This final issue also thrives as much as the previous three have on the strength of Hicks' visuals. Her art style is far removed from the looks of the game, which helps give the comic its own sense of style and identity. Even though her figures carry almost Scott Pilgrim-like levels of exaggeration, the somber, violent nature of this universe is never in doubt. The art once again drives home the notion that it's better to try something different with any adaptation than rigidly adhere to the structures and limitations of the source material. Read Full Review

The artwork remains consistently good. Hicks' style isn't overly complicated or detailed, but visually expressive when it matters. She conveys an array of emotion when illustrating the characters' expressions, and knows how to build up suspense through lively panel work when the script calls for high-action scenes. Colourist Rachelle Rosenberg sticks with just the right palette of dark and murky hues in order to effectively portray the grim universe; and artist, Julian Totino Tedesco delivers another beautifully illustrated cover for the series. His work always hits the mark. Read Full Review

You still have plenty of options on how to buy this series: back issues, digitally or you could at this point wait for the trade. If you're been following the series then please continue to buy the book since it would be foolish to miss out on the stunning conclusion. It's been a fun ride and I will definitely miss reading this series each month now that it's over. Read Full Review

For anyone who was a fan of the Last of Us video game, this is a great pickup. If you are not familiar with Last of Us, you may get lost trying to decipher the plots, themes and characters. Although there is a lack of Infected in this zombie horror mini-series, it gives a great deal of background to some of the main characters and the Last of Us world. Neil Druckmann and Faith Erin Hicks do an excellent job aligning their comic to the video game. Read Full Review