Ultimate X-Men #9 builds on the series' momentum, blending mutant action with cultural elements and character-driven storytelling. The heightened threat of mutants is palpable as Momoko deftly weaves together storylines, bouncing between the protagonists, the cult, and the high school setting. Each element reinforces the youth and inexperience of these characters, especially as they grapple with newfound powers. Read Full Review

Ultimate X-Men #9 is a significantly better issue. Peach Momoko keeps the pace and energy up while tightening the plot to focus on just a few threads at a time. Unfortunately, several threads that have big cliffhanger moments suddenly get pushed to the back burner, so the issue is fine, but the arc is disjointed. Read Full Review

Peach Momoko's Ultimate X-Men #9 builds upon the tension that has been growing over recent issues, expertly blending mutant action, cultural elements, and character-driven storytelling. Momoko weaves together multiple storylines that she’s been juggling since the debut issue, culminating in a thrilling showdown between Maystorm and Surge that takes up nearly a third of the issue.

As usual, Momoko’s artwork is stunning throughout the book, but this big showdown is definitely the highlight. With dynamic displays of power and evocative facial reactions that reflect each character's personality, Momoko shows that she’s not just someone who can draw static characters. Her action sequences can be just as meticulous and gorgeous.

Her distinct horror abilities also shine in a chilling scene where Shinobu/Shadow King) discovers this universe's Akihiro/Wolverine, revealing the sinister plot of the Children of the Atom. The cult's harvesting of Akihiro's genes to create mutant children raises the stakes, underscoring how far they are willing to go and the dire consequences of their actions. We also see that Surge is fully aware of what’s been done to her by the Maester and the other cult leaders. Instead of being angry about being experimented on, she believes it’s been the best thing that has ever happened to it. It’s a scary reflection on how much a cult can manipulate it’s members.

One of my favorite aspects of this series is Momoko's thoughtful inclusion of cultural Easter eggs throughout her stories and then providing context via additional backup notes. This issue included students preparing for the Bunka-sai festival at Irodori High School and offered a fascinating glimpse into Japanese culture. As someone with an appreciation for Japanese culture, these touches are a delightful bonus. I’m so glad Momoko has chosen to share these parts of the life she’s lived with us. more

the art is kind of shaky and I can barely see what's going on. But at least the story is engaging

At this point the story has become pleasantly complex. There are a lot of things going on at once and the world feels quite real. I was especially pleased that this issue seems to be the start of adding complexity to one of the characters that seemed like a pretty straight up villain to me until this point.

So f. boring. Jesus Christ.