The Tomahawk backup makes up for the sporadic art quality, though. Phil Winslade's dramatic depiction of American Indian warfare is as gorgeous as anything you'll see in a DC book this week. The story here is nothing terribly special. But for a book where the visuals are too rarely a draw in either the main feature or the backups, this sudden boost in quality is welcome indeed. I'd love nothing more than to see Winslade take over the main feature for a while and give Moritat some time to focus on the finer details that his pages can often lack. Read Full Review