Becky Cloonan didn't dropped the quality of this issue. But when i was reading it felt like a "filler". There was no huge improvements in the plot or any important events for upcoming issues. On the other side, Becky Cloonan and Matt Horak built an amazing brawl fight between the Punisher and a few members of the Condor, gritty violence, pure fun and entertainment, almost like a western but with a significant amount of gore. Read Full Review

Steve Dillon differentiated facial angles and jawlines, distances between eyes, nose and lip sizes, chin shape and hairline. Just because they’re all drawn in the same style, doesn’t mean they’re not different. He was among the first artists to show different physiques and heights on different characters. He drew fat characters, skinny characters, buff, weak, flabby, and stout, aged characters and children that actually looked like children instead of tiny adults. Losing him was a horrible loss to the industry. Read Full Review

The final page is another example of how great Steve Dillon's art could be.

Here we have the final pages of Steve Dillon's artwork, Matt Horak helped out with art duties while Dillon was sick, and Horak completed the rest after Dillon passed away. If you look closely, you can tell which pages are Steve's, but Horak did a good job keeping the artwork relatively consistent. I particularly like the pages where wolves are attacking a deer, it must be imagery intended to communication Frank's inner self. The story is relatively unremarkable, it's mostly a bar brawl. The final page features an expertly rendered image of "Old Crone" whom I assume we'll learn more about soon. The structure and line quality of this page reveal Dillon's professional expertise and it's a good image to remember him by.