Great stuff. Still love this book much more than amazing spider-man, since it keeps that grounded tone that makes not just Peter Parker Spider-Man fun, but any Spider character really. This is all about just Miles and his uncle working their way to the hospital to see the birth of Miles's sister, and each situation they run into is fun stuff. The art is also good, I would highly recommend this series. more

This issue is not too good, this one and the last one to be honest. The art in this doesn't even come close to Gleason, and the story has already run its course, and it's literally been only 2 issues, they're really trying to push the 2099 banner to come back, and while that would be great, I don't trust any of the creators to make good on their promise of this series. I hope Spencer can get back to the Peter Parker angle he was working with in the first 20 issues of his run because right now, for me at least, it's running into similar problems as Slott's run, where he ran out of ideas very quickly and just put Spider-Man in the midst of ungrounded and very unrealistic situations. more

I think Coates has successfully reeled me back in. As long as he continues to have something to say, I'm on board. This can turn into a bad book if Coates's writing feels uninspired, so it's crucial that he maintains this going forward.

Surprisingly not terrible, given how much I hate this series and action comics. I felt genuine emotion when Clark revealed his identity, but framing it around Adam strange felt odd to me, thought it'd work better if he was speaking to a more important character. I liked the setup for the ending, but this looks like it's all going down a very generic path. I like Ivan reis a lot, I think he's a very talented artist and should be given more credit where it's due. more

Very good imo, and I'm not a king apologist. I don't like his Batman run, but I don't hate it either, this is much better than his Batman run but not even close to what he has written in the past. The reason this works, and this is the same reason why Batman universe works, is the format doesn't allow for any decompression at all. The narrative must keep moving forward in service of good plot and character moments when constricted to 12 pages, which was how long the original Walmart comics were. Therefore, this tells its story, and does so in a way where it's accessible and easy to follow, while also allowing the reader to understand why Superman does what he does. Good recommendation as a stand alone out of continuity story more

Great ending and a great series overall. The reason this works even though it was written by Bendis, is because of the original length of the Batman Giant book. Each book could only be 12 pages, so Bendis could not rely on his standard decompression seen in many of his other books. That works with this series and hopefully it teaches Bendis how to write his other books better. The art of course is amazing, Nick Derington's visuals never disappoint. more

You know what I realized... Daredevil is the luckiest Marvel character. He's been graced with some of the most amazing creative teams in history: Miller, Bendis/Maleev, Brubaker/Lark, Waid/Samnee, Soule, and now Zdarsky. All of these runs are unique, tell a unique story, and are all entertaining well written amazingly drawn runs. I need an omnibus of this run as soon as it ends (which hopefully wont be for a long time) more

I liked that we finally got some answers to flashpoint Batman, but his motivation is unconvincing. He clearly knows this is not the same universe Batman as flashpoint so he can't assume it will all turn out the same. Also the art was not good, especially with an egregious error in coloring flash's suit that caused a ton of confusion.

Fun stuff again, I can only write that so many times, u should pick the series up and put the justice league animated show on in the background

More world building. This series seems to be taking it's time like hickmans avengers when that started before that ramped up after infinity, and I have the patience for it, I know many people probably won't, but I can enjoy it for what it is, especially when it has good character moments throughout

Morrison has no filter and no chill towards his fellow DC workers at all. This issue was a delight to read especially as someone who doesn't like the direction of any of the main books written by Tom King, Scott Snyder (to a certain extent), and mainly Bendis.

Ben Percy and Wolverine: probably a match made in heaven at this point. Mr Snikt has not gotten a lot of love since Jason Aaron nearly a decade ago, and it's nice to see him in his element. Can't wait for Percy's Wolverine in February. However, for now, this book will have to do, and this issue was great, much better than the first. I like how they are doubling down on Xavier's death, even though we all know he's coming back. At least provide some intrigue, which they are doing. The art is also really detailed and fun, that last panel with Domino is a little frightening which was fun to see. Good book, easy recommend. more

Probably my least favorite issue of the run so far, mostly due to the switch in art. Eaglesham is a master of the 60s 70s vibe arrt that is great to see in a fun comic like this, but Scott Kolin's art just doesn't get there for me. Not to say it's bad, it's perfectly serviceable, but Eaglesham is what really was making me love this series. The story is good though, with more revelations regarding Billy's family and dad, I don't like that the Shazam power is becoming less special, after the New 52 ending and now this, it seems like anyone and everyone can get Shazam powers, which makes Billy himself seem redundant and not as unique as he should be. Another small complaint is that the series gets delayed so much, it's hard to see how this series will be continuing after 12 issues. It seems like Geoff Johns is getting the short end of the stick at DC right now, while Scott Snyder and Brian Michael Bendis continue to push out stories like a factory line, resulting in varying degrees of quality. more

Like many others have said, this is a great improvement over the first issue. If Hickman continues to write Sunspot and Cannonball, I'll be a happy man. The comradery between these two written by Hickman is great, probably one of the best things to come out of the Avengers run that he did as well. The art continues to be great, and I love the light hearted tone of this story so far, I hope it continues, and Hickman can just have a breather between planning out world building events in X-Men and the rest of the X-Men relaunch. more

YES! YES YES YES!
Vic Sage is back, wow what a great first issue. Lemire's amazing writing makes this issue such a fun and interesting read. It immediately starts off with action and witty dialogue and doesn't let up from there. The art is fantastic also, with some comics industry legends behind it, I can't believe this is a thing to be honest.

can the main dc series get the talent that series like this is getting? Seriously this is fucking hilarious stuff and light hearted tone that comics should be, not the dark brooding nature that everything seems to strive for. I still don't know if this is out of continuity, I assume it is because there's so much going on that doesn't gel with what's going on, but I am all here for it. I also love the art, very simplistic, but not in a bad way. Services the light tone that the book is going for. Easy recommendation more

Not bad, but decompressed as hell. This is still the decompression we've come toe xpect from this run, but this issue did hit the emotional resonance that it promised. I'm a sucker for Alfred-Bruce stories, and this did touch me a little, albeit until the end, when it goes to what we expect, another confrontation with Flashpoint Batman. Hopefully the next issue will answer how he got here or what he wants, as it promises. more

Liked it! The story continues to escalate towards an exciting finale. I kind of wish the art was better though, I have no problem with Francis Manapul, but Jorge Jimenez is my preferred Justice League artist on this run. I hope this ends in a great way

idk why i thought this but when i heard this was coming out i thought it was murphy on art that was colored by Janson, not Janson doing all the art. Some parts the art is tough to look at, especially the end with Harley and Batman, but the rest of it is serviceable. What is great about this issue is the story, which gives Mr. Freeze an interesting backstory and motivation in this universe. Ive always liked Freeze more when hes a sympathetic character rather than a supervillain, and this was really good in showing why his tragic backstory. more

Enjoyed this quite a bit. The dialogue and the characters are really what makes this series good. Kitty becoming ultra confident works and she's a great main character to follow along with this group. Her transformation into the Red Queen was pretty cool, and the outfit is also great. Love the art. keep going with this quality!

Eh, I guess the Batman who Laughs is still nigh unstoppable, and is more powerful and unstoppable than any villain Batman or Superman has ever faced before. Also Supergirl grabbing that batarang, and Batman and Superman not saying anything about it was really dumb. Art is still amazing though

ill give credit to DC when it's due. Original concept, original character, handled well, and separate from the DC universe. Good start. I guess Jo might be the 5G green lantern that they're gonna try to push, and this might be the first character that I'm on board for that. The art is great, the story is interesting, the dialogue is good, keep going DC. stop with all the DC universe changing events, make it more grounded and relatable please. more

Awesome. Ennis is back on Punisher, what more can I say? If you've read Ennis's other punisher runs, you'll know you're in for a treat. Picks right back up like he never left with the smart witty dialogue, great action sequences, and interesting mob plot lines. But the art isn't as good as the other runs, it's still pretty good, just not as good as Steve Dillon's. Great recommend and great start to what should be a great miniseries (and hopefully return to Punisher :D ) more

Terrible. Who cares? What was the point of this series? This series provided nothing interesting to go off of for the DC universe except more stuff for Bendis Superman. This should have been all within those 2 books instead of its own event. The reveal is presented as some big reveal throughout the series, but it's some minor B character who I guarantee most people, especially readers today, have never even heard of. Not only that, the reveal does nothing to change the DC universe at all in any major way. The only redeeming factor of this series/event is the art, and Maleev's art here doesn't even come close to the stuff he did on Daredevil at Marvel. What a wasted event. DC events lately have been truly awful, with this and Heroes in Crisis more

a lot of cool ideas, but the weakest of the bunch so far. The plot really needs to pick up for me, especially since I don't care about Kwannon at all really. Cable does not need to be in this book, and I also don't like the way Laura is written. But the overall plot and mystery I enjoyed, and the art was pretty good. I'll read for a couple more issues to see if this will still be in my pull

Great. Hickman was telling the truth when he said each issue is a one and done, and that's refreshing in the current landscape of comics imo. Everything is great here, love the art, the dialogue, the story,the world building. I've never seen someone write cyclops and his kids this way before, like an actual family. Cyclops has more or less treated these family members as usual team members since they're usually time displaced, but this was very entertaining and humorous. more

Quick review of another series i missed. Loved this, honestly love these miniseries that Marvel puts out. Kibblesmith has done good work with this and Loki. Loved the DC Universe easter egg

Dear Scott Snyder,

Why did you have to include Earth 3 in the page with the reactions to Doom's victory? I thought that everyone was clear after Bendis fucked up with his little "Superboy-wormhole-Crime-Syndicate-in-the-past" bullshit, but you just had to mess it up again didn't you!

So I guess Forever Evil didn't happen now? One of the best line-wide events in the decade has just been erased from continuity just for this little mention?

I don't care if you destroyed the Gotham by Gaslight universe, orif you showed my boy Catman, or if you did a little Watchmen reference at the beginning of the book, I just want my MAZAHS!

-SONOFBATMANN

Besides that, the art was good but the plot was just set up. more