This entire experience felt rushed and disjointed, exhibiting lazy art and storytelling. As a dedicated Thanos fanboy, I found myself questioning the purpose of this. While I generally try to appreciate most things to some extent, I couldn't overlook the shortcomings of this particular mini. My reviews usually lean towards a higher average, but this was undeniably subpar.

I'm willing to revisit all four issues to confirm my initial impression, but upon completing the fourth installment, the storyline appeared utterly nonsensical. It felt like listening to the incoherent ramblings of a gas station panhandler before ending abruptly and them asking for spare change.

On paper, the concept boasted cool elements like the new illuminati, Thanos versus Death, cosmic consequences, and the potential for a significant Marvel storyline. However, the execution across the four issues left much to be desired. It seems as though something must have transpired behind the scenes, possibly a pivot within Marvel's editorial decisions. The lackadaisical nature of this entire miniseries is perplexing. more

On its own merits this issue is an incredible Star Wars-style space opera full of big drama and feeling and cool starfighter battles, but lingering in the background is the sense that while the 100 year gap is simply, clearly and effectively communicated (unlike certain other issues of this crossover I could name) we're getting a mere summary of the sorts of passions that were so powerful in X-Men Red and Immortal X-Men, the structure leaving space for little more than a rough summary of things like Irene & Raven's drama. But whatever complaints I have about the cost of the overarching structure, this was nevertheless solidly the best issue of the +100 arc more

beautiful!!

Gillen makes Destiny a writer.
This era of X-MEN is turning out to be everything I hoped after House/Powers of X, after two years of ho-hum series; this was worth the wait.

Just a masterpiece. If we were going to have to wait decades for Marvel to explicitly acknowledge Mystique and Destiny's relationship, at least Gillen & Werneck are paying it off with one of the greatest romance stories in comic history. Even if everything else about the current era was terrible, it would all be worth it just for Immortal X-Men and X-Men Red

Wow, This was a wonderfully told love story, one of the best ever written in a marvel book. If not all of comics. This is the X-men version of "The Constant", a beloved episode for all the "LOST" fans out there. Gillen has perfected destiny's voice here, her motivations. This was a hauntingly beautiful read, i could here the orchestral score in my head swelling with the turn of each page as the story weaved in and out of its threads. Truly engaging from start to finish. Bravo Gillen, Bravo. more

This was awesome, chilling off knives in the fridge with leftovers is fantastic. The action scenes in this book are top notch. The art in general is quite good. Aaron seems to be the writer of the month to dog on, but i always enjoy his work personally. With punisher being no exception. The reasons for aligning frank with the hand, and changing the logo, makes sense here. Great first issue.

Finally caught up!

This book is so much fun; ribic's art is phenomenal and Gillen is so good at crafting a narrative cerebral enough to digest without extraneous prereq of continuity porn (the two one shots Thanos Rises & Celestia did the exposition weaving extremely well for someone who hasn't read a lot of marvel.)

Excited for Judgement Day!

Eternals has been one of my favorite on going series from marvel, and this issue is no exception. The Thanos stuff is exciting for fans of the character. This issue will not win over new readers however, its very on brand with everything eternals has been giving us. Its talkie, its punchy, and it juggles a lot of characters and mythology. With all that said, I'm docking all the points based solely on one depiction of Carol Danvers, or should I say Ole grandpa Carl Danvers. Esad is so much better than one panel we get in this book. Lol, I know its probably killing him that it made it to publication. Grandpa Carl for the win. more

HOLY MOLY FISK.

Do you guys remember the door scene in DD Season 1? One of this moments in this book is like that. Just switch the words "embarrased me" to "you messed up my mind".

This issue is what an event should feel and look like, Checchetto's art is captivating. I love that devils reign is a Fisk story above all else, and he really shines here. Focused and brutal. The hero moments are a fun b side, with some amazing splash action.

Sabbatini's art felt messy or unfinished at times. But that is my only problem with this. I really liked this one.

The story and art are at extreme odds in this book. Otherwise I would give it a 10, because the story is that good. Sabbatini's art isn't bad, its just entirely miscast. Moon is a force of nature here, reminds of Rorschach and the watchmen prison escape. If we had Alessandro Cappuccio on the art, or any other number of available artists, we are looking at a classic moon knight one shot. Which it still is, by way of script if you ask me, even if it ends up looking like a Saturday morning cartoon. What a huge missed opportunity. more

I am normally a fan of spectacle. When things are non sensical, outrageous and ridiculous I usually find the charm and have a good time. This was almost that, i will say the art is rather good in this issue. However the dialogue is bloated and empty. There is no meat to this story outside of "prime" Otto, whos depiction I enjoyed. As a whole, No meat, just a bag of bones clanging down the stairs making noise. more

This run is the best kind of escapist insanity. It is nuts, nothing makes sense and I love it. This is the kind of mindless fun I need sometimes. From jump, thingy boy Ben has been punching his way through a rolodex of WTF moments. The escalation of shenanigans here is hilarious, like.....why Ben, and why all of this. Mosley must have had the time of his life accepting the green light of this project. Cracked his knuckles, cocked his hat to a tilt, poured an aged brandy and said "let's get weird." Don't compare this series to anything Ben Grimm before it, abandon what you know about him. Turn your brain off and strap in. Because this series is fuggin great. more

Great Issue by Jed MacKay as expected.

You’ve heard of the expression “a series of ups and downs”???

That is the perfect way to describe the Beyond era. Some weeks, I am like “yay, this is awesome” and others I am like “okay, enough, bring Peter back full-time”.

This is the latter.

Okay issue. Poor Pacing. Art was decent. But feral lizard was good to see.

the story's fun, but the art is such an issue here. Sara Pichelli is amazingly talented, her work on Miles Spider-Man is some of the best art in modern comics. She also gets the excuse of losing her main colorist Justin Ponsor, which is a tragedy. However, her art in this issue just looks insanely lazy. The art also feels so rushed, and this is where most people would say that's because of the weekly release schedule. But each issue has had different pencillers mostly. I don't know what else to say. Other than that, the story is pretty good, but I would hesitate to recommend this issue solely because the art is not good at all. more

It was fun and bit of change from the previous ones. This beyond series doesn't have one unique identity by design and it suffers for it. Kelly Thompson does good and has many good quips but the way the issue goes around itself to get to the end was forced. Sara Pichelli style has changed and she can't finish issues anymore because of her back injuries. It's good but it has changed. The second artist change was jarring and took away from the issue overall. more

Ben out there giving us another "see ya chump", i guess he missed the part where that is his problem. Is the end of Beyond him coming full circle and becoming Bully Maguire?

Kelly Thompson is one of my favorite writers working in comics today, and while the issues she wrote for beyond so far haven't been close to some of her other works like Hawkeye, Black Widow and Captain Marvel, it's still fun and a good read. Beyond has been a very fun arc, but the inconsistency between issues can be a problem sometimes, it's not the worst thing in the world but is disappointing to go from consecutive amazing issues like 75-76 and 89-90 to just a couple of fun issues.

I must say however, something is off about Sara Pichelli's Art and i can't quite put my finger on it, i don't know if it's rushed because of the tight schedule or if it's the colors, but it feels inferior to her stellar work in Ultimate Spider-Man, even her more recent works like Fantastic Four and the JJ Abrams god awful Spider-Man Miniseries feels more consistent. more

I use to really enjoy Sara pichelli’s art but lately it’s been going down in quality. I didn’t even realize it was pichelli at first. While not the completely bad, I did find myself thinking the art was bothersome at times throughout the issue. Otherwise I thought it was a great issue!