There's not much to say about Riccardo Burchielli at this point that hasn't already been said. He captures the look of a downtrodden and now war-torn DMZ like few artists could. This issue allows Burchielli a wider range than usual as events unfold on both sides of the DMZ border. Together, both Wood and Burchielli turn in one of their finest installments yet in the long-running series. Plenty of questions remain after the final page, and we can only hope that the oversized issue #50 will address some of them. Whatever the case, I can't imagine readers losing interest at this stage in the game. Read Full Review