Chris Sprouse turns in predictably excellent work. Once again, his art helps cast the illusion that Alan Moore is still pulling the strings and that nothing has changed. Sprouse's economical art style does work against itself in a few instances, though. The final third of the issue features two characters that appear very similar to one another, and Sprouse doesn't always provide enough distinguishing physical features. But that aside, Tom Strong and the Robots of Doom continues to be an enjoyable romp that does justice to Moore's legacy with the franchise. Read Full Review
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