A fun story that mixes things up with two perspectives both of which are kinda crazy. Read Full Review

A little Rashomon trickery is used to expand three brief scenes into a full issue. The script delivers a fair amount of fun, but the differences between the "Spidey sez" and "Deadpool sez" flashbacks are too minor. A slow recap like this was the last thing the larger story needed. On the art front, Matt Horak takes responsibility for the flashbacks while Chris Bachalo handles the contemporary scenes. It's a good division of labor and the structure smooths the joint between their styles. This would have been an excellent time to call up a third artist so that Deadpool and Spidey's stories looked different, though.