THE RACE AGAINST TIME CONTINUES!
• WOLVERINE's got a brand-new suit, but she's the same claw-popping, sarcastic-quipping, efficient hero that we know and love.
• But now that the sickness is spreading, to what lengths will LAURA go to help the people in danger?
• Tune in, True Believer, and find out!
Rated T+
ALL-NEW WOLVERINE #20 starts off with a quarantine but ends with an unlikely piece of hope. Writer Tom Taylor writes a story that pushes Laura through horrror into a new role, and Leonard Kirk's art enhances the action and daredevil fight scenes. A strong, solid issue that hints at bigger things to come. Read Full Review
This story is getting intense. I don't know what Wolverine's next move is, but at least we know that, technically, the virus can be cured. I'm hoping all our questions will be answered, but we'll have to keep reading to find out! Read Full Review
This series made such a strong impression early on thanks to David Lopez's art, and it's never been able to meet that standard since. Read Full Review
All-New Wolverine doesn't have a place in ResurrXion, it seems, but she's doing an adequate job on her own with a mildly entertaining solo adventure. Read Full Review
It’s refreshing to see Laura fight something she can’t stab but this arc reminds me a little to much of Paul Cornell’s Wolverine for comfort Imao. The art fits the tone of this issue perfectly. As usual, All-New Wolverine has a ton of guest stars but Laura and Gabby always shine through
Laura may be the only hope of survival for Roosevelt Island thanks to her surprising virus-busting ability. It's a fun, fast ride. The plotting and the science underneath it don't hold up to careful examination, and artist Leonard Kirk reveals that emotional women's faces are his Kryptonite. Aside from those weaknesses, we get a pretty brilliant Wolverine adventure that flawlessly integrates Gabby into Laura's heroing business. Their interactions are a treat, and Ironheart continues to play a small but awesome role.
The arc began with a bold new direction and a really original story but this issue is weaker than last part. For me, Laura's characterization is sometimes rather failed. Also, the plot is weak and too simple: a new character arrives and arranges everything. However, I quite enjoy how Tom Taylor uses plenty of famous characters. Last issue made me regain faith in the series but I still don't know if I'll continue to read it: the next few issues will be decisive.
Kirk does some great covers, but boy does his interior work need some cleaning up. Weak, rushed art. Decent writing.
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