Auguste de Rivière is a knight lost in time. From the Dark Ages to the modern era, he pursues a cruel necromancer across time and space. But, somehow, Auguste has lived... and died... in countless times and places. What is the secret of his fractured existence? And are there answers that his companion, Jane Foole, might be hiding from him?
Trippy, magical, exciting and delicious storytelling makes this a must read. I love the story and visuals immensely. I hope this series never ends. Absolutely worthy of my highest possible recommendation. Read Full Review
Knights Temporal isn't reaching in deep with a lot of background or being a verbose kind of work. It's teasing a lot of tantalizing bits about the past, present, and future in a really engaging way but it is a bit of a lighter read, one that works well in this way. But it's paired with some really strong and appealing artwork from Fran Galan who captures the crazy in Jane's eyes so well but also the rawness of emotion out of Auguste when it's needed. It looks great, has some solid color design, and Dave Sharpee is playing with the lettering in some really fun ways even if I'm not quite sure the emphasis is place well in a lot of it. Read Full Review
Knights Temporal #2 is an issue that seems to be more concerned with establishing larger overarching stakes, rather than telling a more concise tale that pushes the characters forward. Thankfully, at this point, those larger stakes are interesting and show a lot of potential in becoming an intricate and exciting story. Read Full Review
Could've been better.
Wow! That was execrable! Last issue took me five minutes to read and this one only took three minutes: that's $1.33 per minute of "entertainment". As value for money goes, this title is way off. It doesn't help either that it is really badly written. Cullen Bunn has written some comics that I really enjoy, but this is just rubbish. We jump around all over the place with dialogue that manages the triple feat of feeling inauthentic, not serving a narrative, and not actually having characters engage in conversation. And speaking of the characters, I don't care about them one little bit because Bunn has given me no reason to do so as they are barely even one dimensional.
The art is okay, which is why I've given as high a score as 3. more