"LAST KING OF ATLANTIS" War rages beneath the waves, from the lost cities of the Secret Seas to the fathomless depths where the Elder Whales reign. Seven kings, old and new, fight to rule the watery realm. But where is Namor, the once mighty Sub-Mariner? He's sitting behind bars on the surface, with no intention of ever setting foot in the seas again. So begins an oversized Atlantean event that will forever reshape the landscape of the undersea world while at last laying bare the dark history of Atlantis and its fiercest, most infamous defender. An epic that will redefine the King of the Seas in the manner of Jason Aaron's PUNISHER series! > Rated T+more
As no surprise really, Namor #1 is an excellent comic book issue. Jason Aaron really knows how to take a character and truly redefine who this character is for the foreseeable future, as similar to Punisher. Namor solidifies the abilities of Jason Aaron as a storyteller and along with Davidson & Lins, give us a Namor we all hoped for and are excited to see where this journey goes from here. Read Full Review
At the end of the day, superhero comics should make you cheer under your breath and cause involuntary fist-pumps at the end of a good page. Namor had me doing both on a consistent basis. This is the Namor we've dreaming of and, if Aaron's history is any indication, this might be the start of a run that redefines the character forever. Strap in and hold on tight. Read Full Review
Namor is a great first issue setting up the Namor of now and how much he's changed since being a boy. He's a natural-born king whose people don't want him, but now they need him, which may return Namor to his once prideful place as an A-tier character. Namor soars in the way it captures Namor as an outcast and the familiarity with his life-in-transition existence. Read Full Review
Overall, this opening installment is a visually impressive and intriguing first chapter that lays the groundwork for a thrilling Namor saga. Pick it up if you enjoy complex anti-heroes and stories set in unique underwater worlds. If you're new to Namor, you might want to do some background reading first. Read Full Review
Aaron finds a way to turn Namors long standing character traits into a source of inner turmoil and even, arguably, a weakness. At the same time he sets Namor up as an outsider. The art team transforms the character as well, making him almost more average. When all is said and done, the creative team hasnt changed Namor in an essential way or made him more sympathetic, but they have humanized him. Namor #1 begins a story that takes a complicated, broken monarch and sets him on a path of potential redemption. Read Full Review
We find Namor at his lowest point, and it's truly ugly, but the situation under the sea is even more so, requiring our hero to face the ghosts of his past. It's an impressive start. Read Full Review
Namor #1 was clearly designed to set the stage. Giving us a broken Namor that needs to be rebuilt and the conflict that will do just that. Because of that, it does come off as a big tease to something much bigger. But Aarons style fits the voice of Namor quite well, and as cliffhangers go theres plenty of promise. Finally a new story for Marvels oldest character. Read Full Review
Artists Paul Davidson & Alex Lins contribute a lot to the story through their art, trading off between the contrasting time periods. Donaldsons present is scraggly and grimy, reflecting Namors situation in the now, while Lins takes a softer smoother angle befitting that of a young persons life, even if under intense scrutiny as Namors. Color artist Neeraj Menon alternates between each era as needed, which helps them feel of a piece with one another while also distinct. Color art can be such a subtle tool in comic art, and this is a great example of it. Read Full Review
Namor #1 is an interesting start to a miniseries detailing the early life of Namor and how his upbringing led to his recent downfall and possible redemption. Jason Aaron's script isn't perfect, but the concept is interesting, and the art teams work well together. Read Full Review
Plot
Namor is imprisoned in a maximum security prison for murderers and psychopaths with superpowers, the only detail is that Namor has not escaped because he wishes to be judged by the laws of society on the surface.
The prison is attacked by Manowar and King Crab, on Attuma's orders, Namor manages to defeat them but because he has so little water in his body, he weakens easily and is sent to the hospital. In the hospital he is visited by Stingray who warns him that Attuma is one of the seven warlords who want to be the king of Atlantis and that they need Namor to return to restore order.
Although Namor wants to remain in prison, the Government releases him because it is in the interest of the surface that WORLD more
Namor is a character that I've always liked more than I thought I would. Probably because he was mostly present in books I didn't care about (never cared for FF at all, didn't bother with Avengers much before Disassembled) but I did like him on the rare occasion he popped up in X-Men comics. With that said, I'm not overly familiar with most of his history or the politics around Atlantis, so most of the backstory this book relied on is lost on me. It was very interesting to see him wallowing in misery and the situation built around him being needed back in Atlantis sounds very appealing. Almost reminds me of the Warring States Period of China (or plenty of other points in history of other countries). Hopefully this series will run for amore
Not a fan of Aaron but let's see...
I'm a Jason Aaron fan boy, I'll read pretty much anything he puts out. Issue #1 was better than average comic, it wasn't great, but its worth checking out. It's got the same vibes as his punisher run. Which was decent and worth reading, but ultimately flawed.
Art: 3/5
Story: 3/5
Total: 6/10
I don't know who's idea it was to put Namor into prison, but it just doesn't work for the character. He's too smug to give up and since when can he speak fish? That's Aquaman's power. Are they now straight up stealing from Aquaman? The art is below average. The fight scene was okay, and Jason Aaron is hit or miss for me. He takes too much pleasure in deconstructing characters so he can mess with canon. I probably will not be continuing this series.
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