing in order to turn in pages faster. The wait for new issues is hard to bear, and that's precisely why I want to see top-level work from both creators when they do finally arrive.

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8
Fantastic Four (1998) #582

Aug 25, 2010

Neil Edwards' art has improved greatly in these last two issues, but it's still hampered by oddly framed panels, some inconsistent figure work, and the occasional and downright odd facial expression. The series should benefit greatly from the arrival of Steve Epting next month. After a year of highly enjoyable storytelling, the real payoff is about to begin.

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8
Fantastic Four (1998) #583

Sep 22, 2010

"Three" has gotten off to a slightly more understated start than I might have expected, but I'm plenty psyched for the remaining issues of this arc. Hickman looks to be making good on the better part of two years of build-up. With Epting providing a bit of artistic stability to the series, Fantastic Four has nowhere to go but up from here.

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8.5
Fantastic Four (1998) #585

Nov 24, 2010

Steve Epting's arrival as new regular artist hasn't been quite the boon for the series as might have been expected sadly. Epting's artistic strengths simply lie in other realms, such as the darker, espionage-tinged world of Captain America. He doesn't fully capture the bold, larger-than-life, Kirby-esque quality of Dale Eaglesham's issues. While certain sections of the book are visually stunning, particularly those set in Atlantis, scenes involving Galactus and other loftier concepts lack the aura of the fantastic. It's an unfortunate flaw in an otherwise stellar story arc.

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9
Fantastic Four (1998) #587

Jan 25, 2011

The death in this issue is surprising in various ways. At the moment it's still not entirely clear what ramifications this issue will have for the Fantastic Four franchise as this series draws to a close and F.F. begins. But considering that Hickman's run so far has been thoroughly enjoyable and masterfully plotted, the sadness stemming from this death should be tempered with a healthy dose of excitement for the future.

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7.5
Fantastic Four (1998) #600

Nov 23, 2011

Again, the main story segment in Fantastic Four #600 isn't as cohesive or gripping as it should be, but as a complete package this issue delivers the goods. $8 is a lot to ask for one issue, yes. But for an issue that could just as easily qualify as a trade in its own right, it's not so bad.

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5
Fantastic Four (1998) Annual #32

Jul 8, 2010

Hitch's widescreen art is a plus, but it also suffers from the same flaws much of his post-Ultimate work has in terms of consistency and clarity. In a sense this issue reads like a leftover tidbit from Millar's FF stint. It's earnest in what it sets out to do, but the substance isn't there.

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5.7
Fantastic Four (2012) #11

Aug 14, 2013

One can't judge the future of Fantastic Four based on the current creative arrangement, but so far the prospects for a series only plotted by Fraction aren't looking bright.

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6.2
Fantastic Four (2012) #12

Sep 11, 2013

At this point I'm, hoping the appearance of Karl Kesel as the new regular co-writer next month can help smooth things over. This series has lost a lot of momentum in a short amount of time, even as Fraction's overall plan for the two FF books seems to be entering a critical phase.

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7
Fantastic Four (2012) #13

Oct 16, 2013

Again, the diminished humor is a concern, with only a brief scene between Johnny Storm and Bentley "Wiz-Kid" Whitman offering any real levity. But this issue doesn't necessarily call for that approach considering the darker nature of the conflict. We'll see if the remaining few issues can invoke more laughs, or if it's all grim and serious from here on out.

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5.8
Fantastic Four (2012) #14

Nov 21, 2013

Kesel finds more success with his villains, as we see the alternate Earth's Doom, Annihilus, and Kang plot against the FF and bicker among themselves. This is a fun dynamic that I wish had been explored more in previous issues. Better late than never The issue brings us one step closer to Doom the Annihilating Conqueror, and on that font, at least, the series is moving towards a memorable conclusion.

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4.7
Fantastic Four (2012) #15

Dec 19, 2013

Finally, the change in artist has hurt this series as well. The currently storyline's lack of emotional weight and excitement isn't helped by the fact that the figures are uniformly stiff and awkward and the facial expressions forced. At this point, it's just as well this series is due for a relaunch soon. It needs a fresh start.

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8.4
Fantastic Four (2014) #1

Feb 26, 2014

In a lot of ways, Robinson and Kirk provide a very comfortable and familiar take on the Fantastic Four with this first issue. And considering how the previous series started to lag in its final months, it's not unwelcome to see the series revert to what has worked in the past. But what will really defined this run, for better or worse, is the darker material lurking beneath the surface. Assuming the book doesn't become too mired in darkness, this has all the makings of a memorable creative pairing.

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6.1
Fantastic Four (2014) #6

Jun 26, 2014

The main appeal with this issue is in seeing Leonard Kirk's somber, moody visuals transition to Dean Haspiel's Silver Age throwback style. At least we can expect more of that as this arc progresses.

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7.4
Fantastic Four (2014) #8

Aug 14, 2014

It's bizarre to see the Avengers battling Sue Storm after all their history and shared adventures, but in general this issue is effective in piling on the despair and further maneuvering the team to their breaking point.

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8.5
Fantastic Four (2014) #9

Aug 28, 2014

This is probably my favorite issue of James Robinson's Fantastic Four run so far. And not for any one, particular reason. The series has reached a point where the characters are still embroiled in the darkness of this massive anti-FF conspiracy, but there's also hope on the horizon and a sense of new possibilities being explored.

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6.2
Fantastic Four (2014) #11

Oct 16, 2014

This series has generally picked up in quality over recent, but this month sees it backslide for a variety of reasons.

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7
Fantastic Four (2014) #642

Jan 21, 2015

At least the pointless fighting looks spiffy thanks to Leonard Kirk's art. Kirk delivers some of his strongest work on the series so far, with clean, refined figures and emotionally charged facial work. Based on the setup in this issue, it seems that Robinson will be giving his collaborator plenty of eye-catching material to work with over the next few months.

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8.2
Fantastic Four (2014) #643

Feb 26, 2015

Between the big character moments and the always impressive visuals from Leonard Kirk, "The End is Fourever" is becoming quite a satisfying read.

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8.3
Fantastic Four (2014) #644

Mar 12, 2015

This issue doesn't lack for excitement or spectacle. Leonard Kirk has somehow achieved a new level of visual flair with his refined, larger-than-life pencils. He's definitely helping the series go out with a bang.

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8.7
Fantastic Four (2014) #645

Apr 29, 2015

There's no telling how long Marvel will go before publishing a new Fantastic Four comic. But at the very least, the current series was sent out with style and grace. The FF received the happy ending they needed after being put through the wringer for so long.

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6.8
Fantastic Four (2018) #1

Aug 8, 2018

Fantastic Four #1 doesn't give the new series the exciting start it needed.

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7.3
Fantastic Four: The Lost Adventure #1

Feb 13, 2008

This issue is a no-brainer for fans of the classic FF. Less dedicated readers may scoff at the $5 price tag, and rightly so. Marvel packs in both Kirby's original pencils and a reprint of Fantastic Four #108, but not every reader is going to find those extras worth the price hike. The latter addition especially is a pretty poor read, and only serves as a testament to the fact that Marvel should have published Kirby's story as it was originally intended. This is likely the last collaboration between Lee and Kirby we'll ever see, and I just find myself wishing for more.

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9.1
Far Sector #1

Nov 13, 2019

Fast-paced and enticing, Far Sector #1 kicks off DC's newest Green Lantern epic in style.

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9
Fatale #7

Aug 15, 2012

You can't go wrong with a Brubaker/Phillips collaboration. Even so, Fatale is making a strong case for being the best of their projects. It combines all the familiar elements with a new and distinctly original horror slant.

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9.4
Fatale #11

Jan 2, 2013

Sean Phillips is also in fine form with this issue. Brubaker's script allows for a strong sense of variety. The rural setting is a nice change of pace, and the eerie, surreal desert scenes in the flashback and the dark, haunted panels of the opening and closing scenes are an effective contrast. The concept behind this series is a really great one, and that seems to be reflected in the output of both creators as they continue to deliver some of the strongest collaborations yet.

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6.3
Father Robot #1

Jul 17, 2014

Whether this comic will make full use of its premise remains to be seen.

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5.8
Fathom #1

Aug 13, 2008

If you've been looking forward to Fathom's return, I suspect this issue is just what you're looking for. It looks and feels much as it did under Michael Turner's hands, which is a fitting tribute to the late artist. As for me, Fathom pretty much sums up everything I don't want from my comics. I'm prepared to send this series to its watery grave.

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5.6
Fathom #2

Sep 17, 2008

For a book that takes place in the dark depths of the ocean, Fathom is agonizingly shallow.

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4
Fathom #3

Oct 29, 2008

Without Michael Turner, I really don't think Fathom has anything to offer the industry. I'd like to cast this issue off into the ocean where it belongs. I figure the dolphins and sea turtles can't choke on it any worse than I have.

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7.5
Fear & Loathing In Las Vegas #1

May 26, 2016

The comic is a must read for Thompson fanatics, but maybe seek out Top Shelf's complete hardcover instead.

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7.5
Fear Agent #28

Jul 28, 2010

It falls upon Hilary Barta's "Tales of the Fear Agent" backup to lighten the mood. The art is very solid, at least in the main segment. Mike Hawthorne and Tony Moore collaborate on the pencils. As with earlier issues, the two achieve a style that falls pretty close to Moore's solo work and captures much of the same energy and detail. As for the backup, though, the heavy blacks and distorted figures don't mesh with the quirky sci-fi setting of Fear Agent. Fear Agent is finally back and in fine form. Just expect to be depressed, rather than amused, by the events of this issue.

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6.5
Fear Itself #3

Jun 1, 2011

Fear Itself is developing into a disappointingly lackluster event after a strong first issue. The question is this - are we still trapped in an overly long setup phase, implying that the story will pick up once Odin and the Serpent make their movies? Or is this all there is to the Fear Itself equation? Hopefully the former is true, and the second half of Fear Itself will address the many missteps of the first.

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7
Fear Itself #4

Jul 6, 2011

With four issues down, it's looking doubtful that Fear Itself will ever truly live up to its potential. But with the promise of epic carnage in issue #5 and some real answers regarding the nature of Odin's relationship to the Serpent, there's no reason to bail on this series now

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6.5
Fear Itself #5

Aug 10, 2011

Fear Itself as it stands doesn't operate as a proper metaphor for our times like Civil War did. I wish it did, and that the worst Western Civilization had to worry about these days was big people whacking each other with hammers in the streets. I truly hope that these last two issues will finally achieve that deeper emotional connection that has only been sporadically apparent across Fear Itself and its tie-ins.

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6.5
Fear Itself #6

Sep 14, 2011

Though still annoyingly uneven as a whole, the better portions of Fear Itself #6 help to redeem the series. It's almost certainly too late for this event to live up to its original potential, but there's a good chance it will end on a strong note as all sides converge for one last, epic brawl.

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6
Fear Itself #7

Oct 19, 2011

Perhaps one reason the main story feels so disjointed is that a significant amount of the extra pages are devoted to epilogue segments. The sad truth is that no event storyline truly ends, but merely sets up the next big thing down the road. Fear Itself is guiltier than most in this regard. There are no less than four epilogues designed to pave the way for new books launching in the coming weeks. Other than Jason Aaron's Incredible Hulk prologue, none of these segments are very enticing. Rather than learn what Marvel's heroes and villains are up to after the dust of Fear Itself settles, it would have been nice to see the more immediate fallout.

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7
Fear Itself: Black Widow #1

Jun 29, 2011

The issue never really carries any sense of conflict, even when Natasha seems to be in dire straits. Bunn could have used the backdrop of Fear Itself more effectively and done more to explore Natasha's present state of mind. But as a fun, simple adventure starring the inimitable Black Widow, this one-shot succeeds. Whether that's actually worth $3.99 is up to you.

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5
Fear Itself: Sin's Past #1

Apr 20, 2011

There is some new material to be had, at least. Writer Jim McCann and artist Stefano Landini deliver a framing sequence that sees the current Steve Rogers arrive at the scene of a post-bombing Statue of Liberty. here McCann covers Sin' actual origin and indoctrination by her father. This material is far more useful and relevant. The problem being that Ed Brubaker already covered the same exact material in near identical fashion when he brought Sin back into the fold in 2006. The moral of the story is to take that $5 and just devote it towards Brubaker's Cap. This issue doesn't offer much beyond simple nostalgia value for fans of the '80s-era Cap stories.

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6
Fear Itself: The Worthy #1

Jul 27, 2011

$3.99 for some 50 pages of story isn't a bad deal, even if some segments are markedly better than others. The real problem is that these eight stories are all available for free on Comixology. Marvel fans owe it to themselves to at least check out the Hulk and Thing tales, but only those without access to Comixology should consider paying for the material.

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5.5
Fear Itself: Fearsome Four #1

Jun 8, 2011

The combination of artists Michael Kaluta, Ryan Bodenheim, and Simon Bisley also adds to the jumbled feel. Bisley's exaggerated work at least fits the nightmarish landscape. Kaluta's scratchy pencils and Bodenheim's more refined pages are constantly at war with each other. As with the script, the series would be better off sticking with one visual approach or the other. Either way, Fear Itself: Fearsome Four needs to find its voice and its team dynamic soon.

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5.5
Fear Itself: Fearsome Four #3

Aug 17, 2011

The art also falters this month, which is disappointing considering the eclectic blend of horror-induced visuals on tap last month. This issue merely offers a mishmash of flat, unengaging panels from several pencilers. Looking at both the art and the writing, the series isn't doing a very good job of capitalizing on its potential. Is there still room in the final issue to turn that around?

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8
Fear Itself: Hulk vs Dracula #2

Sep 28, 2011

But this isn't a mindless story throughout. There's plenty of tension and character drama in the mix as Dracula and his allies seek a method of stopping their unstoppable foe. Gischler proved way back in The Death of Dracula #1 that he's capable of molding these sinister figures into compelling protagonists. Nothing has changed since. Both as a drama and an action epic, this mini-series is delivering. Let's just hope this isn't the last we'll see of Gischler's Dracula once the dust settles.

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7
Fear Itself: Hulk vs Dracula #3

Oct 12, 2011

Structurally, Hulk vs. Dracula doesn't make the best use of the three-issue format. So much time is spent building towards the final showdown between Hulk and Dracula that the actual battle barely has a chance to unfold. And while Gischler deserves credit for not delivering the sort of neutral, easy finish that cleanly shuffles Hulk back into Fear Itself proper, it's no longer clear how this book is supposed to be reconciled with the main event. But lukewarm finale aside, this tie-in did a fine job of reviving some of my lagging interest in Fear Itself.

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8.5
Fear Itself: Spider-Man #2

Jun 8, 2011

Thanks to the inclusion of JJJ and Norah and other little touches, this series fits in nicely with Dan Slott's Amazing Spider-Man. With that in mind, even those Spidey fans ignoring Fear Itself would do well to give this particular tie-in a read.

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5.5
Fear Itself: The Deep #1

Jun 1, 2011

Fear Itself: The Deep would be a perfectly decent book if not for the questionable depiction of Namor and the simply flat characterization of Attuma. Hopefully the book will improve as the Defenders come together and embark on their new mission.

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5.5
Fear Itself: The Deep #4

Sep 28, 2011

Most event tie-ins face all manner of structural limitations, but the best books are those that can sidestep those limitations and offer a compelling story regardless. Fear Itself: The Deep didn't manage that much, and in the end serves only as a lukewarm coda to Namor's canceled series.

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7.5
Fear Itself: The Fearless #5

Dec 21, 2011

Whether or not this series is going to "matter" much as Avengers vs. X-Men looms, it's developed into something worth looking forward to every two weeks.

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7.5
Fear Itself: The Fearless #6

Jan 4, 2012

The art remains pretty solid as the book reaches the halfway point. Paul Pelletier's scenes of Asgard at war are particularly eye-catching. There are a few signs that the biweekly schedule is taking its toll, unfortunately. Danny Miki's inks are a bit loose and scratchy, and Wolverine once again falls victim to an improperly colored costume. But if coloring snafus and an underwhelming main villain are the worst this book has to suffer from, then readers can count themselves lucky.

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7
Fear Itself: The Fearless #8

Feb 1, 2012

The Fearless is now two-thirds of the way through. As fun and enjoyable as the book can be, it's past time to move beyond the standard formula and build towards the final confrontation between Sin and Valkyrie.

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7.5
Fear Itself: The Fearless #9

Feb 15, 2012

As usual, the art is a little scratchy at times, but still pleasing to the eyes. It's fun to see Mark Bagley dabble in a more fantastical realm, and the story suits Paul Pelletier's talents particularly well.

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8
Fear Itself: The Fearless #10

Mar 7, 2012

The art is a little more rough than it's generally been, which is unfortunate considering the scale of the fighting in this issue. Paul Pelletier's pencils are solid, though the inking remains a bit fuzzy. But Mark Bagley's pages are comparatively lacking in detail. In particular, a double-page spread of Valkyrie and her allies fizzles when it should have been a visual treat. Hopefully this isn't a sign of what to expect from the final two chapters of the series.

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8
Fear Itself: The Fearless #12

Apr 4, 2012

All eyes are on Avengers vs. X-Men at the moment. Still, is it too much to hope that Valkyrie and her new mission find an ongoing place in Marvel's lineup above and beyond what Secret Avengers can allow?

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6.5
Fear Itself: The Home Front #3

Jun 15, 2011

As with the previous two issues, the remaining backups are completely forgettable. Howard Chaykin's experiments with single-page storytelling still fail to pay off. While this particular tale doesn't read like it was ripped from a longer story, it still proves wholly unsatisfying. The final tale featuring Cardiac is hardly more fulfilling despite its larger page count. Again, had this series been condensed and focused solely on Speedball's conflict, the end result would have been much more pleasing.

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7
Fear Itself: The Home Front #5

Aug 17, 2011

The Mr. Fear story from Howard Chaykin is as annoyingly brief and choppy as all the other one-pagers, but still vaguely amusing in its way. And finally, American Eagle makes a welcome return in an unusual tale from Si Spurrier. Like the Blue Marvel segment in issue #4, this story seems barely interested in acknowledging Fear Itself, but it too provides a platform for an underutilized character and manages to reaffirm the the themes driving Fear Itself, if not the actual events of the crossover. There's a sly, knowing tinge to Eagle's dialogue that adds a slight meta quality to the story without overdoing it. Taken as a whole, this is one of the stronger issues of the mini-series.

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5.5
Fear Itself: Uncanny X-Force #1

Jul 6, 2011

It's not surprising that Uncanny X-Force would be drawn into Fear Itself given how well received the series has been. However, this mini lacks the qualities that make the main series so memorable.

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5
Fear Itself: Uncanny X-Force #2

Aug 10, 2011

In short, too little of what makes Uncanny X-Force so memorable has found its way into this series.

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5.5
Fear Itself: Uncanny X-Force #3

Sep 21, 2011

In the end, this mini simply did too little with the characters and the event in question. It's a good thing that Uncanny X-Force itself won't be going anywhere for a while.

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7
Fear Itself: Youth in Revolt #1

May 11, 2011

Mike Norton delivers a very clean and expressive set of pencils. His figures are a little too spartan at times, but the storytelling never fails. If a bit flawed in its first issue, Fear Itself shows enough promise to leave one hoping for a possible ongoing series from these creators.

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8
Fear Itself: Youth in Revolt #3

Jul 6, 2011

Issue #3 isn't entirely flawless. The series is so precariously crammed with characters as it is, and McKeever makes the mistake of dragging a new faction of heroes into the mix. These new characters add nothing to the proceedings beyond occupying a few panels. The last thing Youth in Revolt needs at this point is more conflict, so hopefully McKeever can remain tightly focused in the second half of the book.

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8
Fear Itself: Youth in Revolt #4

Aug 24, 2011

Prodigy also stands out this month as the pressure of his newfound responsibility begins to weigh down heavily. Prodigy is indicative of many characters in this book who have come so far since the days of Civil War and yet are still seeking their place among Marvel's more established heroes. If this series isn't necessarily vital to Fear Itself, it still has a valid message to convey about heroism in the Marvel Universe. And it's a fine character drama to boot. With a gripping story and some terrific pencils from Mike Norton, this series continues to be well worth the price of admission.

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7.5
Fear Itself: Youth in Revolt #5

Sep 21, 2011

The story may not have much impact on Fear Itself at this point, and in fact could just as easily be taking place in the midst of half a dozen different Marvel events, but it continues to do a fine job of shining a spotlight on these young heroes.

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7
Fear Itself: Youth in Revolt #6

Oct 19, 2011

Thor Girl aside, McKeever handles these characters well enough to leave the reader hoping there's a future for the ex-Initiative members.

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9.1
Fell #9

Jan 16, 2008

Take this issue, for instance. Dt. Fell jumps at the opportunity to work as a hostage negotiator. The majority of the issue takes place in a dank hallway outside the criminal's apartment door. However, Ellis finds creative ways to show the reader what is happening inside the apartment without actually showing them. It doesn't hurt that Ellsi has Ben Templesmith's art to rely on. I'm sure Templesmith could make just about anything look interesting with his unique watercolor style. This issue only grows more interesting once Fell gains entrance to the apartment and saves the day with his own unique brand of justice. I'm sure it's been said before, but a $2 comic like Fell often feels like it offers more bang for the buck than regular $3 series. If you can't spare the scratch for something this good, maybe you need a new hobby.

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9
FF #18

May 30, 2012

This issue represents the best of what Hickman and his collaborators are capable of with this franchise. This issue has drama, but also plenty of heart and humor. Funnily enough, FF has never been stronger than in these last, waning months of Hickman's run.

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9.6
FF (2012) #12

Sep 25, 2013

This issue as a whole is an eclectic blend of random asides like that and more focused drama. A lot of books would suffer some sort of tonal imbalance as a result, but again, it plays right into the nature of FF. It's great to see the creators emphasize humor and the younger characters and their antics even as they maneuver the adults into the confrontation that's been building for the past year. The only downside is that the growing sense of finality suggests that the Fraction/Allred saga really is going to end soon, even as this issue once again reinforces how vital FF is to Marvel's lineup.

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9.3
FF (2012) #13

Oct 23, 2013

And the art remains as gorgeous and vibrant as ever. Once again, there's a sense that Mike Allred is cutting loose even more than usual and letting the art dictate the flow of the story. This issue has visual cutaways and dimension-hopping galore. Allred's standout pages involve his rendering of Red Ghost's mind-bending time-journey. We wind up with four distinct versions of the character entering and exiting the stage. It's the sort of bizarre sequence that might have been too confusing if not for the clear, engaging way it's rendered.

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9
FF (2012) #14

Nov 27, 2013

And one again, the visuals are the prime selling point of the series. Mike Allred doesn't necessarily break the usual mold of superhero page construction as much as he did in the previous couple chapters, but there's still a pervasive sense of energy and whimsy on every page. Sly visual gags like putting Fraction's face on a milk carton ad for missing children only serve to heighten the fun and enjoyment this book provides.

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9.2
FF (2012) #15

Dec 18, 2013

But as much as this series emphasizes playful antics, it never forgets to showcase the adults and their deeper struggles too. This storyline isn't really boiling down to a question of whether the FF can overcome Doom. That's pretty much a given. The emotional heart of this final conflict is how Scott can handle himself against the man who killed his daughter. Will these 16 issues result in redemption for this troubled hero, or colossal failure? That question alone is enough to leave me craving next month's series finale.

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8.7
FF (2012) #16

Jan 23, 2014

Had this issue only included the main story segment, I would have found its Scott and Doom-centric focus a fairly underwhelming end to the series. Luckily, there's a fairly hefty epilogue sequence that brings the entire FF and Fantastic Four casts into the limelight and offers one last hurrah for this era of Marvel's First Family. The writers wrap up various loose ends and remind us how great the many character dynamics in the FF are. And Mike and Laura Allred take the opportunity to bedazzle readers one last time with their art. It's good to know that, even if the FF kids may be taking some time off, at least the artists have found a new home with Silver Surfer. If they can bring the same level of visual fidelity and whimsy to Surfer that they did to FF, that book will automatically rank among Marvel's best.

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7.1
Fight Club 2 #1

May 13, 2015

Fight Club 2 is a success in some ways. Palahniuk transitions smoothly from prose to comics, and he's found a great team of artists to help visualize this world. This first issue is very impressive on a technical level and sometimes very amusing. However, it also reads a little too much like the original story, and the violent anarchist Tyler Durden doesn't have the same appeal he did back in 1996. Hopefully this series can grow beyond the boundaries of the book and find new ways to satirize the modern world.

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7.2
Fight Club 2 #2

Jun 25, 2015

This issue makes excellent use of the format, from the opening page modeled after in-flight safety cards to the constant juxtaposition of Sebastian and Marla's points of view to the recurring visual motifs like prescription pills blocking captions and word balloons. The book is very cleverly designed, but the story is still coming together.

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6.9
Fight Club 2 #3

Jul 23, 2015

This issue offers something Fight Club fans have no doubt been waiting for since this sequel was announced - the reunion between Sebastian and Tyler Durden. That reunion comes as Sebastian languishes outside Project Mayhem headquarters and waits to be re-inducted into the group. While the issue is a bit sluggish and slow-moving overall, their interaction is easily among the most compelling material in the series so far.

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8.1
Fight Club 2 #4

Aug 27, 2015

This series has proven somewhat disappointing so far in its reluctance to move beyond the tropes and trappings of the original Fight Club. And while issue #4 is still guilty of resurrecting familiar beats and characters, it also makes some important steps towards becoming its own story.

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8.8
Fight Club 2 #5

Sep 24, 2015

Finally, the series feels like it has something new to say with these characters.

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8.4
Fight Club 2 #6

Oct 29, 2015

This series has grown quite a bit over the past few months, evolving from an engaging but fairly redundant sequel to the original story to a book that expands the mythology in interesting ways and takes full advantage of the comic book medium.

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9.2
Fight Club 2 #8

Dec 23, 2015

It's been fascinating to watch the creative relationship between Chuck Palahniuk and Cameron Stewart grow and flourish over the course of this series. Any question of why Fight Club 2 needed to be told as a graphic narrative rather than a prose novel has been answered with the last few issues.

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8.6
Final Crisis #1

May 28, 2008

The best solution is simply to allow him the time he needs, however long that might be. Infinite Crisis derailed because DC valued a prompt shipping schedule over a quality product. Final Crisis, despite its various birthing woes, has already proven itself a superior comic in my eyes. I can only hope it will earn better treatment.

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7
Final Crisis #2

Jun 25, 2008

Despite all my complaints and criticisms regarding this issue, Morrison and company don't need to bend over backwards to fix this book. The core story is still ripe with potential. When the New Gods actually appear, which is all too rarely, many of my complaints temporarily evaporate. The main thing this book needs is a tighter focus and less extraneous nonsense. That said, the project is probably too far along at this point for any major changes to be made, and the most I'll allow myself to hope for is that the story will pick up once evil wins the day. I never expected to be rooting for the bad guys.

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8.5
Final Crisis #6

Jan 14, 2009

Though at times it appears that DC hired a rotating cast of artists to barf on the page and call it a day, I can't help but label Final Crisis #6 as my favorite installment of the series. Everything Morison has been attempting to do with this story really starts to hit home for me. Some may complain that certain plot elements are wrapped up too easily, but I find that to be a bonus. With so much out of the way, Morrison has set the stage for a truly epic and unpredictable finish in two weeks. I can't wait.

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7.8
Final Crisis #7

Jan 28, 2009

Morrison has done some amazing things with Final Crisis. It serves as his ultimate statement about heroism in the DCU and the very nature of the universe and storytelling. His ambition has been amazing to witness, but too rarely has it been tempered by basic rules of narrative storytelling. Thanks both to Morrison's questionable storytelling decisions and the wonky art, Final Crisis will always be a diminished work of greatness. It's painful sometimes to think of what could have been, but it's equally painful to think that this epic saga has come to a close.

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8.9
Final Crisis: Rage of the Red Lanterns #1

Oct 22, 2008

Dan's Score: 8.7

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7.6
Final Crisis: Requiem #1

Jul 9, 2008

DC has released surprisingly few Crisis tie-ins so far. For whatever problems this issue may have, it still managed to impress me with its quality. I really hope Requiem will set the standard for the numerous tie-ins that are to come.

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7.4
Final Crisis: Legion Of Three Worlds #1

Aug 20, 2008

Frankly, the only connection I can form between Final Crisis and Legion of Three Worlds is that both books are packed with characters and not overly accessible to new readers. Both are rewarding experiences to those with a reasonable knowledge of the DCU, however, and that should be enough for most readers.

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8.4
Final Crisis: Superman Beyond 3D #2

Jan 21, 2009

Despite these few problems, I really enjoyed my experience with Superman Beyond. It has proven itself the most important of the Crisis tie-ins, and it offers a tantalizing glimpse of how the story as a whole could have played out. I may very well be in the minority on this one, but I'd say your Crisis reading experience is incomplete without this one. For better or worse.

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7.6
Firefly (2018) #1

Nov 1, 2018

Firefly #1 kicks off the new series on familiar but enjoyable ground.

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8.6
First Strike #1

Aug 9, 2017

If IDW is going to keep publishing annual Hasbro crossover events, at least they're being handled well. First Strike manages all the tricky challenges of a first issue, laying out the groundwork for new readers, quickly establishing its conflict and ensuring that the human drama is never lost amid all the action and spectacle. This is a great spot to either jump on board the Hasbro-verse or remind yourself why it's so exciting having these characters sharing the page in the first place.

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6.4
First Strike #2

Aug 24, 2017

The series is beginning to lose it focus as writers Mairghread Scott and David Rodriguez draw in more characters and shift away from exploring the core Scarlett/Ironblood relationship that was so critical in issue #1. There's plenty of fun spectacle here, but less opportunity for the writers to settle in with any one character.

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7.8
First Strike #3

Sep 14, 2017

Like Revolution before it, First Strike succeeds in capturing the fun and zaniness of being a kid and mashing action figures together.

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6.4
First Strike #4

Sep 28, 2017

It's not often that I find myself wishing an event comic had a smaller scope, but that's where we are with First Strike. As fun as it is to see so many Hasbro characters mashed together in one epic team-up, the series is only really making great use of a small handful.

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7.3
First Strike #5

Oct 12, 2017

First Strike's penultimate issue unfolds largely as the previous four have, juggling a large cast but only really making use of a small handful of characters.

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6.8
First Strike #6

Oct 26, 2017

For however much IDW is doing right with these properties, they make it very difficult for those readers who just want to read one book and leave it at that.

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8
First Wave #3

Jul 28, 2010

Rags Morales also helps sell this new vision of the DCU as one to be remembered. His work is frequently gorgeous and always stylishly noir. Unfortunately, the presence of two inkers prevents the issue from achieving a truly consistent and cohesive visual tone. There are flaws in First Wave, but the strengths greatly outweigh them. I'm having a blast in Azzarello's new world, and I'm already feeling a twinge of sadness that the series is half over.

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7
First Wave #4

Sep 29, 2010

Rags Morales' art continues to impress. His slightly exaggerated but highly detailed pencils fit in very well with the pulp aesthetic and retro-future tone of the series. Morales' line-work is a bit less precise and defined than it has been, though. The truly worrisome quality with this mini-series is that it doesn't seem poised to reach a satisfying and conclusive finale in two issues. This wouldn't have been a problem in the days when First Wave was still planned as an ongoing, but with the future uncertain beyond issue #6 First Wave needs to overcome its pacing problems and find a proper resting point.

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8.5
Flash (2011) #23.1

Sep 5, 2013

Chris Batista's art creates a decent sense of consistency with the main Flash series. One thing that becomes immediately apparent is that Batista can draw a mean gorilla. He captures all the rage and power of Grodd's return, as well as the ferocity as Grodd battles both man and ape in his takeover of the city. The human characters sometimes suffer from inconsistent emotional range, but the gorillas look fantastic.

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8.4
Flash (2011) #23.3

Sep 18, 2013

Also like the Grodd issue, this story has the benefit of introducing new plot twists and generally feeling more relevant to the larger Forever Evil picture than most Villains Month issues. Presumably this issue is intended as a prologue to the upcoming Rogues Rebellion mini-series, as the creative team is identical. This is certainly a strong indicator of that book's quality. Patrick Zircher's moody art is an excellent fit for the Rogues and their seedier vision of the Gem Cities.

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7.3
Flash (2011) #50

Apr 21, 2016

The tables have turned as the Rogues join forces with the CCPD to arrest the Flash. That's not a bad status quo reversal to celebrate the series' 50th issue. It certainly makes for a dramatic anniversary issue. Unfortunately, it also feels a bit rushed despite the extended page count.

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6.5
Flash (2011) Annual #4

Jul 30, 2015

This annual serves as a solid companion piece to the main Flash series, exploring the origins of this new team of villains and the shared tragedy that unites them. Unfortunately, the subpar visual quality holds the story back.

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8.6
Flash (2016) #1

Jun 23, 2016

Barry Allen needed a fresh start after the last couple years' worth of New 52 stories, and that's exactly what this new series is delivering. The Flash #1 focuses less on DC Rebirth fallout and more on rebuilding Barry's life and supporting cast. Between the strong characterization and the gorgeous art, there's plenty of reason to be excited for this new book.

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9
Flash (2016) #2

Jul 14, 2016

If The Flash doesn't qualify as the most gorgeous-looking book in the DC Rebirth lineup, it's definitely up there in the rankings. Artist Carmine Di Giandomenico and colorist Ivan Plascencia were born to collaborate on this book. Di Giandomenico's lithe, dynamic characters and Plascencia's eye-popping colors easily make this the most visually enticing Flash comic since Francis Manapul's run.

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8.2
Flash (2016) #4

Aug 11, 2016

This issue is pretty blatant about telegraphing where the arc is headed, and we can only hope that Williamson has a few curve balls planned in the weeks to come.

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7.9
Flash (2016) #6

Sep 15, 2016

Di Giandomenico's sleek figures, coupled with FCO Plascencia's vivid colors, result in one of the best-looking comics in the Rebirth lineup. It's equally pleasing to see Joshua Williamson's saga reach a major turning point in this issue.

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6.5
Flash (2016) #8

Oct 13, 2016

As much as this new series has done to reinvigorate Barry Allen and his world, it kind of dropped the ball with the reveal of Godspeed's true identity and motivations.

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7
Flash (2016) #9

Oct 27, 2016

This standalone issue operates on a terrific premise, as the Wally Wests of the pre-Flashpoint and New 52 universes team up from the first time. Seeing the older Wally mentor his younger counterpart gives this issue a ton of heart, to the point where you have to wonder if Barry really should defer to his former sidekick in this area.

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7.4
Flash (2016) #12

Dec 15, 2016

Joshua Williamson excels at exploring the growing bond between Barry and Wally, one built as much on humor and the love of speed as a sense of family and legacy.

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8.5
Flash (2016) #14

Jan 12, 2017

The stage is set for a somber, character-driven Rogues story, with a healthy dose of Barry/Iris romance thrown in. That's a promising sign, as is the return of artist Carmine Di Giandomenico.

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8.2
Flash (2016) #15

Jan 26, 2017

This latest story arc is providing a good, old-fashioned Flash Rogues storyline - no more, no less.

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8.5
Flash (2016) #17

Feb 23, 2017

Plascencia is really this book's MVP at the end of the day.

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7.4
Flash (2016) #18

Mar 9, 2017

In short, there's a nice blend of character drama and Flash Rogue banter on display here. However, Jesus Merino isn't very successful when it comes to capturing the book's dynamic, angular aesthetic.

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7.5
Flash (2016) #19

Mar 23, 2017

While entertaining, for most of this issue the team-up doesn't give the impression it's going anywhere particularly noteworthy. It doesn't help that Jesus Merino's art in these pages feels plain and lacks the dynamic quality of most Flash issues. But the issue makes a hard swerve in its final few pages.

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7.8
Flash (2016) #20

Apr 13, 2017

There's a charming, Silver Age quality to this series that's reflected on this issue's cover - the old "hook readers with a melodramatic take on the evens within" trick. No, readers shouldn't expect a story about Iris West turning to the dark side, but they should look forward to an issue that puts the intrepid reporter in the spotlight for a change.

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7.6
Flash (2016) #22

May 17, 2017

"The Button" reaches a slightly underwhelming finish, as the story provides few answers to the mystery that's been slowly unfolding across the DCU for the past year. But the characterization shines even if the plot itself stalls out. And Howard Porter does a great job of evoking both DC Universe Rebirth #1 and Watchmen in his art.

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9
Flash (2016) #23

Jun 1, 2017

This series never feels entirely right unless Joshua Williamson and Carmine Di Giandomenico are both in the driver's seat. That reunion helps start this new story arc off on the right note.

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8.3
Flash (2016) #24

Jun 15, 2017

Joshua Williamson uses Hal's presence to its fullest, drawing from his own relationship to fear and forcing Barry to confront how fear is the real culprit behind his recent miseries.

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7
Flash (2016) #30

Sep 14, 2017

This new villain doesn't leave a strong impression in terms of look, powers or motivation. His tendency to monologue doesn't exactly endear him to the reader, either. But at least Barry's own personal drama carries more weight as the ramifications of Barry's Negative Speed Force exposure continue to play out.

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7.6
Flash (2016) #32

Oct 12, 2017

Neil Googe's style may lack the slick, angular quality of Carmine Di Giandomenico's, but Googe still injects the story with ample energy and a proper sense of speed.

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7.8
Flash (2016) #33

Oct 26, 2017

DC picked a weird place to begin their newest Dark Nights: Metal tie-in, as "Bats Out of Hell" interrupts the flow of the ongoing Dark Flash storyline. That aside, this issue serves as a promising start for "Bats Out of Hell." It builds very naturally on the events of Metal #3 and the disappearances of Batman and Superman, to the point where it almost reads like Metal #3.5.

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6.7
Flash (2016) #35

Nov 23, 2017

DC really hasn't been doing this series any favors lately with its oddball structure and publishing strategy. The recent "Bats Out of Hell" crossover interrupted the flow of this Black Hole storyline. Even worse, there's no discernible reason why this short, current arc, "Black Hole Rising," couldn't have been compressed down to one issue.

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7.5
Flash (2016) #36

Dec 14, 2017

This series has been through a few rough patches of late, but this new arc feels like the fresh start Barry Allen and friends needed.

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8.4
Flash (2016) #38

Jan 11, 2018

This isn't necessarily Kolins' strongest Flash work. His figure work is fairly loose, particularly late in this issue. But even so, there's nothing like the dynamic, animated quality Kolins brings to Flash's adventures.

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8.3
Flash (2016) #39

Jan 25, 2018

It would be nice if the cover didn't blatantly spoil the big reveal, but Di Giandomenico and Joshua Williamson still succeed in building to a major crescendo as they establish the latest threat to Barry and his world.

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8.4
Flash (2016) #40

Feb 15, 2018

This new arc is giving writer Joshua Williamson his first real chance to play with Gorilla Grodd as a lead villain, and it's not disappointing so far. Williamson is able to paint Grodd as a menacing threat while still making his motivations clear and understandable.

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7
Flash (2016) #41

Mar 1, 2018

This series often tests whether it's possible to cram too many speedsters into one book. In this case, I can't help but feel that the notion of Barry having his speed stolen by Gorilla Grodd would carry more weight if he didn't have three different speedster partners ready and waiting to pick up the slack.

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7.7
Flash (2016) #50

Jul 11, 2018

Despite its flaws, The Flash #50 delivers an epic and emotionally rich conclusion to "Flash War."

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8.5
Flash (2016) Annual #1

Jan 31, 2018

If you're not currently reading the ongoing Flash comic, this annual issue is as get a jumping-on point as any. It finally touches base with the original Wally West and makes the most of his lonely, unhappy status quo. At the same time, it also sets the stage for what promises to be an epic conflict in "Flash War." If only the wait for the rest of this storyline weren't so long...

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8
Flash Gordon: Zeitgeist #1

Nov 30, 2011

You really can't expect much for a dollar these days, but Zeitgeist delivers nonetheless. This is a promising start to Dynamite's latest attempt to revive a classic comic icon.

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7.1
Flash: Rebirth #1

Apr 1, 2009

Iverson's Score: 9.0

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7.6
Flash: Rebirth #2

May 6, 2009

Despite some interesting developments and a solid take on both Barry Allen and Wally West, the Johns/Van Sciver duo is starting to disappoint me given the high quality of their Green Lantern work. As mentioned, I have every hope that this issue's ending spells the beginning of greater things for Rebirth. However, with the story now 40% over, the clock is ticking for the Fastest Man Alive.

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8.6
Flash: Rebirth (2016) #1

Jun 8, 2016

DC has had a solid track record with their Rebirth relaunches so far, and Flash is no exception. This issue manages to play on familiar tropes even as it begins building a dangerous new status quo for Barry Allen. It features some of the best art seen from the Rebirth lineup so far and even manages to expand on the events of DC Universe Rebirth in a cool way.

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6.5
Flashpoint: Abin Sur - The Green Lantern #1

Jun 1, 2011

No doubt this series will gather steam as it veers away from simply showcasing alternate takes on familiar GL concepts and more directly intertwines itself with the events of Flashpoint. But with only two issues remaining, Schlagman has precious little time in which to pick up the pace.

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4.5
Flashpoint: Abin Sur - The Green Lantern #2

Jul 6, 2011

Unfortunately, this book also shares another similarity with the film. Sinestro's inevitable fall from grace is handled with the same speed and lack of craft. The relationship between these two Lanterns was the prime appeal of the series, and it's disappointing to see it rushed to an abrupt conclusion here. Will there be anything of value left to redeem the final issue?

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5.5
Flashpoint: Abin Sur - The Green Lantern #3

Aug 17, 2011

On the plus side, Adam Schlagman does deliver a proper ending to Abin's tale. All the seemingly extraneous material involving the Guardians and the White Entity turns out to have relevance to the story. If rushed, the ending to this mini proves more satisfying than those seen in many of the other Flash point tie-ins.

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7
Flashpoint: Citizen Cold #2

Jul 13, 2011

Kolins' current art style is well suited to this story. Though Mike Atiyeh's painted colors often come across as too strong, Kolins lends an energy to his pages that hasn't always been apparent in previous works. It seems Kolins is more at home with the Rogues than Flash from both a writing and artistic standpoint.

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6.5
Flashpoint: Deathstroke and the Curse of the Ravager #2

Jul 13, 2011

The art is also a bit weaker than it was in issue #1. Joe Bennett's panels grow fairly muddy or unclear at times, and the opening battle lacks the full sense of power and chaos it should have possessed. That said, other pages have a better sense of flow and boast more detail. Hopefully this series will allow Bennett plenty of practice as he gears up for Deathstroke's ongoing book.

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6.5
Flashpoint: Deathstroke and the Curse of the Ravager #3

Aug 3, 2011

That being said, this was a fun read that paves the way for an ongoing Deathstroke book. Whether this series will actually have any bearing on how Deathstroke is portrayed in his new book is doubtful, but hopefully that series will at least retain some of the more lighthearted qualities seen here.

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6.5
Flashpoint: Emperor Aquaman #3

Aug 10, 2011

That's not to say this issue doesn't hold some appeal still. Bedard ties most of his threads together nicely enough. The scenes of Aquaman sacrificing his soul and his marriage for his people are very effectively handled. Vicente Cifuentes' art is also generally strong aside from some occasionally dubious facial work. Had this series simply distanced itself from the main Flashpoint threads a little more, it may have been able to reach a more fitting and satisfying conclusion.

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5.5
Flashpoint: Hal Jordan #3

Aug 24, 2011

This series never had more than a ghost of a concept to hinge on, and thus would have been better off in a done-in-one format. At least we can finally look forward to the return of the real Hal Jordan next week.

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5
Flashpoint: Kid Flash Lost #1

Jun 22, 2011

This isn't even the strongest Flash-centric Flashpoint tie-in this week, much less the best of the bunch.

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6.5
Flashpoint: Kid Flash Lost #2

Jul 27, 2011

Though problematic, Kid Flash Lost has improved, and there's always the hope that it will improve even further in the final issue. My main hope is that Gates can either make something more of the tension between Bart and Barry or put that plot point to bed.

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7.5
Flashpoint: Kid Flash Lost #3

Aug 24, 2011

But if the series isn't much of a looker, at least it delivered in the home stretch. Geoff Johns now faces some unexpected competition as he closes the door on this era of the Flash family next week.

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4.5
Flashpoint: Legion of Doom #3

Aug 17, 2011

The moral of this series is - more Plastic Man is a good thing. Someone at DC should take note.

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7
Flashpoint: Reverse-Flash #1

Jun 22, 2011

Taken strictly on its own merits, this is a solid entry into the Flashpoint lineup, if one of questionable relevance.

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6.5
Flashpoint: Secret Seven #2

Jul 6, 2011

Secret Seven is a series that deserved more space than the Flashpoint framework allows. You can't have payoff without proper build-up, and so what might have been a strong climax to a longer story is instead merely truncated and abrupt.

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7
Flashpoint: The Outsider #1

Jun 22, 2011

The Outsider is an unusual Flashpoint tie-in. Despite that, or because of it, it's a tie-in that leaves quite an impression. It may not be my favorite Flashpoint book so far, but issue #1 leaves me looking forward to the next chapter more than any other.

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7.5
Flashpoint: The Outsider #3

Aug 17, 2011

The art isn't spectacular here. It provides the proper level of darkness and mood, but isn't really framed to take proper advantage of the fight scenes between Desai and J'onn. On the other hand, James Robinson does some of his best work in recent years with The Outsider. This series captures the charm and writing quality of Starman that hasn't always been apparent in his more mainstream efforts. I do wish the story had attempted to delve deeper into Desai's mind and motivations. We never really see beneath the calm, cool veneer he debuted with. But in terms of pacing and plotting the series managed to stay more consistent and satisfying throughout than most of the tie-ins.

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7
Flashpoint: The World of Flashpoint #1

Jun 1, 2011

The Flashpoint Universe is still a strange and unfamiliar place, but it's books like this that will help readers feel a little more at home in the setting as the event continues through the summer.

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7
Flashpoint: The World of Flashpoint #2

Jul 6, 2011

Rex Ogle deserves credit for taking what could have been a bland, uninteresting concept and adding greater life to it. Perhaps the wider Flashpoint focus detracts from Traci's story, but Ogle has at least ensured that readers will be invested in the outcome of issue #3.

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5.5
Flashpoint: The World of Flashpoint #3

Aug 3, 2011

This issue does succeed in feeling more relevant than most tie-ins, as it unfolds amid the final battle in Flashpoint #4. But though this series has always managed to spotlight the various corners of the Flashpoint universe, it can't do enough to salvage its own plot threads at the end.

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8.6
Foolkiller (2007) #1

Oct 24, 2007

In short, this is a stellar first issue for Greg Hurwitz. I'm already feeling a bit despondent that Foolkiller will only last five issues. It ain't the most original book on the block, but a bloody hand down a garbage disposal never felt so good.

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8.5
Foolkiller (2007) #2

Nov 28, 2007

Compared to the first issue, Foolkiller #2 is slightly disappointing in the way it stops the flow of the story to delve into the main character's origin. The issue is hardly without it merits, though, and I really look forward to the rest of the series now that the main plot looks to be back on track. Garth Ennis and Matt Fraction should look out. I may just have a new favorite vigilante hero by he time Foolkiller is done.

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8.6
Foolkiller: White Angels (2008) #1

Jul 16, 2008

At this point, my biggest worry is the upcoming guest appearance by Punisher himself. I can't imagine why a story like this needs such cross-promotion, other than the inevitable boost in exposure. Foolkiller continues to be a strong part of the MAX lineup, and Marvel definitely needs to let Hurwitz keep doing his thing.

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8
Forever Evil #1

Sep 4, 2013

But Finch's facial work often suffers. With Justice League of America, he had made some strides in offsetting the often lifeless quality of his characters in earlier works. That quality is less evident here. Compounding the problem is the strange, shimmery coloring, which often drowns out the black inks on various characters' faces and creates an overall unfinished sensation. Ideally this is a flaw that can be addressed in subsequent issues.

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9
Forever Evil #2

Oct 2, 2013

But if those are the worst complaints to lodge against Forever Evil so far, the mini-series is doing pretty well for itself. I'm eagerly awaiting the full formation of Lex Luthor's band of villains, their war with the Syndicate, and now whatever mysterious conflict lurks on the other side.

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8.3
Forever Evil #3

Nov 6, 2013

That speaks to a larger concern with this book now. Forever Evil doesn't seem to be moving as quickly as you'd expect of a book that's now delivered three of its seven issues. Luthor's team is still just barely coming together, much less waging war against the Crime Syndicate. As much as it seemed there was an even darker, Darkseid-centric conflict lurking beyond the Crime Syndicate showdown, it's tough to imagine Johns having time for that material in the remaining four issues. Does that mean Forever Evil will ultimately just lead into another event as Trinity War did into this? That would be a disappointing way to wrap up what has been such an enjoyable conflict so far.

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8
Forever Evil #4

Dec 23, 2013

The extra few weeks' wait was certainly worth it for this issue. Forever Evil #4 makes some mistakes in terms of separating Batman and Luthor's factions and trying to hard to humanize Luthor. But it also manages to build Luthor's team into a compelling force and inject the plot with a spark of life it was starting to lose. Hopefully, things are only going to get bigger and more explosive from here.

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8.8
Forever Evil #5

Feb 6, 2014

David Finch's art shows some signs of the deadline pressure. In general, his facial work and sense of scale and proportion are weaker than they were in earlier installments. The perspective in the big fight scene between Luthor's Society and Deathstroke's mercenaries can be weird at times. But Finch still nails the emotion and drama when it matters most, particularly in a key scene involving Power Ring.

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9.2
Forever Evil #6

Mar 5, 2014

Forever Evil #6 leaves readers wanting more, and that's both its greatest strength and one real weakness. It's a fantastically entertaining comic that capitalizes on Johns' flair for writing villains and all the build-up that has taken place so far. But it's depressing to think that this gathering of villains only has one more issue left before evil recedes again. I wanted more interaction among Luthor's group and between that group and the Crime Syndicate. The emergence of Forever Evil's final threat runs the risk of distracting from what has made this event work so well in the first place.

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7.3
Forever Evil #7

May 21, 2014

As much as Forever Evil has been an example of how to do event comics properly, it's disappointing that the series couldn't end on a higher note. But despite the oddity of Luthor's final scene and the excess amount of setup in the closing pages, there's plenty of material to enjoy in this finale. Johns has once again weaved his magic with DC's villains and molded Luthor into a more complex and morally unpredictable figure than ever before. Hopefully what comes next will be just as compelling.

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5.7
Forever Evil Aftermath: Batman vs. Bane #1

May 1, 2014

The storytelling flaws here are frustrating, because occasionally it seems like Tomasi does have a great handle on Bane. This issue is at its best early on, when Bane is patrolling his city, dealing with looters the Old Testament way, and meting out his peculiar version of justice and mercy. Both this issue and Arkham War could have been great with a more introspective and cerebral approach.

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6.9
Forever Evil: A.R.G.U.S. #1

Oct 30, 2013

There's little reason to suspect this book's visual woes will improve, but hopefully Gates writing will ensure A.R.G.U.S. is worth following.

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7.1
Forever Evil: Arkham War #1

Oct 9, 2013

Arkham War isn't a bad event tie-in, but if it's going to stick to a predictable formula of Bane battling one Arkham-ite after another, it could grow very stale very quickly.

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7.6
Forever Evil: Arkham War #2

Nov 14, 2013

Arkham War definitely improved in its second issue. However, most of the villains in this series are basically just eye candy and cameo fodder, and it would be nice to see more of them used as purposefully as characters like Scarecrow and Penguin.

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5.8
Forever Evil: Arkham War #3

Dec 12, 2013

Scot Eaton's art is generally solid, though his re-designed Bane costume doesn't do anything to help the book in the showdown with Croc. Otherwise, Eaton capably depicts a Gotham mired in darkness and renders each new Bat villain with the proper love and attention. Villains like Mr. Freeze and Poison Ivy have rarely looked better in the New 52.

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8.5
Four Eyes #1

Oct 1, 2008

Naturally, a book featuring dragons better have some damned good dragon art, and Max Fiumara certainly deliver in that regard. The few pages that offer glimpses of these figures are impressive to behold. Luckily, that sense of detail extends to quieter sequences as well. The art is fairly exaggerated, yet also impressively detailed and laid out. After only one issue, Kelly and Fiumara have proven themselves to be a winning team, and it's one I plan on supporting, hopefully until the very end.

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9.1
Four Eyes #3

May 20, 2009

Though certainly not soon enough for my tastes. I fear the leaves will be turning yellow by the time Four Eyes #4 hits. Even if that proves to be the case, the wait will undoubtedly be worth it. Four Eyes boasts a unique story and some of the finest artwork in the industry. Kelly and Fiumara can take as long as they need to put this story together.

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8.5
Four Eyes #4

Jun 16, 2010

Four Eyes #4 serves as a mostly excellent cap to a very strong opening story arc. It's a shame we couldn't have gotten this comic in hand a year ago. But at least now fans can rest easy knowing Kelly and Fiumara have delivered one complete story in this new world. With any luck, when Four Eyes does finally return the book will be talked about more for its high quality than its shipping schedule.

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8.4
Franken-Castle #17

Jun 3, 2010

I hope enough time has passed that the shock has worn off and readers ambivalent on the FrankenCastle concept have elected to give the series a shot. It's a strange and unique take on the character, one that is sorely needed after so many years of gritty crime adventures. Whether you start with this issue or check out the Marvel Must Have reprint also on the stands this week, give FrankenCastle a fair shot. You might just fall in love with this poor monster of a man all over again.

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8
Franken-Castle #18

Jun 23, 2010

The real test comes in the next two months as Franken-Castle begins its crossover with Dark Wolverine. I have my doubts as to whether the story justifies such a lengthy endeavor, but we'll see. It's not as if Remender has steered his readers wrong once since launching this direction last year.

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6.5
Franken-Castle #21

Sep 29, 2010

The real attraction in this issue may be for the art of Dan Brereton. Brereton's work has been saved for where it fits best in this series - rendering plenty of imposing, larger than life monsters and generally creepy visuals. The old-school horror vibe in this issue is much appreciated, and the painted style sets this issue apart from most Punisher stories that have come before. Sadly, the Franken-Castle era ends with more of a whimper than a bang. But on the bright side, Remender's epilogue story suggests it might not be so bad for the franchise to get back to basics.

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8
Frankenstein, Agent of S.H.A.D.E. #0

Sep 12, 2012

I'm pleased to see that the series hasn't suffered from the shift in writers, and I may have to add Frankenstein to my regular slate of New 52 books once again.

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7
Franklin Richards: Not So Secret Invasion #1

May 7, 2008

More problematic is the fact that these stories never change. Apart from the Skrull story, I could have sworn I've read each and every one of these adventures before. How many times can Franklin accidentally break or steal something from his dad's lab and be forced to clean up the mess? At this point I've just reached my total saturation level with these comics. I don't expect earth-shattering revelations or major upheavals in an all-ages book like this. I do, however, expect the reading experience to evolve a little from issue to issue. If more of the same is all I can expect with each issue, maybe it's time Marvel found a new formula.

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7.2
Freddy vs. Jason vs. Ash: The Nightmare Warriors #1

Jun 24, 2009

Freddy vs. Jason vs. Ash: The Nightmare Warriors #1 isn't a great comic. And at $3.99, there are certainly better ways to spend your money this week. However, if you've been following the saga of Ash through all its twists and turns at Dynamite, I doubt this issue will disappoint. The creative team takes a winning concept uses it to pave the way for what should be a fun mini-series.

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5.5
Freedom Fighters #1

Sep 1, 2010

The script jumps between characters in the early pages, each dealing with their own weird, wacky conflicts. Even when the full team bands together, the issue can't seem to decide what the conflict of the story is. Is it the search for a fabled Confederate super-weapon? Is it the hunt for the kidnapped Vice President? Is it the presence of mysterious spirits within a remote mountain? Palmiotti and Gray seem to throw a wide array of situations and ideas on the page in the hope that some will stick. s a result, the series feels too cluttered and unfocused for its own good. Some of the dialogue can be downright silly at times, which only further screws with the tone of the book. Freedom Fighters isn't that far off from being a worthwhile read. The team is interesting, some of the ideas at play are clever, and the art is solid, if cluttered at times. What Palmiotti and Gray need to do is sit back, simplify things, and let the characters breathe. Hopefully issue #2 will mark a return to form

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8.3
Friendly Neighborhood Spider-Man (2019) #1

Jan 9, 2019

Friendly Neighborhood Spider-man #1 has plenty of appeal as it explores the quieter side of Peter Parker's life.

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8.2
From Under Mountains #1

Sep 30, 2015

From Under Mountains #1 is a promising debut for this new comic, and one that doesn't require any familiarity with the other 8house comics. While the split focus makes it tougher to latch onto the characters right away, the issue quickly finds its groove and builds up an intriguing fantasy realm.

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8
Fury MAX (2012) #1

May 3, 2012

I half feared the MAX imprint was doomed once Jason Aaron's PunisherMAX wrapped up. leave it to Garth Ennis to once again inject new life into this mature-readers label.

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8.5
Fury MAX (2012) #2

May 16, 2012

Ennis is single handedly keeping the MAX imprint alive right now. And if Fury MAX accomplishes anything, it's proving that there's still a place for these darker, more grounded Marvel stories.

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9
Fury MAX (2012) #5

Aug 1, 2012

Unfortunately, the final page reveals that issue #6 won't be along until the very end of September. Two months is a long wait, but these first five issues prove that it'll be well worth it.

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8.4
Fury MAX (2012) #8

Jan 2, 2013

Quirks aside, Ennis and Parlov's return to the MAX universe remains as solid as ever. And the more dependable shipping schedule during this second half doesn't hurt.

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6.6
Fury: S.H.I.E.L.D. 50th Anniversary #1

Sep 23, 2015

There's a lot of untapped potential when it comes to exploring the relationship between the aging Nick Fury and his up-and-coming S.H.I.E.L.D. agent son. This issue taps into that potential, but it doesn't handle the racial elements of the conflict with much depth or nuance.

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8.7
Future Quest #1

May 17, 2016

Future Quest is one of those comics where readers only need to look at the cover to know if it's the book for them. If you crave a dose of classic old-school adventure with some familiar faces and a few high-concept twists thrown in, Future Quest won't disappoint. You don't even need to have a pre-existing attachment to the characters, just a love of comic book team-ups.

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7.1
Future Quest #4

Sep 1, 2016

At this point I'm wondering if Future Quest needed a few more months to simmer before seeing the light of day. As it stands, we still haven't seen an issue drawn entirely by main artist Evan Shaner.

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6
G. I. Joe #10

Oct 21, 2009

I'm not asking that Dixon suddenly cram Cobra Commander, Storm Shadow, Serpentor, and every other major face into this book, but I would like to see the series speed itself along. The dragging pace is killing the series, and it only causes projects like G.I. Joe: Cobra to stand out even more. This should be the flagship title in the Joe franchise, not its weakest link.

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6.2
G. I. Joe #12

Dec 3, 2009

Luckily, issue #13 is only two weeks away. I sincerely hope that a new arc will give Dixon a fresh focus on his characters. The last thing this book needs is more Joes or Cobras. I could happily go another year or more without a glimpse of Cobra Commander. I simply want standout characters like Destro to become the norm rather than the exception. And is it too much to ask than something blow up more than once an arc?

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7
G.I. Combat #0

Sep 5, 2012

It isn't enough for DC to offer traditional war-themed comics. The lackluster sales on this series and its predecessor are proof enough of that. The tales in G.I. Combat need to showcase war as it exists in the DC Universe, reflecting all the colorful characters and concepts that dwell within. Issue #0 does a better job than any issue previous of satisfying that need.

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6.5
G.I. Combat #1

May 3, 2012

DC could just as easily have titled this issue Men of War #9. And that's worrisome, because as enjoyable as the first segment is, there's absolutely nothing to suggest that G.I. Combat will find any more lasting success than its predecessor did.

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6.5
G.I. Combat #2

Jun 6, 2012

Jimmy Palmiotti and Justin Gray improve their take on the new Unknown Soldier in this issue. The character is fleshed out a bit more, and the writers spend ample time showcasing his superhuman abilities in action. The result is a perfectly competent, grounded take on superhuman warfare. Dan Panosian's jagged, scratchy style suits the tone of the story well. The problem is that it doesn't do anything new with the Unknown Soldier concept. It's a simple modernization of the original character. Not for the first time, I find myself wondering why DC couldn't have brought back Joshua Dysart's mature, fascinating re-imagining of the concept.

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5.5
G.I. Combat #3

Jul 5, 2012

At this point, it's hard to imagine G.I. Combat lasting any longer than Men of War did. Neither story offers the sort of long-term appeal to keep the series humming along. The series needs a shake-up, and the sooner, the better.

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6
G.I. Combat #4

Aug 1, 2012

This has been and still is a perfectly enjoyable book, but both segments need a bit of a push forward at this point, particularly The War That Time Forgot.

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7.2
G.I. Joe #2

Feb 11, 2009

Once again, the new issue of G.I. Joe shows plenty of promise, but it just doesn't reach high enough to fully convince me IDW can succeed where others have failed. Perhaps once the other Joe books launch I won't be left so wanting each month. Or perhaps not. But I'm willing to stick around and see if these Real American Heroes have the right stuff.

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7.2
G.I. Joe #3

Mar 11, 2009

G.I. Joe continues to be a solid read, but it also continues to play things by the book. Maybe that's a good thing considering where this franchise was a year ago. Playing it safe may help put the Joes back on track, but they're never going to be true American heroes again until Dixon tries for something new and exciting. I'd like to think he's cooking something up as we speak. We'll see over the coming months.

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6.3
G.I. Joe #4

Apr 1, 2009

I will say, though, that I'm enjoying Robert Atkins work on the book. Though it carries a bright, cheery tone that doesn't do much to dispel the idea we're reading a toy commercial, it's a much more detailed, thoughtful, and consistent take on the Joe-verse than he various other books have demonstrated. IDW clearly saved the top artistic talent for this series. I wonder why they haven't reserved the top ideas in term of storytelling. Everything we're seeing in G.I. Joe: Origins, G.I. Joe: Cobra just seems to outdo the events in this book. Heck, even Dixon's own take on Destro in Movie Prequel #2 puts this one to shame. Clearly something is wrong here.

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7.2
G.I. Joe #16

Mar 24, 2010

This series is generally a decent read. Issues like this veer more towards "good". The visual quality of G.I. Joe is certainly on the way up now that Robert Atkins' clean, slick pencils have returned. But the book needs minor adjustments to become great. The franchise as a whole is in much better shape than it was two years ago before coming to IDW. I just continue to hope that all of IDW's books can display the same storytelling brilliance as G.I. Joe Cobra.

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7.6
G.I. Joe #17

Apr 21, 2010

I found G.I. Joe #17 to be one of the more enjoyable installments of the series so far. It should be interesting to see if Dixon can maintain his newfound momentum now that the story looks to be veering in entirely new directions next month.

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7.6
G.I. Joe #18

May 19, 2010

I hope this more character-specific focus to storytelling becomes the norm for the book. As aggravating as it can be to have characters drop off the radar for months on end, I'd rather see Dixon do justice to a few characters at a time rather than a disservice to many.

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7
G.I. Joe #19

Jun 16, 2010

With G.I. Joe: Cobra shifting its focus to Serpentor and other areas for the duration of the summer, this series has a chance to claim some more glory for itself. Dixon's writing has been on an upward trend for many months now, and I think the book maybe able to win over some readers bored of the slow pacing of late.

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7
G.I. Joe #20

Jul 8, 2010

G.I. Joe continues to carry its momentum forward even as haphazard pacing sometimes threatens to derail the book. The series feels very fractured at times as subplots surface and vanish and artists rotate in and out of the book frequently. This month's artist is Alex Cal, who manages to hit a bit closer to home when it comes to Robert Atkins' familiar aesthetic. Cal's work is quite attractive at times, but the often awkward, lifeless figures and poses suggest a bit too much reliance on photo-referencing. This is G.I. Joe, man. Leave that crap at the door. Dixon's script manages to generate a good amount of tension as separate factions of Joes investigate eerie Cobra goings-on in the middle of the ocean. It's frustrating that villains like Cobra Commander and Destro once again sit the month out. I also find myself wishing the plot could have been urged forward more than it is by the end of this issue. Still, what Dixon does offer is enjoyable. Plenty of minor characters are given time t

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6.5
G.I. Joe #21

Aug 11, 2010

Dixon's script packs a decent amount of suspense. Imagine if G.I. Joe crossed with The Poseidon Adventure. I particularly enjoy reading the fiendish extremes Cobra is willing to stoop to to protect their interests. As with many issues, however, I wasn't quite satisfied with the amount of story being delivered. G.I. Joe moves too slowly from month to month. With A Real American Hero back on the block, this book is facing even more stiff competition than usual. As Dixon moves towards his final story arc of Season 1, I hope he intends to turn up the pace considerably.

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7.5
G.I. Joe #22

Sep 9, 2010

Alex Cal's art also seem to be steadily improving. Like Robert Atkins, Cal provides a tone that strikes the middle ground between G.I. Joe: Cobra's gritty realism and A Real American Hero's flashy throwback style. Cal still needs to work on effective panel framing and finding more natural poses for his figures. That aside, all signs point to the next arc as being a worthy finale for Season 1. I just hope the addition of another iconic Cobra villain won't upset the delicate balance of storytelling Dixon has achieved in recent months.

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5.5
G.I. Joe (2014) #2

Oct 23, 2014

This is easily among IDW's best-looking Joe books. But that alone isn't enough. This series needs to cut the chatter and ramp up the action soon.

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5.9
G.I. Joe (2014) #6

Mar 5, 2015

It continues to amaze me that a G.I. Joe comic can have so much talk and so little action. It's not that the franchise can't blend political drama and more serious elements with the more familiar Joe elements. G.I. Joe: Cobra and it successors have done that well over the years. The problem is that too rarely does this even read like a G.I. Joe comic.

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6.1
G.I. Joe (2014) #8

Apr 30, 2015

Perhaps it's time to go back to the drawing board with this franchise.

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7.8
G.I. Joe (2019) #1

Sep 18, 2019

G.I. Joe #1 helps reinvigorate a tired franchise thanks to a very different story direction.

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8.2
G.I. Joe Movie Prequel: Rise of Cobra #2

Apr 15, 2009

I'm increasingly bemused to see so much of what is great about G.I. Joe being relegated to outside books. Why can't Dixon's Destro be written this well in the main series? This issue managed to restore some of my faith in the movie after a glimpse of the design for Cobra Commander very nearly killed it. That undoubtedly makes it a success, but I'd much rather be able to reserve this praise for the main series.

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7.7
G.I. Joe Movie Prequel: Rise of Cobra #3

May 6, 2009

Overall, these movie prequels are a bit light on story to really justify the cover price. That said, they're well put together and further proof that IDW knows how to do right by the franchise. I'm sure I'll be able to wholeheartedly recommend the trade, but in individual spurts I'm not quite as confident.

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7
G.I. Joe Movie Prequel: Rise of Cobra - Duke #1

Mar 11, 2009

So far, both of Chuck Dixon's current G.I. Joe projects have offered pieces of what I want in a Joe comic, but neither has assembled the full package. This is a decent comic, but it accomplishes nothing beyond explaining the events that led to Duke joining with the Joes. I honestly don't care so much how these events play out in movie continuity. The simple truth is that, for whatever Rise of Cobra #1 accomplishes, it's being beaten at its own game by G.I. Joe: Origins. As the series fans out to focus on the other main Joes, I hope it can find something more to offer readers.

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5.3
G.I. Joe Special: Helix #1

Aug 12, 2009

This issue is pretty much a mess all around, but there's no reason it should have been. Though Helix has almost no standing in the G.I. Joe universe yet, I could easily see myself growing to love this character. However, her sophomore appearance will need to offer a significantly better show if this new heroine has a hope of catching on.

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8
G.I. Joe: A Real American Hero (2010) #156

Jul 21, 2010

There are certain old school hitches in the writing, mostly with an overabundance of exposition in a few scenes, but by and large Hama captures that winning blend of grounded military conflict and over-the-top fun. The series is a nice companion to IDW's own continuity, focusing on all the classic Joe stars that don't always receive much face time in the current books. The dynamic is certainly new, though, as the series sees Cobra legitimized even as the Joes fall back and struggle to regroup. Augustin Padilla also fits right in with the tone of the series. His art is slightly "'90s" in its abundance of muscles and ink lines, but it works here. They say you can't go home again, but so far Hama's return to A Real American Hero proves that isn't always true.

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8
G.I. Joe: A Real American Hero (2010) #157

Aug 4, 2010

Augustin Padilla fits right in with his energetic pencils. His musclebound heroes and sinister villains are certainly more outlandish than what we're seeing in IDW's other books, but that's the whole point. G.I. Joe fans should find plenty to love with this series, and even newcomers may discover why everyone remembers A Real American Hero so fondly in the first place.

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7
G.I. Joe: A Real American Hero (2010) #159

Oct 20, 2010

Augustin Padilla's artwork s similarly outlandish and fun, with plenty of scratchy blacks and bulging muscles that capture the '90s aesthetic well without falling prey to the more glaring faults of the time. In short, Hama and Padilla offer enough classic G.I. Joe goodness to keep readers hooked. I continue to look for signs that Hama is still willing to push the envelope, and that this arc won't reach the simple, happy conclusion it seems poised to do.

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7.5
G.I. Joe: A Real American Hero (2010) #161

Dec 31, 1969

SL Gallant fills in for Augustin Padilla this month. Gallant's style has often shifted as he has rotated between IDW's various G.I. Joe books. Here, Gallant manages a surprisingly effective homage to the earliest years of the series, channeling the style of artists like Herb Trimpe. It's a nice shift from the sometimes overly exaggerated visuals of Padilla. And if Padilla ever does move to another permanent gig, Gallant and his retro approach would be a welcome replacement.

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6.3
G.I. Joe: A Real American Hero vs. the Six Million Dollar Man #1

Mar 1, 2018

It's all executed well enough, but nothing about the story or the artwork feels particularly new or exciting.

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8.4
G.I. Joe: Cobra #1

Mar 18, 2009

For the most part, this is what I want out of my G.I. Joe comics. It's very disappointing to see IDW's side projects find so much success while the main series takes it easy on the opening stretch. Let's hope the example G.I. Joe: Cobra is already setting will be followed by future stories.

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8.6
G.I. Joe: Cobra #3

May 13, 2009

The writing truly makes a lot out of what could just as easily have been a simple, by-the-numbers spy story. Crown made the comparison to Greg Rucka's Queen and Country last month, and I think it's an apt one. This is a very methodical and tempered look at the war between former Saturday morning cartoon characters. The dialogue is crisp and well thought-out. The art is moody and understated, forgoing superheroes for simple men and women of action. The series is entirely unlike what we might have expected from a Cobra-centric story in years past, and that's a very good thing. Even if the idea of IDW's Joe relaunch doesn't appeal to you, I highly recommend giving Cobra a shot. This is one particular battle the bad guys are more than welcome to win.

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7
G.I. Joe: Cobra Civil War #1

May 25, 2011

Though it returns in a somewhat more flawed state, it's good to have a Cobra book back on the stands. Hopefully Fuso can build up his new cast to the point where they'll be able to hold their own against fallen greats like Chuckles and Xamot.

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8
G.I. Joe: Cobra II #11

Dec 15, 2010

Antonio Fuso's artwork was frustratingly erratic on the first arc of this second Cobra series, with background work in particular becoming all but nonexistent. Fuso still isn't entirely consistent in quality, but he is improved. Oddly, now it's his figures that vary in detail and execution. Faces may be well-defined in one panel but amorphously rendered in the next. But again, the overall effect is better than in the previous Chuckles arc and manages a stronger, more foreboding tone. The ongoing future of this series remains in question, at least until the next round of solicits. But if this arc truly is the finale for G.I. Joe: Cobra, it should be a satisfying one.

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8
G.I. Joe: Cobra Special #2

Sep 29, 2010

Whatever slightly underwhelming qualities this issue might have, it still very much represents a return to form for the series. G.I. Joe: Cobra Special #2 reminds readers why this books has been so creatively successful in the first place, and it certainly builds anticipation for the return of Chuckles and the rest of the gang.

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4.2
G.I. Joe: Cobra World Order Prelude #1

Oct 15, 2015

This issue is somewhat more entertaining than reading a Wikipedia entry, but in terms of building excitement for Cobra World Order, it's a dud.

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8.5
G.I. Joe: Hearts and Minds #2

Jun 30, 2010

I've been waiting for an IDW G.I. Joe series that can capture my attention the way G.I. Joe: Cobra does. It seems I've finally found one in Cobra. On the surface this book is nothing too ambitious or unusual - merely an exploration of the psyche of one Joe and one Cobra member each month. But the appeal lies all in the execution. Max Brooks makes Firefly and Tripwire both shine through just the right combination of snappy dialogue and suspenseful storytelling. The outcome of these tales is rarely in question, but the journey never fails to be engrossing. Howard Chaykin and Antonio Fuso make the most of their scripts, though both artists do have their stylistic quirks. Brooks accomplishes quite a lot in both 11-page segments, never leaving the reader feeling there should have been more space allotted. That's not to say I don't crave more, of course. Brooks has proven himself a worthy addition to the Joe ranks, and I sincerely hope this isn't the last of his involvement we see at IDW.

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5.5
G.I. Joe: Movie Adaptation #1

Jul 1, 2009

This issue also ends on a very abrupt and unsatisfying note. I don't get the impression this mini-series is really meant to be divided as such. IDW has a habit of releasing trades of movie adaptations before the single issues even finish shipping. With that in mind, the trade might be worth checking out for those truly curious about this project. For the rest of us, however, IDW is doing too much good, original work with the franchise to waste much time on a movie adaptation. This project isn't shaping up to be as bad as some similar efforts, but that in itself isn't much of a compliment.

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8.4
G.I. Joe: Origins #1

Feb 18, 2009

From a writing standpoint, this is what I expected from IDW's G.I. Joe relaunch. It's a shame Hama hasn't been given the main Joe series, because I fully expect he could return the characters to a sort of glory they haven't enjoyed in years. Let's hope Origins is just the start for Hama.

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7.5
G.I. Joe: Origins #2

Mar 25, 2009

Unfortunately, the art is the real factor that drags this series down from greatness. On the plus side, Tom Feister only contributes to the cover this month, leaving Mike Hawthorne to handle the interior work alone. Though the visuals are more consistent as a result, they simply aren't very good. The detail is sorely lacking in many instances, as it falls on the colorist to provide many of the finer shadows and highlights. Given that Hawthorne himself is that colorist for much of the book, you can see the problem. When Erik Swanson steps in to provide colors, the page suddenly comes alive for a brief time. The great benefit of dividing art duties among a penciler, inker, and colorist is that each is allowed to focus on what they do best. I wish more IDW books would follow this division of labor, because it seems to be a problem plaguing many of their licensed properties on a consistent basis.

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6.5
G.I. Joe: Origins #12

Feb 3, 2010

Art isn't normally the strong suit of the G.I. Joe books, but Origins #12 is one notable exception. Fans of Templesmith's work may get a kick out of the issue, but even Baroness lovers will be hard-pressed to find much enjoyment in the script.

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6.5
G.I. Joe: Origins #19

Sep 22, 2010

Silent issues are far less of a novelty now than they were in 1984. If Marvel's "Nuff Said" event from 2002 taught us anything, it's best when these projects occur organically rather than being pre-planned or editorially mandated. Whatever the inspiration behind this particular issue, Origins #19 will hardly leave the impact its predecessor did.

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8
G.I. Joe: Origins #20

Oct 13, 2010

Lapham doesn't always shine when working with licensed books, but thankfully this arc shows none of the flaws of his Modern Warfare series. The plot is tight, the dialogue catchy, and this issue offers plenty to keep readers coming back for the next two installments. It's debatable whether Origins can truly find its own identity when it so closely follows the Cobra formula. Still, more of a good thing is always welcome.

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6.5
G.I. Joe: Retaliation Prequel #1

Feb 15, 2012

The artwork has its moments, but it's wildly inconsistent to do the script justice. Salvador Navarro tries overly hard to emulate the movie look in some cases and not enough in others. Certain characters resemble the actors, while others seem pulled from the Real American Hero comics instead. At times poses are extremely stiff an unnatural. But at others, the characters become dynamic and the action flows much more smoothly. It's a shame the art can't offer more stability, but this is hardly the worst-looking movie tie-in ever published.

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4.4
G.I. Joe: Snake Eyes #1

Oct 21, 2009

It didn't have to be like this. The G.I. Joe Movie Prequel comics were very well-written and superior to the ongoing G.I. Joe series in certain respects. Unfortunately, though this book may be similarly conceived, it accomplishes nothing the Movie Prequels managed.

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8
G.I. Joe: Snake Eyes - Agent of COBRA #1

Jan 21, 2015

If Snake Eyes is a man of few words, at least this issue allows him to express himself through the art of killing. Paolo Villanelli's art doesn't necessarily shine when it comes to fine details or facial work, but he really captures the dynamic, graceful quality of Snake Eyes' swordplay. Hopefully this series will take advantage of that talent by giving the ninja ample amounts of enemies to slice.

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8.6
G.I. Joe: Snake Eyes - Agent of COBRA #4

Apr 16, 2015

It's been a while since IDW's Cobra comics have wowed me in the same way the intial Chuckles saga did several years back, but this series is making a strong case for itself.

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7.6
G.I. Joe: The Cobra Files #1

Apr 10, 2013

In general, the character dynamics are strong and the generally darker tone associated with the Cobra books is still very much effect. All that's really missing is a stronger emphasis on actual Cobra characters. Without that, there isn't quite as much distinction between Cobra File and the other G.I. Joe books as there should be.

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5.2
Galaxy Quest: The Journey Continues #2

Feb 26, 2015

This series is struggling to capture the appeal of the original film.

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6
Gambit (2012) #2

Aug 29, 2012

Clay Mann's art helps keep the heist sequences engaging, at least. Mann has a real talent for rendering powerful, fluid figures that Asmus puts to good use. I do wish that the coloring meshed better with the pencils and inks, however. The colors are too shimmery and ethereal for what would otherwise be a realistically rendered issue.

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6.2
Gambit (2012) #4

Oct 24, 2012

Ultimately, what is the point of all of this tomfoolery? Asmus never reveals much about Remy's new partner, Joelle, or why she went through all this trouble on what was apparently a simple death wish. At the end of the conflict, Gambit is still in the exact same wayward emotional state he began the series. There's just too little sense of purpose, impetus, or clear direction to the book. Without those qualities, I can't picture myself following Gambit's solo adventures much longer.

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8.1
Gamora #1

Dec 21, 2016

The long wait for Gamora's solo series was worth it. This new comic offers a fascinating glimpse into Gamora's early family life, one that suggests Nebula might be the real star of the series. And with the talented Marco Checchetto bringing this story to life, Gamora is a promising addition to Marvel's cosmic stable.

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8.2
Gamora #4

Mar 23, 2017

This issue features plenty of big moments, though the relentless pacing sometimes prevents the story from reaching its full emotional potential.

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7.6
Gamora #5

Jun 1, 2017

It's a shame that Gamora of all books didn't stick around a little longer. There's a lot to like about this series, between the intimate look it provides at the Most Dangerous Woman in the Galaxy and the gorgeous visuals of Marco Checchetto.

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8.8
Generation Gone #1

Jul 20, 2017

All told, this is a very promising debut for the series.

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7
Generation Hope #1

Nov 3, 2010

If nothing else, though, the art for the series is quite attractive. Salvador Espin delivered eye-catching visuals in his recent Hulk work, and that same expressive, vibrant style remains. The colors are toned down here, but that serves the slightly more grounded feel of the series. Whether rendering the surreal and twisted surroundings of Kenji or simply showcasing the fiery personalities aboard the Blackbird, Espin brigns plenty of life to this new book. The hope is that Gillen will eventually be able to do the same in his writing. Phonogram proved Gillen has a unique understanding of modern teens struggling with unusual abilities. Hopefully that same magic can soon be rekindled in Generation Hope.

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5.5
Generation Hope #2

Dec 2, 2010

Too many X-books lack a distinct voice and identity already. If Generation Hope can't find its voice soon, it will never be able to stand out among the many other teen superhero books on the market.

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4.5
Generation X (2017) #2

Jun 1, 2017

Some teen X-Men books really shake up the formula, and others seem content to play it safe. Generation X is, sadly, shaping up to be the latter.

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7.2
Generations (2017): Iron Man & Ironheart #1

Sep 7, 2017

I wish there were more consistency as the book shifts from one artist to the next, but Bendis and his artists paint a particularly memorable and hopeful vision of Marvel's future.

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8.1
Generations (2017): Wolverine & All-New Wolverine #1

Aug 16, 2017

It's clear by now that each Generations one-shot is going to follow a very specific formula, which could start to work against the series as that formula grows more and more played out. But it's one that works well in this Wolverine crossover. This issue makes the most of the Wolverine/X-23 dynamic and celebrates the legacy of a fallen X-Man.

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7.1
Generations (2017): Miles Morales Spider-Man & Peter Parker Spider-Man #1

Sep 27, 2017

Generations: Spider-Man ranks among the more disappointing chapters of the series, as it fails to add much to the Peter/Miles dynamic even with the shift in time period. As with Spider-Men II, this story is at its best when Peter is absent from the picture entirely. But for anyone who fell in love with Ramon Perez's art on Amazing Spider-Man: Learning to Crawl, this issue is a must-read.

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8.2
Generations (2017): Banner Hulk & The Totally Awesome Hulk #1

Aug 2, 2017

Generation s isn't shaping up to be a particularly groundbreaking series for Marvel. With little background for the premise of this crossover or its ties to Secret Empire and Marvel Legacy, Generations: Hulk simply plays out as a fun, character-driven team-up between two heroes. But for fans of these two characters, that should be enough.

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8.5
Generations (2017): Sam Wilson Captain America & Steve Rogers Captain America #1

Sep 27, 2017

Generations: Captain America is essential reading for anyone who's been following Nick Spencer's Captain America saga, regardless if you've been reading the other one-shots. This issue reads like the proper finale to that long run, offering the closure to Sam Wilson's tenure as Cap that Secret Empire didn't. It doesn't take full advantage of the time travel premise, but it works as well as could be hoped given the limited space available.

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8
Generations (2017): Hawkeye & Hawkeye #1

Aug 31, 2017

It's unclear exactly how much the events of this issue will impact the ongoing Hawkeye series, but it proves there's still plenty of potential left to mine in the Kate/Clint dynamic.

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6.1
Genius #1

Aug 7, 2014

The cover art is not at all representative of the inner contents, and in this case that's a good thing. The interior art isn't so pointlessly sexualized. Afua Richardson opts for a slightly surreal style, full of dynamic angles and exaggerated characters. The approach works for the most part, though people and objects tend to stand out from the vaguely defined backgrounds like paper dolls. Here again, the book veers away from the Top Cow norm, and that's not a bad thing.

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6.3
Genius #2

Aug 14, 2014

The artwork is certainly interesting, and the heavy use of shadows suits the tone of the book. But at time the figures are too exaggerated and stand out too much from the backgrounds.

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7.2
Ghost Racers #1

Jun 10, 2015

For the most part, this series is a fun ride (pun intended). But there are elements that can certainly be improved as the next race unfolds.

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7.9
Ghost Rider (2006) #20

Feb 13, 2008

Despite the huge improvement that comes from Aaron's debut, Ghost Rider just isn't his best work. If you want to see Aaron better handle a major Marvel icon, check out this week's issue of Wolverine. Clearly he'll be fighting an uphill battle with Ghost Rider in the future.

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7.8
Ghost Rider (2006) #21

Mar 19, 2008

Aaron's knack for gritty characters and gritty situations shine through, and the book's strong points manage to outweigh its faults. I'm glad to be feeling an emotion resembling joy after reading Ghost Rider again. I'm just not sure how long that feeling can last without some sort of major shakeup or upheaval.

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7.1
Ghost Rider (2006) #22

Apr 16, 2008

I wouldn't mind all of this so much if the book were more of a looker. Characters lack the detail and menace that made previous regulars Mark Texeira and Javier Saltares such a winning team. If anything, Roland Boschi's art has gotten even less detailed than last month. Even hiring a separate inker would probably do wonders for what has become an extremely bland looking series. When you consider that his looks are all Ghost Rider has at the moment, that's a pretty huge problem.

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5.8
Ghost Rider (2006) #23

May 21, 2008

That being said, I'm more than ready to drop this book now. Aaron and Boschi have had an entire arc to win me over, and they haven't. At this point even a halfhearted Secret Invasion tie-in would be an improvement.

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5.1
Ghost Rider (2006) #24

Jun 18, 2008

With two other Aaron-penned books on the stands today, it's only that much harder to put up with mediocre efforts like this. I'm not sure anyone can enjoy Scalped and claim to be fully satisfied by Ghost Rider. The gulf is just too wide.

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6.8
Ghost Rider (2006) #25

Jul 16, 2008

Ghost Rider still has a long way to go before I'm happy with it, but I wound up enjoying the latest storyline more than I expected. I have no idea if the imminent return of Danny Ketch means better tidings or doom for all mankind. All I know is I'll continue to give the series a chance for a while longer.

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8.2
Ghost Rider (2006) #26

Aug 20, 2008

I really hope this issue is a sign of better things to come for Ghost Rider. There's no question now that the series has potential, and I'd love to see Aaron and Huat continue to capitalize on it.

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7.7
Ghost Rider (2006) #27

Sep 17, 2008

Ghost Rider is quickly becoming a book I actively look forward to each month instead of just casually flip through. For once, it feels as if the series is actually moving somewhere. I can only hope that somewhere is a place worth seeing.

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7.2
Ghost Rider (2006) #29

Nov 19, 2008

Though a little underwhelming as a whole, this issue has its moments, and it leaves me with little doubt that next month will be an improvement.

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7.7
Ghost Rider (2006) #30

Dec 17, 2008

Like I said, I never really expected to be this engrossed by a Ghost Rider book, but it's clear that all Johnny Blaze needed these many long years was the right creative team. Finally, at long last, he has one.

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7.6
Ghost Rider (2006) #32

Feb 18, 2009

Aaron has the potential to take this book in a new and interesting with the next arc. However, issue #33 won't be quite the fresh break we were all expecting, and it remains to be seen whether that's a good or bad thing for Ghost Rider.

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8
Ghost Rider (2006) Annual #1

Nov 14, 2007

Reading this annual was a risk that paid off, luckily. It won't convince me to pick up anymore issues before Aaron's arrival, and I'm not sure how excited I should be for Ghost Rider even then. Regardless, if you need a quick fix of Ghostey goodness, this is about as good a choice as you're likely to find.

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7.4
Ghost Rider: Danny Ketch #1

Oct 22, 2008

Ghost Rider fans, and Danny Ketch fans in particular, are in for a wild ride over the next few months. Ghost Rider: Danny Ketch #1 offers hope that this mini-series will prove to be more than a quick cash-in, and that the character's return was motivated by more than mere nostalgia.

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7.2
Ghost Riders: Heavens On Fire (2009) #1

Aug 5, 2009

So issue #1 is fun, most certainly, but not wholly satisfying given how long we've been waiting. I also picture a bit of righteous anger when readers realize they're now paying $3.99 for what is still really a $2.99 story. Heaven's On Fire can get by on sheer kinetic energy for now, but if Aaron really wants to hammer home the idea that this is Johnny Blaze's final stand, he'll need to turn up the character drama in issue #2.

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7.3
Ghostbusters 101 #1

Mar 23, 2017

These characters aren't particularly compelling yet, and it often feels like the creators are telling two completely separate stories at once here.

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7.5
Ghostbusters International #1

Jan 28, 2016

The first issue of Ghostbusters International isn't the strongest start we've seen from IDW's various mini-series. Despite the straightforward premise, there's a seeming reluctance to dive into the new global status quo for our heroes. Even so, the book features all the humor, slick artwork and fun character dynamics we've come to expect from these comics by now.

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7.9
Ghostbusters International #2

Feb 25, 2016

Ghostbusters International introduces a fun new status quo for IDW's long-running franchise. It's just strange that the book is so slow about taking advantage of said status quo.

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8.5
Ghostbusters: Crossing Over #1

Mar 14, 2018

Ghostbusters: Crossing Over #1 delivers a slow but enjoyable start to this epic crossover series.

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8.5
Ghostbusters: Get Real #1

Jun 18, 2015

It's a testament to how "outside the box" IDW has been with the Ghostbusters franchise that the notion of the movie Ghostbusters meeting their animated selves from The Real Ghostbusters is not the strangest thing to happen. It's a solid premise, regardless, and one Erik Burnham and Dan Schoening exploit to great effect in this first issue.

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6.5
Ghostbusters: The Other Side #1

Oct 15, 2008

For better or worse, the entire issue is really nothing more than setup for the larger story. As such, it's hard to judge the faults too harshly, because it still shows the potential to be a worthy continuation of the Ghostbusters mythos. The Other Side #1 will prove at least mildly amusing for most fans, and I'm hoping the next few months can manage a great deal more than that.

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8.8
Ghosts #1

Oct 31, 2012

Yes, $8 is lot to ask for any comic, but Ghosts offers a wealth of content, and quality content at that.

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9.3
Giant-Size Astonishing X-Men #1

May 26, 2008

So while Giant-Size Astonishing X-Men isn't the best installment of the series, it's still a satisfying and mostly fantastic conclusion to what may well be the greatest X-Men run ever. I may have a soft spot for Grant Morrison's New X-Men and the Chris Claremont/John Byrne days, but there's only one real candidate for best story in my mind. As far as I'm concerned the series is done now. I'll probably be first in line to snatch up issue #25 this summer, but it won't be the same. Whedon and Cassaday have set the bar astronomically high. Any team that can top them would be astonishing indeed.

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7.1
Giant-Size Spider-Man (2014) #1

May 29, 2014

If you're looking for an all-ages-oriented Spider-Man comic that offers a lot of bang for the buck and can also serve as a primer for Spidey's Silver Age history, you could do a lot worse than this Giant-Size special.

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8.7
Giants #1

Dec 14, 2017

This series is definitely worth a look for the curious.

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8.2
Go Go Power Rangers #1

Jul 26, 2017

Does the world truly need two ongoing Mighty Morphin Power Rangers comics? Not necessarily, and some readers may find that this prequel doesn't do quite enough to stand apart from its sister series. But regardless, the terrific visuals and high school character drama combine to form an enjoyable teen superhero book.

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9
Go Go Power Rangers #2

Aug 30, 2017

After two issues, Boom has more than justified the existence of a second ongoing Power Rangers comic. Go Go Power Rangers works as a fitting companion to its sister series, telling a more character-driven story that wouldn't necessarily be possible on Mighty Morphin Power Rangers. The series is thriving on the strength of Dan Mora's artwork, working both as an epic superhero adventure and a humble slice-of-life drama.

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8.8
Go Go Power Rangers: Forever Rangers #1

Jun 19, 2019

The second year of Go Go Power Rangers ends in an epic and very satisfying special issue.

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6
God Complex #2

Jan 6, 2010

This series certainly has potential, but so far the familiar premise and dull as dishwater lead hero have conspired to drag God Complex down. This book needs to develop a strong personality of its own, and quickly.

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8.4
God Complex (2017) #1

Oct 12, 2017

This series is based on a line of high-end action figures created by co-writer Bryan Lie, which explains the gorgeous, eye-popping character designs. I'm not sure how much the mythology behind God Complex existed prior to this series, but it certainly makes for an inviting world.

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8.4
God Country #1

Jan 12, 2017

As much as it succeeds in giving a weight and context to these events, it tends to be too little heavy-handed for its own good.

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9
God Country #2

Feb 16, 2017

This is a high fantasy story anchored by very grounded, very human drama. Even as elderly hero Emmett Quinlan defies the gods who want him to hand over his mystical sword, he also has to come to terms with overcoming his Alzheimer's and truly meeting his family for the first time in years. That balance between big and small is the source of this book's appeal.

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9
God Country #5

May 18, 2017

This issue in particular features some very raw, intense moments that promise to fuel a very dramatic final chapter.

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6.9
God Hates Astronauts #2

Oct 2, 2014

I like to think of God Hates Astronauts as the adults-only version of Axe Cop. It has the same stream-of-consciousness storytelling and endlessly bizarre plot twists and characters, just with a lot more violence and cursing.

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4.7
God of War (2010) #1

Mar 31, 2010

There isn't much to recommend about God of War the comic thus far, which puts it on equal footing with 90% of the videogame adaptations on the market. Still, I won't write it off just yet. Wolfman has only begun to dive into the meat of his story. There's a chance future issues will pick up as body parts start flying and epic showdowns unfold. But maybe I'm just setting myself up for yet more disappointment.

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4.8
God of War (2010) #2

May 26, 2010

God of War might have been that all-too-rare decently executed videogame comic if not for horribly mismatched art and a plot that needs some streamlining and focusing. I'm about ready to give up on this one, but Wolfman still has plenty of time left to kick his storyline up a few notches and at least attempt to make up for the series' visual flaws.

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5
God of War (2010) #3

Jul 21, 2010

The series is still awkward to read for two primary reasons, though. First, Wolfman abruptly shifts into flash-forward mode in this issue after spending so much time focused on Kratos' past. Framed more effectively, this technique could have benefited the story, but instead it only muddles the plot. The other central flaw is a familiar one. The art in this series is far too abstract and hazy to tell a proper story. It's "stylish", and certain panels might look fine blown up into full-size paintings, but the storytelling flow is almost nonexistent, as is character detail. God of War has improved in its third chapter, but not nearly enough to truly live up to the games that inspired it.

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4.5
God of War (2010) #4

Sep 15, 2010

Marv Wolfman's script spends too much time mired in the past when the present day sequences stand a much better chance of offering God of War lovers what they crave. And when the issue does shift from one time period to the other, it provides precious little indication of the transition. This series is playing out like too many videogame comics before it - nigh unreadable at times, and a pale shadow of the source material.

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8.4
Godzilla in Hell #1

Jul 15, 2015

But for now, it works. Stokoe's art makes sure of that. He was pretty much born to draw a Godzilla comic. His style is slightly cartoonish (capturing that campy Godzilla charm) but also amazingly detailed and intricate. The sheer amount of effort put into rendering all the scales and ridges and individual tiny figures in these panels is practically mind-boggling. Equally impressive is the sense of motion and energy in his panels. This comic plays very much like a classic Godzilla movie, albeit it with monsters on a far bigger and more elaborate scale. Even if this comic never develops a deeper conflict than what we see in this first issue, it'll be worth following just to see what new and twisted designs Stokoe can conjure.

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6.7
Godzilla in Hell #3

Oct 1, 2015

This series is suffering from a case of diminishing returns. It's understandable, really, as there's only so much you can do with the concept of Godzilla stomping and smashing his way through Hell in an almost silent narrative before it starts getting old.

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8.6
Godzilla in Hell #4

Oct 22, 2015

Readers should know the drill by now. This dialogue-free issue features copious amounts of kaiju carnage as Godzilla battles Ghidorah and Destoroyah in what basically amounts to the giant monster version of Valhalla.

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6.8
Godzilla: Oblivion #1

Mar 31, 2016

The conflict is straightforward and the characters not especially complex. Though is that really necessary in a Godzilla book? Fialkov at least ensures that the humans are likable enough that readers don't want to see them eaten or squished, and he delivers a story that's equal parts campy and dramatic.

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8.3
Goldie Vance #1

Apr 14, 2016

This new mini-series may draw inspiration from the likes of Nancy Drew and Lumberjanes, but it never reads like a mere jumble of outside influences. Instead, this first issue offers an engaging look at plucky teen heroine/aspiring detective Goldie as she works to solve a mystery in her father's hotel.

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7
Goners #1

Oct 23, 2014

Visually, this series takes the Locke & Key approach with its stylized, vaguely cartoony character designs. It's an interesting look that does more than anything else to distinguish Goners right now.

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6
Gotham By Midnight Annual #1

Jul 30, 2015

This annual issue continues the trend of diminishing visual returns. There's plenty of shadow, but not nearly as much mood or sense of style.

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6.8
Gotham Gazette: Batman Alive? #1

Mar 4, 2009

There's not a great deal worth complaining about when it comes to Gotham Gazette - Batman Dead? #1. It's a mildly entertaining look at some of the smaller supporting characters in the Bat franchise. However, as a primer for Battle for the Cowl, Gotham Gazette kicks off this event with a whimper rather than a bang. As far as I'm concerned, the fun doesn't start until next week.

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7.8
Graveyard Shift #1

Dec 24, 2014

You have to respect the courage in releasing any sort of vampire-themed comic in today's undead-saturated market. And even if Graveyard Shift doesn't reveal any particular new insights to vamprie storytelling, this debut issue is charming enough to warrant a look.

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8.3
Grayson #17

Feb 25, 2016

Seeley crafts a fun, action-packed new chapter this month that makes the most of the growing bond between Dick and fellow Spyral agent Tiger.

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7
Grayson Annual #3

Jun 30, 2016

If not necessarily remarkable, this issue does serve as one final reminder of how vital this series was for the evolution of DC from the grim New 52 era to the more fun-loving Rebirth.

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7.8
Greek Street #5

Nov 4, 2009

Greek Street continues to be a challenging book, rewarding those who either know their Greek myths or are at least willing to keep a browser tab open on Wikipedia. This is a book that can be thumbed through quickly, but just like 100 Bullets, true appreciation can only come from a slow, methodical read of each issue. Milligan has created a fascinating playground for he and Gianfelice to explore. For however much this issue might have slowed the momentum, I'm eager to see characters and conflicts heat up in true mythological fashion.

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8.4
Greek Street #6

Dec 3, 2009

Artist Davide Gianfelice continues to hold his own. With so many faces in the book, it must be challenging to set each cast member apart visually, but Gianfelice manages well enough. The aforementioned trippy sequence also allows Gianfelice to cut loose and have some fun for a few pages. There are times when certain panels could certainly benefit from stronger, clearer background details, but on the whole Gianfelice continues to be an apt fit for the book.

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8.2
Greek Street #8

Feb 3, 2010

Greek Street doesn't immediately welcome new readers like other Vertigo books might, but it does reward those who offer a long-term commitment. By now readers should be able to decide if the book clicks for them or if it's time to move on. As for me, I'm quite content to stick around and see where the series takes me.

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5.5
Green Arrow (2010) #4

Sep 29, 2010

Perhaps most annoying about issue #4 is its decision to rehash the Martian Manhunter encounter from Brightest Day #10. That encounter lacks proper context within this issue. Krul's take also fails to offer anything new to the sequence despite it occupying a significant chunk of this issue. The decision to split the Brightest Day characters and conflicts across so many books was a dubious one at best, and instances like this only highlight the many structural problems that arise as a result of so much inter-connectivity. Green Arrow has enough positive traits at present that I'm perfectly willing to keep following along for now. However, Krul needs to focus more heavily on what works in this series while doing what he can to flesh out the supporting cast

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8.4
Green Arrow (2011) #17

Feb 6, 2013

Sorrentino delivers a bold, strikingly designed issue full of dramatic angles, powerful figures, and a heavy interplay between light, shadow, and color. Color especially is a huge focus, and I love how certain panels fade to black and white at key moments. There's no substitute for a comic where one artist handles the pencils, inks, and colors all on their own.

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7.9
Green Arrow (2011) #25

Nov 6, 2013

This is a perfectly fine issue, but I'll be glad to see Lemire and company return to the present next month.

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9.1
Green Arrow (2011) #27

Jan 8, 2014

But as ever, it's really Andrea Sorrentino's artwork that propels this series forward. Sorrentino takes a fairly minimalist approach when it comes to facial work, offering just enough shape and shadow to convey the necessary emotions. It's more about energy and design and action storytelling in this book. Sorrentino's rendition of the battle between Ollie/Shado and the Shield Clan stands as one of the best of this run. There's a fluid sense of motion, and the use of small panels and monochromatic colors to highlight Ollie and Shado's precise movements is inspired. Sorrentino delivers striking image after striking image,and he also ties them all together with a keen eye for sequential narrative.

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7.8
Green Arrow (2011) #31

May 7, 2014

In the end, there's a sense that everything wraps up a little too neatly with this finale issue. Many of the newer characters introduced over the last year are left in a sort of limbo state, and it's unclear how much impact this entire storyline will really have on the book moving forward. This issue is more successful at building excitement for the upcoming clash with Richard Dragon than it is in giving Ollie's quest a completely satisfying resolution. But at least we do have that gang war to look forward to when Ollie returns to Seattle.

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8.5
Green Arrow (2011) #32

Jun 5, 2014

Somehow, Andrea Sorrentino still manages to keep up with the monthly grind and deliver his typical gorgeous, striking superhero imagery. His style definitely suits the dank, rain-soaked alleys of Seattle and Ollie's frantic battle with the Longbow Hunters. However, there were a couple instances where Sorrentino's use of silhouetted figures made it difficult to tell which character was featured in the panel. On the plus side, Sorrentino takes the opportunity here to shake up his usual style for the Richard Dragon-centric flashback scenes. The colorful, textured imagery is a great counterpoint to the stark, washed-out images of the present-day scenes.

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8.5
Green Arrow (2011) #33

Jul 2, 2014

Andrea Sorrentino's art is as strong as ever, full of striking design work and energetic choreography. But this issue is also a great showcase for Marcelo Maiolo's colors. Maiolo's deftly transitions the issue between past and present by alternating warm hues and heavy shadows. And his trademark use of washed-out, mono-chromatic panels to highlight key action beats works especially well during the battle sequences this month.

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6.2
Green Arrow (2011) #50

Mar 17, 2016

The script slowly builds towards the next big showdown between Ollie and his Warg enemies, but even after 40 pages offers little in the way of payoff.

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7.4
Green Arrow (2011) #51

Apr 7, 2016

Green Arrow #50 didn't really deliver on the much-hyped clash between Green Arrow and Deathstroke. This issue picks up the slack, though it's still a bit slow in building towards the main event.

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5.9
Green Arrow (2011) #52

May 5, 2016

Writer Ben Percy works to wrap up not just his yearlong run and the Lukos conflict, but the past five years' worth of stories. It should come as no surprise that this issue doesn't have nearly the space required to pull off something so ambitious. The ending in particular feels incredibly rushed and not terribly satisfying.

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8.2
Green Arrow (2011): Futures End #1

Sep 3, 2014

I do wish the story in this one-shot were more self-contained. Lemire's script wraps on a very open-ended note, directing readers to check out an upcoming issue of Futures End for further resolution. But if nothing else, that serves as a reminder that Lemire will still have a hand in the future of Green Arrow, even if he's no longer writing Ollie's solo series.

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8.4
Green Arrow (2016) #1

Jun 16, 2016

The relaunched Green Arrow has been the most pleasant surprise of DC Rebirth thus far. It's amazing how a little facial hair and left-wing diatribes can do so much to make Oliver Queen feel like his pre-New 52 self again.

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9
Green Arrow (2016) #2

Jul 7, 2016

Who would have thought that Green Arrow would be the early front-runner for the best DC Rebirth comic?

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9
Green Arrow (2016) #4

Aug 4, 2016

It seems nothing can slow this book's momentum, not even losing artist Otto Schmidt. Juan Ferreyra brings his own terrific sense of style to the book, a style that's very much in line with Schmidt's but also wholly unique.

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8.6
Green Arrow (2016) #9

Oct 20, 2016

As always, the romance between Ollie and Dinah is the driving force of the series. But it's also nice to see that Percy can dabble in the sort of social commentary that defined the Green Arrow/Green Lantern days without being so heavy-handed and while still adding a touch of the absurd.

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5.7
Green Arrow / Black Canary #1

Oct 10, 2007

This first issue has some major pitfalls, many of which can't really be discussed. Still, Winick has a better handle on both Ollie Queen and Dinah Lance than many readers give him credit for. Fans of either character will probably find something to enjoy here, even if Green Arrow/Black Canary #1 doesn't make a strong case for its own continued existence.

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9.2
Green Arrow: Rebirth #1

Jun 2, 2016

In a lot of ways, this comic is the first true test of DC Rebirth. Can a series truly feel new and different when it retains the same writer from the previous volume? In this case, the answer is a resounding yes. Ben Percy's earlier Green Arrow run was by no means bad, but this issue immediately reaches a new level of quality.

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9.3
Green Lantern (2005) #33

Jul 30, 2008

With only Johns' own Action Comics to rival this series as DC's best ongoing book right now, this issue of Green Lantern gets another unequivocal recommendation from me. If you've skipped over "Secret Origins" for any reason, you're going to be plenty sorry when Blackest Night arrives.

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9
Green Lantern (2005) #36

Dec 31, 2008

One area that sees significant improvement from the last issue is the art. Shane Davis handled the pencils for the Crisis special. While he did a pretty good job with the issue, I found his work to be a significant step down from series regular Ivan Reis. Fortunately (and in defiance of what the solicits said), Reis is back for this issue. It's unfortunate that he didn't return in time to render the epic space battle between the Green, Yellow, and Red Lanterns, but Reis can make even the most boring of situations look dynamic and interesting. And whatever small problems I may have with this arc, it's certainly not boring. Green Lantern is back, baby. Let's hope it sticks around this time.

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7.7
Green Lantern (2005) #38

Feb 25, 2009

I hate to complain so much about what is still one of my favorite superhero books on the stands. As jumbled as this issue is, it still does a lot to get me excited for the future, both "Agent Orange" and Blackest Night. The characters themselves are still strong. Johns reveals the crippling flaw behind the power of the Blue Lanterns, making this already intriguing Corps even more compelling. Johns even ties his script into the events of Green Lantern Corps, making me all the more happy I read both books. I just fear Johns is treading a thin line between intrigue and outright silliness with some of this color-changing nonsense. The idea of seven colors of Lantern Corps could have easily been a ridiculous one, and it's been through the combined efforts of Johns and his artists that it has instead succeeded so well. I'd hate to see the War of Light devolve into a farce just as Blackest Night is looming.

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8.3
Green Lantern (2005) #39

Apr 8, 2009

Many of the developments in this issue are intriguing. Unfortunately, the series can't seem to shake a growing undertone of silliness regarding all the warring colors. Can't everybody just turn into White Lanterns or Rainbow Lanterns or whatever and get it over with? Green Lantern is a book i continue to look forward to eagerly each month, but I worry it won't truly return to its former glory until the Black Lanterns take the stage.

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8.5
Green Lantern (2005) #40

Apr 29, 2009

But overall I'm satisfied with how Agent Orange is shaping up. With a terrific new villain and the promise of great character moments to come, as well as the looming release of Blackest Night #0 this weekend, it's a great time to be a Green Lantern reader.

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8.2
Green Lantern (2005) #41

May 27, 2009

Still, I can appreciate the unique visuals, even if they don't always succeed. My main problem with this issue is an all too common one at this point. Johns frequently interrupts the tale with snippets of other stories. We see Torquemada, the Green Lantern hunting for the Anti-Monitor's corpse, for the first time in many, many months. Sinestro also randomly stops by for a single page. These scenes work well in and of themselves, but in the context of the issue as a whole they feel random and out of place. I realize Johns needs to keep all his plates spinning leading into Blackest Night, but there has to be a better way to structure his arcs without so many unexpected cutaways. As usual, though, I can forgive this series its mild digressions. I'm too captivated by everything going on in front of me to care.

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7.3
Green Lantern (2005) #42

Jun 24, 2009

Blackest Night is now only a few weeks away. I truly hope the beginning of this massive storyline and the introduction of Doug Mahnke on art will help put this book back on track. It's never been a more exciting time to be a Green Lantern reader, but that hardly means there aren't significant problems to be addressed.

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9.1
Green Lantern (2005) #43

Jul 8, 2009

Green Lantern has remained one of DC's best books despite the past few months of relatively lackluster installments. But with Blackest Night here and Mahnke on board, I'm hopeful those days are over. Unless you allow this issue's cover to shape your expectations, I can't imagine readers walking away disappointed.

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8.6
Green Lantern (2005) #44

Jul 22, 2009

Issue #44 isn't quite as good as the superb issue #43, but it easily ranks among the best of the week. I suppose the complaint could be voiced that this issue doesn't fully stand on its own without the need to read Blackest Night #1. But frankly, if you're reading GL and not Blackest Night, you're doing something wrong. My excitement for this event has only grown in its first two weeks.

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8.8
Green Lantern (2005) #47

Oct 28, 2009

All in all, issue #48 is one of the stronger issues of Green Lantern this year, but it isn't perfect. As mentioned, there are times when the shifting focus detracts from the flow of the script. Johns focuses a single page on John Stewart, which does little but remind readers that John has a role to play in Blackest Night. Also, the transition between Atrocitus' role early in the issue and his later appearance is poorly handled. I was left wondering if Johns skipped over some vital piece of the story, and if he plans on revisiting it later down the road. But that aside, Green Lantern #48 was a satisfying read and just one more sign that the Lantern books are firing on all cylinders these days.

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8.3
Green Lantern (2005) #54

May 26, 2010

The jury is still out on Johns' new Green Lantern conspiracy. But as far as pure entertainment value goes, the series is firing on all cylinders at the moment. I very much look forward to more from Atrocitus and Dex-Starr next month. Hopefully the rest of the regular cast will step up to the plate soon as Johns makes his long term intentions for the franchise more and more clear.

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7.5
Green Lantern (2005) #60

Dec 31, 1969

Doug Mahnke's pencils are more consistently awesome than in recent issues, a fortunate fact considering how much this issue hinges on the art. As this arc begins winding down and building towards "War of the Green Lanterns" next year, Green Lantern is quickly picking up some serious steam.

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7.5
Green Lantern (2011) #28

Feb 6, 2014

Billy Tan and Alessandro Vitti prove to be solid matches for one another, artistically. Both have fairly scratchy styles that capture the darkness of the Red Lanterns and the heroism of the Green Lanterns. Both have their issues with facial work and emotional range, but in terms of visual cohesion, this issue satisfies.

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6.6
Green Lantern (2011) #39

Feb 5, 2015

There's a sense that Robert Venditti is striving to return the series to some semblance of normalcy and end the nonstop stream of crossovers, which is certainly welcome. However, this issue winds up being a little too uneventful.

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6.9
Green Lantern (2011) #43

Aug 6, 2015

This series needed a change of pace after years of crossovers, and that's what Robert Venditti has delivered with this post-Convergence status quo upheaval. Unfortunately, the book's new direction is already losing steam thanks to a sluggish pace and a lackluster supporting cast.

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7.3
Green Lantern (2011) #46

Nov 5, 2015

This issue wraps up most loose threads as Hal forms an impromptu alliance with Relic in order to neutralize Black Hand's out-of-control abilities. The conflict isn't anywhere near as epic or action-packed as the cover would suggest, but Robert Venditti handles the mistrustful relationship between Relic and Hal very well.

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5.7
Green Lantern (2011) #48

Jan 7, 2016

In some ways, this series has a lot going for it at the moment. Hal Jordan's already precarious status quo is given more urgency by the fact that his nephew's life now hangs in the balance. Unfortunately, this issue pretty much squanders that urgency by taking an extended detour in Gotham City.

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6.6
Green Lantern (2011) #50

Mar 3, 2016

The art is also fairly inconsistent, as regular artist Billy tan is joined by guest artist Vicente Cifuentes and various inkers. Some of the larger splash pages look good, but too often the art looks rushed and suffers from bland, flat facial work.

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6
Green Lantern (2011) #51

Apr 7, 2016

It's becoming harder and harder to maintain interest in the current volume of Green Lantern when the book is losing steam and DC Rebirth relaunch is right around the corner.

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8.3
Green Lantern (2011) #52

May 5, 2016

This particular Green Lantern series has meandered quite a bit over the past year as it's explored Hal Jordan's renegade status quo. The good news is that writer Robert Venditti is able to bring that status quo to an effective conclusion in this finale issue.

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8
Green Lantern (2011) Annual #3

Dec 24, 2014

It's a solid finale that concerns itself more with the characters and conflicts at hand rather than trying to set up future storylines. If only more event comics were like that.

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8.5
Green Lantern (2011): Futures End #1

Sep 3, 2014

The best that can be said for this issue is that it was the first Futures End tie-in to leave me craving more of the story.

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8.5
Green Lantern (2018) #1

Nov 7, 2018

The Green Lantern #1 brings the franchise back to basics, but there's plenty of flavor to set the book apart.

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8.4
Green Lantern Corps (2006) #17

Oct 24, 2007

If Dave Gibbons' writing doesn't quite compare to Johns' on Green Lantern, that's only because Johns has ascended to some superhuman level of storytelling. Gibbons manages to accomplish quite a bit with a cast of characters I honestly didn't care much for a few months ago. In the same vein, while the large cast of artists don't usurp Ivan Reis' throne, their combined effort is more than enough to get the job done. One complaint that might be lodged against Johns issues is that the full scope of the war isn't well-represented. That's where this series steps in. In this issue we get a wider glimpse of the war for New-Earth, and one fairy major revelation that will obviously affect the Lantern books for a good, long while. I'd say that's well worth your money.

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7.7
Green Lantern Corps (2006) #26

Jul 23, 2008

Still, it's hard to deny that this issue doesn't have certain merits. Pointless as it may be in the end, the clash with Mongol was pretty cool. In a week where it seems like every major superhero book is filled with fight scenes, GLC tops most with its engaging characters and some eye-catching art by Patrick Gleason. In terms of detail and scene composition, Gleason seems to get better and better by the month. I think GLC has a lot to offer fans who still need more after each month's installment of Green Lantern. All the same, I feel like this series could be doing more to quench that thirst.

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8.2
Green Lantern Corps (2006) #33

Feb 11, 2009

Patrick Gleason's art is a bit of a mixed bag, unfortunately. There are a few breathtaking scenes to behold, especially when the page opens and Gleason can focus on wide, epic shots. However, his figure work suffers a fair bit, particularly with a series of flat, disjointed faces. But problems aside, this series is unquestionably required reading for Lantern fans. This franchise is now too wide in its scope for one series to have a hope of covering it all. Now bring on issue #34, DC. I needs me some Mongul vs. Arkillo action.

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8
Green Lantern Corps (2006) #35

Apr 15, 2009

As crowded as both Lantern books are these days, it's almost enough to make one wonder if a third series isn't necessary. The fact that I'd so quickly accept a third lantern book is proof enough that DC is doing right by this franchise. Things are only heating up as Blackest Night looms closer.

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8.3
Green Lantern Corps (2006) #40

Sep 10, 2009

If the script nods off a little in places, at least the art is as strong as ever. Patrick Gleason is a master of epic layouts and generally dynamic storytelling. His one flaw - an inconsistency in facial work, is far less prevalent here than in many issues. So far it appears Blackest Night will be showcasing Gleason at his best. Hopefully the same will be said for Tomasi in the end. Make no mistake - I enjoyed this issue a lot. The scope of the conflict is certainly there, but the pacing lacks some of the breakneck speed of The Sinestro Corps War. Hopefully the next issue will speed things along.

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9.4
Green Lantern Corps (2006) #42

Nov 11, 2009

But that doesn't imply Tomasi forgets to work in some key character moments as well. Tomasi continues some solid work with Kilowog, who shows a rarely-glimpsed vulnerable side. Tomasi also continues to make me both love and hate the Alpha Lanterns. Amid all the chaos, it's telling that the Guardians continue to be their own worst enemies. But the true highlight involves a much-loved character who takes charge and attempts to strike a mighty blow against the Black Lanterns. Whether they actually succeed you'll have to see for yourself. The important thing is that, by the end of this issue, Blackest Night will have become that much more engrossing and memorable. I'm sure many readers are already firing up their computers and venting various emotions across the Internet. But don't let the upset cries fool you. Green Lantern Corps #42 is easily one of the best chapters of Blackest Night yet, if not the best. And I'd like to think that things will only get bleaker and thereby more engrossin

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7
Green Lantern Corps (2006) #49

Jun 23, 2010

Green Lantern Corps is in good hands at the moment, but there is certainly a great deal of room for improvement in the coming months. I'm waiting for Bedard to unleash more of the creative energy that made him stand out in R.E.B.E.L.S. Once that happens, we should hopefully have a GL series that lives up to its legacy yet carves a distinct new path in the DCU.

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7
Green Lantern Corps (2006) #50

Jul 28, 2010

Green Lantern Corps is riding taller this month thanks to a returning villain who clearly has more potential left to explore. the main cast isn't faring quite as well, however, and the series has a ways to go before it starts to rival Pete Tomasi's work of the past few years.

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6
Green Lantern Corps (2006) #52

Sep 22, 2010

As for Kyle, Soranik Natu, and the other Lanterns, few really seem directly impacted by the events of this arc. The one character who does come out the other side stronger and more interesting is Hannu. Adrian Syaf's art isn't very impressive in this issue either. Syaf's style is too traditionally superhero-oriented for a GL book in general, but this issue in particular is further plagued by anatomical inconsistencies and boring layouts. Like the Heroic Age-era Avengers book at Marvel, the Green Lantern books have needed to find their new voices and identities alongside the Brightest Day push. Whereas Geoff Johns' Green Lantern and Pete Tomasi's Emerald Warriors have done reasonably well in this regard, Green Lantern Corps is still searching. Hopefully Bedard can rekindle the series' fire as he moves into his second arc.

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6
Green Lantern Corps (2011) #7

Mar 21, 2012

I appreciate what Tomasi set out to do with this issue, but it didn't elevate John Stewart in the way it needed to. The ending in particular was too sappy to carry the emotional weight intended. This series really needs to prove that John has a reason to be in the spotlight other than the fact that he has nowhere else to be. It's not as if Guy and friends aren't capable of carrying the book on their own.

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8.5
Green Lantern Corps (2011) #8

Apr 18, 2012

Fernando Pasarin makes a welcome return with this issue. His pages are, as always, fantastically detailed and well laid out. His art carries a slightly lighter tone this time around thanks both to the humor in the story and the lack of severed limbs. Pasarin's work is a good way to kick off a new storyline for the Corps.

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8.1
Green Lantern Corps (2011) #31

May 14, 2014

Bernard Chang continues to prove himself as one of the more capable artists working in the GL franchise. His work is smoother and more refined than the scratchy pencils and inks seen in Green Lantern #31, and his characters far more expressive.

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6.5
Green Lantern Corps (2011) Annual #2

Jan 29, 2014

The other flaw is with Neil Edwards' art. At his best, Edwards is a cinematic storyteller on par with the likes of Bryan Hitch. But here, his work is all over the place. It's frustrating to see him focus so much attention on facial work, only to have panels ruined because the faces don't match the tone of the conversation. Tom Derenick's origin pages are a little more successful in terms of storytelling, but they too are unnecessarily cramped. The wide scope of the story is betrayed by small, overstuffed panels.

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8.3
Green Lantern Corps: Edge of Oblivion #1

Jan 13, 2016

It's unfortunate that Green Lantern: the Lost Army ended so quickly, but DC's newest Lantern comic is a worthy replacement. Between the dramatic premise, Van Sciver's detailed art and Taylor's impeccable characterization, there's a lot to like about this new series.

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8.6
Green Lantern Corps: Edge of Oblivion #2

Feb 10, 2016

Green Lantern: Edge of Oblivion has quickly established itself as the must-read title in the Green Lantern franchise. Between Taylor's top-notch characterization, Van Sciver's epic artwork and the general sense that anything can and will happen to our heroes, there's a lot to love with this mini-series.

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9.3
Green Lantern Corps: Edge of Oblivion #3

Mar 10, 2016

This mini-series is, like Injustice: Gods Among Us before it, a showcase for how well Taylor understands the Green Lantern franchise and can play with its many toys.

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7.5
Green Lantern Corps: Edge of Oblivion #5

May 11, 2016

Unsurprisingly, Green Lantern Corps: Edge of Oblivion isn't quite as strong in the wake of Ethan Van Sciver's departure and the visual shakeup that's occurred as a result. This issue has moments of epic visual spectacle, but also cases where the clash between art styles proves distracting. Luckily, there's still plenty to love in Tom Taylor's handling of the Lantern crew and the epic conflict they face as the end of the universe looms.

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8.9
Green Lantern Corps: Edge of Oblivion #6

Jun 9, 2016

The final issue of Edge of Oblivion packs in all the scope and drama one would expect from a story about a group of stranded Green Lanterns fighting against overwhelming odds while the universe dies around them.

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8.3
Green Lantern: Earth One #1

Mar 9, 2018

While hampered by pacing problems, Green Lantern: Earth One offers an engrossing overhaul of an iconic hero.

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7.5
Green Lantern: Emerald Warriors #4

Nov 10, 2010

If there's anything this series could stand, it's a more diverse cast. The world doesn't strictly need three ongoing books featuring the Green Lanterns, and it would be nice if smaller players from rival Corps like Bleez and Warth had more of a presence. What interaction there is between Bleez and Guy, though, is deliciously sinister. Tomasi also needs to focus on selling Sodom Yat in his new role as fanatical messiah of Daxam. At present it's a little bit of a stretch. Fernando Pasarin continues to impress with his consistently detailed pencils. He doesn't have quite the skills in shot framing and choreography as Patrick Gleason did in GLC, but he's a worthy partner for Tomasi all the same. With the sense that answers are coming soon and Guy's descent into rage is just around the corner, Emerald Warriors is doing more and more to generate interest each month.

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7.5
Green Lantern: Emerald Warriors #13

Aug 24, 2011

In some ways it seems a waste of time and space to completely ignore the larger events of the GL franchise for such an unimportant and continuity-light tale. But this issue is fun and uncluttered, something that he GL books haven't always managed of late. And Tomasi thankfully avoids going meta with his ending. As a celebration of two diametrically opposed DC heroes and their not-quite-friendship, this finale is a worthy read.

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5.5
Green Lantern: New Guardians #6

Feb 22, 2012

In terms of character interaction, things aren't much better. Invictus is too lacking in personality at this stage. He does at least qualify as the noble sort of villain who believes himself to be in the right, but that amounts to little in the end. Tony Bedard would be much better off embracing the high concept sci-fi elements and avoiding these drawn-out fight scenes that merely stall the larger conflict. There's a solid foundation beneath all the flash, and it needs to be brought to the forefront.

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7
Green Lantern: New Guardians #27

Jan 22, 2014

Andrei Bressan fills in for Brad Walker this month. The art is serviceable, but rarely stands out in any way. Bressan conveys the action-oriented scenes well enough. It's the more dialogue-driven fare that suffers from dull facial work and sometimes bizarrely proportioned figures. The visuals get the job done for this one-off issue, but a return to normalcy next month won't be a bad thing.

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8.4
Green Lantern: New Guardians #32

Jun 19, 2014

New Guardians #32 makes another strong case for why this series is the top dog. The horror movie approach Justin Jordan takes to this new arc is a welcome shift.

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8.4
Green Lantern: New Guardians #40

Mar 18, 2015

Despite this being a finale issue, Jordan's script is more focused on what lays ahead. There are new developments that beg to be followed up, and a general open-ended sense of excitement about it all. Maybe New Guardians doesn't immediately have a successor lined up, but this issue certainly proves the need for such a book.

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6.9
Green Lantern: New Guardians: Futures End #1

Sep 18, 2014

Though an unseen presence for much of the issue, Kyle is an interestign character study. Has he been corrupted by absolute power, or is he still worthy to wield the White Light? Unfortunately, the protagonist of this issue, a stubborn woman named Saysoran, doesn't benefit from the same depth

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8.6
Green Lantern: The Lost Army #2

Jul 15, 2015

The book also benefits from a talented artist. It's a little strange seeing Jesus Saiz exploring the cosmos after so much of his previous DC work was devoted to more grounded heroes (as in Checkmate) or horror (as in Swamp Thing). Saiz certainly shakes up his style, inking and even coloring his own work. While his work lacks a bit of the shadowy definition it had in Swamp Thing, Saiz's storytelling is as clean and refined as ever.

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7.8
Green Lantern: The Lost Army #4

Sep 17, 2015

The plot certainly picks up the pace in this issue as more is revealed about the Lost Lanterns' plight and the fate of other missing characters, but Bunn doesn't allow the conflict to get ahead of itself.

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8
Green Lantern: The Lost Army #5

Oct 22, 2015

It's depressing to think that we've already arrived at the penultimate issue of this series. But at least Cullen Bunn and Jesus Saiz look to be going out with a bang.

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8.4
Green Lantern: The Lost Army #6

Nov 19, 2015

This issue is crammed full of epic Lantern warfare, while still making room for solid character moments as the creators explore more of John Stewart's past and several big transformations. At times this issue is a little too crowded, but at least it wraps up the current conflict while setting the stage for Edge of Oblivion.

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7.5
Green Lanterns #4

Aug 4, 2016

This issue packs in plenty of energetic, large-scale artwork, as well. It's unfortunate that Robson Rocha has to be joined by two other artists, but the issue manages to feel largely cohesive despite the constant back-and-forth of the art.

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8.5
Green Lanterns #9

Oct 20, 2016

This issue kicks off a new story arc called "The Phantom Ring," which basically asks the question, "What if someone could harness the power of a Lantern without training and discipline?" It's an intriguing question, and one that bears immediate fruit as Sam Humphries introduces a new villain with a serious case of Green Lantern envy.

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6.8
Green Lanterns #26

Jul 6, 2017

Green Lanterns is far from DC's most visually consistent series, and that trend shows no sign of changing.

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8.5
Green Lanterns #28

Aug 3, 2017

This is hardly DC's most visually consistent comic, but it does have some pretty major highs.

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6.7
Green Lanterns #30

Sep 7, 2017

Visually, this issue struggles in other areas, including the uniformity of Barberi's facial work and the repetitive use of splash pages. It's hard not to wonder how this issue might have turned out with a different creative pairing.

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8.6
Green Lanterns #33

Oct 19, 2017

Basically, if you've been waiting for a good point to dive into this series, now is the time.

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7.3
Green Lanterns #34

Nov 2, 2017

Seeley really nails the dynamic between Simon Baz and Jessica Cruz, channeling the bond between two partners who have grown comfortable working with one another, even if little else in their lives seems to be going as planned.

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5.3
Green Lanterns #40

Feb 8, 2018

This is a book that still doesn't seem to know what it wants to be.

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4.5
Green Lanterns #41

Feb 22, 2018

I appreciate that this series is trying to find that balance between cosmic adventure and showcasing the mundane struggles that make up Simon and Jessica's personal lives, but right now the book isn't succeeding in that goal.

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8.6
Grendel (1993): Behold the Devil #1

Nov 21, 2007

It's safe to say many of you reading this have never read a Grendel comic before. While I would urge you to at least check out Devil By the Deed before anything else, there is little in this issue to put off the Grendel layman. Long term fans may not see much in the way of originality yet, but it's obvious bigger things are on the horizon.

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8.1
Grendel (1993): Behold the Devil #2

Dec 19, 2007

While I'm pleased to see Wagner illustrating one of his greatest creations again, I'm a little underwhelmed by the finished product. As part of Grendel tradition, every Hunter Rose story is colored in black, white, and red shades. Typically, this leads to some rather interesting effects as pages become more and more drenched in blood. However, Wagner just doesn't go far enough with this series. Most pages are completely lacking in any shades of red, resulting in a fairly bland overall look. If Gotham City can have a red skyline in Batman: The Animated Series, why not Grendel's New York?

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8.2
Grendel (1993): Behold the Devil #3

Jan 16, 2008

Jesse

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8.5
Grendel (1993): Behold the Devil #6

Apr 16, 2008

I'm not going to waste more space complaining about the lackluster use of red coloring again. It's something that has bugged me from day one, and I've learned to live with it by now. For all its unchanging faults, this book still has much to offer the discerning Grendel reader.

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7
Grim Leaper #2

Jun 20, 2012

The backup feature also manages to entertain, even if it has no real connection to the main story beyond offering a grim tale of romance and heartache. Ryan K. Lindsay's script provides an amusing parody of old-school romance comics that's juxtaposed against some very twisted imagery from Jordie Bellaire. If nothing else, this series illustrates the need for more romance-fueled stories in this industry.

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7
Grim Leaper #4

Aug 29, 2012

Even at four issues, Grim Leaper might have been slightly too long for its own good. Wiebe didn't explore his clever concept to the extent he could have. But there's always room for a more ambitious sequel. And if the main feature and backups proved anything, it's that we need more romance comics willing to subvert familiar formulas.

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8
Groo vs. Conan #1

Jul 24, 2014

Aragones is in his usual fine form, visually, but the issue is actually most impressive when his characters intersect with Conan's world and Aragones' style bumps into Tom Yeates' more traditional Conan imagery. I really look forward to see how much Aragones and Yeates can push the envelope when these two barbarians actually meet.

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7.8
Groot #2

Jul 2, 2015

As with issue #1, the writing is plenty humorous and entertaining, just not possessed of a great amount of depth.

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7.3
Guardians of Infinity #1

Dec 3, 2015

Entertaining stuff, but the series might have been better served holding off on side-stories until its core direction was better established.

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6.6
Guardians of Infinity #3

Feb 4, 2016

Abnett brings a lighthearted feel to the book, but there's really not much room for depth or complex characterization in between the shooting and banter.

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6.7
Guardians of Knowhere #1

Jul 15, 2015

Mike Deodato's art is impressive, at least. Compared to his previous big cosmic epic (last year's Original Sin), Deodato devotes more attention to his backgrounds and ensuring that figures and environments fit together in a natural way. The few wide shots of Knowhere the script permits are breathtaking. And the Drax/Angela fight, while dull from a storytelling standpoint, puts Deodato's flair for big superhero action to good use.

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7.6
Guardians of Knowhere #3

Aug 20, 2015

For all that Guardians of Knowhere has improved, though, it needs a clearer and more compelling conflict as the book heads toward its climax.

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7.1
Guardians of Knowhere #4

Sep 17, 2015

Guardians of Knowhere is a frustratingly paced comic. The series was slow to get underway, and even in its final chapter hasn't quite built up the compelling conflict it needed.

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6.5
Guardians of the Galaxy & X-Men: The Black Vortex: Alpha #1

Feb 4, 2015

This is the first chapter in a much larger crossover. That means there's ample time for improvement, but readers really need to be given incentive now to keep sticking around.

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8.9
Guardians of the Galaxy (2008) #1

May 14, 2008

Guardians of the Galaxy further proves there's plenty of life in the Marvel Universe out among the stars. With a rip-roaringly good cast, trippy visuals, and a great cliffhanger to cap it all off,this series has all but cemented its place in my pull list permanently.

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8.8
Guardians of the Galaxy (2008) #2

Jun 18, 2008

Whatever flaws Guardians may have, though, I forgive them for the sheer sense of fun and excitement the book delivers. Between this series and Nova, cosmic Marvel is undergoing a new golden age. That alone is enough to pique my interest for Annihilation 3.

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8.6
Guardians of the Galaxy (2008) #5

Sep 17, 2008

The only drawback to the confined setting is that Paul Pelletier's artwork suffers a bit. Pelletier's strength has never been in his figure work, but rather his exciting landscapes and background vistas. He isn't given much chance to work in that area, and his figure work is about all that's left. Still, that's hardly enough to drag down this book very much. Guardians continues to develop into one of my favorite ongoing books, and that's something no amount of event tie-ins are going to change.

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8.3
Guardians of the Galaxy (2008) #14

May 27, 2009

It's hard to say whether this complaint holds any water until next week. On its own merits, Guardians of the Galaxy is still standing tall and strong. And is that Cosmo andRocket Raccoon I see on next issue's cover? This is going to be awesome...

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8.2
Guardians of the Galaxy (2008) #18

Sep 23, 2009

This isn't the strongest issue of Guardians to hit the stands, but it still managed to be one of the better books I've read this week. I'm just crossing my fingers that the two halves of the team reunite soon and begin dealing with the giant ball of chaos brewing in the 21st Century.

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8.5
Guardians of the Galaxy (2008) #23

Feb 17, 2010

Guardians is growing more and more exciting by the month. I have a feeling even bored readers will find their love for the series re-energized after reading this issue.

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8.7
Guardians of the Galaxy (2008) #24

Mar 17, 2010

This issue ends on a rollicking cliffhanger that, unfortunately, will have been spoiled already for a great many readers. You certainly shouldn't let that dissuade you from reading this book. Guardians is now as entertaining and engrossing as it's ever been. The book may be going on hiatus after next month, but Abnett and Lanning have left me convinced Marvel's cosmic lineup is still in expert hands no matter what happens.

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8.2
Guardians of the Galaxy (2008) #25

Apr 21, 2010

Speaking of The Thanos Imperative, this issue doesn't overtly build towards that event as much as might be expected. Certainly Nova #36 was a more direct lead-in. But in the end I think Guardians fared better in its approach. Nova left too many loose threads dangling by the end, whereas Guardians #25 feels like a satisfying wrap-up to the past two years of storytelling. If the book really has to end here, I can be content with what Abnett and Lanning have delivered. As with Nova, I'm confident that we'll be seeing plenty more of this ragtag bunch of heroes and rascals throughout the year.

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8
Guardians of the Galaxy (2013) #6

Sep 25, 2013

Sara Pichelli's art makes any wait well worthwhile. Her action storytelling, already vibrant enough on Ultimate Comics Spider-Man, has seen further improvement with this new project. Her battle scenes between Angela and the Guardians crackle with life and convey a sense of motion and fluidity that's rare in comics. Her facial and emotional work, if more subtle, is equally pristine.

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8.8
Guardians of the Galaxy (2013) #12

Feb 26, 2014

Sara Pichelli and Stuart Immonen make a terrific team with this crossover. Which is good, since Immonen steps in to render a couple pages of this issue. Both have very clean, vibrant styles that mingle well and prevent any sort of weird tonal shift from taking place. Pichelli still handles the lion's share of this issue, where her flair for expressive facial work comes in handy over and over again. I'm already salivating at the thought of one day owning this story in an oversized hardcover edition. This art deserves no less.

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8.5
Guardians of the Galaxy (2013) #13

Mar 26, 2014

This final issue is anticlimactic in some ways, with the trial seeming like little more than an afterthought in the end. But Bendis crams in plenty of entertaining character banter and sets a number of balls rolling as the two books move their separate ways again. And the big takeaway from the crossover is that the X-Men and Guardians have built an ongoing relationship, promising more crossover between the two titles and Greg Rucka's upcoming Cyclops spinoff. Given how much fun the pairing was here, that's definitely a good thing.

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6.9
Guardians of the Galaxy (2013) #15

May 29, 2014

Not a bad issue all in all, but I'm ready for this conflict to move to the next stage.

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7
Guardians of the Galaxy (2013) #16

Jun 26, 2014

But while the storyline is improving, the art quality continues to suffer. The shifts from Nick Bradshaw to David Marquez to Jason Masters are jarring, and Marquez's work here is a far cry from his smooth, vibrant style on Ultimate Spider-Man.

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8.2
Guardians of the Galaxy (2013) Annual #1

Dec 11, 2014

Most of the appeal comes from seeing this team interact with a '70s-era Nick Fury and company. However, there is a poignant quality to the story, too, as Bendis frames the tale from Carol Danver's point of view and focuses on her homesickness.

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8.5
Guardians of the Galaxy (2015) #1

Oct 15, 2015

This issue makes for a fun read as it reacquaints fans with the team eight months after Secret Wars. Ben Grimm makes for a fitting addition to the team, though it's really Kitty Pryde as the new Star-Lord (Star-Lady?) and Peter Quill as the horribly bored new ruler of Spartax that give this issue its drive.

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8.5
Guardians of the Galaxy (2015) #2

Nov 25, 2015

Though the previous series experienced a lot of ups and downs over the course of its life, this relaunch seems to be working on firmer ground.

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6.2
Guardians of the Galaxy (2015) #6

Mar 10, 2016

There's some appeal in seeing Star-Lord and Kitty Pryde reunited and trying to pick up the broken pieces of their romance, but that drains away over the course of this issue. This issue focuses entirely too much on their banter and squabbling, with little tangible progress for either character.

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6.5
Guardians of the Galaxy (2015) #11

Sep 1, 2016

With this issue, Guardians makes its belated entry into Civil War II. Given the team's ties to Carol Danvers and other earthbound heroes, there's some potential to be mined from dragging them back to earth at this point in time. But none of that makes for a particularly compelling tie-in yet.

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8.8
Guardians of the Galaxy (2015) #14

Dec 1, 2016

This issue serves as a fun, engaging way to lead into the final chapter of Bendis' long Guardians saga.

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8.8
Guardians of the Galaxy (2015) #19

Apr 12, 2017

This issue truly marks the end of an era at Marvel, and Brian Bendis and his collaborators give the Guardians the farewell they deserve. This issue has the scope of a huge event crossover but keeps the focus squarely on the Guardians and their family dynamic. It's a gorgeous comic, and one that manages to be funny and heartfelt in equal measure.

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7.4
Guardians of the Galaxy (2017) #150

Jan 3, 2018

Guardians of the Galaxy #150 isn't an ideal series finale. It doesn't offer much in the way of closure, and it suffers from a lot of the flaws that have hindered the series since the Legacy relaunch. Still, between the strong characterization, Kuder's vibrant artwork and the return of a fan-favorite hero, there's plenty more good than bad in this comic.

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9
Guardians of the Galaxy (2020) #1

Jan 23, 2020

Marvel's latest volume of Guardians of the Galaxy is a perfect excuse to jump on board the franchise.

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5
Guardians of the Galaxy - Mission: Breakout #1

May 4, 2017

It's entirely possible that this comic will hold more significance who have actually experienced the ride and crave a souvenir of the experience. But on its own merits, this reads like a pretty run-of-the-mill Guardians comic.

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7.7
Guardians of the Galaxy: Telltale Games #1

Jul 26, 2017

If you're burnt out on Guardians of the Galaxy comics, this new mini-series probably won't do anything to help. This is a very traditional take on the franchise, one that could just as easily be an extension of the regular comics or movies as a prequel to the Telltale game. But between the fun tone, strong team dynamic and expressive art, it's at least a very well-executed Guardians story.

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8.8
Guardians Team-Up #5

May 7, 2015

This issue practically sells itself on the strength of its premise alone. Who doesn't want to read about a team-up between Rocket Raccoon and the Pet Avengers? The results are every bit as wacky and entertaining as you'd expect.

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8.5
Guarding the Globe (2012) #1

Sep 5, 2012

All in all, Guarding the Globe #1 is a strong start for the new series. I didn't think I would be very interested in a second Invincible book, but Hester is quickly proving me wrong.

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8.2
Gwenpool Holiday Special: Merry Mix Up #1

Dec 15, 2016

Though conceptually similar to the DC rebirth Holiday Special, Gwenpool Holiday Special: Merry Mixup proves to be the stronger of the two books. Part of that is simply due to its willingness to quit before wearing out its welcome. But more importantly, the various holiday-themed vignettes actually tie together to tell a larger story.

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7.5
Gwenpool Special #1

Dec 7, 2015

Gwenpool is arguably the least essential element of this holiday-themed anthology comic. Still, her presence is one extra dose of fun in a book that already has a lot going for it. The various stories here combine to form a charming look at how Marvel's heroes come together to celebrate the holidays.

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8.5
Hal Jordan And The Green Lantern Corps #1

Jul 27, 2016

The Green Lantern franchise had fallen on hard times, particularly over the course of the past year. Thankfully, this new series quickly and gracefully wipes the slate clean. This issue manages to shine a light on Hal Jordan as he begins his quest to restore the Green Lanterns, and it succeeds equally well in exploring the rise of the Sinestro Corps. Any fans who might have drifted away from Green Lantern lately would do well to give this series a look.

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8.7
Hal Jordan And The Green Lantern Corps #4

Sep 15, 2016

This is the Green Lantern comic we needed to follow up Geoff Johns' run.

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8.8
Hal Jordan And The Green Lantern Corps #9

Nov 24, 2016

Robert Venditti creates a nice sense of scale as the resurgent Green Lanterns find themselves simultaneously liberating a planet and battling Brainiac. He's ably assisted by Rafa Sandoval, who delivers a nonstop dose of sweeping battles and powerful, dynamic figures.

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8.3
Hal Jordan And The Green Lantern Corps #10

Dec 15, 2016

This issue is structured a bit weirdly, with a pair of Brainiac-centric scenes book-ending Hal Jordan's struggle to emerge from the afterlife back into the land of the living. Tonally, not a great match, but the Hal scenes work very well on their own.

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8.3
Hal Jordan And The Green Lantern Corps #12

Jan 12, 2017

As far as Green Lantern comics go, this one is a real feel-good read.

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8.4
Hal Jordan And The Green Lantern Corps #15

Feb 23, 2017

Writer Robert Venditti has a lot of plates spinning as he charts a new future for the Green Lantern Corps and their partners. Fortunately, it all makes for enjoyable reading.

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7.8
Hal Jordan And The Green Lantern Corps #16

Mar 9, 2017

But if a bit overly preoccupied with violence, this issue at least uses it as a means of exploring Guy's troubled psychology and the childhood of abuse that forged him into them man he is today.

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7.4
Hal Jordan And The Green Lantern Corps #21

May 25, 2017

The series' current story arc reaches an uneven conclusion here. The problem is mostly one of pacing. After so much build-up, it's bizarre to see the Sarko threat so quickly and easily dealt with. Because of that, there's a general lack of urgency and dramatic tension in this issue.

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8.6
Hal Jordan And The Green Lantern Corps: Rebirth #1

Jul 13, 2016

Count the Green Lantern franchise as one more DC property that's been given a huge boost thanks to Rebirth. This one-shot helps wrap up loose ends while also allowing Robert Venditti a fresh start with the series and the chance to build a bigger, better status quo for Hal Jordan. With Van Sciver providing some dependably excellent Lantern imagery, this issue serves as a strong debut for the new series.

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7.6
Halo: Blood Line #2

Jan 27, 2010

I'm optimistic that Blood Line will only continue to get better now that the basic setup material is out of the way and the characters are beginning to be explored in greater depth. This is a worthy offering for fans of the games, but I'd like to think even non-gamers would find something to appreciate in this series.

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8.1
Halo: Blood Line #3

Feb 24, 2010

At the rate things are going, I'll have no qualms about labeling Blood Line Marvel's best Halo effort yet. Van Lente isn't working with the most original premise imaginable, but he brings his usual charm and freshness to the book anyway.

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6.5
Halo: Escalation #1

Dec 11, 2013

So far, Escalation doesn't compete on the same level as Marvel's best Halo comics. This series has a lot of potential, but it's currently held back by dull characterization and flat artwork. Hopefully these problems can be shaken off over time, and Escalation can prove that it has a worthwhile story to tell and isn't just filling the gaps between games.

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6.2
Halo: Escalation #6

May 29, 2014

Fans of this current storyline will be pleased, as writer Chris Schlerf references the events of Halo Wars and the mystery of the Spirit of Fire's disappearance.

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7.5
Halo: Escalation #9

Aug 28, 2014

Dark Horse's new Halo series didn't get off to a great start in its first story arc. But things have certainly turned around for Escalation in recent issues. Now that it revolves directly around Master Chief and the Didact in the aftermath of Halo 4, Escalation is both more relevant and more exciting that it's ever been.

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7.3
Halo: Escalation #10

Sep 25, 2014

This issue opens with a brief but effective flashback to John's past before resuming the seemingly unwinnable battle with the Didact. This has developed into a conflict that would have been worthy of a game. I wish the art was more adept at channeling the games, though, as it tends to feature flat perspectives and washed out colors.

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6.1
Halo: Escalation #11

Oct 23, 2014

Unfortunately, Escalations starts to backslide into old habits as the new team transitions in. The story is less of a focus than the action, as two new Spartan IVs named Ray and Thorne take the spotlight.

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6.5
Halo: Escalation #12

Nov 26, 2014

This series continues struggling to regain its footing with a new creative team steering the ship. As with issue #11, this arc suffers from a no-nonsense approach to storytelling that allows for plenty of action but not much in the way of character development.

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7.2
Halo: Escalation #13

Dec 24, 2014

This issue has been billed as an ideal jumping-on point for new readers and the start of a major new storyline that builds towards Halo 5. It doesn't disappoint in that regard.

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7.2
Halo: Escalation #14

Jan 29, 2015

Unfortunately, this series still doesn't live up to the source material visually. The trademark Halo Weapons, costumes, and architecture are all there, but the figures are flat and the action scenes fairly lifeless. Still, fans of the increasingly complex Halo mythology will want to give this current storyline a look.

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7.9
Halo: Escalation #17

Apr 23, 2015

This arc is shaping up to be the most effective Escalation has delivered so far.

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6.4
Halo: Escalation #19

Jun 25, 2015

Even as dialogue-driven and setup-focused as this issue is, it immediately ramps up the tension and paves the way for an exciting showdown. There's a cat-and-mouse quality to the conflict, wand I found myself rooting for both sides at different intervals. Unfortunately, as is too often the case with this book, the art isn't up to par with the writing.

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5.8
Halo: Escalation #20

Jul 30, 2015

The series is clearly building towards exciting things, but this chapter does too little to usher it along that path.

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6.5
Halo: Fall of Reach - Covenant #3

Sep 7, 2011

Fall of Reach is improving somewhat, but the same core flaws remain.

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6.5
Halo: Fall of Reach - Invasion #1

Jan 18, 2012

If you've been following these comics so far, you likely won't find any incentive to stop reading now. The final few issues will be the ones that truly determine whether this adaptation was successful or not.

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7.8
Halo: Helljumper #1

Jul 22, 2009

In the end, as much as the dialogue and character interaction impress, the real test of this new series will come as the conflict heats up and the battle between the ODST troopers and the Covenant truly begins. This comic has a good chance of topping Marvel's first Halo effort, and I'll be interested to see if it accomplishes that much.

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7.3
Halo: Helljumper #2

Aug 26, 2009

At least David's impeccable sense of dialogue is still present. The writer doesn't have much time to flesh out his heroes, but he makes the most of what he does have. By now readers should have no problem caring for partners Dutch and Romeo as they fight to stay alive against increasingly overwhelming odds. Last issue was a bit light on the action, and this issue maybe slips a little too much in the other direction. I'm not even sure it's a problem of striking a proper balance so much as it is that the story will read better as a completed graphic novel. Halo: Uprising certainly worked better as a whole, and the same may apply to Helljumper. It has its weak points so far, but on the whole I'm finding Marvel's second attempt in this universe every bit as engaging as the first.

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8.4
Halo: Helljumper #3

Sep 23, 2009

Eric Nguyen's art is solid, if not as impressive as David's script. As I noted last month, Nguyen's figures tend to appear very flat and dull when not bathed in light. This quality tended to drag down issue #2, as most of the action took place in dark corridors. Luckily, as most of this issue takes place in a bright desert setting, it's not so much a problem this time. Nguyen also does a good job in employing various tricks and techniques to ensure the Helljumpers aren't dehumanized by their full body armor and covered faces. Assuming the lights don't go out again, I don't think we'll have much to worry about from either creator in the remaining chapters. If you happen to grow bored with Firefight mode this week, I'd recommend giving Helljumper a glance.

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8.3
Halo: Helljumper #4

Oct 28, 2009

Helljumper #3 is a satisfying read, but also a brief one. Much like Uprising before it, Helljumper is a project probably best left for the trade. But given that it helps flesh out some of the stars of ODST very well, fans of the game owe it to themselves to check out Helljumper in one form or another.

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4.6
Halo: Initiation #1

Aug 14, 2013

And the problem with focusing so much of this issue on Palmer's battlefield exploits is that the art doesn't do them justice. Marco Castiello's work is decent enough in the dialogue-heavy scenes that bookend the story. But his storytelling is completely inadequate when the action heats up. Characters don't seem to run so much as stumble in place. A shot of a Brute throwing a gravity hammer has absolutely zero sense of motion. At times the art zooms in so close that it's not even clear what Palmer is doing as she battles Covenant troops. It's not a good sign for a series where the action is only likely to get bigger and more superhuman.

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6.8
Halo: Rise of Atriox #1

Aug 30, 2017

Rise of Atriox gets off to a mostly enjoyable start in its first issue. The creators paint a bleak picture of a few hapless soldiers making their final stand against an overwhelming enemy, which is something the Halo franchise often does well. At the same time, while this issue paint Atriox as an unstoppable force of nature, it makes no effort to explore him in any depth. Future installments need to do more to balance action with strong characterization.

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7.3
Halo: Uprising #2

Nov 21, 2007

Ultimately, Halo: Uprising #2 is a flawed but enjoyable experience. Unfortunately for Marvel, that's not going to be enough to drag readers away from their Xboxes and turkey dinners on what has to be the least popular week for buying comics of the entire year. Assuming the next issue comes out in the next month, let's hope it hits before the post-Christmas bout of retail apathy sets in.

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6.6
Halo: Uprising #3

Aug 13, 2008

It's almost amusing to see Chief gravitate towards weapons like the Mauler and Bubble Shield in his battles, as if Bungie made that a specific story requirement. Actually, I'm pretty certain they did. Once the thrill of seeing Alex Maleev doodle master Chief wears off, the comic comes across as more of a promotional tool than a legitimate, worthwhile story. And considering there's nothing left for Bungie to promote, one has to wonder why anyone is even bothering anymore.

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8.1
Halo: Uprising #4

Apr 15, 2009

In the end, Halo: Uprising managed to rise above and reach a surprisingly solid conclusion. I'm hopeful the crews behind Marvel's upcoming Halo books will learn from the mistakes made here and craft stories that can consistently capture what makes Halo fun. At the very least, let's hope we don't have to wait a year between issues anymore.

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8.2
Harley Quinn (2013) #0

Nov 20, 2013

Harley Quinn #0 is light on plot and heavy on goofy antics. It;s a nice change of pace for a character who has been too mired in darkness lately, even if the humor is a little too specific to comic industry inside jokes at times. And each page with its new artist is a sight to behold. As long as the writers focus less on fourth wall-breakage and more on actual plot when the series truly begins, this should be a comic well worth following.

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8.2
Harley Quinn (2013) #7

Jun 19, 2014

I wouldn't mind if Harley Quinn took a page from Deadpool and injected a bit more drama into these comedic misadventures, but at least the book remains enjoyable.

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7.3
Harley Quinn (2013) #8

Jul 31, 2014

Even if the humor misfires or the plot lingers too long, Hardin's art keeps Harley full of energy and excitement.

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7.4
Harley Quinn (2013) #9

Aug 13, 2014

The focus in this story is a bit scatterbrained. And while maybe that's appropriate given the star of the series, it is a little annoying to see the writers jump from a stage performance to a Psycho spoof to another roller derby match before the issue abruptly ends. I would have liked to see the middle element remain the sole focus of the issue. But regardless, there's plenty of fun to be had here, as well as a more intimate look inside Harley's troubled mind. And best of all, we only have to wait two weeks for the next issue.

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7.2
Harley Quinn (2013) #10

Aug 27, 2014

Chad Hardin is absent again, with another Harley Quinn Invades SDCC artist in the form of Marco Failla, Failla is adept at channeling Hardin's style and retaining the book's bright, airy style of presentation. Hoeever, his work suffers during the roller derby scenes, As the crowds and background details fade away, so does the sense of motion and perspective. Failla's rendition of Harley's oversized roller derby opponent is also a bit underwhelming. She looks less like a giant powerhouse of a player and more like a stick-thin fashion model who happens to be 12-feet-tall. But the art picks up as the story shifts to other locales and other antics.

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8.7
Harley Quinn (2013) #11

Oct 22, 2014

This issue is easily one of the most entertaining and amusing chapters of Harley Quinn to date. That said, with Power Girl apparently sticking around for a bit, I do hope to see the writing veer into more dramatic territory eventually. Harley's is a great character because of the undercurrent of sadness about her, and it could be fascinating to explore her sudden motivation for wanting to be accepted and validated as a superhero.

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7.6
Harley Quinn (2013) #12

Nov 20, 2014

The art in this issue is cleverly divided, with regular artist Chad Hardin tackling the bookend scenes set on Earth and John Timms handling the many pages in between. Timms has established himself as more than capable of handling Harley's zany life, and he has no trouble capturing the whimsical, stream-of-0-consciousness quality to Harley's misadventures here.

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7.1
Harley Quinn (2013) #14

Jan 28, 2015

That being said, it is interesting to see the writers explore different facets of Harley's character throughout the issue. She isn't just her typical goofball self. We see a sentimental side as she defends an innocent woman from thieves. We even see her revert to a completely normal and lucid state as she rises to the challenge in her new job. You have to wonder if moments like that are building to something bigger for Harley. Using Marvel's current Deadpool comic as a gauge, there could be real potential in exploring Harley's serious side and the resulting tension that arises in her fractured mind.

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8.1
Harley Quinn (2013) #15

Mar 4, 2015

These scenes create a bit of a visual problem, though. John Timms steps in to illustrate some, but not all of these side-stories. The shift between Chard Hardin and Timms' pages is often jarring. Hardin does great work with his expressive, vibrant pages, but it's a shame this issue couldn't have been a little more visually cohesive.

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8.3
Harley Quinn (2013) #16

Apr 2, 2015

This issue again sees Chad Hardin and John Timms share art duties. Both artists have really defined the look of New 52 Harley and her world by now, injecting each page with style and zany charm. Their styles are just different enough to clash a bit, though. Whereas issue #15 divided their pages in a pretty natural way, this issue just abruptly switches from Hardin to Timms. Ideally, the two-month hiatus will allow the art crew to get a head start on Harley's next big adventure.

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7.7
Harley Quinn (2013) #17

Jun 10, 2015

Harley Quinn has come a long way from her early New 52 appearances. This series continues to emphasize her as a likable (if still demented) heroine with a real desire to help her community and build a new life for herself. Unfortunately, it's a struggle just to cover all the elements of Harley's life, much less flesh out her new team of helper Harleys. Hopefully the series can find a better balance as this new story arc unfolds.

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7.5
Harley Quinn (2013) #18

Jul 15, 2015

This issue showcases more of the potential in the idea of Harley Quinn leading a team of sidekicks. While the script sputters in spots, it continues the series' emphasis on zany adventures with a healthy dose of character drama to balance things out.

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6.9
Harley Quinn (2013) #19

Aug 27, 2015

This is one of those weird transitional issues that attempts to both wrap up the current conflict and set the stage for the next big storyline, not really doing justice to either in the end.

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8.2
Harley Quinn (2013) #20

Sep 17, 2015

This new arc is shaping up to be just the change of pace this series needed.

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7.8
Harley Quinn (2013) #22

Nov 19, 2015

Lately this series has shown a renewed emphasis on showcasing Harley's darker side. It's been a nice change of pace, as she's practically evolved into a full-blown heroine over the past couple years. This issue offers plenty of entertainment as an old villain resurfaces and Harley wages bloody war against a group of Russian gangsters.

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7.8
Harley Quinn (2013) #23

Dec 17, 2015

This series has been dealing with some recurring pacing problems that persist for another month. This issue once again wraps up one conflict in its first half before shifting gears to a completely unrelated conflict in the second. Perhaps the best thing that could happen to the book is that it shift towards more of a standalone, one-and-done format while still building its ongoing plot threads.

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6.1
Harley Quinn (2013) #24

Jan 21, 2016

It seems we'll have to wait another month for the "Harley Quinn in Arkham" storyline that was promised. This issue becomes distracted by a less compelling conflict that results in little more than Harley and her friends killing a bunch of mercenaries. Visually distinctive, but otherwise not particularly memorable.

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7.9
Harley Quinn (2013) #25

Feb 17, 2016

It's unfortunate that this series can't seem to shake its pacing problems, because otherwise this is one of the strongest chapters of Harley Quinn in the past year. Harley's showdown with Joker was worth the long wait, and her interaction with her supporting cast adds a lighthearted counterpoint to that dramatic reunion.

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6.9
Harley Quinn (2013) #26

Mar 23, 2016

Harley Quinn has been a fairly frustrating read over the past year. There's a lot to love still about the character and her portrayal, but the book is constantly suffering from odd pacing and storytelling choices that serve to always make Harley feel like a character in flux.

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8.1
Harley Quinn (2013) #27

Apr 28, 2016

Despite its flaws, this issue reads like something of a return to form for a series that's struggled to find balance in recent months.

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8.4
Harley Quinn (2013) #28

May 18, 2016

Harley Quinn has often struggled to regain its footing in the past year, but this latest arc, while brief, has helped to put things back on track. The amusing dynamic between Harley and her new admirer is a big part of this, but it's also a matter of the series slowing down just enough to find its focus again.

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7
Harley Quinn (2013) #29

Jun 23, 2016

This issue features a particularly bizarre combination as gangsters mesh with anime-style mecha warfare. It's a story that would only work n Harley's bizarre little corner of the DCU.

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8.3
Harley Quinn (2013) #30

Jul 28, 2016

Technically this issue qualifies as a series finale, even if DC is relaunching Harley Quinn in a mere seven days. But if this were the final chapter from Amanda Conner and Jimmy Palmiotti, it would serve as a satisfying conclusion.

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8.6
Harley Quinn (2013) Annual #1

Oct 29, 2014

There's no harm in DC churning out extra Harley Quinn comics as long as they're worth reading, and this issue most certainly is. It offers plenty of entertainment value, but also celebrates the Harley/Ivy relationship in a big way. The issue and its hallucination sequences also makes great use of the rotating artists. The "Rub n' Smell" technology is pretty gimmicky (as well as pointless for digital readers), but it certainly doesn't harm the book in any way.

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7.6
Harley Quinn (2013): Futures End #1

Sep 24, 2014

Chad Hardin returns to the series, giving it a nice visual boost in the process. Hardin's expressive facial work and semi-cartoony figures have always suited the series well, and only more so now that Harley's surroundings have become that much weirder.

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7.6
Harley Quinn (2016) #1

Aug 3, 2016

With everything changing in the DCU lately, Harley Quinn remains the one constant. But that's not a bad thing. Other than the annoying and overlong recap sequence midway through, this issue offers an enjoyably silly new adventure for Harley and a celebration of some of the key friendships in her life. And thanks to the art team, the new series looks every bit as snazzy as the old.

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7.4
Harley Quinn (2016) #2

Aug 17, 2016

Given how cluttered and poorly paced the previous volume of Harley Quinn could be at times, there's something to be said for the more simple, straightforward approach this relaunch is taking. Issue #2 isn't particularly deep, but it offers plenty of entertainment value as Harley and friends fend off the ravenous undead. It's just a shame the series is already relying on fill-in art. Maybe the switch to the twice-monthly schedule wasn't the best move?

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7.1
Harley Quinn (2016) #3

Sep 8, 2016

The conflict continues to entertain, while at the same time helping this book maintain a clear, cohesive focus that the previous book often lacked. The fact that Poison Ivy is back in the spotlight doesn't hurt, either. Once again, it's enough to make one wish Amanda Conner and Jimmy Palmiotti were writing an actual Harley & Ivy comic.

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6.7
Harley Quinn (2016) #4

Sep 22, 2016

It's still wacky and entertaining in the series' familiar way, but the plot could have been structured much more efficiently.

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8.1
Harley Quinn (2016) #5

Oct 6, 2016

This latest transformation is part of what's shaping up to be an entertaining new mission for the character. This issue does dwell a little too long on Harley's efforts to recruit her new punk band (especially when it comes to Red Tool's weird, off-putting little subplot), but there's plenty of amusement to be had along the way.

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8.1
Harley Quinn (2016) #6

Oct 20, 2016

Harley Quinn has started a punk band. That's really all you need to know about the series' current story arc. The result isn't a terribly dramatic story. There's little sense of danger or conflict. The focus is simply on Harley and her friends making awful music together and looking to punish some wrongdoers who need punishing. But that's generally enough for right now.

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7.5
Harley Quinn (2016) #7

Nov 3, 2016

This issue doesn't end things on the most exciting or dramatic note, but it's enough to take in the sights as Harley explores a superhero-themed bondage club.

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8.3
Harley Quinn (2016) #8

Nov 24, 2016

It's unfortunate that the long-awaited Bahamas vacation only amounts to one single-issue adventure, but it makes for an enjoyable read all the same.

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8.1
Harley Quinn (2016) #9

Dec 8, 2016

This issue may be a bit scatterbrained in focus, with two separate dream sequences interspersed between a roller derby battle and various other set pieces, but it does the trick as far as conveying just how depressed and adrift Miss Quinn has become.

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6.2
Harley Quinn (2016) #10

Dec 22, 2016

It's always nice seeing Dawn artist Joseph Michael Linsner render Harley, but in general this issue lacks consistency and does little to truly take advantage of Harley's North Pole escapades.

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5.5
Harley Quinn (2016) #11

Jan 5, 2017

If there's another shoe yet to drop, it needs to drop soon, because so far this arc is struggling to take advantage of this rare Harley/Joker reunion.

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5.4
Harley Quinn (2016) #12

Jan 19, 2017

By all rights, the return of the Joker to these pages should be cause for excitement. DC has kept the villain on a short leash for so long. But reading this arc, it's difficult to walk feeling anything other than confusion or bewilderment.

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5.7
Harley Quinn (2016) #13

Feb 2, 2017

It's been clear from the beginning that there's something Amanda Conner and Jimmy Palmiotti haven't been telling us regarding the return of the Joker in this series. Rather than form the basis of a compelling mystery, however, that fact has only caused frustration. This issue finally peels back the curtain on that mystery, but not in a way that feels particularly satisfying.

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7.2
Harley Quinn (2016) #15

Mar 2, 2017

The book opens strong with a sequence from Joseph Michael Linsner (a creator whom I'd really like to see draw a complete issue of Harley Quinn one of these days), but it then makes a series of jarring transitions as it bounces between Khari Evans and John Timms' pages.

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6.3
Harley Quinn (2016) #18

Apr 20, 2017

Timms always brings a slightly more sinister edge to the book, and that's certainly called for given the subject matter. Still, there's a growing concern that this series is losing its bite.

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5.2
Harley Quinn (2016) #23

Jul 6, 2017

We're probably all starting to sound like a collective broken record here, but it's frustrating that, issue after issue, the main story in Harley Quinn is outshone by the Batman: The Animated Series-inspired backup tale.

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6.6
Harley Quinn (2016) #34

Jan 10, 2018

Harley Quinn #34 unfolds much in the same way the rest of this volume has. It offers moments of goofy fun humor and emotional depth, but the script proves too scatterbrained and disjointed for its own good. The art can only do so much to propel that messy narrative along. This is a road trip comic that needed to spend less time on the journey and more on the end point.

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6.1
Harley Quinn and Her Gang Of Harleys #1

Apr 13, 2016

So far, this new series isn't doing much to suggest that DC needs three simultaneous Harley Quinn comics. While it features a rock-solid portrayal of Harley herself, attractive visuals and a more focused script than can generally be found in the main series these days, the bland, one-note characterization when it comes to the Gang of Harleys is a major drag. What;s the point of an ensemble-based Harley Quinn comic if the ensemble cast doesn't measure up?

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5
Harley Quinn and Her Gang Of Harleys #2

May 12, 2016

There appears to be a limit to how many Harley Quinns one comic can properly handle. This series was already struggling to balance the Gang of Harleys, most of whom are significantly less compelling protagonists than Harley herself. Once you factor in Harley Sinn and her own team of evil Harley-inspired assassins, the gag starts to wear out its welcome.

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4.8
Harley Quinn and Her Gang Of Harleys #3

Jun 9, 2016

Last issue, this series was beginning to suffer from a serious lack of dramatic tension. That trend continues in this third chapter, with the added problem that the momentum is quickly stalling.

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8.2
Harley Quinn And Power Girl #1

Jun 17, 2015

It's not exactly deep, but DC's new Harley Quinn spinoff is plenty entertaining. This issue proves there's more mileage to be had with this unusual pairing of heroines. However, the series needs to delve deeper into their dynamic if the formula if the series wants to maintain its momentum for six issues.

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7.5
Harley Quinn And Power Girl #2

Jul 23, 2015

Harley Quinn & Power Girl is every bit the fun romp you'd expect from such an unlikely team-up. The series proves that Harley can work in just about any setting or context.

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7.9
Harley Quinn And Power Girl #3

Aug 20, 2015

The creative team behind this Harley Quinn spinoff are laboring under no delusions about this being a story-driven comic. The goal is clearly to have as much fun with the Harley/Power Girl team-up as possible over the course of six issues, and it's definitely succeeding.

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7.8
Harley Quinn And Power Girl #4

Sep 24, 2015

The wacky, lighthearted approach to Harley Quinn & Power Girl stands out all the more now that the main series is venturing into darker territory. The book is a lot of fun, but also takes the time to explore its three leads in a bit more depth. That said, the plot is a little too thin at this point, and the art quality isn't quite up to par with earlier issues.

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8.1
Harley Quinn and the Suicide Squad: April Fool's Special #1

Apr 6, 2016

You can't really go wrong when a comic promises a new Harley Quinn adventure drawn by Jim Lee. This issue has that to offer, but also an equally appealing segment rendered by Sean Galloway and a generally entertaining (if somewhat disjointed) script by Rob Williams. If this is what we can expect from the new Suicide Squad comic during DC Rebirth, things are looking up for the troubled team of villains.

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7.4
Harley Quinn Holiday Special #1

Dec 10, 2014

Finally, Conner and Palmiotti team with the legendary Darwyn Cooke for a New Years-themed tale as Harley freaks out over a gray hair and searches for father Time. Not the actual DC character, but rather a hapless old man in a nursing home she mistakenly believes is the source of her current woes. This is Harley at her most ditzy and entertaining. And it goes without saying that Cooke's art is gorgeous. His style is a bit looser and more spartan than usual, but he still makes this strip pop[ with style and flair.

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6
Harley Quinn Invades Comic Con International: San Diego #1

Jul 16, 2014

Like Harley Quinn #0, Harley Quinn Invades Comic-Con features a varied assortment of artists, though not nearly as many as the former. Other than Paul Pope's opening page, this isn't a "one artist per page" story, but one where the pages are haphazardly divided among several artists. All generally capture Chad Hardin's expressive, wacky style, though never with as much flair. Strangely, Comic-Con itself isn't rendered that well, coming across less like the mammoth gathering of geeks that it is and more like a typical, cluttered small-town convention. There's little sense of scale to Harley's surroundings. The standout visual sequence comes when Conner herself steps in to illustrate "Hurl Girl," the comic within a comic. I'd pay money to read a Hurl Girl mini-series if Conner illustrated it.

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9
Harley Quinn Valentine's Day Special #1

Feb 11, 2015

Any fan of the ongoing Harley Quinn series would do well to pick up this latest special. Not only does it offer the series' first real interaction between Harley and the Dark Knight, it delivers a wacky romp of a story that consistently entertains and makes great use of the rotating team of artists.

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6.6
Harley Quinn: Road Trip Special #1

Sep 10, 2015

This latest Harley Quinn spinoff is more of the same in terms of offering a fun, breezy adventure that doesn't quite live up to the standard of the main series. What's most disappointing is that the writers had an opportunity to explore Harley's past and her family life in greater depth, but they never fully capitalize on it. Maybe next summer.

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6.6
Harley's Little Black Book #1

Dec 2, 2015

There's ample room for a comic that features Harley Quinn butting heads with DC's most iconic heroes. Sadly, this first issue doesn't do enough with the Harley/Wonder Woman pairing. It wastes some strong potential in favor of showcasing Harley mainly in a solo capacity. And while it's nice to see Conner drawing as well as scripting for a change, she doesn't handle the entire comic herself. This book has a ways to go before it starts living up to its potential.

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7
Harley's Little Black Book #2

Feb 10, 2016

If you crave a little more direct interaction between Harley Quinn and the rest of the DCU, this new series fits the bill. It retains the light tone and charm of the main series while dragging various DC icons in for silly team-ups. Unfortunately, this is the second time in a row the series has ignored the opportunity to explore Harley's fragile psyche in greater depth. That sets a bad precedent going forward.

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6.9
Harley's Little Black Book #3

Apr 20, 2016

There's a clear trend developing with this new series. Harley's team-ups with various DC heroes are entertaining, but each issue spends too much time welling on pointless detours and not enough exploring these oddball character dynamics. Even Linsner's art can't quite save this new issue from its weaker elements.

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8.7
Harvest #5

Jan 2, 2013

Colin Lorimer's artwork really seals the deal here. Lieberman's voice is distinct, but Lorimer truly brings it to life with his striking page design, murky world, and effective use of color. The color in particular really hones in on the shifting tone and complements the mood perfectly. I look forward to more of this bloody world Lieberman has created, but only if Lorimer also returns to give it life.

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5.6
Haunt #1

Sep 30, 2009

Haunt may not have turned out exactly like I expected, but it still proves disappointing nonetheless. I'm willing to give the creative team another chance to see if Haunt merely needs a few chapters to pick up steam, but I only have so much patience for these sorts of shallow, grim and gritty comics.

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6
Haunt #2

Nov 4, 2009

So far, Haunt hasn't shown me it matters enough to warrant such an upheaval. The book is slowly getting better, but it continues to leave a bad taste in my mouth all the same. It will be some time yet before the Spider-Spawn accusations die away.

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6.5
Hawk and Dove (2011) #1

Sep 7, 2011

And then there's the art. Rob Liefeld's style is easy to mock for its grossly inflated anatomy, intensely rigid facial expressions, and overabundance of pouches and shoulder pads. But though the former two flaws are readily apparent, there's no denying the sheer energy that Liefeld's pencils bring to the book. The coloring also helps smooth over some of his inconsistencies. Hawk and Dove is very '90s-esque in some ways. It's crafted very much like a summer popcorn film, and it's not ashamed of it either. That's exactly the sort of superhero book where Liefeld's style is most appropriate.

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5
Hawk and Dove (2011) #2

Oct 5, 2011

This book doesn't need to be deep or ambitious to be a worthwhile read, but there some very basic qualities it lacks at the moment.

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5.5
Hawk and Dove (2011) #3

Nov 2, 2011

This series has a certain, bizarre charm. I'll give it that. But it has to be able to offer more than that.

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5
Hawk and Dove (2011) #4

Dec 7, 2011

I'm not sure what else to say about Rob Liefeld's art at this point, other than that his usual anatomical eccentricities hit a new level when dealing with characters of the non-super-human variety, as seen frequently in this issue. I'm not sure the book can ever function as the serious superhero family drama it strives to be with visuals like this. But ignoring the visuals entirely, there are some serious scripting flaws that need to be addressed.

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4.5
Hawk and Dove (2011) #5

Jan 4, 2012

As Sterling Gates departs the series and leaves Rob Liefeld in complete control, there's little to suggest the book will be veering from its present course. I've given it more than a fair shake at this point, but I'm not sure I can keep going any longer.

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7.2
Hawkeye (2012) #16

Jan 22, 2014

As usual with these Kate-centric issues, Annie Wu steps in to provide the art. She has a softer touch that suits Kate's world well without veering too far outside the established Hawkeye aesthetic. The art manages to be both laid back and dynamic as the situation demands. However, Wu doesn't bring the same eye for design as Aja, nor the emphasis on small, repeated panels that makes his issues so visually appealing.

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8.4
Hawkeye (2016) #2

Jan 5, 2017

The new Hawkeye series reads basically like a direct continuation of Matt Fraction and Annie Wu's Kate Bishop saga, but what better run to draw from?

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8.1
Hawkeye (2016) #8

Jul 6, 2017

Kelly Thompson's script manages to add extra dramatic weight by switching between present-day and flashback sections, though after a while it becomes clear that the former just isn't as compelling.

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8.8
Hawkeye (2016) #9

Aug 3, 2017

In short, the series achieves a nice blend of goofy action and violent tension. Artist Leonardo Romero helps further that balance with his clean, elegant art style.

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9
Hawkeye (2016) #10

Sep 7, 2017

It's haunting and gorgeous, yet also energetic and action-packed. But while the art is really the driving force of this issue, Kelly Thompson's script doesn't disappoint, either. The tone is equally fun and foreboding as Kate deals with the mess madame Masque is currently making of her life.

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8.2
Hawkeye (2016) #12

Nov 16, 2017

This issue feels very much like a transitional chapter as the series moves into Marvel Legacy. That said, the sheer entertainment value in this Kate/Laura/Gabby team-up is more than enough to make up for any plotting concerns.

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8.1
Hawkeye (2016) #14

Jan 4, 2018

Romero once again kills it in this issue, with page after page of stylish action and expressive (but not overly detailed) figure work. It's a real shame this series is nearing its end.

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8.1
Hawkman: Found #1

Dec 27, 2017

Hawkman Found #1 isn't a critical Dark Nights: Metal tie-in, but it is a well-crafted one.

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7
He-Man & The Masters of the Universe #6

Jan 30, 2013

The artwork has never been a particular strong suit with this series. However, issue #6 is at least the most visually consistent, as Pop Mhan pencils and inks every page. The character designs offer all the power and bombast you'd expect from a He-Man comic. The He-Man/Skeletor battle is framed much better than a lot of the other tent pole fight scenes have been. One area that the book continues to suffer from, however, is that the world itself doesn't feel like Eternia. It has a very generic, medieval Europe quality to it, and shows none of that signature blend of technology and barbarism that defines the franchise. This is a world where heroes pilot fancy hovercraft vehicles and use advanced computers, yet still wear fur underwear over their armor. I'm hoping the new series will better capture that aesthetic.

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8.3
He-Man & The Masters of the Universe (2013) #1

Apr 17, 2013

Art quirks aside, this is a great second start for a franchise that was already in good hands. Now that the creative team shifts of the mini-series are behind us, I have high hopes for Giffen's continued revamp of the He-Man mythos.

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7.2
He-Man & The Masters of the Universe (2013) #2

May 15, 2013

I can't see this book appealing much to the He-Man neophytes out there, but fans of the franchise should have plenty of reason to enjoy this take on the Masters of the Universe.

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5.8
He-Man / Thunder Cats #1

Oct 5, 2016

The comic industry has delivered a stream of great crossover stories in recent years, but so far He-Man/Thundercats isn't one of them. This first issue is too grim and straightforward for its own good, and it fails to exploit the character dynamics. This series looks like a cartoon come to life, but the story needs to pick up the pace if He-Man/Thundercats is going to live up to its promise.

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7.1
He-Man / Thunder Cats #2

Nov 17, 2016

The second issue of this crossover is more enjoyable than the first, partly because it makes more of an effort to actually blend the two franchises.

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5.8
He-Man: The Eternity War #1

Dec 24, 2014

The Eternity War has all the scope you'd hope for from such a moniker. He-Man and She-Ra lead a ragtag band of Masters and Snake-Men against the seemingly unstoppable Hordak. Unfortunately, this issue doesn't do enough to build from that initial setup.

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8
He-Man: The Eternity War #2

Jan 29, 2015

Issue #2 is very action-oriented. There's just something cool about seeing He-Man lead a vast force of Snake-Men in battle against Hordak's troops.

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2.8
Head Smash OGN #1

Aug 6, 2013

The page construction is also frequently problematic. The book relies on a repetitive system of page layouts where the bottom half of the page regularly features two panels on the left and one on the right. But the layouts are never consistent as to whether the eye is supposed to move left/down/right or left/right/down. Similarly troublesome is the coloring technique. The color scheme shifts from scene to scene, but sometimes it shifts within scenes as well, creating the illusion that the location has changed. The generic script is bad enough, but basic visual flaws like these and others (including frequently absent question marks in the lettering) are the real bane of Head Smash.

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7.8
Hellblazer #237

Oct 24, 2007

Odd ending aside, this issue displays a little bit of everything that has made the Diggle/Leonardo Manco run so enjoyable. Stellar art that would be right at home in any of the darker Vertigo books, plenty of atmosphere, and a healthy dose of humor to boot. I'm pretty sure I caught a subtle nod to Constantine's original inspiration, the musician Sting. If you haven't been following Hellblazer so far, this obviously isn't a good place to start. Still, you'd be well-served to start at the beginning of Diggle's run, because this is the best work of fiction John Constantine has been involved with in years.

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8.8
Hellblazer #247

Sep 17, 2008

With Diggle's run drawing to a close, I feel like I have to savor every single page of each issue. It's probably going to be a long time before Hellblazer becomes this enjoyable again.

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8.3
Hellblazer #248

Oct 22, 2008

With Diggle's run nearly wrapped up, I'm inclined to feel every bit as nostalgic as the main character at the moment. It can be hard to make such a well-trodden hero stand out these days, but Diggle makes it seem easy.

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8.3
Hellblazer #249

Nov 19, 2008

That aside, Diggle sends Constantine off in good form. I truly hope his run serves as a lesson to the editors at Vertigo. Hellblazer needs more extended runs like this. It's no coincidence that all the best Hellblazer writers - Jamie Delano, Garth Ennis, and Warren Ellis included - stayed on the book for years at a time. Constantine may be a prickly, hard to love character at first glance, but when you spend some time getting to know him you'll never want to leave.

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6.9
Hellblazer #250

Dec 17, 2008

On its own, this issue is a reasonably amusing collection of Christmas stories. It just so happens that "reasonably amusing" isn't what I want from Hellblazer at the moment. Incoming writer Peter Milligan didn't quite impress me here, and I can only hope that this issue isn't an indication of things to come.

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7.3
Hellblazer #251

Jan 21, 2009

When all is said and done, this issue is somewhat less than a rousing start, but hardly an unenjoyable one just the same. For now I plan to keep my expectations firmly in check in hopes that Milligan and crew will pleasantly surprise me in the coming months.

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7.1
Hellblazer #253

Mar 18, 2009

This little story could easily be inserted anywhere within the last few years of Hellblazer stories with no trouble. I remain hopeful that later arcs will somehow build upon "Scab" and lend new meaning to these events, but I'm no longer expecting that to happen. Milligan cooked up a decent opener to his run. Let's hope he's gotten warmed up and has something truly magical in store next.

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7.8
Hellblazer #265

Mar 24, 2010

But this issue doesn't just recall the Thatcher era in tone. It very directly references it. Hellblazer is like Punisher MAX in that it allows its hero to age in real time. Constantine's rapidly marching age seems to be the theme of the tale. As he confronts old bandmates and rekindles the spirit of the punk era, Constantine's long years show themselves in a way they rarely have in this series. There are writers who feel Constantine should have been left behind when the grim and gritty '80s ended. Even if Milligan isn't a supporter of that idea, I get the impression he plans to explore it to its fullest in this arc. This is an interesting first half, to be sure. The ending left me a little ambivalent, but still plenty eager to return next month. I just hope Milligan is laying the seeds for another long-term adventure for Constantine. His past stories, and Andy Diggle's run before that, have largely soured me on the idea of short, inconsequential Hellblazer tales.

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7.8
Hellblazer #300

Feb 20, 2013

Two areas of Milligan's script proved to be a little bothersome. The first involves a brief appearance by that classic Constantine nemesis, the First of the Fallen. While his appearance is welcome, this demon's role in the story is abrupt and a little strange. More significantly, the final two pages are unnecessarily vague and even frustrating. I understand what the creators were trying to do with this sequence, but the storytelling falters right at the finish line. Even so, this issue is a worthy finish to the series and this incarnation of John Constantine. The team behind March's Constantine launch have some mighty big shoes to fill.

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7.4
Hellblazer (2016) #1

Aug 25, 2016

So far, The Hellblazer doesn't boast the most compelling conflict John Constantine has ever faced. The series is smaller in scope than its predecessor and in no real hurry to tip its hand to readers. Luckily, the strong characterization makes it an enjoyable read all the same. It doesn't hurt that Moritat's distinctive art style is such an ideal match for the series. Given time and room to grow, this book could easily become something special.

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6.8
Hellblazer: Rebirth #1

Jul 20, 2016

Like a great many characters, John Constantine is getting back to basics for DC Rebirth. But unlike many of his colleagues, Constantine didn't necessarily need a refresh in the first place. This new series succeeds in returning to a more familiar status quo for the character, but so far there's not nearly enough about The Hellblazer that feels exciting or different.

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8
Hellboy: The Storm #1

Jul 8, 2010

It isn't too long before the literal and metaphorical storms begins brewing and Hellboy is horn-deep in danger and mysticism once more. Plenty of familiar faces crop up, both in flashback form and as active players. This issue could perhaps have offered a slightly more satisfying mixture of exposition, tension-building, and action, but I imagine the trade will deliver a better reading experience in that sense. Fegredo continues to establish himself as the strongest of Mignola's collaborators, with a moody style that strongly evokes Mignola's own yet rife with its own subtle nuances. This looks like it could be a good one, even by the normal Hellboy standard.

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8.5
Hellboy: The Wild Hunt #1

Dec 3, 2008

The atmosphere is assisted by the able hands of Duncan Fegredo, definitely one of the better collaborators Mignola has worked with. Fegredo's style is very reminiscent of Mignola's, yet still carries a unique quality. It's unfortunate that Mignola can't illustrate more of his scripts, a la In The Chapel of Moloch, but I rarely find his artists to be poor compromises. The Wild Hunt is not nearly as accessible as 2008's other offerings, and it plays out as a very simple tale i this early stage, but I still think Hellboy fans will enjoy themselves here quite a bit. Hellboy is one of those good things you can never have too much of, after all.

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8.8
Hellboy: The Wild Hunt #2

Jan 7, 2009

The Wild Hunt #2 offers a hellish amount of fun and quality content for $3. It makes me all the more reluctant to start forking over $4 or $5 for mainstream comics. If you love Hellboy, you'll love this comic. If you haven't fallen in love with the series yet, I highly recommend getting caught up soon.

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9
Hellboy: The Storm #2

Aug 4, 2010

Duncan Fegredo continues to prove himself a worthy companion to Mignola. Many scenes in this book depend heavily on Fegredo's ability to convey emotion with little or no exposition. He succeeds and then some. And there's still a healthy dose of violence as Hellboy battles a demonic hedgehog. That's right. Now you know you want this book. Hellboy: The Storm is quickly distinguishing itself as one of Mignola's watershed stories and a defining chapter in the plucky demon's life.

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9
Hellboy: The Storm #3

Sep 1, 2010

The raw emotions at play as Hellboy leaves his newfound happiness behind for the uncertainty of battle are powerful. The Storm is easily one of the most emotionally gripping stories Mignola has told. It's a good thing he has Duncan Fegredo at his side. Fegredo's visual style and sense of composition are second only to Mignola's in the Hellboy comics, and his ability to convey emotion is even stronger. As excellent as the Storm has been, in the end it's but a prelude to Hellboy: The Fury. With a setup this good, I can't wait to read the next chapter.

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8.6
Hellboy: In the Chapel of Moloch #1

Oct 29, 2008

And, most importantly, it features some gorgeous art. Mignola's work always carries a very Gothic quality, and the fact that the story involves an old chapel and a series of Goya-esque paintings only makes it seem all the more fitting. There's nothing in this issue as ambitious as some of the more major Hellboy stories, but it's very pleasing to the eyes nonetheless. Long term fans will be pleased. Newcomers probably will be as well, though they may be better off starting with the first trade, if only to witness a more epic Hellboy tale. In any case, it was good to have you back Mignola. Let's do this again sometime.

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7.7
Hellboy: Krampusnacht #1

Dec 20, 2017

Even by the usual standard of standalone Hellboy adventures, Krampusacht is a pretty light and spartan little outing for our demonic hero. Even so, this issue offers an emotionally satisfying look at the battle between the two characters. This issue is worth the price of admission just to see Hughes' vibrant take on the long-running franchise.

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8.2
Hellboy and the B.P.R.D.: 1952 #1

Dec 3, 2014

Those who crave a traditional, action-oriented Hellboy comic may be a little disappointed with this issue. That said, there's a lot to be said for the character-focused approach Mignola and Arcudi take as they begin exploring Hellboy's first mission. Pair that with Alex Maleev's haunting art and you have all the makings of another classic Hellboy story.

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8.8
Hellboy and the B.P.R.D.: 1952 #2

Jan 7, 2015

There's a terrific sense of foreboding to this issue, enhanced significantly by Alex Maleev's moody visuals. Maleev captures the spirit of Mike Mignbola's art even as he adheres to his own style and approach to page construction.

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9.1
Hellboy and the B.P.R.D.: 1952 #4

Mar 5, 2015

With one issue left, this book looks to be adding something significant to the characters history even as it continues tapping into the good, simple charm of Hellboy fighting monsters and Nazis.

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8.6
Hellboy and the B.P.R.D.: 1952 #5

Apr 2, 2015

With this final issue, the creative team wrap up their look at Hellboy's very first mission. And never let it be said they didn't do justice to such a key moment in the hero's storied career. The focus in this finale is largely on action, but still there's the sense that Hellboy has matured and grown as an adventurer as he grows comfortable punching Nazi monstrosities.

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7.9
Hellboy and the B.P.R.D.: 1953 #1

Oct 29, 2015

The real fun in this issue is gaining more insight into Professor Bruttenholm's past and his relationship with Hellboy. It's just a shame "The Kelpie," which flashes further back into Bruttenholm's formative years isn't a bit longer or more in-depth.

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9.1
Hellboy and the B.P.R.D.: 1953: Beyond The Fences #1

Feb 24, 2016

Dark Horse's latest Hellboy project is already off to a terrific start. This new series builds on the foundation of Hellboy and the B.P.R.D.: 1952 as it explores the team's growing bond and builds a sinister new threat lurking in a peaceful suburban town. Paolo Rivera's art alone makes this issue worth a read.

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9
Hellboy and the B.P.R.D.: 1953: Beyond The Fences #3

Apr 28, 2016

The Hellboy formula has never seemed in danger of growing stale, but the 1953 mini-series managed to stand out that much more thanks to their superb visual presentation.

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7.2
Hellboy and the B.P.R.D.: 1954: Ghost Moon #1

Mar 9, 2017

The setting is certainly novel, and easily the biggest factor working to distinguish this book from the rest of the Hellboy pack. I do wish the script were a little more graceful in its exploration of that setting and the Chinese legends fueling the conflict, however.

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8.6
Hellboy and the B.P.R.D.: 1954 #3

Nov 24, 2016

The scope of this story may be relatively small, but it offers a satisfying tale of suburban ghosts with a suitably dark twist.

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8.8
Hellboy in Hell #1

Dec 5, 2012

If there's any flaw with this issue, it's that the ending is a bit abrupt and the issue as a whole feels annoyingly brief. Luckily, the second and third issues have been solicited, so it appears that Hellboy in Hell will maintain a monthly schedule at least long enough for momentum to build and the overarching conflict to reveal itself more.

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8.7
Hellboy in Hell #6

May 14, 2014

As with any Mignola-illustrated comic, the artwork is the main draw. Mignola didn't draw the original story, "Hellboy and the Vampire of Prague." So it's a treat to see him tackle the villain himself. And as always, Mignola is able to use darkness and shadow better than just about any artist in the industry. His Hell is a far cry from traditional depictions of the realm, more dilapidated and isolated and sad than fire and torment. Couple all that with inspired use of snake and bird imagery to depict the suffering souls, and you have another issue showcasing Mignola at the top of his storytelling game.

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9.2
Hellboy in Hell #7

Aug 27, 2015

Any issue illustrated by Mignola is a visual treat, but this one is all the more striking because of the unusual variety to the pages. Mignola and colorist Dave Stewart render Hellboy's visions in a lush, painterly style that contrasts with the somber, colorless scenes of Hell and the more traditional supernatural antics later in the book.

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9.2
Hellboy in Hell #8

Sep 24, 2015

It may be some time before we see the next chapter of the series, but the wait is always well worth it.

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9.2
Hellboy in Hell #9

May 5, 2016

The stark underworld imagery, haunting character designs and hard-hitting action all combine to create something distinctly Hellboy.

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9.6
Hellboy in Hell #10

Jun 2, 2016

It's a tragic but fitting conclusion to one of the great sagas of the modern comic book industry.

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8.7
Hellboy: Winter Special: 2017 #1

Jan 26, 2017

Mike Mignola and friends are back with one winter-themed one-shot, one that offers another satisfying dose of Hellboy. While the three stories in this issue share the winter theme, stylistically and tonally they're all drastically different.

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8.5
Hellboy: Winter Special: 2016 #1

Jan 28, 2016

If you need a quick Hellboy fix, you could do far worse than picking up this one-shot anthology issue.

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8
Herc #4

Jun 1, 2011

Neil Edwards is back as full penciller this month, though inker Scott Hanna is proficient enough that it doesn't make discernible difference either way. As always, what the series lacks in style and flourish it makes up for with detail, consistency, and generally competent storytelling. All the creators are working together to deliver what may be the most well-rounded Hercules story in a long time.

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8
Herc #6

Aug 3, 2011

It's impressive to see how well Neil Edwards' pencils have held up over the course of the series so far, especially considering the sheer amount of action and spectacle in these last few issues. Edwards brings a very precise and cinematic quality to the book. What does need improvement however, is his anatomy. Edwards shares many similarities with Bryan Hitch, and like Hitch figures are sometimes rendered in static poses, bending and twisting in ways that shouldn't be possible on a normal human body. As before, Edwards still has a ways to go in terms of finding a truly unique visual style.

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8
Herc #10

Nov 30, 2011

The plot here is fairly basic, but also enjoyable. The writers make good use of Russian mythology as they position Baba Yaga as Herc's latest foe. Ultimately, there's the sense that Pak and Van Lente could have done far more with the villainess (especially considering how Mike Mignola has used her in his Hellboy stories), but the cancellation simply didn't allow for anything more ambitious. The writers deliver humor, action, myth, and a little bit of heart, and that's everything this series needs. Herc deserved better than this quiet finale, but no doubt the Lion of Olympus will persevere and return in a new form.

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6.9
Hercules: Fall of an Avenger #1

Mar 17, 2010

Hercules: Fall of an Avenger has its entertainment value, but aside from the backup it lacks the true emotional punch of the better heroic tribute issues. Judging by the ending it appears the real meat of the story is being reserved for issue #2 anyway. Let's hope Pak and Van Lente have a stronger dose of drama planned for the second half.

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7.4
Hercules: The Thracian Wars #1

Apr 30, 2008

All told, this issue is priced just right and does a respectable job of putting the fledgling publisher on the map. I just have serious reservations about the ability of the next four issues to keep that trend going. Once the price shoots up to $3 or $4 a pop, I expect a legion of readers will simply slip away to the greener pastures of the other Herc book.

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6.2
Hercules: Twilight of a God #1

Jun 3, 2010

Again, those that have a history with and a love for this futuristic setting will certainly extract the most enjoyment out of Twilight of a God. But if Marvel hoped to snare a few readers based solely on their love of Incredible Hercules, they'll probably be disappointed. Twilight of a God isn't a bad book. It's simply a slow, plodding one of limited appeal.

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8.4
Heroes In Crisis #1

Sep 26, 2018

Heroes in Crisis #1 is an unpleasant but compelling look at a major tragedy in DC's superhero community.

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8.5
Heroes In Crisis #2

Oct 31, 2018

Heroes in Crisis #2 raises some concerns about the series' direction, but it also tells a very compelling story.

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8.6
Heroes In Crisis #3

Nov 28, 2018

Heroes in Crisis #3 adds much-needed context to the series through an emotionally charged flashback story.28 NOV 2018

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9
Heroes In Crisis #4

Jan 2, 2019

Heroes in Crisis continues to improve in its fourth issue, one marked by compelling characterization and gorgeous art.

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9
Heroes In Crisis #5

Jan 30, 2019

Heroes in Crisis #5 is light on plot but heavy on emotion and powerful superhero imagery.

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8.6
Heroes In Crisis #6

Feb 27, 2019

Heroes in Crisis #6 provides readers with another emotionally rich interlude story.

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8.3
Heroes In Crisis #7

Mar 27, 2019

Heroes in Crisis #7 raises intriguing new questions and even lets a little light into this dark story.

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8.8
Heroes In Crisis #8

Apr 24, 2019

DC's Heroes in Crisis provides plenty of answers and an emotionally rich story, but big concerns still remain.

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6
Heroes In Crisis #9

May 29, 2019

Heroes in Crisis #9 is a disappointing conclusion, one that fails to justify the series' extreme storytelling choices

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7
Heroic Age: 1 Month 2 Live #1

Sep 1, 2010

Remender's script is a bit uneven, but what matters most is that he's able to sell Sykes as a believable and identifiable protagonist. Some aspects of his origin story are a bit hackneyed, particularly in how he simultaneously gains his powers and a ticking death clock. But I found myself readily willing to overlook these sillier elements in favor of the bigger picture. Remender has quickly established Sykes as a character worth following amid all the gods and titans wandering the streets. I hope the incoming creators will be able to keep the quality of 1 Month 2 Live at a consistent level. Remender tends to set the bar high wherever he goes, but in this case there's still plenty of room for growth.

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8
Heroic Age: Prince of Power #1

May 13, 2010

Considering how many Marvel gods have died lately, it's interesting to see the themes Pak and Van Lente are laying out in this mini-series. Prince of Power sees one character trying to rescue a god, another trying to learn how to kill them, and a third uncovering the formula for becoming a god. I'm certainly curious to see how far the writers take their exploration of godhood. With any luck that exploration will persist beyond the four issues on tap here. I do miss Incredible Hercules, if only because it provided a nice, stable home for this ongoing saga. The creative team have made no secret that more is to come after Prince of Power. Hopefully the inner contents of the various series will continue to stay cohesive even as covers and titles change.

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7.5
Hit-Girl #1

Jun 27, 2012

It's a shame this book couldn't have debuted before Kick-Ass 2. The impetus and drama simply aren't present since we know exactly where the main characters will end up by the time the series wraps up. Still, with a stronger focus on characterization over violence and spectacle, Hit-Girl makes some definite improvements to the formula.

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6.5
Hit-Girl (2018) #1

Feb 21, 2018

Hit-Girl is a predictably shallow comic, one more interested in offering up gory, frenetic displays of violence than trying to craft a compelling narrative. There's always a certain appeal in a series like that, especially one that doesn't attempt to cling to the grounded approach of the main Kick-Ass books. But in the end, that appeal is limited. There's simply not enough depth to this series to enable it to rise above the pack.

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6.3
House Of M (2015) #1

Aug 19, 2015

House of M doesn't start off on a great note, as this issue struggles to define itself outside the shadow of the original crossover. Luckily, a clearer direction does develop by the end, suggesting that the new House of M will only get better over time.

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6.8
House of M: Avengers #1

Nov 14, 2007

As for Christos Gage, I can't say I'm particularly impressed with his first issue. Gage tends to run circles all over the Marvel Universe, writing an X-Men comic here, a Captain America spinoff there. As such, the quality of his storytelling varies with every effort. Gage seems a bit too wrapped up in telling a goofy riff on 70's crime dramas and blaxploitation movies. Case in point - Luke Cage gets in a fistfight with a mutant hustler in a full pimp outfit. I'm also disappointed that Gage glosses over each new member's introduction. By issue's end, the Avengers have mostly assembled with little to no fuss. I'm still hopeful that the series will pick up once characters like Misty Knight and Franck Castle join the fray. But for now, this is one House I'm not excited about revisiting.

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8.3
House of M: Avengers #2

Dec 5, 2007

It's nice to see Mike Perkins enjoy more of a spotlight. Most of the time, Perkins is recognized as the guy who draws an awful lot like Steve Epting, if he gets any recognition at all. Perkin's style fits the dark, retro feel of the series like a glove, though he occasionally struggles making more outlandish characters like Feral look convincing. I guess it should come as no surprise that House of M: Avengers hearkens back to books like Union Jack, since the Gage and Perkins also collaborated on that mini-series. I hope the quality remains consistent for the remaining 3 issues, because I'm having a grand old time reliving the House of M.

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8.8
House of Mystery #2

Jun 4, 2008

House of Mystery is taking its sweet time getting anywhere, but that's okay by me. With some of Vertigo's finest at the helm and a setup where just about anything is possible, I'm becoming hopelessly enthralled by Vertigo's latest series.

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8.4
House of Mystery #3

Jul 2, 2008

It may be slow going, but House of Mystery is quickly shaping up to be one of Vertigo's better books. The final few pages go a long way to keeping my interest kindled. If you aren't following this book monthly, you may want to go ahead a pre-order the trade now. I doubt you'll be disappointed.

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8.6
House of Mystery #4

Aug 6, 2008

In its best moments, House of Mystery reminds me of the World's End arc in Sandman. Not quite as literary and finely-tuned maybe, but the core concept is similar, and Sturges and Willingham kindle a similar appreciation for stories in all their varied forms. I have no idea where this series will end up in twelve months, and the thought makes me happy indeed.

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8.4
House of Mystery #5

Sep 3, 2008

This is definitely my favorite Vertigo series launch since Scalped. I can understand why many readers would choose to trade-wait House of Mystery, even if I have no desire to. When Vol. 1 rolls around in a few months, do yourself a favor and dive into its many mysteries.

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7.6
House of Mystery #6

Oct 1, 2008

Perhaps House of Mystery is just going through a series of growing pains as it ventures into a wider world. It's certainly too early to claim the book has lost its way. Still, too many months with an incomplete product will force me to resort to trade-waiting instead.

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7.6
House of Mystery #7

Nov 5, 2008

I still enjoy House of Mystery, but it seems to me the book is hitting a sophomore slump of sorts. Sturges needs to inject some life into his portion so that it doesn't continue to lag behind the side stories. We are to believe the House offers a few worthy stories of its own, correct?

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8.8
House of Mystery #8

Dec 10, 2008

It can still be argued that this arc is moving at a snail's pace. The characters have been trapped underground for months and show no signs of emerging yet. I just can't bring myself to be bothered much by the slow pacing like I would with other books. Issues like this tell me that Matthew Sturges is crafting something special with House of Mystery. I'm all too happy to let him go about it at his own pace.

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8
House of Mystery #22

Feb 4, 2010

House of Mystery still falls a bit short of the level I'd like to see it at, but the series is definitely on the rise with this arc. I just hope Strawberry doesn't stink up the joint in the same way Jack did his best to tarnish Fables. If the ending to this issue is any indication, I'm a little worried.

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8.3
House of Mystery Annual #1

Oct 14, 2009

Don't get me wrong, all of these creators are doing fine work with their respective characters. I love the attempt to show the Vertigo universe as a cohesive whole. There's a certain Seven Soldiers-esque quality to the overarching storyline as various heroes confront a vast threat without ever really meeting one another. But to some extent, this issue feels like a case of wasted potential. Why not shake up the creative teams a little? Why not have Milligan write Madam Xanadu and Wagner tackle Constantine? As enjoyable as the issue is, it could have taken a few more chances. The sense of connectivity is fun, but no characters from any franchise are really permanently affected by the events of the issue. But above all, this annual is a fun celebration of all things Vertigo, and I hope it inspires some similar collaborations in the future.

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9
House of Penance #2

May 12, 2016

If you're going to build a horror comic around a real-world location, you could do a lot worse than the massive, nonsensical Winchester House. Peter Tomasi and Ian Bertram are making the most of that inspiration, crafting a comic that's propelled by a massive sense of unease and foreboding.

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8.5
House of X #1

Jul 24, 2019

House of X #1 serves as a jolt of adrenaline to the X-Men franchise in a way only Jonathan Hickman can deliver.

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9.5
House of X #2

Aug 7, 2019

House of X #2 is one of the best X-Men comics in years, teasing a bold new direction for the franchise.

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8.7
House of X #3

Aug 28, 2019

House of X #3 takes a traditional X-Men formula and infuses it with both huge stakes and human drama.

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9.4
House of X #4

Sep 4, 2019

House of X #4 ups the stakes even higher and highlights the emotional drama of the X-Men's most important battle.

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8.9
House of X #6

Oct 2, 2019

House of X #6 closes out the series with a bold, heartfelt look to the future of the X-Men.

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7.7
Howard The Duck (2007) #1

Oct 3, 2007

Don't read Howard the Duck #1 expecting high art or deep, compelling drama. This issue is meant for little more than light entertainment. Several comparisons can be drawn to the old Looney Toons animated shorts. One sequence in particular could have been ripped straight from a Bugs Bunny/Elmer Fudd encounter. Marvel seems to enjoy ripping on old favorites like Bugs and that everpresent rodent at Disney, but it's all in good fun. Thanks to the addition of Juan Bobillo on pencils, this issue brings back memories of the good old days of Dan Slott's She-Hulk. Marvel doesn't really have enough in the way of humorous comics these days, so this mini-series should suffice at least until Peter David (hopefully) puts She-Hulk back on track.

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6.4
Howard The Duck (2007) #2

Nov 7, 2007

Luckly, there are some amusing moments to be had. I'm surprised Marvel didn't just hand the She-Hulk reins to Templeton, as he displays a similar penchant for the sillier aspects of the Marvel Universe like Dan Slott is known for. Part of me wished they had, because duck-hunting gags are not enough to support more than a single-issue storyline. Now that we're moving onto a third issue, I really hope Templeton has something more up his sleeve.

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5.9
Howling Commandos #1

May 13, 2009

Frankly, the only real appeal for me when it comes to Cap: White is Tim Sale's art. Howling Commandos lacks that, and it doesn't have enough merit otherwise to make up for it. The story is only just barely tied to White from what I can tell, so it doesn't even function as a proper tie-in. At most, I might recommend this issue to newer readers who picked up Secret Warriors this week and wanted to learn more about the Howling Commandos. Even then, there are certainly better options available.

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8.3
Huck #5

Mar 17, 2016

For a book that started out as a simple "Superman by way of Forrest Gump" story, Huck has certainly taken some interesting turns recently.

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5.1
Hulk (2008) #4

Jun 25, 2008

If Hulk were just one of many ongoing books featuring the Green Goliath, I could easily write it off as a harmless little action romp. However, this is your only real source for the character in Marvel's entire catalog, Marvel Adventures Hulk notwithstanding. At a time when the character should be hitting new levels of quality and exposure, that's a hard pill to swallow.

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4.1
Hulk (2008) #5

Aug 6, 2008

Bad dialogue, poor pacing, maltreated characters - the only saving grace for Hulk continues to be Ed McGuinness' art. However, this book has passed the point where I can just cover the word balloons with a Sharpie and stare at the pictures. I hate that this series is my only outlet for Hulk stories, and I hate that so many great Marvel characters are being dumped upon for no apparent or meaningful reason. Most of all, I hate the fact that this series will sell more copies in a week than many smaller, deserving books will all year. So if you're in the shop this week, staring at this issue and wondering if you should add it to your stack, think twice. It'll make me angry, and you wouldn't like me when I'm angry.

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4.2
Hulk (2008) #6

Sep 24, 2008

In the end, Hulk leaves readers with the promise that the series will soldier on much as it has for the past year. That's probably the single worst message I could have hoped to take away from these proceedings. I desperately want a proper Hulk book that carries on from previous storylines. Instead, this series resurrects a simpler, played out version of the character and forces him to play second-fiddle to a vapid monster that would be more at home in a Dragonball Z movie. What's a Hulk fan to do?

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3.8
Hulk (2008) #7

Oct 22, 2008

Hulk is like a train wreck that keeps getting worse as more and more trains pile on top of each other. Now that Black Panther and The Ultimates 3 are thankfully gone, there's no question in my mind that Hulk is now officially Marvel's worst ongoing series. That hasn't dulled its sales any in past months, and I doubt even the absence of McGuinness will do much to harm it at this point. Still, I can keep hoping.

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4.7
Hulk (2008) #8

Nov 26, 2008

I really wish I could force myself to enjoy this book for what it supposedly offers, but I just can't. Red Hulk is a terrible, terrible character without an ounce of depth. Green Hulk is a pale shadow of his recent self that takes a gamma-irradiated dump on all the good work that writers like Peter David and Greg Pak have done. You can call Hulk simple, stupid fun, but I've yet to discover where the fun is.

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6.8
Hulk (2008) #18

Dec 16, 2009

This is easily the best issue of Hulk in its two-year lifespan, for whatever that statement is worth. It's probably no coincidence that Red Hulk is all but absent this month. However, it's really the art that steals the show, as Loeb is still struggling to find his footing. But with all the Hulk-related books in December performing well, I think it's safe to say Fall of the Hulks is off to a promising start.

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6.1
Hulk (2008) #19

Jan 20, 2010

Whereas in its first year Hulk was just a big, dumb, fun book that usually forgot to focus on the last quality, the series is now in a far better state. I worry about the continued presence of some of Hulk's less redeeming qualities, but the improvement is undeniable nonetheless.

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6.1
Hulk (2008) #20

Feb 17, 2010

The rest of the book's cast often strike me the same way. In general, Loeb seems more at home depicting his villains rather than his heroes. The X-Men rarely have anything memorable to say, whereas figures like The Leader and MODOK stand out far more. Given how pointless the X-Men's role is, I think this series could do with a bit of general pruning. Loeb has proven he's capable of more dedicated character work than previous Hulk storylines would have suggested, but only so many characters can receive the benefit of that work in one sitting. More and more, I just wish Fall of the Hulks was conceived as a smaller-scale and more tightly focused project. If this is supposed to be a means to an end, why do those means have to be so scatter-shot and unfocused?

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4.8
Hulk (2008) #21

Mar 17, 2010

I'm doing my best to to keep a stiff upper lip as I look ahead to World War Hulks. All three Hulk writers - Loeb, Greg Pak, and Jeff Parker, have done good work on their respective books lately. But ultimately Fall of the Hulks was far more chaotic and disjointed than necessary. If Hulk #21 is any indication of the tone and execution of World War Hulks, I'm about ready to get out while the getting is still good.

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6
Hulk (2008) #22

May 12, 2010

But if smashing is what you came for, smashing is what you will happily receive. As stupid as the Hulked-Out Heroes concept is, at least it offers plenty targets for Red Hulk to clobber. The fact that Red Hulk is the only intelligent Hulk in the room helps keep the extended brawl from degenerating into a series of punches and poorly worded retorts. Scratch that - Red Hulk manages one line that rivals Iron Man's "Oh, the humanity" from issue #2 in sheer lameness. For the most part, I would recommend to ignore the words in this book and admire the punches. Ed McGuinness is in particularly fine form this month. The colors of Morry Hollowell and Chris Sotomayor lend an extra dose of energy that hasn't been seen in past issues. With all the new Hulks running around, this is certainly a visually diverse issue and a real feast for the eyes at times. Just not for the brain. Hulk has its merits, but those interested in emotional conflict and characterization had best turn their attention to Gre

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7
Hulk (2008) #25

Sep 22, 2010

Both Hulk books are clearly in a period of transition right now thanks to the new creators and new story directions. So far, Hulk seems to emerge on better ground, even if it isn't entirely free of flaws. What matters is Parker and Hardman manage to hit the ground running, and this arc could easily develop into something memorable depending what direction they choose to head in.

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7
Hulk (2008) #26

Oct 20, 2010

Parker is in danger of wearing out the familiar "heroes fight each other, then band together" formula, though. The pace of the script is kept very brisk, with Red Hulk first aiding Iron Man in wrapping up last month's battle before joining Thor in space to pound some meteors into dust. It's not the most cerebral a Hulk book has ever been, but the script isn't simpleminded either. Parker strikes a proper balance between smashing and character building. Hardman's art remains a bit of an unusual adjustment, as it's far darker and more laid back than anything seen on the series previously. Still, it's clean, attractive work that suits the world of Red Hulk. The only real downside to this series in the backup feature. Parker's A-Bomb is far too annoying for his own good, and the story itself seems to have little relevance to anything at all. As with so many of these $3.99 books, a lower price tag and the absence of this supplemental story would be far preferable.

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8
Hulk (2008) #39

Aug 17, 2011

Gabriel Hardman returns as artist this month. I'll admit to not being fully sold on the idea of his darker style on a Hulk book initially, but since Parker's first arc Hardman seems to have found the proper handle on the characters. His art is perfectly suited to the flashbacks and quieter character moments, and it quickly expands and grows to encompass the bombastic fight scenes later on. All in all, this series is showing no sign of losing steam.

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7.5
Hulk (2008) #45

Dec 8, 2011

It's been a while since we've seen Red Hulk take charge and smash his way to victory. But as the arc moves towards its true conclusion, that should hopefully be in the cards.

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8
Hulk (2008) #48

Feb 1, 2012

The entire conflict wraps up (for now) at the end of this issue. The ending does seem a bit abrupt, as Red Hulk and Zero/One are left to merely continue their hostilities another day. But next issue promises more in-depth interaction between father and daughter Hulk, so that should be something worth looking forward to.

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8.5
Hulk (2008) #49

Mar 7, 2012

Elena Casagrande continues to deliver a solid set of visuals on this series. Her work is more thin and angular in this issue, which helps recall John Romita Jr.'s Eternals mini-series. Whether intentional or not, that's not a bad thing to be compared to by any stretch of the imagination.

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8.5
Hulk (2008) #51

May 9, 2012

This leg of the Haunted Hulk wraps up a bit abruptly by the end of issue #51, but Parker makes it clear that a larger supernatural conflict is still building. No doubt next month's guests stars will bring an entirely new dose of fun to this arc.

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8
Hulk (2008) #52

May 23, 2012

This arc wound up being more of a fun diversion for Red Hulk than the intensely dramatic adventure it seemed to be at first glance. Hopefully the upcoming Mayan arc will be a little more plot-driven.

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9
Hulk (2008) #53

Jun 6, 2012

In short, whether you're a fan of any of these characters or just a fan of exciting, darkly humorous superhero adventures, this issue demands to be read. Go on -- show Alpha Flight the love they didn't receive in their own book.

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8.5
Hulk (2008) #54

Jun 20, 2012

Having Dale Eaglesham on board doesn't hurt this arc either. Red Hulk has never felt more powerful vibrant than he does here. Eaglesham slathers every page and panel with intricate detail, but doesn't neglect elements like choreography, facial work, and general tone and mood. As bombastic as the villains and conflict are, Eaglesham's dramatic line-work ensures that readers will take the threat seriously nonetheless.

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8.5
Hulk (2008) #55

Jul 5, 2012

It remains to be seen how much this series will change when it willallegedlymorph into something else later this year. But if Parker can retain the same sense of scale and fun Mayan Rule has offered, there's little reason to worry about the future.

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7.5
Hulk (2008) #56

Aug 15, 2012

Dale Eaglesham's artwork isn't quite up to the quality established in the previous issues. Some of his framing is a little odd, with characters seeming to fade out of focus and into the background. On the plus side, the lengthy flashback to the origins of the gods allows Eaglesham to branch out and tackle some more unusual, non-super-heroic imagery. Hopefully Eaglesham will be back in top form for the finale issue.

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9
Hulk (2008) #57

Aug 29, 2012

This was a great but sadly under-appreciated run. I have little faith that the latter aspect will change with the shift to Red She-Hulk. But as long as Parker is given an outlet to continue exploring these characters, there's no reason to get too choked up about the shifting tides.

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6
Hulk (2014) #4

Jun 12, 2014

Not counting the upcoming Original Sin crossover, this issue essentially serves as the finale to Mark Waid's Hulk run. And it serves as about as satisfying a conclusion as you might expect considering that this series and status quo are only four issues old.

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8.5
Hulk (2014) #8

Nov 6, 2014

For a series that started out on the wrong note earlier this year, Duggan has really turned things around.

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8.7
Hulk (2014) #10

Jan 7, 2015

Gerry Duggan continues to hit all the right notes with his Hulk run. Doc Green's quest to eliminate all Hulks puts him in the path of Red Hulk, resulting in his fiercest challenge yet. It's a showdown long in the making, and Duggan doesn't disappoint as he explores the deepseated, years-long rivalry between the two Hulks.

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7.5
Hulk (2014) #12

Mar 5, 2015

The issue spends too much time setting up their team-up with Hulk and not enough time actually reveling in it. Still, this book has plenty of momentum as Duggan and Bagley continue pushing forward.

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8.2
Hulk (2014) #13

Mar 19, 2015

This is a fast-paced chapter with a number of key developments, but also a healthy amount of levity along the way. Not only does artist Mark Bagley pack in some top-notch action scenes, he establishes himself as one of the few artists to convincingly portray Steve Rogers as an old man.

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7.3
Hulk (2014) #14

Apr 9, 2015

The plot is fairly sparse, the dialogue somewhat uneven in its execution, and Duggan becomes a little preoccupied with Deadpool even after the character's importance to the story is through. This issue is more a chance for Mark Bagley to strut his stuff.

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8.7
Hulk (2014) #15

Apr 23, 2015

It's a satisfyingly epic showdown on a grand scale. Not only does Mark Bagley's art capture all the ferocity and brutality of this showdown, Gerry Duggan includes humorous little asides that show various other characters across the continent reacting to the seismic shifting caused by the brawl

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8.6
Hulk (2016) #3

Feb 23, 2017

The series is clearly a meditation on trauma, PTSD and the struggle to rebuild a life after the unthinkable. Maybe that won't satisfy readers looking for a heavy dose of smashing, but it all makes for a fantastic character study.

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7
Hulk (2016) #6

Jun 1, 2017

This series continues to show plenty of promise, but it needs a tighter approach to pacing and a willingness to stay mired in darkness as long as Jen's character arc demands it.

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6.3
Hulk (2016) #7

Jun 15, 2017

Slow pacing is becoming a real sticking point with several ongoing Marvel titles right now, and Hulk is possibly the biggest offender of them all.

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5.2
Hulk (2016) #8

Jul 13, 2017

The series has little sense of momentum at the momentum, and maybe it's just as well that it's getting relaunched and re-branded for Marvel Legacy in a few months.

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5.7
Hulk (2016) #9

Aug 10, 2017

It's really the same story month after month with this book. The general status quo and psychological approach are compelling, but the lack of momentum and forward progress has really started to hold the series back.

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6.5
Hulk Smash Avengers (2012) #1

May 3, 2012

Hulk Smash Avengers is light and enjoyable but also forgettable, It remains to be seen if future issues can manage something more as they advance farther into the Marvel timeline.

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5.2
Human Bomb (2012) #1

Dec 5, 2012

Luckily, the deeper conspiracy involving Mike's powers and the sinister organization that created them is more interesting. At this point it seems clear that Palmiotti and Gray are building towards the eventual debut of the full Freedom Fighters lineup, and this issue pushes that momentum forward a bit more. But ultimately the book doesn't seem to know what kind of tone it wants to strike. A group of villains that acts as superhuman suicide bombers should really be a more dark and terrible concept than this issue suggests. Jerry Ordway's artwork doesn't really help in that regard either. Ordway's style has a distinctly Bronze Age feel to it, and coupled with the overly heavy inks it's not the best choice for rendering a contemporary, military-focused superhero story.

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6.4
Human Target (2010) #1

Feb 10, 2010

This new incarnation of Human Target is not a total disappointment, but it also fails to capture the spark of better projects to carry the name. I'd suggest fans of the show ditch whatever preconceptions they have about Christopher Chance and check out Milligan's Vertigo series instead. Perhaps the best thing about the show from a comic fan's perspective is that these stories are finally being collected in their entirety.

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8.7
Hunger #1

Jul 24, 2013

This issue wouldn't have succeeded without an artist that can juggle both the comedic, down-to-earth elements and the cosmic spectacle. And though Leonard Kirk's previous Marvel work hasn't focused much on the cosmic end of the spectrum, he thrives in this issue. His space battles are highly detailed, often unfolding across two pages of explosions and warring robots. Another standout sequence involves various alternate versions of Rick Jones all being simultaneously rocked by the multiversal chaos. Hunger may be the closest Genis-Vell fans will come to seeing the under-appreciated hero back in action.

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5.7
Hunt For Wolverine #1

Apr 25, 2018

Hunt for Wolverine #1 will disappoint anyone hoping for a clear, concise look at Wolverine's return to life. This story is less concerned with providing answers than it is setting up a pointlessly large crossover event. The lead story at least features some strong artwork and a few memorable flashback scenes, but neither is enough to justify the high cover price. Nor does this issue build much enthusiasm for what's to come for the character.

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6.5
Hyperion #1

Mar 24, 2016

The main problem is Wendig's decision to keep the title character at a distance, instead framing the issue from the perspective of a teenage runaway named Doll. Hyperion himself becomes almost incidental to the story, which, despite a blatant Mad Max homage late in the game, doesn't really pack the scope necessary for a hero of Hyperion's stature.

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7.4
I Am Groot #1

May 24, 2017

I Am Groot #1 is a perfectly entertaining new addition to the Guardians franchise. The art alone is a pretty strong selling point. But even with Groot's new status quo, the series doesn't do much to venture outside of the safe, comfortable confines readers are used to by now. Unlike Rocket #1, I Am Groot #1 is content to play things safe.

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9.1
I Kill Giants #5

Nov 12, 2008

J.M. Ken Niimura really shines this month thanks to a few gorgeous splash pages. As the book grows progressively more dark, Niimura expands his scope and makes it seem as if an epic brawl between girl and giants is finally at hand. Niimura's loose style is occasionally tough to decipher, but generally he makes for an excellent artistic complement to Kelly's writing. I'm anxious to see where the duo is headed with this story in the final two issues. Whether or not Barabara's fantasies are real, this is going to be one fight to remember.

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9.2
I Kill Giants #7

Jan 14, 2009

Unlike Barbara, I hope we readers won't have to say goodbye after this mini-series. I'm looking forward to an increased focus of Kelly's Four Eyes, but I also hope we'll see another collaboration from this duo. And whether that collaboration is a Giants sequel or something else entirely, I'm going to be first in line to read it. Sorry Batman, you may be facing more competition in the future.

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7.8
Iceman (2017) #1

Jun 7, 2017

Iceman #1 doesn't make the strongest case for this series as an ongoing story, as it could just as easily be a standalone one-shot starring the frozen X-Man. But it's a very well-executed story regardless, one that showcases Bobby Drake's crazy personal life while still making the most of his incredible powers. Iceman is shaping up to be a worthy addition to the ResurrXion lineup.

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7.3
Iceman (2017) #4

Aug 24, 2017

Iceman and Daken make for a surprisingly effective pair. That's the main takeaway from this issue, which pits the two mutants against one another as Bobby tries to track down a wayward student.

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7.3
Iceman (2017) #5

Sep 6, 2017

It's a shame the artwork in this issue isn't stronger, because otherwise Iceman #5 is a strong finish to the series' first arc. It dabbles in well-worn tropes but executes them in an effective way, as writer Sina Grace cuts to the heart of Bobby Drake's personal struggles. We've seen him confront his insecurities many times over the years, but finally there's a sense that Bobby is moving forward and embracing a brighter future.

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6.8
Iceman (2017) #7

Nov 2, 2017

These past two issues have left me yearning for a more lasting reunion of the original Champions, both because writer Sina Grace taps into that fun team dynamic and because he could have done so much more with it.

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5.6
Iceman (2017) #8

Dec 7, 2017

There are some moments of fun centered around the young Bobby's anxiety and out-of-control powers, but in general this issue struggles to generate good banter or really delve into the troubled Drake family dynamic.

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6.7
Iceman (2017) #10

Feb 8, 2018

The resolution to that battle is handled well, emphasizing Bobby's innate optimism rather than leaning on the old "Iceman finally taps into his true mutant potential" chestnut. But in general, this issue doesn't focus enough attention on Bobby himself.

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7.5
Ignition City #1

Apr 8, 2009

Ignition City offers an interesting new world for Ellis to explore. I'm not immediately sold on the series in the way I was with Planetary, Transmetropolitan, or many of Ellis' best works, but it's a good start.

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5.8
Image United #1

Nov 25, 2009

Let's level here. I don't have a particular fondness for Image of the '90s. I don't appreciate the storytelling conventions of the time. With Image United celebrating many of the same qualities I disapprove of, I was clearly never the intended target audience. Most readers will know before ever picking up the issue if Image United is really for them. If you can find real enjoyment out of this project, I salute you. For my part, I'm going to go huddle in the corner with my Absolute Sandman books for a while.

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4.3
Image United #2

Dec 23, 2009

Image United is a chaotic mess of a crossover, and I doubt many readers will be surprised to hear that. There are those who will happily pick up each issue in order to relive their formative comic-reading years. Then there are others who will need to be especially careful to grab Invincible #69 this week, if only to remind themselves that Image doesn't still put out this sort of thing every week.

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8.5
Immortal Hulk #1

Jun 6, 2018

Immortal Hulk #1 delivers a dark, compelling revamp of a familiar Marvel hero.

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8.5
Immortal Iron Fist #9

Sep 26, 2007

This is the first issue (to my knowledge) to feature only David Aja on pencils. The various fill-in artists have always been well suited to their flashback sequences, but I'm more than happy to see Aja carry the book completely on his own. Frankly, I'm surprised Marvel hasn't snatched him away to draw a book that actually sells well. Maybe comic fans are actually listening to all the praise and are finally starting to give this series the love it deserves.

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9.2
Immortal Iron Fist #12

Jan 16, 2008

So this issue sounds pretty much perfect at this point, right? Unfortunately, there's a third artist on board this month, one that doesn't mesh well with the other two. Javier Pulido was probably chosen for his ability to mimic Aja's style. Mimicry it may be, but none of the subtleties are present in his work. Compared to Aja or Kano, Pulido's pencils are a downright bore. Hopefully with a new one-shot issue taking the place of issue #13 next month, Aja will find enough time to avoid unnecessary fill-in artists for the big finale.

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9.5
Immortal Iron Fist #14

Apr 30, 2008

I truly pity the self-professed comic fan who isn't following The Immortal Iron Fist. With a mere two issues left for Fraction and Brubaker, every last moment with these characters is made all the more precious. I don't think I'd trade those last issues for all the Secret Invasions and Final Crises in the multiverse.

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7.3
Immortal Iron Fist #17

Jul 23, 2008

So, while the writing is generally a pleasant surprise, the art is more of an unpleasant one. I thought Marvel made a good choice in selecting Travel Foreman to be the new regular artist. He really nailed it in his past Iron Fist work. That's why I'm so confused. Foreman drastically altered his style in the past few months, to the point where I don't even recognize it. I didn't realize the cover was actually representative of what the interior art looked like. Characters are are dark, grimy, and literally bulging with excess muscle. Compared to the graceful, flowing art of artists like David Aja, this series looks all wrong to me. The one thing that can be said is that Foreman shows versatility. Unlike past issues, he handles flashbacks as well, and his style shifts markedly. And for the better, luckily. It's good to know that Foreman is capable of altering his style so easily. With any luck, the general art style will improve sooner or later. The series may never again reach that earl

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8.1
Immortal Iron Fist #19

Oct 29, 2008

With a solid script and characterizations that fall right in line with past arcs, there's less and less to distinguish Swiercynski's writing from Fraction's. The art, however, is markedly different. That's not entirely a bad thing, but the art is one area that still feels like a significant step down. Travel Foreman's pencils are vibrant and expressive, but this is sometimes taken to an extreme. Occasionally figures are over-inked to the point where they appear to be roughly chiseled out of wood. Foreman is obviously capable of shifting his style, so I'd like to see him tone down the more extreme qualities in future issues. Aside from that, I'm more satisfied with the current direction of Iron Fist than I ever would have expected.

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7.5
Immortal Iron Fist #22

Feb 4, 2009

But all this aside, Immortal Iron Fist is by far my favorite work from Swiercynski since his arrival at Marvel. He continues to prove that the Fraction/Brubaker run was more than just a flash in the pan, and that Danny Rand is more than capable of supporting an ongoing series for years to come.

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8.6
Immortal Iron Fist #23

Mar 11, 2009

The art has remained a slight sticking point for me. Travel Foreman can draw dynamic fight scenes like few others, but his figures tend to be exaggerated well past the point of visual clarity and good taste. I'm not quite o bothered by his more exaggerated qualities now. It may simply be that the story arc calls for exaggerated features. Danny and friends have been put through the ringer, and their bodies show every painful encounter. In any case, there are moments where Foreman really shines in this issue. Unlike Swiercynski, Foreman doesn't carry over the tone of the Fraction issues, but at his best he establishes his own unique look for the series.

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8.4
Immortal Iron Fist #24

Mar 25, 2009

Unfortunately, we have a few more weeks to wait before reading the next "real" chapter of Immortal Iron Fist. That said, there's no reason to complain when the filler issues are this consistently entertaining.

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7.9
Immortal Iron Fist Annual #1

Sep 26, 2007

Where this issue falls painfully short is the art. Howard Chaykin has been all over the underbelly of the Marvel Universe lately, and his style obviously works better on some series than others. I'm rather spoiled by David Aja's fluid pencils, and Chaykin doesn't strike me as the most suitable replacement. In fact, I'm convinced Danny Rand is a Skrull now. Why? Well, take a look at the wrinkles below his lips in every panel and tell me it doesn't look a little bit Skrully. The flashbacks are handled by Dan Brereton, who doesn't impress except for a short sequence that is painted over by Jelena Djurdjevic. Her style is close enough to that of her husband's so as to be nearly identical, and this is a very good thing. If both Djurdjevics would do more interior work at Marvel I would be a much happier comic book fan.

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8.9
Immortal Iron Fist: Orson Randall and the Green Mist of Death #1

Feb 20, 2008

Even with the absence of most of the regular creative team, this issue is another fitting entry in the Iron Fist saga. Short of Captain America, The Immortal Iron Fist is easily the best Marvel book that ships on a monthly basis.

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7.1
Immortal Iron Fist: Orson Randall and the Death Queen of California #1

Sep 24, 2008

Still, Orson Randall himself is as compelling as ever. His latest adventure looks good, and it has plenty to offer fans despite all its faults. If I'm required to wait a while for the next installment of the main book, I can think of far worse ways to pass the time.

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9
Immortal Weapons #1

Jul 22, 2009

Iron Fist fans should embrace this issue wholeheartedly. It offers a lot of great kung-fu content, and it succeeds, if only for a while, in making us forget that there isn't an ongoing Iron Fist book on the stands. Vote with your dollar, and maybe we can fix that.

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6.1
Immortal Weapons #2

Sep 2, 2009

The backup feature from Duane Swiercynski and Travel Foreman is more enjoyable, luckily. Foreman's art is every bit as dynamic as it was on the main book, even if Swiercynski seems to be aiming a little low in Danny Rand's current adventure. With the feature 40% over, I'm not expecting many surprises out of Danny's hunt for a missing child. Still, it's entertaining, and that automatically puts it one or two steps above the main portion of the issue.

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9
Incredible Hercules #113

Jan 16, 2008

At this point the only things keeping Incredible Hercules from ranking as the best book of the week are the unfortunately-timed Immortal Iron Fist and the slightly underwhelming pencils of Khoi Pham. I don't want to be too hard on Pham. This is some of the best work I've seen from the artist so far. Still, it doesn't quite measure up to what we're seeing in some of the other Aftersmash books. If only Ed McGuinness were drawing this series instead of Hulk. I think I'd be in comic book heaven.

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9.2
Incredible Hercules #117

May 21, 2008

Once again the Secret Invasion tie-ins prove themselves to be superior to the main event itself. This arc gets off on the right foot precisely because it blends so well. I was left with the distinct impression that this story would have proceeded as it is regardless if Secret Invasion existed. At the same time, the tie-in allows for a couple neat little Skrully revelations. The best recommendation for tie-in books has always been to follow the books you normally do. Those are some sage words of wisdom. If you've been having a blast with Herc so far, that won't change one bit. If you've passed the series by each month, what the heck are you waiting for? God Squad!!!

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7.6
Incredible Hercules #133

Aug 26, 2009

One significant area of improvement we've seen in the past two issues is the art. The series has been on a relative slump most of the year, and more than anything I lay the blame at the rotating cast of artists. The series just hasn't looked very stylish since the conclusion of "Love and War". Luckily, Rodney Buchemi brings a huge step up in visual quality. The art is noticeably more sleek and bright. And any Cho-centric story calls for some oddball visuals amid the floating numbers, all of which Buchemi handles well. Considering he'll be the artist for Assault on New Olympus, it's pleasing to see Buchemi turning in good work. However much Incredible Hercules might have tapered off in the first half of 2009, I'm looking forward to big things in the remainder of the year and beyond.

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8
Incredible Hercules #134

Sep 10, 2009

Unfortunately, I do prefer at least a little character building time with my humor, and that's one area this Thorcules arc is falling behind on when held against the Amadeus Cho story from last issue. Herc loses a bit of his luster when Cho isn't around to serve as a foil. Young Zeus is a decent enough replacement, but it's still not quite the same. I think Greg Pak and Fred Van Lente would have done well to connect the two arcs together in some way. s it is right now, they're completely independent of each other. Both offer a lot of what I love about the series, but not quite all in one package. More than anything, I just look forward to the inevitable reunion between Herc and Cho.

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6.4
Incredible Hulk (1999) #111

Nov 21, 2007

This issue is worth a read if you find yourself enamored with the Renegades. As a satisfying tie-in to a big summer event, it only manages to fall flat on its face, leaving a Hulk-sized crater in its wake.

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8.9
Incredible Hulk (1999) #112

Dec 19, 2007

It's doubtful Incredible Hulk's new status quo will last for very long, so I'd strongly suggest hopping on board while the fun lasts. Who would have thought Hercules could carry the weight of a book like this on his burly shoulders?

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7.3
Incredible Hulk (2009) #602

Sep 23, 2009

Don't get me wrong, I'm enjoying this series quite a bit. It's funny, it's action-packed, and it features some quality characterization of Banner and Skaar. It's also pleasing just to have a Hulk book that doesn't make me want to retch for a change. Although, with the way the art has been so far, I may not be able to say that much longer.

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6.3
Incredible Hulk (2009) #604

Nov 18, 2009

This book may not be as troubling a read as that other Hulk book, but I'm beginning to enjoy the series less and less as time passes. Incredible Hulk needs the benefit of one artist and a clearer focus on the path ahead. Issue #604 doesn't seem as if it accomplished much of anything. With Fall of the Hulks looming so closely, that just perplexes me.

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7.6
Incredible Hulk (2009) #605

Dec 9, 2009

The Savage She-Hulk back-up is decent, but fairly underwhelming in its conclusion. I definitely get the sense the story was dragged out longer than necessary. Still, it establishes Lyra's role in Fall of the Hulk's and offers more gorgeous Michael Ryan art, so it accomplishes its mission in the end. I'm really hoping to see the entire Hulk family kick it up a few notches and wow readers in Fall of the Hulks. I'm feeling some gamma-powered excitement for this franchise again, and it's been far too long.

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8.3
Incredible Hulk (2009) #606

Jan 20, 2010

But as long as you either don't give a hoot about Shulkie or ignore the backup, you'll find much to enjoy in this issue. Fall of the Hulks is having a very positive effect on the franchise as a whole, and nowhere is that more evident than with this series.

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6.7
Incredible Hulk (2009) #608

Mar 17, 2010

Incredible Hulk has a strong foundation. Banner is in a very interesting place at the moment. His relationship to his son, his ex-wife, and his fellow heroes is ripe for exploration. Paul Pelletier also has the book looking better than it has in a while. The problem is that Fall of the Hulks dilutes these strong qualities and drops too much extraneous clutter on the series. I'll keep my fingers crossed that War of the Hulks can offer a more streamlined and less disjointed conflict for both Hulk books, but at the moment I'm beginning to look to the faraway point when Incredible Hulk can be left alone again. Isn't that what Hulk always wanted for himself?

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7.5
Incredible Hulk (2009) #610

Jun 16, 2010

But that aside, I'm keen to see how this storyline wraps up. The main storyline is improving rapidly, the backup feature remains as solid as ever, and it looks as if both will soon be converging in the aftermath of World War Hulks.

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8
Incredible Hulk (2009) #611

Aug 11, 2010

But though issue #611 retains a few rough patches, this is easily the best issue of Incredible Hulk I've read in some time. I hope the new Incredible Hulks direction will be able to maintain this level of quality. If so, Hulk fans who have been cautiously optimistic of late might be able to finally let their guard down and embrace the series wholeheartedly again.

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8
Incredible Hulk (2009) #615

Oct 27, 2010

Barry Kitson delivers on the action once again in this issue. His character scale is in need of some serious fine-tuning, but otherwise the series packs all the detail and energy I expect of it. As for the backup feature, Ben McCool's Red She-Hulk tale is neither as annoyingly vapid as the recent A-Bomb shorts nor as memorable as the previous issue's Skaar feature. On the whole, Incredible Hulks has been steadily improving since the name change. These final two issues of "Dark Son" could easily improve even more.

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7.5
Incredible Hulk (2009) #618

Dec 31, 1969

With vibrant, energetic art like this, it doesn't matter if the script is a bit plain and straightforward. "Dark Son" provided enough character drama for the time being. These next few issues are the palette cleanser. And so far, it's a very tasty cleanser indeed.

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5.5
Incredible Hulk (2009) Annual #1

Jun 29, 2011

"Identity Wars" certainly had its moments. But in the end, this storyline doesn't really justify the price of admission. Hopefully that won't discourage Marvel from continuing to experiment with this crossover format.

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6
Incredible Hulk (2011) #3

Dec 21, 2011

At least his interpretation of Hulk is solid. The juxtaposition of the man vs. monster angle remains strong. The character retains his previous level of relative intelligence, allowing him to successfully narrate the series without it descending into farce. Hulk is the right blend between savage and hero. But will that be enough to carry the series for any real length of time?

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7
Incredible Hulk (2011) #4

Jan 11, 2012

In some ways it's even justified given the course the character has taken these last few years. At the same time, it's a very extreme direction to venture into, and the longer it lasts, the harder it'll be to ever paint Banner as a heroic figure again. The most significant test this series faces right now is in proving that this new Hulk/Banner dynamic has long-term potential.

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7
Incredible Hulk (2011) #5

Feb 8, 2012

Issue #5 begins to address the problems the book has faced thus far, but for the time being Incredible Hulk remains emotionally hollow.

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6.5
Incredible Hulk (2011) #8

May 30, 2012

Fundamentally, this series is on firmer ground as it barrels into its second story arc. Unfortunately, there are some notable flaws remaining that still prevent Incredible Hulk from reaching its full potential.

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8
Incredible Hulk (2011) #9

Jun 13, 2012

In general, this arc is an improvement over the first seven issues of the series, both visually and in terms of storytelling. Still, the sense of progression is lacking as Hulk ends this issue pretty much where he started. The wackiness and rampant smashing can only carry Stay Angry for so long.

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7
Incredible Hulk (2011) #10

Jun 27, 2012

Stay Angry is goofy good fun. However, after three chapters it's not enough to keep seeing the same pattern of disorientation, smashing, and last-minute scene change. It's time the book revealed more about what Banner is up to and what sort of greater conflict the Hulk faces in his future.

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6
Incredible Hulk (2011) #11

Jul 25, 2012

I feel like I say this at the end of every Hulk review now, but this book really needs to push forward and show readers what Banner's ultimate plan is. We've been given far too many intermediate chapters that offer plenty of fun but no real substance or sense of progression.

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8
Incredible Hulk (2011) #12

Aug 8, 2012

This arc was beginning to drag, but luckily Aaron sticks the landing as he paves the way for his final showdown between Hulk and Banner. With only a handful of issues remaining in this run, it's doubtful slow pacing will be a recurring complaint now.

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8.5
Incredible Hulk (2011) #13

Sep 12, 2012

The end is in sight, and Aaron is showing every sign of finishing this series in stronger form than he opened it.

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4.4
Incredible Hulk (2017) #711

Dec 21, 2017

I don't think I've ever been more excited as a Hulk reader than in 2005, when Greg Pak was weaving the original Planet Hulk saga and drastically overhauling that character's role in the Marvel U. I wish that same sense of excitement and wonder was driving its sequel. But after three issues, Planet Hulk II still feels like a dull, unnecessary retread of the original.

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5.3
Incredible Hulk (2017) #712

Feb 1, 2018

This arc is largely a disappointment, and it offers little hope that the upcoming World War Hulk II will be any better.

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6.2
Independence Day #1

Mar 23, 2016

It's debatable whether the world needed an Independence Day comic, but at least this Resurgence prequel has something to offer readers. The characters might be bland and the artwork uneven at best, but the idea of a submarine crew waging war against alien stragglers has its definite appeal.

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8.5
Indestructible Hulk #5

Mar 20, 2013

Leinil Yu's art has always been an uneven fit for this series, as his harsh figures and heavy lines don't really mesh with Waid's dialogue-driven scenes. But given the underwater setting and heavier focus on smashing in issue #5, that problem isn't as pronounced. This still isn't the most refined work we've seen from Yu at Marvel, but them's the breaks when you want your Leinil Yu-pencilled comic to stick to a monthly schedule.

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8.6
Indestructible Hulk Annual #1

Dec 4, 2013

The art in this issue is is nicely textured and visually evocative thanks to its use of color and elements like Benday dots. It bodes well for Mahmud Asrar's role on the relaunched Wolverine and the X-Men series next year, as this issue proves he can handle simple character interaction and wild and crazy superhero showdowns in equal measure.

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8.1
Indestructible Hulk: Special #1

Oct 16, 2013

Jacob Wyatt pencils and inks this middle installment of the crossover. Unfortunately, his style lacks some of the dynamic quality of Kris Anka's work in the first issue. And that becomes a problem during the fight scenes between Hulk and the Abomination. The two characters aren't quite as powerful and menacing as they should be. But otherwise Wyatt's work suits the story well. He captures a Silver Age vibe and ensures that all his characters are graced with expressive facial work despite the relatively simple nature of the art. And Jordie Bellaire's colors further that Silver Age feel.

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5.8
Indestructible: Stingray #1

May 28, 2015

Indestructible fans will want to give this issue a look, but newcomers are better off gravitating towards the main series first.

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7.3
Infamous Iron Man (2016) #1

Oct 19, 2016

In many ways, Infamous iron Man is exactly the sort of Iron Man comic Brian Bendis and Alex Maleev should be working on. It's dark, moody and filled with just enough twists to make Doom's journey from villain to hero unpredictable. That doesn't change the fact that this issue is a slow start for a series that needs to work harder to prove that Doom is better off taking up the mantle of another character.

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7.3
Infamous Iron Man (2016) #2

Nov 17, 2016

This book feels very much like a continuation of International Iron Man. Not just because it features the same creative team, but also because the pacing is equally slow and laborious.

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7.8
Infamous Iron Man (2016) #4

Jan 26, 2017

It took a few issues, but this new series has succeeded in justifying both Victor von Doom's turn to good and his decision to shroud himself in Iron Man's image rather than his own. The result is a drastically different take on Doom, but one that both honors the past and plays to Brian Bendis' storytelling strengths.

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7.4
Infamous Iron Man (2016) #5

Feb 23, 2017

Basically, all the right pieces are in place by now, but they aren't being arranged as quickly and efficiently as they need to be.

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6.1
Infamous Iron Man (2016) #6

Mar 30, 2017

Once you make the decision to recast Victor Von Doom as a hero, the logical next step is to make Reed Richards the villain. The inverted dynamic is at the heart of this series' second story arc. Unfortunately, the book's lackadaisical pacing continues.

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7.6
Infamous Iron Man (2016) #7

Apr 27, 2017

Two issues into this arc, it still feels like the conflict between Doom and Ultimate Reed Richards is stuck in its most nascent stage.

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8.3
Infamous Iron Man (2016) #8

May 25, 2017

Surprise, surprise. The latest chapter of Infamous Iron Man is another slow, methodical read. But more than ever, the strong characterization is making up for the glacial story pace.

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6.7
Infamous Iron Man (2016) #10

Jul 27, 2017

Slow pacing and decompression are problems plaguing too many Marvel books right now. What makes it especially frustrating with Infamous Iron Man is the knowledge that this series looks to be ending with the Marvel Legacy relaunch.

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5.5
Infamous Iron Man (2016) #11

Aug 31, 2017

It's strange to think that this series is ending with next month's issue #12, because it barely feels as though Brian Bendis and Alex Maleev have accomplished anything with Victor Von Doom over the past year.

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6.3
Infamous Iron Man (2016) #12

Sep 28, 2017

This issue marks the end of Victor Von Doom's latest solo series, if not necessarily the end of his tenure as Iron Man. It's a bittersweet experience at best.

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7.5
Inferno #2

Jun 11, 2015

. The book is as much a chance for Dennis Hopeless to reconnect with characters from his X-Force work as anything else, which is probably why the characterization is so appealing.

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8.4
Infinity #1

Aug 12, 2013

That said, this issue also illustrates why Cheung would have been an unwise choice to pencil the entire series. Four different inkers, including Mark Morales and Cheung himself, handle different portions of these 64 pages. And unsurprisingly, the difference in line weight, draftsmanship, and clarity among these four inkers is very noticeable. The reprinted FCBD material is the most clean and elegant, unfortunately. Perhaps the upcoming issues will be able to offer more visual consistency despite the fact that Opena and Weaver will be dividing pages.

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8.3
Infinity #2

Sep 4, 2013

Opena's art in particular is extremely event-worthy as he depicts epic space battles and the retaliation by Gladiator and his Shi'ar warriors. Meanwhile, Weaver excels at delivering a more subtle, emotionally-focused series of pages. Not entirely dissimilar in the first place, Weaver and Opena's styles mesh well thanks to Justin Ponsor's unifying colors. Even with five artists working across three titles, Infinity is shaping up to be an unusually cohesive event book in both art and scripting.

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8.3
Infinity #3

Dec 31, 1969

As with the previous issue, Jerome Opena and Dustin Weaver divide up the pages, with Opena handling the conflicts in space and Weaver those on Earth. Infinity as a whole has an impressive sense of visual consistency despite being divided up among these two artists and Mike Deodato and Leinil Yu. Each artist has his own approach to anatomy, framing, and so forth, but there's a common sense of grit, weight, looming darkness and larger-than-life spectacle that unites every page of the story. Opena stands out especially in how his scenes blend massive scope with more personal confrontations. His flair for body language comes into play in a major way as Gladiator looms over Captain America, yet still comes away from the scene as the lesser hero in the end.

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8.4
Infinity #4

Oct 9, 2013

While this issue does stand alone without the need for Hickman's tie-ins better than the previous two have, it does still suffer from the series' other perpetual flaw. It's too late into the game for there to be such a tenuous link between the two halves of the story. The only common factor between Thanos' invasion and the Builders' intergalactic conquest right now is the revelation that the Builders have a deep-seated hatred for Earthlings. That's enough to suggest these two conflicts will ultimately merge into one, but time is growing short to build a unified threat for our heroes.

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8.5
Infinity #5

Oct 30, 2013

It's just that, structurally, it's really seeming as though Infinity would have functioned better as a looser sort of crossover between the two Avengers books. This event's problems are minimal compared to most, but that continues to be an aggravating quirk with the story.

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8.4
Infinity #6

Nov 27, 2013

One area Infinity thankfully bucks the trend of Marvel's recent events is the ratio of actual story material to epilogue scenes. Too often, series like Fear Itself and AvX seemed in a hurry to wrap up so the final issues could devote more time to teasing what came next. There's a bit of that here, but only after several dozen pages of brawling and exploding and avenging. As much as this story (any superhero story, for that matter) is ultimately a bridge towards other things, Hickman doesn't beat readers over the head with teases for Inhumanity or future Avengers storylines. In that way and others, Infinity serves as a model of how to do these projects right.

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8.5
Infinity Heist #1

Sep 25, 2013

Al Barrionuevo's art also keeps the issue humming along. He excels at providing expressive, energetic renditions of villains and dynamically framed panels. There's a kinetic energy to the book that can't be denied, making this easily the most visually striking of the various Infinity offshoots.

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7.4
Infinity Heist #2

Oct 23, 2013

Visually, this issue is a bit weaker as well. The colors are a problem, with several artists providing colors for Al Barrionuevo's pencils. There are many panels where one figure will be bathed in a gritty, textured layer of shadow while others are brighter and more simple. It's an odd effect that doesn't really do the series any favors. Luckily, Barrionuevo's pencils are still clean and expressive, with some dynamic framing shots helping to keep things interesting even as the action remains elusive.

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8.2
Infinity Man And The Forever People: Futures End #1

Sep 11, 2014

I feared this issue would fall flat because the ongoing Infinity Man series has only been around for a couple months. Why should we care what happens to these characters five years in the future? But Dan DiDio and Keith Giffen brush past those concerns easily enough, offering a somber, even tragic look at the fate of the Forever People after wars and tragedies have torn them apart.

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7.6
Infinity Wars (2018) #1

Aug 1, 2018

Despite some murky artwork, Infinity Wars #1 serves as a memorable start to Marvel's latest cosmic epic.

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6.2
Infinity Wars (2018) #2

Aug 15, 2018

Infinity Wars #2 is a disappointing follow-up to a strong first issue.

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7.7
Infinity Wars (2018) #3

Sep 12, 2018

Infinity Wars remains a visually flawed comic, but the story continues to move in intriguing directions.

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8.5
Infinity: Against the Tide #1

Aug 20, 2013

Latour's storyboards are key to the issue's success, because Alessio's painted style is the exact sort of approach that so rarely works in comics. Too often, painters deliver a series of individually striking panels that fail to combine and form any sort of sequential flow. Instead, this issue offers a best of both worlds scenario. Readers get all the detail and scope of painted art, but the focus is always on how the figures move and interact and how each moment transitions into the next. Surfer summoning his board to slice an Aleph in half is easily one of the most memorable sequences seen in an Infinite Comic so far. The worst that could be said is that Alessio's Skrulls are too pretty and not alien enough.

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4.4
Infinity: The Hunt #1

Sep 11, 2013

Artist Steve Sanders isn't given much to do in this issue, aside from a well-crafted title page that offers a diagram view of the new Avengers Academy. Aside from that spread, this issue offers little more than various heroes standing against blue, amorphous backgrounds. Hopefully that, at least, will change as the characters are called upon to join the defense of Earth.

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5.1
Infinity: The Hunt #2

Oct 2, 2013

Steve Saunders has more chances to shine in this issue, which he does with about a 50% success rate. The quality of his work varies almost from panel to panel. At times he brings a laid back, elegant charm to the Marvel Universe in the heat of battle, and at others his pencils become muddled and stiff. A book like this should at least be able to bank on reliably bombastic visuals.

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6.3
Inhuman #1

Apr 2, 2014

After waiting so many months for Inhuman #1 to finally ship, it's disappointing to see such a slow, quiet start to Marvel's much-hyped revival of the Inhumans franchise. The scope isn't there, and so far only one of the new characters stand out. But it is easy to see the potential with this new book, and Joe Mad's art goes a long way towards making the slow burn approach easier to tolerate.

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6.5
Inhuman #2

May 29, 2014

Certainly, Madureira's bold style and figure work remains a selling point, though the amount of times he relies on simple, silhouetted figures in his panels here is frustrating. But in a larger sense, Inhuman disappoints because it isn't aiming big enough or making the most of its premise. The cast and scope remain annoyingly limited.

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6.9
Inhuman #6

Sep 25, 2014

The book has gotten better about balancing the NuHuman characters like Dante and Jason with old Inhuman favorites like Queen Medusa. However, the conflict still comes up a bit lacking.

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6.3
Inhuman #10

Dec 17, 2014

This issue's main accomplishment is in establishing how great a Charles Soule/Ryan Stegman-helmed Spider-Man book would be. Unfortunately, Spidey is a small and fairly pointless player in this issue.

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8.1
Inhuman Annual #1

May 6, 2015

Ryan Stegman's art isn't always an ideal fit for this book. There are times when a less stylized and more elegant approach to the character might work better, particularly with characters like Medusa. On the other hand, he crams this book with great action scenes (with Karnak making a spectacular entrance in one particular panel). And Stegman proves he's no slouch with emotional scenes either. The final, silent panel is a very effective way to close out the book.

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8.4
Inhumanity #1

Dec 4, 2013

Olivier Coipel is the primary artist on this issue, though he's also joined by Infinity veterans Dustin Weaver and Leinil Yu. Coipel handles the present-day scenes, while Weaver tackles the Infinity flashbacks and Yu renders the ancient saga of the Inhumans and their first king. The transitions between each artist aren't too jarring, especially since the format practically invites those transitions. The coloring goes a long way towards giving each section its own distinct tone and feel. Of the three pencillers, it's actually Coipel whose work proves a bit disappointing. Some of his pages are uncharacteristically sparse in terms of detail and line-work, especially when it comes to facial features. But he still delivers some standout pages, particularly during the big climax.

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6.6
Inhumanity: The Awakening #1

Dec 11, 2013

The art can also be a weak point at times, specifically in terms of facial work. Just like Joshua complained about Wonder Woman's bizarre eyes in Justice League 3000 today, this issue features a lot of freaky, bug-eyed characters. Paul Davidson's general storytelling is sound, but the strange, overly large approach to rendering eyes can really be a distraction in many panels.

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7.8
Inhumans Prime #1

Mar 30, 2017

Writer Al Ewing covers a lot of ground here, proving right away that his voice is a great fit for the franchise. He brings a strong sense of humor to offset the general doom and gloom plaguing the team.

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8.6
Injection #2

Jun 11, 2015

Ellis is clearly revealing only as much as he absolutely has to about the nature of these characters and their supernaturally-charged world, but what e does illuminate is pretty fascinating. It's equal parts X-Files and Bourne Identity, with an extra helping of weirdness for good measure.

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8.4
Injustice 2 #1

May 3, 2017

Injustice 2 isn't as quick as the original Injustice: Gods Among Us to establish its main conflict. This issue doesn't necessarily do enough to establish where the series is headed over the long-term. But that's a minor concern when compared to the thrill of seeing Tom Taylor and Bruno Redondo working together again. This issue immediately recaptures all the fun and strong characterization of their early work, suggesting that readers are once again in for a wild, lengthy ride.

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8.8
Injustice 2 #2

May 17, 2017

The Injustice 2 comic got off to a strong start, but one that offered little sense of where the series was headed as it began to build towards the events of the new game. Issue #2 is an improvement in that regard. The two chapters in this issue shed more light on the series' overarching narrative without losing sight of the great character moments that make these comic so special in the first place.

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9
Injustice 2 #5

Jul 5, 2017

The Injustice comic has always been at its best when it focuses on fleshing out the key players in this dark superhero universe over setting the stage for the games. That's certainly the case with this issue, which offers a terrific take on Ted Kord and his relationships with pupil Jaime Reyes and former partner Booster Gold.

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7.4
Injustice 2 #6

Jul 20, 2017

Miller's style doesn't quite have the clean, dynamic appeal of artists like Bruno Redondo, but he succeeds in crafting emotionally rich figures and in capturing the scope of Krypton's destruction.

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8.6
Injustice 2 #7

Aug 3, 2017

Taylor does a wonderful job of tapping into the shared history between Dinah Lance and Ted Grant as Wildcat enters the picture just in time for Dinah's wedding. The result is a very tender, heartfelt story that gets to the heart of the family bond that makes the JSA so appealing.

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9
Injustice 2 #8

Aug 17, 2017

This issue should make long-time fans of the Injustice comics very, very happy. Tom Taylor has the opportunity to reconnect with one of his most memorable characters from the Injustice: Gods Among Us days, and that magic touch hasn't worn off one bit.

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8.8
Injustice 2 #9

Sep 7, 2017

It's pretty impressive how a "mere" video game tie-in has become one of DC's consistently best ongoing series. That's the power of great storytelling.

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8.5
Injustice 2 #10

Sep 21, 2017

If Tom Taylor's scripts don't quite rise to the heights of recent chapters here, he nonetheless makes the most of that showdown and the amusing banter between characters like Wildcat, Harley Quinn and Plastic Man.

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7.2
Injustice 2 #11

Oct 5, 2017

DC has done a great job giving this sequel a more consistent and attractive sheen than its predecessors, and the book is never better than when Bruno Redondo is on board.

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8.8
Injustice 2 #13

Nov 2, 2017

Taylor allows readers to connect to and sympathize with a character who has seemed pretty blatantly villainous up to now. It's a welcome reminder that character development, not plot or spectacle, is the real source of this comic's appeal.

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8.7
Injustice 2 #14

Nov 16, 2017

This issue veers into some interesting, Civil War-inspired territory without getting too bogged down in real-world politics and allegory.

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5.8
Injustice 2 #15

Dec 7, 2017

Right now, the series feels very much trapped in a transitional state, struggling to build a new overarching conflict that can live up to the initial Ra's al Ghul storyline.

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8.7
Injustice 2 #17

Jan 4, 2018

By the end of this issue, much of the book's lost momentum has been recaptured

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7.3
Injustice Vs. Masters of the Universe #1

Jul 18, 2018

Injustice vs. Masters of the Universe #1 is entertaining, even if it only begins to tap into its potential.

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7.3
Injustice: Gods Among Us #1

Jan 30, 2013

Artistic problems aside, Injustice offers a surprisingly entertaining gateway into the new game universe that really doesn't need the game to be appreciated in the first place.

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8.3
Injustice: Gods Among Us #2

Feb 27, 2013

The final segment builds on a thread from the previous one as Taylor starts dividing the superhero community in half in the wake of Superman's actions. Even more than the opening chapter, this one allows readers to sympathize with Superman as he searches for his new purpose in the world. One troubling aspect, though, is how quickly Wonder Woman falls in line with him and even encourages his actions. I worry how the characterization in this series will hold up over time as the characters and settings become more extreme.

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7.3
Injustice: Gods Among Us #3

Mar 27, 2013

The closing chapter teams Taylor with artist David Yardin for a Wonder Woman-focused tale as Diana continues the the fight against Qurac's military while Ares watches over. This segment sheds further light on Diana's role in the larger conflict and how deep her loyalty to Superman lies. And while largely a very serious affair, Taylor does find room at the very end for a bit of levity. Yardin's pencils are a significant step above anything else we've seen in the book so far. His clean, sleek style almost makes up for those awful costumes.

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7.8
Injustice: Gods Among Us #4

Apr 24, 2013

Other characters like Aquaman and Wonder Woman also fare well. The latter in particular is interesting in that, despite her noble intentions, she's arguably the most villainous cast member. This book continues to defy expectations by presenting well-rounded characters and conflicts in what is still, at the end of the day, a video game tie-in.

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7.2
Injustice: Gods Among Us #5

May 29, 2013

The other problem, as mentioned previously, is that the order for the individual chapters should have been reorganized for the sake of this issue. The Arkham storyline is three chapters long, meaning print readers are getting two chapters now and stuck waiting another month for the finale. With the Flash chapter being largely standalone, it wouldn't have harmed anything to bump it until issue #6 and offer a more complete and cohesive reading experience here.

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8.8
Injustice: Gods Among Us Annual #1

Nov 13, 2013

Whether you've been enjoying the main Injustice series or simply crave a more classic take on Lobo and Harley, this is a comic well worth reading.

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9.9
Injustice: Ground Zero #5

Feb 2, 2017

Harley may have been one of the best things about the other Injustice books, but that appeal is largely lost here.

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7.7
Injustice: Year Five #1

Jan 6, 2016

Injustice's fifth and final year gets off to a solid start in its first issue. These two chapters don't quite recapture the fun of last week's Year Four Annual, but they do succeed in centering the conflict again and highlighting the parallel struggles of Batman and Superman. There's a lot of room for this series to expand and surprise readers over the course of 2016.

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5.8
Injustice: Year Five #2

Jan 21, 2016

Mike S. Miller's expressive pencils make the second chapter a teat to behold, but Tom Derenick's art in the first chapter lacks the sleek, powerful quality this series is generally known for.

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8
Injustice: Year Five #3

Feb 11, 2016

The latest incarnation of Injustice is feeling more in line with the first two volumes of the series, and that's a good thing.

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6.6
Injustice: Year Five #4

Feb 18, 2016

The former storyline reaches a solid conclusion. In addition to a healthy dose of violent action and expressive figure work from Mike S. Miller, this chapter offers a sad, wistful look at the relationship between Batman and Catwoman.

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7.6
Injustice: Year Five #5

Mar 3, 2016

Injustice: Year Five has offered a necessary shift in focus for the long-running series. However, it's not really Batman and Superman who are benefiting so much as their allies.

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8.5
Injustice: Year Five #6

Mar 17, 2016

Writer Brian Buccellato is able to tap into that blend of humor and hard-hitting action that has so frequently made this comic entertaining. He wisely avoids resorting to traditional, convoluted Bizarro speak, instead simply writing the character as a confused, childish, but ultimately well-meaning brute.

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9
Injustice: Year Five #10

May 19, 2016

Bizarro can sometimes be an obnoxious character when his Bizarro speak is in play, but writer Brian Bucceellato has really made the most of the villain in this series.

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8.3
Injustice: Year Five #15

Aug 4, 2016

The thing I've come to appreciate about the fifth and final year of Injustice is that it's not really "about" any one conflict in the way the past several volumes have been. Brian Buccellato is telling a more loose story that's concerned less with plot than with exploring the psychological states of various key characters leading up to the events of the game.

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6.5
Injustice: Year Five Annual #1

Nov 30, 2016

It's always nice to have another chance to dive into the Injustice universe, but only one of the three stories in this annual offers much to write home about. The other two fail to take advantage of their dramatic potential and strive for little more than to connect a few dots between the comic and the game.

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8
Injustice: Year Four #1

May 13, 2015

After all of Year Three's magical tomfoolery, it's nice to see this series get back to basics. Despite a clunky opening, this issue takes a character-first approach and begins building a compelling new foundation for the penultimate chapter of this prequel saga.

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6.8
Injustice: Year Four #2

May 27, 2015

After a solid first issue, it's disappointing to see this new series makes some missteps in its sophomore installment. However, most of the issue stem from an awkward story structure, and there's no reason the book can't get back on track quickly.

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7.4
Injustice: Year Four #3

Jun 10, 2015

In many ways, the new volume of Injustice is as strong as its predecessors. There's plenty of sleek artwork and strong characterization to keep the book humming along as the next big conflict takes shape. However, the various pieces don't combine to form a cohesive whole, as this issue awkwardly transitions from lighthearted moments to scenes of darker drama and back. The book needs a clearer sense of progression.

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8
Injustice: Year Four #7

Aug 5, 2015

Injustice: Year Four is finally delivering the epic brawl between superheroes and gods we've been waiting for. This issue has a few clunky elements, but it offers a lot of spectacle and a decent amount of character drama to boot.

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6.8
Injustice: Year Four #11

Oct 8, 2015

This series' lack of focus has come back to bite it in a major way even as it should be laying out the climax of the war between Superman's regime and the Greek gods.

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9
Injustice: Year Four Annual #1

Dec 30, 2015

If you weren't excited for the upcoming Injustice: Year Five, you very well might be after reading this annual. This issue deftly sets up that last major conflict while also delivering a fun but dramatic story centered around a very unlikely hero in the Injustice universe. He and Bruno Redondo continue to weave DC magic together, and it's a shame his return to the Injustice franchise won't last beyond this issue.

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8.7
Injustice: Year Three #1

Oct 8, 2014

If you enjoyed the previous two volumes of Injustice, there's no reason you won't be engaged by Year Three. The circumstances and cast of characters have changed, but the core appeal of the series remains very much in effect. The extra dose of humor certainly doesn't hurt either. Hopefully Year Three will prove to be just as epic a ride as Year Two was.

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6.3
Injustice: Year Three Annual #1

Apr 29, 2015

Unfortunately, while the quality of the main Injustice comic has remained pretty consistent, the same can't really be said for the annual issues. This comic has some interesting elements, but it fails to add much to the larger Injustice universe. Worse, the poor characterization of Superman in the second story derails what could have been a terrific examination of the Clark/Conner dynamic.

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8.8
Injustice: Year Two #1

Jan 15, 2014

It's definitely nice to have Injustice back after its brief hiatus. The series hasn't missed a beat since the conclusion of the first series, and in fact seems to have benefited from the time off in terms of visual quality. While the first story collected here is a bit stronger than the first in terms of focus and cohesion, both suggest that there's still plenty of room for great storytelling in this universe, even if readers know how it all ends.

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7.2
Injustice: Year Two #2

Feb 12, 2014

For the most part, the series still continues to thrive by exploiting the pre-New 52 character dynamics and juxtaposing those with the rapidly changing makeup of the world. Certainly, the Green Lantern, Superman, and Batman-focused material manages that. The interaction between Supes and Sinestro is especially memorable. But there's a slight awkward quality to the Hal/Barry scenes in how that conflict tries too hard to mirror our own world and last year's government shutdown. As much as I'd love it if superheroes showed up one day and forced Congress to do their jobs, I don't need that in my DC books. Stick to more timeless and dramatic storylines, like that time Aquaman attacked the surface world with a giant kraken.

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8.1
Injustice: Year Two #3

Mar 26, 2014

Injustice: Year Two is moving a bit slowly for a series that now only comes out twice a month. But between the engaging character work and visuals that continue to remain far more presentable and consistent than in the first book, there's plenty to love with this comic.

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8.5
Injustice: Year Two #4

May 1, 2014

As usual, both chapters are cleanly and expertly illustrated by Bruno Redondo. Now if only this war would finally get started.

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8.5
Injustice: Year Two #5

May 28, 2014

Bruno Redondo continues the maintain the grueling pace this series demands, illustrating both chapters with his clean, expressive style. As the action heats up, this comic becomes more cinematic and movie-worthy than ever before. I can only hope Redondo is able to keep up this pace for as long as this conflict rages.

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8.1
Injustice: Year Two #8

Jul 23, 2014

Unfortunately, the book loses a bit of its charm without Redondo providing the art. Xermanico's work is perfectly fine, but not quite as sleek or cinematic. As much as I enjoy reading this comic, I would be perfectly willing to keep Injustice on a biweekly release schedule if it meant a more consistent visual presentation.

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8.7
Injustice: Year Two #12

Sep 24, 2014

Tom Taylor continues to prove what a vast, unpredictable universe Injustice has to offer as he wraps up the second act of his prequel saga. Though a little compressed in spots, this finale issue offers all the character drama and bloody spectacle fans could hope for. And with Bruno Redondo back for the big finale, this is easily one of the series' strongest issues.

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7.2
Injustice: Year Two Annual #1

Oct 2, 2014

The second tale is far more successful overall. Here, Taylor and Bennett focus on the Hal Jordan/Sinestro dynamic as the two former partners are dispatched to track down a Qwardian super-weapon. Taylor certainly handled Sinestro well in the main series, but this story taps into elements of the character we didn't see there. Sinestro was clearly playing the villain and manipulator in Year Two. Here, we get a better sense of Sinestro the man, one who has a genuine desire to seek the greater good (as he sees it, at least) and has a strong affection for Hal. And with Jheremy Raapack handling the entire story, this segment is far more visually cohesive than the first.

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4.2
Insurgent #1

Jan 16, 2013

Nor is Federico Dallochio's artwork much help. Dallochio had his moments on Suicide Squad, but often his figures were too stiffly rendered and eerie. That problem is only compounded here. There's no grace to the action. Facial expressions appear unnatural and rigid. The vaguely digitized, computer rendered look to the world suits the tone of the script, but the characters themselves look out of place. Unfortunately, there's just not enough in this first issue to recommend sticking with the series to see if the plotting or characterization improve.

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8.2
International Iron Man #1

Mar 16, 2016

International Iron Man is shaping up to be a very different book from its sister series, which is mostly a good thing. It would have been nice to see a little more of Tony's present-day struggles in this first issue, not to mention an appearance from Doom, but the extended flashback illuminates a lesser-known period in the characters life and establishes a solid bond with the latest woman in his life. Fans of Bendis and Maleev's previous collaborations likely won't be disappointed.

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7.8
International Iron Man #3

May 19, 2016

International Iron Man is far from the most fast-paced superhero comic on the stands. The heavy emphasis on flashbacks ensures that the present-day conflict has barely progressed in these first three issues. But what the books lacks in terms of an exciting narrative it largely makes up for in strong characterization.

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6.8
International Iron Man #5

Jul 27, 2016

International Iron Man's first story arc comes to an uneven conclusion this month. This issue is easily the strongest showcase for Alex Maleev and Paul Mounts so far, blending moody character drama with high-flying action and heroics. Unfortunately, this issue fails to wrap up the Tony/Cassandra storyline on a satisfying note or justify why so much time has been devoted to that storyline at all. The series looks to be moving into more compelling territory, but why did it take this long?

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8.4
Invader Zim #2

Aug 20, 2015

This series channels all of the show's bizarre, spastic humor as it renews the endless feud between Dib and Zim. Even better than that rivalry is the banter between Dib and his ship and the constant comedic relief/philosophical musings of GIR.

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8
Invader Zim #6

Jan 6, 2016

If nothing else, this issue proves that an Invader Zim comic can work under more than just one group of creators. This issue isn't necessarily superior to those that preceded it, but it at least offers a different take and a different visual interpretation on the Zim-verse. A little variety is never a bad thing.

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8.1
Invader Zim #10

Jun 9, 2016

Even if this series isn't much for breaking the mold, it continues to prove how well the franchise lends itself to comics.

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8.6
Invaders (2019) #1

Jan 16, 2019

Marvel's latest Invaders relaunch succeeds in casting Namor as both villain and protagonist.

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8
Invincible #59

Feb 18, 2009

And there it is. I reviewed Invincible. And given the interesting direction the series is heading in, I don't think I can go back to trade-waiting anymore. And no that doesn't make me feel angry.

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8.5
Invincible #60

Mar 18, 2009

I had no need of a major upheaval like Invincible #60 to renew my interest in the series. It's been on an upswing for a year now. But explosive storylines like this certainly don't hurt. The series only became more compelling thanks to issue #60, and I look forward to see what Kirkman has up his sleeve next.

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8.6
Invincible #61

Apr 22, 2009

As usual, Ryan Ottley lends his own touch. Ottley's specialty has always been figure work more than detailed backgrounds, but there are several instances where Ottley goes the extra mile in rendering the full scope of the devastation. And the last page alone has me excited for the visual delights Ottley will spin in issue #62. It's a very good time to be an Invincible fan, and I highly doubt the excitement will be dying down anytime soon.

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7.8
Invincible #62

May 20, 2009

Issue #62 is light on content but heavy on visceral thrills. I'm sure the trade-waiters will have a blast with this one. Us monthly readers, however, may be left wanting for another few weeks until issue #63 hopefully offers up a stronger dose of plot progression.

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8.1
Invincible #63

Jun 17, 2009

I'll reiterate my final point from last month. As a trade, I'm sure this storyline is going to shock and amaze Invincible readers. It packs plenty of hardcore action and emotional impact. But when read individually, these issues are over far too quickly. I envy trade-waiters some weeks.

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8.7
Invincible #65

Aug 19, 2009

Kirkman leaves readers with plenty to chew on regarding future threats to Invincible and friends. That scheming Cecil is still up to no good, but he's only the tip of the iceberg at this point. After reading this issue, it's hard not to be excited for the upcoming Viltrumite War next year. Given how much action and drama readers have been subjected to over the past year, it should be a real doozy. And with any luck, Kirkman will be able to strike a better balance of said action and drama next time around. As much as this issue sends "Conquest" off in style, a more even dispersion is not a bad thing.

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8.6
Invincible #66

Sep 23, 2009

I won't be sad to welcome Ottley back at the end of the year, but I'm certainly enjoying Walker's return and the shift in narrative focus while it lasts.

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8.3
Invincible #67

Oct 21, 2009

This short arc has been a nice respite from all the harsh drama, but I think I'm ready to dive back into the heat of battle. Kirkman looks to have an epic conflict brewing for future issues, and I welcome the return of both the title hero and regular artist Ryan Ottley with open arms.

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8.5
Invincible #68

Nov 18, 2009

The two highlights come at the end, however. In both cases the scenes could clearly have benefited from more space. The final page in particular seems woefully out of place with the largely upbeat tone Kirkman presented in the rest of the issue. Even still, they offer some intriguing new material for fans to mull over and make it abundantly clear that Kirkman has plenty of surprises in store even before "The Viltrumite War" begins. To top it all off, Ryan Ottley is back on art. It was nice to have Cory Walker back for two months, but at this point Ottley has really defined the look of Invincible and made it his own. Whatever pacing issues I might have had, this was one darn fine installment, and certainly one of the better books this week. I would suggest potential new readers start getting caught up now before the crap inevitably hits the fan in a few months.

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8.5
Invincible #71

Apr 28, 2010

Like Walking Dead, Invincible has been a little sluggish in hitting stores lately. But considering the contents of "The Viltrumite War" are anything but sluggish, I see no reason to complain. Next issue looks to be a blood-soaked doozy for the Grayson family.

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8
Invincible #72

Jun 3, 2010

Quick read or not, Invincible isn't pulling its punches with "The Viltrumite War". I eagerly await issue #73 to see how Mark and his allies manage to get themselves out of this latest pickle.

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7.5
Invincible #73

Jun 30, 2010

Invincible is a book that loves to shake things up every so often, and issue #73 is no exception. This issue is a surprisingly light-hearted affair considering that issue #72 ended with Mark killing Conquest and cradling his own intestines in his arms. This time around the Grayson clan kick back and relax on a remote planet while Mark's body slowly repairs that gaping chasm in his torso. This allows for plenty of humorous and endearing interaction between Nolan and Oliver. Allen and Tech Jacket also form a surprisingly amusing pair. This humor does come at the expense of the action at times. Much as in the latter issues of War of the Supermen, Kirkman's script teases at a great many epic conflicts that are only barely glimpsed on the page. Ryan Ottley's ever-gorgeous pencils practically demand more carnage and bloodshed, even if they do handle the character moments oh-so-well. I won't be at all sorry when the story picks up once again and the Graysons are back in the thick of things.

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7
Invincible #75

Nov 3, 2010

In and of itself, the latest chapter of Invincible is bloody good fun and well worth the long wait. But as a complete package, the issue charges more than equivalent projects from Marvel or DC without providing enough extra content to justify the price.

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7
Invincible #80

Jun 15, 2011

But pacing and tone aside, this series does seem to be on the right track as it enters its new phase. And Ryan Ottley and the gang deliver vibrant, cinematic artwork as always. Issue #81 will determine whether this new twist can push the series into a new and exciting direction.

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8.5
Invincible #82

Aug 31, 2011

Being a creator-owned series with no corporate restrictions, Invincible has a storytelling freedom that most superhero books simply can't manage. Now, more than ever, Kirkman seems to be exploiting that freedom to its fullest. It's making for some darned fine reading.

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7
Invincible #83

Oct 5, 2011

As much as the series might have slowed down since "The Viltrumite War," Invincible still manages to hold the reader's attention with some strong character work and unexpected storytelling decisions.

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7
Invincible #84

Nov 2, 2011

We won't know for a while how this issue's plot developments play out, as Kirkman is going to shift focus away from Earth for a couple issues. For now, we'll simply have to trust that everything is well in hand.

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8
Invincible #86

Dec 21, 2011

Otherwise, the artwork is satisfactory in this issue. With colorist FCO Plascencia on board for one last hurrah, it can be easy to forget that the penciler has changed. With Plascenia's help, Cory Walker delivers an action-packed and emotionally-charged series of pages despite a relatively sparse art style.

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7.5
Invincible #87

Jan 11, 2012

It's definitely good to have Ryan Ottley's dynamic artwork back. The big brawls that open and close the issue number among some of the most visually engaging scenes of the week. Unfortunately, the colors remain a bit problematic. John Rauch's colors often have an unnatural sheen to them, and in that regard the book is still finding its footing after the departure of FCO Plascencia. Hopefully that will change in the coming months.

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6.5
Invincible #90

Apr 4, 2012

So far, not much is being accomplished with this replacement Invincible. Hopefully mark will reclaim his mantle soon so the series can focus on more interesting conflicts.

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8
Invincible #91

May 9, 2012

Ottley satisfies once again with his vibrant, expressive pencils. There's the blood and gore that always sticks out, but also a lot of visual diversity as Zandale attempts a date night and the rest of our heroes battle an alien menace. Unfortunately, after all these months, Jason Rauch's ethereal colors still don't fully mesh with the pencils. I'm not sure the series will ever fully recover from the loss of FCO Plascencia.

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8
Invincible #93

Jul 5, 2012

Walking Dead may be hogging most of the spotlight when it comes to Robert Kirkman's work these days, but Invincible is still chugging along capably even with its lead hero out of action.

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8
Invincible #94

Aug 22, 2012

Both Ryan Ottley and Cory Walker handle their respective sections well. Ottley has never been a slouch when it comes to epic action, and his various battle scenes are a feast of visual delights. Walker is arguably the standout artist this month, however, as he tackles most of the key emotional moments in his flashback scenes. It helps that colorist John Rauch is able to add more depth and richness to Walker's pencils than we've seen in his previous work. I'll probably never be happy with the odd, shimmery quality to Rauch's skin tones, but he does plenty right with this series as well.

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8.5
Invincible #95

Sep 26, 2012

Especially since I've been a bit ambivalent about Bulletproof in his replacement Invincible role, I'm perfectly happy to have Kirkman keep Robot and Monster Girl in the spotlight as long as he wants. This is one superhero universe that isn't lacking in scope or sheer variety.

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8.7
Invincible #96

Oct 24, 2012

There are no complaints to be had as far as the art goes this month. Even John Rauch seems to be settling in more as colorist, as the book has less of the usual ethereal quality and glimmery skin tones. I certainly won't complain about having Ryan Ottley back as full-time artist after this issue, but at the same time, Cory Walker more than held his own throughout this storyline.

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5
Invincible #97

Nov 14, 2012

All that being taken into account, the middle portion of the issue leaves a sour taste that simply can't be washed away. Kirkman is correct in asserting that this is his book and he can damned well do what he pleases with it. The flip side is that readers are perfectly free to jump ship if they don't like what they're reading. The fact that a writer can make certain story choices doesn't necessarily mean he should. I haven't been this disgusted by a plot development since Spider-Man pawned his marriage to Mephisto. Much like One More Day, even if the stories that follow are much more positive and enjoyable, the book will be tainted by the memories of what transpired here for a long while.

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8.3
Invincible #98

Dec 5, 2012

This issue manages to balance a high degree of tension with some nicely rendered action courtesy of Ryan Ottley. In true Claremont fashion, Kirkman is even able to touch on a seemingly unrelated but quietly looming conflict. In short, the series is able to shrug off the ill effects of last month and quickly move forward again. But with the violence sure to only increase in the coming months, hopefully Kirkman can continue to offer bloodshed that actually furthers the story and not just provides shock value.

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6
Invincible #99

Jan 2, 2013

In a series rocked by over-powered villains and dramatic plot twists every few months, Kirkman has managed to deliver a conflict with proper dramatic weight leading up to issue #100. Unfortunately, this penultimate issue derails the momentum established last month thanks to some terribly uneconomical dialogue and poor storytelling choices. Hopefully we can expect more from the finale chapter.

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7.6
Invincible #100

Jan 30, 2013

With the shift from action to conversation, it should come as no surprise that Ryan Ottley's art doesn't stand out as much as it has in the previous few chapters. The opening page allows Ottley to exercise his penchant for the grotesque, but after that his pages are more relatively low-key. Unfortunately, some of the dialogue sequences basically consist of panels of Mark standing against a black background. But Ottley keeps the issue visually interesting despite these limitations. There are a few pages where his facial work is called upon to hammer home the emotion of the scene. And in contrast to the opening page, I appreciated how Ottley and Kirkman showed restraint in depicting a major character death. Sometimes, what you don't see is more powerful than what is shown in all its gory detail.

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8
Invincible #101

Mar 20, 2013

As always, it doesn't matter whether Kirkman's scripts are crammed with action or, as in the case of this installment, are more dialogue-driven. Ryan Ottley handles it all with ease. His dynamic figures and facial work keep the story humming along as Kirkman transitions into the next phase of the Invincible saga.

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7.5
Invincible #102

Apr 24, 2013

The pacing in this issue is all out of whack, but the end result of this sudden conflict looks to benefit the series moving forward. Kirkman caps off the issue with another scene of change that that offers a welcome emotional moment. The series continues to move in a satisfying direction. At this point readers don't really need any massive surprises for a few months.

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8.6
Invincible #103

Jun 19, 2013

Kirkman also delivers some enjoyable material between the newly crowned Emperor Nolan and the imprisoned General Thragg, where Nolan seems to be doing his best to poke a sleeping bear with a stick. And finally, there's the material involving Levy himself, which is the most immediately poised to kick the book back into darker territory. Though the weird cliffhanger distracts from the Levy conflict a bit, this issue certainly succeeds in building excitement for what's in store.

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8.8
Invincible #106

Oct 16, 2013

And as has been said many times, artist Ryan Ottley excels regardless of the subject matter Kirkman tosses out. Ottley's dynamic facial work really comes into play during a tense dinner scene featuring the Graysons. How many other artists are capable of conveying so many variations of annoyance and frustration? And thanks to the arm wrestling scene and Battle Beasts's escapades, there's still a healthy dose of action for Ottley to render too. This issue isn't terribly remarkable by Invincible standards, but it features many of the elements that make this series work well in the first place.

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7.4
Invincible #113

Nov 20, 2014

It's visually stunning stuff, but pretty light on story. This makes for a very quick read by the series' usual standards. Few of the regular cast members appear at all. That makes the long wait that much more unfortunate.

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8.2
Invincible #116

Jan 21, 2015

Ryan Ottley's art shines, as always. He sprinkles in several gorgeous splash pages of Battle Beast and Thragg's epic brawl, just to ensure this issue has a little action to offer. His dialogue-driven scenes offer plenty of visual energy of their own. Meanwhile, Beaulieu is quickly settling in. His colors give the series the vibrant tone and clearly defined color contrast that had been diminished in the wake of FCO Plascencia's departure.

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8.3
Invincible #117

Feb 19, 2015

This issue mainly involves wrapping up loose ends, both mundane and superheroic. The result is an eclectic, busy and largely satisfying farewell to Earth.

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7.2
Invincible #118

Mar 26, 2015

The series is more accessible than ever now that the focus is shifting away from Earth and into the stars as Mark and Eve try to start a new life with their infant daughter. It's something different for the series, and in this case different is largely good.

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8
Invincible #120

May 27, 2015

A little word vomit aside, the change of venue and tone has been a huge boon for the series. And those craving a little fisticuffs should be equally satisfied with this issue's beginning and what the brilliant cliffhanger promises for issues still to come.

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8.2
Invincible #121

Jul 16, 2015

This issue packs in a lot of great moments for several characters, serving as a reminder that Invincible is about more than just its title hero these days. Ryan Ottley's dynamic art work is always a draw as well. That said, the coloring could do more in terms of lending depth to his pencils.

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7.8
Invincible #122

Aug 20, 2015

This issue mainly offers another interlude tale as the Graysons continue trying to adjust to their bizarre new lifestyle. However, the sporadic focus on General Thragg and his army-building efforts hints at darker things to come for our heroes. The result is a nice blend of comedic hijinks, baby woes and foreboding drama.

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8.8
Invincible #123

Sep 17, 2015

The series is building to a dramatic new conflict as Mark and Oliver help the Coalition hunt down General Thragg. That said, this issue doesn't play out at all like you might expect. But that's a good thing.

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8.8
Invincible #124

Oct 22, 2015

Rarely have I been more eager to get my hands on the next issue of this series.

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9.5
Invincible #126

Dec 17, 2015

This "Reboot?" storyline is a perfect example of how continuity can be a boon to a comic series rather than a crutch or an obstacle. Robert Kirkman and Ryan Ottley have delivered one of the series' strongest arcs to date by going back to the beginning and charging Mark with fixing the mistakes of his past.

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7.8
Invincible #127

Apr 21, 2016

Though Walker's facial work is occasionally wonky (mainly in the panels featuring crying characters) he quickly settles back into the universe and renders dynamic alien cityscapes and odd creatures with ease.

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8.8
Invincible #128

May 19, 2016

As disappointing as it is to have a Ryan Ottley-less Invincible for the next several months, it's tough to complain too much when Walker is turning in some career-best work.

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8.5
Invincible #129

Jun 16, 2016

Invincible's new status quo is one of the best things to happen to the series in its long lifespan. The simple thrill and anticipation of seeing various familiar characters for the first time since Mark's five-year absence is enough to propel this story along. And this issue definitely includes some great reveals that make the most of that time shift

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7.3
Invincible #130

Aug 25, 2016

This isn't necessarily the most memorable chapter of Invincible's current storyline.

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6.8
Invincible #131

Nov 17, 2016

There's a palpable sense of danger and unease in the air, particularly as mark finds himself and his family targeted for death by Thragg's children. That life-or-death struggle is the sole focus of this issue. Unfortunately, as urgent as that conflict is, this issue struggles to maintain its drive and impetus.

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7.6
Invincible #133

Feb 16, 2017

This issue is clearly the last quiet moment before the final plunge, and it knows how to get the job done.

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7
Invincible #136

May 18, 2017

Reading this issue makes it obvious why artist Ryan Ottley needed a break to start working ahead on this final, epic storyline. Ottley renders what might just be his most epic fight sequence yet, as Mark and his small band of allies make their stand against General Thragg and his literal army of Viltrumite offspring.

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6
Invincible #139

Aug 17, 2017

"The End of All Things" is trapped in a strange place right now, and it's imperative that Kirkman and Ottley right the ship in time for a proper, fully satisfying finale.

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7.1
Invincible #140

Sep 21, 2017

Based on where issue #139 left things, it wasn't clear how Robert Kirkman and Ryan Ottley intended to fill four more issues of the series. And that question is all the more pressing after reading issue #140.

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9.2
Invincible #141

Oct 19, 2017

This issue proves that there's plenty of appeal in simply exploring the fallout and highlighting key character relationships. But the creators also hint that the dark times might not be over just yet.

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6.5
Invincible #142

Nov 16, 2017

"The End of All Things" hasn't been using its time effectively. This issue in particular suffers from the relentless way Kirkman and Ottley blow through the long-awaited Invincible/Robot reunion. As a result, one of the most important confrontations in the series' long run feels perfunctory at best.

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8.2
Invincible #144

Feb 14, 2018

As with the rest of this final story arc, Invincible #144 is a bit rough around the edges. There's also a certain frustration in realizing that Kirkman could easily have devoted an entire arc just to the events chronicled in this issue. But there's also something to be said for getting out while the getting is still good. Emotionally, this issue hits all the rights notes as Kirkman, Walker and Ottley bid a fond farewell to their creations.

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9
Invincible Iron Man #1

May 7, 2008

All in all, I can find almost nothing to complain about as far as the writing goes. The compelling post-modern feel of Ultimate Iron Man is present here, only applied to much more familiar and likable version of the character. Fraction understands Tony very well, and my concerns over the existence of two Iron Man books have already been quieted. It's unfortunate, then, that the art doesn't quite live up to the writing. Salvador Larroca constantly seems to be on the cusp of real greatness, but his faces continue to be problematic. His Tony Stark only bears a passing resemblance to the real character. When Tony suits up the unnatural tone of the book immediately melts away. That rarely happens, though. Perhaps it's too early to call for a change in artists, but I'm going to do it anyway. I sense the beginnings of a truly classic Iron Man saga, and I'd hate for the visuals to hold it back.

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8.4
Invincible Iron Man #2

Jun 4, 2008

For the most part I love this new series. As with nearly every character he touches, Fraction displays an innate understanding of Iron Man and his world. But as long as the art continues to look like this, the book will be forever held back from true greatness. Hopefully Marvel addresses the problem in one way or another.

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8.1
Invincible Iron Man #8

Dec 17, 2008

These constant art problems continue to upset me. There's no reason Invincible Iron Man shouldn't be declared one of Marvel's best books. From a writing standpoint, it rivals anything Ed Brubaker is doing on Captain America. Artistically, though, each issue has been a major disappointment. Until Marvel addresses this problem, the series will have to settle for a second-class existence.

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8.4
Invincible Iron Man #14

Jun 17, 2009

As usual, it's hard to find much of anything to complain about when it comes to Fraction's scripting. This series finds him very much in his element, full of espionage, intrigue, tragedy, and off-kilter humor. But also as usual, the art never quite holds up its end of the bargain. Salvador Larroca's pencils are light, wispy, and don't bring enough to the table. They do too little, so Frank D'Armata's colors end up doing too much. There has been some improvement in recent months, I'll admit, but the same unnatural look to the human figures remains. Armored characters are much better off, with the lone exception of Pepper's hideous suit. The flow of action in this series is fluid and often gorgeous. It's a shame the garish coloring and wonky characters so often detract from the story. Invincible Iron Man is getting better and better each month. With the art the way it is, though, the series is quickly going to hit a ceiling it can't crack. Not even with an Iron Man leading the charge.

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8.5
Invincible Iron Man #15

Jul 1, 2009

What sticks with me most about this issue, though, is the steadily deteriorating condition of Tony Stark's mind. I'm hard-pressed to think of a time where I've felt more sympathy for a suffering Marvel hero. Fraction spends a great deal of time exploring Tony's predicament through dialogue exchanges between him and Pepper. These scenes add a touching new layer to their relationship, even if Pepper eventually does something I found to be a little out of character. It was also strange to see most of Tony's mental impairment suddenly melt away as madame Masque entered the scene. But by and large, Fraction is demonstrating some very nuanced character work here. Once again, I'm annoyed at the thought of having to wait a month for my next dose of Iron Man. I guess that signals a job well done.

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8.4
Invincible Iron Man #19

Oct 21, 2009

Still, I've gotten used to those foibles by now. The one nagging flaw of this finale issue is that it doesn't provide enough closure. There's the aforementioned problem with Maria. Also troubling is the resolution of HAMMER agent Walsh's betrayal. I hope Fraction has plans for this character during the course of "Tony Stark Disassembled", because to write him out of the series at this point seems wasteful. Coming out of issue #18, I'm sure many readers wondered how Fraction could properly resolve all of his open plot threads. Well, the truth is that they aren't all resolved, and that "World's Most Wanted" doesn't end so much as lead right into the next arc. Make no mistake - this is a powerful finish to an engrossing, yearlong saga. It just doesn't slap the big exclamation point at the end of "World's Most Wanted" I might have expected.

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8.7
Invincible Iron Man #20

Nov 25, 2009

Invincible Iron Man is firing on all cylinders at the moment, thanks to strong characterization, improved art, and a snazzy new cover design. Like Ed Brubaker's Captain America proved, sometimes the best thing you can do for your book is to take the main hero out of the game.

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8
Invincible Iron Man #500

Jan 19, 2011

Ultimately, there's a lot to love about this anniversary. Some readers may complain that the issue "doesn't matter" or has no bearing on the ongoing threads of the series. Plenty of signs point to the contrary, however. The mere fact that Invincible Iron Man #500 leaves so many questions unanswered is a testament that plenty more is to come. And even if this issue were completely standalone, is that really such a horrible thing?

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8
Invincible Iron Man #510

Nov 23, 2011

Life is only getting worse for Tony Stark, and this arc has all the makings of becoming a highlight in an already memorable run.

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8
Invincible Iron Man #515

Apr 18, 2012

This issue also offers up another memorable set of pencils from Salvador Larroca. I'll never be happy with the colors at this point, but for the most part the engaging action sequences and raw emotion are enough to make up for it. Curiously, though, Larroca doesn't render War Machine in his proper armor. At first I thought Matt Fraction was guilty of ignoring Rhodey's Iron Man 2.0 transformation, but this issue sees him utilize those new powers to full effect. Why Larroca and other artists have reverted to the bulky, movie-inspired armor is a mystery.

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8
Invincible Iron Man #516

May 3, 2012

No, the conflict doesn't move very far beyond where it started at the beginning of the issue. And despite the events of issue #515, neither Rhodey nor Pepper play any part this month. Regardless, this issue is a promising start to what should be one of the bigger and more bombastic of Fraction's story arcs.

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8
Invincible Iron Man #517

May 16, 2012

Aside from the Tony/Zeke dynamic, Fraction finds time to devote to characters like Pepper Potts, Bethany Cabe, and even a page or two with Rhodey. The dramatic showdown with Spymaster at Stark Resilient HQ is especially memorable. So even if the core of the conflict has barely shifted from the last issue, and even if we don't catch a glimpse of Mandarin this month, there's plenty of excitement in these pages to keep the momentum going until the next issue.

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7.5
Invincible Iron Man #518

Jun 6, 2012

Matt Fraction delivers some more memorable material involving the rest of the series' many villains. But with both the Detroit Steel and the Zeke Stane/Mandarin subplots, there's just too little material on hand to fully satisfy. It's a good thing this series ships as often as it does, because Invincible Iron Man has become too crowded and slow-moving for its own good at this point. Once these various conflicts converge more, then Long Way Down should truly hit its stride.

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8
Invincible Iron Man #519

Jun 20, 2012

My only real complaint with the pacing in this issue is that we still aren't seeing much of Rhodey as the new Iron Man. That character has suffered enough lately with the meltdown of the Iron Man 2.0 book, and it would be nice to see him take more of an active role in the conflict beyond being Tony's muscle. Hopefully that will change over the next few issues. The artwork is also a bit haphazard this month. Most of the action is handled well, but the showdown between Bethany and Tony is strangely cramped and claustrophobic. But if nothing else, the art team deserve credit for delivering so many issues at such a rapid pace.

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8
Invincible Iron Man #520

Jul 5, 2012

Salvador Larroca frames these action sequences well, despite the usual coloring problems. His new Iron Man design is also quickly growing on me, and I'm happy that the new Marvel NOW! armor seems to retain at least some of those design elements.

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8
Invincible Iron Man #521

Jul 18, 2012

There's not much else to be said about Salvador Larroca's artwork these days. The series has practically become a biweekly book this summer, yet Larroca never falters in his storytelling. The flip side is that his work remains relatively sparse, relying overly much on Frank D'Armata's colors to fill in finer details. Nonetheless, it's impressive to see how much one consistent creative team can accomplish over the course of a mere four years.

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8.5
Invincible Iron Man #522

Aug 1, 2012

While the tension between Tony and Mandarin continues to bubble nicely, Fraction also delivers some extended action as both Iron Man and Rescue battle their united foes. I do wish Pepper's attempts to ferret out Iron Man's identity weren't such a significant part of their interaction, given that the reader knows perfectly well who he is. On the other hand, Iron Man delivers a slightly on-the-nose speech that suggests there's a much deeper reason for all the deception and conspiracy. One thing is certain -- there's more than enough incentive to keep coming back for each issue of Future. The rapid shipping schedule is just one more bonus.

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7.5
Invincible Iron Man #523

Aug 22, 2012

Little has changed regarding the art, which has been the case for years at this point. Unfortunately, Salvador Larroca doesn't have the opportunity to break out his altered flashback style as he did in issue #522. Still, the issue offers a nice mix of simple character interaction, high-octane, armored action, and sci-fi imagery. Oddly, the one visual element of the book that has changed is the cover design. It's a positive change, but it seems weird to suddenly make the change in the middle of an arc and the tail end of a four-year saga.

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7.5
Invincible Iron Man #524

Sep 5, 2012

The artwork doesn't shine that well in this issue, mostly because Frank D'Armata's colors tend to overpower the pencils even more than usual. There are a handful of panels where Salvador Larroca's line-work gains a greater level of detail and precision, but that isn't the case nearly enough. As usual, Larroca's action scenes and armored characters look great. This issue stands out because there's now a small army of Iron Men creating havoc. It's the human characters that have looked and continue to look unnatural.

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7.8
Invincible Iron Man #525

Sep 26, 2012

This issue relegates the Hammer girls to the sidelines, so that only the Stark Resilient and Rhodey subplots remain to offset Tony's struggle. Those two pieces of the story are all but merged at this point as Fraction builds closer and closer to the big reunion/rescue sequence. A brief appearance by a couple of super-teams from the book's past only heightens the idea that Fraction is pushing towards the finish line. More loose ends are coming together and the stakes are growing higher. It seems that the cover image of Mandarin crushing the world in his grip is more literal than it seems. So even if the general sense of plot progression remains a bit sluggish from month to month. Fraction is delivering a worthy finale to his multi-year run.

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6.8
Invincible Iron Man #527

Oct 24, 2012

But in some fundamental ways, this issue doesn't really cap off the story at all. As far as Tony's continued role as an Avenger and an innovator, Fraction leaves a great deal up in the air. The character is vaguely positioned both for what Kieron Gillen is planning in his new Iron Man series and his unexpected role in Brian Bendis' Guardians of the Galaxy relaunch. The message is that Tony Stark has failed yet again, but the opportunity is still there to seize a better future. So the end result is an odd mix of the depressing and the optimistic, the conclusive and the open-ended. It's not exactly the ending I was expecting or hoping for, but it's one that leaves plenty of room for growth and evolution during Marvel NOW!.

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7
Invincible Iron Man Annual #1

Jun 30, 2010

At 80 pages, it's hard to say Invincible Iron Man Annual #1 doesn't justify the cover price. Even the unfortunately higher-priced digital version isn't a bad deal. Sadly, a few major caveats keep this issue from meeting the standard set by Fraction's work on the main series. I'm not sold on his interpretation of Mandarin yet. With the villain due to appear again in the near future, I hope that will eventually change.

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7.1
Invincible Iron Man (2015) #1

Oct 8, 2015

There's every reason to hope that Invincible Iron Man will grow into something special given Bendis and Marquez's work on Ultimate Spider-Man. There's certainly plenty of potential to work with here. But while this first issue was decent enough, it lacked the spark or sense of originality that Iron Man needs as this new era of Marvel begins. There's a lot of work to be done yet in giving Tony Stark the overhaul he needs.

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8.3
Invincible Iron Man (2015) #2

Oct 21, 2015

Invincible Iron Man's first issue was slightly disappointing, which is why it's good to see the new series quickly building steam in its second chapter. While this issue focuses a little too much on dialogue, it builds a clear sense of tension and explores the relationships between Tony, Doom and Madame Masque well. And Marquez's art shines regardless of location or characters.

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8.5
Invincible Iron Man (2015) #4

Dec 2, 2015

This new issue features Iron Man locked in a stylish battle with cyber-ninjas and Doctor Doom eating a bag of potato chips. Seriously, what more do you need from an Iron Man comic?

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7.1
Invincible Iron Man (2015) #5

Jan 7, 2016

From a story standpoint, this issue offers a fairly underwhelming conclusion to Brian Bendis' first story arc.

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6.7
Invincible Iron Man (2015) #6

Feb 4, 2016

David Marquez dropped the mic with the first five issues of this series, and that's not an easy act to follow by any stretch. Unfortunately, the decision to bring Mike Deodato, Jr. on board for the second arc means that Invincible Iron Man looks like a fundamentally different comic

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6.4
Invincible Iron Man (2015) #7

Mar 3, 2016

There are clearly interesting things brewing for the book, but a certain amount of momentum has been lost since the first story arc.

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5
Invincible Iron Man (2015) #8

Apr 7, 2016

Invincible Iron Man has hit a significant sophomore slump with this current story arc, which stands out neither as a prologue to Civil War II nor as a simple continuation of the first story arc.

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5.5
Invincible Iron Man (2015) #11

Jul 6, 2016

This series has lost far too much of the polish and sense of fun it boasted in the early months of All-New, All-Different Marvel. This issue delivers too little payoff to an overly long storyline, coasting by mainly on the strength of the character interaction between Tony and his fellow Avengers. Can Civil War II give Invincible Iron Man the boost it needs?

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6.2
Invincible Iron Man (2015) #12

Nov 30, -0001

With a different art style, this Civil War II tie-in arc could easily put the series back on track. It manages to explore the impact of Civil War II while also exploring key relationships in Tony Stark's life (not least of which being his burgeoning friendship with Riri Williams). Sadly, Deodato's stiff artwork and Martin's dreary colors are a poor match for the story.

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8.3
Invincible Iron Man (2016) #1

Nov 9, 2016

After a rough year for Iron Man, it's good to see the franchise getting back on track with this relaunch. As much as the present-day portions of this story play out like a standard teen superhero adventure, the extensive flashbacks do a great job of exploring who Riri Williams is and what makes her tick. It's also great to see the new art team following the example set by David Marquez and Justin Ponsor, rather than what followed in later arcs.

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8.7
Invincible Iron Man (2016) #2

Dec 22, 2016

The series has pathos to balance out its humor and superhero spectacle. It also has a strong artist in Stefano Caselli.

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8.5
Invincible Iron Man (2016) #4

Feb 16, 2017

This might be Caselli's strongest issue yet, as the combination of ninja, Iron Man armors and physical comedy results in a consistently entertaining adventure.

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8.3
Invincible Iron Man (2016) #5

Mar 23, 2017

As a villain, Tomoe's role feels pretty generic. All the effort spent trying to establish the character as a credible threat in the previous arc comes to naught here. But the book continues to soar on the strength of Bendis' characterization and Caselli's expressive art.

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8.3
Invincible Iron Man (2016) #6

Apr 20, 2017

Writer Brian Bendis uses this issue as an opportunity to play Riri against many mainstay characters from his iron Man run, including Mary Jane, Pepper Potts and even Tony's birth mother, Amanda Armstrong. Tony's digital A.I. self provides ample comic relief (perhaps a little too much at times), but the book resonates most when it simply focuses on Riri's struggle to decide what she truly wants and her inability to acknowledge her fears and doubts.

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7.3
Invincible Iron Man (2016) #7

May 18, 2017

It's the same story with both Iron Man books right now - great characterization, top-notch visuals and an agonizingly slow pace. Even seven issues in, it feels like this series has barely gotten started with establishing Riri Williams' role in the Marvel Universe.

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7.8
Invincible Iron Man (2016) #8

Jun 22, 2017

This series is doing a great job of establishing Riri as a character, just less so when it comes to making her an active player in the wider Marvel Universe. But between Bendis' characterization and Stefano Caselli's gorgeous, expressive art, the positives continue to outweigh the negatives.

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9.9
Invincible Iron Man (2016) #9

Jul 20, 2017

This might be the first issue of this series that didn't frustrate with its slow pacing issues. Brian Michael Bendis' script offers a satisfying blend of armored action and character drama, as Riri clashes with Lucia von Bardas and her Doombots on one hand while FRIDAY and Tony Stark ponder the nature of A.I. existence back home.

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8.7
Invincible Iron Man (2016) #10

Aug 17, 2017

Basically, this issue reads like an upbeat celebration of Riri's first year on the job and her first real victory against a Marvel supervillain. It's fun to watch Riri butt heads with SHIELD, bond with militiamen and generally try to solve Latveria's problems in the way only a naive but brilliant 15-year-old would. But the real joy comes when she returns home and reconnects with her mother.

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7.5
Invincible Iron Man (2016) #11

Sep 21, 2017

Calling this a filler issue seems a little harsh, but it's clear that Invincible Iron Man is biding its time until Marvel Legacy ushers in the series' big new status quo.

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7
Invincible Iron Man (2016) #600

May 23, 2018

Invincible Iron Man #600 serves as an imperfect finale to an imperfect series. Not every loose end is given satisfactory resolution here. It's also frustrating to see Bendis leaving just as he introduces some intriguing new developments in the Marvel Universe. But regardless, at least this issue leaves a strong foundation on which the next Iron Man comic can build.

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8.7
Invincible Universe #1

Apr 11, 2013

There's a lot at play in the first issue, and all of it contributing to a series that acts as both a worthwhile companion to Invincible and a genuinely entertaining superhero comic in its own right. Let's hope the name change attracts the book some much-deserved attention.

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9
Invincible Universe #2

May 1, 2013

But as with issue #1, it's Cecil more than anyone who stands out. This is a character I took a long time to warm up to in the main series. But Hester has done solid work with him thus far, and the final few pages of this issue are easily my favorite Cecil material in the history of the franchise. That bodes well as this new series continues to grow and focus on the various other members of the ensemble cast.

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9
Invincible Universe #4

Jul 3, 2013

Once the dust settles, what's left is a really glimpse into the mind of a lesser-known hero in Invincible Universe. If the goal was to make the reader crave more from Best Tiger in future issues, this was certainly a success.

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6.5
Invisible Woman (2019) #1

Jul 10, 2019

Invisible Woman #1 isn't the slam dunk it should be given the pairing of creative team and character.

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6.2
Iron Fist (2017) #1

Mar 22, 2017

Danny Rand can't seem to catch a break lately. This first issue is competently executed, but it pushes Iron Fist in a very generic and uninteresting direction. The lack of humor and the decision to downplay so many of the traditional trappings of the franchise only serve to dull the appeal of Iron Fist in the first place. Hopefully this issue isn't a sign of what to expect from the series as a whole.

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7.8
Iron Fist (2017) #2

Apr 6, 2017

After a dull, grim debut issue that seemed a little too eager to pattern itself after the Netflix series, Iron Fist #2 is able to get back in touch with what makes Danny Rand an appealing character.

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7.7
Iron Fist (2017) #73

Oct 5, 2017

This series may have reverted to its classic numbering, but little has actually changed with the start of Marvel Legacy. That's mostly a good thing.

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5.6
Iron Man (2012) #3

Dec 5, 2012

The artwork is doing little to endear the series to me either. Greg Land's action scenes are impressive enough, but his storytelling falters whenever the script calls for more mundane conversations or other character-centric material. Believe it or not, there's such a thing as a comic book character looking too sexy and attractive, and that's a problem Tony and Pepper suffer from constantly. The facial expressions are too rarely in tune with the actual tone and tenor of the dialogue. Land has long shown a habit for relying on photo-referenced material in his work. Unfortunately, this habit has become more blatant in this series. Nearly every shot of the Iron Man armor in all three issues so far seems pulled straight from the movies. So even when Tony dons an entirely new suit in this issue, little changes beyond the color scheme.

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5.3
Iron Man (2012) #4

Dec 12, 2012

With one issue left in this story, I can only hope that the series will find its footing and establish a clearer direction in the second arc.

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5.5
Iron Man (2012) #5

Jan 2, 2013

If nothing else, issue #5 lays the groundwork for Gillen's next story and puts the Extremis conflict to rest. The flip side to this is that the ending only makes these five issues feel even more pointless and irrelevant. With Invincible Iron Man ending with Tony venturing out into space, and with this arc ending in nearly identical fashion, what was the point of these five issues at all?

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6.9
Iron Man (2012) #6

Feb 6, 2013

This series has yet to display the ambition or clear, focused direction needed to rival the best Marvel NOW! titles. But now that the first story arc is out of the way, Gillen is more free to focus on the fun and adventure that come from being Iron Man. That's a quality we've seen precious little of in the past decade.

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7.5
Iron Man (2012) #7

Mar 6, 2013

Like with issue #6, the visuals are more notable for the strong, varied use of color than the actual pencils. No matter their gender, race, or now even species, Greg Land's characters all look like pretty, chiseled fashion models. Considering the premise of this arc, there should be far more diversity to the character designs. The action is generally depicted well, but this series really needs a fresh visual approach if it's going to reach its full potential.

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8.2
Iron Man (2012) #8

Apr 17, 2013

And Gillen delivers some dramatic consequences to the story in the final pages, elevating "Godkiller" from a fun, simply filler arc to something that serves as a piece in the writer's larger plan. This arc doesn't wind up affecting Tony personally as much as I was expecting considering he was put on trial for murdering a space god, but the outcome still leaves him with a mission to undertake and some emotional fallout to deal with. How any of this is supposed to play into Gillen's upcoming revisionist origin story is a bit of a mystery. Still, I'm glad to see the series on much firmer footing than at the conclusion of the first arc.

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8.5
Iron Man (2012) #9

May 1, 2013

Iron Man has never been at the top of the Marvel NOW heap. But with the improvements that have already been made with this prologue issue, there's a good chance that might change in the coming months.

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8.8
Iron Man (2012) #10

May 15, 2013

By the final pages of this, the method to Gillen's madness starts to become clear. I have no doubt some readers will hate this story, both for the bizarre trappings and the changes Gillen is making to Tony's origin. But if it's a choice between this and the early issues of the series, I'll take this zaniness any day of the week.

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8.8
Iron Man (2012) #11

Jun 5, 2013

Dale Eaglesham is a great fit for this arc, providing the series with the strong visual foundation it had been lacking until now. Between the character designs and frequent flashbacks to the 1960's, there's a strong Jack Kirby vibe to this story. Eaglesham is the rare sort of artist who can channel Kirby in terms of his energy, imagination, and powerful figures without directly aping Kirby's style.

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8.6
Iron Man (2012) #12

Jul 3, 2013

There's some lingering fear that the various changes Gillen has introduced to this origin will diminish Tony and make him more a victim of circumstances rather than a self-made superhero. But as entertaining as the arc has been so far, Gillen certainly deserves the continued benefit of the doubt.

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6
Iron Man (2012) #16

Oct 2, 2013

The good news is that penciler Carlo Pagulayan and inker Scott Hanna continue to make a great team. Hanna's sleek inks offer a clean, no-nonsense quality to the figures that isn't always apparent in Pagulayan's work. It's an aesthetic that offers a smooth transition from Dale Eaglesham's work earlier in the series and brings life to the otherwise quiet pages in the second half of the issue.

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8.6
Iron Man (2012) #17

Oct 23, 2013

This issue leaves Tony in a solid state for future arcs. Gillen returns Tony a bit more to how he was portrayed during Matt Fraction's run - humbled by the weight of his experiences but eager to embrace the future and the potential it brings.

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7.7
Iron Man (2012) #18

Nov 6, 2013

Joe Bennett takes over as artist with this storyline. His style, coupled with Scott Hanna's inks, results in something pretty similar to what we saw in the latter issues of "Secret Origin." The look is decent enough, but Bennett doesn't bring the tech elements to life as well as he might. That, coupled with a repetitive series of widescreen panels interspersed with splash pages contributes to a slightly dull look for what should be a more visually bedazzling story.

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7.8
Iron Man (2012) #19

Dec 4, 2013

I only wish the art in this arc were a little more consistent and adept at handling the more tech-based elements. Penciller Joe Bennett and inker Scott Hanna deliver a very clean look, but the detail in areas like facial work can fluctuate an awful lot from page to page. And Bennett's rendition of the current Iron Man armor lacks some of the sleek, futuristic quality other artists have brought to the table. Iron Man shouldn't look this bulky and clunky.

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6.8
Iron Man (2012) #22

Mar 5, 2014

On the plus side, penciller Joe Bennett and inker Scott Hanna finish out the arc in style. Bennett is given the chance to cut loose and render plenty of carnage between the various Iron Man armors and the ring-wielders. And the result in unusual in regards to Gillen's run, in that the issue is often more viscerally satisfying than intellectually. We'll see how this storyline progresses as "Rings of the Mandarin" gets underway.

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8.4
Iron Man (2012) #23.NOW

Mar 19, 2014

Luke Ross takes over art duties for this arc. While his depiction of the Iron Man armor is a little stiff and clunky, Ross delivers excellent figure work and blends the mystical trappings with the real world characters and scenes well. The fusion of those elements is already allowing Ross to stretch his muscles in ways we haven't seen on books like Secret Avengers.

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5.8
Iron Man (2012) Annual #1

Feb 19, 2014

Unfortunately, the end result of all of this is very mixed, and this annual doesn't really emerge as required reading for those just following the main series and not the Fatal Frontier comic.

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6.5
Iron Man 2.0 #5

May 25, 2011

If you're an Iron Fist fan, by all means give this are a look. But if you're in it only to experience Rhodey's journey, you may be better served sitting out Fear Itself.

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7
Iron Man 2.0 #6

Jun 23, 2011

Iron Fist fans owe it to themselves to read this tie-in, as there won't likely be a better outlet for these characters anytime soon. But readers buying the book specifically for War Machine should be more cautious. After six issues, it's still difficult to tell whether Spencer is steering the hero in the right direction.

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7
Iron Man 2.0 #8

Aug 31, 2011

The series continues to find its voice a little more each month. The main challenge now is finding a truly consistent and effective visual tone each month.

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7.2
Iron Man 2: Public Identity #1

Apr 28, 2010

On the whole, Public Identity rises far above the level of most movie tie-in comics. Sadly, the haphazard artwork keeps the series from gaining real altitude. While I don't expect these problems to resolve themselves, at least readers can count on a worthwhile lead-in to what should be one of the most fun movies of the summer.

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6.1
Iron Man: Director of S.H.I.E.L.D. #22

Sep 26, 2007

At his best de la Torre rivals peers like Alex Maleev and Michael Lark, but it's clear he isn't really cut out for superhero books. Each and every month I'm left with the feeling that Iron Man is only a few short steps away from greatness. Short steps they may be, but without any forward movement they may as well be miles of impassable mountains.

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8.4
Iron Man: Director of S.H.I.E.L.D. #24

Dec 26, 2007

At this point, the only thing I don't like about Iron Man is Tony Stark. Stark has reached an unprecedented level of saturation in the Marvel universe lately thanks to his role as S.H.I.E.L.D. director. After reading the recent Iron Man Annual, I realized what I really want is a more light-hearted take on the character. Stark has enough problems to deal with in about 50 other comics right now, so it would be nice to see him kick back and act like a billionaire playboy secret agent once in a while. As the Joker might ask, why so serious, Mr. Stark?

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8.4
Iron Man: Director of S.H.I.E.L.D. #25

Jan 23, 2008

As per usual when Roberto de la Torre handles the art for this series, I'm impressed by the level of detail and atmosphere, yet also underwhelmed by the action sequences. De la Torre's strengths lie in facial work more than body gestures - not such a good thing for a superhero series. The action is kept to a minimum, however, so I really don't have many complaints this month. In the end, it's another month, another solid effort from the Iron Man crew.

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8.8
Iron Man: Director of S.H.I.E.L.D. #26

Feb 20, 2008

Though this issue suffers from a small handful of comic book cliches (it can't quite be helped when the hero/villain showdown occurs) and a lousy, forced cliffhanger ending, I still highly enjoyed my Iron Man experience this month. Get your kicks in now, because there's no telling ho much longer the book will actually be around.

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9.1
Iron Man: Director of S.H.I.E.L.D. #27

Mar 19, 2008

It's going to take a lot to convince me that the comics market needs two ongoing Iron Man books. With the strong political/espionage angle this series has taken, though, it just might be possible. I just know I don't want to see this series canceled anytime soon.

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9.4
Iron Man: Director of S.H.I.E.L.D. #28

Apr 16, 2008

I've read a lot of comics this week, and I have no qualms in saying that Iron Man #28 is the best of them. I hope that statement is enough to convince more people to run out and buy the trades. With so much focus on Iron Man the superhero this spring, I fear the Knauf's vision of Iron Man as a scientist, a politician, and a darned cool secret agent may be numbered.

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8.6
Iron Man: Director of S.H.I.E.L.D. #29

May 21, 2008

It's disappointing, but not entirely unexpected, to see that Roberto de la Torre's art isn't quite up to the standard he set last issue. It's becoming apparent that de la Torre's art requires more time and care than a monthly schedule will allow. More disappointing is that he shares art duties with Carlos Pagulayan. The inker and colorist do a decent job of masking the random shifts, but it's still pretty noticeable. By and large, though, this issue was a pleasant surprise. If nothing else, Stuart Moore is doing a bang-up job of keeping the Iron Man chair warm.

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7.5
Iron Man: Director of S.H.I.E.L.D. #30

Jun 18, 2008

It's unfortunate to realize that neither of the two ongoing Iron Man books have much to offer in the way of art. It's all the more unfortunate in this series considering that three different talented pencillers all contribute to this issue. The problem comes in the attempt to meld all three styles into a cohesive whole. The subdued coloring really doesn't do Carlos Pagulayan any favors. He's always been more of a bombastic superhero artist. Roberto de la Torre is fine as always, and he seems to be the happy medium here. Steve Kurth almost manages to blend in, but his oddly exaggerated use of perspective ends up preventing that. I can understand Marvel's desire to rush this arc out of the gate so that the Secret Invasion tie-in isn't too delayed, but surely there's a better way. I imagine the series will be greatly altered in the wake of SI, so this arc has potential to serve as a send-off for this particular era of Iron Man. I hate to see some of that potential squandered.

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6.4
Iron Man: Director of S.H.I.E.L.D. #32

Aug 20, 2008

I think the biggest flaw with this arc is that it failed to significantly advance any characters. Tony's Alpha Team was ripe for some quality face time, but they still come across as little more than grunts in Iron Man suits. I'm sure Moore was very limited in what he was able to do with this story thanks to its placeholder status, but the book deserved more. Only in the poignant final pages do I feel like Tony Stark receives a fitting send off. I'm going to seriously miss this book, but not because of anything I read in the last four months.

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7.2
Iron Man: Director of S.H.I.E.L.D. #34

Oct 15, 2008

Speaking of which, it appear as if this arc will be delving into the mystery of Rhodey's cybernetic body parts before it ends. I'd say that's as good a reason as any to follow this story until the end. The arc falls flat as a Secret Invasion tie-in, but as a primer for what should hopefully be a strongly character-driven solo series, it's not half bad.

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6.8
Iron Man: Director of S.H.I.E.L.D. #35

Nov 19, 2008

I can only hope Greg Pak's series will offer that substance. Gage has laid some interesting ground work for the character, so no on can complain there isn't potential for plenty of compelling stories in the coming months.

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8.1
Iron Man: Director of S.H.I.E.L.D. Annual #1

Nov 21, 2007

If the last two years of Iron Man have come across as a disappointment, this issue might be right up your alley. The overall direction veers far away from what the Knauf's have been working towards, but that's not really a bad thing at this point.

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8.1
Iron Man: Enter the Mandarin #2

Oct 3, 2007

One thing to notice during the many pages of fight scenes is Eric Canete's art. The cartoony, bombastic pencils are about as far as you an get from the very realistic tone of the Iron Man ongoing, but they aren't a bad fit for this comic. Despite its mission to modernize a classic Marvel story, this comic is very much a throwback to the "good old days." If a post-Civil War Tony Stark rubs you the wrong way, this comic will give you a glimpse of Iron Man before his armor got all tarnished.

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5.2
Iron Man: Viva Las Vegas #2

Aug 6, 2008

Even Granov's art disappoints. Compared to his work in Extremis, Granov's art is lifeless and lacking in style. The characters are far too pretty – no blemishes at all on these underwear model frames. The Iron Man suit continues to stand out against the rest of the world, as if Granov cut out a few frames of the movie and pasted them into the comic. I'm able to forget many of these problems when Iron Man and Foom square off, but that only saves the final few pages. At most, those pages give me hope the second half of this series will be an improvement over the first. Still, it should be clear by now that Viva Las Vegas is not what we were expecting or hoping for from this collaboration.

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6.5
Iron Patriot #2

Apr 24, 2014

Unfortunately, the series lacks that certain special quality to really set it above the various past efforts to give Rhodey his own solo title.

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7.2
Ironheart #1

Nov 28, 2018

Ironheart #1 stumbles from time to time, but still succeeds on the strength of its visuals and an engaging heroine.

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7.1
IvX #0

Dec 1, 2016

These days, it's hard to know whether #0 issues are a crucial first chapter in a new series or merely an optional, new reader-friendly primer. IvX #0 is more the latter.

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8.5
IvX #1

Dec 14, 2016

Marvel's other big "heroes vs. heroes" event of 2016 might have been a bust, but IvX shows far more potential in its first issue. Writers Charles Soule and Jeff Lemire cleanly lay out the conflict and establish the stakes for both sides before diving into the thick of battle. That battle looks fantastic thanks to Leinil Yu and his collaborators. This series' greatest challenge will likely be maintaining its momentum with the rotating slate of artists.

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8
IvX #2

Jan 11, 2017

IvX #2 is a very simple comic on its surface, focusing mainly on violent spectacle as the two teams come to blows. But that spectacle looks great. And it helps that IvX feels so weighty and dramatic. There's a desperation to this battle, as well as a moral ambiguity that sets it apart from the many "hero vs. hero" conflicts that have come before.

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7.8
IvX #5

Feb 22, 2017

IvX is building momentum again as the big finale looms. While the series is still lacking a certain visual punch without Leinil Yu at the helm, the plot receives a major adrenaline boost in this issue. Between several enjoyable character confrontations and a heavy focus on shifting alliances, this issue takes full advantage of the complicated relationship between the two teams.

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5.7
IvX #6

Mar 8, 2017

The return of Leinil Yu gives IvX a boost in its final chapter, but even that isn't enough to make up for the disappointing turn the conflict takes here. Poor characterization and a lukewarm resolution mar what had been a pretty entertaining and thoughtful take on the "hero vs. hero" trope. At this point, both franchises are in desperate need of the fresh start ResurrXion will provide.

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6.5
IXth Generation #1

Jan 7, 2015

Hopefully IXth Generation has nowhere to go but up now that this first issue has set the stage and the conflict has begun.

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8
Jack of Fables #33

Apr 22, 2009

I guess it's safe to say I'm fully on board this crossover now. If Willingham and Sturges can get me to tolerate Jack, the rest of the story should be smooth sailing.

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6.7
Jack of Fables #34

May 20, 2009

I'm at the point where I just want this crossover to end. Kevin Thorn may be the most powerful foe the Fables have ever faced, but he's far from the most interesting. "The Great Fables Crossover" is turning out to be little more than a three-month exercise in wasted time.

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7.6
Jacked #1

Nov 25, 2015

Jacked is a series that manages to be engaging despite the overly familiar nature of its premise.

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8.4
Jacked #4

Feb 25, 2016

There have been times when this mini-series seemed destined to tread the predictable, familiar path when it comes to stories of real-world schlubs gaining super-powers. But luckily, Eric Kripke and John Higgins seem intent on embracing the mature readers label and telling a story that manages to be both a hyper-violent romp and a glum character study in one.

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8.5
James Bond #1

Nov 5, 2015

Dynamite picked the right creative team to kick off their new James Bond comic. Ellis and Masters open this issue with an exciting, dynamic showdown between trained killers and then keep readers hooked through strong dialogue and character dynamics. This series may lack some of the flash of the Bond movies, but that's really the whole point.

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8.4
James Bond #2

Dec 3, 2015

Having a mediocre new James Bond movie in theaters isn't so bad when you have a Warren Ellis-penned Bond comic to balance the scales. Ellis and Jason Masters are doing a great job of bringing Ian Fleming's Bond to life in comic form.

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8.8
James Bond #3

Dec 31, 2015

Warren Ellis and Jason Masters strip much of the glamour and allure from Bond's world, instead focusing on how brutally violent and chaotic the life of an international super-spy can be. The violence is grotesquely rendered, but never does it seem like the creators are opting for mere shock value.

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7.1
James Bond #4

Feb 11, 2016

This issue amps up the excitement factor as Bond gets closer to uncovering the mystery of the duper-drug Vargr and the villain pulling his strings. The extended fight sequence ups the ante and provides Bond with his first real physical challenge of the series. Unfortunately, Jason Masters storytelling sometimes falters during this sequence.

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8.4
James Bond #8

Aug 4, 2016

Warren Ellis and Jason Masters are telling the sorts of James Bond stories we'll probably never see on the big screen. They don't have the scope necessary to appease those weaned on modern Bond films, but they do showcase so much of what makes the character so entertaining in print form.

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6.8
James Bond (2017) #1

Mar 2, 2017

The book evokes that classic Bond feel, but it doesn't do much to break the mold, and this issue is over a bit too quickly for its own good.

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8
James Bond (2017): M #1

Feb 22, 2018

The end result is a much more grim and subdued Bond, even by the relatively darker nature of Dynamite's Bond comics.

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8.5
James Bond: The Body #1

Jan 18, 2018

Writer Ales Kot impresses immediately out of the gate, crafting a fast-paced tale wherein an injured Bond relays the events of his most recent mission to his MI-6 doctor.

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7
Jean Grey #1

May 3, 2017

Jean Grey seems like it'll develop into a worthwhile addition to the growing ResurrXion lineup. The art is strong, and Dennis Hopeless shows a decent handle on the title character. Unfortunately, the series gets off to a needlessly slow start in this first issue, dwelling on an overlong battle with the Wrecking Crew rather than diving into the heart of Jean's struggle.

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6.8
Jean Grey #7

Sep 21, 2017

This series really needs to break out of its current cycle of having Jean pair up with a different Marvel guest star every month.

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8.3
Jean Grey #11

Feb 1, 2018

Reading this issue only highlights the notion that this book is being cut short well before its time and before writer Dennis Hopeless was able to fully realize young Jean's character arc. But even so, this finale makes for a rousing read that celebrates the long history between the Phoenix Force and the Grey clan.

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8.8
Jessica Jones #1

Oct 5, 2016

It's been a long time coming, but Jessica Jones has the solo book she deserves again. And with both Brian Bendis and Michael Gaydos back at the helm, this new series has little trouble recapturing the appeal of its predecessor. The fact that so much about Jessica's life has reverted to the old status quo isn't a drawback, but rather one of the book's main selling points.

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6.6
Jessica Jones #4

Jan 12, 2017

This series enjoyed a strong debut, but now that the novelty of having a mature readers-oriented Jessica Jones comic has worn off a bit, the holes are starting to show through.

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8.2
Jessica Jones #5

Feb 9, 2017

The series is still progressing too slowly overall, but this issue suggests that it's finding a better balance between gritty detective story and a book that dives into the rich tapestry of the Marvel U.

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4.8
Jessica Jones #6

Mar 9, 2017

There are ways to fuse hard-boiled detective noir with the wider Marvel Universe, but so far this series has only found haphazard success.

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9
Jessica Jones #7

Apr 6, 2017

The creators deliver a very emotionally rich new chapter here, one that explores the highs and lows of the Luke/Jessica romance in the aftermath of the latter's recent mistakes.

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5.7
Jessica Jones #8

May 4, 2017

While at first this series seemed a worthy successor to the original Alias, over time it's proven to be a far more inconsistent experience.

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7.5
Jessica Jones #12

Sep 7, 2017

The series is taking on a more hopeful tone, a fact which is surely intentional as Bendis and Gaydos gear up for the return of a major character next month.

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8.2
Jessica Jones #13

Oct 5, 2017

Jessica Jones may not have much of a rogues gallery, but her rivalry with Purple Man is one of the most compelling in the entire Marvel Universe. So it's impossible not to be excited for the direction of this series as Purple Man makes his big return. And as plodding as the book's first year was at times, Jessica Jones could certainly use the adrenaline boost. Unfortunately, issue #13 is still a slow-moving affair.

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8.3
Jim Henson's Labyrinth: Coronation #1

Feb 28, 2018

Time will tell if that long-gestating Labyrinth sequel ever comes to fruition, much less lives up to the original. But at least fans can rest easy knowing that The Labyrinth: Coronation is a worthy comic book offshoot. The first issue successfully translates the look and tone of the film, building a sad yet whimsical look at the early days of the man who became the Goblin King.

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8.5
Jim Henson's Tale of Sand #1

Dec 21, 2011

Henson's untimely death was one of the great tragedies of the entertainment industry. But for his fans, this last month has been a very rewarding time. We know that the Muppets can live on and thrive beyond their creators, and now we know that there are writers and artists capable of bringing Henson's more obscure works to life.

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6.4
Jimmy's Bastards #1

Jun 15, 2017

This series shows a lot of promise, but it needs to move past this uneven first chapter.

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8.1
Joe The Barbarian #3

Mar 17, 2010

This isn't the most complex or wacky story Morrison has ever cooked up, but it is a highly enjoyable one. I'm curious to see if the creative team can sustain the appeal for another five issues without the formula growing stale. But knowing Morrison, I'm sure he's keeping at least a few cards close to his chest. And I can't imagine ever growing bored of Murphy's visuals.

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8.7
Joe The Barbarian #4

Apr 21, 2010

Sean Murphy continues to be the true star of the book. Morrison's finest collaborators are the ones that can regularly match his imagination and wit with their pencils. Murphy is quickly elevating himself into this lofty bunch. His renderings of the fantasy world never lack for energy or imagination. His scenes set in the real world are suitably dark and dramatic. In short, there's very little not to love about this book.

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7.5
Joe The Barbarian #7

Sep 15, 2010

Not to be outdone, Morrison's writing remains as charming and oddly delightful as ever. Issue #7 offers some excellent emotional scenes for Joe, particularly when our hero is forced to make a very tough decision regarding his allies. Morrison is known for crafting epic sagas with heady themes that spend years building on past storylines and character developments. Series like Joe the Barbarian offer a simpler, more easily digestible alternative to that approach. This book is almost too simple and too quick of a read at times, but overall issue #7 hits enough high notes that I don't really mind. Hopefully Morrison has something big in store for the finale. And hopefully that finale won't be too long in coming.

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4.3
John Wick #1

Nov 29, 2017

It's disappointing to see such a promising prequel comic stumble so hard in its debut. In some ways, John Wick #1 succeeds in capturing the tone and voice of the films. However, as a result, there's little sense of this version of Mr. Wick being fundamentally different or less experienced than his movie self. Even a "by the books" John Wick adventure would be fine so long as it replicated the stylish appeal of the films, but the loose, poorly defined artwork in this issue can't manage that feat.

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8.5
Joker: Killer Smile #1

Oct 30, 2019

Joker: Killer Smile is worth a read for anyone wanting a good horror story centered around this iconic villain.

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8
Jonah Hex (2006) #35

Sep 3, 2008

Jonah Hex #35 is a good entry point into a long-running and oft overlooked series. The story is entertaining enough to keep you reading, but it's really the impressive art that will enthrall you. Whether that's enough to keep the interest alive once Williams is gone, I just don't know.

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8
Jonah Hex (2006) #36

Oct 1, 2008

That aside, Jonah Hex continues to be a solid, consistent part of DC's lineup. I'm not sure what more I could ask of this particular Western anti-hero.

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8.5
Journey Into Mystery (2011) #623

May 11, 2011

Journey Into Mystery has it within itself to be one of Marvel's very best books. All it needs is some adjustment to the colors and a few more issues in the can to reach that point.

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9
Journey Into Mystery (2011) #624

Jun 8, 2011

Journey Into Mystery is making a strong case for itself not just as Marvel's best Thor book, but its best ongoing series in general. This is unquestionably the highlight of Gillen's tenure at Marvel so far.

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8
Journey Into Mystery (2011) #627

Sep 14, 2011

Yes, the lack of both Loki and any true plot progression makes this book seem like filler, but Gillen accomplishes more with the story than meets the eye at first. By the end, Gillen sets up at least one major conflict for Loki in the near future, and the involvement of so many high-level villains suggests the young god's troubles are just beginning.

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8
Journey Into Mystery (2011) #628

Sep 28, 2011

Art woes aside, this is another stellar script from Gillen. It's very satisfying to know that Fear Itself marks only the beginning of Loki's strange and wonderful new journey.

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8.5
Journey Into Mystery (2011) #629

Oct 19, 2011

This issue wraps up many loose threads but paves the way for future stories as well. Most importantly, it ends Fear Itself on a tragic and somber note, granting a sense of poignancy to the event that the main book was sorely lacking.

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9
Journey Into Mystery (2011) #630

Oct 26, 2011

All things considered, I'm willing to rank this series as Marvel's best ongoing book. An issue like this may not do much to advance the overarching plot, but it's so lovingly crafted and purely enjoyable that it doesn't need to.

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9
Journey Into Mystery (2011) #632

Dec 14, 2011

In short, this is another highly entertaining issue of a top-notch series. That's not a bad way to kick off your holiday festivities.

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9
Journey Into Mystery (2011) #633

Jan 11, 2012

This series hasn't slowed one bit with the end of Fear Itself, and there's no reason to assume it will. Loki commands you to buy this issue, whether through a fine purveyor of printed pamphlets or by transferring it to your Pad of i.

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8
Journey Into Mystery (2011) #634

Feb 8, 2012

Two problems hold this issue back compared to recent months. For one, the Loki/Hellstorm team-up falls a bit flat because the two hardly interact after agreeing to work together. For another, the humor is a bit more hit-or-miss than normal. The interaction between Hellstorm and Thor is priceless, and Loki's random fourth wall bending is fun as well. But too much of the humor involves Leah lobbing softball insults at Loki, and that gets old after a while. Cut the kid a break, already.

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8.5
Journey Into Mystery (2011) #635

Mar 14, 2012

In most other senses, the book remains firmly consistent. Gillen's command of language is as impressive as ever. The epic scope is always tempered by humor and sarcastic character interactions. Rich Elson could do a better job of capturing the surreal quality of Nightmare's dreamscapes, but otherwise Elson's work is as solid as ever. Despite the many high profile releases this week, Journey Into Mystery remains one of the better reads.

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8.5
Journey Into Mystery (2011) #636

Apr 11, 2012

Gillen's penchant for silly and sometimes fourth-wall bending humor remains in full effect, beginning with the humorous recap page and lasting until the very end. The blend of high fantasy and simple goofiness gives this series its unique charm. The only complaint that can really be lodged against this arc is that Gillen has never used the Loki/Hellstorm dynamic to its full potential, particularly in this issue. But even so, this is a memorable finale to another great story arc. Journey Into Mystery remains one of Marvel's best and most consistent books.

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7.5
Journey Into Mystery (2011) #638

May 23, 2012

Exiled has never been quite as strong or finely tuned as Gillen's usual JiM work. This last-minute plot twist may be just what the storyline needs to fully capitalize on the potential this gathering of writing talent has offered.

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9
Journey Into Mystery (2011) #639

Jun 6, 2012

It may be too early to pass judgment, but Gillen's new arc of JIM shows the potential to be as well-crafted and immensely entertaining as any of the writer's Thor work to date. If you've neglected the book so far (and shame on you if you have), this isn't a bad time to jump on board.

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8.5
Journey Into Mystery (2011) #641

Jul 18, 2012

It's a shame this book won't be around much longer. Still, Gillen has maintained a high standard of quality throughout his run, and this final crossover with Thor shows no signs of breaking the trend.

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8.5
Journey Into Mystery (2011) #642

Aug 29, 2012

It doesn't have Alan Davis' art, but otherwise this issue is a more than worthy follow-up to the prologue chapter of Everything Burns. There's now no doubt in my mind that this crossover will live up to the challenge of capping off two memorable Thor comics in one fell swoop.

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8.5
Journey Into Mystery (2011) #643

Sep 12, 2012

Now that fans needn't worry about the Loki/Leah relationship being trampled, they can resume enjoying what is a very dramatic and worthy finish to Gillen's run.

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9.3
Journey Into Mystery (2011) #645

Oct 24, 2012

Not that this should come as any great surprise, but the finale to Gillen's Journey Into Mystery saga is well worth reading. It delivers a proper finish to Loki's story, and it sets up an interesting new status quo as both writer and star shift to Young Avengers in 2013.

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8.3
Journey Into Mystery (2011) #646

Nov 21, 2012

Journey Into Mystery lovers have a lot to be thankful for this holiday season. Gillen will be continuing the exploits of Loki in Young Avengers next year. And meanwhile, the series itself is in capable new hands, with Immomnen's first issue suggesting her run will only get better from here.

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6.8
JSA Liberty Files: The Whistling Skull #1

Dec 19, 2012

The good news is that the art is swell. Harris tends to rely on photo referencing for his comics, which can sometimes be a problem when all the male characters start to resemble one another. But with Whistling Skull, Harris' style shifts to a more stylized, less photo-realistic approach. The facial work is endlessly expressive, and the figures and general look of the world are distinctly different from anything else DC is currently publishing. The pulpy, retro setting is a welcome breath of fresh air as well, but the storytelling still has some significant hurdles to overcome.

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8.6
Judge Dredd (2015) #1

Dec 16, 2015

IDW's ongoing Judge Dredd comic should have little trouble distinguishing itself from the stories that have come before. It takes a familiar hero and places him in a new setting where his usual methods will only take him so far. It's a strong premise that's executed by an equally strong creative team.

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8.3
Jughead (2015) #3

Dec 31, 2015

Jughead continues to be a great complement to the relaunched Archie series, following the same modernized approach but veering off in its own wacky direction.

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8.2
Jughead (2015) #6

May 19, 2016

Whether it's Dilton busting a move on the dance floor or Jughead acting out his superhero fantasies, this series has established a quirky sense of tone and style all its own.

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8.6
Jughead (2015) #9

Sep 8, 2016

You might think it would be difficult for a Jughead comic to both explore the character's recently confirmed asexuality and still offer a fun, breezy, all-ages adventure. But Ryan North and Derek Charm make that look easy in this latest issue.

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7.9
Jupiter Jet #1

Nov 8, 2017

If you need another all-ages superhero comic in your life, Jupiter Jet is most certainly worth a look. The series combines elements of The Rocketeer and Robin Hood as it crafts an enjoyable retro-futuristic world. The relative lack of emphasis on heroes and villains doesn't hurt the book's appeal, either. The art has its problems when it comes to consistent storytelling, but this first issue nonetheless serves as a promising debut for the new series.

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8.2
Jupiter Jet #2

Jan 18, 2018

This new series continues to carve a niche for itself by telling an all-ages superhero story with healthy doses of steampunk technology and Rocketeer-inspired adventure thrown in.

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8
Jupiter's Circle: Vol. 2 #1

Nov 25, 2015

It's nice to see this volume developing more of a recurring storyline, but the book could still use an extra dose of drama. As it is, this hardly reads like the same universe as Jupiter's Legacy at times.

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7
Jupiter's Circle: Vol. 2 #2

Dec 23, 2015

The second volume of Jupiter's Circle definitely feels a little more meaty than the first, and that's certainly to the book's benefit.

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7.5
Jupiter's Circle #2

May 7, 2015

This prequel to Jupiter's Legacy may lack that book's generational element, but it's still very interested in the gulf between how things once were and how they are now.

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8.7
Jupiter's Circle: Vol. 2 #3

Jan 28, 2016

Is there any contemporary artist better suited to rendering classical, Silver Age-inspired superhero tales than Chris Sprouse? Sprouse is a more than worthy fill-in for this issue as he and Millar explore new complications in the lives of Utopian and his friends.

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7.6
Jupiter's Circle: Vol. 2 #4

Mar 10, 2016

Even though the fact that this book is a prequel limits how much damage an be done to his heroes, Millar does create a sense of drama as they find themselves powerless and adrift in another dimension. Unfortunately, this issue doesn't quite stick the landing, as Skyfox's abrupt change of heart brings a quick and easy conclusion to the conflict.

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7.5
Jupiter's Circle: Vol. 2 #5

Apr 14, 2016

The problem with these Jupiter's Circle books is that they haven't always felt entirely relevant to the larger saga, so it's good to see Millar addressing that flaw. Unfortunately, this issue suffers a bit in the transition from Chris Sprouse and Walden Wong's art to Ty Templeton's final few pages.

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6.7
Jupiter's Circle #5

Aug 6, 2015

Unfortunately, this series has been hit by the unfortunate departure of Wilfredo Torres. Gianfelice's art seems rushed in comparison. His normally lyrical style is replaced by heavy, simple lines and sometimes sketchy details. The flat coloring does little to enhance those pencils either.

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8.1
Jupiter's Legacy: Vol. 2 #1

Jun 29, 2016

It's good to have Jupiter's Legacy back on the stands. This series might not radically reinvent superhero comics as we know them, but it does feature two talented creators weaving an exciting and visually stunning tale of villains taking the world back from the heroes that failed it. If this issue is any judge, hopefully this sequel can offer the deeper character work that the original sometimes lacked.

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7.3
Jupiter's Legacy #2

Jun 26, 2013

Peter Doherty's colors further flesh out Quitely's work, lending depth to the characters themselves and contrasting cool nighttime scenes with warm, brightly lit shots of hospitals and city streets. Whether or not the story picks up steam or shows a desire to escape its superhero trappings, Quitely's art will continue to keep me invested in Jupiter's Legacy.

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8.2
Jupiter's Legacy: Vol. 2 #2

Jul 28, 2016

The first half of this issue sees Millar step aside and allow Frank Quitely free reign to render a truly dazzling superhero fight sequence. Everything in these pages, from the graceful choreography and body language to the massive sense of scope to the sheer weirdness of these superhuman combatants, serves as a reminder that Quitely is one of the best in the business.

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9
Jupiter's Legacy: Vol. 2 #3

Sep 1, 2016

Whether or not this volume manages to wrap up the Jupiter's legacy saga in the remaining two issues, it's building towards a worthwhile climax.

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8.2
Jupiter's Legacy #5

Jan 15, 2015

Quitely again reminds us why he's one of the best storytellers in the business. His use of posture and body language is second to none, and he makes every page of this book feel vibrant and alive. It's probably going to be a very, very long time before this series returns for Book 2, but as long as Quitely returns, I'll be there.

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8
Justice League (2011) #10

Jun 27, 2012

Luckily, I have no complaints about the Shazam backup feature, except that I wish it was a full monthly series instead of a backup. Who cares if we're probably still several chapters away from seeing Shazam himself? Johns effectively overhauls the mythology and emphasizes the new family dynamic between Billy and the others. This chapter also keeps the plot humming along as it introduces two more iconic Shazam characters. Gary Frank's art is extremely moody and powerful in equal measure, with some strong facial work backing up the big emotional moments (something that couldn't always be said for his work in the past). This backup practically justifies the price of admission alone.

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9.3
Justice League (2011) #15

Dec 27, 2012

Quite suddenly, Justice League is as enjoyable a read as Aquaman has been. And while that's due in part to the fact that it poached Aquman's artist, there's a general sense of improvement in the storytelling and character dynamics too. Readers who might have dropped this book at some point in the past 15 months would do well to give it another look.

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7.8
Justice League (2011) #18

Mar 20, 2013

There are no complaints to be had with the Shazam backup, which returns after taking last month off. Johns has entered the most dramatically rich portion of the story so far as Billy faces first first moment of crisis. His foster siblings come back into play, and I'm eager to see how much of Johns' Flashpoint incarnation of Shazam will end of informing this version. Combine an emotionally heavy script with some typically bold and detailed artwork from Gary Frank, and you have one of the best Shazam chapters yet.

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8.5
Justice League (2011) #20

May 22, 2013

Rounding out this issue is the penultimate chapter of the Shazam backup feature. It's a fairly slow moving chapter considering that the story has reached its climax. But the benefit is that we learn more about Black Adam's origin and the twists Johns has introduced for the New 52. I'm eagerly looking forward to next month's full-length finale chapter.

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9
Justice League (2011) #21

Jun 26, 2013

As the creators wrap up this new origin story, they leave me impatiently awaiting a continuation of the New 52 Shazam. That's as sure as sign as any that this story was a success.

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6
Justice League (2011) #23

Aug 28, 2013

So many characters and questions are relegated to the background in the interest of setting the stage for Forever Evil. And given the abrupt cliffhanger ending, the entirety of Trinity War becomes nothing more than a bloated prologue for another story. Why even bother going through all that trouble in the first place if Trinity War is nothing more than Forever Evil #0?

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7.2
Justice League (2011) #23.2

Sep 11, 2013

For better or worse, the new Lobo doesn't fall far from the tree. Fans of the character can take comfort in that fact, but anyone who didn't care for the old bastich before probably won't be won over by this issue.

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6
Justice League (2011) #23.3

Sep 18, 2013

I have to give Mieville and crew credit for seeing the series out in style and delivering a Villains Month issue wholly unlike any other. But there's a sense of heart and emotional depth inherent to Dial H that really isn't apparent here.

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7.3
Justice League (2011) #23.4

Sep 25, 2013

Still, these problems don't ruin an otherwise enjoyable experience. Of all the Villains Month issues, this was easily one of the most necessary, so it's good to see it was also executed well.

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8.5
Justice League (2011) #24

Oct 23, 2013

Ivan Reis remains on board, which pretty much guarantee this issue will rank among the best-looking of the week. Even the fact that there are three inkers on this issue does little to diminish the power of Reis' line-work and emotive storytelling. It's actually the coloring that suffers somewhat. Rod Reis usually complements Ivan's pencils well, but the subdued color palette of this story (owing to Ultraman's forced solar eclipse) doesn't suit the art as well as it does on Forever Evil proper.

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9.3
Justice League (2011) #25

Dec 11, 2013

The bad news is that Ivan Reis doesn't pencil this issue. The good news (for this series, not Justice League of America) is that Doug Mahnke steps on board instead. Mahnke's dark, detailed style is a fine fit for chronicling Owlman's exploits and clandestine schemes. It's a visually striking issue thanks to the refined character work and the interesting framing choices that highlight the similarities and differences between Owlman and Batman.

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8
Justice League (2011) #27

Jan 22, 2014

Ivan Reis remains on board this issue, though he only provides layouts this time. As you might expect, the overall quality of the art is a bit wavery and not as nuanced or refined as Reis' recent issues have been. It's obvious from the facial work on many pages that other artists are finishing his work. Still, there's a pervasive sense of energy and emotion to this issue that meshes well with the desperate tone.

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8.8
Justice League (2011) #28

Feb 19, 2014

This issue didn't do much to advance the overall Forever Evil conflict, but the strong character work more than makes up for that. Johns is able to quickly and capably revamp the Metal Men for the New 52 without losing any of the goofy charm that made them special in the first place. Hopefully this issue is just the start of a bright future for this unusual superhero team.

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8.4
Justice League (2011) #32

Jul 30, 2014

As much as it feels like Justice League is beginning to lag behind the rest of the New 52, in many ways the series is better than it has been since last year's Throne of Atlantis crossover. Caulder aside, Johns is performing great character work as he fleshes out the Doom Patrol, the new Power Ring, and prepares for a Luthor-iffic takeover of the Justice League. With Mahnke at his side, Johns is building on the momentum of Forever Evil.

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8
Justice League (2011) #33

Sep 3, 2014

Unfortunately, this issue doesn't do so well by the Doom Patrol. On the whole, Forever Evil and this arc have served as a solid reintroduction for the team. But the characters practically drop out of the story before the end of this issue, leaving sense of anticlimax and disappointment. Hopefully there are brighter days ahead for these troubled heroes.

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8.3
Justice League (2011) #34

Oct 2, 2014

While a somewhat slower issue, Justice League #34 is a nice character-centric chapter that gives each team member a chance to shine.

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7.5
Justice League (2011) #35

Oct 16, 2014

With Jason Fabok set to take over the series next month, Ivan Reis and Doug Mahnke team up for one last hurrah with the League. The Reis/Joe Prado combo make the opening pages sparkle. Mahnke's work suffers, however, from the rotating team of inkers cycling through his pages. Rarely do the inks capture the precise, dramatic quality of Mahnke's pencils, and the overall effect is fairly sloppy.

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8.3
Justice League (2011) #36

Nov 20, 2014

"The Amazo Virus" is off to a promising start. While this first chapter does get a little mired in exposition at times, it offers a clever new take on the Amazo concept and a conflict that hits Lex Luthor on a personal level. Jason Fabok continues Justice League's high visual standard with clean, detailed, emotional pencils that perfectly capture the sinister vibe of the story. This looks to be a very fun ride.

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8.4
Justice League (2011) #37

Dec 17, 2014

Geoff Johns and Jason Fabok continue to deliver a strong Justice League storyline anchored by a clever new take on Amazo and the unknown quantity that is Lex Luthor. While issue #37 does disappoint in its overuse of big splash images and a limited cast, it still offers plenty of excitement and strong character work.

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8
Justice League (2011) #39

Feb 18, 2015

This issue managed to address one flaw of "The Amazo Virus" (the lack of focus on the other team members) while diminishing one of its bigger selling points (the fun twists on the usual Amazo formula). But with Jason Fabok's art continuing to be the glue that holds this story together, the end result was still an entertaining superhero epic with a healthy dose of zombie horror thrown in. Hopefully this is a collaboration that'll last.

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8.8
Justice League (2011) #41

Jun 3, 2015

The Darkseid War is quickly shaping up to be one of Geoff Johns finest Justice league storylines. It feels more event-worthy than many actual event comics, between the dramatic plot twists, epic confrontations and truly cinematic art. And best of all, it doesn't come across as just another Darkseid conflict. This is something bigger and more unpredictable.

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8.2
Justice League (2011) #42

Jul 15, 2015

The second chapter of The Darkseid War proves a bit frustrating, as there's clearly more material to explore than the limited page space allows. Still, Johns delivers another thrilling script as he builds towards the big Darkseid/Anti-Monitor conflict and begins shaking up his familiar cast in profound ways. Through it all, Fabok proves to be a perfect collaborator when it comes to conveying the spectacle, darkness and raw emotion of this tale.

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8.8
Justice League (2011) #43

Aug 19, 2015

The Darkseid War is further proof that Geoff Johns does event-worthy storytelling better than just about anyone. This issue further ramps up the excitement and attention while showcasing Jason Fabok's phenomenal storytelling skills.

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8.7
Justice League (2011) #44

Sep 30, 2015

The Darkseid War keeps delivering the goods month after month. This storyline started big and has only grown bigger still thanks to an epic supervillain showdown, fantastic visuals and a series of cool twists for the Justice League. It's going to be tough waiting for Fabok to make his grand return in December.

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8.5
Justice League (2011) #45

Oct 21, 2015

Justice League slows down a bit as it enters the second act of The Darkseid War, but there's still plenty to like in this new issue. Francis Manapul's striking designs and vibrant colors alone are worth the price of entry. And with a deeper look at how the Justice League's respective transformations are affecting them, this conflict is only growing more interesting and unpredictable.

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7
Justice League (2011) #46

Dec 16, 2015

Justice League #46 marks the weakest overall chapter of The Darkseid war. It certainly looks great thanks to Manapul's dynamic and vibrant designs. But it's also a choppy read, coming across mainly like setup for what will hopefully be a more epic and thrilling third act.

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7
Justice League (2011) #47

Dec 30, 2015

The final leg of The Darkseid War has begun, but Justice League is still struggling to regain the momentum it had in the early chapters. This issue reads mostly like setup for bigger and better things to come, and the solid characterization can only do so much to make up for the sluggish pace. But at least the series continues to look great, with Jason Fabok delivering more of the refined, powerful work he's become known for.

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8.5
Justice League (2011) #48

Feb 24, 2016

Even this close to the end, The Darkseid War hasn't lost its appeal. This epic story arc is delivering all the amazing art and big character moments readers could ask for, even as the already large cast grows even bigger. The villains could stand a little fine-tuning, but hopefully Mobius and Grail will return to the forefront of the conflict in the final two chapters.

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8.2
Justice League (2011) #49

Apr 27, 2016

"The Darkseid War" hits some weird structural issues as it nears the finish line and spends a little too much time trying to shake up an already chaotic paying field. But the same sweeping scope and great character work that have defined this story remain in full effect here. This issue is crammed full of epic moments and sets the stage for what should be a terrific finale next month.

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8.8
Justice League (2011) #50

May 25, 2016

As disappointing as it is that Geoff Johns is shifting away from writing comics, at least he's going out on an incredible high note. This issue serves as a fitting cap to both the "Darkseid War" storyline and Johns' Justice League run as a whole. It's crammed with great moments and proves yet again that Fabok is one of the true rising stars of the industry.

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6.3
Justice League (2011) #51

Jun 16, 2016

The decision to pit the League against three barely connected threats gives the script a very scatterbrained quality. It's too much material to tackle in one issue, and little of it matters in terms of Robin's story anyway.

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7.7
Justice League (2011) #52

Jun 23, 2016

Nothing in this story is terribly essential to the larger tapestry of DC Rebirth, but it's always fun to see Lex cast as the hero of his own story.

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5.5
Justice League (2016) #1

Jul 21, 2016

The new Justice League series is every bit as epic and massive in scope as one would expect from DC's premiere superhero team, but there's disappointingly little depth beneath the destruction porn. Especially coming off the high that was The Darkseid War, this book simply isn't measuring up to its predecessor.

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5.2
Justice League (2016) #2

Aug 4, 2016

For the most part, these characters could be swapped out for any DC heroes at random with no impact on the story.

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8.2
Justice League (2016) #7

Oct 20, 2016

The good news is that this series has improved markedly in its second story arc. Credit that to the fact that these issues pace far less emphasis on spectacle, instead using the rise of a mysterious, fear-based villain to explore several key character dynamics.

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7.8
Justice League (2016) #8

Nov 3, 2016

If you can't have a Justice League comic drawn by Bryan Hitch, Neil Edwards is about the best substitute there is. Edwards has built his reputation delivering the same sort of detailed, cinematic style Hitch is known for, and it serves him well as he makes his debut on this relaunched Justice League comic.

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6.1
Justice League (2016) #14

Feb 2, 2017

Sadly, the story has little to offer, coming across as little more than a mish-mash of well-trodden Justice League tropes and questionable characterization.

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7.4
Justice League (2016) #15

Feb 16, 2017

It's nice to see a little added depth mixed in with the book's familiar spectacle and widescreen action. That said, this issue seems a little pointlessly complicated in how Hitch tries to represent the chaotic nature of time-travel through the jumbled, fractured approach to chronology.

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7.7
Justice League (2016) #20

May 4, 2017

Even with a key moment being repeated over and over again, Hitch continually finds new ways to depict the carnage and human drama.

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7.8
Justice League (2016) #24

Jul 6, 2017

If Rebirth is all about building and repairing relationships, then this issue is another critical step in that process.

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6.2
Justice League (2016) #25

Jul 20, 2017

This issue finds itself in a slightly odd place as it attempts to both chronicle another epic clash between the League and their latest world-shattering foe and build the way towards an even bigger conflict to come. It's not particularly successful when it comes to the former.

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6.1
Justice League (2016) #26

Aug 3, 2017

I'm not thrilled with the direction Hitch seems to be pushing Wonder Woman, as it runs completely against the grain of the character as she exists in DC Rebirth.

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8
Justice League (2016) #32

Nov 2, 2017

This issue definitely reads like a middle chapter, but it does its part to enrich the events of Metal.

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7.4
Justice League (2016) #34

Dec 6, 2017

The new Justice League creative team probably won't restore the series to its chart-topping status from the New 52 days, but they do bring a fun and very unique sensibility to a series that's been in need of an overhaul. Even more impressive that Priest's clever writing is the vibrant new art style employed by Woods. Unfortunately, this issue wraps without doing enough to give readers a strong hook.

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6.7
Justice League (2016) #35

Dec 21, 2017

In the end, issue #35 accomplishes little more than delaying the next phase in this ongoing conflict.

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8.8
Justice League (2018) #1

Jun 6, 2018

Justice League #1 gives this iconic franchise the overhaul it's been needing.

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7.4
Justice League (2018): Drowned Earth Special #1

Oct 31, 2018

The Drowned Earth crossover offers few surprises but plenty of spectacle and character drama in its first issue.

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8.5
Justice League 3000 #2

Jan 15, 2014

The team encounter a new villain in this issue with a seemingly godlike control over reality and the disposition of a cranky teenager. Cue more fun shenanigans and a surprising dose of violence. Luckily, this isn't a throwaway character, but a villainess with a clear connection to the overarching conflict with "The Five." The good news with this series is that it seems to be very mindful of what transpired in the previous Legion book while still offering a very clean jumping-on point. Hopefully it won't be too long before these familiar five faces are joined by a few Legionnaires.

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7.5
Justice League 3000 #4

Mar 12, 2014

Still, it's difficult not to be excited about the future of the series after reading these pages. The writers have clearly only shown us the tip of the iceberg in terms of the conflict and the cast involved. And artist Howard Porter is settling in nicely. He brings an energetic vibe to the book, captures the dank future setting well, and his struggles with female facial work seen early on seem to have mostly receded. With the first arc finished, the future is looking bright for this team (metaphorically, if not literally).

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7.5
Justice League Dark #3

Nov 23, 2011

Mikel Janin's work is stronger than it was in issue #2, mainly thanks to the decreased reliance on obvious photo-referenced material. Janin's inking style seems to vary with each scene, and some approaches are more effective than others. If this book could always look as moody and sharp as it does in Constantine's pages, it would be golden.

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8
Justice League Dark #5

Jan 25, 2012

Hopefully the series won't drag its heels much longer before officially bringing the characters together and providing a larger mission statement. But regardless, this first arc has offered plenty for readers to enjoy.

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8.5
Justice League Dark #6

Feb 22, 2012

This book started strong and has only gotten better with time. Hopefully none of that momentum will be lost during the crossover and when the book transitions to Jeff Lemire.

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8.5
Justice League Dark #8

Apr 25, 2012

The one aspect of the script I didn't enjoy this month was the sudden, unexpected departure of a team member. It felt abrupt and poorly timed, as though Milligan were following an editorial mandate rather than delivering what the story needed. Hopefully Jeff Lemire can smooth things over with the cast changes and not lose the momentum Milligan has built up over the past eight months.

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8.5
Justice League Dark #9

May 23, 2012

Mikel Janin remains on board as regular artist, which definitely helps smooth the transition. At his best, Janin delivers some of the most amazing moody and detailed work you'll find in a DC book. That level of detail doesn't remain consistent, however, and late in the issue the figures become annoyingly stiff and muddled. But for the most part, this issue looks as good as it reads.

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8.5
Justice League Dark #12

Aug 22, 2012

Unfortunately, Lemire doesn't end this issue on the resounding, definitive note I was hoping for given the Zero Month gap that's coming up. Still, there's no reason not to be excited for the continuation of this ongoing story in October.

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6.5
Justice League Dark #18

Mar 27, 2013

But ultimately, the arc feels hollow beneath all the visual splendor and flourishes. The League members are reduced to running from danger and watching as Tim Hunter and his father team up to save the day. At some point the sense of drama and tension simply leaks out of the story. From there, the writers are too quick to transition back into the real world and restore normalcy. There are some tangible changes brought about in this issue, but not as much as might be expected. I can only hope that the next storyline will be able to offer a bit more substance and lasting character drama in addition to all the visual delights.

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8.5
Justice League Dark #19

Apr 24, 2013

Justice League Dark #19 is both enjoyable and a solid entry point for new readers interested in Trinity War.

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7.1
Justice League Dark #20

May 22, 2013

Mikel Janin remains one of the most impressively consistent artists in DC's lineup. While there are a few scenes that don't quite convey the texture and tone of horror they should, the Doctor Destiny scenes more than make up for that. The storytelling is clean and the characters expressive throughout. There's little doubt that Janin will be able to hold his own with his Trinity War collaborators.

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8.4
Justice League Dark #21

Jun 26, 2013

And naturally, there are no complaints to be had regarding Mikel Janin's work. This issue might just rank as his best of the entire series, between the aforementioned Swamp Thing scene and various other shots of supernatural carnage. But the best pages are those right at the beginning, as Janin depicts a horrific flash-forward sequence both terrible and beautiful in scope. Even the fact that Vicente Cifuentes provides finishes over Janin's layouts in the latter half of the issue does nothing to diminish the overall impact of the visuals. I honestly had no idea the shift even occurred until finishing the comic and examining the cover again.

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4
Justice League Dark #23.1

Sep 4, 2013

For a one-shot issue, it's also not terribly streamlined or accessible. The script builds heavily on Creeper's debut in Katana and Ryder's death in Phantom Stranger. Marketing may be the only reason why Creeper didn't take over one of those two series instead of Justice League Dark. By the end, readers may not even understand what exactly Creeper is in the context of the New 52, much less why they should care about him or where they're supposed to go to continue his story. Maybe it's better that way.

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6.2
Justice League Dark #23.2

Sep 18, 2013

But there is Philip Tan's art to balance things out. Tan has bounced all over the New 52, including illustrating a number of issues of Phantom Stranger. Each project sees Tan take a slightly different approach, and this is far and away his strongest work.Together with inker Jason Paz and colorist Nathan Eyring, Tan is able to create two distinct styles that highlight the divide between the villain and his host. These pages are steeped in shadows and textures that convey Eclipso's wickedness and Jacobs' inner suffering in a way the writing generally fails to do. Tan opts for a surreal, haunting approach that almost recalls his Savage Hawkman work, except that the figures are given much more definition and detail. So even with the stilted scripting, this issue may be worth a look.

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7.2
Justice League Dark #24

Oct 23, 2013

DeMatteis has a reasonably engaging debut on the book. This issue excels as it uses Constantine as a mouthpiece to explore the nature of evil, deconstructing the claims in Trinity War that evil is a tangible thing that be loosed on the world or contained in a box. But DeMatteis' writing is often too wordy, especially when it comes to the narration. Oddly, this isn't usually a problem for him, and Phantom Stranger has rarely suffered from similar flaws since he took over the book entirely. DeMatteis' Constantine is a bit mixed in his execution. In a general sense he reads very much like the shifty, conflicted magician we know, but his British accent and mannerisms are even more downplayed than they have been of late. As always, he's a tough character for American writers to tackle, and hopefully DeMatteis will grow more comfortable with him over time.

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7.7
Justice League Dark #25

Nov 27, 2013

Whether this storyline can hold up as the other three books are drawn into the crossover remains to be seen. The final pages are fairly abrupt and awkward in how they drag the Trinity of Sin into the fold. And so far, there's no indication of why the crossover needs to last 18 issues. But hopefully these are problems DeMatteis and Ray Fawkes an address in the weeks to come.

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7.3
Justice League Dark #26

Dec 31, 2013

Mikel Janin remains on board, as ever, though his work is starting to show the strain of the monthly schedule. Certain pages are a bit lacking in finer details and refinement compared to others, though that may be more the fault of the rotating crew of inkers. Luckily, Janin delivers the most where it counts, rendering some epic shots of carnage above and below the ocean surface.

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6.1
Justice League Dark #28

Feb 26, 2014

Another blow comes in the form of Mikel Janin's departure. Though he was only recently announced to be leaving the series, apparently his departure was retroactive. Instead, Vicente Cifuentes tackles the art, with Dan Jurgens providing some breakdowns. The art is competent, but lacks Janin's impeccable detail and fluidity. The art is too bland and lifeless considering the subject matter and the various supernatural forces at play in this conflict.

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5
Justice League Dark #29

Mar 26, 2014

The art is also fairly rough in this issue, with regular penciller Vicente Cifuentes collaborating with Tom Derenick (the real pinch-hitter of Forever Evil at this point). While the storytelling is fine, the series loses some of its texture and surreal tone. Unfortunately, the loss of Mikel Janin continues to hit Justice League Dark pretty hard. But hopefully issue #30 will offer readers and the characters a fresh start as it moves beyond this bloated crossover.

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5.8
Justice League Dark #30

Apr 24, 2014

But between that haphazard approach and a steady stream of awkward dialogue where characters speak and narrate exactly how they're feeling, this issue proves almost as disappointing as the last.

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5.6
Justice League Dark #34

Aug 28, 2014

Justice League Dark has the bones of a good Deadman story with this story arc. But where this issue stumbles is in the execution.

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7.6
Justice League Dark #35

Oct 23, 2014

The tone of this issue is a little weird. It's more storybook fantasy than the sort of supernatural horror you''d expect, though this seems to be intentional on DeMatteis' part.

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5.7
Justice League Dark #38

Jan 29, 2015

What this book really needs right now is a tighter pacing and a fresh conflict to inject new life into these pages.

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5.6
Justice League Dark #39

Feb 26, 2015

This arc just isn't engaging anymore, and with only one issue left before Justice League dark wraps up, there's little hope of anything changing for the better.

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5.9
Justice League Dark #40

Mar 26, 2015

I wish I could say I'm sorry to see this series ending as DC's preps their big relaunch, but it's been a while since Justice League Dark has ranked among DC's more memorable titles. The current arc basically limps to a finish here, with no real sense of danger or excitement despite the conflict involving the entire universe being consumed by the void.

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5.9
Justice League Dark: Futures End #1

Sep 25, 2014

The Justice League Dark live up to their name in this issue. The team are darker and more brooding than ever. Unfortunately, there's not a lot of context for readers to go on in terms of why everyone is so troubled.

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7.9
Justice League Dark (2018) #1

Jul 25, 2018

Justice League Dark #1 succeeds on the strength of its compelling new team.

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4
Justice League International (2011) #1

Sep 7, 2011

After Booster and the gang had such a strong year in Justice League: Generation Lost, it's disappointing to see them falter in the new DCU. This series needs to very quickly establish what kind of story it's trying to tell and focus on what made the JLI stories of yore work so well.

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5
Justice League International (2011) #2

Oct 5, 2011

Two months in, this series still has done nothing to distinguish itself or live up the JLI legacy. With so many new DC releases, how long can it afford coast like this?

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6.3
Justice League of America (2006) #22

Jun 18, 2008

JLA continues to display flashes of greatness that are ultimately buried under a heap of missteps and bad decisions. The creative team has the talent, and I'd like to see them put it to better use.

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6.3
Justice League of America (2006) #23

Jul 23, 2008

I don't know if the series is just treading water until it's allowed to reflect the events of Final Crisis. In the end, I don't care. That's no reason we shouldn't be given more compelling stories to follow. This is supposed to be an assembly of DC's greatest and most iconic heroes, after all.

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5.8
Justice League of America (2006) #24

Aug 20, 2008

So while this issue has certain redeeming qualities, there's an awful lot to hate on. Worst of all, the story takes a sudden shift in the last few pages. As it turns out, the real villain of the story has yet to present itself. I thin kit's more than fair to wonder what the heck the point of the last few issues were. If Justice League of America wants to achieve any sort of creative success, it needs to find its purpose in the greater DCU.

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8.3
Justice League of America (2006) #31

Mar 25, 2009

The way I see it, if you can't focus on the iconic, godlike heroes of the JLA that have been a mainstay since the Grant Morrison days, your best bet is to assemble a ragtag band of misfits that channel the glory of Justice League International. This appears to be the stage McDuffie is laying out, and I'm very excited to see where the team is going from here. I just hope we won't continue spend three out of every four months mired in some pointless new event along the way.

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4.7
Justice League of America (2006) #44

Apr 21, 2010

Honestly, I appreciate what Robinson is trying to do with the book at the moment. He has a self-admitted team of substitutes and D-listers. He wants to build the new JLA up through adversity and have them take their place in the annals of history. It's a noble endeavor. Sadly, the execution continues to come up lacking in nearly every way. Mark Bagley's art props up the series to a certain extent, but even Bagley's work lacks the personality and definition it once had on Ultimate Spider-Man. DC has made it apparent Robinson will be helming the series for a long time to come. At some point I hope he'll finally discover a grasp on his characters and morph them into something more than pale shadows of what they are in other books.

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4.5
Justice League of America (2006) #50

Oct 20, 2010

Justice League of America continues to languish even well into Brightest Day. Something needs to be done to put this book back on track and back at the forefront of the DCU.

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8.4
Justice League of America (2013) #1

Feb 20, 2013

The execution on that front is mixed so far. The facial work is still as uniform as ever, with very little variation in facial expressions from scene to scene. But in terms of body language, it is easy to see a shift from Finch's previous books. In particular, there's a lot that can be gleaned from Martian Manhunter solely based on the way he carries himself and interacts with Steve Trevor. Juxtaposing that with the opening chase sequence, it's clear that Finch can handle more subtle forms of physical storytelling alongside the bigger action scenes. I hope his facial work can eventually improve as well.

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8.3
Justice League of America (2013) #2

Mar 20, 2013

If not exactly the material many fans were hoping for, it's still a well-written and tightly paced story that illustrates just how much of a threat Martian Manhunter poses to his enemies. Scott Clark delivers a sleek set of pencils that complement Finch's work well while also veering in a slightly more stylized direction. Sadly, Clark's recent passing means we won't be seeing this creative team pairing on a regular basis.

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7.4
Justice League of America (2013) #5

Jun 26, 2013

But while this issue is weaker than the previous few in some ways, it's certainly an entertaining lead-in into Trinity War and the various other projects Johns has cooking in the months ahead.

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7.6
Justice League of America (2013) #7.1

Sep 4, 2013

Artistically, this issue is divvied up between Sami Basri and Keith Champagne in the present-day sequences and Carmen Carnero and Bit in the past. While it's nice to see Basri back in the New 52, this issue hardly meets the standard set on Voodoo. Both halves of the story have a somewhat rushed, empty quality to them, which isn't really surprising since none of these artists were originally scheduled for this issue.

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5.2
Justice League of America (2013) #7.3

Sep 18, 2013

Visually, though, Shadow Thief is able to stand out among the Villains Month crowd. Chad Hardin brings a dynamic sense of energy to this world full of international spies and alien warriors. The pages where Aviva relies solely on her human abilities are often as engaging as those where she lashes out with her shadow powers. My one complaint is that the issue is oddly bright and colorful considering the tone of the story and the nature of this villain.

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7.5
Justice League of America (2013) #7.4

Sep 25, 2013

This issue feels bogged down at times from the sense that the writers are more interested in setting up future stories than just telling a lean tale now. But even so, this comic offers a welcome return to the DCU for one of its greatest villains.

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6.8
Justice League of America (2013) #9

Nov 13, 2013

Unfortunately, this issue suffers from a change in art teams, as Doug Mahnke and Tom Derenick will apparently be alternating issues for this arc. That will no doubt keep the series shipping on time, but the two artists don't exactly have similar styles. Derenick's work lacks the darkness and cinematic flair of Mahnke's, which further drags down the scenes that focus on psychological torture. A more elegant solution would have involved both artists trading off pages throughout the arc, with Mahnke handling the Martian Manhutner scenes and Derenick the Stargirl scenes.

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7.1
Justice League of America (2013) #10

Dec 11, 2013

Given that Doug Mahnke illustrated Justice League #25 today, we can probably assume he won't be back on this series for the duration of Forever Evil. But Tom Derenick and Eddy Barrows make for fine replacements. Derenuick handles the flashback scenes, while Barrows delivers some of his best art in recent memory with the brutal, rain-soaked battle sequences. Derenick's work seems a bit rushed when it comes to facial details, but his work makes for a nice counterpoint to the crushing darkness of Forever Evil. And that sort of encapsulates Stargirl as a whole.

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6.9
Justice League of America (2013) #11

Jan 15, 2014

This storyline really needs a kick in the pants. It's had its moments, certainly, but the wheels seem to be spinning as JLA maintains pace with Forever Evil.

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8.1
Justice League of America (2013) #12

Feb 12, 2014

As with issue #11, the art here is divided between Eddy Barrows (who handles the real-world material) and Tom Derenick (who handles the mental flashbacks. Barrows is at his bold, dramatic best, giving a savage brutality to Despero and highlighting the suffering of the two heroes nicely. Derenick's work is a little too lightweight by comparison, though his facial work does tend to bring out the emotion of the script well enough. R.B. Silva also tackles a brief interlude in the form of a Martian folktale. The three styles don't mesh terribly well, but I've come to expect as much from this arc.

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6.4
Justice League of America (2013) #13

Mar 12, 2014

By the end of this issue, Matt Kindt is able to complete his look at Stargirl's origin, motivations, and place in the DCU. It's a satisfying look at a character who will hopefully take on a bigger DCU role post-Forever Evil. But the twist ending does neither Stargirl nor this storyline any favors. It lends everything a pointless sensation, like this entire conflict was all long, drawn-out sizzle and no steak. As with a lot of tie-ins, this issue doesn't even end so much as direct readers to Forever Evil #7 for real resolution. All this build-up should have led to something more satisfying.

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7
Justice League of America (2013) #14

May 22, 2014

The art in this issue is again divided among multiple pencillers - Eddy Barrows, Tom Derenick, and Diogenes Neves. And as usual, the various art styles don't entirely mesh together. Barrows offers his usual brand of powerful superhero action, though his big splash page is odd in how it depicts the a completely different Forever Evil climax than the one that actually transpired in Forever Evil #7. Derenick and Neves' pages blend better, focusing less on action and more on facial work and subtle interaction.

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7.6
Justice League of America (2015) #1

Jun 17, 2015

With this first issue, Bryan Hitch proves he's no slouch as a writer in addition to being a talented visual storyteller. Justice League of America offers an immediately engaging storyline free from any worries about continuity or timelines. And despite some visual flaws, Hitch's detailed take on the DCU is enough to justify a purchase on its own. This isn't a perfect first issue by an means, but it's a solid start for this ambitious addition to DC's Justice League franchise.

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6.1
Justice League of America (2015) #2

Jul 8, 2015

While the first issue was a promising start, Bryan Hitch's Justice League of America falters in its second issue. The book downplays the conflicts in issue #1 in favor of a meditation on superheroes and gods that's been done elsewhere (and better). Hitch's art is the only element that saves this chapter from true disappointment.

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5.7
Justice League of America (2015) #3

Aug 27, 2015

More and more, this is becoming a comic that hinges on the strength of Hitch's epic, widescreen storytelling. Inconsistent facial work notwithstanding, the art is pretty breathtaking. But is that really enough?

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7.3
Justice League of America (2015) #6

Dec 23, 2015

The plot is fairly predictable and derivative of other JLA stories, but the time travel element remains intriguing all the same.

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8.3
Justice League of America (2015) #7

Jan 28, 2016

Bryan Hitch's Justice league epic really seems to have hits its stride as it approached the climax of the Rao conflict. That nagging sense that this story has been done before recedes as the JLA begin making their defiant stand against Rao.

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6.3
Justice League of America (2015) #10

Dec 1, 2016

That final showdown feels extremely rushed and unsatisfying, and practically begs for a few more pages to wrap up this prolonged saga on a more emotionally fitting note.

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6.4
Justice League of America (2017): Rebirth #1

Feb 8, 2017

Justice League of America: Rebirth #1 doesn't enjoy the strong, tightly paced debut it deserved, especially considering this isn't a twice-monthly title. This is mostly a formulaic, recruitment-focused new issue, though the strong characterization at least bodes well for this team's future. Ivan Reis' art goes a long way towards sweetening the pot, too.

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8.1
Justice League of America (2017) #1

Feb 22, 2017

Justice League of America #1 is a stronger read than its predecessor. Without the need to focus on setup, this issue can dive right into the action and explore the various character dynamics in greater depth. JLA isn't quite as deep as it needs to be given the team's mission statement, but the cast and the art both help establish this series as a solid addition to the Rebirth lineup.

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5.3
Justice League of America (2017) #3

Mar 29, 2017

After a promising start, it's disappointing to see Justice League of America stumble so hard and so quickly. None of the series' core strengths are on display in this issue, as Ivan Reis is again absent and too little attention is devoting to exploring the JLA group dynamic. At this point, the current arc needs to end so the series can hopefully get itself back on track.

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4.3
Justice League of America (2017) #6

May 11, 2017

After a promising debut, it's disappointing to see Justice League of America fall to the back of the DC Rebirth pack.

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6.6
Justice League of America (2017) #7

May 25, 2017

This series has a compelling team, but it has yet to figure out how to properly test them.

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4.2
Justice League of America (2017) #10

Jul 13, 2017

It feels very much like the series is spinning its wheels until the Atom-focused storyline begins next month.

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8.3
Justice League of America (2017) #12

Aug 10, 2017

JLA has been in need of a fresh start for a while now, and "Panic in the Microverse" looks to be just what the doctor ordered.

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8.3
Justice League of America (2017) #13

Aug 31, 2017

There's a renewed excitement to JLA as our heroes confront overwhelming odds and brave the unknown. Apart from a weird, random segue into regular DCU matters, this issue does a fine job of ramping up that mystery.

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5.1
Justice League of America (2017) #22

Jan 11, 2018

This series has tended to struggle in the visual department whenever Ivan Reis isn't on board, but Edwards gives the conflict the scope and detail it needs.

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8.5
Justice League of America (2017): The Ray Rebirth #1

Jan 19, 2017

I don't know if Geoff Johns had any hand in this new round of DC Rebirth specials like he did the original batch, but there's definitely a Johns-ian quality to Steve Orlando and Stephen Byrne's revamp of The Ray. Which, needless to say, means this issue is well worth a read.

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6.5
Justice League Of America's Vibe #2

Mar 20, 2013

This book has a lot of potential, and at the very least these first two issues have convinced me there is room for a Vibe solo book in addition to his presence in JLA. But the series really needs to focus less on tying into JLA and more on making Vibe stand out from the crowd.

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7.9
Justice League Of America's Vibe #3

Apr 17, 2013

There's nothing particularly earth-shattering or original about the concept and execution of Vibe. But the series serves its purpose as far as fleshing out one of the more recent additions to the New 52 and complementing the events of JLA.

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7.7
Justice League Of America's Vibe #4

May 15, 2013

The art is divided between Manuel Garcia and Fabiano Neves. Garcia's pages are a little rough. His slightly tilted perspective is interesting, but the facial work is a little wonky. Neves' work, meanwhile fits right in line with the general execution of the book. It's not flashy or remarkable, but solidly executed.

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8
Justice League Of America's Vibe #5

Jun 19, 2013

I'm really pleased with the work Pete Woods is turning in on this series. Each month, Woods seems to be focusing a bit less on realism and more on stylized, energetic depictions of DC's heroes and villains. It's a welcome shift, and one that helps the series stand out that much more. My only complaint is that Amanda Waller is rendered in an oddly sexual way in this issue. It's bad enough that the New 52 resulted in her transforming from "The Wall" to generic pretty comic book lady. This issue takes the transformation even further, and it doesn't suit her character at all. But if that and pointless guest stars are the worst that can be said about Vibe's new series, he's doing pretty well for himself.

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7.6
Justice League Of America's Vibe #7

Aug 21, 2013

It's a wonder DC didn't try to cram a Trinity War tie-in into this series. But it's good they didn't, as Gates is allowed the continued opportunity to grow and test a character I never expected to like as much as I do.

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7.2
Justice League United #1

May 14, 2014

So far the newest Justice League comic is off to a pretty good start. The underwhelming new take on Adam Strange is certainly disappointing, as is the fact that we've seen better work from McKone in recent years. Still, the series offers a lot of fun character pairings and an overall more freewheeling, adventurous tone that sets it apart from the previous Justice League books of the New 52.

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7.1
Justice League United #2

Jun 11, 2014

McKone's art, meanwhile, continues to suffer from an overly cramped sensation as his panels become too small and too clogged with dialogue balloons. The coloring is also problematic, particularly whenever Marcelo Maiolo employs the same washed-out highlighting effect that works so much better in Green Arrow. The bigger panels and page spreads are a great showcase for McKone's clean, cinematic style, but those don't appear often enough.

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6.9
Justice League United #5

Oct 8, 2014

On the whole, this issue provides a necessary showcase for the book's less defined characters. It's just a shame the spotlight didn't remain more on them.

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8.1
Justice League United #6

Nov 13, 2014

The story improves now that Jeff Lemire is able to move past the exposition overload of the first chapter and focus more on the elements that work - epic action and memorable character dynamics.

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6.9
Justice League United #8

Jan 15, 2015

This is a quick, largely uneventful read that only succeeds on the strength of the visuals. Hopefully issue #9 can offer a more well-rounded chapter.

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8.5
Justice League vs. Suicide Squad #1

Dec 21, 2016

In some ways, Justice League vs. Suicide Squad is a very straightforward, traditional superhero crossover. However, several elements help it stand out, from Joshua Williamson's strong characterization to Jason Fabok's cinematic art style to the emergence of a sinister third party that promises to shake up this battle in a major way.

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5.3
Justice League vs. Suicide Squad #3

Jan 4, 2017

After such a strong start, it's disappointing to see Justice League vs. Suicide Squad hit such a rough patch. Part of that is due to the decline in visual quality, but it's mainly the fact that the plot momentum reaches a screeching halt in this chapter. Issue #3 may introduce a few necessary plot twists and character moments, but it doesn't do nearly enough to stand out.

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8.1
Justice League vs. Suicide Squad #4

Jan 11, 2017

Justice League vs. Suicide Squad may never fully recapture the appeal of its opening issue, but this chapter sees the story bounce back in a big way. There's plenty of epic, blockbuster action, but also a strong emphasis on kooky character dynamics. With a cast like this, it's never a dull moment.

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8.2
Justice League vs. Suicide Squad #5

Jan 18, 2017

Justice League vs. Suicide Squad is definitely a stronger crossover in its second half. Having moved past the largely formulaic opening phase, the series is now able to get to the heart of the conflict, with Maxwell Lord orchestrating a global takeover and Batman leading the battered remnants of the Suicide Squad against him. The odds are growing bleaker by the minute, as this issue paves the way for what should be a truly epic finale.

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6.5
Justice League vs. Suicide Squad #6

Jan 25, 2017

Justice League vs. Suicide Squad doesn't receive the epic finale it deserved. This final issue wraps up the conflict with Eclipso far too quickly, and places too much emphasis on setting the stage for Justice League of America. However, the battle looks great while it lasts, and the character dynamics suggest that JLA will be a series well worth following.

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8.3
Justice League: Darkseid War: Shazam #1

Nov 12, 2015

DC could do a lot worse than to build a new series on the foundation established here.

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7.2
Justice League: Darkseid War: Superman #1

Nov 5, 2015

From what we've seen of the transformed Justice League members thus far, Superman's transformation into the New God of Strength is the least earth-shattering. The end result is basically all the power and none of the moral compass. But it's always fun to read a good "Jerk Superman" story, and that's pretty much what this tie-in delivers.

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9.6
Justice League: Darkseid War: Green Lantern #1

Nov 12, 2015

This issue might not be the most essential of the Darkseid War tie-ins in terms of its impact on the larger plot, but it's a must-read for any GL fan.

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4.7
Justice League: Darkseid War: Lex Luthor #1

Dec 10, 2015

The final Darkseid War tie-in explores what happens when Lex Luthor becomes the new lord and master of Apokolips. Sadly, that premise sounds more interesting than what the issue actually delivers.

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5.8
Justice League: Darkseid War: The Flash #1

Nov 5, 2015

While this issue does offer a deeper glimpse into Barry's present state of mind, it might have worked better as a short backup tale than a full-length comic.

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8.3
Justice League: Darkseid War: Batman #1

Oct 29, 2015

This Darkseid War tie-in sets a good standard for the rest of the mini-series to follow. It serves as a logical extension of the main storyline, filling in gaps and delving deeper into Batman's new status quo. It does such a good job of replicating the tone and look of the main series that it could just as easily be a chapter of The Darkseid War proper. Don't skip this issue just because it's a tie-in.

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8.5
Justice League: Generation Lost #8

Aug 25, 2010

Whatever complaints I might have had about the slow pacing of the series in its initial weeks have mostly evaporated by now. This issue is also boosted by the artwork of Aaron Lopresti, easily the best of the Generation Lost bunch. As Dan noted last time, Keith Giffen's departure as breakdown artist has allowed the various pencilers to break loose and be more original with their layouts, which seems to be benefiting the book so far. Hopefully the clarity of the visuals won't suffer as a result of the artist having to tackle a heavier workload. But really, I see no reason to be concerned about Generation Lost's quality right now. This series is doing quite well for itself.

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5.9
Justice League: Gods and Monsters #1

Aug 13, 2015

There's ample potential in this latest Gods and Monsters prequel, but this first issue doesn't do nearly enough to realize it. Good characterization is offset by a lukewarm conflict, and the art doesn't capture the vibrant energy of Bruce Timm's animation style.

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8.4
Justice League: Gods and Monsters - Superman #1

Jul 30, 2015

The second of DC's Gods and Monsters prequels is an all-around stronger effort. It offers a moody, compelling look at the development of a troubled Superman, while relying on the narration of his adopted sister to offset some of the darkness in the script.

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6.2
Justice League: Gods and Monsters - Wonder Woman #1

Aug 5, 2015

Compared to the previous two Gods and Monsters one-shots, Wodner Woman #1 is a bit of a letdown. This issue rarely achieves its potential in terms of fleshing out Bekka's tragic past, and it doesn't do much to justify the "Wonder Woman" moniker in the first place.

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8.5
Justice League: No Justice #1

May 9, 2018

Justice League: No Justice #1 delivers the epic, visually stunning overhaul this team needed.

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8.3
Justice League: No Justice #2

May 16, 2018

Justice League: No Justice continues to provide the team with the revamp it needs.

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8.7
Justice League: No Justice #4

May 30, 2018

Justice League: No Justice ends its brief run in fine form with an issue that balances spectacle and characterization.

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6.8
Justice Society of America #10

Oct 30, 2007

Because of, and in some cases, in spite of, everything I've read up to now, I'm excited to see what Kingdom Come Superman's presence holds in store for the DCU. I remain convinced a plan is in place and taking effect. Hopefully those effects aren't too long in showing.

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8.5
Justice Society of America #16

Jun 4, 2008

I'm not quite sure what to make of this new story direction. At the very least, Justice Society of America appears to have turned a corner and is on its way to matching the quality set by the first arc. Here's hoping.

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8.4
Justice Society of America #17

Jul 9, 2008

I'll admit I didn't even realize Dale Eaglesham was off the book last month. That's how closely Fernando Pesarin resembles his style. Now that I know I can see certain differences. Pesarin has a tendency to draw his characters as fatties. Everyone seems to sport a size 52 waist. On the other hand, Pesarin has a great knack for facial expressions. Overall the the differences balance out, and Justice Society of America continues to look good. And now that it reads well again, I'm a happy JSA fan.

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7.3
Justice Society of America #29

Jul 29, 2009

Issue #29 is not a bad start for the new creative team. However, this series suffers from a few problems that, as of yet, aren't really being addressed. Hopefully the book will settle down and evolve into a leaner, meaner version of itself in the coming months.

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5.5
Kane & Lynch #1

Aug 4, 2010

However, the art doesn't do a tremendous job of capturing the action. Detail is lacking, colors are muddy, and many characters look similar enough that the flow of violence can become confusing. The plot, involving Kane's runaway daughter and a revenge plot by the 7, is solid enough, but not as involving as it could have been either. Writer Ian Edginton channels a bit of the humor and charm of his work in Victorian Undead. The script probably could have used more in that regard. In short, this issue could have been a lot worse. But even in a week as slow as this one, there are far better ways to spend your money.

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6.5
Kane & Lynch #2

Sep 1, 2010

Edginton does deserve some credit for crafting a story that doesn't depend too heavily on a knowledge of the first game, even if it does still help. Edginton also captures the dynamic between the two anti-heroes pretty well. The issue isn't overtly humorous, but there are some amusing exchanges between Kane and Lynch that keep the script moving along between firefights. Christopher Mitten's art is a little more uneven. Though better than the first issue in its storytelling quality, the art is still too flat, bland, and lacking in color variety. In short, Kane and Lynch is far from the disaster many videogame comics turn out to be. In a slower week like this one, that might be enough to entice some readers.

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7.3
Karnak #1

Oct 22, 2015

Given the quality of his recent Marvel work, it's disappointing that Karnak #1 isn't a complete success. This first issue moves too slowly and aimlessly for its own good. Even so, Ellis is clearly working with a promising foundation here, as he gives Karnak a fun revamp and ensures that the newest Inhumans comic is entirely unlike any other.

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7.6
Karnak #2

Feb 25, 2016

Karnak #2 is still very light on plot, but it at least has a stronger sense of forward momentum.

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6.8
Kevin Keller #14

Aug 13, 2014

Dan Parent's art is very much what we've come to expect from the book - clean, simple, and as lighthearted as the story itself. Unfortunately, it doesn't excel when it comes to portraying superhero-worthy action. Kevin's battle with the mugger suffers from a series of weird panel transitions. Often it seems as though Kevin is fighting more than one villain with the way his opponent will be shown knocked down or falling into a dumpster in one panel and suddenly running into the distance in the next. Hopefully the storytelling can improve as the Equalizers adventures continue.

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8
Kick Drum Comix #1

Sep 10, 2008

This is a slick little book, but the high price tag might turn a lot of potential readers away. This issue is geared very much towards a particular target audience, and they already know who they are. Everyone else would be better served waiting for a trade.

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8.5
Kick-Ass #1

Feb 27, 2008

In the end though, I'll be the first to admit that originality be damned Kick-Ass #1 is an entertaining comic, and I'll definitely be coming back for more. Just don't tell me it's original, or I might try to kick your ass (sans costume).

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7.5
Kick-Ass #6

Apr 22, 2009

In some ways Kick-Ass is one of the stupidest books I've ever read. In no way is it a realistic examination of costumed vigilantes or modern crime. But the series rarely fails to amuse, and considering that this issue is more meaty than past efforts, that gives it a leg up in my book.

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4.7
Kick-Ass (2018) #1

Feb 14, 2018

The hope was that moving Kick-Ass to a new publisher and introducing a new protagonist would be enough to kick this franchise into gear and allow it to finally start seizing on its potential. This series at least gives us a much different lead character, but in all other respects it feels like more of the same. This series is trapped in a weird middle ground between grounded superhero drama and wacky, violent romp.

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4
Kick-Ass 2 #4

Sep 28, 2011

This is certainly an issue that will stick with you, but not necessarily for the right reasons. There's no need for Millar to push the story to the extremes it reaches. It doesn't serve the plot to see children's brains splattered on the sidewalk. Were the more grisly scenes at least left to the reader's imagination, the issue would have worked a bit better. Good art can be shocking, but good art also has meaning and purpose. Kick-Ass 2 has neither.

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7
Kick-Ass 2 #5

Nov 23, 2011

My feelings towards this series are schizophrenic at best. When Millar doesn't resort to shock tactics and doesn't deliver scripts that breeze by in a handful of minutes, there is a genuinely compelling story to be found. Let's hope he can maintain this level of reasonable restraint as the book reaches its climax. Although, at this point, if the grotesque violence is redirected at the villains of the tale, it might not be such a bad thing. They deserve some retribution already.

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6.5
Kick-Ass 2 #7

Mar 21, 2012

Where this finale disappoints is in documenting the fallout of the big battle. Millar cuts out of the story far too soon. Considering the losses Kick-Ass suffered over the course of the story, some glimpse of what direction his life takes next would have been appreciated. And knowing now that the Hit-Girl spinoff takes place prior to Kick-Ass 2, there's no telling when or if Millar will pick up Dave Lizewski's story again. Dave deserved better than that.

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7.1
Kick-Ass 3 #1

Jun 5, 2013

There's a strong back-to-basics feel with this series, and a healthy dose of humor to clear the air from Kick-Ass 2's darker drama. But that humor is just as frequently distracting, and the characterization suffers as a result.

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6.9
Kick-Ass 3 #8

Aug 7, 2014

But this is a fitting finale in many ways. It completes a full, cohesive character arc for Dave (less so for Mindy, who hasn't really evolved in the same way). It calls back to the very first issue of Kick-Ass in a satisfying way. And for a book so entrenched in gory, ludicrous violence and shock value, there's also an unusual sense of optimism to Millar's writing. Millar's work in general has become less cynical and grim of late, and there's a definite sense that he's using this issue to signify a sea change across the entire Millarworld line. Ironically, I'd be more interested in reading Kick-Ass comics in a post-Kick-Ass Millarworld landscape.

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5.8
Kid Lobotomy #1

Oct 19, 2017

This first issue has a frenetic, unbalanced quality that fits right in line with the story's Kafka-esque sensibilities (and numerous references to Kafka himself). However, the jumbled narrative makes it difficult to truly connect with any of the characters or their struggles

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7.2
Kill Shakespeare #1

Apr 14, 2010

Beyond the dialogue, what I really want to see from the writers is a developing thematic bond between the various characters. Were Richard III and the witches dragged into this story merely to fill roles, or do del Col and McCreery intend to use them to say something meaningful about Hamlet's quest and Shakespeare's work in general? This is ultimately where Kill Shakespeare will succeed or fail in proving itself to be more than mere fan-fiction. Issue #1 offers a fun beginning to what looks to be a rollicking adventure. Even so, the series has much more potential than that.

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8.5
Kim & Kim #1

Jul 7, 2016

This new sci-fi series has earned a fair amount of buzz because one of the two leads is transgender. Luckily, it handles that fact in exactly the manner it should, which is to not make a big fuss about it. Kim and Kim treats its two heroines as fully realized characters rather than bullet points on a diversity checklist, and that's one reason why this issue succeeds.

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5.6
King Size Hulk #1

May 28, 2008

As good as the first third or so of the King Size Hulk #1 looks, I can't imagine anyone will come out of this issue feeling like they got their money's worth. I suggest picking up a copy in the store, flipping through the pages, and going back to waiting for the next issue of Incredible Hercules to come out.

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9
King Thor #1

Sep 11, 2019

King Thor #1 is an epic start to the final leg of Jason Aaron's long Thor saga.

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8.1
King Tiger #1

Aug 13, 2015

This isn't a comic that plays to the familiar martial arts stereotypes, nor does it come across as a cheap imitation of series like The Immortal Iron Fist or Master of Kung Fu.

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7.7
Kingpin (2017) #1

Feb 8, 2017

If Bullseye can have his own comic, Wilson Fisk certainly deserves one, too. Fortunately, it looks like Kingpin will do the trick. This first issue offers a quiet but captivating look at a fallen villain and the woman he chooses to tell his story. It's a solid start for Marvel's latest villain-focused comic.

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7.8
Kingsman: The Red Diamond #1

Sep 5, 2017

Kingsman: The Red Diamond reads like a worthy and natural continuation of the original series, even with the shakeup in creative team. While this first issue is a bit too similar to the original in some ways, its character-driven focus and strong sense of style go a long way towards getting the series off on the right footing. Assuming Williams and Fraser can craft a sufficiently different villain, The Red Diamond should meet or even exceed its predecessor.

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5.8
Kingsman: The Red Diamond #5

Jan 11, 2018

The book still entertains easily enough, but this issue in particular reads like standard Kingsman fare - the sinister villain has toppled the old world order and Eggsy is racing against the clock to find his hidden lair.

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7
Kingsway West #1

Aug 24, 2016

Kingsway West #1 serves as a promising debut for this new Wild West fantasy comic. It introduces an eclectic and compelling universe without bombarding readers with unnecessary details right out of the gate. Unfortunately, the bland characters don't measure up to the rich world and attractive visuals just yet. Still, there's plenty of time to address that problem as the series gets underway.

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6
Kirby: Genesis #0

May 25, 2011

Given that this issue is only a dollar, it's hard to fault the lack of content much. More worrisome, though, is the quality of art. Ross is taking a more direct role in the production of the series than he did with Project Superpowers, providing penciled layouts over which Jack Herbert handles the finishes. The problem is that Ross is about as far on the other end of the artistic spectrum from Kirby as is possible. Ross' work prizes realism, and as a consequence tends to be static and even a bit lifeless at times. Herbert's presence doesn't alter the end effect much. As much as the duo try to channel the dynamic quality of Kirby's art, the pages still seem static. The character designs are unquestionably Jack Kirby, but the presentation isn't.

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5.3
Klarion #1

Oct 8, 2014

This series at least looks to be offering something different, but that in itself isn't enough.

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8.6
Klaus #1

Nov 4, 2015

It's odd that a story about the origins of Santa Claus would number among Grant Morrison's most straightforward comics, but that's Klaus for you. This first issue is very much "Santa Claus: Year One" in its structure. It's the beautiful art and the unusual blend of grim medieval setting and whimsical fairy tale elements that truly distinguish this tale. Hopefully Klaus will only grow more strange from here.

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8
Klaus #2

Dec 17, 2015

The combination of the book's violent action and the utter innocence and nobility of Klaus' quest make for a memorable combination.

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8.4
Klaus #3

Feb 4, 2016

Klaus is a very different comic compared to Grant Morrison's usual fare. The emphasis is less on high-concept storytelling or deep themes and more on weaving a charming, fairly lighthearted look at the origins of Santa Claus.

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9.2
Klaus: The Crisis in Xmasville #1

Dec 6, 2017

Regardless of whether you've read Morrison and Mora's previous Klaus work, this standalone issue is well worth the relatively high price of admission. It's a fun, clever take on all sorts of holiday tropes. It looks fantastic, and it taps into many of the same themes that have made Morrison's superhero work so powerful and emotionally resonant.

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7
Knuckleheads #1

Apr 3, 2013

Again, this opening chapter is entertaining enough to justify the purchase price. But nothing here really leaves me itching to read the next chapter.

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8
Kong of Skull Island #1

Jul 14, 2016

Carlos Magno delivers what might be the best work of his career. He brings the island and its literally larger-than-life inhabitants to life thanks to his intricate line-work and dynamic camera angles. If a King Kong story needs scope in its visuals, this book has plenty to spare.

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8.9
Kong on the Planet of the Apes #1

Nov 9, 2017

Writer Ryan Ferrier crafts a tale that works very naturally as a follow-up to the original 1968 film. Normally, I';m not thrilled when crossovers take so long to actually maneuver their two worlds together, but the slow, methodical approach really works here.

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8.5
Koshchei: The Deathless #1

Jan 4, 2018

While basically an offshoot of Hellboy: Darkness Calls, this series functions as a perfectly accessible standalone story in the same way so many Hellboy/BPRD projects do. Mike Mignola and Ben Stenbeck chronicle the origin story of this undead Slavic killer, framed by a charming little bar sequence in Hell. That story gets off to a strong start in this first issue.

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8.5
Kull #1

Nov 5, 2008

This whole issue is good stuff, really. Kull #1 did a much better job of attracting my attention than Solomon Kane #1 did. Judging by first issues alone, it outclasses Conan the Cimmerian #1 to boot. This is a strong first effort, and I look forward to the remaining issues.

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8.1
Kull #2

Dec 3, 2008

Though the script doesn't exactly suffer from being so laid back and subdued, the quality of the artwork seems to drop. In general, Will Conrad doesn't provide the sort of wide, epic panels that characterize much of the Conan stories. His page layouts are more traditional by comparison, giving the series an unnecessarily claustrophobic feel. His figure work is generally strong though, and he captures that loose, scratchy feel that Cary Nord first set way back in the early issues of Conan. These Howard books may not all reach the same level of quality, but they do manage to maintain a certain visual consistency that I admire.

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8.3
Kull #3

Jan 7, 2009

I realize Conan still has his fans, and I count myself among them, but if you're reading Conan the Cimmerian and not Kull, you need to reevaluate your priorities a bit.

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5.2
Lara Croft And The Frozen Omen #1

Oct 8, 2015

This series needs to develop a much stronger hook in issue #2.

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7.4
Last Days of Animal Man #1

May 27, 2009

The Last Days of Animal Man has no surprises to offer at this point, but the first issue is a solid effort that should appeal to fans of the character. It's probably too much that Buddy will be breaking the fourth wall or anything, but it'll be interesting to see if Conway has something more up his sleeve.

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6.4
Last Gang in Town #1

Dec 23, 2015

Unfortunately, it's a little tough to connect with the characters and their mission in this issue. The way the script constantly jumps between time periods makes the story needlessly obtuse

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9
Lazarus (2013) #8

Apr 24, 2014

But this series wouldn't achieve its storytelling heights without the assistance of Michael Lark and colorist Santi Arcas. Lark's noir-tinged art is a perfect fit for Rucka's writing despite the heavy sci-fi elements. That's where Arcas' colors come in, bathing the technology in a haunting glow and depicting the stark, washed-out quality of the decaying Colorado wilderness. Lark's depiction of Forever's virtual reality training session in the flashback stands as one of the most engaging action sequences in the series so far. This series is a prime showcase for what a great creative team can accomplish with the freedom that comes from independent comics.

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7.8
Legendary Star-Lord #11

Apr 16, 2015

The Black Vortex crossover has been far longer and more drawn out than it needed to be. But the good news is that things finally seem to be moving along at a faster clip now that this storyline has reached its penultimate chapter.

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7.9
Legenderry: A Steampunk Adventure #1

Jan 1, 2014

Visually, the highlight of this issue is mainly the character designs. I much prefer Vampirella in a gaudy steampunk dress to her usual skimpy bathing suit look. The world around these characters feels less steampunk-y and more just plain Victorian, but hopefully we'll see more signs of wacky technology and gadgets as the story progresses. Sergio Davila's storytelling is solid, but the coloring sometimes obscures the line-work unnecessarily, rendering black lines muted and grey.

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7
Legends of the Dark Knight 100 Page Super Spectacular #2

Mar 12, 2014

This issue is two-thirds successful, which I suppose gives it a leg up on a lot of anthologies. Even so, most readers are probably better off sticking to the digital series, where they can pick and choose exactly which stories they want.

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8
Legends of Tomorrow #1

Mar 16, 2016

Legends of Tomorrow #1 won't satisfy readers looking for an extension of the TV series. That's the fault of DC's marketing department, not the creators of these stories. This book will, however, appeal to DC fans who crave a simpler, more innocent take on this superhero universe. With a lineup of classic DC writers and talented artists tackling a variety of B and C-List heroes, there's a lot of fun to go around in this issue.

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6.8
Legion (2018) #1

Jan 24, 2018

Legion is a perfectly decent introduction to the character, which is likely what Marvel was striving for with this new series. This issue downplays the character's back-story and histroy with the X-Men in favor of crafting a a digestible conflict between David Haller and his own dark side. Unfortunately, the trade-off is that the book lacks that special, weird flavor that defines the best Legion stories.

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4
Legion Lost #1

Sep 14, 2011

At least the art helps salvage the book to an extent. Pete Woods returns with a distinctly different approach than the one seen on his various Superman books. His figures are more angular and stylized, with less emphasis on blacks and shadows. It looks really nice in spots. But Woods' art is too often overpowered by the demands of the script. In some cases panels are completely lacking in background detail. Not because of a lack of effort, mind you, but because so many characters clutter the foreground that the background is completely covered. This series badly needs to slow down, take a breath, and take a more methodical and focused approach to storytelling. Any book bearing the title "Legion Lost" needs to be able to offer something more than this.

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5.5
Legion Lost #2

Oct 12, 2011

This book definitely shows potential, as well as some improvement from issue #1. Pete Woods' art is solid, and Nicieza proves he has a firm handle on at least some of the cast. It really all comes down to focus. A Legion book with a trimmed-down cast should manage a more cohesive and engaging storyline than Legion Lost has managed so far.

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8
Legion of Super-Heroes (2010) #2

Jun 23, 2010

I'll probably never label myself a hardcore Legion fan, but it's books like this that show me what I've been missing over the years. Levitz goes a long way towards making the Legion fun and accessible for newcomers without alienating the long-term fans who have followed the team through its numerous incarnations.

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6.5
Legion of Super-Heroes (2010) #4

Aug 25, 2010

A more distressing problem involves the art. The series is only four issues old, but already three separate artists are tackling different sections. Consistency and quality aren't as huge a problem as might be expected, but there are certainly passages that are far more vibrant and expressive than others. Sadly, these fill-in artists may be necessary evils for a book with this many densely packed pages. Levitz certainly provides readers their $3.99 on this one. That doesn't mean Legion couldn't benefit from a bit of streamlining.

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7
Legion of Super-Heroes (2011) #2

Oct 19, 2011

DC was wise to keep Levitz on a Legion book. Though this series isn't as accessible or streamlined as it probably should be at this early stage, it's a well-written team book that ensures the 31st Century isn't forgotten in this relaunch.

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8.8
Legion of Super-Heroes (2019) #1

Nov 8, 2019

Legion of Super Heroes #1 makes a convoluted franchise accessible and inviting again.

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6.5
Let Me In Crossroads #1

Dec 31, 1969

Similarities aside, the issue is well presented. The barren, snow-swept setting of the film is swapped for a different sort of rural, Midwestern desolation. A conflict involving a pushy real estate developer could serve to differentiate Crossroads from its sequel more, but at the moment the villain of the piece is a bit too two-dimensional. Andreyko and artist Patric Reynolds are able to channel the creepy tone of the film, though the comic never packs any particularly scary moments. Hearing Abby feeding from behind a wall is not the same as seeing her pounce on her prey in live-action. Still, Reynolds, art is very dark and moody, and also much more detailed than one might expect from a licensed comic. What Let Me In: Crossroads lacks in originality it makes up for in presentation.

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8.5
Life With Archie #36

Jul 16, 2014

That said, the fact that I can mourn the death of Archie Andrews knowing full well the teenage version will live on says a lot about the execution of this comic.

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7.2
Livewire (2018) #1

Dec 4, 2018

Livewire #1 has its problems, but a compelling lead heroine is enough to counteract everything else.

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5.5
Lobo (2014) #2

Nov 6, 2014

Clearly, DC's decision to overhaul Lobo from the ground up was a controversial one. I've been in support of the idea, but there comes a point where a character is altered so much they just aren't the same character at all. That's the danger this new series is running into.

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8.1
Lobo (2014) Annual #1

Jul 30, 2015

The plot is fairly formulaic, with Lobo being hired to take down the mighty Sinestro and running afoul of his Corps. There's plenty of action, and a fun showdown between the two characters as DC's top intergalactic killer squares off with its most egomaniacal ring-slinger. It all looks great, too.

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8.8
Local (2005) #11

Apr 30, 2008

I sincerely hope the wait for the final issue isn't as bad as this one was. Even though it will spell the end for one of my favorite indy books, I'm dying to know how Wood's saga will finally end.

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8.1
Local (2005) #12

Jun 11, 2008

Ultimately, Local #12 is an acceptable but slightly shallow conclusion to a brilliant series. Wood is content to wrap up Megan's life with a neat bow. I'm not always a fan of ambiguous endings, but I would have preferred something less happy and tidy. I like to picture Megan out there somewhere, roaming the roads and back alleys of America. In this case I don't think any ending would truly satisfy me.

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8.6
Locke & Key: Crown of Shadows #1

Nov 11, 2009

There really isn't much to dislike about this issue, unless you were hoping for a more rapid progression of events. It is a little painful knowing Hill apparently has 68 issues planned for the series in total, and I do wonder occasionally whether that much content is really necessary. All the same, I would hate for this conflict to have been glossed over. The Locke family can afford to take the month off. Hill probably has plenty of nasty surprises in store for them in the coming months.

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8.6
Lockjaw (2018) #1

Feb 28, 2018

It's understandable if readers are feeling burnt out on the Inhumans at this point. However, Lockjaw #1 offers an entertaining diversion from the norm that places more emphasis on Lockjaw's new partner than the trusty canine himself. This issue delivers all the wacky superhero fun one would expect, but it anchors that fun with a surprisingly deep look at a fallen hero in crisis.

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8.5
Logan #3

May 7, 2008

If nothing else, Logan has been a terrific showpiece for Eduardo Risso. Risso doesn't dip into superhero work very often. I wish that weren't the case. He proves himself more than suited to the bloody and poetically tragic world of Wolverine. In fact, if I rated comics solely on the art I'd be tempted to dole out a perfect 10. That's not how it works, unfortunately. Alongside his insanely talented artist, Vaughan makes the best of a very limited premise. I can only imagine what the two might have accomplished on one of the Wolverine ongoing series. That would have been something.

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8.6
Lois Lane (2019) #1

Jul 3, 2019

Lois Lane is long overdue for her own solo comic. And luckily, DC found the ideal creative team to bring that drought to an end. Lois lane #1 serves as a strong start to a series far more mired in real-world politics and headlines than your average DC book. But even as the series tackles timely subject matter, it also captures the core of what makes Lois such a compelling character.

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8.1
Lone Ranger #9

Oct 24, 2007

The story itself is a fairly simple one. The Lone Ranger and his new partner Tonto ride around and enact some brutal Old West-style justice. Along for the ride is a desperate young man who may not be as helpless as he seems. Longtime Ranger fans may still be shocked at the level of violence contained within these pages. As for me, I think the extra blood only accentuates the book's more realistic tone. The only real complaint I'd lodge against it is the blazingly fast time it took me to finish the issue. Due in part to the preponderance of wordless panels, it's a short read for $3. Still, this week alone I've made several much worse spending decisions at my local comic shop. Ride with the Lone Ranger and he'll never steer you wrong.

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8.1
Lone Ranger & Tonto #1

Mar 12, 2008

If you've ignored Lone Ranger so far I don't imagine this issue alone will win you over, but it manages to be another solid effort from a crew who puts out some of the best Western stories in the industry.

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3.7
Lone Wolf 2100 #1

Jan 7, 2016

This series is a bit of an odd one in that it's a reboot of Dark Horse's 2002 re-imagining of the classic Lone Wolf and Cub manga. Unfortunately, at this point the source material has become a little too diluted. The attempt to rejigger Lone Wolf and Cub as a post-apocalyptic zombie story winds up turning this comic into something the comic industry has plenty of already - post-apocalyptic zombie stories.

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8.3
Low (2014) #3

Sep 25, 2014

Low is a very different breed of sci-fi comic from Rick Remender, both in terms of premise and the emphasis on hope and optimism over Remender's typically grungy, self-interested protagonists. That's given Low a hook, but only with this third issue does the series really seem to find its groove.

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8.5
Lucas Stand #1

Jun 23, 2016

At a glance, this series sounds like a fairly generic mash-up of the Spawn and Hellblazer franchises. But it doesn't pay to doubt Sons of Anarchy creator Kurt Sutter or Coffin Hill writer Caitlin Kittredge. In execution, Lucas Stand #1 is actually a very compelling debut for this new supernatural-themed mini-series.

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8.1
Lucifer (2015) #1

Dec 16, 2015

Lucifer isn't the strongest of Vertigo's many new comics. In some ways, it doesn't measure up to the previous volume, either. But taken for what it is, this first issue proves to be an entertaining read that banks on the strained relationship between Lucifer and Gabriel and the clash between the angelic and mundane corners of the Vertigo universe.

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5.8
Luke Cage (2017) #1

May 18, 2017

Luke Cage #1 is, at best, a blandly competent comic.

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8.1
M.O.D.O.K.: Assassin #1

May 28, 2015

This is easily one of the sillier Secret Wars books released so far. It's also very violent, allowing M.O.D.O.K. to exercise his penchant for killing in a way that wouldn't really be possible in a more traditional setting.

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5.9
Mad Max: Fury Road - Furiosa #1

Jun 17, 2015

Visually, the comic has little in common with the film either. There's no carefully choreographed action to be had here, just talking heads and partially obscured sexual violence. Artists Tristan Jones and Szymon Kudranski aren't given much to do in this issue besides recreate the memorable character designs and locations from the film (which admittedly has some appeal. Mark Tristan's framing sequence pages offer a stronger sense of style, but they only count for two of the book's 40 pages.

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8.1
Mad Max: Fury Road - Mad Max #1

Jul 8, 2015

Mad Max #1 is the first of DC's Fury Road tie-ins to do more than blandly fill in gaps in the film's mythology. Instead, it offers an engaging look at Max after the events of the movies as his long struggle for survival and redemption continues.

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8.2
Mad Max: Fury Road - Mad Max #2

Aug 6, 2015

While it doesn't offer a tremendous amount of new insight into the character, this issue does pack in many of the elements fans crave from his adventures.

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7.4
Mad Max: Fury Road - Nux & Immortan Joe #1

May 21, 2015

This Mad Max: Fury Road prequel fills in some interesting gaps but doesn't quite capture the film's sense of style.

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7.6
Madame Mirage #3

Oct 24, 2007

Kenneth Rocafort continues to provide some pretty pencils in the mighty Top Cow tradition. That is to say, every character is sleek, angular, and impossibly sexy. The book's most major flaw so far is that the villains are all two-dimensional cardboard cutouts. The fact that they all look like super models to boot doesn't help much. Dini still has some work to do as far as polishing his creator-owned series, but he's done enough to keep me hooked for the forseeable future.

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7.7
Made Men #1

Sep 7, 2017

Between Victor LaValle's Destroyer and now this series, it seems there's a trend of comic creators tackling modernized spins on the Frankenstein formula. That supernatural angle is enough to spice up what otherwise may have been a straightforward tale of vigilante revenge.

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8.5
Madman In Your Face 3D Special #1

Nov 26, 2014

This special might not appeal to the uninitiated, but if you're a devout fan of Madman or Allred's art in general, you'll definitely want to grab your red and blue glasses and give this comic a gander.

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8.6
Mae #1

May 19, 2016

This first issue does have a few pacing quirks that stem from the fact that Mae was originally published as a graphic novel, but it's well worth a read for anyone who enjoys seeing fantasy and reality clash.

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8.6
Maestros #1

Oct 19, 2017

You may think you've read every variation on the "ordinary kid discovers they're part of a secret magical community" fantasy trope, but Maestros manages to put plenty of new spin on an old favorite.

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8.3
Mage: The Hero Denied #1

Aug 17, 2017

While a fairly slow start to this 15-issue, series, this issue manages to immediately pull the reader back into the story of Kevin Matchstick.

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7.9
Magneto (2014) #1

Mar 5, 2014

Walta's art may be a turnoff for some readers. It's definitely not very superhero-y, which is a big part of the appeal right there. Walta paints a very subdued vision of the Marvel U, far from the tone set by books like All-New X-Men. And while his figure work can be a little flat at times, Walta's unique style meshes well with this grim, world-weary version of Magneto. Even his modified costume is a vast improvement over the one we've seen for the past year.

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8.5
Magneto (2014) #2

Apr 2, 2014

The flashback-oriented approach also plays nicely to Gabriel Hernandez Walta's artistic strengths. Walta isn't really a traditional superhero artist, but nor is this a traditional superhero book. His muted, slightly ethereal art really captures the vibe of Magneto's unhappy mission and especially the terrible tragedy of his childhood. I hope the creators continue to mine that period of Magneto's life for more material.

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8.3
Magneto (2014) #5

Jun 5, 2014

Magneto #4 read like a bit of a filler issue. But this new chapter gets the wheels turning again as regular artist Gabriel Hernandez Walta returns and Cullen Bunn ventures into his next big story arc.

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7.4
Magneto (2014) #17

Apr 16, 2015

The series reads like more of a horror book than a superhero one at this point, which suits Magneto and his present state of mind quite well. It also suits Gabriel Walta's subdued art style.

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7.8
Magneto (2014) #18

May 14, 2015

The series makes a weirdly abrupt transition from the previous Genosha storyline into a "Last Days" prelude to Secret Wars

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6.5
Magneto: Not a Hero #1

Nov 8, 2011

There's definitely potential to be found in this new series, but the conflict and plotting don't live up to the quality of the characterization.

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7.5
Magnus, Robot Fighter #1

Aug 4, 2010

Magnus' man-skirt aside, the art also functions much better than the visuals in Doctor Solar. Like Shooter, Bill Reinhold aims for a more retro feel in his work. Wes Dzioba's colors also help offset the retro tone with a bit of futuristic glow and shine. I'm not holding out much hope for Doctor Solar's future at Dark Horse right now, but Magnus seems poised for a solid career of robot fighting at his new home.

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4.3
Man Without Fear (2019) #1

Jan 2, 2019

Man Without Fear #1 serves as a bland, formulaic bridge between two volumes of Daredevil.

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7.5
Man-Thing (2017) #1

Mar 8, 2017

Man-Thing #1 is hardly a flawless debut for the series, as the choppy structure prevents either story in this issue from reaching its full potential. Still, it offers a clever, campy take on the iconic monster hero, and the art in both stories is very easy on the eyes.This promises to be a fun ride for fans of the Marvel Monsters.

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8.8
Marauders (2019) #1

Oct 22, 2019

Marauders #1 is an entertaining book that fills a necessary void in Marvel's new X-Men line.

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6.6
Mars Attacks: Occupation #1

Mar 10, 2016

It's practically PG-rated in terms of dialogue and how the humans interact with their Martian overlords, but spurts of bloody violence suddenly push it into darker territory.

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8.3
Martian Manhunter (2015) #2

Jul 16, 2015

I'm not always a fan of stories predicated on the notion of "Everything you thought you knew about this character was a lie," but so far Martian Manhunter is making a strong case for its complete overhaul of the character's nature and origins.

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7.5
Martian Manhunter (2015) #7

Dec 17, 2015

Martian Manhunter has been one of the more memorable results of the DC You relaunch. Writer Rob Williams has shown no fear about shaking up what readers expect from a Martian Manhunter story and making the character more flawed and compelling than he's been in years.

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9.1
Marvel 1985 #1

May 28, 2008

Millar and Edwards managed to hook me line and sinker with this issue. I told myself I no longer cared about Marvel 1985, and I was proven dead wrong. I'm tempted to call it the best of Millar's work this year, but I suppose we'll just have to wait a couple more issues to make sure.

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7
Marvel 1985 #6

Oct 29, 2008

Even if the majority of the issue played to convention, I can honestly say I loved the ending. Millar comes ever closer to breaking the fourth wall in his wrap-up, and the ultimate fate of Toby and his family left a big smile on my face. It's a shame the series as a whole couldn't do that more often.

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6.7
Marvel Comics (2019) #1000

Aug 28, 2019

Marvel Comics #1000 crams in a lot of content, but the lack of a consistent theme hinders this anniversary special.

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8.5
Marvel Comics Presents (2007) #4

Dec 12, 2007

What else? The Hellcat story is vastly improved now that I have some idea of what the heck's going on. The Weapon Omega story, while slow-moving at times, is a significant leap over the recent Omega Flight mini-series. I only wish USAgent wasn't the only other Flight member to make an appearance. And, finally, the original story for this month deals with The Outlaw Kid, one of Marvel's many, many cowboy heroes. While I pointed out in my review of Bat Lash #1 this week how overcrowded the cowboy market is becoming these days, one short story is hardly going to tip the scales towards overexposure. Much like the "Vanguard" story, I was pleasantly surprised with Christopher Moeller's painted art. Marvel is packing each issue of MCP with a terrific level of talent, and that's precisely why the series satisfies so consistently. Open your wallet and fork over the 5 bucks. Trust me.

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7.6
Marvel Holiday Special: 2007

Dec 19, 2007

Though derivative almost to a fault, this issue might just give you a little boost in holiday cheer. Provided you still have $4 after all your Christmas shopping, you may want to clear out some space in your stocking for Marvel's Holiday Special 2007.

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4.8
Marvel Illustrated: The Iliad #1

Dec 19, 2007

With bland art and an even more bland adaptation of The Iliad, we're only left with one question - aren't we just better off taking the time to read the original story? It can't be any less painful.

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8.6
Marvel Legacy #1

Sep 27, 2017

Marvel Legacy #1 is almost eerily similar to DC Universe Rebirth #1 in many ways, but it also works for the same exact reasons. Legacy allows writer Jason Aaron and his artists to take a step back and reexamine the course of the Marvel Universe, while also just introducing some very fun ideas and bringing back a few fan-favorite characters in the process. It's a little choppy in places, but well worth a read for anyone who wants to see this superhero universe thrive again.

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9
Marvel Two-In-One (2017) #1

Dec 20, 2017

The Fantastic Four have been absent for far too long in Marvel's comics. Marvel Two-In-One quickly makes up for lost time as it explores the lasting impact that absence is having on the remaining FF crew. This issue manages to both celebrate the legacy of Marvel's First Family and pave the way for the sort of whimsical adventure that team was always known for. This is exactly the sort of book that was promised when Marvel Legacy was announced.

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9
Marvel Two-In-One (2017) #2

Jan 25, 2018

It may be lacking a few key characters, but in every way that matters, Marvel Two-In-One is the Fantastic Four book fans have been clamoring for.

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8.6
Marvel Two-In-One (2017) #3

Feb 15, 2018

Even as enjoyable as the Jason Aaron/Chris Bachalo run was, I'm not sure I expected Doctor Strange to emerge as one of the biggest success stories of Marvel Legacy. Yet here we are, with issue #385 providing a satisfying cap to a thoroughly enjoyable debut for the new team.

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6
Marvel Universe vs. The Punisher #1

Aug 4, 2010

Where Jonathan Maberry goes astray is in devoting too much time up front towards explaining the origins of the outbreak. Too little shooting of zombies actually takes place in this issue. I won't say the origin of the plague and the personal nature of Frank's quest aren't intriguing, but those revelations should have taken a backseat initially. At four issues, the series really needs to offer readers more of what it advertises if it expects them to return for future installments.

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6.5
Marvel Universe vs. Wolverine (2011) #1

Jun 29, 2011

Marvel Universe vs. Wolverine is disappointingly familiar in many ways, but it also marks significant improvements in both scripting and art quality. The most we can do is hope that Maberry does have a few surprises in store as he delves more deeply into this violent universe.

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7
Marvel Zombies Destroy #1

May 9, 2012

Mirco Piefederici tackles the art for this series, delivering a more traditional penciled style compared to the somewhat painterly look of books like Dark Wolverine. At its best, the book is bright and expressive despite the grim and grisly subject matter. The colors certainly help in this regard. Unfortunately, Piefederici's work falters whenever the characters assume more irregular poses, becoming flat and distorted. But even despite those flaws, this is shaping up to be one of the more attractive Marvel Zombies books.

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6.5
Marvel Zombies Destroy #2

May 23, 2012

Also a bit aggravating is the tendency of so many characters to spew varied but equally lame catch phrases on the battlefield. Goofy humor is a prerequisite of a book like this. However, endless panels of one-liners and bad zombie puns wears thin very quickly. The issue finally sheds a lot of this nonsense towards the end, as Frank Marraffino injects a new batch of heroes into the mix and begins exploring the origin of this particular zombie outbreak. If the series as a whole could strike the balance of grotesque humor and darker drama seen in these pages, Marvel Zombies Destroy could rival the best entries this franchise has seen. But will it ever make good on that potential?

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8.1
Marvel Zombies Return #1

Sep 2, 2009

Marvel Zombies Return #1 is not a deep comic, even by the standards of past stories. It is, however, a huge amount of dark, twisted fun. I still have my concerns about the mini-series as a whole, but at least the franchise is showing it still has legs. That's more than a lot of zombies can say.

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5.8
Marvel Zombies Return #2

Sep 10, 2009

Marvel Zombies Return #2 is a definite step down from the first issue, but I expected as much. If all you crave is more carnage and bloodshed, this issue will probably satisfy. Still, after all these years, I think the franchise is past the point where it should be allowed to coast by on such superficial qualities.

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6.3
Marvel Zombies Vol. 2 #1

Oct 17, 2007

At this point any Marvel Zombies comic is going to appeal to a specific audience, and you know who you are. Personally, I don't think I'll ever be interested in another issue unless the zombies cross dimensions and start munching on DC characters. But for the rest of you, the prospect of a new Kirkman-penned zombie book must be plenty appealing. Rest easy knowing this is no worse than the original.

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7.1
Marvel Zombies Vol. 2 #2

Nov 28, 2007

I did appreciate, however, that Kirkman put in a slight amount of effort into fleshing out the newer zombie characters, most of whom didn't even have speaking roles last time. In particular, Gladiator seems poised to make a big splash next issue, and I look forward to it. Never thought I'd say that about another Marvel Zombies comic...

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7.2
Marvel Zombies Vol. 2 #4

Jan 23, 2008

At this point you should have a firm idea of your own opinions on Marvel Zombies. If you liked the last three issues in this story, you'll get a kick out of the penultimate issue. If you've been on the fence the entire time, you might want save your $3 and go buy an issue of the superior Robert Kirkman zombie comic. Or maybe something with no zombies at all. There's a novel thought.

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6.7
Marvel Zombies Vol. 3 #1

Oct 1, 2008

Crown's Score: 6.8

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8.1
Marvel Zombies Vol. 3 #2

Nov 5, 2008

Assuming next issue doesn't dip in quality just like this one rose, Marvel Zombies Vol. 3 may actually rank as the best in the series. I know that doesn't say a whole lot, but it's encouraging to see a concept as seemingly played out as this find new life with a new creative team.

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8.4
Marvel Zombies Vol. 4 #1

Apr 8, 2009

With an opening issue full of violence, carnage, black humor, and a terrific set of pencils from Kev Walker, Marvel Zombies Vol. 4 is poised to to weave a zombie epic on par with the best in the franchise. Marvel Zombies has been around a long time now, but hasn't gotten long in the tooth just yet.

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8.4
Marvel Zombies Vol. 4 #2

May 6, 2009

But if not, I have plenty to keep me entertained anyway. This story is delightfully funny (thanks in no small part to Deadpool's head), sports a slick set of pencils from Kev Walker, and it spotlights some cult favorite characters who deserve more attention. There's a lot to like about Marvel Zombies Vol. 4. Is it too early to start looking ahead to Vol. 5?

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8.3
Marvel Zombies Vol. 5 #1

Apr 7, 2010

After one issue I'm already inclined to label Marvel Zombies Vol. 5 as my second favorite entry in the franchise. This book only has the wonderfully wicked Vol. 3 to compete with now, and I have a good deal of hope it will be able to surpass it. The series continues to be a great outlet for Van Lente's twisted brand of humor and a worthy read for those who like their comics to amuse and appall in equal measure.

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7.3
Marvel's Doctor Strange: Prelude #1

Jul 7, 2016

In short, this comic proves to be a worthy appetizer for the main course to come.

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5
Marvel's Thor The Dark World Prelude #2

Jul 10, 2013

Thor: The Dark World Prelude is a necessary read only if you absolutely have to know the answers to nitpicky questions like how Thor returned to Earth during The Avengers or what Jane and friends were up to during that period. Everyone else is just better off waiting for the new movie.

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9.1
Marvelous Land of Oz #2

Dec 16, 2009

I think the Oz books will always have an odd quirk or two while broken up into individual issues. So while this may not be the absolute ideal format to experience the story, that doesn't change the fact that The Marvelous land of Oz is equal to or better than it predecessor. It's a visual feast for the eyes and a soothing dose of whimsy for the brain.

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7
Marvels (1994): Epilogue #1

Jul 24, 2019

Marvels Epilogue delivers a heartwarming followup to a classic story, but it doesn't offer bang for the buck.

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6.8
Marvels Ant-Man Prelude #1

Feb 4, 2015

Miguel Sepulveda's art has its ups and downs in this issue. Sepulveda is generally good at rendering the action scenes, as Pym shrinks and evades danger and puts his new suit to the test. There's an overall sense of clarity and firm line-work bolstering most pages. Certain panels appear distorted, however, thanks to Sepulveda's odd perspective choices. The facial work can also be a little wonky, and none of the familiar characters resemble their movie selves at all. It's tricky, as this comic falls in a weird in-between state and unfolds in a late Cold War setting. But are we supposed to believe this Hank Pym will eventually grow up to be Michael Douglas?

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5.8
Marvels Ant-Man Prelude #2

Mar 5, 2015

Unfortunately, after reading these two issues, I don't feel that I have any real insight into the Hank Pym of the Marvel Cinematic Universe or what makes him unique.

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6.7
Marvels: Eye of the Camera #1

Dec 3, 2008

While the pacing may very well improve over the course of the book, I have t say I'm more worried about the art. As I said, the sequel faces a huge and immediate hurdle with the loss of Alex Ross. Jay Anacleto takes over instead. Had you asked way back in the day when I first glimpsed preview art for this series, I would have set I was intrigued. Anacleto is a far different artist than Ross, but his work still evokes that sentimental Norman Rockwell feeling taht the original series had in droves. Unfortunately, Anacleto lacks the sense of raw scale and framing that Ross possesses. In the first book, these Marvel heroes felt like gods as they towered over mortal men and waged wars that the average man on the street couldn't comprehend. There seems a concerted effort to bring the heroes down to the ground, both in the writing and the art, and in my opinion it works against the purpose of Marvels. Couple that with the fact that the painted colors seem to muddle and obscure Anacleto's penc

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8
Mass Effect: Redemption #1

Jan 6, 2010

Redemption might be of limited appeal to those who haven't played the first game. Even still, new readers will be able to appreciate its rapid-fire plot and diverse menagerie of alien cultures. More than anything, Redemption proves Mass Effect has plenty of potential in this medium. And unlike most projects of this sort, it actually capitalizes on that potential.

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6
Masters of the Universe (2012): The Origin Of Skeletor #1

Oct 31, 2012

Ultimately, He-Man fans should get a kick out of this issue and the way it revamps Skeletor's origin story. At the same time, there are a great deal of storytelling flaws holding it back.

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6
Masters of the Universe (2012): Origin of He-Man #1

Jan 30, 2013

Fialkov's script does excel when it comes to dialogue, at least. Much as with Keith Giffen's writing in the He-Man mini-series, Fialkov takes a very serious, dramatic approach to the characters that is about as far from the style of the original animated series as you can get and still feel like He-Man. Skeletor comes across as an imposing villain. Adam is a proper everyman hero. Even the Sorceress shines in her brief appearance. Given a larger platform on which to work, Fialkov could easily excel with this franchise.

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6.5
Mega Man #1

May 11, 2011

Mega Man still has much to prove as the series moves forward. Will it remain a humble and charming throwback to yesteryear, or can it truly expand the Mega Man mythology and add something new to the games?

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4.5
Mega Man #2

Jun 8, 2011

I realize this is an all-ages series, but one of the great lessons writers like Stan Lee taught us in the Silver Age was that you don't have to needlessly simplify the story for the sake of younger readers. There's no reason Mega Man, Dr. Light, and the rest can't show more depth and nuance in these pages. And there's no reason the series can't provide more than a truncated play-by-play of the game. If this series is to have any sort of long-term shelf life, it'll need to embrace the strengths of this medium and carve its own path in the Mega Man franchise.

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8.2
Mega Man #35

Apr 17, 2014

The series has definitely overcome a lot of the hurdles it faced early on. Rather than regurgitate the straightforward, shooty-shooty conflicts of the games, the book is now exploring more organic story material and paying heavy attention to the search by characters like Mega Man and Breakman for their own humanity.

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7
Men of War #2

Oct 5, 2011

Men of War would probably benefit from dropping the backup story and, with it, the cover price. Regardless, Brandon's story is one that deserves to be read even amid the numerous other New 52 releases.

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7.5
Men of War #3

Nov 2, 2011

Unfortunately, the backup feature still fails to distinguish itself in its final month. Jonathan Vankin's tale is more generic, and honestly could be published by any comic company looking to fill its war quota. The characters never feel as vital as Brandon's, nor do the challenges they face seem as memorable. I look forward to the change-up that will come in issue #4.

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8.5
Men of War #5

Jan 4, 2012

The success of the backup features in these last two issues offer hope that the series as a whole can withstand the impending departure of Brandon. It's clear the concept of Men of War is stronger than any one creator.

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8.5
Men of War #6

Feb 1, 2012

The one disappointing aspect of Men of War #6 is that this is the last readers will see of Rock and his men for the foreseeable future. Ivan Brandon is departing the series now, and after two more issues the book will be canceled entirely. The worst part is that this issue seems to set up plenty more conflict for Rock. Unless he returns in the pages of G.I. Combat, that setup will be for naught. And unless Brandon himself returns to pen the further adventure of Sgt. Rock, the question is whether it matters if the character returns or not.

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7.5
Men of War #7

Mar 7, 2012

Both of these war tales are solid. What they fail to accomplish, however, is to make any use at all of the larger DCU. That was half the fun of Brandon's Sgt. Rock saga -- watching ordinary soldiers interact with superhuman combatants. In this day and age all war comics need a strong sense of identity. Men of War had that at first, not that this identity helped it much on the sales charts. But this is something DC's next war comic needs to focus on if it has any hope of long-term survival.

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6.2
Merry Men #2

Jul 21, 2016

There's still quite a bit that needs to be done before this book lives up to its true promise.

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6.2
Micronauts #1

Apr 27, 2016

If you're not old enough to already be in the Micronauts loop, IDW's won't necessarily show you what all the fuss is about. This first issue introduces a perfectly decent team of space mercenary heroes, but it doesn't do enough to establish the parameters of this universe or what actually make sit special and unique. And the appeal of seeing David Baldeon run wild in that universe is slightly diminished by the inconsistent visual quality in this issue.

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7.5
Midnighter (2015) #1

Jun 4, 2015

If not a total home run, this opening chapter offers a very solid foundation on which to build an ongoing series.

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8.6
Midnighter (2015) #2

Jul 2, 2015

Steve Orlando delviers plenty of cool action in this issue as Midnighter clashes with another superhuman vigilante. But often, it's the quieter characetr work that stands out the most.

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8.1
Midnighter (2015) #3

Aug 6, 2015

There's plenty of hard-hitting action and villains receiving much-deserved pummelings. There's also an intriguing look at Midnighter's troubled psychology and the breakup of his formerly rock-solid romance with Apollo.

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7.4
Midnighter (2015) #4

Sep 3, 2015

With this issue, Midnighter has his first real superhero team-up since his new series began. And who better to watch his back than super-spy Dick Grayson? This issue does a great job of building on the slightly abrasive, slightly flirtatious dynamic that's started to develop between the two characters.

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7.9
Midnighter (2015) #8

Jan 7, 2016

This series has become a little too prone to drawing in superhero guest stars for something that's barely half a year old, but at least writer Steve Orlando is willing to mine the less well-trodden corners of the DCU.

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7.9
Midnighter And Apollo #1

Oct 6, 2016

Orlando shows a real flair for showcasing the weird, wacky side of the DCU while simultaneously keeping the focus on Midnighter's personal struggles and relationship with Apollo.

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8.3
Midnighter And Apollo #2

Nov 3, 2016

Steve Orlando packs this issue with just the right blend of humor, heart, weirdness and ultra-violence.

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8
Midnighter And Apollo #5

Feb 2, 2017

At this point readers just have to accept that this series, despite its name, doesn't offer much in the way of Midnighter and Apollo actually interacting. It's a little too direct a continuation of the previous Midnighter book in that regard. But writer Steve Orlando does highlight the strong love that unite the two heroes, even if Apollo himself shares but a fraction of his lover's page time.

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9
Midnighter And Apollo #6

Mar 2, 2017

If this is the last we'll ever see of Midnighter and Apollo in the DCU (as is seeming likely at this point), i's a fitting send-off.

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6.8
Mighty Avengers #5

Oct 17, 2007

By and large this issue is more of the same. More witty exchanges. More annoying thought balloons. More disturbingly alluring shots of Ultron. It won't exactly win over a legion of new fans, but the overall execution has improved to the point where persistent readers will finally start to feel rewarded.

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6.8
Mighty Avengers #6

Dec 19, 2007

So I have a lot of nice things to say about this finale issue, but I could throw out at least as many complaints. I'll keep them brief for fear of sounding like a broken record. Basically, this book in no way lives up to its sister series, New Avengers, which has its own fair share of flaws. The team dynamic isn't nearly as interesting, the types of threats they face pale in comparison to Skrulls and The Hood, and the overall execution is just disappointing. While Bendis makes some inroads into rectifying these problems, it may come as too little, too late for readers who have been hanging on since March.

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6.5
Mighty Avengers #7

Jan 9, 2008

While it's nice to have an artist on this series that is more than capable of meeting deadlines, I'm not going to pretend I don't miss the sexy artistic stylings of Frank Cho. Until the alien symbiotes finally show up, Bagley's art never really stands out. Bagley was always better at drawing relatively realistic, down-to-earth heroes rather than iconic, muscular archetypes. The problem is that this series is staffed chiefly by the latter. It's hard to blame Marvel for wanting to get this series out on time for a change. I just hope that the eventual regular artist, if there ever is one, will manage to merge the best qualities of both Bagley and Cho and give this series a serious makeover. Until then, I'll continue to question why Mighty Avengers needs to exist at all.

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6.4
Mighty Avengers #10

Mar 12, 2008

Overall, I'm not liking the direction this series is headed in. The worst part is that the ending of this issue only ensures that yet another massive shakeup will occur next month. I'm keeping my fingers crossed that Secret Invasion will dictate the folding of both Avengers books back into one, because little about Mighty Avengers is justifying its continued existence.

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9.3
Mighty Avengers #12

Apr 23, 2008

For the first 11 issues of this book part of me has wondered why Mighty Avengers exists at all. For once I'm able to quiet that little voice in my head. Perhaps this issue doesn't completely justify the book's existence, as the story could have just as easily taken place in New Avengers. I don't really care. Tie-in books like this make the entire Secret Invasion blitz well worth it.

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8.8
Mighty Avengers #13

May 7, 2008

I'm hopeful Secret Invasion itself will pick up next month. Even if it doesn't, the event has already given birth to a handful of memorable tie-in issues. The core event can crash and burn, but with books like this the whole experience will be worth it.

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7.1
Mighty Avengers #23

Mar 25, 2009

One thing I'm hoping for as the artistic roster changes is a more consistent look to the pencils. Khoi Pham hasn't exactly been at his best in this series. His pencils are much more rough than what I remember from his Incredible Hercules work. His facial work has admittedly improved from earlier issues, but there are still more than a few wonky panels to be had. Pham also seems much more adept at certain characters than others. His Iron Man and US Agent are dumpy-looking, while Pym and many other supporting characters look pretty snazzy. I'm not quite sure what to make of it, but I hope for a more unified look in the future. There's no reason Mighty Avengers can't carve out its own niche in the swelling Avengers franchise, but it has a few growing pains to shake off first.

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6.7
Mighty Avengers #29

Sep 16, 2009

This series has some pretty significant problems at the moment, but it's not as if they couldn't be addressed simply enough. Slott and Gage have the scope and scale down pat. With a greater focus on characterization and fleshing out of background faces, Mighty Avengers could truly live up to its name.

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7
Mighty Avengers (2013) #1

Aug 20, 2013

The less than ideal art style will likely be an ongoing concern for this series. But at least this first issue succeeds more than many as far as establishing a new team dynamic and unique voice. The best that can be said for Mighty Avengers #1 is that it should leave readers eager to see what's in store after the event tie-in is finished.

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6.9
Mighty Avengers (2013) #2

Oct 2, 2013

Two things would help Mighty Avengers at this point. The first is a shift away from Infinity so that the cast can have a little more room to breathe and interact. The second is a switch to a different artist with a more versatile range of facial expressions. But at least the first is a foregone conclusion.

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7.2
Mighty Avengers (2013) #3

Nov 6, 2013

As usual, the main, glaring weak spot in this book is the art. Greg Land's photo-referenced figures do nothing to enhance the action or the scenes of banter and bickering. His trademark poses continue to crop up, and his characters often display broad emotions that aren't particularly well suited to the tone of the dialogue or the situation at hand. A book like this needs more visual subtlety at times to offset the bombast.

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8.1
Mighty Morphin' Power Rangers (2016) #17

Jul 19, 2017

It's clear from this issue that Mighty Morphin Power Rangers won't be immediately rushing into its next major conflict. And why should it? This chapter serves as a chance for the team to regroup and come to terms with a world free from giant monster attacks. It's an enjoyable, attractive book that makes the most of the newly reunited cast.

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8.6
Mighty Morphin' Power Rangers (2016) #18

Aug 23, 2017

The new Power Rangers story arc is off to a strong start. This issue brings a little added darkness to the series, but in a way that enhances the fun rather than distracts from it. This issue plays out as much like an '80s horror movie as a traditional Ranger romp, and the darker, more unsettling take on Finster is already paying off for Higgins and Prasetya. 18 issues in, this series continues to serve as just the sort of modernized update the original Power Rangers deserve.

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8.4
Mighty Morphin' Power Rangers (2016) #25

Mar 28, 2018

Mighty Morphin Power Rangers #25 kicks off the "Shattered Grid" storyline on solid footing. This issue hints at the massive scope of this event, but the focus remains fixed on the core cast of characters and their conflict with Lord Drakkon. This issue is all about building emotional stakes for the conflict to come, and it certainly succeeds in that goal.

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8.8
Mighty Morphin' Power Rangers (2016) #40

Jun 26, 2019

Mighty Morphin Power Rangers #40 is both an accessible starting point and a potential game-changer for the series.

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8.6
Miles Morales: Ultimate Spider-Man #1

May 7, 2014

My one real concern with the direction of this new series is how much it lingers on Peter Parker himself. Peter's influence can be a storytelling boon, as in the scene where Miles reconnects with Mary Jane. But anyone who read USM #200 knows that the actual, physical return of Peter is being teased. This issue deals fairly heavily with that development and related threads. As much as Bendis has done to establish Miles as a worthy heir to the Spider-Man mantle, the worst thing this book could do is force him to play second fiddle to Peter. Hopefully, the fact that Miles' name is now part of the title means that won't be happening.

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8.3
Miles Morales: Ultimate Spider-Man #3

Jul 3, 2014

David Marquez's altered style suits the tone of the story well as he opts for a less clean and more textured approach.

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8.2
Miles Morales: Ultimate Spider-Man #4

Aug 7, 2014

The emphasis is more on action than story here, which is understandable when you have an artist of David Marquez's caliber. Marquez's newfound focus on detail and finer line-work really shines. Rarely has Ultimate Green Goblin looked so massive or imposing. The action is kinetic, and the emotions of various characters as they react to the carnage are raw and powerful. Marquez's art alone is enough to make this book worth reading.

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8.4
Miles Morales: Ultimate Spider-Man #5

Sep 17, 2014

The sluggish shipping hasn't done this book and its pacing any favors, but the wait always proves worthwhile when it comes to the visuals. David Marquez delivers another winner with his latest issue. Marquez's clean, expressive style benefits from the addition of more texture and shadow. Miles' world has only grown darker since the events of cataclysm, and Marquez's art reflects that without losing any of the qualities that made it so vibrant and engaging in the first place.

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7.1
Miles Morales: Ultimate Spider-Man #7

Nov 12, 2014

Still, this action-heavy approach does little to further the storyline. And the result is that Bendis doesn't have enough room to satisfyingly wrap up Peter's current character arc. There are some key emotional developments towards the end that really needed more room to breathe. Not to mention that the sudden reappearance of Katie Bishop is very abrupt relative to the rest of this issue. But at the very least, Bendis puts some threads to rest and finally begins moving the series towards new conflicts and back to a status quo that emphasizes Miles first and foremost. Hopefully the next issue will refresh things put this book back on track.

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8.2
Miles Morales: Ultimate Spider-Man #8

Dec 17, 2014

This is more gritty crime drama than superhero yarn. But Bendis certainly knows his crime stories, and the change of pace is refreshing after the drawn-out previous arc.

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6.3
Miles Morales: Ultimate Spider-Man #9

Jan 15, 2015

While these two issues didn't turn out to be the huge game-changers they were hyped to be, they've been instrumental in fleshing out Jefferson's past and his relationship to Miles.

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9
Miles Morales: Ultimate Spider-Man #10

Feb 19, 2015

This issue delivers an effective blend of humor, personal conflicts and bigger drama as Miles deals with his feelings for Katie Bishop and his first exposure to the menace that is Hydra.

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7.1
Miles Morales: Ultimate Spider-Man #11

Mar 12, 2015

It's unfortunate that this series dwelled so long on the opening story arc that brought Norman Osborn back into the picture. We've now arrived at the penultimate issue of the book (if not USM as a whole), and there's simply no way all of Brian Bendis' loose ends will be resolved by issue #12.

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7
Miles Morales: Ultimate Spider-Man #12

Apr 9, 2015

While Bendis will continue Miles' exploits in the Ultimate End mini-series, this book deserved a more complete and cohesive sendoff.

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8.5
Milk Wars: Mother Panic/Batman Special #1

Feb 8, 2018

So far, this crossover event is two for two.

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7.2
Milk Wars: Doom Patrol/JLA Special #1

Mar 1, 2018

Too much of this issue unfolds like a standard superhero slug-fest. It's only later on that the emphasis shifts back to the bizarre plot twists and self-aware moments that have made the crossover so entertaining.

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8.8
Milk Wars: JLA/Doom Patrol Special #1

Jan 31, 2018

Like most of the Young Animal line, JLA/Doom Patrol Special #1 is a little too weird and eccentric to be to every reader's liking. But if you enjoy a healthy dose of psychedelic imagery and fourth wall-breaking storytelling in your superhero comics, this issue won't disappoint. It makes the most of this oddball pairing even as it sets the stage for a wealth of new crossovers to come.

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8.3
Milk Wars: Cave Carson Has a Cybernetic Eye/Swamp Thing Special #1

Feb 22, 2018

Reading this issue is an unusual experience for a number of reasons, not least of which being that this is the first chapter of Cave Carson not drawn by artist Michael Avon Oeming. Tonally, that results in a much different story, though Langdon Foss' absurdist approach does suit the corporate office setting.

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6.4
Minimum Carnage (2012): Alpha #1

Oct 3, 2012

Not only is Zeb Wells absent from this Carnage adventure, so is artist Clayton Crain. But that shift is really for the best. Lan Medina's darker style better suits the realm Venom and Scarlet Spider inhabit. Medina is able to deliver a fitting blend of super-heroic action and detailed, lain back character designs. His Kletus Casaday doesn't resemble the gangly serial killer we've come to know, but otherwise this series is already a significant improvement over the murky, inconsistent visuals of Carnage USA.

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7
Miracleman (2014) #1

Jan 15, 2014

As long as you don't come into Miracleman immediately expecting the same caliber of work from Moore that he delivered on Watchmen or Swamp Thing, you'll find a thoughtful, intelligent look at a once-campy superhero. It's just a shame that Marvel insisted on cramming the issue with supplemental content and driving up the price accordingly. Wait for the trade, perhaps, but don't miss this chance to finally experience a classic.

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7.3
Mirrors Edge: Exordium #1

Sep 10, 2015

Mirror's Edge fans looking for something to pass the time until Catalyst's release could do far worse than this prequel comic. Exordium #1 offers a clean gateway into this free-running-driven sci-fi universe and an engaging portrayal of Faith. The visuals don't quite channel the unique vibe of the source material, unfortunately, but Exordium is far from the worst-looking video game comic ever published.

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9
Mister Miracle (2017) #1

Aug 9, 2017

Mister Miracle #1 is every bit as good as one would expect from a creative team of this caliber working with such a venerated character. Tom King and Mitch Gerads manage to blend the larger-than-life nature of the Fourth World with a very grounded and emotionally charged story of a hero at his lowest ebb. Regardless of your familiarity with the New Gods, this is a series that absolutely deserves to be on your pull list.

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8.2
Mister Miracle (2017) #2

Sep 14, 2017

This issue feels like it's missing a certain something, but at least it still works as an effective character study.

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9.3
Mister Miracle (2017) #3

Oct 11, 2017

Three issues in, Mister Miracle is unquestionably one of the best books DC is currently publishing. This series continues to offer a fascinating glimpse into the mind of one very troubled god. It manages to blend mundane human drama with epic cosmic spectacle and royal family intrigue. This is another beautifully rendered and expertly structured issue. The prospect of nine more is very appealing.

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9.1
Mister Miracle (2017) #4

Nov 8, 2017

Anyone not following Mister Miracle is missing out on one of the best comics of the DC Rebirth era. This particular issues manages to tell a gripping story despite unfolding almost entirely within a small, confined space and with a limited cast. The bitter rivalry between brothers forms the backbone of a tense, emotionally charged issue. Kudos to Gerads for keeping this issue so visually striking despite the "talking heads" format.

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9.5
Mister Miracle (2017) #5

Dec 13, 2017

It's fitting that the only series that can rival Batman as DC's best current book is another Tom King-penned epic. Mister Miracle delivers its finest issue yet thanks to this emotionally charged, intimate look at the romance between Scott Free and Barda. It's got humor and sex appeal, but it truly succeeds when it comes to highlighting the enduring appeal of this pairing and their ability to survive the worst the Fourth World can throw at them.

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9.2
Mister Miracle (2017) #12

Nov 14, 2018

Mister Miracle #12 doesn't provide many answers, but it gives the series the emotionally resonant finish it needed.

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5
Mister Terrific #1

Sep 14, 2011

With so many promising books debuting this month from DC, Mister Terrific doesn't offer nearly enough to stand out from the crowd. But if anyone can use his wits to pick himself out of a rut, it's Michael Holt.

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6
Mister Terrific #2

Oct 12, 2011

Where this book falters in in terms of characterization. Holt himself is a bit bland. As a billionaire-industrialist-athlete-superhero-sex symbol, he's almost too perfect without any foibles to ground him. Karen Starr's role is interesting inasmuch as the ongoing mystery of her Power Girl status continues, but beyond that she doesn't bring much to the series. The villain is particularly bland. With an entire main cast that fail to capture much attention, this book still has some serious hurdles to overcome.

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7
Mister Terrific #4

Dec 14, 2011

I hope one of the main lessons writers take away from these early New 52 issues is that narration and exposition need to be used sparingly.

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5
Mister Terrific #5

Jan 11, 2012

The series looks to return to relative normalcy with the next issue. Whether that's a good or bad thing is anyone's guess at this point.

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8.6
Mockingbird #1

Mar 9, 2016

Mockingbird's new series could have been a simple effort to cash in on the character's recent mainstream exposure. Luckily, it's something much more ambitious and unique than that. This first issue ditches convention and employs a compelling, purposely disjointed structure to offer a glimpse into Bobbi Morse's crazy life.

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7
Mockingbird #2

Apr 14, 2016

The unique story structure of Mockingbird #1 was that book's most distinctive element. These next several issues are tasked with filling in the blanks and shedding light on Bobbi's misadventures in between her various doctor visits. Unfortunately, this issue illustrates the drawback with that approach.

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5.8
Modern Warfare 2: Ghost #2

Dec 9, 2009

Let's end this review with a completely random pop culture reference. In a recent episode of Friday Night Lights, main character Matt Saracen had his artwork critiqued by a drunk guy in underpants. The drunk guy ripped Matt's figure sketch to pieces and held up a scrap of paper with a hand on it. The man said something to the effect of "This is the only part of your picture that doesn't make me want to puke. Concentrate on that". That's some sage advice right there. This series needed to be torn apart and the few worthwhile sequences expanded into the primary focus.

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4.3
Modern Warfare 2: Ghost #4

Mar 10, 2010

But good art can make a bad script more bearable, and that's what Lapham does for himself in issue #4. The writer turns in several pages of art for an extended flashback starring Riley and his father. Lapham brings much more style and flavor to his scenes, even if the material inside is arguable even less Call of Duty-esque than the rest of the book. At least here I can make believe I'm reading some lost fragment from Lapham's Young Liars. The writing has none of the charm of Young Liars, mind you, but the script does seem to slow down and become more readable once Lapham settles in to draw.

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8.1
Monstress #2

Dec 10, 2015

Monstress certainly looks and reads like no other book on the stands. It offers a deep, fully realized realm with its own conflicts and races and mythology. And thanks to Sana takeda, it's a realm with a very distinctive style.

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7.6
Monstro Mechanica #1

Nov 15, 2017

Monstro Mechanica is a promising debut for AfterShock's latest series. The Assassin's Creed similarities may help bring in a few more readers, but the real beating heart of this book is the compelling relationship between Leonardo da Vinci and his assistant, Isabel. Not every aspect of this book is as strong. The political backdrop is a little played out, and the art sometimes lacks a dynamic energy. But regardless, this looks to be the start of a fascinating story.

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7.6
Moon Girl and Devil Dinosaur #1

Nov 25, 2015

At times Moon Girl and Devil Dinosaur reads like two independent stories sandwiched together. Whether Lunella Lafayette needs to become Moon Girl to realize her potential remains to be seen, but there's no doubt that she's a fun and compelling addition to the Marvel Universe. This book has a lot going for it, but it needs to work to better integrate the classic Moon Boy and Devil Dinosaur elements into the conflict.

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9.3
Moon Knight (2006) #13

Oct 24, 2007

It's almost depressing that an issue so good comes at the very end of Huston's run on Moon Knight. I always wondered why, out of the countless pitches Marvel must have received to revitalize the character, they went with him. Now I can see. It may be a case of too little, too late, but I found it a compelling read just the same.

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7.4
Moon Knight (2006) #14

Jan 2, 2008

This problem could be alleviated somewhat if the writers would simply ditch some of the side characters for better ones. Why are "Stereotypical Ex-girlfriend," "Conflicted Former Partner," and "Creepy Guy in Sunglasses" even a part of the book anymore? None seem to add anything of substance to Spector's adventures. Maybe Moonie should head downtown and steal some of Spider-Man's Brand New Day friends. He appears to have plenty to spare.

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8.1
Moon Knight (2006) #15

Feb 6, 2008

But, like I said, it's not all rosy in Moon Knight's neck of the woods. On one hand, I think the art has improved greatly in the last month. Mark Texeira's distinctive style shines through much more, and it lends the book a very nice visual tone. On the other, I'm growing more and more annoyed at the amount of times I mistake one character for another because they're drawn so similarly. I don't understand why this has been such a consistent problem for every artist that has worked on the series. And, as much as I'm enjoying the registration conflict, I don't get the impression that the writers will be able to do much more with it. Either Moon Knight will get thrown in jail, leading to a ripoff of Ed Brubaker's first Daredevil storyline, or Iron Man will stop by for yet another brawl. Here's hoping I'm proven wrong on both counts.

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7.8
Moon Knight (2006) #17

Apr 2, 2008

Basically, everything good about this book stems from the main character himself. As such, my problems with the book pertain mostly to the supporting cast. Take ex-girlfriend Marlene, for instance. She was present for Marc's face-wearing dance party, and understandably ran off screaming into the night. Now she comes crawling back hoping she can "patch things up" with her psycho boyfriend. Then there's that one mysterious guy who looks like Dale from King of the Hill. Why is he still around? What was his purpose in the first place? I've never been able to figure that out. I'm also not too big on the current villain. Between this arc and the recent "Midnight Sun," I fear the writers are resurrecting old villains for no other reason than because they can. Moon Knight is great and all, but when he doesn't have two worthy supporting characters to rub together, the book becomes stagnant pretty quickly.

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6.8
Moon Knight (2006) #19

Jun 11, 2008

Still, it must be said that Moon Knight is in a better place than it was prior to this arc. Benson is well-suited to the series, channeling Charlie Huston's noir-flavored dialogue without its sillier aspects. And the art from Mark Texeira and Javier Saltares has grown on me with each issue. Though the series really should have fallen into its groove by now, I think the potential is still there. One of these days we'll find out for sure.

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8.2
Moon Knight (2006) #20

Jul 16, 2008

A huge draw of this issue is a guest stint by Mike Deodato, Jr. on art. I was admittedly worried about the actual quality of the pencils. Marvel has been throwing a lot of work at Deodato lately, despite the huge delays on Thunderbolts. The final issue of Thunderbolts felt rushed, and I was worried this issue would to. Luckily, Deodato is in fine form. His work is extremely moody and detailed – a perfect fit for Moon Knight all around. His rendition of Jack Russell in particular is amazing. I know Marvel has bigger plans for the artist these days, but I'd certainly welcome a longer tenure on the book. It would help me forgive a lot of the flaws that are sure to crop up as Benson returns to writing full-length arcs. You've come a long way, Moonie, but you're not there yet.

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7.8
Moon Knight (2006) #23

Oct 15, 2008

With little credit to its leading hero, Moon Knight is quickly gaining appeal for me. I'm very interested to see where this arc leaves the main cast. With any luck, "The Death of Marc Spector" will mean very good things for Moon Knight.

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8.1
Moon Knight (2006) #24

Nov 19, 2008

Note to Marvel - more of this, please. This is how Moon Knight should be.

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8.2
Moon Knight (2006) #26

Jan 21, 2009

The script isn't too shabby either. After attracting attention in a bare-knuckle boxing match, Jake accepts a commission to rescue the daughter of a local landowner to rescue his daughter. The mission is more than it seems, obviously. For one thing, Moonie has attracted the attention of Frank Castle, who for some reason has traveled down south... again. I'm not sure I approve of the guest appearance. It seems these days that Punisher is a quick and easy solution to drum up interest in Marvel's dark, gritty, and under-appreciated stable of books. This series is showing a great deal of improvement with this arc. It doesn't need the plug. Let's hope what failed to work for Foolkiller can work for Moon Knight.

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8.1
Moon Knight (2006) #27

Feb 18, 2009

While this arc offers a compelling, if not terribly creative tale, the real selling point for me is the art. I absolutely love Jefte Palo's style. It carries a stronger superhero flair than might be immediately apparent. Characters display a fluid sen