Spider-Man #10 continues to show Slott's expert take on Spider-Man from the supporting characters, Spider-Man as a character, and new elements too, like Spider-Boy. From moments like Aunt May barging in on Norman to new elements like Spider-Boy, there's a lot to love in this final issue of the story arc. Read Full Review

Bagley delivers some great art in the issue. The visual style is thrilling, detailed and fun to look at. Read Full Review

IfSpider-Man #1ohad been focused more on telling a tense story in the moment rather than working to squeeze Marvel's latest obtuse and lazy legacy rebranding, it could have been a relatively strong Spidey story. Instead what you'll read here is something fun but wasteful. Read Full Review

Spider-Man #10 brings the brand new character, Spider-Boy, to the forefront while Spider-Man fights with his Spidey-Sense on the fritz. The action is typically good for a Spider-Man comic, the art is fine, and the resolution makes sense, but if you're only in it to get to know Spider-Boy, you'll get plenty of insight, both good and bad. Read Full Review

Spider-Man's "Maxed Out" storyline has felt like classic Spider-Man through and through, and while that feeling remains in Spider-Man #10, surprisingly those aren't the elements that made the biggest impression in the conclusion. Read Full Review

It's not bad, but that in no way makes it good or memorable.

The art takes a slight up-tick; in my opinion, the quality of the writing heads the other way.

This issue is fine. It's not bad, but its better and more tolerable than Zeb Wells run. Spider Boy is weird, he reminds me of Miguel O Hara with his powers. Maybe Dan Slott will make me eat my words. We will see