While paired with Di Nicuolos art, the book plays up the hyper-stylized art to tap into the uncanny, making every design feel wrong and right all at the same time. Knight Terrors: Nightwing #2 is a proof of concept that a strong creative team can thrive with the limits of a short tie-in and gives a springboard for Nightwings character growth as the character returns to the waking world. Read Full Review

Knight Terrors: Nightwing #2 is a ride. Part prison-break story, part nightmare, part buddy comedy, part love story. And Scarecrow as a demented yet comedic sidekick is something the world didn't know it needed until now. Add some unique art and you have something that manages to be both terrifying and zany. Read Full Review

Dick Grayson makes short work of the nightmares that have plagued him in DC's line-wide event as ‘Knight Terrors: Nightwing' comes to an end. All the energy of the character is captured in this short story, choosing to focus a bit more 0n fun and strength than fear or horror. Overall a solid two issues give us more of the character that is one of the hearts of DC Comics. Read Full Review

Most of these stories follow a similar pattern, but what makes the best stand out is that they put us in the shoes of the heroes as they experience their nightmares and make us feel their fearand this issue hits that a few times. Read Full Review

Knight Terrors: Nightwing #2 has a lot going for it as it puts the title character through the paces. There's interesting psychology to unpack for both Nightwing and Scarecrow, giving it the extra complexity a tie-in like this needs to be a worthy read. Read Full Review

Grayson finds his way out of the nightmare and into something new. Its fun watching Conrad and Cloonan work with him, but the little bits of the extended cast in the periphery feel a bit stronger. The cameo with the Batgirls is excellent fun and a painful reminder that they no longer have their series. Cloonan and Conrad have added a nifty little corner to the Knight Terrors crossover event with a fun pair of issues that help round out one of the more satisfying summer events in recent memory.  Read Full Review

Knight Terrors: Nightwing #2 is a completely fine standalone story about Nightwing having a nightmare. Except for a brief cameo by Insomnia, there's nothing to connect this story to Knight Terrors, but surprisingly, this end to a two-parter has more grit and energy than the main Nightwing title. Maybe, Cloonan and Conrad would be a better fit than Tom Taylor. Read Full Review

Knight Terrors: Nightwing #2 was a middle-of-the-road book compared to all of the other titles for the mega-crossover at the moment. It wasn't the worst, but it wasn't the best (for me, that was Knight Terrors: Green Lantern #2) Images Courtesy Of DC Entertainment Read Full Review

Knight Terrors: Nightwing #2 delivers a satisfying ending to what ultimately feels like an inconsequential storyline for the title character. Daniele Di Nicuolo's art is great throughout and the book is mostly recommended for those interested in a more horror-comedy approach to Nightwing's stay in Arkham Asylum. Becky Cloonan's and Michael W. Conrad's script has some fun ideas in store, but the limited page count never really allowed this two part story from figuring out its tone and importance in the grand scheme of things. Read Full Review

Knight Terrors: Nightwing #2 gives this mini-series a satisfying conclusion. While the overall story couldn't break free from how inconsequential most of Knight Terror is at least provided with several good character moments for Nightwing, Oracle, and Scarecrow. The artwork from Daniel Di Nicuolo added the energy that Becky Cloonan and Michael Conrad needed to make this stand out among the army of Knight Terror tie-ins. Read Full Review

This issue has a lot to it, and it simply can't cover its bases in time. Read Full Review

Suffice to say, I wasn't a fan of Knight Terrors: Nightwing. I'm glad it was only two issues, but even for a filler arc, this left me desperately wanting to get back to the main storyline with Tom Taylor and Bruno Redondo. Read Full Review