While enjoyable, this crossover has felt a bit drawn-out, and the finale does little to justify that approach. Read Full Review

This crossover ends on a sour note for our main character but also for readers who were expecting a big finale to really cement the end of this chapter in Deadpool's life. However, it kind of just ends and is mostly cause by a character that hasn't shown up in Deadpool since All-New, All-Different Marvel began. It has decent art and it has a solid ending but it's not very satisfying in any sense. Read Full Review

The Deadpool/Shiklah breakup is finalized, gigantic property damage is downplayed, and the crossover ends with a sad trombone noise. This event wasn't worth putting three series on hold. There are some decent one-liners here and Salva Espin's art is excellent, but the plotting, pacing and characterization feel quite flawed. Gerry Duggan's way of writing Spidey is to dial Deadpool down from "R" to "PG," and the "character development" offered for Shiklah and Wade is more of a "enh, let's wrap this up already" surrender than a dramatic and satisfying change.