Ryan Stegman's art isn't always an ideal fit for this book. There are times when a less stylized and more elegant approach to the character might work better, particularly with characters like Medusa. On the other hand, he crams this book with great action scenes (with Karnak making a spectacular entrance in one particular panel). And Stegman proves he's no slouch with emotional scenes either. The final, silent panel is a very effective way to close out the book. Read Full Review

The action unfolds here almost too close to what would be expected, and with the series heading into Secret Wars, a rapid resolution is needed to get all the various plot points wrapped up in time for the series to head into the crossover with its full attention. As in most cases of speeding through its own plots, this does a disservice to the series, which has taken the time to build characters, as opposed to racing by them. While it is to the detriment of this issue, it still manages to succeed on enough levels as to earn a passing grade. This is after all the same series that did so well so far in its dozen or so issues to establish these characters as never before in the Marvel universe. Despite the rushed approach here, it is still easy to care about these characters because the creative team have made them approachable in previous issues, and thus while not the strongest issue thus far, this still fits well enough into the overall narrative. Read Full Review

One theme that can be taken away from Inhuman is of people that are different, coming together as a family.There will be those who have their own agendas. But there is strength in numbers, especially for those who are different. Luckily, thanks to the Inhuman creative team, they have guided Medusa on her new journey as leader of the NuHumans. This version of their story may be ending now, but in essence, it is just beginning. Read Full Review