Every bad decision, every betrayal, every fart joke - they've all come back to haunt Deadpool. He's gone from criminal to outcast to celebrity and back to criminal, and as Captain America leads the biggest heroes of the Marvel Universe to take him down, Wade is forced to be his most despicable self ONE LAST TIME...
For over five years and more than a hundred issues Gerry Duggan has been putting words into the Mouth of the Merc with same...but all that ends in this TRIPLE-sized issue with art by longtime Deadpool collaborators Scott Koblish, Matteo Lolli and Mike Hawthorne! It's one last love letter to the character we love to hurt. Sorry more
Gerry Duggan and Mike Hawthorne bid farewell to Deadpool with a hilarious finale that sets up the incoming relaunch perfectly, despite an underwhelming conclusion. Read Full Review
The Despicable Deadpool #300 provides a fitting conclusion to a long superhero saga. Read Full Review
Despicable Deadpool #300 offers a poignant, bittersweet conclusion, one that captures the tone of this run perfectly. Read Full Review
A fun, surreal end of this particular story with an interesting set up for what's to come in the future. Read Full Review
I would recommend this book to Deadpool fans old and new, and theres really something special for you if youve followed this run. But even if you havent, and you want something so dumb, but in a good way, this is the comic for you. Deadpool is about taking your brain off and having a blast, and every once in awhile it gives you a touching moment, but after that, it may give you a fart joke, and I love it for that. Congratulations to all of the talented writers and artists that worked on this run and helped make it so fun and interesting. Now lets see what the next run brings us for the Merc with the Mouth! Read Full Review
We don’t often see creators stay with characters for as long as Duggan and Deadpool were together. While inventing a reset button for Deadpool might seem like a non-ending, it does leave a new creative team in the best possible place to work from. They can reference Duggan’s character-defining work without the weight of those developments. And for all we know, they could always retcon the reset. Wade Wilson is one of the more unique character challenges in the Marvel Universe, and this issue stands as a good send-off for a team of creators who rose to that challenge. Read Full Review
While I may be turned off from some of the more juvenile aspects of the book, there is a stronger than needed story here that will please longtime fans and tickle their funny bones with violent glee. Thanks for the laffs, Gerry! Read Full Review
Despicable Deadpool #300 checks all the boxes, delivers some surprises, and is the perfect punctuation for the end of Duggan's fantastic run with the character. Now that's all behind us and Deadpool will be getting his own "fresh start." Read Full Review
This becomes Duggan's goodbye to a character he has been writing a while similar to Brian michael Bendis' recent issue of Miles Morales Spider-Man. The difference being Spider-Man comes to an end with no announced plans except his inclusion in Champions. Deadpool will be coming back with Skotti Young with another number one (maybe a secondary legacy numbering like Avengers). Oddly Duggan leaves the next book with a larger sandbox to play in. One that I would say is a little too open. With the accompanying issues it made this goodbye feel better handled. There is a lot of reflection of the character that was developed over the years accompanied with action. There is a return to the mind museum in this issue which also provides a quick look bmore
Don't listem to that Jackass Joshua From Bleeding Cool. He's just a Simple hater.
This volume of Deadpool's adventures closes with a triple dose of gross-out humor, desperate hero-to-Deadpool combat, and heavy memory erasure following a spotlight reel of hypothetically "greatest" hits. This is thoroughly in line with the rest of the volume, so I expect it'll be satisfying to a fervent fan. That's not the way I'd describe myself, though, and in between these widely-separated covers, I just don't find enough memorable fun to call this a really good comic.