While Warlock: Rebirth #4 aims to evoke the nostalgic feel of comics from the late 80s or early 90s, it falls short in fully developing its characters and their complexities. The supporting cast is underutilized, leaving readers longing for a deeper exploration of their potential. Nevertheless, the art stands out as a highlight, with a seamless collaboration among the three artists who skillfully convey the impact of each punch and successfully emulate the style of Marvel comics from the past. Although the issue has its merits, it ultimately falls shy of delivering a fully satisfying and well-rounded narrative. Read Full Review

Like the last couple of issues, this books feels devoid of soul. The story is painfully simplistic, and the characterization is baffling. For the second issue in a row, Adam Warlock gives up, and then gets a lazy pep talk that restores his faith in himself within a couple panels. It just makes him look like an idiot. Everyone else is one-dimensional, and the logic of the story doesn’t even make sense. Lim’s pencils are good, but I’m less and less impressed by them every time, because his talents are so wasted.