But good art can make a bad script more bearable, and that's what Lapham does for himself in issue #4. The writer turns in several pages of art for an extended flashback starring Riley and his father. Lapham brings much more style and flavor to his scenes, even if the material inside is arguable even less Call of Duty-esque than the rest of the book. At least here I can make believe I'm reading some lost fragment from Lapham's Young Liars. The writing has none of the charm of Young Liars, mind you, but the script does seem to slow down and become more readable once Lapham settles in to draw. Read Full Review
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