Fantastic work! Camp's take on crime and the age old question/theory of heat induced aggression as to why the hottest days can be some of the worst crime wise is intriguing. Camp pumps and pumps that balloon until the explosions (literally Metaphor = literal) happen at the end. Rodriguez keeps topping himself with every issue and drops some of the best art I've seen him do ever. The colors are way too good and everything on the page is there for a reason. Nothing wasted! more

I don't remember a book blending story/narrative and art this good at least not recently.

Impressive issue. Camp lands a lot here and Rodriguez does some serious heavy lifting with his art to deliver one of the best expressive art I've seen in a long time.

Just smooth and sucks you in. Camp and Rodriguez are great!

The first 3 issues from Adams/Hampton with that exquisite and super detailed art by Fernando Pasarin were an easy 10. It's delivered what super old school sci-fi space opera that can be a great movie but it quickly fell apart when the focus shifted to other characters and Sinestro and the artists changed. Why oh why do we still change artists and art style like this. It sucks the life out of a book. Don't get me wrong I like Simon Baz and Cruz and they can hold a book together but it's lacking here especially when the art change is jarring. more

Great comic booking by Waid picking old pieces and mixing them with nice experimental ideas. Clayton on art was fantastic. Many other aspects were weak but overall a nice collected comic book with an old feel.

This is was well done by Mark Russell. When reality hits you hard and you have to learn and adapt to the imminent truth that all ends so what have you prepared for it. Everybody got the treatment especially Lex. The Allreds always deliver and are a fitting art team for this story.

While this series makes for an interesting read and is juggling big ideas of what overpowered supers would be like if they existed in a parallel universe as ours during the past 70 years, I just can't get into it. Great concepts and intense issue 11 and awesome art but somehow I just don't find myself enjoying it. I'm out (not that anybody cared or needed to know that :)

It was good but man do we need a 12 issue series to really make the story work. Still I enjoyed it and Hickman's ideas with Ribic's art are always a winner. Those Venom and Sinister Alien hybrids were a chef's kiss!

This needs to be fleshed out. It has so many great angles and many plot points that would benefit from adding substance. But Sinister gets the spotlight and he shines like the evil son of a gun that he is. Ribic is goated so I forgive the weird faces sometimes because his art is almost flawless.

Man this needs to be a 12 issue mini. Gold nuggets all over just thrown away. Can be flushed more but that bleakness can drag on. Esad Ribic is at the peak of his craft. Svorcina finally turns up the colors and the hues are much better here.

This was well done from Hickman. Went in with low expectations and he built a world I want to explore more. Esad Ribic is a classic artist and always delivers! Svorcina's colors are tremendous as always but many pages are washed out with light or smoke but also I get what they were going for.

Hickmanesque issue at its finest. Gwen Stacy gets the Hickman treatment and my wish is MJ would too but I doubt she will. She is the straight line to the twisted one that is Gwen and we need both for a Spidey story to work. Marco Checchetto is absolutely fantastic and his work is synonymous with USM like Bagley was 20 years ago.

It does go down after such a hectic and tense issue. Still a very good book but the many story points that happen outside of the pages doesn't help develop characters that get a few panels or pages. MJ and the kids suffered the most in this series but I understand that Hickman focused heavily on the Peter Parker/Harry Osborn and Ben Parker/Jonah Jameson dynamics. With a set end point for this series many supporting people lack depth but it's not over and 1 issue could swing things around. more

Outstanding pacing and a proper USM comic book from Hickman. I'm glad we're not dragging the savage land hunt for 3 issues. Curious to know what Mysterio is up to. Checchetto's art is perfect and Wilson's beautiful colors are popping or subdued almost as well.

Great writing, ideas and dialogue from Hickman. Ambitious to throw the whole kit and caboodle so early on with the Sinister 6 but why not? Marco Checchetto is tight, detailed and beautiful as always. Never any corners cut in his art.

Deniz Camp knows how to get his characters to land the delivery here. This issue massively corrects for what V2.0 tried to divulge and gives me hope that V3.0 will be on par with V1.0 for how fresh it was. This book owes a great deal to Juan Frigeri on art and Federico Blee made it flashy.

Asgard is the least favorite part of Marvel for me and I don't usually seek out poetry but this story was well done.

This is a classic Waid issue. This is when I knew I'm here for the long haul. Dan Mora is insane and Tamra Bonvillain colors him the best of all.