Reality has been undone, and Spawn’s job is to fix it—beginning with the repair of a historical tragedy that has been undone by cynical, self-interested forces. Spawn must journey to another time and place to battle angels and demons both, and oversee the sinking of the unsinkable ship, RMS Titanic, which now sits in dry dock in New York harbor as a floating museum!
This is by no means a bad comic, but its potential is stifled by inconsistent tone, poor coloring, and sometimes juvenile designs. I'm beginning to think McFarlane should interfere less with the script and more with the art department. Read Full Review
After Spawn #253 seemed to put the series and its new status quo on the right track, issue #254 left me feeling a bit more lukewarm. It's not that anything about this chapter is overtly bad, but more that it takes to long to accomplish what it sets out to do. Read Full Review
I'm tempted to actually call Spawn #254 a "so bad it's good comic" but it's really not, it's a so bad it's bad comic. The writing is circuitous and can't overcome the central inaction of the story, the artwork is choppy and exaggerated to ridiculous extremes, and the coloring is horribly inconsistent between the 4 different colorists. It's baffling to me though, that in 2015 you can put out 25 pages of a character refusing to do anything and charge people for the privilege of reading all the inaction. Read Full Review
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